Essays | Brian Cassey Photographer Cairns Australia

‘Kate’ … The Good News Continues …

November 12, 2020November 5, 2020

The best news is … Kate … who has been waiting over eight years for breast reconstruction following a double mastectomy … is now well on the way to having her ‘assets’ back.

Following the publication of my pic (below) on page 1 of the Sunday Mail with a story about insane Queensland hospital waiting lists, Kate Yeoman and dozens of other Queensland women had their long awaited surgeries ‘expedited’ at the direction of State Premier Annastacia Pałaszczuk and Health Minister Dr Steven Miles. Covid-19 caused a little hiccup and further delays … but Kate has now had several of her set of reconstructive breast surgeries.

Recently I had the pleasure of making some more images of a fit and fabulous Kate which will feature with an update to her story in this weekends The Sunday Mail (weekend of 7th-8th November).

(Stop Press -1 ! Below is a grab of the double page Sunday Mail spread featuring Kate’s story and my images published the weekend of the 7th-8th November.)

The other piece of ‘Kate’ news is that my image “Kate – Waiting For Her New Breasts” has been awarded a further accolade to add to a growing list. The pic has just been awarded an ‘Honorable Mention’ in the ‘Editorial – Contemporary Issues’ category of the 2020 ‘International Photography Awards’ (IPA). Thanks IPA ! (Image below)

Previously the work has also been recognised in … the 2020 ‘Moscow International Foto Awards’ (MIFA – Honorable Mention – Portrait) … the 2020 ‘Clarion Awards’ (Finalist – Best News Photograph) … and the 2020 ‘Percival Photographic Portrait Prize’ (Finalist).

(Stop Press -2 ! Just learnt the news the the image “Kate – Waiting For Her New Breasts” has managed another ‘gong’. It has been selected as an ‘Honorable Mention’ in the 2020 International “Black & White Spider Awards” in the ‘Portrait’ category.)

Image © Brian Cassey

International Photography Awards (IPA) - Honorable Mention - Editorial Contemporary Issues - 'Kate - Waiting For Her New Breasts' - image by Brian Cassey

Sunday Mail - Kate Yeoman - Breast Reconstruction Story - images by Brian Cassey

Urandangi … Twelve Years On …

July 31, 2023October 26, 2020

Way back in 2008 (unbelievable !) myself and journo Peter Michael travelled ‘out west’ to the tiny little outback hamlet of Urandangi on the Queensland / Northern Territory border. It was something of an eye opener.

The Mail Online contacted me recently after seeing my Instagram post of a Urandangi image selected from my archive. Their plan was to feature my 2008 images and update the story on the ‘forgotten’ settlement. It has now been published (25th October 2020) at … https://www.dailymail.co.uk/news/article-8821909/

The article leads with my pics of Urandangi local Mark Webb, his wife and seven children, who then were existing in a battered leaky caravan with no power or ‘facilities’. One of the comments Mark made at the time was “We are out of sight, out of mind, and no one cares”. They were not on their own … most residents were living in similar circumstances in dysfunctional caravans or makeshift iron and timber ‘humpies’ with no running water, power or sanitation.

The Mail story and pics then moves to the role of Pam Forster in the community. When I visited twelve years ago Pam had just taken over as publican of the ‘Urandangi Hotel’ … the ‘Dangi Pub’. Fast forward to today and she is still there at the pub (the only substantial building) where she operates all the business in town … watering hole (literally), CentreLink office, store, petrol station, post office, flying doctor agent … and more. Now seventy years old she has become a local legend and mentor to the entire community.

Much has improved since 2008 … some things havn’t … and it is all documented in the Daily Mail article here. (My work was originally published (2008) in the Courier Mail here.)

Below I have posted six of my seventeen images that appear in the new Mail Online article … jump to the link to see more here and read the text. (n.b … six of the images were part of my portfolio that won ‘Best Photo Essay’, Queensland Media Awards 2008. Also, the pic of the small child on the road graces the cover of my book ‘To Be Indigenous’ which can be found here at … https://www.briancasseyphotographer.com/books/

Images © Brian Cassey 2008 … from top … Mark Webb’s family camp, a child at play at Urandangi, Pam Forster just after she took over the ‘Dangi Pub’, the town ‘drunk tank’, Norm and Mavis Wilde at their wrecked van home, local Sonny Mick at his ‘humpy’.

Urandangi Queensland Australia - forgotten indigenous community - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - - publican Pam Forster - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - the 'Drunk Tank' - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - the 'Drunk Tank' - pics by Brian Cassey - local Sonny Mick at his 'humpy'

‘Black Lives Matter’ … Cairns …

July 31, 2023June 14, 2020

Eight minutes and 46 seconds … a length of time that will reverberate down history. George Floyd was killed by a police officer kneeling with all his weight on his neck for 8:46. Floyds death at the hands of this Minneapolis police officer sparked massive protests and demonstrations across America and around the World. The ‘Black Lives Matter’ and the ‘I Can’t Breath’ movement exploded across the divide of races and boundaries.

The movements brought the spotlight in Australia not only to Floyds death and the mounting death toll of African Americans at the hands of the US police … but also to the hideous numbers of Australian indigenous ‘deaths in custody’ … four hundred and thirty two since 1991.

On a Global scale last Sunday’s Cairns protest, against aboriginal deaths in custody and to show solidarity with the George Floyd protestors in the US, wasn’t Globally significant. However, to the people of Cairns … from all races and walks of life … it was worth risking Covid-19 to have their numerous voices heard.

The event in the centre of Cairns was all of … emotional, vociferous, passionate, meaningful and imperative. It was a pleasure to document despite the fact that I would rather it wasn’t necessary.

Below are a small selection of the images I made at the protest … a lot more may be found on my Instagram feed at … https://www.instagram.com/brian_cassey/

and my Facebook page at … https://www.facebook.com/brian.cassey1

Images © Brian Cassey

Fiji Coup d’État … May – August 2000

May 26, 2020May 25, 2020

May 19th 2000 … twenty years ago George Speight and armed rebels took 36 Fijian Members of Parliament hostage in the parliamentary complex in Suva, Fiji.

So began a months long saga covering Speights Fiji coup d’état for Associated Press of America (AP).

Speight held the parliamentarians, including Fijian-Indian Prime Minister Mahendra Chaudhry and seven cabinet ministers, hostage for fifty six days. President Ratu Sir Kamisese Mara was another casualty … forced to resign early into the coup and effectively replaced by a military government controlled by Commodore Frank Bainimarama … his first taste of leadership power.

Covering the coup was a rollercoaster. Access to major stories was relatively easy. We were often allowed inside the Parliament House complex where Speight held court with M-16 armed rebels (just yards from the hostages), whilst Bainimarama enthusiastically staged personal media events. Armed skirmishes were pretty frequent. Many Fijian Indians suffered racially inspired attacks. Managed twice to get myself ‘detained’ by armed rebels … but that’s another couple of stories involving rebels and a US seafood cannery at Levuka and rebels holding hostages at Korovou.

Bainimarama agreed and signed a peace accord with Speight on July 9th , PM Chaudhry and the hostages were released by Speight on July 13th … and then July 27th Bainimarama ‘did the dirty’ on Speight, had him arrested and eventually charged and convicted of treason.

The media contingent covering the coup were fantastic … looking after each others backs and keeping each other ‘informed’ was the norm. (We had ‘curfew passes’ from both the rebels and the military … was a good idea to remember which pass was in which pocket when out and about tormenting troops and rebels of an evening 🙂 ). I owe a huge debt of gratitude to the late and great AP photographer and Pic Ed of the time … Russell McPhedran … who sent me on two tours to cover the coup.

Twenty died during the coup upheaval. Speight remains incarcerated for life. Bainimarama still runs Fiji …

That’s it in a nutshell …

Here are just some of many Images I made and filed during the several weeks covering the coup twenty years ago … All images © Brian Cassey (from top) … A Speight rebel bars entry to Korovou where military and police hostages were being held … George Speight arrives to sign the peace accord. Two weeks later he was arrested accused of treason … Fijian Indians at their house torched in a racist attack … Fijian troops off to round up rebels after Speights arrest … Fijians pray for peace at a rally during the coup … A Speight rebel patrols the parliamentary complex where hostages were being held.

Fiji Coup May - August 2000 - Images © by Brian Cassey

Paper Tigers, Strippers … & Head On Photo Festival

July 31, 2023May 15, 2020

… it started with a germ of an idea and took nigh on a year to come to fruition … but “Paper Tigers – an Anthology of Contemporary Australian Photojournalism” is now very much a reality as an exhibition and a book.

My initial idea of a print swap of work between Australia’s talented photojournalists morphed into something much grander after a long chat with Head On Photo Festival director Moshe Rosenzveig OAM.

Moshe enthusiastically grasped the implications of the project … the like of which he confessed had been close to his heart for some years. Our combined plan grew into a featured exhibition of the work of Australia’s media photographers at Paddington Town Hall during this years Head On Photo Festival, a book of the exhibition and an exhibition ‘event’ for photographers to meet, admire their work and swap prints.

So began the task of ‘mustering’ Australia’s talented photojournalists … an ‘interesting’ exercise to invite, confirm participation and collate the collection of work … one image from each. In the end we had to draw a line at sixty.

The list is exceedingly impressive … in alphabetical order … Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob McColl, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz, Tracey Nearmy.

When it comes to media photographers Australia is, indeed, a ‘Lucky Country’.

Then … along came Covid-19 …

It has long amazed me how the tiny Head On team (currently Moshe, partner Anita Schwartz, Stephen, Anna and Paula) manage to put together the far reaching and monumental photo festival that it has become. It enjoys and includes contributions and entries from the best around the planet … and a World wide reputation. For a moment Coronavirus threatened all that …

However, Moshe was not fazed … and the massive work of converting the entire festival to an ‘online’ event began. That online event has now been underway for two weeks … and has been revolutionary in it’s presentation of exhibitions, artist talks, panel talks, photo related workshops, award announcements and more.

Paper Tigers has played a significant part in this Head On festival. The exhibition is available … all sixty works by sixty photojournalists … online (a simple registration required), the book ‘Paper Tigers’ (see my book image ‘Abdullatif’ top below) is now available for purchase on the website … and Head On hosted a fascinating online panel talk around the work and Australian photojournalism. It is planned to still show the physical exhibition of the complete work on the walls and host the photographers ‘do’ and print swap at Paddington Town Hall early in November (hopefully post Covid).

Below are just two of the sixty wonderful images that make up the ‘Paper Tigers’ collection. Dean Sewell’s ‘Bruce’ from 1999 and Nic Walker’s ‘Rite of Passage’ from 2014. The other 58 are just as impressive.

Amongst the massive amount of brilliant photography on line in this years festival I was also pleased to present my own little ‘featured’ exhibition. “Me Too ! Where the Boys Are … the Girls Are” showcases my work covering the MenX burlesque group during their tour to Cairns whilst being filmed for a Vice TV show. It shows the interaction between the guys who are performing and doing a job (without much in the way of clothing) and the young female audience who willingly participate. The exhibition may be found online on the Head On website (again with a simple registration) … and I did mange to stumble through an online ‘artist talk’ on the subject for those brave enough or with time to waste 🙂 . (NB – link to recorded ‘artist talks’ will be down the track.) Two of my images from the exhibition (which also should be physically on the wall in November) are below.

Lastly … was also pleased to see one of my most successful images … ‘Generations – Aurukun’ (yes … you’ve probably seen it before but it’s (bottom) below anyway 🙂 ) … selected as a semi-finalist in this festivals Portrait Prize. It’s also included in the Portrait Prize video here at the 1:18 mark.

The Head On Photo Festival 2020 has just a few days left to run. If you havn’t visited yet and you have any interest in photography at all I strongly suggest you visit and enjoy. Moshe, Anita, Anna, Stephen and Paula have done a remarkable job.

Images © … Brian Cassey & Head On (top), Dean Sewell, Nic Walker and Brian Cassey (bottom three).

@headonphotofestival

Head On - Paper Tigers Book - 'The Block' - image by Dean Sewell - Oculi

Head On - Paper Tigers - Book - image by Nic Walker

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On Portrait Prize - Semi-Finalist - 'Generations - Aurukun' - by Brian Cassey

Kate … “I Deserve to Feel Like a Whole Woman” …

July 31, 2023February 29, 2020

We’d like to think otherwise but In all honesty it’s pretty rare that our work in the media actually makes a substantial ‘difference’.

Every now and then something comes along to restore your faith in the role of the media … and reminds us why we work in this ‘game’.

A couple of weeks ago I was asked to take images of ‘Kate’ … studio shots showing her character and the scars that have been part of her life since a double mastectomy following a breast cancer diagnosis years ago. The Sunday Mail have been going hard on a campaign to reduce hospital waiting times for surgery in Queensland hospitals … and Kate Yeoman is a prime example.

Kate is one of dozens who have been on hospital waiting lists for breast reconstruction surgery for many years. She was diagnosed with rare Tubular Carcinoma cancer eight years ago and endured a double mastectomy. She was advised that breast reconstruction would be implemented at the same time. It wasn’t and she is still waiting …

I made this image (below) in a friends little (private) studio … it featured across page 1 of the Sunday Mail with the head ‘Forgotten Women’ and Kate’s tale by journalists Jackie Sinnerton and Natasha Bita. Kate’s story spread to two more inside pages where it expanded to include narrative from three other women in a similar situation. The story and images have since spread around Australia.

The reaction by readers and the Queensland Government was immediate. The Queensland Health Minister Steven Miles said he was “personally moved” by the Sunday Mail image and story on Kate’s plight and the other women’s stories. “My heart breaks reading the very personal stories of women affected by breast cancer,” Mr Miles said. “I’ve asked for Cairns Hospital to meet with these patients to ensure they receive their surgery as soon as clinically possible.”

Miles has now arranged for twenty four Cairns women with long standing issues to receive their required surgery in Brisbane … whilst Kate will have surgery in Cairns on 2nd of April to reconstruct the breasts she has been without for a too long eight years.

It gets better … in news just to hand (Saturday 29th Feb) the Queensland Government has announced that it will open operating theatres on weekends to ease patient wait lists and will pump in $20 million to do so and to implement other strategies.

Kate … who deserves a bloody medal for her magnificent courage and fortitude … is over the moon.

Kate today said “I am sitting in Kmart crying tears of joy. This is life changing for so many. Thank you to everyone who has recognised the importance of this, Sunday Mail, both sides of government and the public who have reached out after my very personal exposure. My mum was right, I shouldn’t have to go such extraordinary lengths to get this issue some attention, but I am so proud of what has been achieved. The impact of long waits can be devastating and this much needed funding injection will change and perhaps even save lives. Let’s hope this also creates a change in policy and that reconstruction is recognised as an important part of the treatment plan for breast cancer patients in Queensland.”

It gives you goosebumps … and I’m so pleased to be a tiny part of a triumph for Kate and many other Cairns women.

Images © Brian Cassey and Sunday Mail (slightly differing images of Kate) (below)

Kate yeoman awaits breast reconstruction surgery following breast cancer diagnoses - image by Brian Cassey

Kate Yeoman awaits breast reconstruction surgery following breast cancer diagnoses - image by Brian Cassey - page 1 Sunday Mail

Adani and the Gond …

July 31, 2023February 17, 2020

Great, at last, to see images and words I put together during late last years journey to India published for the first time.

The Guardian UK have published my work on their ‘The Age of Extinction’ feature page under the head “India’s Ancient Tribes Battle to Save their Forest Home from Mining”.

The ‘ancient tribe’ is the ancient Gond people, their ‘forest home’ is the Hasdeo Arand forest in Chhattisgarh … and they are battling (amongst others) the massive Indian conglomerate that is also planning to mine in central Queensland Australia … Adani.

The Hasdeo Arand forest is the largest continuous stretch of dense forest in central India, covering about 170,000 hectares of the state of Chhattisgarh – the coal mining powerhouse of the country.

One of the last remaining remnants of the massive deciduous forests that once covered much of India, it is rich in biodiversity, contains many threatened species including elephants, leopards and sloth. It is also home to the Gond – one of India’s original indigenous peoples or Adivasis. The tribe take their name from the mythical Gondwanaland that gave birth to India and they have a deep spiritual connection to the forest. To the Gond the forest is life itself. Every forest feature has a spiritual significance – they see spirits in every leaf, tree, stream, river and hill. They also rely on products collected there to sustain life – flowers, fruits, grains, seeds, tubers and roots for food and medicines – and timber, leaves and grasses for ropes, mats, brooms, baskets, fires and building purposes.

Sadly for the Gond people and other Adivasis forest dwellers, the Hasdeo Arand sits atop over a billion metric tonnes of proven quality coal reserves.

In 2006 the Hasdeo Arand was legally declared off limits from exploitation, followed by a more explicit declaration by the Ministry of Environment, Forest and Climate Change in 2009 that the area was a ‘no-go’ area for mining.

That all changed in 2011 when the government changed tack, the community forest rights were revoked and forest clearance and mining permissions was granted for three coal blocks in the Hasdeo Arand … including the Parsa East and Kante Basan mine managed by Adani. The pace of new mines in the forest has escalated … thirty more newly surveyed open cut mine sites are due to go online in the Hasdeo Arand which threatens to destroy approximately eighty percent of the entire forest … and the lives of the forest dweller Gond people.

I thought that might make a decent story !!!! It is little known in Australia where passions for and against the Adani owned Carmichael mine in central Queensland are running high.

So, with friend and former pic editor Srienivas Akella in tow we travelled Mumbai to Raipur and into Chhattisgarh. We spent a total of a whole day driving over the four days covering the story. We met many Gond, documented their protests, lifestyle and the effects that the mines were having on their well being and that of the forest, resident elephants and other occupants … and saw the massive operating Adani Parsa East and Kante Basan open cut coal mine.

Pleased that The Guardian have seen the importance of this story, not only to Australians and Indians, but also to the planet in general.

Special Thanks to Srienivas and local Raipur contact Bipasha Paul.

My ‘The Guardian’ story and images may be found at … https://www.theguardian.com/environment/2020/feb/10/indias-ancient-tribes-battle-to-save-their-forest-home-from-mining

Below are just a small percentage of the images (© Brian Cassey) from the project … some that didn’t make the published story. Pics of the Adani operations at their PEKB mine, Gond protests, the threatened Hasdeo Arand forest and Chhattisgarh.

STOP PRESS … seventeen of my images from this story are now published as a ‘special feature’ over a week on the planet wide instagram feed … https://www.instagram.com/everydayclimatechange/ … devoted to bringing attention to climate change issues.

Gond tribal people of India battle coal mining giant Adani to save their forest home. Words and Image © by Brian Cassey

‘On the Wall’ at Fremantle International …

July 31, 2023August 17, 2019

Nice to learn that two of my images have been ‘short listed’ and selected as ‘Finalists’ in the bi-annual Fremantle International Portrait Prize. The two pics will be amongst the other ‘Finalists’ on the walls of the FIPP exhibition and vying for some tasty worthwhile prizes (courtesy of Nikon Australia and others) due to be announced on the opening eve at the historic Moores Building Contemporary Art Gallery , Fremantle on the 12th of October.

A total of over seventeen hundred entries were received from around the planet … and the selected ‘Finalist’ works hail from as far afield as Croatia, Hungary, the UK, the USA, Indonesia, Vietnam … as well as from across Australia.

My two works selected are … ‘Tomotaro on the Block’ (a portrait of Japanese paralympic swimmer Tomotaro Nakamura which has been mentioned in dispatches a few times previously … here, here, here and here) … and ‘Generations Aurukun’ (a portrait of Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby … which was also previously selected as a ‘Finalist’ in the massive World wide ‘Portrait of Humanity’ printed collection and awards).

I’ve attended the Fremantle International Portrait Prize exhibition opening and awards eve on a couple of occasions in the past in 2015 and 2013 … and it’s always a great well presented and thoroughly enjoyable event. Hoping I can make the trek across the continent for it again his year as well …

After the big bash opening eve the exhibition of the selected works will be open at the Moores Building Contemporary Art Gallery, 46 Henry St, Fremantle, from the 13th to the 27th October. I’m sure it will be very much worth a visit.

Proceeds from this years FIPP go to help the Arthritis and Osteoporosis WA Foundation and to the Kai Eardley Foundation for Youth Mental Health.

Below are my two selected ‘Finalist’ works … ‘Generations Aurukun’ and ‘Tomotaro the Block’ (images © Brian Cassey)

'Generations Aurukun' - Fin almost Fremantle Portrait Prize 2019 - image of Aurukun elders Silas and Rebecca Wolmby with their great grand children - Shalona and Keola Wolmby by Brian Cassey

"Tomotaro on the Block' - Finalist Fremantle International Portrait Prize 2019 - image by Brian Cassey

Moran & Head On Photo Festival … Sydney Wrap & Chat …

May 20, 2019May 19, 2019

A packed ten days in Sydney town … (with a quick dash back to Cairns in the middle.)

Plenty of reasons to make the trek to Sydney for the 10th Head On Photo Festival … my “Rain Over Black Mountain” work on the walls of the Moran Contemporary Photographic Prize Finalist exhibition and a fantastic prize announcement eve bash … an ‘artist talk’ to a nice receptive crowd at the Moran Prize Juniper Hall Gallery … hanging and the opening of my “18 Minutes Inside Manus Detention Centre” Head On exhibition at White Rhino Artspace … a glimpse of my Head On Portrait Prize semi-finalist “Tomotaro on the Block” at Paddington Town Hall … AND the opportunity to see brilliant work on many and varied exhibition walls and spend some quality time with many photo colleagues and friends old and new. It all went far too fast …

I could rave on for pages about the all the happenings over the ten days … but will have to abbreviate this just to the (many) highlights … here goes …

The grand opening eve of the 10th Head On Photo Festival and announcement of prize winners … including the camaraderie in the pub afterwards … with photographers David Dare Parker, Tracey Nearmy, Melanie Russell, Tami Xiang, Max Mason-Hubers, John Swainston and many more … pic editors News 360’s Neil Bennett and Fairfax’s Mags King … and photo industry personalities Alison Stieven-Taylor and Sally Brownbill.

A personal tour of the wonderful exhibition “Heat” at the Bondi Pavilion by the very talented photographer and great guy in question Paul Blackmore.

The opening eve of the exhibition of the work of infamous eccentric photographer Helmut Newtown in the gallery of the equally eccentric paparazzo Darryn Lyons … and the artist talks there by David Bowie photographer Masayoshi Sukita (who was celebrating his 81st birthday) and US music photographer Chris Cuffaro … followed by more pub natter with Natalie Grono, David DP, Max MH and more.

In Paddington Reservoir Gardens, the “Photos 1440” exhibition by the SMH with personal ‘commentary’ by pic editor Mags King and staff photographer Kate Geraghty … and also the brilliant images in “Like Last Years Snow” by Oded Wagenstein.

Head On ‘Conversations’ … two of the panel talks stood out … “Recapturing the Audience : Why is Nobody Paying Attention” … and “Truth, Lies and Censorship” (with US professor and artist Jennifer Greenburg outstanding in the later).

The great work of mate David Dare Parker covering the Rohingya story … “Exodus : Rohingya Refugee Crisis Bangladesh” … on the walls of the Delmar Gallery.

The truly memorable eve at the Moran Contemporary Photographic Prize opening and 2019 results at Juniper Hall and the spill over into the Imperial Hotel next door (with a whole bunch of great photographers and mates). Great to see “Rain Over Black Mountain” on the walls amongst other finalist works from a host of so talented colleagues (too long to list but you know who you are !).

My little ‘chat’ (‘artist talk’) to a crowd on a pleasant Sunday afternoon at Juniper Hall for the Moran Contemporary Photographic Prize.

Fantastic to see my work “18 Minutes Inside Manus Detention Centre” on the walls again … this time at the ‘White Rhino Artspace’ as part of the Head On Photo Festival. A huge Thanks to ‘Rhinos’ Catie and Regula for their help hanging and organising a thoroughly enjoyable ‘opening’ event that attracted many visitors … some of which were old friends/colleagues who I hadn’t seen for many years.

Lastly, but nowhere near least, the fabulous hospitality shown by the Head On Photo Festival crew … both widely across the entire festival and at the Paddington Town Hall ‘Hub’. Moshe (OAM), Anita, Stephen, Paula and all of you … I profusely Thank You !

Below … from top … Images © Brian Cassey … “Rain Over Black Mountain” on the wall of the beautiful Moran Contemporary Photographic Prize gallery, Juniper Hall … White Rhino Artspace owners Catie and Regula hang my “18 Minutes Inside Manus Detention Centre” work on the walls of their St Leonard’s gallery … the Head On Photo Festival crew (with director Moshe Rosenzvieg OAM second for left) during the “18 Minutes Inside Manus Detention Centre” exhibition launch at White Rhino Artspace … my Head On Portrait Prize semi-finalist work “Tomotaro on the Block” displayed at the Head On festival ‘Hub’, Paddington Town Hall.

'18 Minutes Inside Manus Detention Centre' - exhibition at White Rhino Artspace, Sydney - work by Brian Cassey

Head On Portrait Prize 2019 - 'Tomotaro on the Block' - semi-finalist image by Brian Cassey

TEDx …

November 18, 2018

Although it sounds like the start of joke … an Ethicist, an Astrophysicist, a Geneticist, an expert in Artificial Intelligence, a former elite AFL, a Logie Film Producer … and a photographer walk into a theatre.

The ‘photographer’ was little old I … and with the other much more distinguished mentioned above … we made up the list of speakers at TEDx Alfred in Melbourne last week with the subject of the event “A Better World”.

First time I’ve been invited to talk at a TEDx … in reality a little of a daunting prospect especially considering the talent of the accompanying ‘Professor’ and ‘Doctor’ speakers. Won’t go into too much detail here but included in the speakers list were … Professor Julian Savulescu (a World renowned professor of ethics and cloning), Dr Stefan Hajkowicz (Senior CSIRO scientist), Professor Erwin Loh (Executive Director of Innovation, Monash Health and AI expert), Dr Jennifer Piscionere (MCRI researcher with a PhD in astrophysics), Laura Waters (Logie winning film producer) … and more.

My contribution to the event was a talk and images on the contradiction that is Manus Island PNG … on one hand a tropical paradise home for 60,000 … on the other a ‘hell’ for hundreds of asylum seekers at the hands of the Australian Government. Sixty images were projected during the twenty minutes of “Manus Island … Heaven and Hell”.

A fascinating day at the AMREP lecture theatre, the Alfred Hospital, Melbourne. Many Thanks to The Alfred’s Viveka Nainani for the very welcomed invitation.

Sadly … (ahem) … due to TEDx contractural requirements, recordings of ‘invitation only’ TEDx events may only be used ‘in house’. Sorry bout that … really I am !

Below … a couple of images from the TEDx projection “Manus Island … Heaven and Hell” … © Brian Cassey

TEDX Alfred

TEDx Alfred - "Manus Island ... Heaven & Hell" by Brian Cassey

“Victims of Sorcery” … PNG …

August 1, 2023October 7, 2018

Spent a few days … not near enough … with legendary News Ltd journo Cindy Wockner in Goroka in the Highlands of Papua New Guinea working on a story for News360 on victims of sorcery.

Variously named as ‘Sanguma’, ‘Poison’ and other local monikers … sorcery related violence has exploded in PNG in recent years. There is little evidence that the phenomena has a long history. It appears that the crimes are opportunistic using vicious attacks and, indeed, murder … and an accusation of sorcery is a convenient weapon against the vulnerable. Once the victim is tainted with a sorcery accusation the stigma generally lasts for life. Families of those accused also suffer the consequences.

We spoke to and photographed more than a dozen, girls and women, boys and men, who had experienced attacks at the hands of sorcery accusers … but none were as graphic and heart rending as the story we heard (through an interpreter) from sisters Dorcas Numbi Nunugi and Pita Ambane. They and Dorcas’s son Ari were accused of sorcery after a family member died. Dorcas was attacked with an axe and her arm almost severed. She received other axe wounds on her thigh and head. Then she was tortured with iron bars that had been heated in a fire leaving massive scars on her torso and legs.

Her sister suffered a fractured skull from an axe blow to the head and other injuries … but somehow they escaped alive.

Many don’t … their bodies thrown in the river or any convenient hole.

Needless to say, Cindy’s story is compelling reading … but not easy to find … the link is here … www.couriermail.com.au/news/world/evil-sorcery-and-witchcraft-killings-exposed-in-papua-new-guinea-as-victims-flee-villages/news-story/3d7153f581a3f0a7b5ca63bc8a99ead0 … but as it’s ‘Premium’ content it may be inaccessible behind the paywall (alternatively subscribe to the Courier, read, see the pics and watch the accompanying video on your iPad or other device 🙂 )

However … you CAN read Cindy’s story … “Evil Sorcery and Witchcraft Killings Exposed in Papua New Guinea as Victims Flee Villages” … here below.

I’ve also posted (below) … just a few of the images I made whilst covering the story … and have concentrated here on those of Dorcas and her sister Pita recovering from their attacks in a ‘safe house’ in Goroka. I will eventually post a full pic essay on “Victims of Sorcery”.

Images © Brian Cassey

Passion for India … @sandwichlightindia …

August 1, 2023September 30, 2018

Excellent to be invited to be part of another very worthwhile Instagram feed … even if this one does have the initially puzzling name of @sandwichlightindia.

Sandwichlightindia … created by Queensland photographer and ‘Indophile’ Russell Shakespeare … is a collective platform for “photographers who are passionate about India” … and the invited membership, including (but not only) very talented photographer colleagues Marco Del Grande, Warren Clarke, Brendan Esposito, Peter Wallis and S Anand Singh, certainly show a love for imagery on the subcontinent.

The catalyst for the name ‘sandwichlightindia’ was explained to me by Russell. Seems he and Varanasi photographer Anand Singh were together on an assignment during the Hindu ‘Festival of Lights’ … Diwali. The pic idea was to portray a certain candle lit location at twilight. When they got to the location at dusk the candles weren’t lit and the light was fading.

Russell heard Anand and other local photographers saying “Sandwich light no good, sandwich light no good” … one even repeating it to a pic editor on the other end of the phone. Seems that the term compared the light to a sandwich … one slice of bread is too dark, the other slice too light … and all the good stuff (balanced and just right light) is in the middle of the sandwich!

… and that’s how @sandwichlightindia was born.

The feed is still in it’s infancy … Russell admits that the name means it’s hard to just come across … but the work and depiction of Indian life makes it well worth a visit and a follow. If you have any interest in quality photojournalism and India I urge you to do so …

I’m also a member of two other high profile Instagram photographer collectives … @everydayclimatechange (addressing climate change issues around the World through imagery … currently 114,000 followers) and @everydayaustralia (depictions of daily life in Australia … 54,000 followers).

Below are a selection of images from @sandwichlightindia by my colleagues … from top © Russell Skakespeare, A Anand Singh, Marco Del Grande, Warren Clarke and Peter Wallis.

@sandwichlightindia - image by Russell Shakespeare - on blog post by Brian Cassey - "

@sandwichlightindia - image by S Anand Singh - on blog post by Brian Cassey - "Passion for India ... @sandwichlightindia ..."

@sandwichlightindia - image by Marco Del Grande- on blog post by Brian Cassey - "Passion for India ... @sandwichlightindia ..."

@sandwichlightindia - image by Warren Clarke - on blog post by Brian Cassey - "Passion for India ... @sandwichlightindia ..."

@sandwichlightindia - image by Peter Wallis - on blog post by Brian Cassey - "Passion for India ... @sandwichlightindia ..."

Mumbai … India …

August 1, 2023September 25, 2018

Not long back from a very rewarding stint in Mumbai … India’s pulse …

Worked on a few potential photo stories … some with more success than others … and formed friendships with two great experienced Indian photographers.

S Anand Singh … freelance photojournalist and ‘Mr Varanasi’ … made the long trek from Benares to act as my invaluable fixer. Anand introduced me to Mumbai photojournalist legend Srienivas Akella (Srini for short!). Srini is a former associate photo editor at the Indian Express and was the driving force behind the Solaris Images picture agency. The two of ’em introduced me to members of the Mumbai media photo community …. some of which I found I had ‘connections’ to … and the delights of the Mumbai Press Club. They were also tireless in working through our pretty packed picture agenda.

Anand and Srini guided me through the complexities of the amazing Mumbai urban train system (which it is said moves approximately 9 million people every day) as we traversed the mega city to venues that I may never have discovered.

As I havn’t yet managed to edit all the work that I made in a hectic but thoroughly enjoyable visit … I’ve posted below just a few images from some of those stories we worked on. There’s a pic (bottom) from a far too short, minutes long, visit to a Kushti (Indian wrestling) akhara (would have liked much more time to document properly … despite the fact that many photographers have worked on this before), an image (second from top) from the Dahi Handi festival celebrating a young Lord Krishna, one from a set on dabbawallahs (the men who deliver the cities lunches) … and just one (top) from a pic essay I am very fond of … “The Typewriter Wallahs of Mumbai” … which I’ll post on my web site soon. There will be more at a later date …

Thank You Anand and Srini for making it all possible . Really looking forward to working with you again in the future …

(Stop Press … Srini is planning to use his vast experience of India to organise photo tours for photographers to visit the subcontinent from Australia . Stay tuned for more news on that … )

Images © Brian Cassey

"Typewriter Wallahs of Mumbai - pic essay by Brian Cassey photographer Cairns Australia

India Mumbai - Dahi Handi 2018 Pic © by Brian Cassey

Dabba Wallahs - Mumbai India - images by Brian Cassey photographer Cairns Australia

Kushti wrestling - Mumbai India - image © Brian Cassey Cairns Australia

Inside Manus at the Clarions …

August 1, 2023September 15, 2018

Made a bit of a detour on the way home from Mumbai … via Brisbane … to attend the annual Queensland media awards … “The Clarion Awards” at the Exhibition and Convention Centre.

It’s always a great night … hosted by the Media, Entertainment and Arts Alliance (MEAA) … that acknowledges the achievements of the Sunshine States (now somewhat shrinking) media. This year the evening was made a little ‘greater’ for me when awarded a ‘win’ in the “Best Photographic Essay’ category for my work “Inside Manus Detention Centre”.

Although the work has previously been shown as an exhibition (here & here)… it is the first time it has been recognised with an award by, essentially, my peers. Pretty excited and gratified about that.

The work documents the visit of myself and journalist Rory Callinan to the Lombrum Manus Island Detention Centre in Papua New Guinea just two days after it was abandoned by the Australian Government leaving over 600 asylum seekers to fend for themselves with no water, no food, no power … and no services whatsoever. We were the first print media to gain access inside the centre. The work was syndicated around News Ltd publications by News 360.

Below are just a small selection of images from the Winning essay. © Brian Cassey

Thanks MEAA !

Clarion Queensland Media Awards 2018 - "Best Photographic EssaY" - "Inside Manus Detention Centre" - by Brian Cassey

Science Journal & Yaws …

August 1, 2023July 20, 2018

Published today … my work for the venerable and highly respected ‘Science’ journal on combatting Yaws disease in Papua New Guinea.

‘Science’, one of the world’s most respected academic journals and also one of the oldest on the planet founded back in 1880 by the American Association for the Advancement of Science, has an estimated readership in excess of half a million.

So I am obviously delighted to have one of my images gracing the cover and more spread over six pages inside and alongside the story by ‘Science’ mags Amsterdam based International News Editor Martin Enserink.

Also delighted with the five minute online film crafted by ‘Science’ journal’s Sarah Crespi using many more of my still Images combined with video segments that I made on the islands which may be found here … https://www.youtube.com/watch?v=ianST_B1_CA and also below (bottom).

Martin’s excellent story tells of the work of a (thoroughly engaging) young Catalan doctor, Oriol Mitjà, who has dedicated his practice to the eradication of the tropical bacterial skin disease Yaws which, if left untreated, can disfigure the skin and bones causing lifelong pain and disability. The disease is caused by the bacterium Treponema pallidum (a close relative of that which causes syphilis) and spreads primarily through skin contact, mostly between children.

Martin and I travelled to Lihir in the Bismarck Archipelago in remote north east Papua New Guinea where we met Oriol and crew before a two hour Pacific Ocean crossing to Namatanai in New Ireland. Our visit coincided with the start of Oriol’s latest attempt at Yaws eradication … the first round of the mass medication of the entire 60,000 population of Namatanai with the oral antibiotic azithromycin. An epic challenge indeed … but such is Oriol’s single-mindedness he is determined to succeed with his plan to see the end of Yaws … and for it to become only the second human disease in history to be eradicated after smallpox in 1980.

The subject of my cover photo (top, below) … fifteen year old Stanis Malom … lives in the tiny village of Tumbuapil on Lihir Island. His severe Yaws infection has impacted the integrity of the bones in his leg and he also now has an open wound the size of a tennis ball. He no longer attends school … the stigma is too much.

Anyway … I’m rabbiting on … and Martin is a far better story teller than I … and his complete story (and my images) can be found here … http://www.sciencemag.org/news/2018/07/remote-pacific-island-doctor-has-revived-60-year-quest-eradicate-disfiguring-disease.

My Thanks to Martin, Oriol, my subjects at Lihir and Namatanai, ‘Science’ journal Photography Managing Editor Bill Douthitt … and acknowledge the welcome assistance of the Pulitzer Centre on Crisis Reporting.

Below … the cover (top), six inside pages (middle) of the new ‘Science’ edition … ‘Science’ online film (bottom)

Still and Moving Images © Brian Cassey & ‘Science’

Science Journal - Yaws Disease story - Namatanai, Lihir Papua New Guines - images Brian Cassey

Science Journal - Yaws Disease story - Namatanai, Lihir Papua New Guinea - images by Brian Cassey

Inside Manus … at the ‘Fox Gallery’, Melbourne …

August 1, 2023February 26, 2018

Great weekend ‘down south’ in Melbourne … and pretty intense too. Arrived at Tom Goldner’s ‘The Fox Darkroom & Gallery’ from Cairns with less than an hour to spare before the scheduled opening of my “Inside Manus Detention Centre” collection. Tom, his meticulous assistant Leni Fohringer and ‘The Fox’ crew had performed a wonderful job hanging the work and readying the gallery and the (essential) refreshment for the exhibition launch eve.

Tom had been relentless in his desire to show my work from inside the Lombrum asylum seeker detention centre, made just two days after the Australian government closed it down early last November with over six hundred men still inside. Journalist Rory Callinan and myself were extremely fortunate to gain access inside the abandoned camp … built by the Australian government at astronomic cost just a few years back … to document the plight of the hundreds left in the tropical heat with no power, no food, no water, no medicines … and no services.

The evening was excellent and the crowd large, engaged and enthusiastic. Great to have good photographer friends and colleagues Tracey Nearmy and John Donegan in attendance … and also Nikon’s tireless Professional Markets Manager Julie Kimpton. Oh yeah … we even managed to collect a tidy amount of cash from donations during the evening which will be passed on to the Asylum Seeker Resource Centre.

On Saturday it was back to ‘The Fox’ for a presentation of an expanded ‘projection and chat’ version of my “A Photographer’s Life – Part One” collection … previously hung in Sydney and Cairns … in front of a twenty plus seated audience. Managed to natter about the show accompanied by the projection of over a hundred images for over the two hours of the event … hopefully without boring the pants off the paying patrons too much.

I really do need to sincerely thank a host of people for their support in getting “Inside Manus Detention Centre” on the wall and a success … Tom Goldner for his enthusiasm, determination and great gallery space, Leni for her boundless energy and organisational skills, Prism Imaging for their fantastic printing of the work, Julie Kimpton and Nikon Australia for their invaluable assistance, Alison Stieven-Taylor from ‘Photojournalism Now’ for her wonderful promotional help, the entire ‘Fox’ team of volunteers and associates … and all those that made it to ‘The Fox Darkroom & Gallery’ on the weekend for the two shows. Hope you all enjoyed it as much as I did.

Also thanks to the ‘Milk Bar Mag’ and ‘Broadsheet’ publications in Melbourne for their coverage and promotion of the show.

“Inside Manus Detention Centre” is open at ‘The Fox Gallery’, Kensington, Melbourne till March 4th.

Images All © Brian Cassey

… the quiet before the opening …

… but it soon got a little busy …

… unmistakably Nikon’s Julie Kimpton on the right …

… Pakistani refugee Ezatullah Kakar on the boat to the Lombrum detention centre with food and medicines …

Istanbul … HK Cage Images Feature …

February 7, 2018

Great to see my images of cage home, coffin home and other lowest cost ‘housing’ residents in Hong Kong get another significant airing … this time at the Zeytinburnu International Photography Festival in Istanbul, Turkey in January.

“Z Foto Fest” … as it is affectionately known for short … is an International photo festival hosted by the Türkiye Fotoğraf Vakfı (Turkey Photography Foundation) and the Municipality of Zeytinburnu on the European side of Istanbul, just outside the walls of the ancient city.

This years theme for the festival is ‘Oxygen’ with the aim of strengthening public awareness on environmental issues through the power of visual arts. Oxygens stated aim is to illustrate “the concepts of ecological collapse, perishing nature, industrial waste, human helplessness at facing wars, environmental issues, destruction caused by immigration and urbanization, accumulating waste from excess consumption of society, global warming and climate change, and comparing challenging and rare beauties of nature.” A big and noble call …

With that end in mind, “Z Foto Fest” contacted me about the prospect of showing my Hong Kong ‘homes’ work … and I readily agreed. Sadly, due to other commitments, I couldn’t travel to Istanbul … one of my favourite cities … to see the result.

The work “Living in a Coffin & Cage Dwellers of Hong Kong” was shown over five days of the festival at the Zeytinburnu Cultural And Art Center alongside other artists work from Russia, Italy, Austria, USA, China and Romania under the umbrella title “Abandoned – Rural – Overcrowded”. Z Foto Fest ends on February 11th.

Below are a selection of just some of my Hong Kong images involved in the exhibit … and a grab from the “Z Foto Fest” site.

Z Foto Fest 2018 Istanbul Turkey - Hong Kong Cage & Coffin Homes - by Brian Cassey

One Closes … Another Soon to Open …

February 6, 2018January 30, 2018

Today … Tuesday 30th January … was the last day at The Tanks, Cairns for my “A Photographer’s Life – Part One exhibition … tomorrow is the day the works come off the walls and the cameras and photographic hardware get packed away (somewhere!). Thanks to all for the wonderful feedback …

Coincidentally, I spent today preparing the image files for my next exhibition soon to open at The Fox Gallery in Melbourne.

Thanks to ‘Fox’ gallery owner Tom Goldner … my work from inside the Manus Island asylum seeker detention centre in Papua New Guinea following it’s closure by the Australian government with over six hundred refugees still desperately ensconced therein … will be unleashed on a Melbourne audience from the 24th February. “Inside Manus Detention Centre” will consist of seventeen images documenting the plight of those from the Middle East, Africa and Asia who have faced years long incarceration at the will of the Australian government … with still no future on the horizon.

The images in question were made on assignment for News Corp with journalist Rory Callinan. We had been on Manus for less than a day when we found ourselves on a small local boat headed for Australia’s ‘closed’ Lombrum detention centre … a trip made by several refugees and local boatman to smuggle foods and medicines into the camp. Our time ‘inside’ was brief but long enough to show the desperate situation inside the camp where there was no food, water, medication, power or services. Weeks later all six hundred odd were forcibly removed.

Whilst I’m at the ‘Fox’ I will also be presenting a two hour talk and slide show (on Saturday the 24th) based on my “A Photographer’s Life” work … and you can secure a spot by visiting here … https://www.thefoxdarkroom.com.au/product/artist-talk-brian-cassey-photographers-life/ .

Below I’ve posted a couple of images from “Inside Manus Detention Centre” which runs at ‘The Fox Gallery” Kensington, Melbourne from grand opening eve on 23rd February (to which you are invited) till 4th March.

"Inside Manus Detention Centre" - The Fox Gallery Melbourne - by Brian Cassey

Inside Manus … Abandoned Asylum Seekers …

November 12, 2017November 10, 2017

Last week News Ltd journalist Rory Callinan and myself managed to get inside the now ‘closed’ Australian asylum seeker detention centre at Lombrum, Manus Island in Papua New Guinea.

We were invited to join a small band of refugees who were running urgently needed foods and medicines back to the detention centre where near 600 asylum seekers had been abandoned and left with no food, water, electricity, health or any other services by Australia’s ‘closure’ of the centre. The food run was to be one of the last … police next day stopped the boat trips and arrested local boatmen.

Our visit was short and chaotic … we were mobbed by men desperate for help and desperate to tell their harrowing stories of four years detention or to beg for medicines. Conditions were obviously deteriorating fast … despite their attempts to keep basic order and collect water from a makeshift well dug in the camp. Some were visibly ill and others showed signs of mental torment.

I’m not sure how long we spent in the camp but we were soon ushered back to the boat as we were warned the police were coming. But we were there … unlike the overwhelming majority of Australia’s media.

The images were used in News Corp publications including three on the front of The Australian.

A sobering experience … although in depth comment at the moment eludes me …

Have now compiled a photo essay of the images made. Below are just a few from the full essay which is now published on my web site at … https://www.briancasseyphotographer.com/photographs/inside-abandoned-manus/

Nikon F2 … Roll of Tri-X … 36 Pics …

July 10, 2023July 15, 2017

Thanks to legendary veteran combat photographer Tim Page (who dobbed me in) … I have this week been wielding on a spare shoulder a pristine circa 1971 manual everything Nikon F2 loaded with a roll of Tri-X film.

The idea … the brainchild of photographer Renato Repetto … is to get the Nikon into the hands of top (and not so top) photographers all around Australia who will each shoot one roll of B&W film … just 36 frames each.

The AFP400TX Project is about seeing life through the eyes of Australian Film Photographers. The Nikon F2 (eye level DE-1 Plain Prism, 1971-1976) no 7587117 with a 55mm 2.8 Micro Nikkor will be used for every exposure of the project, making the only variable the photographer. All rolls of film will be developed by the project sponsor Rewind Photo Lab in NSW to ensure consistency across the project.

My colleagues of note featured in the project include the afore mentioned Tim Page … David Dare Parker, Michael Coyne, Stephen Dupont, Jesse Marlow, Sean Davey, Heather Faulkner, Roger Garwood … and many maybe not so well known.

A diary accompanying the camera will document the creative thoughts of all the photographers in the project for later incorporation into a photo book. The book will be launched with gallery exhibitions in Brisbane, Sydney and Melbourne featuring silver gelatin prints of the best photos of the project.

Now … I cut my teeth shooting ‘manual everything’ film SLR’s way, way back when … but can now confirm that ‘going back’ is somewhat of a sobering and frightening experience !!

Below is a pic I made (on a D4S) of Wik Munkan artist Lex Namponan from Aurukun, wielding the precious Nikon F2 used in the project. Lex was born in 1971 … the same year that the F2 was released. I used two precious frames from the Tri-X roll to make a portrait of Lex. Fingers crossed that Lex and I make the AFP400TX Project exhibitions and book …

AFP400TX Project - Australia - Brian Cassey

Sensational Walkley’s …

December 19, 2016December 5, 2016

What a night … and a what a result … !

The 2016 Walkley Awards on Friday eve at the Brisbane Exhibition Centre heralded an historic ‘first’ … the mega talented and great guy photojournalist Andrew Quilty the first photographer to ever take out the biggest prize – the ‘Gold Walkley’.

Nobody deserves it more …

Andrew is totally dedicated to his craft and gave away a job at Fairfax to move to Afghanistan as a freelance. His work is extraordinary.

I was fortunate – by way of my Nikon-Walkley Portrait win – to be seated at the same table 55 as Andrew on Friday eve … along with the incredibly legendary war photojournalist Tim Page and partner Marianna Harris, Walkley advisory board member and photographer Michael Amendolia, prolific photography journalist Alison Steven-Taylor (‘Photojournalism Now’), my Cairns photographer mate Marc McCormack and Mrs Sandra, Tanie Harris Sansey … and Andrew’s delightful mum Ann.

Definitely the best table of the night !

Before the evenings events commenced Andrew had already bagged the Nikon-Walkley ‘Photo of the Year’ award … and soon added the ‘News Photo’ award … before thrilling the scores of media photographers – and everyone else in the room – with the final award of the night – the ‘Gold Walkley’. Magic …

A absolute pleasure to chat with Tim … and delighted that he suggested we swap prints … my Portrait Prize pic for one of his amazing historic combat images. Pretty stoked about that …

The rest of the Nikon-Walkley photography awards were also ‘spot on’ … with Alex Coppel taking out ‘Press Photographer of the Year’, Cameron Spencer the ‘Sports Photography’ award and David Maurice Smith the ‘Feature/Photographic Essay’ award … all against some amazing ‘Finalist’ opposition.

Well done Walkley’s and Nikon … truly memorable !

Below is top … Tim Page watching the announcement of my ‘Nikon-Walkley Portrait Prize’ win from our table … and below … the older PJ legend Tim chats with the newer legend Andrew Quilty after his ‘Gold Walkley’ win.

2016 Walkley Awards - Nikon-Walkley Awards - Gold Walkley, Andrew Quilty - Portraiture, Brian Cassey

Walkley Awards 2016 - Nikon-Walkley Awards - Winner Gold Walkley, Andrew Quilty - Portraiture, Brian Cassey

Sydney … Moran & Walkley …

October 30, 2016October 30, 2016

A massive and memorable fifty hours in Sydney this week …

Arrived Sydney Tuesday to be met by former Cairns Post staffer from way way back … Terri Bradley … and we were soon joined by Margaret River WA based photographer colleague Martine Perret at the ‘Wine Library‘ in Paddington for an evening of ‘work catch up’.

Wednesday was 2016 Moran Prize day at Juniper Hall, Paddington. The deserving winners – Johannes Rienhart in the ‘Moran Contemporary Photographic Prize’ and Megan Seres in the ‘Moran National Portrait Prize’ – were announced at a news event in the morning, whilst the evening saw more merriment and much partying at the Moran family stately home and gallery.

Excellent to catch up with a host of Moran photographic finalists … Martine Perret (again) of course, winner Johannes, Michael Amendolia, Matt Abbott, Raphaela Rosella, Damien Pleming, Cameron Neville, Brad Smith, Todd Kennedy, Paul McIver … (also but very briefly Zoe Mongey and Reza Ghasemi). Also attending for the evenings (ahem) ‘networking’ were Head On Photo Festival director Moshe Rosenzveig and photographer Brendan Beirne (former Nikon-Walkley winner with the Packer/Gyngell ‘Bondi Biffo’ news pics).

(The ‘Moran National Portrait Prize’ winner Megan Seres received $150,000 for her portrait of her daughter ‘Scarlett as Colonial Girl’ … Johannes Reinhart coined $50,000 for his ‘Mermaid Show’ image in the ‘Moran Contemporary Photographic Prize’.)

Between the morning and evening Moran events I took in the 2016 ‘Nikon-Walkley Press Photography Exhibition’ at the State Library of New South Wales … and was very happy to see my Portrait Prize winning image ‘Beaten Refugee’ very prominently displayed (see image below). Great to share the exhibition (and lunch) with my old mate and former Fleet Street ‘Blunt’ Frank Thorne, as well as Terri and Martine.

Also just had time to fit in a quick coffee with AAP photographer and ‘fotostrada’ colleague Dean Lewins … !

A pretty hectic but rewarding trip to the ‘Big Smoke’ … and a big ‘Thank You’ to Terri for her time and care.

The ‘Moran Contemporary Photographic Prize Exhibition’ (including my finalist image ‘Number 55’) runs at Juniper Hall, Paddington till 5th February 2017 … and the ‘Nikon-Walkley Press Photography Exhibition’ (including my ‘Beaten Refugee’) runs at the State Library of NSW till November 27th. Both exhibitions are well worth some time …

Images below © Brian Cassey … top – my Portrait Prize winner ‘Beaten Refugee’ at the ‘Nikon-Walkley Press Photography Exhibition‘, Sydney … middle and bottom – my ‘Moran Contemporary Photographic Prize’ finalist image ‘Number 55‘ displayed inside and outside Juniper Hall, Paddington.

2016 Moran Contemporary Photographic Prize - 'Number 55' - Finalist by Brian Cassey

Delayed Gratification …

September 20, 2016September 20, 2016

Nice publication this week in a brilliant innovative UK print magazine … ten pages of my images and words in “Delayed Gratification – (the Slow Journalism Magazine)” – finely orchestrated by DG director Marcus Webb.

The mag takes a refreshing and unique look at the news. It’s stories re-analysis news events three months after, “picking out what really mattered and returning to events with the benefit of hindsight so we can give you the final analysis rather than the first, kneejerk reaction.”

The classy elegantly designed and printed publication takes the form of a quarterly historical document with “lots of beautiful infographics, which we use to draw out patterns from the quarter and give new angles on stories.”

They proudly boast … “We invest in the best long-form, in-depth journalism in the world, accompanied by stunning images and photo features.”

My work – “Between Heaven and Hell” – tells in images and words the story of Manus Island and the impact of Australia’s contentious two billion odd dollar Lombrum asylum seeker detention centre on the Papua New Guinea island and it’s indigenous population. It was the result of two visits (totalling three weeks in July 2013 & May 2016) to the island, working as a freelance for News Corp Australia (who kindly OK’d the use of my images in the mag).

Below you can see the ten magazine pages of the article … and if you’d like to read my words I strongly suggest you take out a subscription to what is a truly wonderful magazine! You won’t regret it …

As “Delayed Gratification” say on their web site … “It even smells good !”

Between Heaven & Hell - Asylum Seekers on Manus Island - by Brian Cassey in Delayed Gratification

India … Redux … 2016

August 25, 2016August 9, 2016

… it’s five years since I visited India for a memorable journey with colleagues Rob Maccoll and Peter Wallis …one of the aims of which was to document life on a road trip from a – once ubiquitous, now disappearing – iconic Hindustan Motors Ambassador (an Indian version of the British 1950’s Morris Oxford).

We found our Ambassador and real gentleman driver Kishore in Jodhpur and travelled – not without incident – through the states of Uttar Pradesh and Rajasthan … and between us amassed a few photographs.

On returning to Australia I managed a quick edit of the total images and published a pic essay on my personal web site and the ‘fotostrada’ site entitled “India in an Ambassador” which you can find at … www.briancasseyphotographer.com/photographs/india/ .. .and … www.fotostrada.com/brian-cassey/india-in-ambassador/BCRaja1/.

However, just the other day I was searching for one of the original pic files and delving into the India archive. I kept noticing images that I had missed during the original edit. So I kept looking …

This is the result – “India Redux 2016” – 34 essentially NEW images that have never seen ‘the light of day’ before … from New Delhi, Jodhpur, Udaipur, Agra, Vrindavan, Pushkar, Jaipur and Varanasi and the roads in-between.

(That’ll learn me to take more care during big edits … !)

The new essay is now live on my site at … https://www.briancasseyphotographer.com/photographs/india-redux-2016/ … and also in ‘Latest Stories’ on the ‘fotostrada’ photojournalist web site at … http://www.fotostrada.com/latest-stories/india—redux-2016/BCIndiaRedux28v/

Below are just three teaser images from the new essay … top and bottom from Jodhpur, middle from Varanasi.