TV, Radio … and More … !

An amazing couple of weeks …

It seems that the ‘Portrait of Humanity’ award and projection in ‘space’ of two of my pics hit ‘the spot’ with a variety of media … and I’ve spent some time on interviews with various TV, radio and other media outlets talking about it rather than making new images 🙂

First off the rank was ABC Far North correspondent  Sharnie Kim who did a great job on her ‘Portrait of Humanity’ story for publication on the ABC web site at https://www.abc.net.au/news/2020-06-12/carol-mayer-photograph-shortlisted-in-portrait-of-humanity/12335282 . Sharnie not only went into the back story of my two selected images … ‘The Skin I’m In’ and ‘Ramnami’ … but also sourced several other ‘short listed’ pics from other photographers.

Didn’t take long for radio to get in on the act … Sarah Speller interviewed myself ‘live’ on ABC Breakfast Far North (at not the best time very early on a Saturday morn) … and then followed that with another recorded segment on her ‘Sarah’s Spot’ on Cairns Radio 4CA a few days later. If you fancy … here (below) are Sarah’s two radio interviews (roughly near six minutes each).

ABC Breakfast Far North – Radio Interview ‘Portrait of Humanity’ – 5.50

 

Sarah’s Spot – 4CA – Radio Interview ‘Portrait of Humanity’ – 5:52

 

The biggest buzz, however, was the piece on the top rating Channel Ten news program ‘The Project’. Really pleased that the program centred on the my amazing subject, burns survivor Carol Mayer, her strength and her story following the fire tragedy when she was a young mum. Lisa Wilkinson opened The Project’ with the news of the selection of my pic of Carol in the 2020  ‘Portrait of Humanity’ … and I later made a little cameo telling of how the pic came about and our relationship. Carol was amazing throughout the interview … and the comments at the end of the segment by show host Lisa Wilkinson were worth watching alone. The show featured a total of nine of my images of Carol … including, of course, the one chosen for ‘Portrait of Humanity’.

The show ran for 6:28 and can be watched here …

Carol Mayer on ‘The Project’

 

Whilst all this was going on I was also asked to be involved and interviewed for the State Library of Queensland’s ‘Behind the Lens’ series as part of their current exhibition ‘TWENTY – Two Decades of Queensland Photography’. Five of the many photographers who have contributed to SLQ’s headline exhibition were each asked to feature in a series of twenty minute interviews over the next few weeks … and mine was first off the rank. Had a nice long chat with SLQ’s Anna Thurgood … the piece of us chatting was also interspersed with my exhibition images made during Cyclones Winifred, Yasi, Larry, Ita and Ului … and the result was broadcast online last Thursday along with a Q&A. However, you can still catch the entire twenty minute interview here below (sadly without the Q&A) …

State Library of Queensland – ‘Behind the Lens’ – ‘TWENTY – Two Decades of Queensland Photography’

All the above audio and video files may also be played … along with many more from the past … on the ‘Play’ page of my web site at https://www.briancasseyphotographer.com/play

Now … back to work making more pictures 🙂

 

Moscow, Moscow, Moscow …

Pleased to have three images selected to each receive an ‘Honorable Mention’ in the just announced 2020 ‘Moscow International Foto Awards’. Especially pleasing is that all three are relatively ‘new’ images … two made in February and the other made in India last October.

It is the first ‘accolade’ for the portrait of Bonn … “Bonn Marie – Asking the Question” … made at a social gathering in the studio shed of fellow Cairns photographer Marc Steiner. It was Bonn’s first real time seriously in front of the camera … she’s a talented little red head and done very good ! (it’s also the first time one of my pics has been mentioned in a ‘Fine Art’ category.)

Kate … my subject in “Kate – Waiting for Her New Breasts” … is one of the very nicest and most resilient women I’ve met. To cut a long story short … Kate had a double mastectomy eight years ago after being diagnosed with a rare form of breast cancer and expected to have reconstructive surgery soon after. Thanks to the inadequacies of the hospital wait list system she is still waiting …

The image ran front page of the Queensland Sunday Mail and prompted the Queensland Health Minister to fast track her surgery … than along came covid-19. She’s still again (patiently) waiting …

This is the second mention for Kate’s image following it’s selection as a Finalist in the Percival Photographic Portrait Prize currently exhibiting at the Perc Tucker Gallery in Townsville.

“Ramnami” is a image I made in Chhattisgarh, India whilst on a day off from covering the story of Indian coal mining giant Adani’s continued destruction of the Hasdeo Arand forest and it’s tribal Gond peoples. Maherttar Ram Tandon is member of the Hindu sect Ramnami Samaj and his entire body is covered with the tattooed text of their god रामराम – Ram Ram – making him one of the only five still surviving ’Naksikh’.

This image has also just been selected on the shortlist of the global and prestigious ‘Portrait of Humanity’ 2020 collection and will be, amongst other things, projected on a screen in the stratosphere and then transmitted as a digital binary file through space on a (possibly) never ending journey. More details about the Image and it’s space journey are here … https://www.briancasseyphotographer.com/blog/stories-blog/2020/06/pics-in-space-out-of-this-world-with-portrait-of-humanity/

The Moscow International Foto Awards have become something of an annual habit and have clocked up a fair few mentions since the first win in 2014. Check through the years here if so inclined

Images © Brian Cassey

 

Moscow International Foto Awards 2020 - winning images by Brian Cassey x 3

‘Pics in Space’ … Out of This World with ‘Portrait of Humanity’ …

I mentioned a few weeks ago in a Facebook post that I had some exciting news that I couldn’t at the time reveal … I can now !

Announced last eve … the ‘Shortlisted’ images in the second edition of ‘Portrait of Humanity’ … a planet wide selection of the best photographic portraiture co-hosted by 1854 media (publisher of the British Journal of Photography) and Magnum. This project aims to create one of the most ‘far-reaching’ … literally in more ways than one … portrait photography exhibitions in history.

The two hundred ‘Shortlisted’ portraits will be exhibited in outer space … and then transmitted as code through the Universe for (possibly) eternity !

Portrait of Humanity organisers elaborate … “In the ultimate celebration of humankind and the home we share, Portrait of Humanity 2020 will be exhibited in Space. In a feat never before achieved with a photographic exhibition, 200 shortlisted images will be used to broadcast a message of peace and unity from humankind to infinity. Our partner, ‘Sent Into Space’, will launch a screen into the stratosphere with a 360° camera, so photographers can see their images displayed against the extraordinary backdrop of Space. The images will then be beamed onwards in binary code, travelling unimpeded through the solar system at the speed of light. These messages could continue on an infinite journey — or until another civilisation receives and decodes them.”

May seem like bit of a ‘stunt’ but it seems like pretty damn cool stunt to me.

The best bit is that they have selected TWO of my images to make the journey into the stratosphere and beyond … “Ramnami” (a portrait of tattooed Maherttar Ram Tandon in Chhattisgarh, India) … .. and … “The Skin I’m In” (a portrait of the wonderful Cairns burns survivor Carol Anne Mayer). The portrait of Carol has attracted lost of ‘interest’ previously, whilst it’s very rewarding to see the portrait of Maherttar receive it’s first recognition.

All the ‘shortlisted’ images have also been collected into a ‘Portrait of Humanity Volume 2’ book. If you are interested in this wonderful volume of the best photographic portraiture from around our planet you can order a copy from the British Journal of Photography book shop herehttps://www.thebjpshop.com/product/portrait-of-humanity-vol-2/ . (Carol … I have one on order for you !).

Great to be part of this exciting ‘out of this World’ initiative by 1854 Media and the British Journal of Photography … as was being selected in the shortlist of the inaugural ‘Portrait of Humanity’ collection back in 2019.

Images © Brian Cassey (@BJPhoto)

 

portrait of Humanity 2020 - Shortlist - Ramnami by Brian Cassey . Chhattisgarh, India

 

Portrait of Humanity - 'The Skin I'm In' - shortlisted - by Brian Cassey

 

 

Three … Percival Photographic Portrait Prize

Really pleased to have three portraits selected, physically printed, framed and hung on the walls of the Perc Tucker Gallery in Townsville … finalists in the biennial ‘2020 Percival Photographic Portrait Prize’ … but … strangely no one is allowed to see them there !

Due to the Covid-19 virus the gallery is still firmly closed. The gallery is hoping that they will be able to open after Queensland’s Stage 2 round of restriction lifting on the 12th June, but that is far from certain. The exhibition runs until 19th July.

In the meantime will have to make do with a ‘virtual tour’ of the work as hung in the cavernous Perc Tucker Gallery. The photographic portraits are mixed on the walls with the generally larger works of the portrait painting prize … so finding specific works is ‘virtually’ problematic. Not a fan of the mixture of painting works and photographic images sharing the walls that’s for sure. Many … if not most … of the photographic works are dwarfed by massive (sometimes gaudy) paintings … but it is nice knowing they are ‘there’.

To save you searching ‘virtually’ … here are my three works that made the cut … ‘Generations – Aurukun’, (bottom) ‘Tomotaro on the Block’ (centre) … and great to see it getting it’s first recognition … ‘Kate … Waiting For Her New Breasts’ (top). (Massive Thanks again Kate !) Both ‘Generations … ‘ and ‘Tomotaro … ‘ have received a lot of recognition previously … just check back through my blog or go to my ‘Awards’ page here.

If you are up for the challenge and would like to attempt see the works that make up the combined Percival exhibitions try here … https://www.townsville.qld.gov.au/facilities-and-recreation/theatres-and-galleries/perc-tucker-regional-gallery/percival-portrait-painting-prize#top … best of luck.

Images © Brian Cassey

'Kate - Waiting For Her New Breasts' - Finalist - Percival Photographic Portrait Prize 2020 - image by Brian Cassey'Tomotaro on the Block' - Finalist - Percival Photographic Portrait Prize 2020 - image by Brian Cassey'Generations - Aurukun' - Finalist - Percival Photographic Portrait Prize 2020 - image by Brian Cassey

The ABC Story on ‘Paper Tigers’ …

A great piece by ABC journalist Teresa Tan on the ‘Paper Tigers’ project curated by Moshe Rosenzveig and ‘yours truly’ … and one of the highlights of the just completed 2020 ‘Head On Photo Festival’.

Teresa interviewed six of the sixty photojournalists who are participating in ‘Paper Tigers’ …  an anthology of contemporary Australian photojournalism. The published piece delved into the personal back story of the images that each of the six had selected for inclusion in the exhibition and a ‘Paper Tigers’ book that is sure to become a sort after volume. The subject matter captured by each of the six was diverse and the stories of how these images came about extremely illuminating. The six photojournalists whose work is analysed in the ABC article are Tracey Nearmy, Nick Moir, Craig Greenhill, Eddie Safarik, Rob Maccoll … and unashamedly … myself :-). Teresa’s story is available here … https://www.abc.net.au/news/2020-05-17/photojournalism-australian-photographers-share-stories/12247936?fbclid=IwAR2wYuO2fPf9ry0Fb57x5MPBsk95MoLhEcoIoKFHmZA79RpQUGIhePfxgv8

The Guardian also did a fine job highlighting ‘Paper Tigers’ at Head On showcasing the work of Martine Perret, Jaime Murcia, Andrew Chapman, Nic Walker, Michael Coyne, Penny Stevens, Tracey Nearmy, Meredith O’Shea, Glenn Lockitch, Eddie Safarik, Ashley Crowther, Janie Barrett, Jessica Hromas, Delly Carr, Dean Lewins and Alex Coppel. It can be found here … https://www.theguardian.com/artanddesign/gallery/2020/may/01/paper-tigers-exhibition-australias-contemporary-photojournalists-in-pictures

You can find more details about the origins of the ‘Paper Tigers’ idea and how it evolved on a previous post on this blog at … https://www.briancasseyphotographer.com/blog/exhibitions/2020/05/paper-tigers-strippers-head-on-photo-festival/ … which also lists all sixty photojournalists participating in the project.

The ‘Paper Tigers’ exhibition can be found on the Head On Photo Festival site at … https://www.headon.com.au/exhibitions/paper-tigers   … the Limited Edition book ‘Paper Tigers’ can be purchased from the Head On site at … https://www.headon.com.au/product/paper-tigers-book

Sadly,  the physical exhibition of the work at Paddington Town Hall has had to be postponed … however, it is now planned to have the sixty works on the walls in Paddo in early November. Stay tuned on that one …

Paper Tigers, Strippers … & Head On Photo Festival

… it started with a germ of an idea and took nigh on a year to come to fruition … but “Paper Tigers – an Anthology of Contemporary Australian Photojournalism” is now very much a reality as an exhibition and a book.

My initial idea of a print swap of work between Australia’s talented photojournalists morphed into something much grander after a long chat with Head On Photo Festival director Moshe Rosenzveig OAM.

Moshe enthusiastically grasped the implications of the project … the like of which he confessed had been close to his heart for some years. Our combined plan grew into a featured exhibition of the work of Australia’s media photographers at Paddington Town Hall during this years Head On Photo Festival, a book of the exhibition and an exhibition ‘event’ for photographers to meet, admire their work and swap prints.

So began the task of ‘mustering’ Australia’s talented photojournalists … an ‘interesting’ exercise to invite, confirm participation and collate the collection of work … one image from each. In the end we had to draw a line at sixty.

The list is exceedingly impressive … in alphabetical order … Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob McColl, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz, Tracey Nearmy.

When it comes to media photographers Australia is, indeed, a ‘Lucky Country’.

Then … along came Covid-19 …

It has long amazed me how the tiny Head On team (currently Moshe, partner Anita Schwartz, Stephen, Anna and Paula) manage to put together the far reaching and monumental photo festival that it has become. It enjoys and includes contributions and entries from the best around the planet … and a World wide reputation. For a moment Coronavirus threatened all that …

However, Moshe was not fazed … and the massive work of converting the entire festival to an ‘online’ event began. That online event has now been underway for two weeks … and has been revolutionary in it’s presentation of exhibitions, artist talks, panel talks, photo related workshops, award announcements and more.

Paper Tigers has played a significant part in this Head On festival. The exhibition is available … all sixty works by sixty photojournalists … online (a simple registration required), the book ‘Paper Tigers’ (see my book image ‘Abdullatif’ top below) is now available for purchase on the website … and Head On hosted a fascinating online panel talk around the work and Australian photojournalism. It is planned to still show the physical exhibition of the complete work on the walls and host the photographers ‘do’ and print swap at Paddington Town Hall early in November (hopefully post Covid).

Below are just two of the sixty wonderful images that make up the ‘Paper Tigers’ collection. Dean Sewell’s ‘Bruce’ from 1999 and Nic Walker’s ‘Rite of Passage’ from 2014. The other 58 are just as impressive.

Amongst the massive amount of brilliant photography on line in this years festival I was also pleased to present my own little ‘featured’ exhibition. “Me Too ! Where the Boys Are … the Girls Are” showcases my work covering the MenX burlesque group during their tour to Cairns whilst being filmed for a Vice TV show. It shows the interaction between the guys who are performing and doing a job (without much in the way of clothing) and the young female audience who willingly participate. The exhibition may be found online on the Head On website (again with a simple registration) … and I did mange to stumble through an online ‘artist talk’ on the subject for those brave enough or with time to waste 🙂 . (NB – link to recorded ‘artist talks’ will be down the track.) Two of my images from the exhibition (which also should be physically on the wall in November) are below.

Lastly … was also pleased to see one of my most successful images … ‘Generations – Aurukun’ (yes … you’ve probably seen it before but it’s (bottom) below anyway 🙂 ) … selected as a semi-finalist in this festivals Portrait Prize. It’s also included in the Portrait Prize video here at the 1:18 mark.

The Head On Photo Festival 2020 has just a few days left to run. If you havn’t visited yet and you have any interest in photography at all I strongly suggest you visit and enjoy. Moshe, Anita, Anna, Stephen and Paula have done a remarkable job.

Images © … Brian Cassey & Head On (top), Dean Sewell, Nic Walker and Brian Cassey (bottom three).

@headonphotofestival

 

Head On - Paper Tigers - Book - photojournalism - 'Abdullatif' by Brian Cassey

Head On - Paper Tigers Book - 'The Block' - image by Dean Sewell - Oculi

Head On - Paper Tigers - Book - image by Nic Walker

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On Portrait Prize - Semi-Finalist - 'Generations - Aurukun' - by Brian Cassey

Happenings in Perth, India … and the UK …

A lot of ‘goings on’ recently with exhibition openings in Perth, a rewarding ‘road trip’ in India, a bit of recognition from ‘Budapest’ … and an image on the walls at the Royal Photographic Society in England.

Travelled to Perth (and Fremantle) last month for two exhibition openings at two events … the ‘Fremantle International Portrait Prize’ (FIPP) one week and the ‘IRIS Portrait Awards’ at the Perth Centre for Photography the next.

Satisfyingly, both included personal works  … ‘Tomotaro on the Block’ and ‘Generations- Aurukun’ in the ‘FIPP’ … and just ‘Generations – Aurukun’ in the ‘IRIS’. Both great opening eves … first time for me in the ‘IRIS’ collection, but third time in the mix for the ‘FIPP’. Nice also to have a good opportunity to spend a little time in the West and catch up with photographer colleagues Richard Wainwright, Roger Garwood, Johannes Reinhart, Peter Ramshaw and Justin Ma… and also sparkling Nikon rep Julie Kimpton.

From Perth it was four flights to Mumbai (including a quick overnight stopover in Little India Singapore) where I met up with friend and former photo editor at the Indian Express, director of Solaris Images … and all round good bloke Srienivas Akella. ‘Srini’ had organised flights for the two of us to Raipur in the state of Chhattisgarh where I had identified one story in particular that I was keen to work on.

Srini has extensive knowledge of his home country and had also searched out a few other possible pic stories to fill any ‘blanks’ in covering my main objective. As it turned out we managed three stories over six days … my main story (which stretched over three days and involved twenty four hours of driving through Chhattisgarh – all will be revealed when the story and pics are placed and published) … pics of two (apparently of five) of the surviving full body tattooed ‘Ramnami’ – a low caste sect that once endured having the name of their god Rama etched over their entire bodies … and a continuation of my earlier ‘Typewriter Wallahs’ pic essay (this time in the city of Raipur) on the men (and woman) of India who persist in working with (and repairing) ancient manual typewriters.

The weeks work culminated back in Mumbai on a big Diwali celebration night of fireworks, colour and food with Srini, his family and his very pleasant community. Thanks Srini !

Also received great news … an email from ‘Portrait Salon’ stating … “Dear Brian, We are delighted to tell you that our judge, Peter Dench, has selected the attached image (‘Tomotaro on the Block’ … yeah that one again) to be included in this year’s Portrait Salon selection. This year, ‘Portrait Salon’ will be exhibited at the Royal Photographic Society in Bristol, from 21 – 28 November. It will then travel up to Harrogate to be part of the Photo North Festival, from 30 November – 2 December. The images will be presented both as a slideshow, and in print.”

Of course … I am stoked …

UK based ‘Portrait Salon’ is a sort of a ‘Salon des Refusés’ and solicits work that doesn’t make the winners cut of the monumental National Portrait Gallery (London) ‘Taylor Wessing Photographic Portrait Prize’ each year. Now in it’s 9th annual edition ‘Portrait Salon’ arguably shows more interesting work than the ‘Taylor Wessing’.

‘Tomotaro’ certainly has been good for me … as well as the ‘Portrait Salon’ and ‘FIPP’ mentioned above, it has also been recognised in the Tokyo International Foto Awards (TIFA), the Moscow International Foto Awards (MIFA), The Australian Photography Awards (APA) and the 12th International Color Awards.

Not far behind, ‘Generations – Aurukun’ has featured in the ‘IRIS’ and ‘FIPP’ mentioned and also the 2019 Portrait of Humanity and The Australian Photography Awards (APA).

Also at the end of October both of these images were announced ‘Winners’ in their respective categories (Editorial Sports and People) in the inaugural 2019 Budapest International Foto Awards (BIFA). Nice news to arrive home in Cairns to …

Images below © Brian Cassey … as follows from top … ‘Ramnami’ Maherttar Ram Tandon at his home in Churella Village, Chhattisgarh, India. Maherttar is covered all over his body with tattoos repeating the name of his God Rama … D. N. Verma amongst old manual typewriters that he is repairing at his Chhattisgarh Typewriter Works company in Raipur … my ‘Generations – Aurukun’ work at the ‘IRIS Awards‘, Perth Centre for Photography … ‘Tomotaro on the Block’ on the wall of the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle (the same pic as selected for the ‘Portrait Salon’ in the UK’) … ‘Generations – Aurukun’ at the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle.

 

'Ramnami' from Chhattisgarh, India - image © by Brian Cassey

D. N. Verma - typewriter technician and owner of Chhattisgarh Typewriter Works in Raipur, Chhattisgarh, India - image © Brian Cassey

Image 'Generations - Aurukun' - finalist IRIS Awards, Perth Centre for Photography - © by Brian Cassey

'Tomotaro on the Block' 0 Fremantle International Portrait Prize (FIPP) - Finalist © Brian Cassey

'Generations - Aurukun' - Fremantle International Portrait Prize (FIPP) - Finalist © Brian Cassey

 

A Portrait ‘Treble’ at the Australian Photography Awards …

At the risk of sounding monotonous and repetitive … my apologies for once again featuring these three of my portrait images … but …

… all three have just been selected as ‘Honourable Mention’ Finalists in the Portrait category of the 2019 ‘Australian Photography Awards’ … pretty gratified with that.

Each of the three images have been really good for me … previously and variously being ‘mentioned in dispatches’ in the ‘Portrait of Humanity 2019’, ‘Moscow International Foto Awards’, ‘Tokyo International Foto Awards’, ‘Head On Portrait Prize’, ’12th International Color Awards’ … and the soon to be officially opened ‘Fremantle International Portrait Prize’ and  ‘IRIS Portrait Prize’ in Western Australia.

Below are the three … “Generations Aurukun” featuring Aurukun elders Silas and Rebecca Wolmby with their twin great grand children … “Tomotaro on the Block’ of Japanese paralympic swimmer Tomotaro Nakamura at the 2018 Pan Pacific Para Games in Cairns … and “Victim of Sorcery – Dorcas” of ‘Sanguma’ (sorcery) victim Dorcas Numbi Nunugi recovering from a near fatal attack at a ‘safe house’ in Goroka, Papua New Guinea.

The ‘Australian Photography Awards’ exhibition opens at Sun Studios Melbourne on October 12th and runs until October 20th. Sadly, will miss the opening as have already committed to the ‘FIPP’ exhibition event in Fremantle on the same day.

Promise that I’ll soon shut up about these three pics … and concentrate on producing some new work 😉 .

Images © Brian Cassey

 

Three Honourable Mentions in Portrait Category of the Australian Photography Awards 2019 by Brian Cassey

Cairns School Climate Strike in South Korea …

Last Friday school children around the planet once again took to the streets in their millions to protest against their respective governments refusal to instigate meaningful plans to combat the effects of climate change … and save the only home we have from possible extinction.

The ‘Global Youth Strike for Climate Action’ was the second World wide youth strike this year … and numbers this time far out-numbered the earlier event in March. I covered both events in Cairns for the Everyday Climate Change Global Instagram feed ( @everydayclimatechange ) which now has around a hundred and forty thousand followers.

At a (well timed) event in the city of Seongnam in South Korea the day before last Friday’s youth marches, an exhibition officially opened on the same subject of climate change … and it features my images made at the March climate action protests by school students in Cairns.

I was invited to participate (the only oversees exhibitor) in the exhibition ‘Every Day for Tomorrow’ … ‘ 내일을 위한 매일 ‘ … by event organiser and artist Yoa Eunkyung K, alongside three other South Korean artists with a variety of works and messages.

Hoseob Yoon ( 윤호섭 ) is an environmental activist and creative designer … the most well known artist working on environmental issues in South Korea.

Jeeyoung Lee ( 이지영 ) is a visual artist dedicated to spreading the word on climate change to the children of South Korea.

Joo Yangseob is a graphic artist who produces posters on the subject of climate change and social injustice.

Exhibition co-ordinator Yoa ( 좋아은경 ) uses wire in creative ways to make statements in her artworks.

So … it was a distinct pleasure to be asked to participate alongside such talent … and help showcase the plight of our planet to South Koreans. According to Yoa the subject of climate change is not a big issue in South Korea so it is gratifying to think the my images of Cairns school children may make a difference. The event was also an opportunity to showcase the work of our talented bunch of @everydayclimatechange photographers.

Below is the poster (top and bottom) for the exhibition which runs until the 27th October at the majestic Pangyo Eco Center in Seongnam … and just two of my images (© Brian Cassey) which grace the gallery wall made at the March schools climate action rally in Cairns.

Oh yes … apparently … my name in Korean is … ‘ 브라이언 캐시 ‘ … it’s on the poster (top) ! (at least I hope that’s what it says !).

Winning Portraits By Trinity Bay HS Students …

Once again … for the fourth year … had the pleasure last week of judging the work of photography students at the Trinity Bay High School Cairns annual portrait photography prize.

This year the exhibition walls at the school were covered in around seventy works … significantly more than previous years … made by students from grades 7 through to 12. For the first time more than one major prize was on offer … an overall ‘Best in Show’ and Junior (grades 7 to 10) and Senior (grades 11 and 12) Winners prizes.

‘Best in Show’ was a ‘no brainer’ … Lou Vang’s brilliant and highly technical portrait “True Self” (top below) demanded your attention with a mesmerising stare which followed you around the room. Lou focused critically on the most important point of the image … the eyes. A portrait that would stand on it’s own anywhere. Lou was awarded a Nikon D3500 courtesy of Garricks Camera House.

The Junior and Senior prizes, however, were a lot harder to decide upon. Following a fair bit of agonising I settled on the Junior winner … Kelli Baker’s creative “Fragmented” (bottom below) just getting the nod over Holly Koch’s dark brooding “Arinar in Shadow” (second from top below). The Senior decision was just as difficult but eventually settled on Marcus Pedro’s “Time to Destroy” (right – third from top) over Kayla Allan’s “Kales” (left – third from top).

Two others received ‘Highly Commended’ awards … Georgia Willis for “Windswept” in the Juniors and Tarik Clarke for “Denied” in the Seniors. Visitors to the exhibition voted “Saturated Vibrance” by Chantelle as the ‘Peoples Choice’ winner.

Another great exhibition by photography students at Trinity Bay … and a testament to the quality of the arts and photography teaching staff of Dan, Jim, Nina, Ian et al. Refreshing to see this dedication to the photographic arts.

Links to previous years winners and works can be found here … 2018, 2017, 2016.

Images © the artists … Lou Vang, Holly Koch, Kayla Allan, Marcus Pedro and Kelli Baker.

Trinity Bay High School Photographic Portrait Prize - Winner - Mugshot by Lou Vang

Trinity Bay High School Photographic Portrait Prize - Arinar in Shadow by Holly Koch

Trinity Bay High School Photographic Portrait Prize - Images by Kayla Allan and Marcus Pedro

Trinity Bay High School Photographic Portrait Prize - Junior Winner - Fragmented by Kelli Baker

Silas & Rebecca … Now at the IRIS Awards …

Last post I related that two of my images have recently been selected as Finalists in the Fremantle International Portrait Prize

Now I have just learnt that one of the two has also been selected as a Finalist in the Perth Centre for Photography “IRIS Award” for portraiture … and that is bloody satisfying as it’s a ‘first’ for me.

Here’s how the IRIS Award describes itself … “The Award is an international prize recognising new and outstanding portraiture in photographic art. The criteria for selection focuses on portraits that are unique, compelling and engaging whilst maintaining excellence in photography. Concept, meaning and depth are equally as important as well executed work. Originality is essential and the award encourages work that is evocative and provocative and in some ways may be relevant to the current global cultural landscape.”

This year the award was judged by the highly esteemed and Internationally distributed GUP Magazine (Guide to Unique Photography) based in the Netherlands.

It seems this pic (below) met their criteria … “Generations – Aurukun” of Silas and Rebecca Wolmby and their great grand children. That in itself is rewarding, as the pic … originally made in 2016 during a News Ltd job in the Cape York indigenous township … thereafter languished forgotten and unloved in my archive until I again chanced upon it a few months ago. Since then it’s been around. The pic was Shortlisted and book published in the Magnum and British Journal of Photography ‘Portrait of Humanity’ project … and selected as a Finalist in the FIPP.

Very sadly, the wonderful gent Silas has since passed on. However, I hope to be travelling to Aurukun again in the near future and will make sure that Rebecca and the Wolmby family receive a big copy of the image.

The exhibition opening and prize announcement of the IRIS Award is on Friday 18th October at the Perth Centre for Photography Gallery, 357 Murray Street, Perth … just one week after the opening and prize announcement of the FIPP in Fremantle. WA friends … you are warned … 🙂

Image © Brian Cassey

IRIS Awards - Perth Centre for Photography - Finalist - "Generations - Aurukun' by Brian Cassey

‘On the Wall’ at Fremantle International …

Nice to learn that two of my images have been ‘short listed’ and selected as ‘Finalists’ in the bi-annual Fremantle International Portrait Prize. The two pics will be amongst the other ‘Finalists’ on the walls of the FIPP exhibition and vying for some tasty worthwhile prizes (courtesy of Nikon Australia and others) due to be announced on the opening eve at the historic Moores Building Contemporary Art Gallery , Fremantle on the 12th of October.

A total of over seventeen hundred entries were received from around the planet … and the selected ‘Finalist’ works hail from as far afield as Croatia, Hungary, the UK, the USA, Indonesia, Vietnam … as well as from across Australia.

My two works selected are … ‘Tomotaro on the Block’ (a portrait of Japanese paralympic swimmer Tomotaro Nakamura which has been mentioned in dispatches a few times previously … here, here, here and here) … and ‘Generations Aurukun’ (a portrait of Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby … which was also previously selected as a ‘Finalist’ in the massive World wide ‘Portrait of Humanity’ printed collection and awards).

I’ve attended the Fremantle International Portrait Prize exhibition opening and awards eve on a couple of occasions in the past in 2015 and 2013 … and it’s always a great well presented and thoroughly enjoyable event. Hoping I can make the trek across the continent for it again his year as well …

After the big bash opening eve the exhibition of the selected works will be open at the Moores Building Contemporary Art Gallery, 46 Henry St, Fremantle, from the 13th to the 27th October. I’m sure it will be very much worth a visit.

Proceeds from this years FIPP go to help the Arthritis and Osteoporosis WA Foundation and to the Kai Eardley Foundation for Youth Mental Health.

Below are my two selected ‘Finalist’ works … ‘Generations Aurukun’ and ‘Tomotaro the Block’ (images © Brian Cassey)

'Generations Aurukun' - Fin almost Fremantle Portrait Prize 2019 - image of Aurukun elders Silas and Rebecca Wolmby with their great grand children - Shalona and Keola Wolmby by Brian Cassey

"Tomotaro on the Block' - Finalist Fremantle International Portrait Prize 2019 - image by Brian Cassey

Moscow, Moscow …

MIFA - Moscow International Foto Awards - Winner Editorial Sport - 'Tomotaro on the Block' - image by Brian Cassey

… Thanks to a congratulatory Facebook post from AP photographer and mate Mark ‘Crusty’ Baker, I learnt that my image “Tomotaro on the Block” has been announced as Second Place (Silver) Winner in the ‘Editorial Sport’ category of the 2019 Moscow International Foto Awards (MIFA) … and will be shown at the Moscow Photocenter, Gogolevsky Boulevard, 8 Moscow (119019, г.Москва, Гоголевский бульвар, д.8) from the opening event on 19th June to the 24th June. (The original notification from ‘MIFA’ ended up in my ‘Junk’ folder … Thanks Crusty!)

Sadly … as much as I’d like to … I can’t make it to Moscow to see it and the other winners on show. (unless someone out there feels inclined to donate a return airfare 😉 !  … NB … I haven’t yet visited Moscow !)

As I bit of compensation, however, it turns out that I also received a ‘Highly Commended’ for another of my images … “Victims of Sorcery – Dorcas” in the ‘Editorial Conflict’ category … a combined result that almost mirrors that of a few months ago in the 2019 Tokyo International Foto Awards (see post ‘Two Up in TIFA’ here). Gratified that both these images have so far picked up several accolades between them.

The image of Tomotaro was made whilst covering the Pan Pacific Para Swim Games in Cairns (for the Canadian swim team) … whilst the image of Dorcas was made whilst working on a story on sorcery and witchcraft in Papua New Guinea for News Ltd’s News 360.

Below … the two awarded images from the “Moscow International Foto Awards” web site (click on each to take you to the full web site page) … Images © Brian Cassey

 

MIFA - Moscow International Foto Awards - Winner Editorial Sport - 'Tomotaro on the Block' - image by Brian Cassey

MIFA - Moscow International Foto Awards - Editorial Sport - 'Tomotaro on the Block' - image by Brian Cassey

Moran & Head On Photo Festival … Sydney Wrap & Chat …

A packed ten days in Sydney town … (with a quick dash back to Cairns in the middle.)

Plenty of reasons to make the trek to Sydney for the 10th Head On Photo Festival … my “Rain Over Black Mountain” work on the walls of the Moran Contemporary Photographic Prize Finalist exhibition and a fantastic prize announcement eve bash …  an ‘artist talk’ to a nice receptive crowd at the Moran Prize Juniper Hall Gallery … hanging and the opening of my “18 Minutes Inside Manus Detention Centre” Head On exhibition at White Rhino Artspace … a glimpse of my Head On Portrait Prize semi-finalist “Tomotaro on the Block” at Paddington Town Hall … AND the opportunity to see brilliant work on many and varied exhibition walls and spend some quality time with many photo colleagues and friends old and new. It all went far too fast …

I could rave on for pages about the all the happenings over the ten days … but will have to abbreviate this just to the (many) highlights … here goes …

The grand opening eve of the 10th Head On Photo Festival and announcement of prize winners … including the camaraderie in the pub afterwards … with photographers David Dare Parker, Tracey Nearmy, Melanie Russell, Tami Xiang, Max Mason-Hubers, John Swainston and many more … pic editors News 360’s Neil Bennett and Fairfax’s Mags King … and photo industry personalities Alison Stieven-Taylor and Sally Brownbill.

A personal tour of the wonderful exhibition “Heat” at the Bondi Pavilion by the very talented photographer and great guy in question Paul Blackmore.

The opening eve of the exhibition of the work of infamous eccentric photographer Helmut Newtown in the gallery of the equally eccentric paparazzo Darryn Lyons … and the artist talks there by David Bowie photographer Masayoshi Sukita (who was celebrating his 81st birthday) and US music photographer Chris Cuffaro … followed by more pub natter with Natalie Grono, David DP, Max MH and more.

In Paddington Reservoir Gardens, the “Photos 1440” exhibition by the SMH with personal ‘commentary’ by pic editor Mags King and staff photographer Kate Geraghty … and also the brilliant images in “Like Last Years Snow” by Oded Wagenstein.

Head On ‘Conversations’ … two of the panel talks stood out … “Recapturing the Audience : Why is Nobody Paying Attention” … and “Truth, Lies and Censorship” (with US professor and artist Jennifer Greenburg outstanding in the later).

The great work of mate David Dare Parker covering the Rohingya story … “Exodus : Rohingya Refugee Crisis Bangladesh” … on the walls of the Delmar Gallery.

The truly memorable eve at the Moran Contemporary Photographic Prize opening and 2019 results at Juniper Hall and the spill over into the Imperial Hotel next door (with a whole bunch of great photographers and mates). Great to see “Rain Over Black Mountain” on the walls amongst other finalist works from a host of so talented colleagues (too long to list but you know who you are !).

My little ‘chat’ (‘artist talk’) to a crowd on a pleasant Sunday afternoon at Juniper Hall for the Moran Contemporary Photographic Prize.

Fantastic to see my work “18 Minutes Inside Manus Detention Centre” on the walls again … this time at the ‘White Rhino Artspace’ as part of the Head On Photo Festival. A huge Thanks to ‘Rhinos’ Catie and Regula for their help hanging and organising a thoroughly enjoyable ‘opening’ event that attracted many visitors … some of which were old friends/colleagues who I hadn’t seen for many years.

Lastly, but nowhere near least, the fabulous hospitality shown by the Head On Photo Festival crew … both widely across the entire festival and at the Paddington Town Hall ‘Hub’. Moshe (OAM), Anita, Stephen, Paula and all of you … I profusely Thank You !

Below … from top … Images © Brian Cassey … “Rain Over Black Mountain” on the wall of the beautiful Moran Contemporary Photographic Prize gallery, Juniper Hall … White Rhino Artspace owners Catie and Regula hang my “18 Minutes Inside Manus Detention Centre” work on the walls of their St Leonard’s gallery … the Head On Photo Festival crew (with director Moshe Rosenzvieg OAM second for left) during the “18 Minutes Inside Manus Detention Centre” exhibition launch at White Rhino Artspace … my Head On Portrait Prize semi-finalist work “Tomotaro on the Block” displayed at the Head On festival ‘Hub’, Paddington Town Hall.

'18 Minutes Inside Manus Detention Centre' - exhibition at White Rhino Artspace, Sydney - work by Brian Cassey

'18 Minutes Inside Manus Detention Centre' - exhibition at White Rhino Artspace, Sydney - work by Brian Cassey

Head On Portrait Prize 2019 - 'Tomotaro on the Block' - semi-finalist image by Brian Cassey

Portrait of Humanity …

… very, very, very pleased to learn that one of my lesser known images has been selected for the ‘Shortlist’ of the massive and prestigious “Portrait of Humanity” World Wide portrait photography project and exhibition … and will be published in the hard cover book collection of the same name.

The grand stated aim of “Portrait of Humanity” … a collaboration between Magnum Photos and 1854 Media (the publishers of the ‘British Journal of Photography’) … is to “create one of the greatest collaborative photography exhibitions in history”. The 200 short listed images from all around the planet were chosen for their “expressions of individuality, community and unity”.

Photographers were initially asked to document “the universal expressions of life … laughter, courage, moments of reflection, journeys to work, first hellos, last goodbyes, and everything in between.” Tens of thousands of submissions came from every corner of the globe.

In news released this week “Portraits of Humanity” said that “Together the winning and shortlisted images create a powerful and diverse Portrait of Humanity. Fifty photographs will tour the world as part as an exhibition and 200 images will be featured soon in a 322 page volume published by Hoxton Mini Press”. (My image graces page 272.)

(Sadly there was only one other Australian based photographer amongst the two hundred selected … indigenous photographer Wayne Quilliam with his image from the Tiwi Islands.)

The selection of my work … of Aurukun indigenous elders Silas and Rebecca Wolmby with their twin great grand children Shalona and Keola and entitled “Generations” … was a very pleasant surprise.

I’ve photographed Silas and Rebecca in Aurukun many times over the decades … they have always been wonderfully polite and obliging and they were a voice of sanity in their ‘unsettled’ remote Cape York community. Sadly Silas died recently and Shalona and Keola will be unlikely to grow up with a memory of their respected great grandfather.

As a ‘short lister’ I receive a copy of the “Portrait of Humanity” book filled with truly wonderful portraiture. If you wish to invest in this great collection you can do so here at the Hoxton Mini Press web site.

Image of Silas and Rebecca (top) ©Brian Cassey … and book publication (below … mine is on the left page 🙂 ) is ©1854 Media & Hoxton Mini Press

"Portraits of Humanity" - International Portrait Photography Project 2019 - Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby - Image by Brian Cassey, Cairns
"Portraits of Humanity" - International Portrait Photography Project 2019 - Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby - Image by Brian Cassey, Cairns

Two Up in TIFA …

Nice start to 2019 … just advised that TWO of my images have been selected as Winners in the Tokyo International Foto Awards (TIFA) 2018 announced today.

The two winners … both Silver Awards … are … ‘Tomotaro On The Block’ in the Editorial Sports category … and … ‘Victim of Sorcery – Dorcas’ in the Editorial Conflict category.

The image of Tomotaro was made whilst covering the Pan Pacific Para Swim Games in Cairns (for the Canadian swim team) … whilst the image of Dorcas was made whilst working on a story on sorcery and witchcraft in Papua New Guinea for News Ltd’s News 360.

Great that the only other Australian Winner in the Editorial category was colleague and mate Jason O’Brien who also scored a Silver in the Sport category for his brilliant (and often awarded) image of the dive by French Tennis player Gael Monfils at the Australian Open. Congrats Jason … and nice to see our images side by side.

The Overall Winners in the Editorial category were … a disturbing image ‘Slaughterhouse’ by Spanish photographer Aitor Garmendia (First) … and another disturbing image because of the subject matter … ‘Donald and Hilary’ by US photographer Aude Guerrucci (Second).

There’s some great images from photographers from all around the Planet amongst this years TIFA Winners … and they are well worth the time to take a look here.

Below are my two Winners … top … ‘Tomotaro on the Block’ … bottom ‘Victim of Sorcery – Dorcas’. Images © Brian Cassey

Winner - Silver Award - TIFA - Tokyo International Foto Awards - Editorial Sport - Japanese swimmer Tomotaro Nakamura - who had both arms amputated below the shoulder at birth - looks towards the setting sun as he prepares on the block for the start of his S5 50 metre freestyle final at the 2018 Para Pan Pacific Championships at the Tobruk Pool in Cairns Australia. Nakamura won Gold. He is one of Japans most accomplished paralympic swimmers. Image by Brian Cassey
Winner - Silver Award - TIFA - Tokyo International Foto Awards - Editorial Conflict - “Victims of Sorcery - Dorcas” - from the series “Victims of Sorcery” Dorcas Nunugi recovers from a ‘Sorcery' attack in the Highlands of Papua New Guinea. Dorcas, accused of sorcery following a family death, was attacked with an axe and her arm almost severed. She received other axe wounds to her thigh and head. She was then tortured with iron bars heated red hot in a fire, leaving massive scars on her torso, breasts and legs. Somehow she escaped alive -many victims don’t - their bodies dumped in the river or a convenient hole. Sorcery attacks have reached epidemic proportions in PNG. Image by Brian Cassey

TEDx …

Although it sounds like the start of joke … an Ethicist, an Astrophysicist, a Geneticist, an expert in Artificial Intelligence, a former elite AFL, a Logie Film Producer … and a photographer walk into a theatre.

The ‘photographer’ was little old I … and with the other much more distinguished mentioned above … we made up the list of speakers at TEDx Alfred in Melbourne last week with the subject of the event “A Better World”.

First time I’ve been invited to talk at a TEDx … in reality a little of a daunting prospect especially considering the talent of the accompanying ‘Professor’ and ‘Doctor’ speakers. Won’t go into too much detail here but included in the speakers list were … Professor Julian Savulescu (a World renowned professor of ethics and cloning), Dr Stefan Hajkowicz (Senior CSIRO scientist), Professor Erwin Loh (Executive Director of Innovation, Monash Health and AI expert), Dr Jennifer Piscionere (MCRI researcher with a PhD in astrophysics), Laura Waters (Logie winning film producer) … and more.

My contribution to the event was a talk and images on the contradiction that is Manus Island PNG … on one hand a tropical paradise home for 60,000 … on the other a ‘hell’ for hundreds of asylum seekers at the hands of the Australian Government. Sixty images were projected during the twenty minutes of “Manus Island … Heaven and Hell”.

A fascinating day at the AMREP lecture theatre, the Alfred Hospital, Melbourne. Many Thanks to The Alfred’s Viveka Nainani for the very welcomed invitation.

Sadly … (ahem) … due to TEDx contractural requirements, recordings of ‘invitation only’ TEDx events may only be used ‘in house’. Sorry bout that … really I am !

Below … a couple of images from the TEDx projection “Manus Island … Heaven and Hell” … © Brian Cassey

TEDX Alfred

TEDx Alfred - "Manus Island ... Heaven & Hell" by Brian Cassey

TEDx Alfred - "Manus Island ... Heaven & Hell" by Brian Cassey

 

Trinity Bay Portraits Excel …

Once again … for the third year … delighted to be asked to judge the annual Trinity Bay High School “Photographic Portrait Prize”.

Once again I was mightily impressed by the work of these talented photography students under the tutelage of the dedicated Trinity Bay visual arts teaching staff. The standard of entries this year exceeded the already high standard of previous years (2017 here and 2016 here)… and that made the judging decision making that much harder.

Eventually, I decided on a Winner, second, third and four highly commended … plus a couple of mentions for the seperate ‘staff’ prize.

Grade 12 student Lit Thao … who has a hearing and communication impairment … won third prize in last years Portrait Prize. There is no doubt that his visual communication skills are extraordinary. This year his image “Angry Man” stared out from amongst the other sixty odd works on the exhibition walls .. and dragged you in. I had little hesitation in awarding his work the winner of the Nikon D3400 DSLR prize sponsored by Garricks Camera House in Cairns.

Not far behind was the Mona Lisa-esque work of grade 11 student Kimberley Burns entitled “Portrait of Ruby”. In both these images the eyes of the subject seem to follow the viewer around the room.

Third place went to a more abstract, creative, but nonetheless intriguing work  … “Portrait of Livio” … by Greta Beluffi. Greta is also a grade 11 student.

Out of the four Highly Commended works I selected … Vika Latu’s “Nostalgia in August”, Madison Robinson’s “Truth Behind the Smile”, Laura Saavedra’s “In the South” and Elise Mcatamney’s “Untiled”… one deserves an extra special mention. Elise (her work is bottom below) is just a grade 7 student. Remarkably three works different from my selection tied for the “Peoples Choice” award.

If you are a Cairns resident and interested in our talented budding photo artists try and get along to the Photographic Prize  exhibition at Trinity Bay High School.

Below … from top … Winner – “Angry Man” by Lit Thao, Second – “Portrait of Ruby” by Kimberley Burns, Third – “Portrait of Livio” by Greta Beluffi, Highly Commended (1 of 4) – “Untitled” by Elise Macatamney (grade 7). Works © the individual artists.

 

2018 Trinity Bay High School "Photographic Portrait Prize" - image by Lit Tao - judged by Brian Cassey

2018 Trinity Bay High School "Photographic Portrait Prize" - image by Kimberly Burns - judged by Brian Cassey

2018 Trinity Bay High School "Photographic Portrait Prize" - image by Greta Beluffi - judged by Brian Cassey

“Countdown” … Sunday at Six …

Great Evening and excellent exhibition … “Sunday at Six” … which obviously opened last ‘Saturday at Six’ … with two of my personal works (sort of) and I didn’t have to a do a thing except enjoy !!

My input to the “Sunday at Six” exhibition that celebrates the iconic pop music TV show ‘Countdown’ from decades ago, was to provide two images to Cairns artist ‘Regular’ Rick Beresford who transformed both into meaningful exhibition works in his own enigmatic style.

I certainly don’t encourage or allow anyone to tamper with my images … but Regular Rick is the one exception. We previously (last year) collaborated on another exhibition … ‘The Cassey Remixes’ … where Rick reconfigured several of my images that were then hung on the walls of the Flying Monkey Gallery.

This time the exhibition was at the Crate59 Gallery in Cairns … and comprised not only our two collaborative works but many other pieces by Rick and fellow artists Kylie Burke, Andrea Huelin, Olivia Azzopardi and Pam Kurabs. Each work on the walls referenced a 1970’s or 1980’s pop recording that was doubtless featured on “Countdown”. Our ‘Rick and Brian’ pieces … entitled “Making Plans for Nigel” … top image below … and “Indestructible (Not So Small Anymore)” … bottom image below …  respectively referred to songs by XTC (Making Plans for Nigel) and Spandau Ballet (Gold). The original photos were portraits I made of Stuart Snyder at his home in the indigenous township of Mona Mona and Mai Thai boxer Bianca Cook during a Cairns competition. They may be found in their earlier rendition on my pages here and here.

The eve included a tasty live music section, some great nostalgic 70’s and 80’s tunes and some interpretive dancing.

In all a whole lot of bloody good fun with great people … and some ‘art’ …

Images © Brian Cassey and Rick Beresford

 

Countdown - Sunday at Six - Crate59 Cairns - artworks by Brian Cassey and Rick Beresford

Countdown - Sunday at Six - Crate59 Cairns - artworks by Brian Cassey and Rick Beresford

 

PNG To Percival Prize …

Pleased that I made it back from an incredible Papua New Guinea gig on Friday morning … just in time to jump on a flight to Townsville for the opening eve ‘bash’ of the 2018 Percival Photographic Portrait Prize.

The ‘Percival’s’ are relatively new … a biennial prize now into it’s third edition. Despite it’s relative youth it has quickly grown into a worthwhile quality event attracting work from some of the best photographic portrait artists from around the country. A ten grand first prize has ensured that. It is run by the Townsville City Council and the exhibition of finalists work graces the clean crisp confines of the Pinnacles Gallery in Thuringowa.

Great to have two works on the walls of the finalist’s exhibition … as also did friends and photographer colleagues Jon Lewis, Peter Solness and Felicity Cole … whilst Rod McNicol and Glen O’Malley scored one apiece. Although there are one or two questionable works in the large expertly lit exhibition the overall standard of the majority is impressive, rivalling many other more notable prizes across the land. The City of Townsville Council also produces what has to be one of the best and most professional printed exhibition catalogues I have seen.

I havn’t previously mentioned my works that have been selected …  but can reveal that they are … “The Skin I’m In – II” of Carol Mayer (the same image that has graced the National Portrait Gallery and several other exhibition walls) … and “Mowisha from Jumbun” made in the indigenous township near Tully. Nothing new here I’m afraid …

The winner of the, not insubstantial, cash was Sydney’s Kellie Leczinska with her work “Mbathio, Marrickville”. The job of judging fell to Cherie McNair, Director and CEO, Australian Centre for Photography and Judy Annear, former Curator of Photography at the Art Gallery of New South Wales.

Townsville Council should heartily and genuinely be congratulated for hosting this award and exhibition and for their support of the photographic arts. Would be wonderful to see Cairns do something similar …

The exhibition runs at the Pinnacles Gallery, 20 Village Boulevard, Thuringowa Central, Townsville, 10am to 5pm till the 15th July.

Below are images of my works on the gallery walls. (© Brian Cassey)

 

2018 Percival Photographic Portrait Prize - "Mowisha from Jumbun" - by Brian Cassey

2018 Percival Photographic Portrait Prize - "The Skin I'm In - II" - by Brian Cassey

 

 

TIFA Winners Announced …

Seems only a hand full of Australian based photographers get a mention in the ‘Winners list’ of the ‘Tokyo International Foto Awards’ (TIFA) announced quietly today.

The good news is that colleagues and friends of mine … David Dare Parker and Adam Pretty are on that list … and that I also made it with two awards.

David Dare Parker’s great work on the Rohingya fleeing Myanmar into Bangladesh took out Second Prize (Silver) in Editorial General News … whilst Adam Pretty’s excellent and much lauded essay ‘Waterpolo Warriors’ won Gold in Editorial Sport.

My successes are … “The Skin I’m In – II” … Second Prize (Silver) in the Portrait category … and “Beaten Asylum Seeker” … Third Prize (Bronze) in the Editorial Political category. Both images have been in the spot light previously and just some of the earlier relevant links may be found at … https://www.briancasseyphotographer.com/blog/awardsblog/2018/03/carol-does-it-again/https://www.briancasseyphotographer.com/blog/2016/10/october-great-month/https://www.briancasseyphotographer.com/blog/2017/04/4782/… and https://www.briancasseyphotographer.com/blog/2016/12/sensational-walkleys/  .

The remainder of the TIFA Winners were spread right around the planet … with some interesting names popping up.

The Winners works will be hung or projected at the ICA Gallery, ICA3 Bldg E 2F, 3 Chome-4-6 Higashinihonbashi, Chūō, Tokyo from May 12th to 16th … with the opening event on May 13th from 3 to 7pm.

Below … my winning images from the TIFA web site … pics © Brian Cassey

 

Tokyo International Foto Awards (TIFA) - Bronze Prize (Third) - Editorial Political - "Beaten Asylum Seeker" by Brian Cassey

Tokyo International Foto Awards (TIFA) - Silver Prize (Second) - Portrait - "The Skin I'm In - II" by Brian Cassey

‘Carol’ Does it Again …

Will have to get on the ‘blower’ again to voice yet another sincere vote of ‘Thanks’ to my amazin’ portrait subject Carol Mayer.

This morning (Sunday), during a live awards streaming event (which I didn’t bother to watch), it was announced that my “The Skin I’m In- II” image of burns survivor Carol  … took out “3rd Place – Honor of Distinction” in the Portrait category of the huge 2018 “International Color Awards” (11th Annual Edition).

There were a host of great portraits made by some very accomplished photographers selected as ‘Nominees’ in the ‘Portrait’ section  … so it was very rewarding to be amongst the top three ‘Honorees’.  (Although I wish they would learn to spell ‘Honour’ and ‘Honourees’ … and ‘Colour’ … correctly.) Rounding out the top three were portraits by winner Boy Surminski from The Netherlands and second placed Azin Haghighi from Iran.  

“The Skin I’m In – II’ has also been recognised by the 2017 ‘National Photographic Portrait Prize’ and several others.

… ‘uge Thanks’ once again Carol …

Image © Brian Cassey

International Color Awards - Honor of Distinction - Portraits - "The Skin I'm In - II" by Brian Cassey

‘Spread’ in Australian Photography with ‘AFP400TX’ …

Excellent article in the current ‘Australian Photography’ magazine … and a luverly use of one of my images across a double page spread on the title pages … on Renato Repetto‘s wonderful ongoing ‘AFP400TX’ project.

The read entitled ‘Film Noir’, written by photography journalist Sam Edmonds, tells the story of Renato’s idea of passing a vintage 70’s Nikon F2 around to a host of Australia’s top photographers to each shoot one 36 frame roll of Tri-X black and white film. The resulting images will form the basis of eventual exhibitions and a book.

Singing the praises (rightly) of Renato’s idea, the article also delves into the reactions and the resulting project work of several legendary … and … uuummm … older ‘AFP400TX’ practioners … in Tim Page, Michael Coyne and Robert McFarlane. I also get a par or two and a couple of accompanying images in the article. (Sometimes it’s nice to be ‘the youngest’.)

Although the exhibitions and book may still be some little time in the future … the Nikon F2 is still traversing Australia in the hands of celebrated and not so celebrated photographer’s … it’s great to see Renato’s excellent project already gaining the respect it deserves. (My earlier comments on ‘AFP400TX’ can be found at  … https://www.briancasseyphotographer.com/blog/publications/2017/08/final-frame-nikon-f2-afp400tx/ … and … https://www.briancasseyphotographer.com/blog/2017/07/nikon-f2-roll-tri-x-36-pics/

My double page spread image (below) … shot on just the last frame 36 on my roll of Tri-X  …  is of musician Geoff Tozer who has been diagnosed with several forms of terminal cancer. My second image accompanying the article was a portrait of Aurukun ‘Camp Dog’ artist Lex Namponan.

Image © Brian Cassey & publication by Australian Photography

Australian Photography - Film Noir - AFP400TX project - Geoff Tozer image by Brian Cassey

Inside Manus … at the ‘Fox Gallery’, Melbourne …

Great weekend ‘down south’ in Melbourne … and pretty intense too. Arrived at Tom Goldner’s ‘The Fox Darkroom & Gallery’ from Cairns with less than an hour to spare before the scheduled opening of my “Inside Manus Detention Centre” collection. Tom, his meticulous assistant Leni Fohringer and ‘The Fox’ crew had performed a wonderful job hanging the work and readying the gallery and the (essential) refreshment for the exhibition launch eve.

Tom had been relentless in his desire to show my work from inside the Lombrum asylum seeker detention centre, made just two days after the Australian government closed it down early last November with over six hundred men still inside. Journalist Rory Callinan and myself were extremely fortunate to gain access inside the abandoned camp … built by the Australian government at astronomic cost just a few years back … to document the plight of the hundreds left in the tropical heat with no power, no food, no water, no medicines … and no services.

The evening was excellent and the crowd large, engaged and enthusiastic. Great to have good photographer friends and colleagues Tracey Nearmy and John Donegan in attendance … and also Nikon’s tireless Professional Markets Manager Julie Kimpton. Oh yeah … we even managed to collect a tidy amount of cash from donations during the evening which will be passed on to the Asylum Seeker Resource Centre.

On Saturday it was back to ‘The Fox’ for a presentation of an expanded ‘projection and chat’ version of my “A Photographer’s Life – Part One” collection … previously hung in Sydney and Cairns … in front of a twenty plus seated audience. Managed to natter about the show accompanied by the projection of over a hundred images for over the two hours of the event … hopefully without boring the pants off the paying patrons too much.

I really do need to sincerely thank a host of people for their support in getting  “Inside Manus Detention Centre” on the wall and a success … Tom Goldner for his enthusiasm, determination and great gallery space, Leni for her boundless energy and organisational skills, Prism Imaging for their fantastic printing of the work, Julie Kimpton and Nikon Australia for their invaluable assistance, Alison Stieven-Taylor from ‘Photojournalism Now’ for her wonderful promotional help, the entire ‘Fox’ team of volunteers and associates … and all those that made it to ‘The Fox Darkroom & Gallery’ on the weekend for the two shows. Hope you all enjoyed it as much as I did.

Also thanks to the  ‘Milk Bar Mag’ and ‘Broadsheet’ publications in Melbourne for their coverage and promotion of the show.

“Inside Manus Detention Centre” is open at ‘The Fox Gallery’, Kensington, Melbourne till March 4th.

Images All © Brian Cassey

'Inside Manus Detention Centre' at the Fox Gallery Melbourne - by Brian Cassey

… the quiet before the opening …

'Inside Manus Detention Centre' at the Fox Gallery Melbourne - by Brian Cassey

… but it soon got a little busy …

'Inside Manus Detention Centre' at the Fox Gallery Melbourne - by Brian Cassey

… unmistakably Nikon’s Julie Kimpton on the right …

'Inside Manus Detention Centre' at the Fox Gallery Melbourne - by Brian Cassey

… Pakistani refugee Ezatullah Kakar on the boat to the Lombrum detention centre with food and medicines …