10th International Color Awards …

Nice to receive some news from the 10th International Color Awards last week … and it appears that my work had some success. The awards are an annual event showcasing the best of the Planet’s color (sic) photography.

Abdullatif did it again … with the image I made of the Iraqi refugee battered in a Manus Island PNG police cell – “Beaten Asylum Seeker” – taking out ‘3rd Place – Honor of Distinction’ in the ‘Photojournalism’ category. Images by UK’s Filip Warwick (‘Over the Border’) and USA’s Sebastian Meyer (‘Newroz in Kurdistan’) were awarded first and second prize.

Also pleased to note a smattering of other acknowledgements in the list as well … one of my images of burns survivor Carol Mayer (‘The Skin I’m In’) was honoured with an ‘Honorable Mention’ in the ‘Portrait’ category … whilst an image I made of a large turtle landed at Lorengau, Manus Island (‘Turtle, Manus Island’) was selected as a nominated ‘Finalist’ in the ‘Photojournalism’ category AND the ‘Wildlife’ category.

The announcement of winners and nominees and their works was made in a three and a half hour live broadcast on the internet … but I missed that bit.

My works mentioned are shown below … images © Brian Cassey

10th International Color Awards - Portraits - Honorable Mention - 'The Skin I'm In' by Brian Cassey

10th International Color Awards - Finalist - Photojournalism & Wildlife - 'Turtle Manus Island' by Brian Cassey

 

Dubai, London and Budapest …

One of the absolute truths of being a working photographer is that you always appear to be … well … ‘working’. We don’t even qualify for a ‘busman’s holiday’ … definition … “a holiday where you do something similar to your usual work instead of having a rest from it”. It’s the ‘holiday’ part of the definition that doesn’t happen.

The fact of travelling is that the camera is always slung over your shoulder … and if it isn’t on your shoulder you WILL eventually regret it.

I’ve just returned from nearly a months travel to Dubai, the UK and Hungary where a camera rarely left my grasp … and where my time was also spent productively visiting photography work in galleries or meeting editors, printers or others involved in the industry.

In Dubai I worked on some ground work and initial photography for a new World class environmental venture to be opened later this year (my reason for travelling to the UAE … but more on that down the track). I also found a little time to make two contrasting images of daily life in the principality. Away from the glitz and opulence of downtime Dubai I spent early mornings among the thousands of wharfies and sailors who worked on the traditional wooden dhow trading boats that ply their goods around the Arabian Sea from their base at Dubai Creek. Near all were ‘foreigners’ from Iran, Pakistan or elsewhere. My fav pic was the portrait I made of old Hossain in front of the most beautiful weathered rosewood dhow hull. (top below).

In contrast was the image (also below) I made in a segregated ‘male only’ carriage on the Dubai Metro … one of just a handful of railway systems in the World that operate segregated carriages for women to address sexual harassment and unwanted contact .

London is proudly my heritage … and I spent some time fruitlessly digging around for reminders of the London of old. These two pics (3 and 4 below) came closest to the required nostalgia levels. Wandsworth Common on a cold foggy morn with the young football players from Broomwood FC brought back memories of my own youthful footballing days. The portrait subject is Lewisham street trader Alan Hogg. Born in Lewisham Hospital (as was I) Alan is the quintessential south east Londoner of old. He runs ‘Pitch 45’ at Lewisham High Street market selling, according to his licence, ‘fruit and vegetables or flowers or xmas novelties’. Lewisham has now long been a diverse multicultural society and cloth capped characters of Alan’s ilk have almost disappeared. Pure nostalgia …

The last image is deliberately different … a quirky image from Budapest Hungary … a city now best known for it’s beautiful city architecture. However, metres below the World Heritage Castle district on the Buda side of the city there exists a cold war nuclear bunker … complete with gas masks and ‘occupants’!

Ain’t travel … and work … grand !

All Images © Brian Cassey – from top – Dubai UAE x 2, London England x 2, Budapest Hungary

Dubai, UAE - portrait of Hossain at the Dubai Creek wharf - by Brian Cassey

Dubai Metro - crowded male Metro carriage segregated by sex (female carriage half empty) -image by Brian Cassey

Football on a foggy day at Wandsworth Common, London - image by Brian Cassey

P{portrait of market stall holder Alan Hogg at Lewisham Market, London - image by Brian Cassey

Pic from the Cold War nuclear bunker in Budapest, Hungary - Image by Brian Cassey

Bi ’16, Hi ’17 …

Thanks to Murray Young for pointing this out (I was across the other side of the planet so initially missed it) … great showing in the first publication of 2017 in the Sunday Mail, January 1.

The S Mail used my image of beaten asylum seeker Abdullatif Almoftaji across the entire front page cover of their photographic retrospective special … ‘2016 Pictures of the Year’ … which also included some mind blowing and soon to be, if not already, ‘iconic’ (for want of a better term) images … including Cameron Spencer’s Getty image of Usain BoltBurhan Ozbilici’s startling AP image of Mevlut Mert Altintas after murdering Russian Ambassador to Turkey Andrei Karlov, Jonathan Bachman’s ‘Black Lives Matter’ Baton Rouge protest pic of leshia Evans … and Mahmoud Raslan’s haunting image of 5 year old Syrian child Omran Daqneesh in Aleppo. All images that will go down in history.

Real Chuffed to have my image part of such an amazing collection.

My pic of beaten 20 year old Iraqi asylum seeker Abdullatif was made at the Manus Island Papua New Guinea police watch house during a visit to document the island’s detainees. In December it was recognised as the winner of the Nikon Walkley Portrait Prize for 2016.

Below is a grab of the January 1st three page Sunday Mail special ‘In the Frame – Pictures of the Year’ (Abdullatif image © Brian Cassey)

Pictures of the Year 2016 - Abdulaftif Almoftaji - Manus Island by Brian Cassey

Pictures of the Year 2016 - Abdulaftif Almoftaji - Manus Island by Brian Cassey

 

National Portrait Gallery … Yes …

I’m not allowed to give you much in the way of details about this yet … sworn to secrecy … but may I say that I’m absolutely stoked to learn the news that an (unnamed at the moment) image of mine has been selected as a Finalist in the National Portrait Gallery’s ‘National Photographic Portrait Prize’ for 2017 … !

Apparently close to three thousand entries were received for this years awards … and it’s great to make the finalist cut.

Nice to add the NPPP to the other finalist awards over the last few months … the Moran Contemporary Photography Prize, the Bowness Photography Prize, the Contemporary Landscapes in Photography (CLIP) Awards … along with a second place in the Moscow International Foto Awards (MIFA), two wins in the Tokyo International Foto Awards (TIFA) … and a much appreciated Win in the Nikon Walkley Portrait Prize.

I feel a very fortunate fellow right now … 🙂

All ‘National Photographic Portrait Prize’ finalist and winning works will be revealed at the opening of the exhibition at the National Portrait Gallery, King Edward Terrace, Canberra, ACT on the 31st March. (Note to self … must book flights …) There’s a prize of $25,000 at stake for the creator of the most outstanding photographic portrait. This year there will also be prizes for Highly Commended as well an Art Handlers’ Award and People’s Choice Award.  The exhibition will run till the 18th June before touring to the Blue Mountains, Mornington Peninsula, Western Sydney, and Devonport, with also the possibility of a fifth venue being added.

National Photographic Portrait Prize 2017

 

Tokyo International … Result …

A very welcome email arrived just a day or two before Christmas with the news that two of my works had been selected as winners in the inaugural edition of the Tokyo International Foto Awards (TIFA’s).

‘TIFA’ …  a new event on the calendar … aims “to recognize, reward and expose talented photographers from around the world and introduce them to the creative community in Japan”.

My works selected were … Gold (First Place) in ‘Editorial Personality’ for the portrait ‘The Skin I’m In’ of burns survivor Carol Mayer … and Silver (First Place) in ‘Moving Image Essay’ for my short film ‘Eyes – the Soul of a Photograph’. Both works have featured previously in other awards.

They will be shown alongside other works during the winners exhibition at the Owada Gallery, Shibuya Cultural Center Owada, 23-21 Sakura-gaoka-cho, Shibuya-ku, Tokyo … with the grand opening eve on February 25th. Sadly, I doubt I will be able to take up the invitation.

All Images © Brian Cassey

'The Skin I'm In' - portrait of Carol Mayer - Winner - 'Editorial - Personality', Tokyo International Foto Awards 2016 - image by Brian Cassey

21st QMMA’s …

Enjoyed a great night last Saturday at the Cairns Reef Hotel Casino celebrating – with colleagues from the media and advertising industries –  the twenty first Queensland Multi Media Awards.

At the end of a very entertaining evening and after enjoying some great company and many laughs, I left lugging awards for ‘Best Editorial Photograph’ (Ravenshoe Blast Survivor) and ‘Best Photographic Image’ (Manus – Beaten Asylum Seeker).

I’m very grateful to the subjects of my images … former Ravenshoe cafe chef Noeleen Avenell who suffered massive burns and months of painful recovery (which continue to this day) … and young Iraqi asylum seeker Abdullatif who suffered detention on Manus Island at the whims of the Australian government. (As a footnote – Abdullatif, now just twenty one, was recently deported back to Iraq … and in past weeks I have managed to track him down to Turkey where he fled after finding Iraq ‘too dangerous’.)

Below are the two winning images … © Brian Cassey

Thanks to the 2016 QMMA organising committee … and ‘bring on’ the 22nd QMMA’s in 2017 … !

 

Winning Images - Queensland Multi Media Awards 2016 - 'Best Editorial Image' - "Ravenshoe Blast Survivor" - 'Best Photographic Image' - "Beaten Asylum Seeker" by Brian Cassey

Hell or Heaven … Manus …

… it all depends on your perspective …

As intimated in an earlier post … my new pic essay from the work on Manus Island Papua New Guinea documenting the plight of detained asylum seekers and the lifestyle of the islanders – entitled “Manus Island – Heaven & Hell” – is now up on both my personal site and that of the photojournalist collective ‘fotostrada’.

Twenty six images contrasting the idyllic but basic lifestyle that Manus Islanders have enjoyed for centuries with the new phenomena of asylum seekers from the Middle East, north Africa and west Asia amongst their midst. A distinct clash of culture.

The essay may be found on my personal site here “Manus Island – Heaven & Hell” … and on the  ‘fotostrada’ site here “Manus Island – Heaven & Hell”.

Below is just one image from the essay … one that I missed during my edits on the island but found recently whilst doing a recap !

Image © Brian Cassey

Manus Heaven & Hell by Brian Cassey - Manus Island PNG

Masters of Photography …

Somehow … and this was a surprise to me too … a selection of my work made in India from the “India in an Ambassador” essay has now just been featured on the “Masters of Photography” web site amidst some truly stunning company and work.

The site has for some years featured … up to now 😉 …  the best photojournalism and photojournalists from around the planet and the collection of work is really something to pore over. Gawd knows what my images are doing amongst work of the highest calibre by PJ high flying legends such as … Steve McCurry (https://mastersofphotography.wordpress.com/2013/09/29/steve-mccurry/ & https://mastersofphotography.wordpress.com/2014/01/21/portraits-of-resilience-steve-mccurry/) … Lynsey Addario (https://mastersofphotography.wordpress.com/2015/02/10/lynsey-addario-2/) … the late Tim Hetherington (https://mastersofphotography.wordpress.com/2013/06/17/tim-hetherington/) …
Daniel Berehulak (https://mastersofphotography.wordpress.com/2015/04/24/daniel-berehulak-2/ & https://mastersofphotography.wordpress.com/2014/12/18/daniel-berehulak/) … James Nachtwey (https://mastersofphotography.wordpress.com/2012/12/23/james-nachtwey/) … and many many more crackers too numerous to mention.

The site at https://mastersofphotography.wordpress.com adds work on a daily basis (mine was added six days ago) and it is a ‘must see’ for anybody even vaguely interested in photojournalism and photography.

Below is a grab of the page showing just six of the sixteen “India in an Ambassador” images that featured on “Masters of Photography”. (The total ‘India’ collection constitutes 53 pics and they may be found on my web site here.)

Images from India © Brian Cassey

Masters of Photography - Brian Cassey - India in an Ambassador

Blunt Edge of Portraiture …

They bill themselves as Cairns answer to the ‘Archibald Prize‘ … a bold but very tongue in cheek comparison.

The ‘Blunt Edge of Portraiture Awards’ were the brain child of Cairns locals Roland Nancarrow and Dominic Johns back in 2007 and they have been amassing street cred ever since. Unlike the famed Archibald’s the portraits are not restricted to just brush, palette, paint, crayon or ink …  and invited ‘Blunt’ artists may use any (or all) mediums available to create a ‘portrait’ including wet clay, film, mixed media, photography, metalwork, mosaic, poetry etc. One memorable past entry was constructed out of custard !

I have been invited (at the suggestion of fellow photographer Glen O’Malley) to be a part of this years ‘Not Quite Blunt Awards’  – along with twenty three other Blunt ‘Virgins’ or newcomers who will be competing for a spot in the next full scale ‘Blunt Edge’ awards in 2016. Each ‘Virgin’ is drawn out of the hat to make a portrait of one other of the twenty four and the works will form an exhibition and vie for awards announced on the eve of December 11th at Crate 59 Gallery in Cairns.

Indeed fortunate to have been tasked with making a portrait of the delightful performance artist Kloe Gee … whilst artist Maree has the unenviable task of having to make a likeness of me interesting ! The works will be judged by eminent artists from southern climes who are not familiar with the Cairns art scene.

All in all it sounds a load of fun … ‘Thanks’ for the Blunt invitation!

‘Head On’ Blog Feature …

Nice to be included amongst great company in the ‘Head On Photo Festival’ blog ‘Best Lessons in Photography’ feature – alongside current ‘Nikon Walkley Press Photographer of the Year’ (and bloody genius), Andrew Quilty –  and ‘Head On Landscape Prize’ winner, Alfonso Perez de Velasco.

In retrospect – perhaps I should have put just a little more thought into the photography ‘tip’ that I provided for the ‘Best Lessons’ segment – but I was off choofing around the countryside when the call from Head On’s Lauran Hohmann arrived. (Yeah, no excuse I know).

Lauran also posted four examples of my work along with the segment … and Lauran … I’m very grateful !

The work and the photography ‘tip/lesson’ (?) are shown in the screen grab below – or can be seen alongside the work of Andrew and Alfonso on the ‘Head On’ blog site at … https://www.headon.com.au/blog/best-lessons-photography-brian-0

Images © Brian Cassey

Head On Photography Lessons Brian Cassey

“Eyes” in ‘Cairns Eye’ …

Many Thanks to Roz Pulley and the team at ‘Cairns Eye’ magazine for devoting the cover and a double page spread in this weekends issue to the recent win for my short film “Eyes – the Soul of a Photograph” in the Moscow International Foto Awards. Very grateful crew … !

Despite the challenge of portraying the essence of a short film about the ‘moving image’ (in more than just one sense of the term ‘moving image’) the piece in Cairns Eye looks great. On the cover and spread they used seven of the twenty six essentially portrait images – made in the USA (2), India (3), Indonesia (1), Thailand (1), Hong Kong China (1), Papua New Guinea (4) and Australia (14) – which featured in the film. Sadly there is no way they can play the haunting accompanying music in the film – a beautifully emotive piece by composer Robert Mann entitled ‘Rio Vista’. However, you can hear the music and see the complete project at … www.briancasseyphotographer.com/play

The rationale for the film – which also was a Finalist in the ‘Head On Moving Image Prize’ (amongst others) earlier this year – was to explore the axiom that that the eyes are the gateway to not only the soul but the still photograph.

For earlier news on the ‘Moving Image Essay’ win in the Moscow International Foto Awards  – and to play the work – please click on my recent post “Eyes” … a Winner in Moscow …” here.

Below I’ve posted screen grabs of the cover and relevant pages from the new Cairns Eye issue – images © Brian Cassey

CairnsEye1lr

CairnsEye2lr

CairnsEye3lr

Head On Shenanigans & Finalists …

The Head On Photo Festival continues it’s meteoric and spectacular growth.

This years month long Festival kicked off in style on May 1 at Town Hall Sydney – the Festival ‘Hub’ – and I was pleased to once again be a part of Australia’s eminent photo show thanks to Festival Directors Moshe Rosenzveig and Anita Schwartz. Opening eve was packed to the ornate Town Hall rafters with about 800 guests and nine top flight photo exhibitions – and a very welcome ‘welcome’ bar.

Described as ‘a veritable orgy of photography’ Head On Photo Festival this year consisted of over a hundred exhibitions and the work of several hundred photographers.

For me, a Highlight amongst all the brilliant exhibitions, opening nights, workshops, artist talks, award presentations, portfolio reviews, pop up studios, trivia evenings etc etc and bloody fantastic work … was a meal post Custom’s House wine and cheese which I shared with three US superstar photographers, a delightful colleague from Byron Bay and two photographers from Iran !! (I know … it’s sounding like the opening line of a ‘joke’).

Sharing pizzas, wine and photojournalism small talk that eve were Ben Lowy (renowned Getty Images photojournalist) and his partner Marvi Lacar (Facebook Pages picture editor) , Los Angeles Times Chief Photographer Michael Robinson Chávez , Iranian girls Saghar Amirazimi and Shiva Shakhesi, the gorgeous and so talented Natalie Grono,  … and myself …

An extremely convivial and fascinating ‘across the divide’ few hours … ! (Pizzas weren’t bad either)

Head On Award wise I was, indeed, fortunate to have my work selected as a Finalist in two categories – the prestigious ‘Head On Portrait Prize’ and the new ‘Head On Moving Image Prize’ – and included in the Portrait Prize exhibition at the Museum of Sydney (till June 8th) and the Moving Image show at Brenda May Gallery Waterloo (till June 6th). Both exhibitions are well worth a visit and a pleasure to humbly be a part of.

Below I’ve posted my Portrait Finalist image “Disko Meri” – a portrait of a night club hostess girl in Port Moresby PNG (Thank You Julie!) – and my Moving Image work “Eyes – The Soul of a Photograph”.

Many Thanks for the wonderful hospitality afforded me by the Head On Photo Festival crew – Kat Mills, Lauran Vohmann, John Slaytor, Jon Lewis, Moshe, Anita and many others … just brilliant …

Images © Brian Cassey

HeadOn_DiskoMeri_Blog

 

“Eyes … the Soul of a Photograph”

Compiled from images selected from my archives specifically for presentation at the ‘Nikon Walkley Brisbane Slide Night’, the Powerhouse Brisbane on 3rd September 2014  – “Eyes” reinforces the axiom that, in photography as in life, the eyes are the gateway to the soul … and the still image.

In voting by the audience on the evening at the Powerhouse, “Eyes … the Soul of a Photograph”, was awarded close count ‘runner up’. News of the event can be found on the Walkley web site at … http://walkleys.com/winners-photo-highlights-brisbane-slide-night/

Images and Presentation © Brian Cassey

Taking It Back To Aurukun …

Even before showing my collection of “The Aak Puul Ngantam Stockman” portraits at exhibitions in Sydney (Head On Photo Festival), Darwin (Proof Photojournalism Festival) and Cairns I was toying with the idea of taking it back to where the photographs originated – Cape York Peninsula and the indigenous township of Aurukun.

To most of the subjects in the portrait collection, Aurukun is their home and it is also the home of APN Cape York – the indigenous corporation that is responsible for the mustering operation that I witnessed and recorded originally for stories in ‘The Australian’ newspaper.

It seemed only fair that the people involved in the venture and their families, friends and Wik clan members in remote Aurukun should get the chance to see the photographs.

A chance encounter with Juliana Doupe from the Apunipima Cape York Health Council at my exhibition at ‘The Tanks Arts Centre’ in Cairns in February set the project in serious motion. Juliana showed great enthusiasm for the idea and for the next few months was tireless in her attempts to help make it work. Nothing happens easily in the ‘fluid’ Cape indigenous communities but the hurdles were overcome one after the other.

All the work came to fruition this weekend when “The Aak Puul Ngantam Stockman” went back to Aurukun as part of the 2014 ‘Aurukun Day’ celebrations.

The evening of the 110th anniversary of the founding of Aurukun by missionaries was marked in the township centre by the community launch of the excellent Apunipima ‘Hip Hop’ music video starring a wildly energetic cast of locals … and followed by the projection of my APN multimedia video (which can be found on my ‘Play’ web site page or on ‘YouTube’ here). All again followed by much camaraderie as almost the entire community partied and crowded the dusty concrete dance floor at the ‘disco’.

On the second day of celebrations the collection of APN portrait prints were displayed along the wall of the Aurukun retail store … the meeting place in the heart of township … against a colourful indigenous backdrop. Sadly there was one omission from the exhibition. Elder and real gentleman Winston Marpoondin died recently and his portrait was excluded to respect cultural sensibilities.

It was, indeed, excellent to see the photographs ‘back home’ amongst the people of Aurukun and I’m very grateful to Juliana and also Andrew Packer from Apunipima for their invaluable help.

As soon as time permits I will post a new pic essay – ‘Aurukun Day’ – which will document the days activities. In the meantime below are images showing the exhibition as hung in Aurukun (top and bottom of 3) and (middle) locals watching the projected APN multimedia video – captured at a point in transition between one frame and the next.

Images © Brian Cassey 2014

AurukunDayBlog2

AurukunDayBlog

AurukunDayBlog3

Travel Portraiture Spread in Digi Mag …

… about to hit the newsagents any day now … the new edition of ‘Digital Photography’ magazine features a seven page spread of my work under the title “The Art of Portraiture”.

The renowned enthusiast and pro photographer mag saw fit (for some reason) to use fifteen of my photographs accompanied by twenty of ‘my tips on travel portraiture’.

Not that I’m complaining … they have used a nice selection of my pics and the layout is neat and eye catching … and there are a few images on the pages that have not seen the light of day in a publication previously. The twenty ‘tips’ are all pretty obvious and I’ve probably left out the most important ones!

Please do the publisher a favour and go buy a copy … but if that’s not on …

Below are screen shots of the ‘Digital Photography’ seven page spread. All images (and my tips!!) © Brian Cassey

Digital Photography Magazine1

Digital Photography Magazine 2

Digital Photography Magazine 3

Digital Photography Magazine 4

 

Wet But Fine Exhibition Opening …

It was raining of course … it is the wet season after all. But that didn’t stop people turning up in droves to the launch of my “The Aak Puul Ngantam Stockman” exhibition at The Tanks Arts Centre in Cairns on Friday evening.

It was brilliant to see so many friends, colleagues, fellow photographers (many of whom I don’t catch up with often enough!), new acquaintances and faces from years long past, brave the elements to attend, share stories and down the odd drink.
Many Thanks must also go to charismatic indigenous leader Bruce Martin who took time out from his manic schedule to open the exhibition.

The Tanks exhibition space is expansive, full of character, versatile … and  wonderful. In addition The Tanks crew of curator Chris Stannard, Olivia, Gio, Belinda and Lisa – have done a wonderful job of curating, hanging and letting the world know about my work.

Spread around the huge space are my thirty two images – fourteen large portraits of the Aak Puul Ngantam crew each on their own floating wall and eighteen prints of the APN mustering operation. It all looks fantastic.

The images in the exhibition were made at the Cape York Peninsula mustering operation whilst working on a story for ‘The Australian’ … and have since, gratifyingly, received some critical acclaim and awards.

If you did miss the opening night ‘launch’ the exhibition will run till March 2nd in tank 4 of The Tanks Arts complex Cairns.

Below are three images of the exhibit at The Tanks – the top two show the character of the space with some of my prints in place, whilst the third is from the opening night celebrations.

ABC Radio was just one of several media outlets to publicise the exhibition and opening eve and you can listen to Fiona Sewell’s great work in interviewing yours truly on the ‘Play’ page of my web site – or alternatively here below …

 

Images © Brian Cassey – Audio courtesy ABC Far North ©

The Tanks APN Exhibition

The Tanks APN Exhibition

20140207_APNExhibitionTanks4Blog

 

Fremantle Portrait Prize …

Had the pleasure on the weekend of being a guest at the opening eve of the ‘2013 Fremantle International Portrait Prize’ at the Moore’s Contemporary Art Gallery in … uuumm … Fremantle.

An excellent array of the finest examples of photographic portraiture, I was indeed fortunate to have two of my images amongst the 2013 collection – “Stockman” and “Carol – Burns Survivor”.

Enjoyed the evening’s events with photographic colleagues David Dare Parker, Richard Wainwright, Peter Ramshaw and others as we were entertained by a string quartet (nice touch!).

The exhibited work was of an exceptional standard and a testament to the organisers of the Prize which is in only it’s second year. Work from thirty countries around the Planet were amongst the entries which totalled near two thousand and, indeed, the winning photographer hailed from Croatia! The exhibition runs at Moore’s until September 1st. The next ‘Fremantle International Portrait Prize’ will be in 2015.

Below are pics of the Moore’s gallery space and my two images as they were hung – “Stockman” and “Carol – Burns Survivor” (©Brian Cassey).

20130824_FremantlePortraitPrize4Blog

20130824_FremantlePortraitPrize2Blog

20130824_FremantlePortraitPrize1Blog

The Aak Puul Ngantam Stockman

This presentation – “The Aak Puul Ngantam Stockman” – was made for the ‘Nikon Walkley Photographers Slide Night’ in Sydney at the State Library of New South Wales on the 28th May 2013. The images were made on Cape York Peninsula northern Australia and show the work of the mustering operation by the indigenous company APN Cape York. The operation is attempting to provide meaningful employment and occupation for the indigenous population of the area around Aurukun – and break the cycle of welfare dependancy, violence, alcohol and drug abuse. The portraits represented in this presentation were exhibited at The Global Gallery, Paddington, Sydney as a featured exhibit of the 2013 “Head On Photo Festival”.
One of the portrait images was selected as a Winner of the “Head On Portrait Prize” – and another as a ‘Finalist’ in the “Kuala Lumpur International Portrait Awards”.
The music accompanying the presentation – “Fire Serpent” from the album “Shaman’s Dance” – is used by kind permission of the artist Dan Pound.

Words and Images © Brian Cassey

Head On Festival and Portrait Prize …

Travelled down to Sydney for the launch of the five week long “Head On Photo Festival” and the announcement of the 2013 “Head On Portrait Prize” winners.

The Turner Hall at Sydney TAFE Institute was packed to it’s (very beautiful) rafters for the Festival launch, the “Head On Portrait Prize” winners announcement and also the announcements of the new “Head Off Landscape Prize” and the “Head On Momento Photobook Awards”.

Absolutely thrilled when Head On director Moshe Rosenzveig announced that I was ‘Winner of Second Prize’ in the portrait award for my image “Stockman”. I was joined up on stage by Jonathan May who made the amazing winning image and third place winner Matthew Reed.

“Stockman” (Dominic Ngakyunkwokka) is just one image from the series “The Aak Puul Ngantam Stockman” originally made for a story by ‘The Australian’ journalist Michael McKenna (who also features in the series). You can see the entire “The Aak Puul Ngantam Stockman” collection of prints at the Global Gallery in Paddington Sydney from the 29th May till the 9th June, as a “Head On Festival” featured exhibition. Please come along for opening night celebrations and a drink or two from 6pm.

The day after the Global Gallery exhibition launch I’m orf to Kuala Lumpur where another image from “The Aak Puul Ngantam Stockman” – “Roustabout (Perry Ward) – is a finalist in the “2013 Kuala Lumpur International Photography Awards” and will be exhibited at “Galeri Petronas” in the Petronas Towers KL from the 23rd May till 23rd June. Winners announcement is 5pm June 1st.

The exhibition of the “Head On Portrait Prize” winning images and thirty seven other Portrait Prize Finalists can be seen at the State Gallery of New South Wales, Sydney until the 23rd June.

There are galleries of winning and finalist images from the Portrait, Landscape and Book Prizes on the web here at ‘TimeOut’ ,  here at “Fairfax News” and here at “Photojournalism Now”

Here (below) is how my “Stockman” image is displayed in the State Library of NSW – image © Brian Cassey

HeadOnSLNSW

“Roustabout” Selected in KL …

Very pleasant news that one of my “The Aak Puul Ngantam Stockman” portrait series has been selected as a Finalist in the prestigious “5th Kuala Lumpur International Photo Awards”. The selected Finalist image is a portrait of Perry Ward – the “Roustabout” of the APN Cape York crew that are mustering thousands of head of stock out from the indigenous township of Aurukun, northern Australia.

The announcement of the Winner and place getters will be made at Galeri Petronas, KLCC,
Kuala Lumpur, Malaysia on Saturday 1st June 2013, from 5pm – and all the finalist images will be exhibited at the gallery from 23rd May to 23rd June.

Indeed an honour to be involved in such an enterprise … and I’m also pleased for the great and accommodating members of APN Cape York who allowed me to make the image.

Below is the Finalist image – small size – of Perry, the “Roustabout” – the entire “The Aak Puul Ngantam Stockman” portrait essay can be found here.

image ©Brian Cassey

RoustaboutBlog

Sydney Exhibition – Head On

Only a few weeks till my collection of images – “The Aak Puul Ngantam Stockman” – opens at the Global Gallery in Paddington Sydney as a ‘featured’ exhibition in the massive ‘Head On Photo Festival’.

All are welcome to the opening function at the gallery on the eve of Wednesday 29th May from 6ish  (with a little drink or two offered – but no obligation!)

The exhibit consists of 14 large portraits – all made ‘in situ’ at the base camp of the mustering operations on a remote property out from the indigenous township of Aurukun, Cape York Peninsula. The cattle venture by indigenous APN Cape York is an attempt to provide sustainable employment and a sense of pride in the troubled township – and break the cycle of booze, drugs, violence and welfare dependency.

The subjects included in the exhibition are a mix of elder experienced former aboriginal stockman, young indigenous men from Aurukun keen to learn the ropes, a white family of head stockman, wife and cook and two daughter Jillaroos, a teacher for the kids and a ‘roustabout’ – all of whom are directly involved in the day to day hands on mustering operation.

The crew are mustering – by horseback, quad bike and helicopter – about 5000 head which are the remnants and descendants of a failed cattle venture in the 1990’s.

The work was originally made for  ’The Weekend Australian’ newspaper and accompanied by text from journalist Michael McKenna (who is also one of the subjects).

The exhibition runs at Global Gallery till the 9th June … looking forward to seeing you there.

Below is just one of fourteen portraits that make up the exhibition.

Image of Winston Marpoondin – © Brian Cassey

APNBlog

 

Aak Puul Ngantam Portraits …

The complete portrait set – “The Aak Puul Ngantam Stockman” – is now up on the web site of my collective ‘fotostrada’ at “Latest Stories”.

The set includes portraits of all the individuals involved in the cattle venture on Cape York Peninsula,  indigenous and otherwise, made as they returned from a morning muster.

I’ll let the portraits speak for themselves …

Another photo essay on the work of APN including mustering on horseback, helicopter and quad bike and other images, will be posted on ‘fotostrada’ soon.

Both essays will be added to my personal web site when the current site refresh is completed any week now.

Below I’ve posted just two of the set which also link to the full set.

Images © Brian Cassey 2012

 

Indigenous Stockmen Saddle Up Again …

A little pleased with this weekends The Weekend Australian (27.10.2012).

Last Weekend I ventured once again up to the wilds of Cape York Peninsula, this time with journalist Michael McKenna, for a four day visit to Bruce Martin and his APN Cape York cattle enterprise a hundred K out from Aurukun.

APN Cape York is an initiative of Bruce and the collective Wik clans of Aurukun – an attempt to provide sustainable employment and a sense of pride in the indigenous town – and break the cycle of booze, drugs, violence and welfare dependency.

The idea of this particular plan of Aak Puul Ngantam (which in Wik mean “our father’s father’s country) is to return to the traditional  ‘country’ – in this case as stockman to manage and profit from the approximately five thousand head of cattle left to run wild after an earlier venture failed in the 1990’s. To work on the land just as their forefathers did many decades before.

Our task was to document the mustering venture in words and pictures for the weekend edition of  The Australian.

It didn’t start well … the ute taking us through the bush shed the drive shaft half way though the journey in the middle of nowhere, meaning we were unceremoniously towed into the mustering camp.

Sometimes, however, things fall into place – and with the help of the entire APN crew present – stockman Jay, Kenneth, Winston, Dominic, Steven, Cameron, Allan and Bruce, roustabout Perry, cook and mum Rebecca, jillaroo sisters Nina (5) and Shae-Anne (10), their teacher Moyra and helicopter pilot Brendan – the coverage went like clockwork (and with a great amount of banter and good humour).

I photographed the team erecting stock fences, mustering on horse back (and in Bruce’s case off the horses back!), helicopter and quad bike and training a herd of cattle to be used as a host herd.

The Weekend Australian used what must be a record number of images on the same subject by the same snapper – 22 of my pics in all over five pages – along with Michael’s excellent thousands of words! They also run on-line a photo essay and a video.

I’ve posted below screen grabs of the pages involved – and the online photo essay can be found here – and the video here.

Also below is just one image from the set of portraits I made of all the camp participants – an essay to be entitled “The Aak Puul Ngantam Stockman” – which I hope to exhibit at some stage in the future.

The full sets of images will appear on my web site when the current site revamp is finished in a few weeks time. They will also feature soon on the web site of my collective ‘fotostrada’.

© Images Brian Cassey

 

Two in Show …

Just received the news that two of my images – “Rajasthan Dancers” and “Carol – Burns Survivor” – have been selected as ‘Finalists’ in the United States based “2012 Kellicutt International Juried Photo Show – Through A Lens: Vibrant!”.

My images, along with other finalists from the US, the UK, Australia, India, Hong Kong, Canada and Puerto Rico, are part of the hanging exhibition that will be shown in galleries around California.

Prize winners will be announced during an awards ceremony at the Coastal Arts League Gallery in Half Moon Bay CA on July 7th before the exhibition moves to the Calumet Gallery in San Francisco in August.

You can see all the selected finalists images at … http://www.coastalartsleague.com/kellicutt/2012/HangingInShow/index.html … and I’m in some very good company. The selected photographs seem to cross almost all photographic disciplines and styles and will provide a fascinating exhibition.  Just a pity I probably won’t be there to see it!

Below I’ve posted the two images selected as ‘Finalists’ – “Rajasthan Dancers” and “Carol – Burns Survivor”

Images © Brian Cassey