Portrait of Humanity … Covid, Leanne & Ice Cream …

Stoked to once again be selected on the ‘Shortlist’ of the prestigious “Portrait of Humanity”.

The 2022 edition of the “Portrait of Humanity” awards have just been announced … and I’ve been buzzing about this for some time but was sworn to secrecy until Thursdays official ‘announcement’. … so pleased to be ’Shortlisted’ again for the International POH awards with my work “Covid Vax & Ice Cream” .

Now in it’s 4th ‘edition’ and organised by the British Journal of Photography, 1854 and Magnum … “Portrait of Humanity” has fast become one of the most select collections of portrait photography on the planet. 

The image of Leanne with her ice cream was made after she received a Covid Pfizer vaccination in her home from a team of roaming ‘door to door’ doctors and medical staff … followed by a pink ice cream van (complete with musical ‘Green Sleeves’ tones) dispensing free ice cream to the newly vaxed and the communities numerous children.

The portrait will be amongst the other short listed works published in the “Portrait of Humanity 2022” hard cover book printed by Hoxton Mini Press.

I was also stoked to be ’short listed’ in the first and second editions of POH a few years back and three of my winning portraits … “Aurukun – Generations”, “Ramnami” and “The Skin I’m In” where exhibited in the stratosphere above the planet and then digitally transmitted through the unending vastness of space, as a result.

My photo of Leanne and her ice cream was published in The Australian newspaper in October 2021 and further images of the home vaccination program were used on their Instagram account at https://www.instagram.com/p/CU_0dItvoAX/ .

Thanks to my (almost) unwitting subject Leanne at Yarrabah, who I’m sure will be as pleased as I am when she finds out ;-).

… and all absolutely nothin’ to do with the Easter Bunny 😉

Below – “Covid Vax & Ice Cream” © Image by Brian Cassey

6th Time Lucky … Sydney & The Walkley Awards …

Sydney … got there … and so stoked I did !!

On five occasions since the Covid virus reared it’s ugly head two years ago, I’ve booked to travel to Sydney for photography (and social) events … each time to be thwarted by new outbreaks, lockdowns or border closures. Seemed like it would never happen …

Then, in November last year, I received the fabulous news that my “The Yarrick Family of Kunhanhaa” image was selected as the Winner of the Nikon Walkley Portrait Prize. Epic. Not only that … but the Walkley Foundation contacted me and asked if I would present a Walkley Masterclass on photojournalism and portraiture as a prelude to the awards presentation eve, by then delayed and re-scheduled for Tamworth NSW in the first weeks of February. Of course … what’s not to like 🙂

With flights booked to Tamworth nervously waited and monitored the news of the latest Covid Omicron march across Australia. In January the Tamworth Country Music Festival was cancelled and the Walkley’s had no choice but to move their awards away from Tamworth and reschedule in Sydney later in February.

So … last week I actually flew to Sydney … presented my “The Portrait & Photojournalism” Walkley Masterclass at Macleay College to the assembled enthusiastic twenty plus audience throng … AND … had an absolute belter of an evening (and somewhat later) at the Walkley Awards.

Thanks to the Walkley Foundation, the International Convention Centre Darling Harbour and the Nikon Australia crew, it really was a fabulous evening … with an amazing’ collection of Aus based photographers … umm … ‘celebrating’ … and a recognition of my win in the Nikon Portrait Prize.

Hope I don’t miss anyone … but here goes with the Aus based media photographers who were also there and why …

Alex Coppel won the ‘Sport Photography’ category and ‘Press Photographer of the Year’, Andrew Quilty won ‘Long Form Feature Writing’, Dean Sewell won ‘Feature/Photographic Essay’, Brooke Mitchell won ‘News Photography’ … Finalists Jake Nowakowski, Justin McManus, Scott Barbour, Jason Edwards, Chris Hopkins, Michael Dodge joined other prominent photo media figures Mark ‘Crusty’ Baker (AP), Dean Lewins (AAP), Jeremy Piper, Tracey Nearmy, Matt Abbott and James Brickwood. Many of us were graciously hosted on the two Nikon Australia tables (and at the ‘after parties’ – plural) by Nikon Marketing Manager Kylie Dredge and Professional Marketing Manager Julie Kimpton. (Huge Thanks Kylie and Julie ! … and couldn’t ask for a better bunch of colleagues to celebrate with.)

Below is a little vid of the announcement of my Nikon Portrait Prize win (my third win in this category in the last ten years) at the awards last Friday eve. It’s very short as I was too busy nattering to photographer mates, hampered by a large glass of Shiraz in my hand and missed the start of the announcement. Oh well … (the sound is the best bit).

Clip © Brian Cassey (iPhone)

 

 

Documenting Mt Mulligan Mine Disaster 1921 for Aus Geographic …

How do you illustrate, in the middle of a pandemic, a story of a tragedy that happened one hundred years ago in a remote part of Australia ? That was the delightful challenge that I was set by Australian Geographic for their story in the just published March/April ’22 edition on the September 1921 Mt Mulligan mine disaster on Cape York Peninsula that took the lives of seventy five miners. 

Journalist Denise Cullen initially came up with the names of several people who had strong connections to Mt Mulligan both before and after Australia’s second largest mine tragedy in 1921. A couple were in then Covid Delta locked in New South Wales so ‘out of bounds’. 

However, most were fortunately in Queensland and so began a several weeks quest around the Sunshine State to find and photograph these fascinating individuals. I found and made portraits … and listened fascinated … as they sat and told me their stories in Cairns, Mackay and the Atherton Tablelands.

Ken Best worked in the mine up until it’s final closure in 1957 and told of older miners stories of ‘ghosts’ in the mine. Pam Millett’s grandfather had a contract to cart logs to the mine to shore up the ceilings and roof, and he was delivering logs at the time of the deadly explosion. Helen Scott and her family were the last to leave the mine settlement when it was finally closed and  ‘removed’. Desley Brkic’s grandfather was the first to witness the smoke from the mine explosion. 

Arguably, though, the most emotional image for me was found at the end of a journey to Mackay to photograph an object.

Stephen Smyth of the Construction, Forestry, Maritime, Mining and Energy Union (CFMEU) is the ‘keeper’ of an inanimate object that, for me, summed up the story of the disaster perfectly in a simple single frame … a battered ‘Waltham’ pocket watch that was on the person of miner George Doran James when he was killed in the explosion. The watch ‘stopped’ at the moment George, along with his son and seventy three others died at nine twenty five that morning. 

It was a pleasure to be afforded the time to portray and meet these fascinating people over a time frame that is rare these days … (Thanks AG and Editor Chrissie Goldrick) and to be involved in this story that is a part of Australia’s history.

Check out Denise’s story and my images (including two whole page pics) spanning ten pages of Australian Geographic print journal 167 March/April edition … on sale now.

Images – top – Desley Brkic reflects on the disaster at her home in Tinaroo, centre – the ‘Waltham’ watch, worn by a blast victim, that stopped at the moment of the explosion, bottom – ex miner Ken Best of Mackay.   © Brian Cassey, Magazine © Australian Geographic

Nikon Walkley Portrait Prize #3 … Yes !

… well, that was damn exciting and unexpected !

A few days ago received an email (proceeded by phone calls) with the great news that I’d once again won the ‘Nikon Walkley Portrait Prize’. Really stoked with that …

The Walkley’s usually announce the winners of the ‘Nikon Portrait Prize’, the ‘Nikon Photo of the Year Prize’ and the finalists of the other Nikon photographic categories during state capital evening ‘events’ … but Covid this year meant a much quieter disclosure via an 8am email.

Wasn’t expected anything … so missed the initial email and only learn’t that my pic “The Yarrick Family of Kunhanhaa” had been selected as the portrait prize winner when colleagues started ringing me !

The pic was made on Mornington Island (Kunhanhaa) in the Gulf of Carpentaria in far northern Australia … an indigenous community that is experiencing multiple ‘social issues’ mostly due to the tyranny of distance and … well …  being ‘forgotten’. Myself and ‘gun’ journalist Michael McKenna travelled to the island in December 2020 to document the story of massive overcrowding in the communities basic homes … and the image and story was published on page one of ‘The Australian’ (below).

Many thanks to Michael … and also to the ‘driven’ Mayor of Mornington, Kyle Yanner, who is single minded in solving the issues that have beset his community.

This portrait was also a part of my pic essay “Mornington Island – The Queenslanders Left behind” that recently won the ‘Photographic Essay’ category of ‘The Clarion Awards’ … Queensland’s media awards.

Also, huge congrats to brilliant Sydney Morning Herald colleague Kate Geraghty who scored the ‘Nikon Photo of the Year Prize’ with an evocative image of a Covid-19 patient that was also published as a page1.

Can’t forget the several of my colleagues that received the news that they are ‘Finalists’ in the remaining Nikon Walkley photographic categories who won’t now learn their fate till the big announcements at The Walkley Awards presentation night of nights in Tamworth in February 2022. I’ll be there ‘with bells on’ !

Below I’ve also posted images and links to my other two previous winning ‘Nikon Walkley Portrait Prize’ photographs in 2016 (here) and 2011 (here). Also just a couple of the links to all the Nikon Walkley winners and category finalists here and here.

STOP PRESS: Was interviewed in the days after the announcement by the Walkley Foundation’s Kate Burgess for an article in The Walkley Magazine. Kate’s work and my words may be found here … https://medium.com/the-walkley-magazine/spotlight-on-brian-cassey-1bfa58b91af8

Images © Brian Cassey

 

2021 Nikon Walkley Portrait Prize - Winner - "The Yarrick Family of Kunhanhaa' - by Brian Cassey

2021 Nikon Walkley Portrait Prize - Winner - "The Yarrick Family of Kunhanhaa' - by Brian Cassey for The Australian

'Abdullatif - Beaten Asylum Seeker' - Winner 2016 Nikon Walkley Portrait Prize - image by Brian Cassey

'Carol - Burne Survivor' - Winner 2011 'Nikon Walkley Portrait Prize' - image by Brian Cassey

Covid Vax & Ice Cream …

Every now and then there comes along a really rewarding story … and every now and then that story throws up a ‘special’ pic.
Last week, for me, this job threw up one of ‘em.

I thoroughly enjoyed being allowed to document the ‘door to door’ Covid-19 vaccination program in the far northern indigenous community of Yarrabah. Orchestrated by the Gurriny Yealamucka Health Service, the operation was startling and well organised … teams of doctors and health workers went from home to home to inform and vaccinate the indigenous population that had been lagging far behind in Covid-19 vaccination numbers.

Following behind the vaccination teams was a pink ice cream van … complete with musical ‘Green Sleeves’ tones … dispensing free ice cream to the newly vaxed and the communities numerous children.
In my favourite image of the day (top below), 67 year old Leanne Bulmer sits in her home with her ‘vaccination ice cream’ after receiving her shot of Pfizer from a doctor on her verandah. I nearly missed it … a health worker spirited Leanne a choc coated soft serve … and I overheard him casually mention it. Leanne was delighted to allow this portrait before her ice cream melted in the tropical heat.

In the second image Dr Peter Roach vaccinates elderly Yarrabah resident Raymond Davidson in his home assisted by health worker Belita Kynuna. The bottom pic shows 19 year old Sherrie Bligh as she is vaccinated by nurse Susie Jarman and enjoys her free ice cream at her Yarrabah home, watched by 2 year old Cleo Costello.

The story and two of my images (including Leanne’s) was published in Thursday’s ‘The Australian’ newspaper under the great head “Jab Blitz Proves As Easy As Pie With Ice Cream”.

The later publication of seven of my images and story link on The Australian’s Instagram account accrued over a thousand ‘likes’ …but, sadly. also led to a stream of readers ‘comments’ (inexplicably to me) highly critical of the vaccination program and the newspapers coverage.

Nevertheless, the ‘door to door’ program proved to be a big success with many residents having their fears allayed and taking the vaccination plunge. All that ice cream just sweetened the deal.

Images © Brian Cassey

 

'Covid Vax & Ice Cream' - images of the covid vaccine door to door rollout in the indigenous community of Yarrabah, north Queensland - by Brian Cassey ©

'Covid Vax & Ice Cream' - images of the covid vaccine door to door rollout in the indigenous community of Yarrabah, north Queensland - by Brian Cassey ©

'Covid Vax & Ice Cream' - images of the covid vaccine door to door rollout in the indigenous community of Yarrabah, north Queensland - by Brian Cassey ©

 

 

Mornington Essay Wins At Clarions …

Scored a nice tidy hangover … and Best Photographic Essay gong … at ‘The Clarions’ (Queensland’s media awards) presentation event at the Brisbane Convention & Exhibition Centre on Saturday eve.

A great evening honouring the best work of Queensland’s media industry over the last troubled year, it was also a brilliant opportunity to catch up with media mates and colleagues for a drink or two (honest!). To win the award for Best Photographic Essay with my work documenting the dire strait of the Mornington Island indigenous community in the Gulf of Carpentaria for The Courier Mail and The Australian was a very pleasant bonus.

The judges (for whom I have the greatest respect 😉 ) commented thus on my work ‘Mornington Island – The Queenslanders Left behind’ … “This series of images beautifully captures and communicates the plight of a forgotten community. Brian has included both dramatic candid moments and evocative portraits to tell the subjects story while seamlessly using a variety of techniques to create a moving connection to both people and place.

You will get a better look at the entire pic essay on my ‘Awards’ page at … https://www.briancasseyphotographer.com/awards/

Huge Thanks to all at the Media Entertainment and Arts Alliance for once again hosting the awards and the evening … and to the wonderful people of Mornington for their hospitality.

Images © Brian Cassey (pages The Courier Mail & The Australian)

 

2021 Clarion Awards (Queensland Media Awards) - Winner - Best Photographic Essay - 'The Queenslanders Left Behind' by Brian Cassey (The Courier Mail and The Australian)

2021 Clarion Awards (Queensland Media Awards) - Winner - Best Photographic Essay - 'The Queenslanders Left Behind' by Brian Cassey (The Courier Mail and The Australian)

2021 Clarion Awards (Queensland Media Awards) - Winner - Best Photographic Essay - 'The Queenslanders Left Behind' by Brian Cassey (The Courier Mail and The Australian)

Veronica … Mornington Island … Where Home Brew Kills …

Thrilled, but also saddened to once again travel to remote Mornington Island (Kunhanhaa) in the tropical Gulf of Carpentaria in northern Australia … the third visit in the past year.

Mornington is a delightful destination populated by delightful people … but the community are grappling with many social ills mainly caused by the tyranny of distance and basically, being ‘forgotten’.

New young Kunhanhaa Mayor Kyle Yanner is determined to raise awareness about the many issues that have beset his community … and has managed to get the attention of the Queensland Government near two thousand kilometres distant in Brisbane.

I again made many images during last weeks visit to the island … but this pic of five year old Veronica Barnes is the one I’m most fond of. I was concentrating on portraying a 16 year old who was a ‘home brew’ imbiber when I glanced Veronica and her tiny puppy. A couple of frames later and I had what I think is a ‘special’ image (sorta ‘Bill Henson style’ 😉 ). (NB … her father gave permission for the pic to be seen.)

Veronica’s community is experiencing the ravages of a wide spread ‘home brew’ alcohol epidemic … and this was the main thrust of our story. She is growing up in a community where many of her extended family members and friends are suffering the consequences of alcohol induced diabetes and untimely death. The community … ‘dry’ for twenty  years … has seen a rapid rise of dangerous home brewed alcohols … and children as young as ten years old have been imbibing and adversely effected. Diabetes cases have skyrocketed and the cemetery is littered with the graves of those who have succumbed to alcohol related issues in their teens, twenties and thirties. 

Mayor Yanner and the council are reaching out for urgent assistance to stem the scourge and are proposing the introduction of regulated mainstream mid strength alcohol products to the island, controlled at a Tavern. Queensland Minister for the Environment Meaghan Scanlon MP made the trek to Mornington last week to listen first hand to Yanner’s plans.

Veronica’s image was just one of the many made whilst covering the story (by journalist Domanii Cameron) in The Courier and Sunday Mail newspapers … below is a also page grab of the spread as published in Saturdays ‘Weekend’ edition.

My recent previous visits to Mornington documented severe overcrowding in the community’s housing (The Australian, December 2020) … and numerous issues in ‘The Queenslanders Left Behind’ (The Sunday Mail, May 2021)

 

Images ©Brian Cassey – publication © Courier Mail

 

'Veronica - Mornington Island - Where Home Brew Kills' - image by Brian Cassey for Courier Mail story on alcohol abuse and home brew on Mornington Island in the Gulf of Carpentaria.

 

'Veronica - Mornington Island - Where Home Brew Kills' - image by Brian Cassey for Courier Mail story on alcohol abuse and home brew on Mornington Island in the Gulf of Carpentaria.

 

The Book … International Portrait Photographer of the Year …

Back in June I posted on this blog the news of the winners of ‘The 2021 International Portrait Photographer of the Year’ award and the selection of a couple of my portraits amongst them.

So now … arrived in the post this week  … ‘The 2021 International Portrait Photographer of the Year’ book  … and very stoked to have three page entries in this great hard cover collection.

“Bonn Marie … Asking the Question” (left below) makes two appearances, one in the award ‘Winners’ section (a 3rd Place) and one in the main body of the book alongside my second portrait “Kate Yeoman – Waiting For Her New Breasts” (right below). 

‘The 2021 International Portrait Photographer of the Year’ is a classy quality book printed by Momento Pro in Sydney and contains all the award winners work and also includes the top 101 photographs. It’s a great collection of diverse portrait work from around the planet. You may order a copy if you fancy (two different sizes to choose from) by visiting the Momento wed site at … https://www.internationalportraitphotographer.com/…/awa…

Huge Thanks to my brilliant subjects  Bonn Marie and Kate    !

( Received a nice little trophy for Bonn’s pic too … bottom pic )

Images X 2  © Brian Cassey … book © International Portrait Photographer the Year and the artists.

2021 International Portrait Photographer of the Year ... the Book ... with works by Brian Cassey

2021 International Portrait Photographer of the Year ... the Book ... with works by Brian Cassey

2021 International Portrait Photographer of the Year ... the Book ... with works by Brian Cassey

Mornington … Clarion Media Awards Finalist …

… it’s always a pleasure … a once a year excuse to trek to Brisbane and spend a very pleasant eve with southern media colleagues that I far too infrequently get to socialise with.

The ‘Finalists’ in the Clarion Awards … Queensland’s prestigious awards which recognise the best of the Sunshine States media for their work across the year … were announced this week … and very pleased to be selected as one of three photographers in ‘Best Photographic Essay’.

So … if the Covid virus plays nicely (i.e. elsewhere) … will be off to Brissie in October to enjoy another year of the Clarion Awards ‘presentations’ … this time at a cocktail function at the Brisbane Convention and Exhibition Centre.

Greatly looking forward to catching up with photographers Darren England and Evan Morgan (co-finalists in ‘Essay’), David Clark, Annette Dew and Tertius Pickard (finalists In ‘News Photograph’) and ‘Regional’ finalists Rob Maccoll and Cairns colleague Brendan Radke. Big congrats guys n gal. Not forgetting the wonderful journalists, scribes, blunts (whatever you choose to call ‘em) that pen the words that fill the spaces between our photographs.

My selected work is a pic essay compiled from images made for The Sunday Mail and The Australian, documenting the plight of the indigenous residents of the remote Gulf of Carpentaria township of Mornington Island. Entitled “The Queenslanders Left Behind”, it comprises eleven images made during two journeys to the island, concentrating on the issues of housing overcrowding and other social ills.

Five of those eleven pics are here below … from top … Shaylene Yarrick and her children bed down in the lounge of their overcrowded house … Mum Cheree Loogatha and daughter Arizona outside their Gununa house …  Shaylene Yarrick sheds a tear outside her tiny overcrowded home … The Loogatha family yarn around the fire outside their house … Mornington Island sisters Yvonne Wilson (17) and Corrin Wilson (13) suffer from type 2 diabetes. Corrin also has rheumatic heart disease, whilst their mother is receiving dialysis following renal failure.

Very pleased to once again have the chance (it’s now twelve years of ‘Finalists’ with a fair few ‘Wins’ over the last decade and a half) to enjoy Queensland’s media ’Night of Nights’.

Covid-19 … please don’t stuff it up !

Images © Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Covid Lockdown in Cairns …

… seemed inevitable that it would happen sometime … and will likely happen again … a coronavirus pandemic lockdown in Cairns. Our tropical city has led a charmed life since last years initial lockdown in March and April … and we’ve watched as lockdowns have been instituted regularly around the rest of the country.

It took a mariner who had contracted the virus on an offshore ship before travelling back to Cairns and passing it on to a taxi driver to change all that and spark a (thankfully only) three day total lockdown.

These are just a few of the many images I made for Australian Associated Press (AAP) this week. More of my lockdown pics may be found on the AAP site here. (I also spent time covering the lockdown for News Ltd and you may have seen some of those in the local media.)

From top we have … 9 year old Lexie Barlow is tested by QML staff for covid-19 at a testing centre on the Cairns Esplanade … the Cairns Esplanade Lagoon empty and closed for the lockdown duration … masked indigenous children Isiah Bligh and Jakian Costello play in the rain during the Yarrabah lockdown … with occupancy down to seventeen percent a housekeeper patrols the empty corridors of the Cairns Hilton Hotel … Cairns residents queue for covid-19 testing at a QML test centre on the Esplanade … a girl exercises on the Cairns Esplanade during the lockdown.

Cairns has been fortunate since the pandemic began early in 2020 … and fingers crossed these are the last images of a local lockdown.

Images © Brian Cassey and AAP

Covid-19 Lockdown in Cairns - images by © Brian Cassey, AAP

Covid-19 Lockdown in Cairns - images by © Brian Cassey, AAP

Covid-19 Lockdown in Cairns - images by © Brian Cassey, AAP

Covid-19 Lockdown in Cairns - images by © Brian Cassey, AAP

Covid-19 Lockdown in Cairns - images by © Brian Cassey, AAP

Covid-19 Lockdown in Cairns - images by © Brian Cassey, AAP

Images of Dead People … ‘Lenin’ and ‘Charlie Chaplin’ …

On two occasions over the last couple of weeks have had the pleasure to document ‘dead people’ – two infamous characters from the last century – one a political figure who changed the World … the other a silent film actor who forever changed the film industry.

Of course … I didn’t dig ’em up. Both were highly convincing re-creations by talented Cairns artists.

‘Lenin’ (Vladimir Ilyich Ulyanov) survived assassination attempts before dying of a brain haemorrhage in January 1924 (a little before my time 😉).

However, a portrayal of the Marxist and father of the Soviet Union and the Soviet Communist Party by vastly experienced Cairns actor Peter Merrill brought him back from the grave. Peter plays the ’Lenin’ lead in ‘Petrograd Express’ … a new play by Ken Cotterill which opens in Cairns at the Rondo Theatre this month. The title ‘Petrograd Express’ refers to Lenin’s 1917 train journey from exile in Switzerland, across hostile Germany, back to Russia to seize power from the government and declare a ‘dictatorship of the proletariat’. The train journey by the architect of the Bolshevik Revolution set in motion events that forever changed Russia and modern history.

I made this portrait (top) of Lenin/Peter for the local Cairns Post newspaper.

A week later I found myself portraying ‘Charlie Chaplin’ … brought back to life by amazin’ Kuranda performer (and friend) Danny Simony.

Englishman Chaplin … a comic actor, filmmaker and composer during the silent film era … became a World wide icon through his screen persona. A perfectionist … Chaplin wrote, directed, produced, edited, starred in, and composed the music for most of his many films.

My portrait of Charlie/Danny (bottom) was made for the now regular Sunday Mail newspaper feature ‘Larrikins of Queensland’. Danny … also a perfectionist and an exceptional talent at comedy, mime, pick pocketing and more … told the story of how he travelled from his birth place of Paris to Australia via India and Nepal decades ago and then forged a career in Cairns as the cities favourite entertainer and ‘Queensland Larrikin’.

Images © Brian Cassey

Portraits of Dead People - Lenin (Peter Merrill) and 'Charlie Chaplin' (Danny Simony' by Brian Cassey.

Portraits of Dead People - Lenin (Peter Merrill) and 'Charlie Chaplin' (Danny Simony' by Brian Cassey.
.

‘Carol’ Amongst Big Handful at 16th International Pollux Awards …

… was delighted to receive the news that a handful of my images had been recognised across four categories of the International ‘16th Edition Pollux Awards’.

Great News … and wherever you are ‘up there’, Carol Mayer, you’re obviously still touching people ‘down here’ ! My portrait of Carol … “The Skin I’m In” (top below) was selected as the Winner of the ‘Portrait’ category of this years long running Pollux photography awards. 

Fitting and timely that Carol’s image is still making a difference and empowering burns survivors months after her so untimely demise to cancer late last year. Also recognised in the ‘Portrait’ category was “Aurukun – Generations” (bottom left) which received an ‘Honourable Mention’. 

My work also received TWO ‘Third Place’ awards … “8 Minutes and 46 Seconds” in the ‘Segregation & Human Rights’ category (middle left) … and … “Tomotaro on the Block” in the ‘People’ category (middle right).

Rounding off the five awards was “Kate – Waiting For Her New Breasts” in the ‘Editorial & Current Affairs’ category (bottom right).

All these five images are now eligible to be exhibited physically ‘on the wall’ at the 6th edition of the Biennial of Fine Art & Documentary Photography to be held in September 2021 at the FotoNostrum Gallery in Barcelona, Spain … and appear in the ‘FotoNostrum’ print and digital magazines.

Sadly … there’s no chance of my attending and seeing the work at the grand opening event and artists ‘gala’ dinner in Barcelona in September … for an obvious variety of reasons.

Images © Brian Cassey @brian_cassey

16th Pollux Awards - International Photography Awards - Winners images by Brian Cassey

‘Paper Tigers’ … on ‘Google Arts & Culture’ …

Delighted to learn that ‘Paper Tigers’ … the compilation of the work of sixty Australian photojournalists curated by myself and Head On Photo Festival director Moshe Rosenvzeig OAM … now has another great published ‘airing’ on the distinguished ‘Google Arts & Culture’ platform (including, of course, my contribution ‘Abdullatif – Beaten Asylum Seeker’ – below – from one of the GA&C pages).

It was a (lengthy) and rewarding pleasure to work with Moshe to collate this project … and wonderful to see it now showing on a new platform amongst significant works from the Worlds leading museums and archives including (but far, far from ‘not only’) MoMa in New York, the Uffizi Gallery in Florence and the Tate Britain in London.

‘Paper Tigers – an Anthology of Australian Contemporary Photojournalism’ has already been exhibited to acclaim ‘on the walls’ at the ‘Twenty Twenty Six Gallery’ in Sydney (during last years Head On Photo Festival) and is also available in book form on the Head On website at … https://www.headon.com.au/product/paper-tigers-book … (if it hasn’t already sold out again).

The ‘Paper Tigers’ works can now be found on the ‘Google Arts & Culture’ platform at … https://artsandculture.google.com/search/exhibit…

Thanks to all the contributing PJ’s (some of which I nagged mercilessly) and the amazin’ Head On Photo Festival team.

#headonphotofestival #photojournalismaustralia

‘Abdullatif’ Image … ‘Nikon Walkley Portrait Prize’ Winner 2016 © Brian Cassey

'Paper Tigers' on the Google Arts and Culture site - curated by Brian Cassey and Moshe Rosenvzeig - image by Brian Cassey

‘International Color Awards’ … X Four …

Great to see four of my images recognised in the 14th Edition of the ‘International Color Awards’ announced recently.

Three times ‘Honorable Mentions’ in … (from top) … ‘Photojournalism’ for “8 Minutes and 46 Seconds” … ‘Children of the World’ for “The Kids Of Ali Curung” …  and ‘Portrait’ for “Kate – Waiting For Her New Breasts”. The image “Bonn Marie – Asking The Question” (bottom) had to settle for Finalist Nominee in ‘Fine Art’.

It was the first accolades for the first two pics … “8 Minutes and 46 Seconds” – during a ‘Black Lives Matter’ protest in Cairns, US citizen Hermela Bealfan sheds tears as she lies prostrate on the ground for the 8 minutes and 46 seconds that it took police officer Derek Chauvin to kill George Floyd by kneeling on his neck in Minneapolis … and “The Kids of Ali Curung” – a kids welcome to the remote Northern Territory indigenous township of Ali Curung.

The portraits of ‘Kate’ and ‘Bonn’ are better known as they have been mentioned several times in earlier awards … see the ‘Award’ page listings here … https://www.briancasseyphotographer.com/awards/

Gotta be happy with that …

Images © Brian Cassey

14th International Color Awards - Honorable Mention - Photojournalism - "8 Minutes and 46 Seconds" by Brian Cassey

14th International Color Awards - Honorable Mention - Children of the World - "The Kids of Ali Curung" by Brian Cassey

14th International Color Awards - Honorable Mention - Portrait - "Kate - Waiting For Her New Breasts" by Brian Cassey

14th International Color Awards - Finalist Nominee - Fine Art - "Bonn Marie - Asking the Question" by Brian Cassey

Covid-19 & Cairns … Economy in Freefall …

Reliant for a large part on the regular influx of now non-existent International tourists, the year long pandemic has seen Cairns suffering economically disproportionately compared with other parts of Australia.

As the Australian Government initiated JobKeeper support scheme comes to an end this month, Cairns immediate future looks bleak despite a Federal attempt at assistance via subsidised airfares and loans.

It isn’t a ‘pretty’ story for my long term home town … the current situation is dire …  but it did mean a nice gig for the Sydney Morning Herald, The Age and Brisbane Times.

Many of my images made last week were used to illustrate the effects and hardships of the current desperate financial situation in Cairns and district as a result of the total loss of International tourism.

A pic gallery of thirteen of my images ran online (the SMH link is here … https://www.smh.com.au/…/cairns-tourism-on-the-ropes…) … whilst the main story variously in print and online (by Brisbane Times journalist Matt Dennien) was accompanied by more of my pics … here … https://www.smh.com.au/national/queensland/trouble-in-paradise-covid-leaves-a-cloud-hanging-over-the-tropics-20210312-p57a3g

It seems it is going to be a long, long time till Cairns recovers from the body blow caused by the loss of International tourists during the current pandemic and Matt’s story is well worth a read.

Below are just a few of my images the former Fairfax (now ‘Nine’) publications used … from top … a lone swimmer at the Cairns Esplanade Lagoon once crowded with International and Australian tourists … owner of Traveller Oasis backpackers Gabriel Thallon cleans his pool as lone International ‘guest’ Rina Yamauchi takes the sun … the locked and deserted Cairns International Terminal at Cairns Airport … crew of Passions of Paradise reef vessel Phoebe and Kirsty wash the boat down after a day on the GBR with few paying customers … and one of numerous closed businesses in Cairns CBD

Images © Brian Cassey

Covid-19 and the Pandemic in Cairns, Australia ... images by Brian Cassey
Covid-19 and the Pandemic in Cairns, Australia ... images by Brian Cassey
Covid-19 and the Pandemic in Cairns, Australia ... images by Brian Cassey
Covid-19 and the Pandemic in Cairns, Australia ... images by Brian Cassey
Covid-19 and the Pandemic in Cairns, Australia ... images by Brian Cassey

The Good News … but … The Saddest News Of All …

I confess … it’s hard to write this one … (but please read on … )

Two women … one young and vibrant … the other a little older but with an immense strength … two very different stories. 

The link … apart from a little similarity of pose etc … is that both have just been announced as Winners of Bronze Awards in the Budapest International Foto Awards (BIFA – Hungary). images ©Brian Cassey

The saddest and must unfair news is that Carol (“The Skin I’m In” – first pic) died last weekend at the end of a far too short life full of tragedy, pain and many triumphs of will  … on the very day these awards were announced. Carol was severely burnt in a house fire as a young mum. Her family was told she would not survive. Following a year of coma, countless skin grafts and care … survive she did. She made the most of it … 

She dedicated the years since the accident to spreading the message to other burns survivors that there is still much to live for and celebrate. Carol’s rationale in allowing me to make personal images of her showing the extent of the burns to her body was part of that ideal. The work … and the positive reaction to the work … gave Carol added confidence to engage in speaking engagements that provided hope to many.

My images of Carol turned up in numerous awards, news articles and TV programs … and there are links to many on my blog pages. Amongst them are … “They Did It … Pics In Space X 3” which tells of Carol’s image (and two others of mine) being sent and projected in ‘Space’ and the resulting feature on the TV program “The Project” .  More on the subject here at “Pics in Space’ … Out of This World with ‘Portrait of Humanity” .  (The projection of Carol’s pic in ‘space’ and transmitted across the Universe … now seems very fitting.) There are many more and Carol’s images have been a regular occurrence on my ‘Awards Page’.

I spent more time talking to Carol than actually photographing her … she was my friend … myself and the community will sorely miss but never forget her.

… and then we have Bonn Marie … young, vibrant and all red hair, freckles and an innate curiosity with the World. She’s fun, deep and intelligent … and a joy to work with. Couldn’t help but name the second image “Bonn – Asking the Question”.

Somewhat strange that these two pics were recognised together with Bronze Awards … Carol’s in People Portrait and Bonn’s in Fine Art Portrait.

Images © Brian Cassey

Budapest International Foto Awards (BIFA) 2020 - Bronze Award - People Portraits - "The Skin I'm In" by Brian Cassey

Budapest International Foto Awards (BIFA) 2020 - Bronze Award - Fine Art Portraits - "Bonn - Asking The Question" by Brian Cassey

 

Two Exhibitions in Sydney … (If Only I Could Get There !) …

Moshe Rosenzveig and the crew of the 2020 Head On Photo Festival performed miracles earlier on this year as Covid-19 tightened it’s grip on Australia and the planet. They transformed a massive ‘venue’ based photography festival into the World’s first ‘On Line’ photo festival in a matter of just a few short weeks … and opened on time in the first weeks of May. The ‘On Line’ awards, artist talks, photography workshops and panel talks were aired on screens to thousands watching and listening around the planet and across Australia. An amazing effort …

With gallery spaces ‘out of bounds’ due to Covid the more traditional (and aesthetically more pleasing) ‘photographs on walls’ exhibitions reluctantly had to be put on ‘hold’.

I had two involvements in this years Head On ‘On Line’ photo festival … a personal exhibition “Me Too … Where The Boys Are … The Girls Are” (a photo essay on the performance of male strippers and their female audience) … and the co-curation (with Moshe Rosenzveig) of a project close to the heart … “Paper Tigers” … a collection of the work by sixty of Australia’s finest photojournalists. Both received large views on-line.

Now six months later, as Covid cases thankfully take a massive dive, these two exhibitions and work by many others are showing physically ‘on the walls’ (and fences) in numerous galleries and at venues around Sydney. Brilliant … and astonishing work by Head On !

Very sadly … I can’t ‘B’ well get there ! My Queensland Premier has stood fast to her decision that the borders between the Sunshine State and Sydney will remain firmly shut till (extremely annoyingly) at least the first of December … just days after these exhibitions close. The way of the World in 2020 … but I’m still gutted …

My exhibition “Me Too … Where The Boys Are … The Girls Are” opened yesterday on the wall at the fabulously atmospheric venue of the Paddington Reservoir Gardens … and runs there alongside four other great exhibits until the 29th of November. Photographer colleague, mate and gentleman Michael Amendolia went out of his way to lessen the blow of not ‘being there’ by sending me a raft of images of my exhibition in place (below). Thanks Michael !

The “Paper Tigers” exhibition (and the launch of the “Paper Tigers” book) opens at the new ‘Twenty Twenty Six Gallery’ in Bondi tomorrow … with an official opening this Saturday afternoon. Many of my Sydney based colleagues will be attending (lucky them) … whilst us interstate contributors will have to be patient until further opportunities eventuate down the track.

There will be more on ‘Paper Tigers’ … how it came about, what it contains and why it is important … a little later when I receive some images from colleagues who get to attend the gallery …

In the meantime … Paul Neeson from Sydney radio station East Side FM and I had an ‘on air’ chat about my work and both these exhibitions and the Head On Photo Festival in general. It runs for just over twenty one minutes and can be listened to here below. There is also an online text story on “Me Too … Where The Boys Are … The Girls Are” here.

 

Damn that bloody virus !

Images © Brian Cassey (two pics from “Me Too … “Where The Boys Are … The Girls Are” and my “Paper Tigers” image “Abdullatif” … & … Michael Amendolia (top 2 General Exhibition pics)

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Twenty Twenty Six Gallery - Bondi - "Paper Tigers" - exhibition of work by 60 Australian photojournalists co-curated by Brian Cassey

‘Kate’ … The Good News Continues …

The best news is … Kate … who has been waiting over eight years for breast reconstruction following a double mastectomy …  is now well on the way to having her ‘assets’ back.

Following the publication of my pic (below) on page 1 of the Sunday Mail with a story about insane Queensland hospital waiting lists, Kate Yeoman and dozens of other Queensland women had their long awaited surgeries ‘expedited’ at the direction of State Premier Annastacia Pałaszczuk and Health Minister Dr Steven Miles. Covid-19 caused a little hiccup and further delays … but Kate has now had several of her set of reconstructive breast surgeries.

Recently I had the pleasure of making some more images of a fit and fabulous Kate which will feature with an update to her story in this weekends The Sunday Mail (weekend of 7th-8th November).

(Stop Press -1 ! Below is a grab of the double page Sunday Mail spread featuring Kate’s story and my images published the weekend of the 7th-8th November.)

The other piece of ‘Kate’ news is that my image “Kate – Waiting For Her New Breasts” has been awarded a further accolade to add to a growing list. The pic has just been awarded an ‘Honorable Mention’ in the ‘Editorial – Contemporary Issues’ category of the 2020 ‘International Photography Awards’ (IPA). Thanks IPA ! (Image below)

Previously the work has also been recognised in … the 2020 ‘Moscow International Foto Awards’ (MIFA – Honorable Mention – Portrait) … the 2020 ‘Clarion Awards’ (Finalist – Best News Photograph) … and the 2020 ‘Percival Photographic Portrait Prize’ (Finalist).

(Stop Press -2 ! Just learnt the news the the image “Kate – Waiting For Her New Breasts” has managed another ‘gong’. It has been selected as an ‘Honorable Mention’ in the 2020 International “Black & White Spider Awards” in the ‘Portrait’ category.)

Image © Brian Cassey

International Photography Awards (IPA) - Honorable Mention - Editorial Contemporary Issues - 'Kate - Waiting For Her New Breasts' - image by Brian Cassey

Sunday Mail - Kate Yeoman - Breast Reconstruction Story - images by Brian Cassey

Urandangi … Twelve Years On …

Way back in 2008 (unbelievable !) myself and journo Peter Michael travelled ‘out west’ to the tiny little outback hamlet of Urandangi on the Queensland / Northern Territory border. It was something of an eye opener.

The Mail Online contacted me recently after seeing my Instagram post of a Urandangi image selected from my archive. Their plan was to feature my 2008 images and update the story on the ‘forgotten’ settlement. It has now been published (25th October 2020) at … https://www.dailymail.co.uk/news/article-8821909/

The article leads with my pics of Urandangi local Mark Webb, his wife and seven children, who then were existing in a battered leaky caravan with no power or ‘facilities’. One of the comments Mark made at the time was “We are out of sight, out of mind, and no one cares”. They were not on their own … most residents were living in similar circumstances in dysfunctional caravans or makeshift iron and timber ‘humpies’ with no running water, power or sanitation.

The Mail story and pics then moves to the role of Pam Forster in the community. When I visited twelve years ago Pam had just taken over as publican of the ‘Urandangi Hotel’ … the ‘Dangi Pub’. Fast forward to today and she is still there at the pub (the only substantial building) where she operates all the business in town … watering hole (literally), CentreLink office, store, petrol station, post office, flying doctor agent … and more. Now seventy years old she has become a local legend and mentor to the entire community.

Much has improved since 2008 … some things havn’t … and it is all documented in the Daily Mail article here. (My work was originally published (2008) in the Courier Mail here.)

Below I have posted six of my seventeen images that appear in the new Mail Online article … jump to the link to see more here and read the text. (n.b … six of the images were part of my portfolio that won ‘Best Photo Essay’, Queensland Media Awards 2008. Also, the pic of the small child on the road graces the cover of my book ‘To Be Indigenous’ which can be found here at … https://www.briancasseyphotographer.com/books/

Images © Brian Cassey 2008 … from top … Mark Webb’s family camp, a child at play at Urandangi, Pam Forster just after she took over the ‘Dangi Pub’, the town ‘drunk tank’, Norm and Mavis Wilde at their wrecked van home, local Sonny Mick at his ‘humpy’.

Urandangi Queensland Australia - forgotten indigenous community - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - - publican Pam Forster - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - the 'Drunk Tank' - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - the 'Drunk Tank' - pics by Brian Cassey - local Sonny Mick at his 'humpy'

Urandangi Queensland Australia - forgotten indigenous community - the 'Drunk Tank' - pics by Brian Cassey - local Sonny Mick at his 'humpy'

Covid, Adani, Global Climate Catastrophe … CNN and Me …

… great to be part of a massive Covid-19 story of global importance just published on CNN.

The story entitled ‘The One Chance We Have’ delves into the story of how … during the Covid-19 pandemic and the subsequent confusion and devastation of the global economy … fossil fuel producing countries are injecting taxpayer money into propping up polluting industries that are hastening an earlier climate catastrophe. 

The story uses vignettes from four fossil fuel producing countries … Canada, Poland, Australia and India … to substantiate the premise that ‘The pandemic gave the world a golden opportunity to fix the climate crisis. We’re about to waste it.’

My work appears in the ‘India’ segment … and comprises six of the images I made just on a year ago in Chhattisgarh … set amongst a lengthy story (somewhat based on my original words but ‘updated’) on the destruction of the Hasdeo Arand forest and the Gond tribal population by Indian mining giant Adani hand in hand with Modi’s government.

My images and words from Chhattisgarh have previously been published in The Guardian (here and here), in Italian newspaper Corriere Della Sera (here) and elsewhere.  Very gratifying to see the work picked up again.

I must stress that this current story on CNN is a great and incredibly important piece of journalism and is well worth a look (at the images) and a good long read. Please do … there is far too much in the story to go into here and the implications for the future of the planet are chilling. 

I’m joined pictorially in the piece (in the ‘Australian’ section of the story) by Aussie based colleagues David Maurice Smith and Matthew Abbott. Hi Guys !

Thanks CNN for the important story and for using my work to help illustrate it. Thanks yet again to my fixer/friend Srienivas Akella from Mumbai … brilliant travelling with you.

Below … images (3 of my 6) © Brian Cassey … from the CNN story ‘The One Chance We Have’.

CNN story 'The One Chance We Have' on Covid-19 pandemic hastening a global climate catastrophe - images by Brian Cassey

CNN story 'The One Chance We Have' on Covid-19 pandemic hastening a global climate catastrophe - images by Brian Cassey

TV, Radio … and More … !

An amazing couple of weeks …

It seems that the ‘Portrait of Humanity’ award and projection in ‘space’ of two of my pics hit ‘the spot’ with a variety of media … and I’ve spent some time on interviews with various TV, radio and other media outlets talking about it rather than making new images 🙂

First off the rank was ABC Far North correspondent  Sharnie Kim who did a great job on her ‘Portrait of Humanity’ story for publication on the ABC web site at https://www.abc.net.au/news/2020-06-12/carol-mayer-photograph-shortlisted-in-portrait-of-humanity/12335282 . Sharnie not only went into the back story of my two selected images … ‘The Skin I’m In’ and ‘Ramnami’ … but also sourced several other ‘short listed’ pics from other photographers.

Didn’t take long for radio to get in on the act … Sarah Speller interviewed myself ‘live’ on ABC Breakfast Far North (at not the best time very early on a Saturday morn) … and then followed that with another recorded segment on her ‘Sarah’s Spot’ on Cairns Radio 4CA a few days later. If you fancy … here (below) are Sarah’s two radio interviews (roughly near six minutes each).

ABC Breakfast Far North – Radio Interview ‘Portrait of Humanity’ – 5.50

 

Sarah’s Spot – 4CA – Radio Interview ‘Portrait of Humanity’ – 5:52

 

The biggest buzz, however, was the piece on the top rating Channel Ten news program ‘The Project’. Really pleased that the program centred on the my amazing subject, burns survivor Carol Mayer, her strength and her story following the fire tragedy when she was a young mum. Lisa Wilkinson opened The Project’ with the news of the selection of my pic of Carol in the 2020  ‘Portrait of Humanity’ … and I later made a little cameo telling of how the pic came about and our relationship. Carol was amazing throughout the interview … and the comments at the end of the segment by show host Lisa Wilkinson were worth watching alone. The show featured a total of nine of my images of Carol … including, of course, the one chosen for ‘Portrait of Humanity’.

The show ran for 6:28 and can be watched here …

Carol Mayer on ‘The Project’

 

Whilst all this was going on I was also asked to be involved and interviewed for the State Library of Queensland’s ‘Behind the Lens’ series as part of their current exhibition ‘TWENTY – Two Decades of Queensland Photography’. Five of the many photographers who have contributed to SLQ’s headline exhibition were each asked to feature in a series of twenty minute interviews over the next few weeks … and mine was first off the rank. Had a nice long chat with SLQ’s Anna Thurgood … the piece of us chatting was also interspersed with my exhibition images made during Cyclones Winifred, Yasi, Larry, Ita and Ului … and the result was broadcast online last Thursday along with a Q&A. However, you can still catch the entire twenty minute interview here below (sadly without the Q&A) …

State Library of Queensland – ‘Behind the Lens’ – ‘TWENTY – Two Decades of Queensland Photography’

All the above audio and video files may also be played … along with many more from the past … on the ‘Play’ page of my web site at https://www.briancasseyphotographer.com/play

Now … back to work making more pictures 🙂

 

Moscow, Moscow, Moscow …

Pleased to have three images selected to each receive an ‘Honorable Mention’ in the just announced 2020 ‘Moscow International Foto Awards’. Especially pleasing is that all three are relatively ‘new’ images … two made in February and the other made in India last October.

It is the first ‘accolade’ for the portrait of Bonn … “Bonn Marie – Asking the Question” … made at a social gathering in the studio shed of fellow Cairns photographer Marc Steiner. It was Bonn’s first real time seriously in front of the camera … she’s a talented little red head and done very good ! (it’s also the first time one of my pics has been mentioned in a ‘Fine Art’ category.)

Kate … my subject in “Kate – Waiting for Her New Breasts” … is one of the very nicest and most resilient women I’ve met. To cut a long story short … Kate had a double mastectomy eight years ago after being diagnosed with a rare form of breast cancer and expected to have reconstructive surgery soon after. Thanks to the inadequacies of the hospital wait list system she is still waiting …

The image ran front page of the Queensland Sunday Mail and prompted the Queensland Health Minister to fast track her surgery … than along came covid-19. She’s still again (patiently) waiting …

This is the second mention for Kate’s image following it’s selection as a Finalist in the Percival Photographic Portrait Prize currently exhibiting at the Perc Tucker Gallery in Townsville.

“Ramnami” is a image I made in Chhattisgarh, India whilst on a day off from covering the story of Indian coal mining giant Adani’s continued destruction of the Hasdeo Arand forest and it’s tribal Gond peoples. Maherttar Ram Tandon is member of the Hindu sect Ramnami Samaj and his entire body is covered with the tattooed text of their god रामराम – Ram Ram – making him one of the only five still surviving ’Naksikh’.

This image has also just been selected on the shortlist of the global and prestigious ‘Portrait of Humanity’ 2020 collection and will be, amongst other things, projected on a screen in the stratosphere and then transmitted as a digital binary file through space on a (possibly) never ending journey. More details about the Image and it’s space journey are here … https://www.briancasseyphotographer.com/blog/stories-blog/2020/06/pics-in-space-out-of-this-world-with-portrait-of-humanity/

The Moscow International Foto Awards have become something of an annual habit and have clocked up a fair few mentions since the first win in 2014. Check through the years here if so inclined …

Images © Brian Cassey

 

Moscow International Foto Awards 2020 - winning images by Brian Cassey x 3

Adani and Gond Images in ‘Corriere Della Sera’ Covid-19 story…

Great to see that my images made in Chhattisgarh, India last year have been given another breath of life to illustrate a Covid-19 related story just published in both the print and online editions of the venerable Italian newspaper ‘Corriere Della Sera’.

I originally made the images and wrote the words around mining giant Adani’s destruction of large areas of the Hasdeo Arand forest in the state of Chhattisgarh, India … and ousting the original Gond tribal peoples from their ancient forest homelands. Two articles were originally published in ‘The Guardian’ … here … and here … and on my blog at … https://www.briancasseyphotographer.com/blog/publications/2020/02/adani-and-the-gond/

However, ‘Corriere Della Sera’ updated the story to be more appropriate for the strange Coronavirus times we are now living in.  Six months makes a monumental difference. Their story entitled ‘Mines or solar energy: the pandemic accelerates the dilemma of the giant India’ … centres on the premise that the onslaught of Covid-19 in India has began a perceived shift away from traditional coal for power production towards solar power. India’s top twenty ‘think tanks’ have together lobbied Modi’s Indian government to utilise solar panels to power the massive rural areas and populations of the sub-continent in place of coal. The plight of the Gond peoples in the Hasdeo Arand forest and their battle against mining giant Adani (based on my original story) are central to their argument.

Obviously Corriere Della Sera’s story is in Italian … and it may be found here … and in scans of pages 12, 13 and 14 of the paper here below. A Google ‘translation’ into English is a little hard to fathom but makes much more sense to me than the Italian: -) … find it here.

Images X 8 © Brian Cassey (all except the solar power image) … publication © Corriere Della Sera, Milan, Italy

 

Corriere Della Sera - Adani, Gond Peoples and Hasdeo Arand Forest story - images by Brian Cassey

Paper Tigers, Strippers … & Head On Photo Festival

… it started with a germ of an idea and took nigh on a year to come to fruition … but “Paper Tigers – an Anthology of Contemporary Australian Photojournalism” is now very much a reality as an exhibition and a book.

My initial idea of a print swap of work between Australia’s talented photojournalists morphed into something much grander after a long chat with Head On Photo Festival director Moshe Rosenzveig OAM.

Moshe enthusiastically grasped the implications of the project … the like of which he confessed had been close to his heart for some years. Our combined plan grew into a featured exhibition of the work of Australia’s media photographers at Paddington Town Hall during this years Head On Photo Festival, a book of the exhibition and an exhibition ‘event’ for photographers to meet, admire their work and swap prints.

So began the task of ‘mustering’ Australia’s talented photojournalists … an ‘interesting’ exercise to invite, confirm participation and collate the collection of work … one image from each. In the end we had to draw a line at sixty.

The list is exceedingly impressive … in alphabetical order … Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob McColl, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz, Tracey Nearmy.

When it comes to media photographers Australia is, indeed, a ‘Lucky Country’.

Then … along came Covid-19 …

It has long amazed me how the tiny Head On team (currently Moshe, partner Anita Schwartz, Stephen, Anna and Paula) manage to put together the far reaching and monumental photo festival that it has become. It enjoys and includes contributions and entries from the best around the planet … and a World wide reputation. For a moment Coronavirus threatened all that …

However, Moshe was not fazed … and the massive work of converting the entire festival to an ‘online’ event began. That online event has now been underway for two weeks … and has been revolutionary in it’s presentation of exhibitions, artist talks, panel talks, photo related workshops, award announcements and more.

Paper Tigers has played a significant part in this Head On festival. The exhibition is available … all sixty works by sixty photojournalists … online (a simple registration required), the book ‘Paper Tigers’ (see my book image ‘Abdullatif’ top below) is now available for purchase on the website … and Head On hosted a fascinating online panel talk around the work and Australian photojournalism. It is planned to still show the physical exhibition of the complete work on the walls and host the photographers ‘do’ and print swap at Paddington Town Hall early in November (hopefully post Covid).

Below are just two of the sixty wonderful images that make up the ‘Paper Tigers’ collection. Dean Sewell’s ‘Bruce’ from 1999 and Nic Walker’s ‘Rite of Passage’ from 2014. The other 58 are just as impressive.

Amongst the massive amount of brilliant photography on line in this years festival I was also pleased to present my own little ‘featured’ exhibition. “Me Too ! Where the Boys Are … the Girls Are” showcases my work covering the MenX burlesque group during their tour to Cairns whilst being filmed for a Vice TV show. It shows the interaction between the guys who are performing and doing a job (without much in the way of clothing) and the young female audience who willingly participate. The exhibition may be found online on the Head On website (again with a simple registration) … and I did mange to stumble through an online ‘artist talk’ on the subject for those brave enough or with time to waste 🙂 . (NB – link to recorded ‘artist talks’ will be down the track.) Two of my images from the exhibition (which also should be physically on the wall in November) are below.

Lastly … was also pleased to see one of my most successful images … ‘Generations – Aurukun’ (yes … you’ve probably seen it before but it’s (bottom) below anyway 🙂 ) … selected as a semi-finalist in this festivals Portrait Prize. It’s also included in the Portrait Prize video here at the 1:18 mark.

The Head On Photo Festival 2020 has just a few days left to run. If you havn’t visited yet and you have any interest in photography at all I strongly suggest you visit and enjoy. Moshe, Anita, Anna, Stephen and Paula have done a remarkable job.

Images © … Brian Cassey & Head On (top), Dean Sewell, Nic Walker and Brian Cassey (bottom three).

@headonphotofestival

 

Head On - Paper Tigers - Book - photojournalism - 'Abdullatif' by Brian Cassey

Head On - Paper Tigers Book - 'The Block' - image by Dean Sewell - Oculi

Head On - Paper Tigers - Book - image by Nic Walker

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On Portrait Prize - Semi-Finalist - 'Generations - Aurukun' - by Brian Cassey