The Legacy and Images of Bruce Martin … ABC Far North …

One of the saddest and most difficult interviews I’ve faced …

Recently I was asked by ABC Far North ‘Breakfast’ presenter Charlie McKillop If i’d be interested in a short live radio interview on the tragic loss of Aurukun and Wik influential leader Bruce Martin at the age of thirty nine.

I first really met ‘Waal Waal’ … (respectfully ‘The Departed’ during mourning) … eleven years ago, when I covered an Aak Puul Ngantam wild cattle mustering operation on Cape York Peninsula for The Australian newspaper. The near week long coverage meant I spent time around the camp fire listening in awe as ‘Waal Waal’ held court and outlined his future vision for the Wik people of Aurukun. (It was later when I realised that we had, in fact, met fleetingly when I made very wet portraits of him during his water polo days in the mid 2000’s)

I was later honoured when he officially opened my exhibition of images of the mustering operation – “Aak Paul Ngantam Stockman” (including portraits of all the crew) – at The Tanks Arts Centre in Cairns.

Thereafter ‘Waal Waal’ Martin’s career really took off. He became a member of the Prime Minister’s Indigenous Advisory Council and served as a director of the Indigenous Land and Sea Corporation.

Our last meeting was an impromptu breakfast (with his home made marmalade) in an Aurukun home a couple of years back.

There are a few links here below which document much more of the potential and life cut so cruelly short … and an image of mine that has become synonymous with that life. I … and many many others … will sorely miss you.

And … Yes … the full audio of the interview with Charlie McKillop on ABC Far North is here directly below too … and runs for around six and a half minutes.

https://www.abc.net.au/news/2023-07-22/far-north-queensland-remembers-aurukun-wik-man-bruce-martin/102629858

https://www.briancasseyphotographer.com/play/2014/02/abc-radio-interview-fiona-sewell-aak-puul-ngantam-stockman/

https://www.briancasseyphotographer.com/photographs/aak-puul-ngantam-stockman/

Image © Brian Cassey

The Legacy and Images of Bruce Martin … ABC Far North …

One of the saddest and most difficult interviews I’ve faced …

Recently I was asked by ABC Far North ‘Breakfast’ presenter Charlie McKillop If i’d be interested in a short live radio interview on the tragic loss of Aurukun and Wik influential leader Bruce Martin at the age of thirty nine.

I first really met ‘Waal Waal’ … (respectfully ‘The Departed’ during mourning) … eleven years ago, when I covered an Aak Puul Ngantam wild cattle mustering operation on Cape York Peninsula for The Australian newspaper. The near week long coverage meant I spent time around the camp fire listening in awe as ‘Waal Waal’ held court and outlined his future vision for the Wik people of Aurukun. (It was later when I realised that we had, in fact, met fleetingly when I made very wet portraits of him during his water polo days in the mid 2000’s)

I was later honoured when he officially opened my exhibition of images of the mustering operation – “Aak Paul Ngantam Stockman” (including portraits of all the crew) – at The Tanks Arts Centre in Cairns.

Thereafter ‘Waal Waal’ Martin’s career really took off. He became a member of the Prime Minister’s Indigenous Advisory Council and served as a director of the Indigenous Land and Sea Corporation.

Our last meeting was an impromptu breakfast (with his home made marmalade) in an Aurukun home a couple of years back.

There are a few links here below which document much more of the potential and life cut so cruelly short … and an image of mine that has become synonymous with that life. I … and many many others … will sorely miss you.

And … Yes … the full audio of the interview with Charlie McKillop on ABC Far North is here directly below too … and runs for around six and a half minutes.

https://www.abc.net.au/news/2023-07-22/far-north-queensland-remembers-aurukun-wik-man-bruce-martin/102629858

https://www.briancasseyphotographer.com/play/2014/02/abc-radio-interview-fiona-sewell-aak-puul-ngantam-stockman/

https://www.briancasseyphotographer.com/photographs/aak-puul-ngantam-stockman/

Image © Brian Cassey

%%excerpt%% Interview on ABC Far North with presenter Charlie McKillop and guest Brian Cassey talking about the life and Brian's images of Aurukun Wik leader Bruce 'Waal Waal' Martin following his untimely death in Townsville.

“Yes” ? … “No” ? … Who Knows ? … A Week Full of “Voices” …

Last week  … manic !  Flight to Aurukun with indigenous leader Noel Pearson, another long day flying back to Aurukun and on to Pormpuraaw and Doomadgee Cape York Peninsula with Bob Katter … and in between following ‘Yes’ campaign director Dean Parkin all around Cairns. 

As the ‘Indigenous Voice to Parliament’ referendum draws ever closer, campaigning is in full swing … and there has been regular arrivals of ‘campaigners’ from ‘down south’ flocking to the Far North (and more turning up later on this week.)

Pearson’s visit to Aurukun and Parkin’s in Cairns were covered for ‘The Australian’ (including a nice page 1) … and Katter in an epic three destination Cape York flights saga, was for Bob’s campaign.

These TEN images have been chosen from across the hundreds I made over a hectic week … and they are also featured (arguably better) on my Instagram account and may be found here … https://www.instagram.com/p/Cx94Gy6vP4C/

  1. Bubblegum Discovery – Aurukun with Katter
  2. Bob Katter plants an ‘illegal’ potato in Doomadgee
  3. Young child explores the cenotaph in Aurukun – with Katter
  4. Dawn Koondumbin (75) reads up on the ‘Voice’ – in Aurukun with Pearson
  5. Bob Katter checks vegetable & fruit prices in the Doomadgee shop
  6. Phyllis Yunkaporta with Sophera Kerindun – in Aurukun with Pearson
  7. Deserted swim pool in Pormpuraaw – with Katter (left)
  8. Noel Pearson meets Bertha Yunkaporta (91) – in Aurukun (right)
  9. ‘Yes’ campaign Director Dean Parkin in Cairns (left)
  10. Bob Katter flies back from Aurukun, Pormpuraaw and Doomadgee (right)

Poses the question … what am I going to do after the referendum 🙂 ? !

Images © Brian Cassey

Aurukun Artist Keith Wikmunea …

… had the very distinct privilege and pleasure to travel to Aurukun on Cape York Peninsula recently to portray indigenous artist Keith Wikmunea. He then was soon to be announced the winner of the $100,000 Telstra Indigenous Art Award, the top prize at the National Aboriginal and Torres Strait Islander Awards (NATSIAA) in Darwin. Images of Keith and his work were required to spread around Australia’s media in conjunction with the story of his win.

I spent a thoroughly enjoyable couple of days with Keith and Wik & Kugu Aurukun Arts Centre Manager Gabe Waterman as our winner worked on sculpting a ‘camp dog’ in the arts centre workshop … and out and about at various locations around the indigenous township. Keith was patient and a delight.

His $100,000 sculptured milkwood winning work – entitled “Ku’, Theewith & Kalampang: The White Cockatoo, Galah and the Wandering Dog” – was inspired by his ancestors, says Keith. He has already spent his prize money on a boat and a car for his family.

My images of Keith appeared in The Australian, The Sydney Morning Herald and many other print and web publications around Australia … and will also grace Sydney railway stations to spread the word about his win, his talent and the Telstra award.

Below are some of my favourite images of Keith in Aurukun and a mock up of the Telstra promotional banner work soon to be seen in Sydney stations.

Images © Brian Cassey

“People From the Place of Many Waters” Lands in Paris …

Nice to receive the news recently that this set of portraits made in a little pop up studio during a workshop I hosted in the indigenous community of Kowanyama Cape York Peninsula late last year … “People From The Place of Many Waters” … was awarded an ‘Honorable Mention’ in ‘Portraiture – Series’ at this years prestigious “Le Prix De La Photographie De Paris” (Paris Photo Prize … PX3).

Many Thanks to the wonderful people of Kowanyama, Cape York Peninsula … the “People From The Place of Many Waters” . In particular my selection of subjects below from the hundreds of portraits made … David “Crow” Kitchener (top) – James “Doon Doon” Josiah Junior, Jyson Yam & Sneeklaw Possum (second from top) – Evelyn Birchley & Her Red Dress – Nazarie Birchley with Herbert Major-Birchley – Neville Henry – Zacchias Daniel – Arnold Possum – Charmaine Lawrence and Ruban Gibo … and all the many others who I portrayed during the program and workshop … and Tania Major who facilitated the visit for the RISE arts program.

In addition, another of my images … “100 Years & 3 Weeks – Alf Neal OAM” (yeah that one again – see other posts) … was also selected for an ‘Honorable Mention’ in the same PX3 awards, portraiture singles category … a nice welcome double 😉 !

Images © Brian Cassey

My ‘Stills’ in Brilliant Stan Doco “The Cape” …

So gratified to be a part of the documentary film “The Cape” recently released on Stan.

The doco tells in stark graphic detail the events surrounding the disappearance of Queensland fisherman Bevin Simmonds and his ten year old son Brad whilst checking shark nets off the west coast of Cape York Peninsula in 2003 … and the subsequent investigations, eventual murder charges and 2005 trial of rival fisher Michael Gater (who was having an affair with Bevin’s wife Cathy) and Gater’s mother Joan.

‘The Cape’ story was an original concept of friend and former journalist colleague Peter Michael … and  also features a disturbing but fascinating number of gritty Cape character interviewees who knew the Gator, Simmonds and Ward families … alongside some wonderfully shot scenes of Cape York, the Gulf and the Great Barrier Reef.

Produced by veteran war correspondent Michael Ware and former news magazine exec Justine A Rosenthal, ‘The Cape’ is evocatively filmed and beautifully put together … and also contains over thirty of my images of the stories main protagonists, used to great effect full screen. All of my images were made during the two week Supreme Court trial in Cairns and portray murder accused pair Michael Gater and his mother Joan Gater, Bevin and Brad’s wife and mother Cathy …  and many other members of the Gater and Ward clan’s who attended the proceedings.

Just the ‘looks’ in the photographs I made there still send chills …

The show … available to Stan subscribers here … has received rave reviews. (For those not Stan subscribed the ‘trailer’ is here.)

Entertainment website MamaMia writes, “The new Stan Original Documentary Revealed: The Cape is one of the most gripping and emotionally charged documentaries of the year“. TV Blackbox put it this way … “The Cape” is the story of rival fishing families who built empires amongst the twisted mangroves in Far North Queensland. The isolation, an all-consuming sexual obsession and a series of small choices leads to a suspected double murder of Brad and Bevin Simmonds. Emmy® Award-nominated filmmakers, Michael Ware and Justine A. Rosenthal take us on a journey into Australia’s Deep North and the human psyche to uncover what we’re capable of when our humanity is stripped bare in this fascinating portrayal of an insular and isolated community.”

The Daily Mail also published this nice piece on the producers and the tribulations of making the film in the run up to it’s release.

Below is (top) the Stan doco promo … followed by just four of my thirty odd ‘stills’ © that were used in the film … from top … accused murderer Michael Gater pensive during the 2005 two week trial, his mother and fellow accused Joan Gater, Bevin Simmonds wife and Michael Gater’s lover Cathy Simmonds … and Michael Gater outside court with a grin following his acquittal.

It was a distinct pleasure to work with ‘The Cape’ team … they were a pleasure … Thanks All!

(NB … I also appear in TV footage at the Supreme Court trial in Cairns making images of the Gaters … and looking rather ‘scruffy’ doing it … if you are game … watch around the 69th, 70th minute mark!)

Images © Brian Cassey … Documentary ‘The Cape’ © Stan & various entities

@stanaustralia @woodenhorse.tv #TheCapeOnStan #StanOriginals #RevealedOnStan @fremantle @screenaustralia @screennsw @thepostlounge

Kowanyama Portraits …

Every now and then a job turns up that’s … well … a little different. December saw one of those.

Former ‘Young Australian of the Year’ (2007) Tania Major contacted me and asked if I may like to host ‘portrait sessions’ and a workshop in her home township of Kowanyama on western Cape York just before Christmas. The idea … part of the RISE Arts Program … was to raise awareness of the possibilities of photographic portraiture in the indigenous community and provide any residents who ‘sat’ (or stood, leant or lay) with a timely portrait before Christmas. Nice idea …

So … I traveled to Kowanyama, set up a makeshift studio in the Kowanyama Arts & Culture Centre … and spent four days meeting and photographing the fabulous characters who arrived almost constantly. Elderly, young, very young and not so young …

It was not only great fun but also a truly positive and rewarding event.

The seven portraits I’ve selected here below are just a tiny proportion of the over three hundred I made during the program.

Thanks Tania ( @tanmajor ) … and to the Kowanyama residents for their wonderful hospitality and humour at what was a difficult time for the community (which I won’t go into here.)

Portraits left to right from top …

David “Crow” Kitchener … Evelyn Birchley & Her Red Dress … and … James “Doon Doon” Josiah Junior, Jyson Yam & Sneeklaw Possum … Zacchias Daniel … and … Neville Henry … Arnold Possum … and … Nazarie Birchley with Herbert Major-Birchley.

Images © Brian Cassey

 

Indigenous Portraits froid Kowanyama Workshop - December 2022 by Brian Cassey

 

 

A Portrait ‘Treble’ at the Australian Photography Awards …

At the risk of sounding monotonous and repetitive … my apologies for once again featuring these three of my portrait images … but …

… all three have just been selected as ‘Honourable Mention’ Finalists in the Portrait category of the 2019 ‘Australian Photography Awards’ … pretty gratified with that.

Each of the three images have been really good for me … previously and variously being ‘mentioned in dispatches’ in the ‘Portrait of Humanity 2019’, ‘Moscow International Foto Awards’, ‘Tokyo International Foto Awards’, ‘Head On Portrait Prize’, ’12th International Color Awards’ … and the soon to be officially opened ‘Fremantle International Portrait Prize’ and  ‘IRIS Portrait Prize’ in Western Australia.

Below are the three … “Generations Aurukun” featuring Aurukun elders Silas and Rebecca Wolmby with their twin great grand children … “Tomotaro on the Block’ of Japanese paralympic swimmer Tomotaro Nakamura at the 2018 Pan Pacific Para Games in Cairns … and “Victim of Sorcery – Dorcas” of ‘Sanguma’ (sorcery) victim Dorcas Numbi Nunugi recovering from a near fatal attack at a ‘safe house’ in Goroka, Papua New Guinea.

The ‘Australian Photography Awards’ exhibition opens at Sun Studios Melbourne on October 12th and runs until October 20th. Sadly, will miss the opening as have already committed to the ‘FIPP’ exhibition event in Fremantle on the same day.

Promise that I’ll soon shut up about these three pics … and concentrate on producing some new work 😉 .

Images © Brian Cassey

 

Three Honourable Mentions in Portrait Category of the Australian Photography Awards 2019 by Brian Cassey

Good Weekend at 30 …

Fairfax’s weekend colour magazine Good Weekend is celebrating an anniversary – “Three decades of great story telling” – by reprising thirty of the very best features re-published in a special ‘Classics’ series “Good Weekend at 30”.

Pleased to report that a story that I worked on with mega talented journalist John van Tiggelen is amongst them.

“Another Country” was originally published in the mag as the cover feature on the 15th of May 2008 (blimey – was it really that long ago) … and told the story of, in Johns incisive wonderfully descriptive words and my images, the plight of the residents of the troubled Cape York Peninsula indigenous community of Aurukun.

The publication of the story stirred the pot somewhat and it was an important catalyst for change in conditions in far too long neglected aboriginal communities. Certainly some of the observations made just six years ago are not as appropriate or apparent now.

The Fairfax promotional image for “Good Weekend at 30” is below … and my cover is bottom row third from left (indigenous children with wallaby). You can read John’s excellent “Another Country” and see some of my accompanying pics (in some cases badly cropped by online subs) at … http://www.smh.com.au/good-weekend/gw-classics/another-country-20140828-109ira.html . You may read all the excellent selected “Good Weekend at 30” feature stories by visiting … http://www.smh.com.au/good-weekend/gw-classics/ 

Also below is my favourite image from the Aurukun set (before being savagely hacked by subs !). It was used on page 1 of the Sydney Morning Herald to promote the original publication of “Another Country” back in 2008.

Aurukun images © Brian Cassey

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New Essay … Aurukun Day …

A new photo essay I made last weekend – “Aurukun Day” – has now been posted to the web site of the photojournalism collective ‘fotostrada’ in ‘Latest Stories’.

The images document the celebrations in the Cape York Peninsula indigenous community to mark the 110th anniversary of the founding of Aurukun by Presbyterian missionaries. The weekend was also an opportunity to ‘take back’ to Aurukun my work completed locally – “The Aak Puul Ngnatam Stockman”. A multimedia piece was projected on the wall of the local store before the ‘disco’ and my portrait prints were also displayed on the store in the township centre.

Full details of the new essay can be found on the ‘fotostrada’ site here.

Below are just two images from the essay of 23 – top Elder Jock Eundatweakin – and below local kids at the disco event.

Images © Brian Cassey 2014

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Taking It Back To Aurukun …

Even before showing my collection of “The Aak Puul Ngantam Stockman” portraits at exhibitions in Sydney (Head On Photo Festival), Darwin (Proof Photojournalism Festival) and Cairns I was toying with the idea of taking it back to where the photographs originated – Cape York Peninsula and the indigenous township of Aurukun.

To most of the subjects in the portrait collection, Aurukun is their home and it is also the home of APN Cape York – the indigenous corporation that is responsible for the mustering operation that I witnessed and recorded originally for stories in ‘The Australian’ newspaper.

It seemed only fair that the people involved in the venture and their families, friends and Wik clan members in remote Aurukun should get the chance to see the photographs.

A chance encounter with Juliana Doupe from the Apunipima Cape York Health Council at my exhibition at ‘The Tanks Arts Centre’ in Cairns in February set the project in serious motion. Juliana showed great enthusiasm for the idea and for the next few months was tireless in her attempts to help make it work. Nothing happens easily in the ‘fluid’ Cape indigenous communities but the hurdles were overcome one after the other.

All the work came to fruition this weekend when “The Aak Puul Ngantam Stockman” went back to Aurukun as part of the 2014 ‘Aurukun Day’ celebrations.

The evening of the 110th anniversary of the founding of Aurukun by missionaries was marked in the township centre by the community launch of the excellent Apunipima ‘Hip Hop’ music video starring a wildly energetic cast of locals … and followed by the projection of my APN multimedia video (which can be found on my ‘Play’ web site page or on ‘YouTube’ here). All again followed by much camaraderie as almost the entire community partied and crowded the dusty concrete dance floor at the ‘disco’.

On the second day of celebrations the collection of APN portrait prints were displayed along the wall of the Aurukun retail store … the meeting place in the heart of township … against a colourful indigenous backdrop. Sadly there was one omission from the exhibition. Elder and real gentleman Winston Marpoondin died recently and his portrait was excluded to respect cultural sensibilities.

It was, indeed, excellent to see the photographs ‘back home’ amongst the people of Aurukun and I’m very grateful to Juliana and also Andrew Packer from Apunipima for their invaluable help.

As soon as time permits I will post a new pic essay – ‘Aurukun Day’ – which will document the days activities. In the meantime below are images showing the exhibition as hung in Aurukun (top and bottom of 3) and (middle) locals watching the projected APN multimedia video – captured at a point in transition between one frame and the next.

Images © Brian Cassey 2014

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