Documenting Mt Mulligan Mine Disaster 1921 for Aus Geographic …

How do you illustrate, in the middle of a pandemic, a story of a tragedy that happened one hundred years ago in a remote part of Australia ? That was the delightful challenge that I was set by Australian Geographic for their story in the just published March/April ’22 edition on the September 1921 Mt Mulligan mine disaster on Cape York Peninsula that took the lives of seventy five miners. 

Journalist Denise Cullen initially came up with the names of several people who had strong connections to Mt Mulligan both before and after Australia’s second largest mine tragedy in 1921. A couple were in then Covid Delta locked in New South Wales so ‘out of bounds’. 

However, most were fortunately in Queensland and so began a several weeks quest around the Sunshine State to find and photograph these fascinating individuals. I found and made portraits … and listened fascinated … as they sat and told me their stories in Cairns, Mackay and the Atherton Tablelands.

Ken Best worked in the mine up until it’s final closure in 1957 and told of older miners stories of ‘ghosts’ in the mine. Pam Millett’s grandfather had a contract to cart logs to the mine to shore up the ceilings and roof, and he was delivering logs at the time of the deadly explosion. Helen Scott and her family were the last to leave the mine settlement when it was finally closed and  ‘removed’. Desley Brkic’s grandfather was the first to witness the smoke from the mine explosion. 

Arguably, though, the most emotional image for me was found at the end of a journey to Mackay to photograph an object.

Stephen Smyth of the Construction, Forestry, Maritime, Mining and Energy Union (CFMEU) is the ‘keeper’ of an inanimate object that, for me, summed up the story of the disaster perfectly in a simple single frame … a battered ‘Waltham’ pocket watch that was on the person of miner George Doran James when he was killed in the explosion. The watch ‘stopped’ at the moment George, along with his son and seventy three others died at nine twenty five that morning. 

It was a pleasure to be afforded the time to portray and meet these fascinating people over a time frame that is rare these days … (Thanks AG and Editor Chrissie Goldrick) and to be involved in this story that is a part of Australia’s history.

Check out Denise’s story and my images (including two whole page pics) spanning ten pages of Australian Geographic print journal 167 March/April edition … on sale now.

Images – top – Desley Brkic reflects on the disaster at her home in Tinaroo, centre – the ‘Waltham’ watch, worn by a blast victim, that stopped at the moment of the explosion, bottom – ex miner Ken Best of Mackay.   © Brian Cassey, Magazine © Australian Geographic

News … January is Good … 17th Pollux & More …

… a nice start to ’22 … good news on a several fronts … (but inexplicably somewhat spoilt by Facebook).

Firstly, announced in the 17th International ‘Pollux Awards’ mid January …  two ‘Honorable (sic) Mentions’. A first recognition for the image “Veronica – Where Home Brew Kills” in the ‘Portrait’ category  … and also a ‘HM’ for “The Yarrick Family of Kunhanhaa” in the ‘People’ category, adding to it’s lengthening ‘list’ (think you’ve seen that one a few times before on previous posts). Both were made on Mornington Island.

(Astonishingly Facebook immediately REMOVED (twice) the Pollux International award image of the five year old indigenous girl Veronica (below) because it “goes against our Community Standards” … I’m enraged ! Would be interested to hear your take on this.)

Also, selected as a Finalist this month in the ‘soon to be announced’ (can’t tell you more) Maldon Photographic Portrait Prize and exhibition ‘I Be Human’ at Edge Galleries, Maldon, Victoria in February … whilst there’s also an exciting ‘first’ for another image in a big International Prize that I’m not allowed to tell you about yet on pain of death ! 😉

January is good … (despite Facebook/Meta)

Image © Brian Cassey

17th Pollux International Photography Awards - 'Honourable Mention' - People - "Veronica - Where Home Brew Kills" by Brian Casse

‘Gold’ X Two in Tokyo …

Early Chrissy present from Tokyo …

It was only a week ago that I shared the news on here of two successes in the Budapest International Foto Awards (BIFA) … a Gold Award for “8 Minutes & 46 Seconds – Tears For George Floyd” in Editorial and a Silver Award for “The Yarrick Family Of Kunhanhaa” in People.

Well … seems Santa has come a day or two early as I just received the news that these two images have gone one better in the Tokyo International Foto Awards (TIFA) with both images winning ‘Gold’ !

So … rather than bashing out a similar post to the one a week ago I’ve copied it below … and updated it a bit 🙂

Here goes … 🙂

More news … this time from Hungary & Tokyo …

… these two images (below) have done it yet again! Announced this week … TWO Gold Awards in the 2021 Tokyo International Foto Awards (TIFA) for both “8 Minutes & 46 Seconds – Tears For George Floyd” (in Editoria) and “The Yarrick Family Of Kunhanhaa” (in People) … and a few days earlier … a Gold award in the 2021 Budapest International Foto Awards (BIFA) ‘Editorial’ for “8 Minutes & 46 Seconds – Tears For George Floyd”… and a Silver in ‘People’ for “The Yarrick Family of Kunhanhaa”.

Chuffed with that …

These two pics have been good to me … and have amassed a tidy number of other recognitions over the past year or so.

Previous successes for these two images may be found at these pages … https://www.briancasseyphotographer.com/blog/2021/11/more-for-the-awards-page/, https://www.briancasseyphotographer.com/blog/2021/10/nikon-walkley-portrait-prize-3-yes/, https://www.briancasseyphotographer.com/blog/2021/10/mornington-essay-wins-at-clarions/, https://www.briancasseyphotographer.com/blog/2021/09/tears-at-the-perth-iris-awards/, https://www.briancasseyphotographer.com/blog/2021/08/mornington-clarion-media-awards-finalist/, https://www.briancasseyphotographer.com/blog/2021/07/silver-and-bronze-in-moscow-international/, https://www.briancasseyphotographer.com/blog/2021/04/international-color-awards/https://www.briancasseyphotographer.com/blog/2021/05/carol-amongst-big-handful-at-16th-international-pollux-awards/,

Images © Brian Cassey

Tokyo International Foto Awards (TIFA) - WINNER - GOLD Awards X 2 - Editorial - "8 Minutes & 46 Seconds - Tears For George Floyd" ... & ... People, Family - "The Yarrick Family of Kunhanhaa" - by Brian Cassey

Tokyo International Foto Awards (TIFA) - WINNER - GOLD Awards X 2 - Editorial - "8 Minutes & 46 Seconds - Tears For George Floyd" ... & ... People, Family - "The Yarrick Family of Kunhanhaa" by Brian Cassey

Pulitzer Prize Winner Barbara Davidson Meets Carol in Barcelona …

Mentioned a few months ago that a handful of my images had been selected in the 16th Edition Pollux Photography Awards … including a nice ‘Portrait Winner’ placement for my work “The Skin I’m In” of Cairns burns survivor Carol Mayer.

Perhaps it’s just another ‘Carol’ coincidence (there have been several) … but last week on the first anniversary of Carol’s so sad passing at the the hands of the ‘Big C’ December 2020, I received these images of my portrait of Carol on display in the winners circle at the opening event of the The 6th Biennial of Fine Art and Documentary Photography at the FotoNostrum Gallery in the Spanish city of Barcelona.

Carol would no doubt have been be as pleased as I am that her portrait was appraised at the Barcelona exhibition opening by three times Pulitzer Prize Winner and Emmy film award winning photojournalist/director Barbara Davidson (seen in all black centre top image, below, with “The Skin I’m In” at the FotoNostrum Gallery).

Celebrated as photo ‘Royalty’, Barbara is best known for her work on victims of gang violence in Los Angeles. She is also a 2019-2020 Guggenheim Fellow recipient and will spend the year traveling the United States making portraits of survivors of gun violence using an 8×10 film camera. 

Somewhat of a coup for the Barcelona Foto Biennalle to have Barbara attend the opening event as a very special guest in these times of Covid … and a real buzz for me (and probably Carol ‘up there’ too). Still trying to learn from the event organisers (who sent me these pics) whether Barbara made any audible comment about the work.

So … great to win the Pollux Portrait Award with the image of Carol … and that led to the real buzz of the work being selected to appear on the wall of the 6th Biennial Foto Barcelona at the FotoNostrum Gallery … which led to it being seen by multi Pulitzer winning photo ‘Royalty’ Barbara Davidson … and also lead to Carol posthumously once again spreading her message to burns survivors of the World that anything is possible …

Carol’s legacy lives on … again …

Carol Mayer Image © Brian Cassey … photos © FotoNostrum Gallery, Barcelona

 

 

‘Deadly Threads’ Comes To Cairns …

Whilst my personal exhibition “A Photographer’s Life – Part Two” has sadly finished it’s five week season at the Court House Gallery Cairns, I’m very gratified to still have (large) work ‘next door’ at the Cairns Art Gallery as an integral part of ‘Deadly Threads’.

Early this year, at the request of the State Library of Queensland, I produced a series of images in a Cairns pop up studio of a fascinating variety of prominent northern Australian Aboriginal and Torres Strait Islanders wearing a creative colourful showcase of indigenous singlets, shirts, polos and jerseys.

The resulting SLQ exhibition “Deadly Threads” explores the significance of these apparel pieces as symbols of identity, celebration and unity. They have been developed to protest, commemorate special occasions and historical events and tell stories of Aboriginal and Torres Strait Islander history and cultures.

The exhibition drew crowds in Brisbane during an extended season at the State Library of Queensland from March to October … liberally sprinkled with massive prints of my work amongst the 190 shirts displayed. (I was fortunate to get down to Brisbane to see the exhibition on it’s very last day !)

The exhibition came ‘home’ to Cairns this month at the historic (formerly Public Curators Building) Cairns Art Gallery, with an opening eve on the 2nd of December. Very pleasingly my work again plays a prominent part … (although the actual shirts are still the real ‘stars’ of the show). Two of my works massively adorn the portico outside the gallery to alert passersby to the exhibition inside … images of South Sea Islander resident of Gimuy (Cairns), Franklin Mye (right – below) … and Conrad (CJ) Ahwang, Muluyligal-Zeandth R\Kes man also residing in Gimuy (left – below).

Inside a further half a dozen images adorned the walls … with the pick being another massive image of ‘CJ’ (pics below) unmissably greeting everyone as they entered the exhibition room.

This really is a fine exhibition … the shirts … especially those produced on Mer (Murray) Island to document Eddie Mabo and his work … are fascinating. I’m proud to be a part of it. The exhibition runs till the 23rd January and entry is free … don’t miss it !

Images © Brian Cassey

 

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

Gold & Silver at Budapest International …

More news … this time from Hungary …

… these two images (below) have done it yet again! Announced this week … a Gold award in the 2021 Budapest International Foto Awards (BIFA) ‘Editorial’ for “8 Minutes & 46 Seconds – Tears For George Floyd”… and a Silver in ‘People’ for “The Yarrick Family of Kunhanhaa”.

Chuffed with that …

These two pics have been good to me … and have amassed a tidy number of recognitions over the past year or so.

Previous successes for these two images may be found at these pages … https://www.briancasseyphotographer.com/blog/2021/11/more-for-the-awards-page/, https://www.briancasseyphotographer.com/blog/2021/10/nikon-walkley-portrait-prize-3-yes/, https://www.briancasseyphotographer.com/blog/2021/10/mornington-essay-wins-at-clarions/, https://www.briancasseyphotographer.com/blog/2021/09/tears-at-the-perth-iris-awards/, https://www.briancasseyphotographer.com/blog/2021/08/mornington-clarion-media-awards-finalist/, https://www.briancasseyphotographer.com/blog/2021/07/silver-and-bronze-in-moscow-international/, https://www.briancasseyphotographer.com/blog/2021/04/international-color-awards/https://www.briancasseyphotographer.com/blog/2021/05/carol-amongst-big-handful-at-16th-international-pollux-awards/,

 

Images © Brian Cassey

Budapest International Foto Awards - Winner Gold Award - Editorial - "8 Minutes & 46 Seconds - Tears for George Floyd" by Brian Cassey

Budapest International Foto Awards - Winner Silver Award - People - "The Yarrick Family of Kunhanhaa" by Brian Cassey

More For The Awards Page …

… just about recovering from personal euphoria following my exhibition opening at the Court House Gallery and the Nikon Walkley Portrait Prize win (Thanks to all for your comments, likes etc etc !) … whilst in the meantime these items about some other very pleasant ‘recognitions’ and ‘mentions in dispatches’ have also arrived … for the record as follows …

Head On Portrait Prize Semi Finalist  … “The Yarrick Family of Kunhahaa” … screening at the Head On Portrait Prize exhibition now showing at Paddington Reservoir Gardens, Sydney.

Australian Photography Awards … Two Shortlisted in ‘Documentary’ … “The Yarrick Family of Kunhahaa” & “Tears For George Floyd – 8 Minutes & 46 Seconds”.  Winners will be announced over the five days between November 29th and December 3rd.

Fotonostrum International Portrait Award – ‘Jury’s Special Selection’ by Art Streiber – “Tears For George Floyd – 8 Minutes & 46 Seconds”, “Kate – Waiting For Her New Breasts II” & “The Yarrick Family Of Kunhanhaa”.

International Photography Awards (IPA) – Highly Commended X 2 – ‘People’ – “The Yarrick Family Of Kunhanhaa” – ‘Editorial’ – “Tears For George Floyd – 8 Minutes & 46 Seconds”.

Black & White Spider Awards 16th Edition – Finalist Nominee X 4 in ‘Silhouette’ – “Charlie & the Pandemic”, ‘Portrait’ – “Ramnami” & “The Skin I’m In II’, ‘Photojournalism’ – “Tears For George Floyd – 8 Minutes & 46 Seconds”.

Very pleased about that. The complete list of ‘Awards’ … (shameless self promotion) … can be found here … https://www.briancasseyphotographer.com/awards/

Some will be aware that lots of these images (above) have been previously recognised in other awards and splashed around a lot lately … so … here’s two from the list (Black & White Spyder Awards) that havn’t 🙂 … for  “Charlie & the Pandemic” it’s a ‘first’ … and for “Ramnami” it’s a fourth gong (but I like it 😉  … below)

Images © Brian Cassey

Black & White Spyder Awards -Nominee - Silhouette - "Charlie & the Pandemic" by Brian Cassey

Black & White Spyder Awards - Nominee - Portrait - "Ramnami" by Brian Cassey

‘A Photographer’s Life – Part Two’ at The Court House Gallery …

Now just over two weeks since the doors opened on my latest exhibition … ‘A Photographer’s Life – Part Two’ … and one week since a brilliant official opening eve event at the beautiful venue, the heritage listed Court House Gallery.

Following on from ‘A Photographer’s Life – Part One’ … exhibited at the Head On Photo Festival in Sydney and The Tanks Arts Centre in Cairns in 2017 … there was always going to be a ‘Part Two’.

Essentially a ‘Retrospective’, the ‘Part One’ exhibition featured work selected from my archives … negatives from long forgotten boxes and numerous disk drives … that charted the progression from my first roll of film as a pre-teen, through my first paid media work in London town as a teen and onto my career across the decades producing press work that was published around the planet..

‘Part Two’ is a fundamentally different exhibition of work. It contains a few images that didn’t quite make the space cut for ‘Part One’ – but most of the work is new and made from 2016 up until today. Whilst ‘Part One’ was almost exclusively ‘assigned’ media work the ‘Part Two’ images are much less so. The decline in media work and the lack of media opportunity and funding has meant that much of the new work was made independently, often self funded and sometimes just purely personally observational. The photographs emanated from India, China, Sri Lanka, the United States, Papua New Guinea, the UK … and around Australia, 

An integral part of the new exhibition is the ‘story behind the images’. Each work is accompanied by text explaining how the image came about and why. Many of them are quite personal. Feedback from exhibition visitors so far is that the ‘stories’ added a depth and dimension to the images. Gratifying 🙂

The opening eve event on November 5th was a thoroughly enjoyable big success. An individual exhibition opening record crowd of over a hundred and twenty five crammed ‘standing room only’ in the ‘Court Room’ to witness ABC Radio’s Fiona Sewell ‘grill’ me nicely about eight of the thirty seven exhibition images for about forty five minutes. Many Thanks for hosting the event Fiona.  Great to see friends and colleagues past and present .. many I hadn’t seen in years … turn up for the occasion. Thanks all …

Also launched at the event was the large format high definition limited edition collectors book ‘A Photographer’s Life – Part One & Part Two’ … containing … yes … all the images (85 in all over 88 pages) from both ‘Part One’ and ‘Part Two’. All those who order a copy during the exhibition period (till 11th December) with have their names and an acknowledgment printed in the book … and my scrawled as best I can signature too 😉 . Order at the Court House Gallery office or phone either Dayle on 07 40326621 or the office on 07 40326620.

Greatest respect and massive thanks to Curator Chris Stannard , Dayle Jordon, Megan O’Rourke and the rest of the council team who did a brilliant job hanging and presenting the exhibition. 

The exhibition continues until the 11th December Tuesdays to Saturdays 10am to 4pm … another four weeks to take it in. (If anyone would like a ‘personalised’ tour of the work I will be happy to try and do just that … just contact me.)

Below are images … (impossible in small pics to do justice to the exhibition, the work and the gallery) … of the works on the wall, the opening eve event and the book.

Images © Brian Cassey (4), Brendan Radke (2) & Stacey Carrick (1) (Many Thanks Brendan and Stacey)

 

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

 

 

 

 

 

 

Nikon Walkley Portrait Prize #3 … Yes !

… well, that was damn exciting and unexpected !

A few days ago received an email (proceeded by phone calls) with the great news that I’d once again won the ‘Nikon Walkley Portrait Prize’. Really stoked with that …

The Walkley’s usually announce the winners of the ‘Nikon Portrait Prize’, the ‘Nikon Photo of the Year Prize’ and the finalists of the other Nikon photographic categories during state capital evening ‘events’ … but Covid this year meant a much quieter disclosure via an 8am email.

Wasn’t expected anything … so missed the initial email and only learn’t that my pic “The Yarrick Family of Kunhanhaa” had been selected as the portrait prize winner when colleagues started ringing me !

The pic was made on Mornington Island (Kunhanhaa) in the Gulf of Carpentaria in far northern Australia … an indigenous community that is experiencing multiple ‘social issues’ mostly due to the tyranny of distance and … well …  being ‘forgotten’. Myself and ‘gun’ journalist Michael McKenna travelled to the island in December 2020 to document the story of massive overcrowding in the communities basic homes … and the image and story was published on page one of ‘The Australian’ (below).

Many thanks to Michael … and also to the ‘driven’ Mayor of Mornington, Kyle Yanner, who is single minded in solving the issues that have beset his community.

This portrait was also a part of my pic essay “Mornington Island – The Queenslanders Left behind” that recently won the ‘Photographic Essay’ category of ‘The Clarion Awards’ … Queensland’s media awards.

Also, huge congrats to brilliant Sydney Morning Herald colleague Kate Geraghty who scored the ‘Nikon Photo of the Year Prize’ with an evocative image of a Covid-19 patient that was also published as a page1.

Can’t forget the several of my colleagues that received the news that they are ‘Finalists’ in the remaining Nikon Walkley photographic categories who won’t now learn their fate till the big announcements at The Walkley Awards presentation night of nights in Tamworth in February 2022. I’ll be there ‘with bells on’ !

Below I’ve also posted images and links to my other two previous winning ‘Nikon Walkley Portrait Prize’ photographs in 2016 (here) and 2011 (here). Also just a couple of the links to all the Nikon Walkley winners and category finalists here and here.

STOP PRESS: Was interviewed in the days after the announcement by the Walkley Foundation’s Kate Burgess for an article in The Walkley Magazine. Kate’s work and my words may be found here … https://medium.com/the-walkley-magazine/spotlight-on-brian-cassey-1bfa58b91af8

Images © Brian Cassey

 

2021 Nikon Walkley Portrait Prize - Winner - "The Yarrick Family of Kunhanhaa' - by Brian Cassey

2021 Nikon Walkley Portrait Prize - Winner - "The Yarrick Family of Kunhanhaa' - by Brian Cassey for The Australian

'Abdullatif - Beaten Asylum Seeker' - Winner 2016 Nikon Walkley Portrait Prize - image by Brian Cassey

'Carol - Burne Survivor' - Winner 2011 'Nikon Walkley Portrait Prize' - image by Brian Cassey

Judging Trinity Bay High Portrait Prize 2021 …

A distinct pleasure … for the sixth year … to be invited to judge and present at the annual Trinity Bay High School Photographic Portrait Prize for 2021.

It never ceases to amaze me the quality of portrait work that these talented teen students submit … and the passion and dedication shown by their tutors to foster that talent.

Another big year for student entries this year … the schools gallery space was crowded with some excellent portraiture. As always the case, several images stood out … the more difficult part was settling on a winner and the other prize winners.

The work of year eleven Patrick Rubambo student ‘No Face’ featuring Angelique Iradukunda … an evocative, creative, well executed, nicely composed and beautifully detailed and printed black and white portrait (top below) … left me no option but to declare it the Winner.

Patrick hails from Burundi in east central Africa and came to Australia in 2019. Now in his third year at Trinity Bay High, he has been studying Film, TV and Photography since inspired by what he saw on YouTube and Instagram. His mates seemed more excited than Patrick as he calmly accepted his prize …  a Nikon DSLR courtesy of Garricks Camera House.

Year 12 student Ipsa Bharti was selected as runner up for her beautifully lit portrait ‘Patter of my Mind’, year 11 Madi La Pira was not far behind with her candid approach to ‘EOTS’, whilst Abbey Wilson’s (year 12) creative ‘Ghost’ scored an Honourable Mention. (All shown below.)

Janelle Williams Head of the schools Visual Arts department, New Media teacher Luke Madsen, arts teacher Caroline Mudge and all others involved in fostering the students visual talents should be most gratified with the results.

You can find the winners images from previous years TBHS portrait prizes here … 2020, 2019, 2018, 2017, 2016.

Images © the students … (clockwise from top) … Patrick Rubambo, Ipsa Bharti, Madi La Pira and Abbey Wilson

Winner - Trinity Bay High School Photographic Portrait Prize 2021 - 'No Face' by Patrick Rubambo - judge Brian Cassey

Trinity Bay High School Photographic Portrait Prize 2021 - 'Ghost' by Abbey Wilson (Commended) & ‘Pattern of my Mind’ by Ipsa Bharti (2nd Place)- judge Brian Cassey

3rd Place - Trinity Bay High School Photographic Portrait Prize 2021 - 'EOTS by Made La Pira - judge Brian Cassey

‘Deadly Threads’ at State Library of Queensland …

Nice bonus travelling to Brisbane last weekend for The Clarions … when I accidentally came across my portrait work (massively printed) at the State Library of Queensland’s ‘Deadly Threads’ exhibition . 

Was of the believe that It had already closed and I’d missed it … but an impromptu walk through SLQ and there was the big sign  (accompanied by one of my large images) … ‘Deadly Threads – Where Did You Get That Shirt?’ … enter.

‘Deadly Threads’ is a showcase of singlets, shirts, polos and jerseys (over a 190) created by Aboriginal and Torres Strait Islander peoples from across Queensland. It explores the significance of these pieces as symbols of identity, celebration and unity. They have been developed to protest, commemorate special occasions and historical events and tell stories of Aboriginal and Torres Strait Islander history and cultures.

My part was to produce portraits of significant indigenous personalities wearing a range of these shirts for display around the exhibit and for promotional purposes. Around a dozen of my large portraits adorned the exhibition printed (in one case) up to a massive near four metres. I made the pics back in Cairns earlier this year in a little home made pop-up studio.

What I didn’t yet know was, that the day I stumbled into the exhibition last Sunday was it’s LAST day. When I returned next day with camera in hand to record the work, the staff were in the process of taking the exhibition down (hence the limited pics here 🙂 ).

The best news is that the ‘Deadly Threads’ exhibition is coming to Cairns very soon (you heard it first here) and will be open at the Cairns Regional Gallery in November/December. 

Here’s links to the State Library of Queensland’s ‘Deadly Threads’ … https://www.slq.qld.gov.au/deadlythreads … and … https://www.slq.qld.gov.au/whats-on/deadly-threads-where-did-you-get-shirt

It will be well worth catching when it opens at the Cairns Art Gallery where my large portraits will again feature.

Images © Brian Cassey

'Deadly Threads' at State Library of Queensland, Brisbane - Mural Photographic Prints by Brian Cassey

'Deadly Threads' at State Library of Queensland, Brisbane - Mural Photographic Prints by Brian Cassey

'Deadly Threads' at State Library of Queensland, Brisbane - Mural Photographic Prints by Brian Cassey

'Deadly Threads' at State Library of Queensland, Brisbane - Mural Photographic Prints by Brian Cassey

 

 

 

‘Tears’ At The Perth IRIS Awards …

The ‘IRIS’ awards exhibition … an International biennial art prize acknowledging outstanding contemporary portraiture … opened in Perth on Friday eve at the Perth Centre for Photography Gallery. So pleased to see my ‘Finalist’ selected image “Tears for George Floyd … 8 Minutes and 46 Seconds” (top below) make it’s ‘on the wall’ debut in the fantastic exhibition. (Image © Brian Cassey @brian_cassey)

The award prides itself for “selecting revealing portraits that are unique, original and conceptually stimulating”.

Normally I’d be there at the opening … but no way could I travel early to endure a costly 14 day quarantine on top of airfares etc etc. 

The exhibition works were in the main, indeed, unique in many ways … a great exhibition to be part of.

As I couldn’t attend (thanks to covid), loverly Perth based photographer Andrea Vose very, very kindly sent me pics from the opening eve (below) illustrating my work as it sat on the exhibition walls. Thank You heaps Andrea !!

Images below … “Tears for George Floyd … 8 Minutes and 46 Seconds” © Brian Cassey … Images at Perth Centre for Photography Gallery © Andrea Vose

IRIS Award - for Contemporary Photographic Portraiture, Perth - 'Finalist' - 'Tears for George Floyd ... 8 Minutes and 46 Seconds' by Brian Cassey

IRIS Award - for Contemporary Photographic Portraiture, Perth - 'Finalist' - 'Tears for George Floyd ... 8 Minutes and 46 Seconds' by Brian Cassey

IRIS Award - for Contemporary Photographic Portraiture, Perth - 'Finalist' - 'Tears for George Floyd ... 8 Minutes and 46 Seconds' by Brian Cassey

 

The Book … International Portrait Photographer of the Year …

Back in June I posted on this blog the news of the winners of ‘The 2021 International Portrait Photographer of the Year’ award and the selection of a couple of my portraits amongst them.

So now … arrived in the post this week  ‘The 2021 International Portrait Photographer of the Year’ book  … and very stoked to have three page entries in this great hard cover collection.

“Bonn Marie … Asking the Question” (left below) makes two appearances, one in the award ‘Winners’ section (a 3rd Place) and one in the main body of the book alongside my second portrait “Kate Yeoman – Waiting For Her New Breasts” (right below). 

‘The 2021 International Portrait Photographer of the Year’ is a classy quality book printed by Momento Pro in Sydney and contains all the award winners work and also includes the top 101 photographs. It’s a great collection of diverse portrait work from around the planet. You may order a copy if you fancy (two different sizes to choose from) by visiting the Momento wed site at … https://www.internationalportraitphotographer.com/…/awa…

Huge Thanks to my brilliant subjects  Bonn Marie and Kate    !

( Received a nice little trophy for Bonn’s pic too … bottom pic )

Images X 2  © Brian Cassey … book © International Portrait Photographer the Year and the artists.

2021 International Portrait Photographer of the Year ... the Book ... with works by Brian Cassey

2021 International Portrait Photographer of the Year ... the Book ... with works by Brian Cassey

2021 International Portrait Photographer of the Year ... the Book ... with works by Brian Cassey

‘On the Wall’ … (Eventually) … in Kuala Lumpur …

This one I really like …

Since 2009 The Kuala Lumpur International Photoawards (KLPA) has annually selected and recognised the best in photographic portraiture from around the World. The work chosen is invariably on the cutting edge and held in the highest regard.

So … to say the least … was undeniably very happy when this years results in the Open award were announced this week … nineteen (compelling and imaginative) works selected from artists in the USA (2), Belgium, Germany, The Netherlands (2), Poland (2), India (2), UK, Italy, Serbia, South Korea, Malaysia, Thailand, Ireland, Spain, Russia … and one selected from Australia … little old me.

Back from it’s trip ‘into space’ in 2019 my ‘Aurukun – Generations’ image was selected in the twenty strong list and will now travel to Malaysia’s capital Kuala Lumpur for a month or so ‘on the wall’ of a prestigious gallery … dates and venue to be arranged at the whims of Covid.

’Aurukun – Generations’ has now received a raft of recognitions in awards and exhibitions … and it very nearly didn’t happen at all. The image was one of dozens made in the troubled Cape York township of Aurukun for a news story. Another was chosen for publication with the story and this pic was quietly forgotten. It was several months later when I revisited the archive, came across it again and realised it’s potential.

It was one of three of my images ‘Sent Into Space’ (literally) by ‘Portrait of Humanity’ in 2019 and it has also been exhibited and recognised widely around the planet. (You can find some of those … herehereherehere … hereherehere … and here .)

The work portrays Aurukun Wik elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola. Sadly Silas has since left us. I did present his family with a large print of the Image when I made it back to the township last year.

It’s been eight years since I last made it to a Kuala Lumpur Finalist list in 2013 … coincidentally with another image made Aurukun way … a portrait of Aak Paul Ngantam stockman Perry Ward entitled ‘Roustabout’ (bottom below).

I travelled to Kuala Lumpur that year for the exhibition opening event. ‘Roustabout’ looked magnificent in a wonderful Petronas Towers gallery setting.

Very sadly (thanks covid), I’m pretty sure that this time around I won’t get to see ‘Aurukun – Generations’ on a KL gallery wall any time soon. (Still a buzz tho’ 😉 )

Images © Brian Cassey – top ‘Aurukun – Generations’, bottom ‘Roustabout’.

 

Kuala Lumpur International Photographic Portrait Prize KLPA 2021 - Finalist - 'Generations - Aurukun' by Brian Cassey

Kuala Lumpur International Photographic Portrait Prize KLPA 2013 - Finalist - 'Aak Paul Ngantam Roustabout' by Brian Cassey

Silver and Bronze in Moscow International …

… yippee … at the risk of overdoing it … announced last week  … two Silver Awards and a Bronze Award in the 2021 Moscow International Foto Awards (MIFA).

‘The Yarrick Family of Kunhanhaa’ (Mornington Island) won ‘Silver’ in the People category (the images first International recognition) … whilst ‘Tears For George Floyd (8 Minutes and 46 Seconds)’ also won ‘Silver’ in Editorial (it’s third International recognition). ‘The Kids of Ali Curung’ … made in the remote township of the Northern Territory last year … was awarded the ‘Bronze’ award in the People category (it’s second International recognition).

The images will be shown at Russian and international art communities in galleries and art centres. (TBA) and can also be found in an expansive online ‘E- Book’ at … https://www.moscowfotoawards.com/2021_MIFA_eBook.pdf

The Moscow awards has been a rewarding regular over the years since 2014.

Happy Days …

Images © Brian Cassey

Moscow International Foto Awards (MIFA) - Silver Award - 'The Yarrick Family of Kunhanhaa' by Brian Cassey

Moscow International Foto Awards (MIFA) - Silver Award - '8 Minutes & 46 Seconds - Tears For George Floyd' by Brian Cassey

Moscow International Foto Awards (MIFA) - Silver Award - 'The Kids of Ali Curung' by Brian Cassey

‘Carol’ Amongst Big Handful at 16th International Pollux Awards …

… was delighted to receive the news that a handful of my images had been recognised across four categories of the International ‘16th Edition Pollux Awards’.

Great News … and wherever you are ‘up there’, Carol Mayer, you’re obviously still touching people ‘down here’ ! My portrait of Carol … “The Skin I’m In” (top below) was selected as the Winner of the ‘Portrait’ category of this years long running Pollux photography awards. 

Fitting and timely that Carol’s image is still making a difference and empowering burns survivors months after her so untimely demise to cancer late last year. Also recognised in the ‘Portrait’ category was “Aurukun – Generations” (bottom left) which received an ‘Honourable Mention’. 

My work also received TWO ‘Third Place’ awards … “8 Minutes and 46 Seconds” in the ‘Segregation & Human Rights’ category (middle left) … and … “Tomotaro on the Block” in the ‘People’ category (middle right).

Rounding off the five awards was “Kate – Waiting For Her New Breasts” in the ‘Editorial & Current Affairs’ category (bottom right).

All these five images are now eligible to be exhibited physically ‘on the wall’ at the 6th edition of the Biennial of Fine Art & Documentary Photography to be held in September 2021 at the FotoNostrum Gallery in Barcelona, Spain … and appear in the ‘FotoNostrum’ print and digital magazines.

Sadly … there’s no chance of my attending and seeing the work at the grand opening event and artists ‘gala’ dinner in Barcelona in September … for an obvious variety of reasons.

Images © Brian Cassey @brian_cassey

16th Pollux Awards - International Photography Awards - Winners images by Brian Cassey

‘Paper Tigers’ … on ‘Google Arts & Culture’ …

Delighted to learn that ‘Paper Tigers’ … the compilation of the work of sixty Australian photojournalists curated by myself and Head On Photo Festival director Moshe Rosenvzeig OAM … now has another great published ‘airing’ on the distinguished ‘Google Arts & Culture’ platform (including, of course, my contribution ‘Abdullatif – Beaten Asylum Seeker’ – below – from one of the GA&C pages).

It was a (lengthy) and rewarding pleasure to work with Moshe to collate this project … and wonderful to see it now showing on a new platform amongst significant works from the Worlds leading museums and archives including (but far, far from ‘not only’) MoMa in New York, the Uffizi Gallery in Florence and the Tate Britain in London.

‘Paper Tigers – an Anthology of Australian Contemporary Photojournalism’ has already been exhibited to acclaim ‘on the walls’ at the ‘Twenty Twenty Six Gallery’ in Sydney (during last years Head On Photo Festival) and is also available in book form on the Head On website at … https://www.headon.com.au/product/paper-tigers-book … (if it hasn’t already sold out again).

The ‘Paper Tigers’ works can now be found on the ‘Google Arts & Culture’ platform at … https://artsandculture.google.com/search/exhibit…

Thanks to all the contributing PJ’s (some of which I nagged mercilessly) and the amazin’ Head On Photo Festival team.

#headonphotofestival #photojournalismaustralia

‘Abdullatif’ Image … ‘Nikon Walkley Portrait Prize’ Winner 2016 © Brian Cassey

'Paper Tigers' on the Google Arts and Culture site - curated by Brian Cassey and Moshe Rosenvzeig - image by Brian Cassey

‘International Color Awards’ … X Four …

Great to see four of my images recognised in the 14th Edition of the ‘International Color Awards’ announced recently.

Three times ‘Honorable Mentions’ in … (from top) … ‘Photojournalism’ for “8 Minutes and 46 Seconds” … ‘Children of the World’ for “The Kids Of Ali Curung” …  and ‘Portrait’ for “Kate – Waiting For Her New Breasts”. The image “Bonn Marie – Asking The Question” (bottom) had to settle for Finalist Nominee in ‘Fine Art’.

It was the first accolades for the first two pics … “8 Minutes and 46 Seconds” – during a ‘Black Lives Matter’ protest in Cairns, US citizen Hermela Bealfan sheds tears as she lies prostrate on the ground for the 8 minutes and 46 seconds that it took police officer Derek Chauvin to kill George Floyd by kneeling on his neck in Minneapolis … and “The Kids of Ali Curung” – a kids welcome to the remote Northern Territory indigenous township of Ali Curung.

The portraits of ‘Kate’ and ‘Bonn’ are better known as they have been mentioned several times in earlier awards … see the ‘Award’ page listings here … https://www.briancasseyphotographer.com/awards/

Gotta be happy with that …

Images © Brian Cassey

14th International Color Awards - Honorable Mention - Photojournalism - "8 Minutes and 46 Seconds" by Brian Cassey

14th International Color Awards - Honorable Mention - Children of the World - "The Kids of Ali Curung" by Brian Cassey

14th International Color Awards - Honorable Mention - Portrait - "Kate - Waiting For Her New Breasts" by Brian Cassey

14th International Color Awards - Finalist Nominee - Fine Art - "Bonn Marie - Asking the Question" by Brian Cassey

The Good News … but … The Saddest News Of All …

I confess … it’s hard to write this one … (but please read on … )

Two women … one young and vibrant … the other a little older but with an immense strength … two very different stories. 

The link … apart from a little similarity of pose etc … is that both have just been announced as Winners of Bronze Awards in the Budapest International Foto Awards (BIFA – Hungary). images ©Brian Cassey

The saddest and must unfair news is that Carol (“The Skin I’m In” – first pic) died last weekend at the end of a far too short life full of tragedy, pain and many triumphs of will  … on the very day these awards were announced. Carol was severely burnt in a house fire as a young mum. Her family was told she would not survive. Following a year of coma, countless skin grafts and care … survive she did. She made the most of it … 

She dedicated the years since the accident to spreading the message to other burns survivors that there is still much to live for and celebrate. Carol’s rationale in allowing me to make personal images of her showing the extent of the burns to her body was part of that ideal. The work … and the positive reaction to the work … gave Carol added confidence to engage in speaking engagements that provided hope to many.

My images of Carol turned up in numerous awards, news articles and TV programs … and there are links to many on my blog pages. Amongst them are … “They Did It … Pics In Space X 3” which tells of Carol’s image (and two others of mine) being sent and projected in ‘Space’ and the resulting feature on the TV program “The Project” .  More on the subject here at “Pics in Space’ … Out of This World with ‘Portrait of Humanity” .  (The projection of Carol’s pic in ‘space’ and transmitted across the Universe … now seems very fitting.) There are many more and Carol’s images have been a regular occurrence on my ‘Awards Page’.

I spent more time talking to Carol than actually photographing her … she was my friend … myself and the community will sorely miss but never forget her.

… and then we have Bonn Marie … young, vibrant and all red hair, freckles and an innate curiosity with the World. She’s fun, deep and intelligent … and a joy to work with. Couldn’t help but name the second image “Bonn – Asking the Question”.

Somewhat strange that these two pics were recognised together with Bronze Awards … Carol’s in People Portrait and Bonn’s in Fine Art Portrait.

Images © Brian Cassey

Budapest International Foto Awards (BIFA) 2020 - Bronze Award - People Portraits - "The Skin I'm In" by Brian Cassey

Budapest International Foto Awards (BIFA) 2020 - Bronze Award - Fine Art Portraits - "Bonn - Asking The Question" by Brian Cassey

 

“Paper Tigers” … Being There … and Not Being There …

Only TWO more days (Saturday and Sunday) to see the “Paper Tigers” exhibition … the work of sixty of Australia’s fine photojournalist contingent … on the walls of the ‘Twenty Twenty Six Gallery’ in Bondi, Sydney.

The Head On Photo Festival “Paper Tigers” featured exhibition was a year in the making … and made it’s debut strictly ‘online’ earlier in May this year. Covid postponed the physical exhibition of works … until now.

Each of the sixty contributors supplied images they seemed most appropriate … and Head On’s founder/director Moshe Rosenzveig OAM and myself curated the selections down to a single image from each. The result is a fascinating multi faceted collection of Australian photojournalism from across the decades.

To quote the Head On web site … “The exhibition celebrates photojournalism at a time when the need for truthful journalism has never been more critical and takes us back to critical moments through recent Australian and world history, and the images by which we remember them”.

These are the sixty so talented contributors that made it happen … Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob Maccoll, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz and Tracey Nearmy. Thank You All …

Thanks to Covid-19, many could not make it to the exhibition opening last Saturday in Bondi. However, ‘Paper Tigers’ contributor photojournalists Dean Sewell, Ben Bohane, Mark ‘Crusty’ Baker, Tracey Nearmy, Glen Lockitch, Michael Amendolia and, of course, Head On’s Moshe Rosenzveig were present to celebrate … lucky them ! The former curator of photography at The State Library of New South Wales, Alan Davies, was also on hand at the opening to cast his experienced eye over the works.

I was really gutted that I couldn’t make the journey to Bondi myself … and to visit Paddington Reservoir Gardens where my other exhibition “Me Too … Where The Boys Are … The Girls Are” was also ‘on the wall’ as part of the photo festival. Them’s the breaks … but more is in the pipeline for this significant and historic exhibition down the track.

Time is now running out … just two days to take in “Paper Tigers” at ‘Twenty Twenty Six Gallery’ in Bondi … go see it.

 

NB … For the many that couldn’t (or can’t) make it to the physical exhibition of works on the wall, the “Paper Tigers” book (see bottom image below) is available to order on the Head On Photo Festival web site at … https://www.headon.com.au/product/paper-tigers-book

Image © Brian Cassey … my work ‘Abdullatif’ with Alan Davies and Glen Lockitch – top © Michael Amendolia … gallery panorama © Michael Amendolia … bottom two (including “Paper Tigers” book) © Moshe and the Head On Photo Festival

'Paper Tigers' - Head On exhibition of Australian photojournalism - co-curated by Moshe Rosenzveig & Brian Cassey

'Paper Tigers' exhibition of Australian photojournalism - co-crated by Brian Cassey & Head On's Moshe Rosenzveig

'Paper Tigers' exhibition of Australian photojournalism - co-crated by Brian Cassey & Head On's Moshe Rosenzveig

'Paper Tigers' exhibition book - published by Head On Photo Festival - by Moshe Rosenzveig & Brian Cassey

 

 

Two Exhibitions in Sydney … (If Only I Could Get There !) …

Moshe Rosenzveig and the crew of the 2020 Head On Photo Festival performed miracles earlier on this year as Covid-19 tightened it’s grip on Australia and the planet. They transformed a massive ‘venue’ based photography festival into the World’s first ‘On Line’ photo festival in a matter of just a few short weeks … and opened on time in the first weeks of May. The ‘On Line’ awards, artist talks, photography workshops and panel talks were aired on screens to thousands watching and listening around the planet and across Australia. An amazing effort …

With gallery spaces ‘out of bounds’ due to Covid the more traditional (and aesthetically more pleasing) ‘photographs on walls’ exhibitions reluctantly had to be put on ‘hold’.

I had two involvements in this years Head On ‘On Line’ photo festival … a personal exhibition “Me Too … Where The Boys Are … The Girls Are” (a photo essay on the performance of male strippers and their female audience) … and the co-curation (with Moshe Rosenzveig) of a project close to the heart … “Paper Tigers” … a collection of the work by sixty of Australia’s finest photojournalists. Both received large views on-line.

Now six months later, as Covid cases thankfully take a massive dive, these two exhibitions and work by many others are showing physically ‘on the walls’ (and fences) in numerous galleries and at venues around Sydney. Brilliant … and astonishing work by Head On !

Very sadly … I can’t ‘B’ well get there ! My Queensland Premier has stood fast to her decision that the borders between the Sunshine State and Sydney will remain firmly shut till (extremely annoyingly) at least the first of December … just days after these exhibitions close. The way of the World in 2020 … but I’m still gutted …

My exhibition “Me Too … Where The Boys Are … The Girls Are” opened yesterday on the wall at the fabulously atmospheric venue of the Paddington Reservoir Gardens … and runs there alongside four other great exhibits until the 29th of November. Photographer colleague, mate and gentleman Michael Amendolia went out of his way to lessen the blow of not ‘being there’ by sending me a raft of images of my exhibition in place (below). Thanks Michael !

The “Paper Tigers” exhibition (and the launch of the “Paper Tigers” book) opens at the new ‘Twenty Twenty Six Gallery’ in Bondi tomorrow … with an official opening this Saturday afternoon. Many of my Sydney based colleagues will be attending (lucky them) … whilst us interstate contributors will have to be patient until further opportunities eventuate down the track.

There will be more on ‘Paper Tigers’ … how it came about, what it contains and why it is important … a little later when I receive some images from colleagues who get to attend the gallery …

In the meantime … Paul Neeson from Sydney radio station East Side FM and I had an ‘on air’ chat about my work and both these exhibitions and the Head On Photo Festival in general. It runs for just over twenty one minutes and can be listened to here below. There is also an online text story on “Me Too … Where The Boys Are … The Girls Are” here.

 

Damn that bloody virus !

Images © Brian Cassey (two pics from “Me Too … “Where The Boys Are … The Girls Are” and my “Paper Tigers” image “Abdullatif” … & … Michael Amendolia (top 2 General Exhibition pics)

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Twenty Twenty Six Gallery - Bondi - "Paper Tigers" - exhibition of work by 60 Australian photojournalists co-curated by Brian Cassey

‘Kate’ … The Good News Continues …

The best news is … Kate … who has been waiting over eight years for breast reconstruction following a double mastectomy …  is now well on the way to having her ‘assets’ back.

Following the publication of my pic (below) on page 1 of the Sunday Mail with a story about insane Queensland hospital waiting lists, Kate Yeoman and dozens of other Queensland women had their long awaited surgeries ‘expedited’ at the direction of State Premier Annastacia Pałaszczuk and Health Minister Dr Steven Miles. Covid-19 caused a little hiccup and further delays … but Kate has now had several of her set of reconstructive breast surgeries.

Recently I had the pleasure of making some more images of a fit and fabulous Kate which will feature with an update to her story in this weekends The Sunday Mail (weekend of 7th-8th November).

(Stop Press -1 ! Below is a grab of the double page Sunday Mail spread featuring Kate’s story and my images published the weekend of the 7th-8th November.)

The other piece of ‘Kate’ news is that my image “Kate – Waiting For Her New Breasts” has been awarded a further accolade to add to a growing list. The pic has just been awarded an ‘Honorable Mention’ in the ‘Editorial – Contemporary Issues’ category of the 2020 ‘International Photography Awards’ (IPA). Thanks IPA ! (Image below)

Previously the work has also been recognised in … the 2020 ‘Moscow International Foto Awards’ (MIFA – Honorable Mention – Portrait)the 2020 ‘Clarion Awards’ (Finalist – Best News Photograph) … and the 2020 ‘Percival Photographic Portrait Prize’ (Finalist).

(Stop Press -2 ! Just learnt the news the the image “Kate – Waiting For Her New Breasts” has managed another ‘gong’. It has been selected as an ‘Honorable Mention’ in the 2020 International “Black & White Spider Awards” in the ‘Portrait’ category.)

Image © Brian Cassey

International Photography Awards (IPA) - Honorable Mention - Editorial Contemporary Issues - 'Kate - Waiting For Her New Breasts' - image by Brian Cassey

Sunday Mail - Kate Yeoman - Breast Reconstruction Story - images by Brian Cassey

… They Did It ! Pics in Space X 3 …

… PICS IN SPACE! … They did it (and included THREE of my portraits !)
Released overnight as promised by the British Journal of Photography (1854 Media) with the help of ‘Sent Into Space‘ … the film of the ‘Portrait of Humanity’ (2019 & 2020 projects) shortlisted images and their screening twenty four and a half miles ABOVE the planet in the stratosphere with the backdrop of space.

VERY pleased to have three portraits screened … ‘Aurukun – Generations’ (selected in the 2019 POH), ‘The Skin I’m In’ and ‘Ramnami’ (both selected in the 2020 POH) … as planet Earth rotates in the blackness of space. All the photographs were also transmitted out across the Universe and beyond as binary files … just in case there is anyone/anything ‘out there’ wondering about life on our little blue planet .

Here is a short video of my three portraits ‘in space’ with a few introductory pars from ‘Portraits of Humanity’ on broadcasting a message of peace and unity from humankind onto, well … infinity.
You can watch the entire 42 minute film of the exhibition of 400 images as the earth turns below … and how they did it … here … https://access.bjpsubs.com/portrait-of-humanity-sent-into-space/

Images X 3 © Brian Cassey, film © Portrait of Humanity & 1854 Media

The Portrait Photographers of Trinity Bay High School …

A pleasure once again to be faced with the task of judging the work of the extraordinary visual arts students at Trinity Bay High School in their annual photographic portrait prize. This is the fifth year I’ve had the privilege of being the arbiter of their collective efforts at portraiture. Would have to say that this years overall collection well exceeds the standards of the previous four years.

Although slightly down on numbers from last year (not surprisingly during a year when their school curriculum has been adversely impacted by Covid-19) approximately fifty portrait prints lined the walls at the Trinity Bay school.

Standout ‘Best in Show’ winner was a somewhat controversial exceptional image entitled ‘Dysthymia’ by grade 12 student Kayla Allan of her sister Keira. I must confess that that I was unfamiliar with the term ‘Dysthymia’ and had to look it up.

A form of clinical depression, dysthymia is from the Greek word meaning “bad state of mind” or “ill humour”. Symptoms include depressed mood, disturbed sleep, low energy, poor concentration, poor appetite, low self-esteem, and hopelessness.

Once seen, the image (top – below) doesn’t let you go … the irresistible eyes follow you around … and it vividly tells ‘a story’ commensurate with it’s title. I won’t forget the work … or the meaning of the word ‘Dysthymia’.

Kayla deservedly received a Nikon DSLR camera for her work courtesy of sponsor Garricks Camera House.

The Seniors Prize (for grades 11 and 12) went to Kelli Baker (grade 11) for an eerie self portrait ‘A Watery Veil’ (below – second from top). The Juniors Prize (grades 7 to 10) I awarded to Sam Williams (grade 10) for his equally atmospheric portrait entitled ‘Isolation’ of his mum Kylie (third row – right). Each were awarded vouchers to spend on photo kit at Garricks.

Also handed out several well deserved ‘Highly Commended’ awards to Juniors … Shaun McIntyre (grade 10) for ‘Thoughts’ of subject Layla Johnson (pensively looking remarkably like a young actress Genna Davis – below – bottom), Imogen Toohey (grade 7) for an ‘Untitled’ work … and Seniors … Madison Robinson (grade 11) for ‘Expectations’ (below – third row left), Chantelle Nolan (grade 12) for ‘Behind’ and Hanna Browning (grade 11) for ‘Secluded Minds’. (NB – My apologies to Hanna, Chantelle and Imogen – unable to present your work here due to ‘space’ issues.)

The visual arts teachers at Trinity Bay also deserve their own award for fostering these photographic talents amongst their student numbers. Again, a distinct pleasure to be involved.

Links to previous years winners and works can be found here … 20192018, 2017, 2016.

Images © the Artists … from top … Kayla Allan, Kelli Baker, Madison Robinson (left), Sam Willams (right), Shaun McIntyre.

Trinity Bay High School Photographic Portrait Prize - Winner Kayla Allan - judged by Brian Cassey

Trinity Bay High School Photographic Portrait Prize - Winner Kelli Baker - judged by Brian Cassey

Trinity Bay High School Photographic Portrait Prize - Winners Madison Robinson & Sam Williams - judged by Brian Cassey

Trinity Bay High School Photographic Portrait Prize - Winner Shaun McIntyre - judged by Brian Cassey