Urandangi … Twelve Years On …

Way back in 2008 (unbelievable !) myself and journo Peter Michael travelled ‘out west’ to the tiny little outback hamlet of Urandangi on the Queensland / Northern Territory border. It was something of an eye opener.

The Mail Online contacted me recently after seeing my Instagram post of a Urandangi image selected from my archive. Their plan was to feature my 2008 images and update the story on the ‘forgotten’ settlement. It has now been published (25th October 2020) at … https://www.dailymail.co.uk/news/article-8821909/

The article leads with my pics of Urandangi local Mark Webb, his wife and seven children, who then were existing in a battered leaky caravan with no power or ‘facilities’. One of the comments Mark made at the time was “We are out of sight, out of mind, and no one cares”. They were not on their own … most residents were living in similar circumstances in dysfunctional caravans or makeshift iron and timber ‘humpies’ with no running water, power or sanitation.

The Mail story and pics then moves to the role of Pam Forster in the community. When I visited twelve years ago Pam had just taken over as publican of the ‘Urandangi Hotel’ … the ‘Dangi Pub’. Fast forward to today and she is still there at the pub (the only substantial building) where she operates all the business in town … watering hole (literally), CentreLink office, store, petrol station, post office, flying doctor agent … and more. Now seventy years old she has become a local legend and mentor to the entire community.

Much has improved since 2008 … some things havn’t … and it is all documented in the Daily Mail article here. (My work was originally published (2008) in the Courier Mail here.)

Below I have posted six of my seventeen images that appear in the new Mail Online article … jump to the link to see more here and read the text. (n.b … six of the images were part of my portfolio that won ‘Best Photo Essay’, Queensland Media Awards 2008. Also, the pic of the small child on the road graces the cover of my book ‘To Be Indigenous’ which can be found here at … https://www.briancasseyphotographer.com/books/

Images © Brian Cassey 2008 … from top … Mark Webb’s family camp, a child at play at Urandangi, Pam Forster just after she took over the ‘Dangi Pub’, the town ‘drunk tank’, Norm and Mavis Wilde at their wrecked van home, local Sonny Mick at his ‘humpy’.

Urandangi Queensland Australia - forgotten indigenous community - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - - publican Pam Forster - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - the 'Drunk Tank' - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - the 'Drunk Tank' - pics by Brian Cassey - local Sonny Mick at his 'humpy'

Urandangi Queensland Australia - forgotten indigenous community - the 'Drunk Tank' - pics by Brian Cassey - local Sonny Mick at his 'humpy'

… They Did It ! Pics in Space X 3 …

… PICS IN SPACE! … They did it (and included THREE of my portraits !)
Released overnight as promised by the British Journal of Photography (1854 Media) with the help of ‘Sent Into Space‘ … the film of the ‘Portrait of Humanity’ (2019 & 2020 projects) shortlisted images and their screening twenty four and a half miles ABOVE the planet in the stratosphere with the backdrop of space.

VERY pleased to have three portraits screened … ‘Aurukun – Generations’ (selected in the 2019 POH), ‘The Skin I’m In’ and ‘Ramnami’ (both selected in the 2020 POH) … as planet Earth rotates in the blackness of space. All the photographs were also transmitted out across the Universe and beyond as binary files … just in case there is anyone/anything ‘out there’ wondering about life on our little blue planet .

Here is a short video of my three portraits ‘in space’ with a few introductory pars from ‘Portraits of Humanity’ on broadcasting a message of peace and unity from humankind onto, well … infinity.
You can watch the entire 42 minute film of the exhibition of 400 images as the earth turns below … and how they did it … here … https://access.bjpsubs.com/portrait-of-humanity-sent-into-space/

Images X 3 © Brian Cassey, film © Portrait of Humanity & 1854 Media

The Portrait Photographers of Trinity Bay High School …

A pleasure once again to be faced with the task of judging the work of the extraordinary visual arts students at Trinity Bay High School in their annual photographic portrait prize. This is the fifth year I’ve had the privilege of being the arbiter of their collective efforts at portraiture. Would have to say that this years overall collection well exceeds the standards of the previous four years.

Although slightly down on numbers from last year (not surprisingly during a year when their school curriculum has been adversely impacted by Covid-19) approximately fifty portrait prints lined the walls at the Trinity Bay school.

Standout ‘Best in Show’ winner was a somewhat controversial exceptional image entitled ‘Dysthymia’ by grade 12 student Kayla Allan of her sister Keira. I must confess that that I was unfamiliar with the term ‘Dysthymia’ and had to look it up.

A form of clinical depression, dysthymia is from the Greek word meaning “bad state of mind” or “ill humour”. Symptoms include depressed mood, disturbed sleep, low energy, poor concentration, poor appetite, low self-esteem, and hopelessness.

Once seen, the image (top – below) doesn’t let you go … the irresistible eyes follow you around … and it vividly tells ‘a story’ commensurate with it’s title. I won’t forget the work … or the meaning of the word ‘Dysthymia’.

Kayla deservedly received a Nikon DSLR camera for her work courtesy of sponsor Garricks Camera House.

The Seniors Prize (for grades 11 and 12) went to Kelli Baker (grade 11) for an eerie self portrait ‘A Watery Veil’ (below – second from top). The Juniors Prize (grades 7 to 10) I awarded to Sam Williams (grade 10) for his equally atmospheric portrait entitled ‘Isolation’ of his mum Kylie (third row – right). Each were awarded vouchers to spend on photo kit at Garricks.

Also handed out several well deserved ‘Highly Commended’ awards to Juniors … Shaun McIntyre (grade 10) for ‘Thoughts’ of subject Layla Johnson (pensively looking remarkably like a young actress Genna Davis – below – bottom), Imogen Toohey (grade 7) for an ‘Untitled’ work … and Seniors … Madison Robinson (grade 11) for ‘Expectations’ (below – third row left), Chantelle Nolan (grade 12) for ‘Behind’ and Hanna Browning (grade 11) for ‘Secluded Minds’. (NB – My apologies to Hanna, Chantelle and Imogen – unable to present your work here due to ‘space’ issues.)

The visual arts teachers at Trinity Bay also deserve their own award for fostering these photographic talents amongst their student numbers. Again, a distinct pleasure to be involved.

Links to previous years winners and works can be found here … 2019, 2018, 2017, 2016.

Images © the Artists … from top … Kayla Allan, Kelli Baker, Madison Robinson (left), Sam Willams (right), Shaun McIntyre.

Trinity Bay High School Photographic Portrait Prize - Winner Kayla Allan - judged by Brian Cassey

Trinity Bay High School Photographic Portrait Prize - Winner Kelli Baker - judged by Brian Cassey

Trinity Bay High School Photographic Portrait Prize - Winners Madison Robinson & Sam Williams - judged by Brian Cassey

Trinity Bay High School Photographic Portrait Prize - Winner Shaun McIntyre - judged by Brian Cassey

TV, Radio … and More … !

An amazing couple of weeks …

It seems that the ‘Portrait of Humanity’ award and projection in ‘space’ of two of my pics hit ‘the spot’ with a variety of media … and I’ve spent some time on interviews with various TV, radio and other media outlets talking about it rather than making new images 🙂

First off the rank was ABC Far North correspondent  Sharnie Kim who did a great job on her ‘Portrait of Humanity’ story for publication on the ABC web site at https://www.abc.net.au/news/2020-06-12/carol-mayer-photograph-shortlisted-in-portrait-of-humanity/12335282 . Sharnie not only went into the back story of my two selected images … ‘The Skin I’m In’ and ‘Ramnami’ … but also sourced several other ‘short listed’ pics from other photographers.

Didn’t take long for radio to get in on the act … Sarah Speller interviewed myself ‘live’ on ABC Breakfast Far North (at not the best time very early on a Saturday morn) … and then followed that with another recorded segment on her ‘Sarah’s Spot’ on Cairns Radio 4CA a few days later. If you fancy … here (below) are Sarah’s two radio interviews (roughly near six minutes each).

ABC Breakfast Far North – Radio Interview ‘Portrait of Humanity’ – 5.50

 

Sarah’s Spot – 4CA – Radio Interview ‘Portrait of Humanity’ – 5:52

 

The biggest buzz, however, was the piece on the top rating Channel Ten news program ‘The Project’. Really pleased that the program centred on the my amazing subject, burns survivor Carol Mayer, her strength and her story following the fire tragedy when she was a young mum. Lisa Wilkinson opened The Project’ with the news of the selection of my pic of Carol in the 2020  ‘Portrait of Humanity’ … and I later made a little cameo telling of how the pic came about and our relationship. Carol was amazing throughout the interview … and the comments at the end of the segment by show host Lisa Wilkinson were worth watching alone. The show featured a total of nine of my images of Carol … including, of course, the one chosen for ‘Portrait of Humanity’.

The show ran for 6:28 and can be watched here …

Carol Mayer on ‘The Project’

 

Whilst all this was going on I was also asked to be involved and interviewed for the State Library of Queensland’s ‘Behind the Lens’ series as part of their current exhibition ‘TWENTY – Two Decades of Queensland Photography’. Five of the many photographers who have contributed to SLQ’s headline exhibition were each asked to feature in a series of twenty minute interviews over the next few weeks … and mine was first off the rank. Had a nice long chat with SLQ’s Anna Thurgood … the piece of us chatting was also interspersed with my exhibition images made during Cyclones Winifred, Yasi, Larry, Ita and Ului … and the result was broadcast online last Thursday along with a Q&A. However, you can still catch the entire twenty minute interview here below (sadly without the Q&A) …

State Library of Queensland – ‘Behind the Lens’ – ‘TWENTY – Two Decades of Queensland Photography’

All the above audio and video files may also be played … along with many more from the past … on the ‘Play’ page of my web site at https://www.briancasseyphotographer.com/play

Now … back to work making more pictures 🙂

 

Moscow, Moscow, Moscow …

Pleased to have three images selected to each receive an ‘Honorable Mention’ in the just announced 2020 ‘Moscow International Foto Awards’. Especially pleasing is that all three are relatively ‘new’ images … two made in February and the other made in India last October.

It is the first ‘accolade’ for the portrait of Bonn … “Bonn Marie – Asking the Question” … made at a social gathering in the studio shed of fellow Cairns photographer Marc Steiner. It was Bonn’s first real time seriously in front of the camera … she’s a talented little red head and done very good ! (it’s also the first time one of my pics has been mentioned in a ‘Fine Art’ category.)

Kate … my subject in “Kate – Waiting for Her New Breasts” … is one of the very nicest and most resilient women I’ve met. To cut a long story short … Kate had a double mastectomy eight years ago after being diagnosed with a rare form of breast cancer and expected to have reconstructive surgery soon after. Thanks to the inadequacies of the hospital wait list system she is still waiting …

The image ran front page of the Queensland Sunday Mail and prompted the Queensland Health Minister to fast track her surgery … than along came covid-19. She’s still again (patiently) waiting …

This is the second mention for Kate’s image following it’s selection as a Finalist in the Percival Photographic Portrait Prize currently exhibiting at the Perc Tucker Gallery in Townsville.

“Ramnami” is a image I made in Chhattisgarh, India whilst on a day off from covering the story of Indian coal mining giant Adani’s continued destruction of the Hasdeo Arand forest and it’s tribal Gond peoples. Maherttar Ram Tandon is member of the Hindu sect Ramnami Samaj and his entire body is covered with the tattooed text of their god रामराम – Ram Ram – making him one of the only five still surviving ’Naksikh’.

This image has also just been selected on the shortlist of the global and prestigious ‘Portrait of Humanity’ 2020 collection and will be, amongst other things, projected on a screen in the stratosphere and then transmitted as a digital binary file through space on a (possibly) never ending journey. More details about the Image and it’s space journey are here … https://www.briancasseyphotographer.com/blog/stories-blog/2020/06/pics-in-space-out-of-this-world-with-portrait-of-humanity/

The Moscow International Foto Awards have become something of an annual habit and have clocked up a fair few mentions since the first win in 2014. Check through the years here if so inclined …

Images © Brian Cassey

 

Moscow International Foto Awards 2020 - winning images by Brian Cassey x 3

‘Pics in Space’ … Out of This World with ‘Portrait of Humanity’ …

I mentioned a few weeks ago in a Facebook post that I had some exciting news that I couldn’t at the time reveal … I can now !

Announced last eve … the ‘Shortlisted’ images in the second edition of ‘Portrait of Humanity’ … a planet wide selection of the best photographic portraiture co-hosted by 1854 media (publisher of the British Journal of Photography) and Magnum. This project aims to create one of the most ‘far-reaching’ … literally in more ways than one … portrait photography exhibitions in history.

The two hundred ‘Shortlisted’ portraits will be exhibited in outer space … and then transmitted as code through the Universe for (possibly) eternity !

Portrait of Humanity organisers elaborate … “In the ultimate celebration of humankind and the home we share, Portrait of Humanity 2020 will be exhibited in Space. In a feat never before achieved with a photographic exhibition, 200 shortlisted images will be used to broadcast a message of peace and unity from humankind to infinity. Our partner, ‘Sent Into Space’, will launch a screen into the stratosphere with a 360° camera, so photographers can see their images displayed against the extraordinary backdrop of Space. The images will then be beamed onwards in binary code, travelling unimpeded through the solar system at the speed of light. These messages could continue on an infinite journey — or until another civilisation receives and decodes them.”

May seem like bit of a ‘stunt’ but it seems like pretty damn cool stunt to me.

The best bit is that they have selected TWO of my images to make the journey into the stratosphere and beyond … “Ramnami” (a portrait of tattooed Maherttar Ram Tandon in Chhattisgarh, India) … .. and … “The Skin I’m In” (a portrait of the wonderful Cairns burns survivor Carol Anne Mayer). The portrait of Carol has attracted lost of ‘interest’ previously, whilst it’s very rewarding to see the portrait of Maherttar receive it’s first recognition.

All the ‘shortlisted’ images have also been collected into a ‘Portrait of Humanity Volume 2’ book. If you are interested in this wonderful volume of the best photographic portraiture from around our planet you can order a copy from the British Journal of Photography book shop here … https://www.thebjpshop.com/product/portrait-of-humanity-vol-2/ . (Carol … I have one on order for you !).

Great to be part of this exciting ‘out of this World’ initiative by 1854 Media and the British Journal of Photography … as was being selected in the shortlist of the inaugural ‘Portrait of Humanity’ collection back in 2019.

Images © Brian Cassey (@BJPhoto)

 

portrait of Humanity 2020 - Shortlist - Ramnami by Brian Cassey . Chhattisgarh, India

 

Portrait of Humanity - 'The Skin I'm In' - shortlisted - by Brian Cassey

 

 

Three … Percival Photographic Portrait Prize

Really pleased to have three portraits selected, physically printed, framed and hung on the walls of the Perc Tucker Gallery in Townsville … finalists in the biennial ‘2020 Percival Photographic Portrait Prize’ … but … strangely no one is allowed to see them there !

Due to the Covid-19 virus the gallery is still firmly closed. The gallery is hoping that they will be able to open after Queensland’s Stage 2 round of restriction lifting on the 12th June, but that is far from certain. The exhibition runs until 19th July.

In the meantime will have to make do with a ‘virtual tour’ of the work as hung in the cavernous Perc Tucker Gallery. The photographic portraits are mixed on the walls with the generally larger works of the portrait painting prize … so finding specific works is ‘virtually’ problematic. Not a fan of the mixture of painting works and photographic images sharing the walls that’s for sure. Many … if not most … of the photographic works are dwarfed by massive (sometimes gaudy) paintings … but it is nice knowing they are ‘there’.

To save you searching ‘virtually’ … here are my three works that made the cut … ‘Generations – Aurukun’, (bottom) ‘Tomotaro on the Block’ (centre) … and great to see it getting it’s first recognition … ‘Kate … Waiting For Her New Breasts’ (top). (Massive Thanks again Kate !) Both ‘Generations … ‘ and ‘Tomotaro … ‘ have received a lot of recognition previously … just check back through my blog or go to my ‘Awards’ page here.

If you are up for the challenge and would like to attempt see the works that make up the combined Percival exhibitions try here … https://www.townsville.qld.gov.au/facilities-and-recreation/theatres-and-galleries/perc-tucker-regional-gallery/percival-portrait-painting-prize#top … best of luck.

Images © Brian Cassey

'Kate - Waiting For Her New Breasts' - Finalist - Percival Photographic Portrait Prize 2020 - image by Brian Cassey'Tomotaro on the Block' - Finalist - Percival Photographic Portrait Prize 2020 - image by Brian Cassey'Generations - Aurukun' - Finalist - Percival Photographic Portrait Prize 2020 - image by Brian Cassey

Happenings in Perth, India … and the UK …

A lot of ‘goings on’ recently with exhibition openings in Perth, a rewarding ‘road trip’ in India, a bit of recognition from ‘Budapest’ … and an image on the walls at the Royal Photographic Society in England.

Travelled to Perth (and Fremantle) last month for two exhibition openings at two events … the ‘Fremantle International Portrait Prize’ (FIPP) one week and the ‘IRIS Portrait Awards’ at the Perth Centre for Photography the next.

Satisfyingly, both included personal works  … ‘Tomotaro on the Block’ and ‘Generations- Aurukun’ in the ‘FIPP’ … and just ‘Generations – Aurukun’ in the ‘IRIS’. Both great opening eves … first time for me in the ‘IRIS’ collection, but third time in the mix for the ‘FIPP’. Nice also to have a good opportunity to spend a little time in the West and catch up with photographer colleagues Richard Wainwright, Roger Garwood, Johannes Reinhart, Peter Ramshaw and Justin Ma… and also sparkling Nikon rep Julie Kimpton.

From Perth it was four flights to Mumbai (including a quick overnight stopover in Little India Singapore) where I met up with friend and former photo editor at the Indian Express, director of Solaris Images … and all round good bloke Srienivas Akella. ‘Srini’ had organised flights for the two of us to Raipur in the state of Chhattisgarh where I had identified one story in particular that I was keen to work on.

Srini has extensive knowledge of his home country and had also searched out a few other possible pic stories to fill any ‘blanks’ in covering my main objective. As it turned out we managed three stories over six days … my main story (which stretched over three days and involved twenty four hours of driving through Chhattisgarh – all will be revealed when the story and pics are placed and published) … pics of two (apparently of five) of the surviving full body tattooed ‘Ramnami’ – a low caste sect that once endured having the name of their god Rama etched over their entire bodies … and a continuation of my earlier ‘Typewriter Wallahs’ pic essay (this time in the city of Raipur) on the men (and woman) of India who persist in working with (and repairing) ancient manual typewriters.

The weeks work culminated back in Mumbai on a big Diwali celebration night of fireworks, colour and food with Srini, his family and his very pleasant community. Thanks Srini !

Also received great news … an email from ‘Portrait Salon’ stating … “Dear Brian, We are delighted to tell you that our judge, Peter Dench, has selected the attached image (‘Tomotaro on the Block’ … yeah that one again) to be included in this year’s Portrait Salon selection. This year, ‘Portrait Salon’ will be exhibited at the Royal Photographic Society in Bristol, from 21 – 28 November. It will then travel up to Harrogate to be part of the Photo North Festival, from 30 November – 2 December. The images will be presented both as a slideshow, and in print.”

Of course … I am stoked …

UK based ‘Portrait Salon’ is a sort of a ‘Salon des Refusés’ and solicits work that doesn’t make the winners cut of the monumental National Portrait Gallery (London) ‘Taylor Wessing Photographic Portrait Prize’ each year. Now in it’s 9th annual edition ‘Portrait Salon’ arguably shows more interesting work than the ‘Taylor Wessing’.

‘Tomotaro’ certainly has been good for me … as well as the ‘Portrait Salon’ and ‘FIPP’ mentioned above, it has also been recognised in the Tokyo International Foto Awards (TIFA), the Moscow International Foto Awards (MIFA), The Australian Photography Awards (APA) and the 12th International Color Awards.

Not far behind, ‘Generations – Aurukun’ has featured in the ‘IRIS’ and ‘FIPP’ mentioned and also the 2019 Portrait of Humanity and The Australian Photography Awards (APA).

Also at the end of October both of these images were announced ‘Winners’ in their respective categories (Editorial Sports and People) in the inaugural 2019 Budapest International Foto Awards (BIFA). Nice news to arrive home in Cairns to …

Images below © Brian Cassey … as follows from top … ‘Ramnami’ Maherttar Ram Tandon at his home in Churella Village, Chhattisgarh, India. Maherttar is covered all over his body with tattoos repeating the name of his God Rama … D. N. Verma amongst old manual typewriters that he is repairing at his Chhattisgarh Typewriter Works company in Raipur … my ‘Generations – Aurukun’ work at the ‘IRIS Awards‘, Perth Centre for Photography … ‘Tomotaro on the Block’ on the wall of the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle (the same pic as selected for the ‘Portrait Salon’ in the UK’) … ‘Generations – Aurukun’ at the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle.

 

'Ramnami' from Chhattisgarh, India - image © by Brian Cassey

D. N. Verma - typewriter technician and owner of Chhattisgarh Typewriter Works in Raipur, Chhattisgarh, India - image © Brian Cassey

Image 'Generations - Aurukun' - finalist IRIS Awards, Perth Centre for Photography - © by Brian Cassey

'Tomotaro on the Block' 0 Fremantle International Portrait Prize (FIPP) - Finalist © Brian Cassey

'Generations - Aurukun' - Fremantle International Portrait Prize (FIPP) - Finalist © Brian Cassey

 

A Portrait ‘Treble’ at the Australian Photography Awards …

At the risk of sounding monotonous and repetitive … my apologies for once again featuring these three of my portrait images … but …

… all three have just been selected as ‘Honourable Mention’ Finalists in the Portrait category of the 2019 ‘Australian Photography Awards’ … pretty gratified with that.

Each of the three images have been really good for me … previously and variously being ‘mentioned in dispatches’ in the ‘Portrait of Humanity 2019’, ‘Moscow International Foto Awards’, ‘Tokyo International Foto Awards’, ‘Head On Portrait Prize’, ’12th International Color Awards’ … and the soon to be officially opened ‘Fremantle International Portrait Prize’ and  ‘IRIS Portrait Prize’ in Western Australia.

Below are the three … “Generations Aurukun” featuring Aurukun elders Silas and Rebecca Wolmby with their twin great grand children … “Tomotaro on the Block’ of Japanese paralympic swimmer Tomotaro Nakamura at the 2018 Pan Pacific Para Games in Cairns … and “Victim of Sorcery – Dorcas” of ‘Sanguma’ (sorcery) victim Dorcas Numbi Nunugi recovering from a near fatal attack at a ‘safe house’ in Goroka, Papua New Guinea.

The ‘Australian Photography Awards’ exhibition opens at Sun Studios Melbourne on October 12th and runs until October 20th. Sadly, will miss the opening as have already committed to the ‘FIPP’ exhibition event in Fremantle on the same day.

Promise that I’ll soon shut up about these three pics … and concentrate on producing some new work 😉 .

Images © Brian Cassey

 

Three Honourable Mentions in Portrait Category of the Australian Photography Awards 2019 by Brian Cassey

Winning Portraits By Trinity Bay HS Students …

Once again … for the fourth year … had the pleasure last week of judging the work of photography students at the Trinity Bay High School Cairns annual portrait photography prize.

This year the exhibition walls at the school were covered in around seventy works … significantly more than previous years … made by students from grades 7 through to 12. For the first time more than one major prize was on offer … an overall ‘Best in Show’ and Junior (grades 7 to 10) and Senior (grades 11 and 12) Winners prizes.

‘Best in Show’ was a ‘no brainer’ … Lou Vang’s brilliant and highly technical portrait “True Self” (top below) demanded your attention with a mesmerising stare which followed you around the room. Lou focused critically on the most important point of the image … the eyes. A portrait that would stand on it’s own anywhere. Lou was awarded a Nikon D3500 courtesy of Garricks Camera House.

The Junior and Senior prizes, however, were a lot harder to decide upon. Following a fair bit of agonising I settled on the Junior winner … Kelli Baker’s creative “Fragmented” (bottom below) just getting the nod over Holly Koch’s dark brooding “Arinar in Shadow” (second from top below). The Senior decision was just as difficult but eventually settled on Marcus Pedro’s “Time to Destroy” (right – third from top) over Kayla Allan’s “Kales” (left – third from top).

Two others received ‘Highly Commended’ awards … Georgia Willis for “Windswept” in the Juniors and Tarik Clarke for “Denied” in the Seniors. Visitors to the exhibition voted “Saturated Vibrance” by Chantelle as the ‘Peoples Choice’ winner.

Another great exhibition by photography students at Trinity Bay … and a testament to the quality of the arts and photography teaching staff of Dan, Jim, Nina, Ian et al. Refreshing to see this dedication to the photographic arts.

Links to previous years winners and works can be found here … 2018, 2017, 2016.

Images © the artists … Lou Vang, Holly Koch, Kayla Allan, Marcus Pedro and Kelli Baker.

Trinity Bay High School Photographic Portrait Prize - Winner - Mugshot by Lou Vang

Trinity Bay High School Photographic Portrait Prize - Arinar in Shadow by Holly Koch

Trinity Bay High School Photographic Portrait Prize - Images by Kayla Allan and Marcus Pedro

Trinity Bay High School Photographic Portrait Prize - Junior Winner - Fragmented by Kelli Baker

Silas & Rebecca … Now at the IRIS Awards …

Last post I related that two of my images have recently been selected as Finalists in the Fremantle International Portrait Prize …

Now I have just learnt that one of the two has also been selected as a Finalist in the Perth Centre for Photography “IRIS Award” for portraiture … and that is bloody satisfying as it’s a ‘first’ for me.

Here’s how the IRIS Award describes itself … “The Award is an international prize recognising new and outstanding portraiture in photographic art. The criteria for selection focuses on portraits that are unique, compelling and engaging whilst maintaining excellence in photography. Concept, meaning and depth are equally as important as well executed work. Originality is essential and the award encourages work that is evocative and provocative and in some ways may be relevant to the current global cultural landscape.”

This year the award was judged by the highly esteemed and Internationally distributed GUP Magazine (Guide to Unique Photography) based in the Netherlands.

It seems this pic (below) met their criteria … “Generations – Aurukun” of Silas and Rebecca Wolmby and their great grand children. That in itself is rewarding, as the pic … originally made in 2016 during a News Ltd job in the Cape York indigenous township … thereafter languished forgotten and unloved in my archive until I again chanced upon it a few months ago. Since then it’s been around. The pic was Shortlisted and book published in the Magnum and British Journal of Photography ‘Portrait of Humanity’ project … and selected as a Finalist in the FIPP.

Very sadly, the wonderful gent Silas has since passed on. However, I hope to be travelling to Aurukun again in the near future and will make sure that Rebecca and the Wolmby family receive a big copy of the image.

The exhibition opening and prize announcement of the IRIS Award is on Friday 18th October at the Perth Centre for Photography Gallery, 357 Murray Street, Perth … just one week after the opening and prize announcement of the FIPP in Fremantle. WA friends … you are warned … 🙂

Image © Brian Cassey

IRIS Awards - Perth Centre for Photography - Finalist - "Generations - Aurukun' by Brian Cassey

‘On the Wall’ at Fremantle International …

Nice to learn that two of my images have been ‘short listed’ and selected as ‘Finalists’ in the bi-annual Fremantle International Portrait Prize. The two pics will be amongst the other ‘Finalists’ on the walls of the FIPP exhibition and vying for some tasty worthwhile prizes (courtesy of Nikon Australia and others) due to be announced on the opening eve at the historic Moores Building Contemporary Art Gallery , Fremantle on the 12th of October.

A total of over seventeen hundred entries were received from around the planet … and the selected ‘Finalist’ works hail from as far afield as Croatia, Hungary, the UK, the USA, Indonesia, Vietnam … as well as from across Australia.

My two works selected are … ‘Tomotaro on the Block’ (a portrait of Japanese paralympic swimmer Tomotaro Nakamura which has been mentioned in dispatches a few times previously … here, here, here and here) … and ‘Generations Aurukun’ (a portrait of Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby … which was also previously selected as a ‘Finalist’ in the massive World wide ‘Portrait of Humanity’ printed collection and awards).

I’ve attended the Fremantle International Portrait Prize exhibition opening and awards eve on a couple of occasions in the past in 2015 and 2013 … and it’s always a great well presented and thoroughly enjoyable event. Hoping I can make the trek across the continent for it again his year as well …

After the big bash opening eve the exhibition of the selected works will be open at the Moores Building Contemporary Art Gallery, 46 Henry St, Fremantle, from the 13th to the 27th October. I’m sure it will be very much worth a visit.

Proceeds from this years FIPP go to help the Arthritis and Osteoporosis WA Foundation and to the Kai Eardley Foundation for Youth Mental Health.

Below are my two selected ‘Finalist’ works … ‘Generations Aurukun’ and ‘Tomotaro the Block’ (images © Brian Cassey)

'Generations Aurukun' - Fin almost Fremantle Portrait Prize 2019 - image of Aurukun elders Silas and Rebecca Wolmby with their great grand children - Shalona and Keola Wolmby by Brian Cassey

"Tomotaro on the Block' - Finalist Fremantle International Portrait Prize 2019 - image by Brian Cassey

Moscow, Moscow …

MIFA - Moscow International Foto Awards - Winner Editorial Sport - 'Tomotaro on the Block' - image by Brian Cassey

… Thanks to a congratulatory Facebook post from AP photographer and mate Mark ‘Crusty’ Baker, I learnt that my image “Tomotaro on the Block” has been announced as Second Place (Silver) Winner in the ‘Editorial Sport’ category of the 2019 Moscow International Foto Awards (MIFA) … and will be shown at the Moscow Photocenter, Gogolevsky Boulevard, 8 Moscow (119019, г.Москва, Гоголевский бульвар, д.8) from the opening event on 19th June to the 24th June. (The original notification from ‘MIFA’ ended up in my ‘Junk’ folder … Thanks Crusty!)

Sadly … as much as I’d like to … I can’t make it to Moscow to see it and the other winners on show. (unless someone out there feels inclined to donate a return airfare 😉 !  … NB … I haven’t yet visited Moscow !)

As I bit of compensation, however, it turns out that I also received a ‘Highly Commended’ for another of my images … “Victims of Sorcery – Dorcas” in the ‘Editorial Conflict’ category … a combined result that almost mirrors that of a few months ago in the 2019 Tokyo International Foto Awards (see post ‘Two Up in TIFA’ here). Gratified that both these images have so far picked up several accolades between them.

The image of Tomotaro was made whilst covering the Pan Pacific Para Swim Games in Cairns (for the Canadian swim team) … whilst the image of Dorcas was made whilst working on a story on sorcery and witchcraft in Papua New Guinea for News Ltd’s News 360.

Below … the two awarded images from the “Moscow International Foto Awards” web site (click on each to take you to the full web site page) … Images © Brian Cassey

 

MIFA - Moscow International Foto Awards - Winner Editorial Sport - 'Tomotaro on the Block' - image by Brian Cassey

MIFA - Moscow International Foto Awards - Editorial Sport - 'Tomotaro on the Block' - image by Brian Cassey

Moran & Head On Photo Festival … Sydney Wrap & Chat …

A packed ten days in Sydney town … (with a quick dash back to Cairns in the middle.)

Plenty of reasons to make the trek to Sydney for the 10th Head On Photo Festival … my “Rain Over Black Mountain” work on the walls of the Moran Contemporary Photographic Prize Finalist exhibition and a fantastic prize announcement eve bash …  an ‘artist talk’ to a nice receptive crowd at the Moran Prize Juniper Hall Gallery … hanging and the opening of my “18 Minutes Inside Manus Detention Centre” Head On exhibition at White Rhino Artspace … a glimpse of my Head On Portrait Prize semi-finalist “Tomotaro on the Block” at Paddington Town Hall … AND the opportunity to see brilliant work on many and varied exhibition walls and spend some quality time with many photo colleagues and friends old and new. It all went far too fast …

I could rave on for pages about the all the happenings over the ten days … but will have to abbreviate this just to the (many) highlights … here goes …

The grand opening eve of the 10th Head On Photo Festival and announcement of prize winners … including the camaraderie in the pub afterwards … with photographers David Dare Parker, Tracey Nearmy, Melanie Russell, Tami Xiang, Max Mason-Hubers, John Swainston and many more … pic editors News 360’s Neil Bennett and Fairfax’s Mags King … and photo industry personalities Alison Stieven-Taylor and Sally Brownbill.

A personal tour of the wonderful exhibition “Heat” at the Bondi Pavilion by the very talented photographer and great guy in question Paul Blackmore.

The opening eve of the exhibition of the work of infamous eccentric photographer Helmut Newtown in the gallery of the equally eccentric paparazzo Darryn Lyons … and the artist talks there by David Bowie photographer Masayoshi Sukita (who was celebrating his 81st birthday) and US music photographer Chris Cuffaro … followed by more pub natter with Natalie Grono, David DP, Max MH and more.

In Paddington Reservoir Gardens, the “Photos 1440” exhibition by the SMH with personal ‘commentary’ by pic editor Mags King and staff photographer Kate Geraghty … and also the brilliant images in “Like Last Years Snow” by Oded Wagenstein.

Head On ‘Conversations’ … two of the panel talks stood out … “Recapturing the Audience : Why is Nobody Paying Attention” … and “Truth, Lies and Censorship” (with US professor and artist Jennifer Greenburg outstanding in the later).

The great work of mate David Dare Parker covering the Rohingya story … “Exodus : Rohingya Refugee Crisis Bangladesh” … on the walls of the Delmar Gallery.

The truly memorable eve at the Moran Contemporary Photographic Prize opening and 2019 results at Juniper Hall and the spill over into the Imperial Hotel next door (with a whole bunch of great photographers and mates). Great to see “Rain Over Black Mountain” on the walls amongst other finalist works from a host of so talented colleagues (too long to list but you know who you are !).

My little ‘chat’ (‘artist talk’) to a crowd on a pleasant Sunday afternoon at Juniper Hall for the Moran Contemporary Photographic Prize.

Fantastic to see my work “18 Minutes Inside Manus Detention Centre” on the walls again … this time at the ‘White Rhino Artspace’ as part of the Head On Photo Festival. A huge Thanks to ‘Rhinos’ Catie and Regula for their help hanging and organising a thoroughly enjoyable ‘opening’ event that attracted many visitors … some of which were old friends/colleagues who I hadn’t seen for many years.

Lastly, but nowhere near least, the fabulous hospitality shown by the Head On Photo Festival crew … both widely across the entire festival and at the Paddington Town Hall ‘Hub’. Moshe (OAM), Anita, Stephen, Paula and all of you … I profusely Thank You !

Below … from top … Images © Brian Cassey … “Rain Over Black Mountain” on the wall of the beautiful Moran Contemporary Photographic Prize gallery, Juniper Hall … White Rhino Artspace owners Catie and Regula hang my “18 Minutes Inside Manus Detention Centre” work on the walls of their St Leonard’s gallery … the Head On Photo Festival crew (with director Moshe Rosenzvieg OAM second for left) during the “18 Minutes Inside Manus Detention Centre” exhibition launch at White Rhino Artspace … my Head On Portrait Prize semi-finalist work “Tomotaro on the Block” displayed at the Head On festival ‘Hub’, Paddington Town Hall.

'18 Minutes Inside Manus Detention Centre' - exhibition at White Rhino Artspace, Sydney - work by Brian Cassey

'18 Minutes Inside Manus Detention Centre' - exhibition at White Rhino Artspace, Sydney - work by Brian Cassey

Head On Portrait Prize 2019 - 'Tomotaro on the Block' - semi-finalist image by Brian Cassey

Portrait of Humanity …

… very, very, very pleased to learn that one of my lesser known images has been selected for the ‘Shortlist’ of the massive and prestigious “Portrait of Humanity” World Wide portrait photography project and exhibition … and will be published in the hard cover book collection of the same name.

The grand stated aim of “Portrait of Humanity” … a collaboration between Magnum Photos and 1854 Media (the publishers of the ‘British Journal of Photography’) … is to “create one of the greatest collaborative photography exhibitions in history”. The 200 short listed images from all around the planet were chosen for their “expressions of individuality, community and unity”.

Photographers were initially asked to document “the universal expressions of life … laughter, courage, moments of reflection, journeys to work, first hellos, last goodbyes, and everything in between.” Tens of thousands of submissions came from every corner of the globe.

In news released this week “Portraits of Humanity” said that “Together the winning and shortlisted images create a powerful and diverse Portrait of Humanity. Fifty photographs will tour the world as part as an exhibition and 200 images will be featured soon in a 322 page volume published by Hoxton Mini Press”. (My image graces page 272.)

(Sadly there was only one other Australian based photographer amongst the two hundred selected … indigenous photographer Wayne Quilliam with his image from the Tiwi Islands.)

The selection of my work … of Aurukun indigenous elders Silas and Rebecca Wolmby with their twin great grand children Shalona and Keola and entitled “Generations” … was a very pleasant surprise.

I’ve photographed Silas and Rebecca in Aurukun many times over the decades … they have always been wonderfully polite and obliging and they were a voice of sanity in their ‘unsettled’ remote Cape York community. Sadly Silas died recently and Shalona and Keola will be unlikely to grow up with a memory of their respected great grandfather.

As a ‘short lister’ I receive a copy of the “Portrait of Humanity” book filled with truly wonderful portraiture. If you wish to invest in this great collection you can do so here at the Hoxton Mini Press web site.

Image of Silas and Rebecca (top) ©Brian Cassey … and book publication (below … mine is on the left page 🙂 ) is ©1854 Media & Hoxton Mini Press

"Portraits of Humanity" - International Portrait Photography Project 2019 - Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby - Image by Brian Cassey, Cairns
"Portraits of Humanity" - International Portrait Photography Project 2019 - Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby - Image by Brian Cassey, Cairns

‘The Mountain of Death’ … at the Moran Prize …

It wasn’t the image that I would have anticipated to make the ‘Finalist’ selection of Australia’s richest photographic prize … (‘landscape’ isn’t my usual ‘thing’) … but … Thanks Moran … a loverly surprise and I’m more than happy to accept it 🙂 .

“Rain Over Black Mountain” was last week selected (from a field of over three thousand) as one of thirty ‘Finalist’ images to be exhibited in the Moran Contemporary Photographic Prize 2019 at Juniper Hall, Paddington, Sydney … and vie for the first prize winners purse of $50K.

The image was made during a short late afternoon Cessna Caravan flight last May from Cairns to Cooktown on my way to a work assignment for Good to Great Schools in Hopevale. Black Mountain … known to Aborigines as “Kalkajaka” or loosely translated “Mountain of Death” … lies just south of the Cooktown township. (I toyed with a title for the image as “Rain Over the Mountain of Death” but that seemed somewhat overly dramatic 🙂 ).

A local aboriginal belief is that the black granite monolith is the result of the explosion when a chameleon like medicine man who had a taste for human flesh was struck by lightning leaving a massive pile of charred black rock. Aboriginals, apparently, don’t go there amid fears that those who do will not return … and there is evidence to support their apprehensions. It is said that the mountain has swallowed up prospectors, criminals on the run, policemen, native hikers, an entire Aboriginal tribe and a herd of cattle … and there are old records that seem to confirm some of those incidents. Whatever the truth Black Mountain is a dark foreboding place.

“Rain Over Black Mountain” was one of two images entered into this years Moran … and my fourth time as a Moran prize finalist. I initially thought my second entered work this year … “Tomotaro on the Block” … was more of a finals contender but it only made it as far as the semi finalist selection. However, in retrospect and despite being made in Cairns, it may be said that ‘Tomotaro on the Block” does lack some ‘Australian-ness-ness’ in an award that celebrates what it is that is ‘quintessentially Australian’. (‘Tomotaro’ has already picked up it’s fair share of accolades … here, here & here.)

The Moran Contemporary Photographic Prize exhibition runs from the 4th May to 2nd June (as part of the ‘Head On Photo Festival’) … with the winners announcement and exhibition ‘opening’ on the 7th May. Expecting a great eve and an excellent opportunity to catch up with several friends/colleagues who have also been selected in the ‘Finalist’ mix. ( #MoranPrizes )

Image © Brian Cassey

Moran Contemporary Photographic Prize Finalist 2019 - 'Rain Over Black Mountain' - image by Brian Cassey of Black Mountain near Cooktown far north Queensland.

12th International Color Awards …

Just a little pat on the back for the pic I made … ‘Tomotaro on the Block’ … (below) … of Japanese amputee swimmer Tomotaro Nakamura competing at the Pan Pacific Para Games in Cairns last year. The image received an ‘Honorary Mention’ in the ‘Sport’ category of the 12th edition of the ‘International Color Awards’, which was announced during a two and a half hour live online ‘Photoshow’ this morning. (and no … I didn’t watch it all.)

‘Tomotaro on the Block’ also recently won a ‘Silver’ award at the 2018 Tokyo International Foto Awards.

The ‘Sport’ category was won by UK photographer Ian Macnicol with a ‘not entirely unachieved before’ swimming image … ‘Honey Osrin’. His image also won Ian the overall title of ‘Photographer of the Year’.

The only other Aussie based photographer to get a mention in ‘Sport’ was adventure photographer Aidan Williams for his dramatic National Geographic published image made in Portugal … ‘Freedom’.

A second image … my pic from Papua New Guinea entitled “Victim of Sorcery – Dorcas” … was selected as a ‘Nominee’ (Finalist) in the ‘Photojournalism’ category of the Awards.

The Awards attracted over seven thousand entries from photographers based in seventy nine countries around the planet.

Below … ‘Tomotaro on the Block’ …  image © Brian Cassey

 

'Tomotaro on the Block' - image by Brian Cassey - winner 'Honorary Mention' 2019 12th Edition 'International Color Awards' 'Sport' category - amputee swimmer Tomotaro Nakamura 

Two Up in TIFA …

Nice start to 2019 … just advised that TWO of my images have been selected as Winners in the Tokyo International Foto Awards (TIFA) 2018 announced today.

The two winners … both Silver Awards … are … ‘Tomotaro On The Block’ in the Editorial Sports category … and … ‘Victim of Sorcery – Dorcas’ in the Editorial Conflict category.

The image of Tomotaro was made whilst covering the Pan Pacific Para Swim Games in Cairns (for the Canadian swim team) … whilst the image of Dorcas was made whilst working on a story on sorcery and witchcraft in Papua New Guinea for News Ltd’s News 360.

Great that the only other Australian Winner in the Editorial category was colleague and mate Jason O’Brien who also scored a Silver in the Sport category for his brilliant (and often awarded) image of the dive by French Tennis player Gael Monfils at the Australian Open. Congrats Jason … and nice to see our images side by side.

The Overall Winners in the Editorial category were … a disturbing image ‘Slaughterhouse’ by Spanish photographer Aitor Garmendia (First) … and another disturbing image because of the subject matter … ‘Donald and Hilary’ by US photographer Aude Guerrucci (Second).

There’s some great images from photographers from all around the Planet amongst this years TIFA Winners … and they are well worth the time to take a look here.

Below are my two Winners … top … ‘Tomotaro on the Block’ … bottom ‘Victim of Sorcery – Dorcas’. Images © Brian Cassey

Winner - Silver Award - TIFA - Tokyo International Foto Awards - Editorial Sport - Japanese swimmer Tomotaro Nakamura - who had both arms amputated below the shoulder at birth - looks towards the setting sun as he prepares on the block for the start of his S5 50 metre freestyle final at the 2018 Para Pan Pacific Championships at the Tobruk Pool in Cairns Australia. Nakamura won Gold. He is one of Japans most accomplished paralympic swimmers. Image by Brian Cassey
Winner - Silver Award - TIFA - Tokyo International Foto Awards - Editorial Conflict - “Victims of Sorcery - Dorcas” - from the series “Victims of Sorcery” Dorcas Nunugi recovers from a ‘Sorcery' attack in the Highlands of Papua New Guinea. Dorcas, accused of sorcery following a family death, was attacked with an axe and her arm almost severed. She received other axe wounds to her thigh and head. She was then tortured with iron bars heated red hot in a fire, leaving massive scars on her torso, breasts and legs. Somehow she escaped alive -many victims don’t - their bodies dumped in the river or a convenient hole. Sorcery attacks have reached epidemic proportions in PNG. Image by Brian Cassey

Inside Manus at the Clarions …

Made a bit of a detour on the way home from Mumbai … via Brisbane …  to attend the annual Queensland media awards … “The Clarion Awards” at the Exhibition and Convention Centre.

It’s always a great night … hosted by the Media, Entertainment and Arts Alliance (MEAA) … that acknowledges the achievements of the Sunshine States (now somewhat shrinking) media. This year the evening was made a little ‘greater’ for me when awarded a ‘win’ in the “Best Photographic Essay’ category for my work “Inside Manus Detention Centre”.

Although the work has previously been shown as an exhibition (here & here)… it is the first time it has been recognised with an award by, essentially, my peers. Pretty excited and gratified about that.

The work documents the visit of myself and journalist Rory Callinan to the Lombrum Manus Island Detention Centre in Papua New Guinea just two days after it was abandoned by the Australian Government leaving over 600 asylum seekers to fend for themselves with no water, no food, no power … and no services whatsoever. We were the first print media to gain access inside the centre. The work was syndicated around News Ltd publications by News 360.

Below are just a small selection of images from the Winning essay. © Brian Cassey

Thanks MEAA !

 

Clarion Queensland Media Awards 2018 - "Best Photographic EssaY" - "Inside Manus Detention Centre" - by Brian Cassey

Clarion Queensland Media Awards 2018 - "Best Photographic EssaY" - "Inside Manus Detention Centre" - by Brian Cassey

Clarion Queensland Media Awards 2018 - "Best Photographic EssaY" - "Inside Manus Detention Centre" - by Brian Cassey

Trinity Bay Portraits Excel …

Once again … for the third year … delighted to be asked to judge the annual Trinity Bay High School “Photographic Portrait Prize”.

Once again I was mightily impressed by the work of these talented photography students under the tutelage of the dedicated Trinity Bay visual arts teaching staff. The standard of entries this year exceeded the already high standard of previous years (2017 here and 2016 here)… and that made the judging decision making that much harder.

Eventually, I decided on a Winner, second, third and four highly commended … plus a couple of mentions for the seperate ‘staff’ prize.

Grade 12 student Lit Thao … who has a hearing and communication impairment … won third prize in last years Portrait Prize. There is no doubt that his visual communication skills are extraordinary. This year his image “Angry Man” stared out from amongst the other sixty odd works on the exhibition walls .. and dragged you in. I had little hesitation in awarding his work the winner of the Nikon D3400 DSLR prize sponsored by Garricks Camera House in Cairns.

Not far behind was the Mona Lisa-esque work of grade 11 student Kimberley Burns entitled “Portrait of Ruby”. In both these images the eyes of the subject seem to follow the viewer around the room.

Third place went to a more abstract, creative, but nonetheless intriguing work  … “Portrait of Livio” … by Greta Beluffi. Greta is also a grade 11 student.

Out of the four Highly Commended works I selected … Vika Latu’s “Nostalgia in August”, Madison Robinson’s “Truth Behind the Smile”, Laura Saavedra’s “In the South” and Elise Mcatamney’s “Untiled”… one deserves an extra special mention. Elise (her work is bottom below) is just a grade 7 student. Remarkably three works different from my selection tied for the “Peoples Choice” award.

If you are a Cairns resident and interested in our talented budding photo artists try and get along to the Photographic Prize  exhibition at Trinity Bay High School.

Below … from top … Winner – “Angry Man” by Lit Thao, Second – “Portrait of Ruby” by Kimberley Burns, Third – “Portrait of Livio” by Greta Beluffi, Highly Commended (1 of 4) – “Untitled” by Elise Macatamney (grade 7). Works © the individual artists.

 

2018 Trinity Bay High School "Photographic Portrait Prize" - image by Lit Tao - judged by Brian Cassey

2018 Trinity Bay High School "Photographic Portrait Prize" - image by Kimberly Burns - judged by Brian Cassey

2018 Trinity Bay High School "Photographic Portrait Prize" - image by Greta Beluffi - judged by Brian Cassey

PNG To Percival Prize …

Pleased that I made it back from an incredible Papua New Guinea gig on Friday morning … just in time to jump on a flight to Townsville for the opening eve ‘bash’ of the 2018 Percival Photographic Portrait Prize.

The ‘Percival’s’ are relatively new … a biennial prize now into it’s third edition. Despite it’s relative youth it has quickly grown into a worthwhile quality event attracting work from some of the best photographic portrait artists from around the country. A ten grand first prize has ensured that. It is run by the Townsville City Council and the exhibition of finalists work graces the clean crisp confines of the Pinnacles Gallery in Thuringowa.

Great to have two works on the walls of the finalist’s exhibition … as also did friends and photographer colleagues Jon Lewis, Peter Solness and Felicity Cole … whilst Rod McNicol and Glen O’Malley scored one apiece. Although there are one or two questionable works in the large expertly lit exhibition the overall standard of the majority is impressive, rivalling many other more notable prizes across the land. The City of Townsville Council also produces what has to be one of the best and most professional printed exhibition catalogues I have seen.

I havn’t previously mentioned my works that have been selected …  but can reveal that they are … “The Skin I’m In – II” of Carol Mayer (the same image that has graced the National Portrait Gallery and several other exhibition walls) … and “Mowisha from Jumbun” made in the indigenous township near Tully. Nothing new here I’m afraid …

The winner of the, not insubstantial, cash was Sydney’s Kellie Leczinska with her work “Mbathio, Marrickville”. The job of judging fell to Cherie McNair, Director and CEO, Australian Centre for Photography and Judy Annear, former Curator of Photography at the Art Gallery of New South Wales.

Townsville Council should heartily and genuinely be congratulated for hosting this award and exhibition and for their support of the photographic arts. Would be wonderful to see Cairns do something similar …

The exhibition runs at the Pinnacles Gallery, 20 Village Boulevard, Thuringowa Central, Townsville, 10am to 5pm till the 15th July.

Below are images of my works on the gallery walls. (© Brian Cassey)

 

2018 Percival Photographic Portrait Prize - "Mowisha from Jumbun" - by Brian Cassey

2018 Percival Photographic Portrait Prize - "The Skin I'm In - II" - by Brian Cassey

 

 

TIFA Winners Announced …

Seems only a hand full of Australian based photographers get a mention in the ‘Winners list’ of the ‘Tokyo International Foto Awards’ (TIFA) announced quietly today.

The good news is that colleagues and friends of mine … David Dare Parker and Adam Pretty are on that list … and that I also made it with two awards.

David Dare Parker’s great work on the Rohingya fleeing Myanmar into Bangladesh took out Second Prize (Silver) in Editorial General News … whilst Adam Pretty’s excellent and much lauded essay ‘Waterpolo Warriors’ won Gold in Editorial Sport.

My successes are … “The Skin I’m In – II” … Second Prize (Silver) in the Portrait category … and “Beaten Asylum Seeker” … Third Prize (Bronze) in the Editorial Political category. Both images have been in the spot light previously and just some of the earlier relevant links may be found at … https://www.briancasseyphotographer.com/blog/awardsblog/2018/03/carol-does-it-again/, https://www.briancasseyphotographer.com/blog/2016/10/october-great-month/, https://www.briancasseyphotographer.com/blog/2017/04/4782/… and https://www.briancasseyphotographer.com/blog/2016/12/sensational-walkleys/  .

The remainder of the TIFA Winners were spread right around the planet … with some interesting names popping up.

The Winners works will be hung or projected at the ICA Gallery, ICA3 Bldg E 2F, 3 Chome-4-6 Higashinihonbashi, Chūō, Tokyo from May 12th to 16th … with the opening event on May 13th from 3 to 7pm.

Below … my winning images from the TIFA web site … pics © Brian Cassey

 

Tokyo International Foto Awards (TIFA) - Bronze Prize (Third) - Editorial Political - "Beaten Asylum Seeker" by Brian Cassey

Tokyo International Foto Awards (TIFA) - Silver Prize (Second) - Portrait - "The Skin I'm In - II" by Brian Cassey

Rural Press Awards … there is a free lunch …

… but I won’t be there for it!

Was invited to a free lunch tomorrow at The Tattersall’s Club in Brisbane for the presentation of this year’s  “Excellence in Rural Journalism Awards” … but sadly can’t take it up.

Seems my image of young indigenous girl “Mowisha from Jumbun” has been selected as the Winner of the ‘Excellence in Rural Photography – People’ award. The pic was made whilst I was working in the Jumbun aboriginal community in the Murray River valley near Tully, North Queensland for an SBS story “The Town at the End of the Road” by Mark White.

Jumbun residents, like little Mowisha, are predominantly from the Girrimay and Dyirbal Aboriginal clans. Her community of about a hundred are battling the controlling Indigenous Land Council to resurrect a farming industry. The 200ha Jumbun property is still listed on the ILC’s books as Jumbun Farm, despite nothing currently being grown there by its residents. That wasn’t always the case. Jumbun was founded in 1975 as a farming community under the Whitlam government, By the 1980s it was growing produce including bananas, pumpkins and zucchinis and exporting to Sydney and Melbourne. However, changes in farming practices, crop blight and cyclones meant the industry dried up.

Residents are desperate to revive the community’s fortunes but have received no support from the ILC to help them restart farming produce and running cattle. The community needs to produce to stave off the prospect of disappearing completely. For little Mowisha Jumbun is her home, history and possible employment … but without farming the future of her community is, indeed, bleak.

This was the first time that I’ve won anything whilst working for SBS … but hopefully not the last. Gratifyingly, this is the third year in a row that I’ve been named the ‘People’ category winner (here … are this year 2018, 2017, 2016). Don’t know if I can keep that one up …!

Below – the Winning “Mowisha from Jumbun’ image – © Brian Cassey

Press Excellence in Rural Journalism Awards- Brisbane - People category - Winner - "Mowisha from Jumbun" by Brian Cassey

‘Carol’ Does it Again …

Will have to get on the ‘blower’ again to voice yet another sincere vote of ‘Thanks’ to my amazin’ portrait subject Carol Mayer.

This morning (Sunday), during a live awards streaming event (which I didn’t bother to watch), it was announced that my “The Skin I’m In- II” image of burns survivor Carol  … took out “3rd Place – Honor of Distinction” in the Portrait category of the huge 2018 “International Color Awards” (11th Annual Edition).

There were a host of great portraits made by some very accomplished photographers selected as ‘Nominees’ in the ‘Portrait’ section  … so it was very rewarding to be amongst the top three ‘Honorees’.  (Although I wish they would learn to spell ‘Honour’ and ‘Honourees’ … and ‘Colour’ … correctly.) Rounding out the top three were portraits by winner Boy Surminski from The Netherlands and second placed Azin Haghighi from Iran.  

“The Skin I’m In – II’ has also been recognised by the 2017 ‘National Photographic Portrait Prize’ and several others.

… ‘uge Thanks’ once again Carol …

Image © Brian Cassey

International Color Awards - Honor of Distinction - Portraits - "The Skin I'm In - II" by Brian Cassey