Tokyo … and “Mother Africa” …

…  nice timing and Merry Xmas …

Early in the hours of Christmas Eve an email dropped in with the nice news that my image “Mother Africa” had been selected again … this time for a “Bronze” award in the ’22 Tokyo International Foto Awards (TIFA) Fine Art category.

So pleased that this work has gained attention. To be accurate the making of this image (in a friends little basic shed studio) engendered a lot of emotion … and tears.  My subject, the delightful currently Australia based  African American Aurora Coulter,  knew the ‘look’ that would make the photograph ‘work’ at depicting the historical … (and still current when you take into consideration the death of black man George Floyd and others at the hands of police officers etc) … treatment of her forebears in the US. Aurora dug into the depths of past memories and experiences for this image … and for that I’m so grateful. Her emotion made it ‘work’.

“Mother Africa” has been selected previously in other awards since it was made in January earlier this (nearly over) year … the International Portrait Photographer of the Year, The Pollux Awards, the International Photography Awards (IPA), Budapest International Foto Awards (BIFA), Moscow International Foto Awards (MIFA), the Percival Portrait Prize … and … another arguably more prestigious prize that I am not at liberty yet to tell anyone about 🙂

Once again Aurora … the very biggest Thanks … !

Image © Brian Cassey

Tokyo International Foto Awards (TIFA) 2022 - WINNER - Bronze Award - Fine Art - image by Brian Cassey

Mentioned in Dispatches from Budapest …

… Nice … 4 X Honourable Mentions in the 2022 Budapest International Foto Awards (BIFA) announced yesterday.

You’ve likely seen the work before on this blog, social media or elsewhere … but always nice to receive a little more kudos. So … here they are …

1. “Veronica – Where Home Brew Kills” – People/Children – Five year old Veronica Barnes on Mornington Island in far northern Australia. Her remote indigenous community is suffering the ravages of a dangerous ‘Home Brew’ alcohol epidemic. Veronica is growing up in a community where community members – including children – are dying from alcohol related issues and severe diabetes.
2. “Scooter- Paralympian” – Editorial/Sport – Swim Paralympian Grant “Scooter” Patterson has diastrophic dysplasia, a joint fusion disability connected to dwarfism. He was catapulted to cult hero status around the planet when he won silver and bronze swim medals at the 2020 Tokyo Paralympics. His nickname comes from his constant form of transport – a three wheel scooter.
3. “Mother Africa” – People/Culture – As a black Colorado born African American, Aurora Coulter is acutely aware of her heritage, the treatment of her coloured predecessors and forebears in the United States – and also the history of Australia’s indigenous population since supposed ‘settlement’.
4. “Covid Vax & Ice Cream” – People/Portrait – After receiving her first Pfizer Covid-19 vaccination in her remote Yarrabah far north Australia home, 67 year old aboriginal Leanne Bulmer sits with her ‘reward’ – a free ice cream from the ice cream van that was arranged to follow the on foot ‘door to door’ doctors and medical teams through the indigenous community.

Taking some of the gloss off the BIFA announcement was the insane decision by both IG and FB to ‘remove’ the tasteful and respectful ‘news’ image of Veronica citing their ‘community standards’ and impose a ‘ban’ … whilst they constantly bombard social media with unsolicited overtly sexually blatant images of females displaying their various ‘bits’. Go figure …

You may check out where all four of these images have previously gained attention on my ‘Awards’ page here.

Also a special mention and a brilliant result for Cairns colleague and friend Emese Gyalog who won a ‘Bronze’ award and also 4 x Honourable Mentions … (and who just happens to be in Budapest right now.)

Big Thanks to my subjects … Veronica, Grant ‘Scooter’ Patterson, Aurora Coulter and Leanne Bulmer.

Images © Brian Cassey

Budapest International Foto Awards (BIFA 2022 - Honourable Mention X 4 - "Veronica - Where Home Brew Kills", "Scooter", "Mother Africa" & "Covid Vax & Ice Cream" - by Brian Cassey

 

Head On Photo Festival … Exhibitions and Talks … Brilliant

There is so much I could say about this years Head On Photo Festival in Sydney. Could almost write a book about it …

Sadly, don’t have enough space to tell all about this years exhibitions, artists talks, panel talks, awards and other photographer events that made this years, soon to conclude, festival so special … but I will try.

This years annual extravaganza was based around the beautiful newly remodelled Bondi Pavilion opposite the World famous beach … and in the stunning surrounds at the Reservoir Gardens in Paddington. The work of 500-plus photographers was displayed in 107 exhibitions across the two major venues and further afield.

Work from my “A Photographer’s Life – Part Two” collection … first exhibited in full last year at The Court House Gallery in Cairns  … was selected as a ‘featured’ exhibition in Reservoir Gardens. Re-titled “(Selections From) A Photographer’s Life – Part Two” the work on the picturesque wall was edited down to twelve works (from the original 38) by Head On’s Moshe Rosenzveig and team (see top two images below).

Out of the nine other exhibitions also displayed in Reservoir Gardens four were my firm festival favourites … the works of two photojournalists, Giles Clarke from the USA (“Yemen: Conflict & Chaos”) and Mouneb Taim from Syria (“War Notes”), Judith Nangala Crispin’s magnificent and startling photographic creations using wild animals “Dangerous Stars” … and the haunting, disturbing, brave yet occasionally amusing work by breast cancer survivor Lisa Murray and her five-year-old son Griffin entitled “Through My Child’s Eyes”. Brilliant visual treats all …

Out of the many, many exhibitions lining the entire length of Bondi Beach I was most drawn to two that displayed a great visual sense of humour during Covid lockdown … Andrew Rovenko’s fabulous “The Rocketgirl Chronicles” and my old once Cairns mate Jake Nowakowski and his brilliant “Superheroes in Lockdown” set.

Please do take some time to click on the links to see these great exhibitions. Sadly the Reservoir Gardens exhibitions closed at the weekend but the Bondi works will be on display until December 4th.

I was also asked to do some ‘nattering’ at the Festival … in particular an artist talk regarding my “A Photographer’s Life – Part Two” work … and a panel talk on the challenges of photojournalism, and how photojournalists gain trust from and access to their subject entitled “Insiders & Outsiders”. The above mentioned photojournalists Giles Clarke and Mouneb Taim were my co-panelists in a talk moderated by photography journalist Alison Steven-Taylor.

Arguably the most satisfying festival event for me personally was the (re)opening of “Paper Tigers” … an exhibition of the work of sixty of Australia’s best photojournalists curated my myself and Moshe Rosenzveig. The culmination of nearly a year of cajoling and collecting the work of the best of Aussie based media PJ’s, the original exhibition of the sixty collected works was slap bang in the middle of Covid lockdowns and border closures. I and many others of the our contributors … even those in NSW … obviously couldn’t attend. Moshe and the Head On crew made good on their promise of ‘Launch Two’ at the fabulous Delmar Gallery in Ashfield just two weekends ago … and our “Paper Tigers” contributors could at last travel from around the country to celebrate the works on the walls and the accompanying “Paper Tigers” book (see images three and four below).

For those interested … here are the contributors to “Paper Tigers” … a totally talented bunch who withstood my constant nagging … Thanks …

Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob Maccoll, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz and Tracey Nearmy.

Many Thanks to the Head On crew of Moshe, Anita, Stephen, India, Georgia and Talia for putting on a truly awesome festival.

Finally … two further things … happy to report that my image “Scooter” (Paralympian Grant Patterson) was selected as semi-finalist in the Head On Portrait Prize (image below) … and that in a very, very, VERY rare occurrence fellow photographer lovely Iceland based Serena Dzenis managed to con me into being the subject (hate that) of a damn photograph at my Reservoir Gardens exhibition (bottom below). No idea how she managed that …

Images © Brian Cassey (top five) & Serena Dzenis (bottom)

Head On Photo Festival 2022 - "(Selections From) A Photographer's Life - Part Two" - by Brian Cassey - at the Reservoir Gardens Paddington Sydney

Head On Photo Festival 2022 - "(Selections From) A Photographer's Life - Part Two" - by Brian Cassey - at the Reservoir Gardens Paddington Sydney

Head On Photo Festival 2022 - "Paper Tigers" exhibition of Australian photojournalism - Curated by Brian Cassey and Moshe Rosenzveig - at Delmar Gallery Ashfield Sydney

Head On Photo Festival 2022 - "Paper Tigers" exhibition of Australian photojournalism - Curated by Brian Cassey and Moshe Rosenzveig - at Delmar Gallery Ashfield Sydney

"Scooter" - Semi-Finalist in the Head On Portrait Prize 2022 - image by Brian Cassey

Brian Cassey at his Head vOn Photo Festival exhibition "(Selection From) - A Photographer's Life - Part Two" at Reservoir Garden Paddington Sydney - image by Serena Dzenis

“One Hundred Years & Three Weeks” …

I’ve had the pleasure of photographing Kuku Djungan elder Alfred Neal OAM on many occasions over the years.

Last week his one hundredth birthday was marked by a community celebratory event in the indigenous community of Yarrabah in far north Queensland.

Alf was born in the early 1920’s on his beloved country at Ngarrabullgan (Mount Mulligan) 100 kilometres west of Cairns. He was removed to the Yarrabah township near Cairns, baptised at the age of 2 and grew up in dormitories. His earliest memories were of learning white man law alongside the centuries long traditions of aboriginal lore. Alf sees his Aboriginal culture as the driving force and ‘best thing’ in his life.

The former bush lawyer and cane cutter, affectionately known by his family as “Popeye”, has long served as an advocate for indigenous rights. In 2019 Alf was awarded ‘Medal of the Order of Australia’ (OAM) for ‘Service to the Aboriginal community, particularly to the 1967 Referendum Campaign’. Alf was a member of the Aboriginal and Torres Strait Islander Advancement League and successfully waged a decade long fight for the referendum which resulted in Indigenous peoples recognition in Australia’s Constitution.

As late as April this year Alf was holding court with ‘Voice From The Heart’ campaign indigenous luminaries at the launch of the ‘Yarrabah Statement’ in the township … a commitment to see a constitutional enshrinement of a First Nations Voice.

With the help of his son Percy and family I made this image of Alf and his three week old great great grandson Kailan Murgha at their Yarrabah home two days before the community celebration of Alf’s centenary.

Image © Brian Cassey

'One Hundred Years & Three Weeks' ... Alf Neal OAM marks his hundredth year with great great grandson Kailan in Yarrabah ... image by Brian Cassey

“Do Not Resuscitate” … Peter Potter …

I’ve known the skills of Kuranda master ceramicist Peter “Potter” Thompson for some time … but up until a couple of weeks ago had never met him. I did try and arrange a portrait session with Peter a couple of years back but at the time he politely demurred.

Peter has been building his rainforest studio practice for 50 years and is amongst Australia’s most accomplished practitioners of wood-fired pottery, his cutting edge work gracing major galleries far and wide.

His workshop ‘Five Treasures’ is where he creates and fires his Orient inspired creations in expansive high temperature kilns fired by locally collected timber, following Taoist principles. His passion for each and every piece is obvious.

Peter’s outwardly quiet demeanour belies a no nonsense approach to both his work and his life … and he portrays an impeccably wry sense of humour.

The harshness of his work environment has impacted his health … and Peter has survived three heart attacks over the last twenty years. In true Peter style the tattoo above his heart (and pacemaker) means ‘Do Not Resuscitate’. Chemical emissions from the kiln firings have also impacted his lung capacity.

A couple of weeks ago I was introduced to Peter by Ian Whittaker who has authored a book on his life and work. Peter showed me around his studio home, workshop and kilns as he earnestly talked about his magic pottery … and his upcoming hospital stay for yet another major operation.

Peter allowed me to make a series of portraits … and this one (below) I believe most accurately shows his complex character and environment as his life as a potter encircles him.

Thank You Peter … good luck with the latest operation.

Image © Brian Cassey

Cracking Clarion Winning Eve in Brisbane …

Great evening at “The Clarion Awards” 2022 … the night where Queensland wide media gather together in Brisbane to party, generally misbehave … and share a few awards around.

Very pleased to have picked up one of those awards … ‘Best Photographic Essay’ … with my work from the indigenous community of Yarrabah, “Covid Vax  & Ice Cream”. The pic essay consisted of twelve images narrating a door to door covid vaccination campaign by doctors and medical professionals organised to increase extremely low inoculation uptake amongst the populace. I covered the door to door program (with an arranged ice cream van following dispensing free treats) for The Australian who used most of the work either in print or in on-line galleries. One of the pics contained in the essay … of 67 year old Leanne Bulmer with her post Pfizer jab ice cream … has also found much success on it’s own, previously winning several awards around the planet (see here, herehere, here and here … and bottom below.)

The second Clarion photography award category … ‘Best News Photograph’ … was also of a covid nature and taken out by the Courier Mail photographer Lachie Millard. His terrific work showed three year old Memphis being reunited with his mother at Archerfield air field following a two month covid border closure separation.

Magic to catch up with many friends and colleagues from around the State. It’s such an enjoyable annual event and get together. Huge thanks to all at The Clarions and the Media, Entertainment and Arts Alliance for their great organisational skills and presentation at the Brisbane Convention & Exhibition Centre.  Wonderful … 

Below are just four of the twelve images that make up my winning “Covid Vax & Ice Cream” photo essay. To see the complete essay go to my ‘Awards’ page at … www.briancasseyphotographer.com/awards  .

Images © Brian Cassey

2022 The Clarion Awards - Brisbane - WINNER - Best Photographic Essay - "Covid Vax & Ice Cream" by Brian Cassey

2022 The Clarion Awards - Brisbane - WINNER - Best Photographic Essay - "Covid Vax & Ice Cream" by Brian Cassey

2022 The Clarion Awards - Brisbane - WINNER - Best Photographic Essay - "Covid Vax & Ice Cream" by Brian Cassey

2022 The Clarion Awards - Brisbane - WINNER - Best Photographic Essay - "Covid Vax & Ice Cream" by Brian Cassey

“Mother Africa” in International Photography Awards (IPA) …

Must admit … there was a lot of emotion entailed in making this image “Mother Africa”. Without getting too personal my captivating subject Aurora Coulter was heavily invested in the subject, history and experience of making this work. Aurora … normally vibrant and ebullient … dug deep into past personal experiences to channel the emotional plight of her African American forebears over the centuries. There were tears …

So … I’m delighted as much for Aurora as for myself that this work has been recognised several times around the planet … the latest being last weeks notification of an “Honourable Mention” in the ‘Portrait’ section of the 2022 International Photography Awards (IPA).

Over the last few months “Mother Africa” … made in January this year in a friends shed studio (Thanks Marc) … has also catalogued other mentions in … the 2022 Pollux Awards (Portrait – Honourable Mention), the Moscow International Foto Awards (People Culture – Bronze Award), the 2022 International Portrait Photographer of the Year (Published in IPPOTY Top 101 Portraits selection and book), the 2022 Percival Photographic Prize (Townsville – Finalist) and the 15th International Colour Awards (Portrait – Finalist).

Even later news (from just last eve) … “Mother Africa” will be one of the thirty works exhibited in an inaugural portraiture exhibition at the Crate 59 Gallery in Cairns.

“The Burning Cane Portrait Exhibition” (for portraiture in any medium made this year by Queensland artists) will open on the 4th of November and run for three weeks. “Mother Africa” will be there (very) large on the walls from the celebratory opening event … which, sadly, I will miss as I’ll be at the launch of the 2022 Head On Photo Festival in Sydney. More on both of these events at a later date.

Image © Brian Cassey (and massive Thanks again Aurora !)

Excellent Run In “Orion” Magazine …

Classy International quality quarterly print magazine “Orion” celebrates it’s 40th anniversary of continuous publication this year … and I can’t think of a better time for my images to make an appearance inside in a ten page ‘spread’.

Four of the images I made whilst working in Chhattisgarh India just before the pandemic are spread across the pages of the story “The Place of Many Waters” penned by University of Sydney professor of sociology Sujatha Fernandes … two images as double page spreads and two page lead pics. Also a fifth ‘bonus’ image run across the back cover of the magazine accompanied by a beautiful fitting quote (see images below).

My work in Chhattisgarh on Indian mining giant Adani’s open cut coal mining destruction of the beautiful Hasdeo Arand forest … the centuries long home of the tribal Gond peoples … seamlessly slotted around Sujatha’s excellent words documenting the struggles, similarities and threats from the mining conglomerate to indigenous peoples in India and Central Australia.

Will let “Orion” explain it’s style and mission in it’s own words … “Orion magazine invites readers into a community of caring for the planet. Through writing and art that explore the connection between nature and culture, Orion inspires new thinking about how humanity might live on Earth justly, sustainably, and joyously.”

The complete “The Place of Many Waters” story … Sujatha’s words and my images … may also be found online here … https://orionmagazine.org/article/coal-mining-indigenous-land-rights/ … however, it’s much nicer to view and read it in the lovely hard copy paper magazine.

My work on the Gond people of the Hasdeo Arand and their fight against the destruction of their forest home has also been published elsewhere … including (but not only) … the Guardian, CNN and Italy’s ‘Corriere Della Sera‘.

Images © Brian Cassey, magazine © Orion

 

“Australian Life” … Sydney Awards & Exhibition Including “Covid Vax & Ice Cream” …

… this is the way to display photographers work !

Just spent a few days in Sydney town to take in the opening of the 2022 “Australian Life” photographic awards and exhibition in Hyde Park … and it’s a cracker ! 

The work of twenty eight selected award Finalists … very gratifyingly including my “Covid Vax & Ice Cream” portrait of Yarrabah’s Leanne Bulmer …  are showcased along one of Hyde Park’s main pedestrian thoroughfares. Each work is brilliantly displayed at 2.8 metres wide in massive lightboxes … at dusk the pictorial effect was startling. 

The range of work displayed is diverse, sometimes poignant, sometimes amusing, invariably fascinating and a visual feast. 

Sydney Mayor Clover Moore commented on the event …  “These images are thought-provoking, joyful, harrowing. Each one captures a moment in time somewhere in Australia and together they form a record of the challenges and richness of Australian life”.

The twenty eight works in the exhibition were selected from a total of over seventeen hundred images from around the country. Many Thanks to all the photographers who were selected and made this exhibition ‘special’.

Opening eve, of course, it rained constantly … but since then the weather has been kinder and a constant flow of pedestrians have taken in the show.

If you are unable to visit the exhibition in Sydney you may find all the exhibition images on the City of Sydney website at … https://news.cityofsydney.nsw.gov.au/photos/australian-life-photography-competition-finalists-2022… but it isn’t as good as ‘being there’.

You can also listen to a two minute audio file on my “Covid Vax & Ice Cream” image … that is available to access by scanning a barcode under the displayed work in Hyde Park … here … https://cityofsydney.wistia.com/medias/cm60fq1d2y

Great to see this City of Sydney – Art & About event return following a two year pandemic hiatus. The exhibit is open to all in Hyde Park (adjacent to St James Station) until October 9th.

Images © Brian Cassey – “Covid Vax & Ice Cream” – top and second from left bottom image (other individual works © the artists) … Thanks (once again) to my subject Leanne.

2022 "Australian Life" photo awards - Hyde Park, Sydney - Art & About - "Covid Vax & Ice Cream" by Brian Cassey

2022 "Australian Life" photo awards - Hyde Park, Sydney - Art & About - "Covid Vax & Ice Cream" by Brian Cassey

2022 "Australian Life" photo awards - Hyde Park, Sydney - Art & About - "Covid Vax & Ice Cream" by Brian Cassey

Judging School Students Portraiture at TBHS …

The years fly by … it seems almost yesterday that I was asked for the first time to judge the work of Trinity Bay High Schools photography class students. It was actually seven years ago in 2016 … and the students whose work was displayed in that years exhibition will now be well into their twenties.

This year I once again had the distinct pleasure of being asked to judge the schools annual photographic portrait prize … for the seventh year in a row.

Last week that judging took place followed by the announcement of winners and presentations …

There were a whole host of great portraits adorning the walls of the schools gallery that could have made it into the winners circle including (but not only) works by Axil Austin, Marie Johnson, Naomi Rubambo, Patrick Munguyiko and Prince Mashengo.

A very challenging decision this year … but after circling the gallery works on the wall many times …  with several breaks for rumination … i came up with these results (images below, counter clockwise from top) … Winner – ‘Bridezilla’ by Ali Talty , Second Place – ‘Mutesi’ by Angelique Iradukanda, Third Place – ‘Muslim Girl’ by Samita Khadka and Highly Commended – ‘The Deadly Clown’ by Mamta Bista. At bottom below is the work that was voted Peoples Choice by visitors to the exhibition … ‘Island Eyes’ by Peiwa Wamala  … and personally I’m glad they did :-).

Ali’s Winning work ‘Bridezilla’ was unmissable on the wall … a highly detailed image from a great quality file. It’s one of those images that you can’t stop looking around and searching for little details and making your own ‘interpretations’. (Still not one hundred percent about the title tho’ 😉 ). For her excellent wining work Ali was presented with a DSLR camera courtesy of sponsor Garricks Camera House, Cairns by teacher Ian Whittaker.

Angelique’s Second Place ‘Mutesi’ is a nicely put together classy, sophisticated work … nice interesting pose by the subject, displaying her to best effect.

An excellent quality image file and the use of great quality of the light and careful pose and composition used in Samita’s ‘Muslim Girl’ made it an exceptional work and a well deserved Third.

Some may feel that the selection of Mamta’s ‘The Deadly Clown’ may have been a ‘controversial’ decision. My take is that the almost abstract work is totally unmissable and unforgettable … some viewers remarked it was ‘very scary’. Great … if an image evokes emotion I’m all for it. I’ve seen the body of work that Mamta selected this image from … and it’s great creative work that deserved recognition.

The Trinity Bay teachers excelled this year with more entries in the ‘Staff Award’ than previous years … and my selection for best staff entry was a clever black and white work ‘Infinite Gambit’ by Kelly Nottle.

Over the years I’ve been constantly amazed by the work that these grade 12, 11 and younger students produce … and the work that that the teachers of the Visual Arts Faculty … this year Luke Madsen, Caroline Mudge and Clair Lloyd … nurture their students to produce.

Can’t wait for my eighth TBHS Photographic Portrait Prize next year …

You can find the previous winning images from the last six years of the TBHS portrait prize here …20212020, 2019, 2018, 2017, 2016.

Images © the students … (top four – counter clockwise from top) … ‘Bridezilla’ by Ali Talty, ‘Mutesi’ by Angelique Iradukanda, ‘Muslim Girl’ by Samita Khadka and ‘The Deadly Clown’ by Mamta Bista … (bottom) … ‘Island Eyes’ by Peiwa Wamala

Trinity Bay High School Portrait Prize 2022 - winner by Ali Talty - judge Brian Cassey

Trinity Bay High School Portrait Prize 2022 - 3rd and 2nd Place - Muslim Girl Samita Khadka_ Mutesi by Angelique - judge Brian Cassey

Trinity Bay High School Portrait Prize - Honourable - The Deadly Clown by Mamta Bista - judge Brian Cassey

Trinity Bay High School Portrait Prize - People's Choice - Island Eyes - Peiwa Wamala

 

Tim Page … 25 May 1944 to 24 August 2022 …

Tim … a LEGEND in the REAL sense of the word …

Born in Tunbridge Wells in Kent UK (not far from where I was ‘brung up’ some years later), Tim went on to become one of the most adventurous, successful and colourful conflict photojournalists on the planet.

Yesterday was his last day on that planet …

I’ve been fortunate to not only have been aware and in awe of Tim’s work since the late ’60’s but to have met and chatted with Tim on many occasions over the decades. Not enough occasions … but somewhat privileged nevertheless …

One of my fondest memories of the irrepressible Tim was on ‘Table 55’ at the 2016 Walkley Awards in Brisbane. What must have been the best and most enjoyable table of the evening consisted of eventual ‘Gold Walkley’ winner and younger photojournalist legend Andrew Quilty (and his delightful mum Ann), photography journalist Alison Steven-Taylor, fellow photojournalist Michael Amendolia, little ol’ me … and Tim escorting his lovely partner Marianne Harris. The best way to spend any eve … and a great way to celebrate my little win in the Nikon Walkley Portrait Prize.

In the pics below the two ‘Legends’ Tim and Andrew ‘chew the cud’ following Andrew’s big win (second image from top) … and (third from top) Tim watches the announcement of my Nikon Walkley Portrait Award  with Marianne.

It was whilst nattering at table 55 that Tim broached the idea of a ‘print swap’. He fancied a signed copy of my winning portrait of “Abdullatif – Beaten Refugee”.

Bloody ‘ell … I was distinctly honoured and more than happy to oblige !

As sometimes happens all went a little quiet on the issue … until a couple of YEARS later when this turned up in the mail (top below) … a signed print …

“Ambush of 173rd Airborne – Iron Triangle – 1965”

Tim made this image very early on in his stella career whilst covering a Vietcong ambush of the US 173rd in South Vietnam. His work from this action saw his first publication in ‘Life’ magazine. Several of Tim’s images of this ambush aftermath are infamous and all over the net … but I’ve found no evidence of this particular frame elsewhere (please correct me if I’m wrong.)

It will be treasured … 

Here’s how Tim described his work covering the ambush …

“It was Larry Burrows who had to teach me how to load my first Leica M3; I got it as a perk having just had this image (nb – a similar image at the scene but including helicopters) run as a vertical double truck in a 5-page spread in LIFE in the fall of ’65.

At the same time that Hello Dolly opened at Nha Trang airbase, a company of 173rd Airborne had walked into an ambush in Viet Cong base zone, known as the Iron Triangle. The sign had read “American who read this die.”

A class of prime youth shredded in seconds.

The dust-offs started coming within 30 minutes. I got a ride back to Ton San Nhut and was downtown in Room 401 of the Caravelle in another 30. Mostly, I remember carrying a badly wounded grunt whose leg came off and he almost bled out.”

(Notes … ‘dust-off’ was the lingo (and call sign) for casualty evacuation by helicopter … the Caravelle was the hotel in central Saigon where the media invariably stayed (and is still there.)

Tim also personally signed my copy of his book ‘Requiem’ … the brilliant volume he collated containing the work of the photographers and journalists killed during the Vietnamese wars against the Japanese, French and Americans. ‘Requiem’ became a must see traveling photographic exhibition that traversed the planet. Fittingly and luckily I took in the exhibition when it was presented in Vietnam’s War Remnants Museum in Ho Chi Minh City in 2014.

The last image below was made when Tim visited Cairns TEN years ago to talk at the launch of the Degrees South Collection volume “WAR” … along with two other photojournalist members of Degrees South, David Dare Parker and Michael Coyne. Tim, David and Michael each signed my cherished copy … over one or two beers 😉

Tim survived injuries in action four times. The first in Chu Lai September 1965 when he was struck by shrapnel in the legs and stomach; the second during Buddhist riots in Da Nang in 1966 when he sustained more shrapnel wounds to the head, back, and arms … and the third in August 1966 in the South China sea, when he was on board a coast guard cutter mistakenly strafed by the US Air Force which left Tim adrift at sea badly wounded. Lastly, in April 1969 Tim jumped out of a helicopter to help load wounded soldiers just as a sergeant stepped on a nearby mine, sending a 2-inch piece of shrapnel into Tim’s head. Tim’s multiple injuries led his colleagues in the field to joke that he would never make it to the age of 23.

Tim made it to yesterday aged 78 …. 

NB. For All interested … have found the entire series of “Frankie’s House” made in 1992 (all four episodes at around the two hundred minute mark) … a TV series based (pretty loosely) on the early photojournalism career of Tim in Vietnam. Can be found on YouTube at … https://www.youtube.com/playlist?list=PLMqda4uF4-_4Azl9H-Xy5ES0NrHnbB5bd .)  Apparently Tim wasn’t a fan …

Images © Tim Page & Brian Cassey

Ambush of 173rd Airborne Iron Triangle 1965 - Image by Tim Page ... Brian Cassey Blog

Photojpurnalists Tim Page and Andrew Quilty at Table 55, Walkley Awards 2016 - Image by Brian Cassey

Photojpurnalist Tim Page at Table 55, Walkley Awards 2016 - with Nikon Walkley Portrait Prize winning image "Abdullatif - Beaten Asylum Seeker" by Brian Cassey

War Photojournalist Tim Page at Cairns launch of 'WAR - Degrees South' at The Tanks, Cairns - image by Brian Cassey

Pollux and Barcelona …

… very nice news this week … mainly that Leanne and my image “Covid Vax & Ice Cream” (yeah … that one again) has been declared the Winner of the 2022 ‘Pollux International’ award ‘People’ prize. Yay …

Best part of the news is that ‘“Covid Vax & Ice Cream” will now be exhibited ‘on the wall’ of the Fotonostrum Gallery, Barcelona, Spain in October as part of the 7th Biennial of Fine Art and Documentary Photography.

Icing on the cake is that my two other works … “Mother Africa” (Aurora Coulter) and “Scooter” (Paralympian Grant ‘Scooter’ Patterson) … were also each recognised with an ‘Honourable Mention’ in Portrait. (Pleasingly the first recognition for the “Scooter” image. Thanks Scooter !)) Happy with that … 

Images © Brian Cassey

2022 Pollux International Photo Awards - People - "Covid Vax & Ice Cream" - image by Brian Cassey

Leanne … You International Star You … !

Two pieces of ‘news’ that I’ve known about for a little while but had to stay ‘dumb’ about … Leanne and “Covid Vax & Ice Cream” has done it again … twice !

Firstly, my portrait of Leanne with her post Pfizer jab ice cream in Yarrabah (top below), has been selected as a Finalist in the prestigious planet wide ‘Kuala Lumpur International Portrait Prize’ (KLPA). The three selected as major prize winners of the award have now been announced, whilst all the thirty four Finalists will make up a KLPA exhibition at the GMBB gallery in Malaysia’s capital from the 16th September till the 2nd of October. It will be well worth a visit if you happen to be in KL … especially to see on the wall the beautiful winning entry by Australian Carole Mills Noronha entitled ‘Wonder’.

Very gratifying … and more so as KLPA has donated the proceeds from the award to be shared equally by Disaster Emergencies Committee and the United Nations Crisis Response to aid Ukrainian refugees.

It’s the third time I’ve been fortunate to be selected in the ‘Kuala Lumpur International Portrait Prize’.  On the first occasion (pre covid in 2013) I travelled to Kuala Lumpur for the exhibition opening and presentation. My successful work that year was “Roustabout” … and it did look fabulous (and big) on the gallery wall (centre below).

Last year 2021 – despite being selected as a finalist for the second time with “Aurukun Generations” (also below) – a visit to KL was Covid problematic. The exhibition of portraits was delayed and delayed … until the works finally appeared on the exhibition gallery walls at the the GMBB creative community centre in Bukit Bintang, KL in January and February this year.

The works selected as this years Finalists may be found here … https://www.klphotoawards.com

Secondly … received the news that “Covid Vax & Ice Cream” also made the Shortlist selection (from a grand total of 4,482 works) in the annual National Portrait Gallery London ‘Taylor Wessing Photographic Portrait Prize’ … the second year in a row I’ve been shortlisted. Third time luckier ?

Earlier this year “Covid Vax & Ice Cream” was also selected in the World wide ‘Portrait of Humanity’ awards … and a Finalist in the ‘Percival Photographic Portrait Prize’ at the Perc Tucker Gallery in Townsville.

… and … there’s yet another exciting announcement for “Covid Vax & Ice Cream” coming up soon 😉 ! Thanks Leanne … !

Images © Brian Cassey

Kulala Lumpur International Portrait Prize (KLPA) 2022 - Finalist - Covid Vax & Ice Cream - by Brian Cassey

Kulala Lumpur International Portrait Prize (KLPA) 2013 - Finalist - 'Roustabout' - by Brian Cassey

Kuala Lumpur International Portrait Prize (KLPA) 2021 - Finalist - 'Generations - Aurukun' - by Brian Cassey

‘Veronica’ Wins MIFA Gold …

But wait … there’s more !  Hot on the heels of the wonderful 2022 ‘International Portrait Photographer of the Year’ results … see the post on the 25th of June … has come the results from the 2022 ‘Moscow International Foto Awards’ (MIFA). (N.B – not political or warmongering in any way).

The great new news is my images picked up two gongs … a Winning shiny Gold in the ‘Editorial’ category and a Bronze in the ‘People’ category.

Really stoked to see ‘Veronica – Where Home Brew Kills’ … an image I made (top below) in Mornington Island in the Gulf of Carpentaria whilst covering the story of a dangerous home brew alcohol epidemic in the community … take out the Gold placement in Editorial & Environment. It’s the second time it’s caught the eye, winning an ‘Honourable Mention’ earlier this year in the 2022 17th Pollux Awards. (Will prepare a print for Veronica and her family and deliver to them when next I get to Mornington Island.)

Also in the MIFA mix was my portrait of the delightful African American Aurora (bottom of this post) entitled ‘Mother Africa’ which won a Bronze award in People/Culture. The aim of ‘Mother Africa’ was to represent the ill treatment of Aurora’s African forbears in the America’s over the centuries. The work is racking up a list of recognitions with previous selections in 2022 The Percival Portrait Prize, the 2022 International Color Awards and the 2022 International Portrait Photographer of the Year.

Huge Thanks to Veronica and Aurora … can’t do this stuff without wonderful subjects.

Without overdoing it … there’s a couple of more bits of good news coming … but I’m not allowed at this stage to share the details 🙂

Images © Brian Cassey

Moscow International Foto Awards (MIFA) 2022 Winning images Gold Award - Editorial Environment - "Veronica - Where Home Brew Kills", Bronze Award - People Culture - "Mother Africa" by Brian Cassey

Moscow International Foto Awards (MIFA) 2022 Winning images Gold Award - Editorial Environment - "Veronica - Where Home Brew Kills", Bronze Award - People Culture - "Mother Africa" by Brian Cassey

One Place Better … International Portrait Photographer of the Year …

Chuffed … !  The results just in for the 2022 ‘The International Portrait Photographer of the Year’ awards … and two of my images are represented.

‘The Yarrick Family of Kunhanhaa’ (top below) has been selected as the winner of Second Place  (The Family Sitting) “The International Portrait photographer of the Year”  … and, very nicely includes the award of some ‘folding stuff’ and … rare these days … a glass trophy to whack in the ‘office’. It will also be showcased TWICE in the accompanying book ‘The Top 101 International Portrait Photographs of the Year’ … firstly in the ‘winners’ section  and then in the ‘Top 101’ portraits section.

Also selected in the ‘Top 101’ section of the book is my portrait of gorgeous African American Aurora Coulter … ‘Mother Africa – Aurora’ (also below).

‘The Top 101 International Portrait Photographs of the Year’ book will be available in hard cover and as an ebook in the very near future. Stay tuned for the link …

Both portraits have featured in other earlier International and Australian award selections. Check ’em out on my ‘awards’ page here …

Images © Brian Cassey

2022 International Portrait Photographer of the Year - WINNER 2nd Place - "The Yarrick Family of Kunhanhaa" - The Family Sitting - "Mother Africa - Aurora" - by Brian Cassey

2022 International Portrait Photographer of the Year - WINNER 2nd Place - "The Yarrick Family of Kunhanhaa" - The Family Sitting - "Mother Africa - Aurora" - by Brian Cassey

‘Ruby’ … Her Story … Her images …

Thanks to the brilliant explosive but so so sad comprehensive three part story penned by journalist Kristin Shorten, I’ve in the past few days had an exceptional run in The Australian three editions in a row with several different portraits of ‘Ruby’ … a startlingly brave but severely damaged  twenty one year old indigenous mother from the remote Northern Territory community of Yuendumu.

Over three front pages over three days and several more inside, Kristin tells in graphic horrific and ultimately the saddest detail, the story of ‘Ruby’ (not her real name), her multiple rapes at the hands of her father, the violence that is endemic in her NT community … and the aftermath of that violence as she fled to the relative safety of Cairns. For ‘Ruby’ that was indeed ‘relative’ as she found herself in jail and separated from her one year old son.

‘Ruby’ … who not surprisingly has difficulty trusting anyone … was charming to portray and, eventually, to talk to.

An aspiring artist, ‘Ruby’ uses her art to forget her brutal past. Sincerely hope her art thrives and the story of her future with her son is much brighter.

Huge thanks and a pleasure to be a part of Kristin’s fabulous work on this story that had to be told.

Here are my personal favourite portraits of ‘Ruby’ (from top) and grabs of The Aus page 1 and some of the other pages with my pics. Kristin’s comprehensive harrowing stories and more of my images can be found online … with a subscription … at …

https://www.theaustralian.com.au/nation/indigenous/out-of-yuendumu-how-violence-seeps-through-generations/news-story/5d28ff3aa44699c9e89d884019a2a594

https://www.theaustralian.com.au/nation/indigenous/rubys-story-i-didnt-want-dad-jailed-but-i-was-scared-he-would-kill-me/news-story/303ce27b48c7278aabc971833f822ed7

https://www.theaustralian.com.au/nation/indigenous/father-free-to-unleash-four-month-reign-of-terror/news-story/060ca1e3716cf7642d0fef3382b3e39a

https://www.theaustralian.com.au/nation/indigenous/rubys-story-i-want-to-go-back-home-but-i-dont-feel-safe-there/news-story/242e3968f716b96a55b9ac4186ee1a2a

https://www.theaustralian.com.au/nation/rubys-art-thrives-in-her-baby-sons-shine/news-story/6537c9e30ed8251156cf66e38181b600

https://www.theaustralian.com.au/nation/in-the-clamour-for-an-indigenous-voice-true-suffering-is-being-drowned-out/news-story/0b6fd8710fc0410a9a377fa8364f3824

Images © Brian Cassey

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey - The Australian

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey - The Australian

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey - The Australian

 

 

Portrait of Humanity … Covid, Leanne & Ice Cream …

Stoked to once again be selected on the ‘Shortlist’ of the prestigious “Portrait of Humanity”.

The 2022 edition of the “Portrait of Humanity” awards have just been announced … and I’ve been buzzing about this for some time but was sworn to secrecy until Thursdays official ‘announcement’. … so pleased to be ’Shortlisted’ again for the International POH awards with my work “Covid Vax & Ice Cream” .

Now in it’s 4th ‘edition’ and organised by the British Journal of Photography, 1854 and Magnum … “Portrait of Humanity” has fast become one of the most select collections of portrait photography on the planet. 

The image of Leanne with her ice cream was made after she received a Covid Pfizer vaccination in her home from a team of roaming ‘door to door’ doctors and medical staff … followed by a pink ice cream van (complete with musical ‘Green Sleeves’ tones) dispensing free ice cream to the newly vaxed and the communities numerous children.

The portrait will be amongst the other short listed works published in the “Portrait of Humanity 2022” hard cover book printed by Hoxton Mini Press.

I was also stoked to be ’short listed’ in the first and second editions of POH a few years back and three of my winning portraits … “Aurukun – Generations”, “Ramnami” and “The Skin I’m In” where exhibited in the stratosphere above the planet and then digitally transmitted through the unending vastness of space, as a result.

My photo of Leanne and her ice cream was published in The Australian newspaper in October 2021 and further images of the home vaccination program were used on their Instagram account at https://www.instagram.com/p/CU_0dItvoAX/ .

Thanks to my (almost) unwitting subject Leanne at Yarrabah, who I’m sure will be as pleased as I am when she finds out ;-).

… and all absolutely nothin’ to do with the Easter Bunny 😉

Below – “Covid Vax & Ice Cream” © Image by Brian Cassey

Three (New) Images Selected in Percival Portrait Prize …

Chuffed that three of my portraits are getting their FIRST award recognition after being selected yesterday (Friday) as Finalists in the bi-annual Percival Portrait Prize. They will be exhibited on the gracious walls of the historic Perc Tucker Gallery in Townsville.

The award runs in conjunction with the Percival Painting Portrait Prize and attracts entries from around Australia and Internationally.

Nice to see these three more recent images selected … ‘Covid Vax & Ice Cream’ (top – Leanne at Yarrabah after her Covid vaccination),  ‘Mother Africa’ (centre – African American Aurora Coulter) and ‘Graham Elms – Legendary Larrikin’ (bottom) … all made in far north Queensland in the last few months.

‘Covid Vax & Ice Cream’ was made for a The Australian story on the door to door vaccination program in the indigenous community of Yarrabah. ‘Mother Africa’ … of Colorado USA raised African American Aurora Coulter …  was made to depict the historic plight of black Americans, an issue very close to Aurora’s heart. ‘Graham Elms – Legendary Larrikin’ was made for a Sunday Mail series on … well … ‘Larrikins’. Graham is your archetypal far north Queensland bad boy of old.

It’s now three ‘Percival’s’ in a row that I have had work selected to be exhibited … three works in 2018 hereand two in 2016 here

The winners of this years Percival Photographic Portrait Prize will be selected and announced at the exhibition opening at Perc Tucker Gallery in Townsville on the 23rd April and will show till July 3rd.

Images © Brian Cassey

 

6th Time Lucky … Sydney & The Walkley Awards …

Sydney … got there … and so stoked I did !!

On five occasions since the Covid virus reared it’s ugly head two years ago, I’ve booked to travel to Sydney for photography (and social) events … each time to be thwarted by new outbreaks, lockdowns or border closures. Seemed like it would never happen …

Then, in November last year, I received the fabulous news that my “The Yarrick Family of Kunhanhaa” image was selected as the Winner of the Nikon Walkley Portrait Prize. Epic. Not only that … but the Walkley Foundation contacted me and asked if I would present a Walkley Masterclass on photojournalism and portraiture as a prelude to the awards presentation eve, by then delayed and re-scheduled for Tamworth NSW in the first weeks of February. Of course … what’s not to like 🙂

With flights booked to Tamworth nervously waited and monitored the news of the latest Covid Omicron march across Australia. In January the Tamworth Country Music Festival was cancelled and the Walkley’s had no choice but to move their awards away from Tamworth and reschedule in Sydney later in February.

So … last week I actually flew to Sydney … presented my “The Portrait & Photojournalism” Walkley Masterclass at Macleay College to the assembled enthusiastic twenty plus audience throng … AND … had an absolute belter of an evening (and somewhat later) at the Walkley Awards.

Thanks to the Walkley Foundation, the International Convention Centre Darling Harbour and the Nikon Australia crew, it really was a fabulous evening … with an amazing’ collection of Aus based photographers … umm … ‘celebrating’ … and a recognition of my win in the Nikon Portrait Prize.

Hope I don’t miss anyone … but here goes with the Aus based media photographers who were also there and why …

Alex Coppel won the ‘Sport Photography’ category and ‘Press Photographer of the Year’, Andrew Quilty won ‘Long Form Feature Writing’, Dean Sewell won ‘Feature/Photographic Essay’, Brooke Mitchell won ‘News Photography’ … Finalists Jake Nowakowski, Justin McManus, Scott Barbour, Jason Edwards, Chris Hopkins, Michael Dodge joined other prominent photo media figures Mark ‘Crusty’ Baker (AP), Dean Lewins (AAP), Jeremy Piper, Tracey Nearmy, Matt Abbott and James Brickwood. Many of us were graciously hosted on the two Nikon Australia tables (and at the ‘after parties’ – plural) by Nikon Marketing Manager Kylie Dredge and Professional Marketing Manager Julie Kimpton. (Huge Thanks Kylie and Julie ! … and couldn’t ask for a better bunch of colleagues to celebrate with.)

Below is a little vid of the announcement of my Nikon Portrait Prize win (my third win in this category in the last ten years) at the awards last Friday eve. It’s very short as I was too busy nattering to photographer mates, hampered by a large glass of Shiraz in my hand and missed the start of the announcement. Oh well … (the sound is the best bit).

Clip © Brian Cassey (iPhone)

 

 

Documenting Mt Mulligan Mine Disaster 1921 for Aus Geographic …

How do you illustrate, in the middle of a pandemic, a story of a tragedy that happened one hundred years ago in a remote part of Australia ? That was the delightful challenge that I was set by Australian Geographic for their story in the just published March/April ’22 edition on the September 1921 Mt Mulligan mine disaster on Cape York Peninsula that took the lives of seventy five miners. 

Journalist Denise Cullen initially came up with the names of several people who had strong connections to Mt Mulligan both before and after Australia’s second largest mine tragedy in 1921. A couple were in then Covid Delta locked in New South Wales so ‘out of bounds’. 

However, most were fortunately in Queensland and so began a several weeks quest around the Sunshine State to find and photograph these fascinating individuals. I found and made portraits … and listened fascinated … as they sat and told me their stories in Cairns, Mackay and the Atherton Tablelands.

Ken Best worked in the mine up until it’s final closure in 1957 and told of older miners stories of ‘ghosts’ in the mine. Pam Millett’s grandfather had a contract to cart logs to the mine to shore up the ceilings and roof, and he was delivering logs at the time of the deadly explosion. Helen Scott and her family were the last to leave the mine settlement when it was finally closed and  ‘removed’. Desley Brkic’s grandfather was the first to witness the smoke from the mine explosion. 

Arguably, though, the most emotional image for me was found at the end of a journey to Mackay to photograph an object.

Stephen Smyth of the Construction, Forestry, Maritime, Mining and Energy Union (CFMEU) is the ‘keeper’ of an inanimate object that, for me, summed up the story of the disaster perfectly in a simple single frame … a battered ‘Waltham’ pocket watch that was on the person of miner George Doran James when he was killed in the explosion. The watch ‘stopped’ at the moment George, along with his son and seventy three others died at nine twenty five that morning. 

It was a pleasure to be afforded the time to portray and meet these fascinating people over a time frame that is rare these days … (Thanks AG and Editor Chrissie Goldrick) and to be involved in this story that is a part of Australia’s history.

Check out Denise’s story and my images (including two whole page pics) spanning ten pages of Australian Geographic print journal 167 March/April edition … on sale now.

Images – top – Desley Brkic reflects on the disaster at her home in Tinaroo, centre – the ‘Waltham’ watch, worn by a blast victim, that stopped at the moment of the explosion, bottom – ex miner Ken Best of Mackay.   © Brian Cassey, Magazine © Australian Geographic

Walkley ‘Masterclass’ (and Walkley Presentation Eve) This Week … Hi Sydney !

Over the last couple of years since that damn virus reared it’s ugly knobbly profile, I’ve been trying to get back down to Sydney … each journey (five booked in all) very carefully planned to coincide with the ‘latest’ outbreak or lockdown. Missed out on several great events including two Head On Photo Festivals, a couple of exhibitions of my work … and the launch and exhibition of the ‘Paper Tigers’ Australian photojournalism project that I worked on with Moshe Rosenvzeig. It’s been a ‘bugger’ … (but, of course, a very minor inconvenience compared with those many more adversely effected by the pandemic.)

Don’t want to speak too soon … but Thanks to the Walkley Foundation (and Nikon Australia), in just a few days I’ll be winging my way to Sydney town to host a ‘Masterclass’ … ‘The Portrait & Photojournalism’ … and also attend the ‘delayed’ ’66th Walkley Awards for Excellence in Journalism’ presentation night.

The invitation to my little talk about portraiture and photojournalism in Sydney came in the wake of my win in the Nikon Walkley Portrait Prize a couple of months back (see post here) with the image “The Yarrick Family of Kunhanhaa” … my third win in the prize in the last ten years and the reason for attending this years awards eve. The promo describes the event thus … “What makes a great portrait and when is a portrait photojournalism? Award-winning photojournalist Brian Cassey will discuss this question and the power of lighting, composition and how to achieve the best results. Plus the importance of building trust and rapport with your subject”.

So … it kicks off Thursday at high noon at Macleay College, Chippendale and will run for approximately two hours (no one will be allowed to fall asleep 🙂 ).

Next day … the Friday … the Walkley presentation eve event gets underway in Darling Harbour … really looking forward to that !

If  you are are in Sydney and fancy listening to me for a couple of hours you may book and find all the details of ‘The Portrait and Photojournalism’ event here … https://www.eventbrite.com.au/e/masterclass-the-portrait-photojournalism-tickets-216702070727  … and in the image below.

Portrait here by Marc Steiner ©

 

 

The Portrait & Photojournalism - Walkley Masterclass by photographer Brian Cassey - Sydney Australia February 2022

News … January is Good … 17th Pollux & More …

… a nice start to ’22 … good news on a several fronts … (but inexplicably somewhat spoilt by Facebook).

Firstly, announced in the 17th International ‘Pollux Awards’ mid January …  two ‘Honorable (sic) Mentions’. A first recognition for the image “Veronica – Where Home Brew Kills” in the ‘Portrait’ category  … and also a ‘HM’ for “The Yarrick Family of Kunhanhaa” in the ‘People’ category, adding to it’s lengthening ‘list’ (think you’ve seen that one a few times before on previous posts). Both were made on Mornington Island.

(Astonishingly Facebook immediately REMOVED (twice) the Pollux International award image of the five year old indigenous girl Veronica (below) because it “goes against our Community Standards” … I’m enraged ! Would be interested to hear your take on this.)

Also, selected as a Finalist this month in the ‘soon to be announced’ (can’t tell you more) Maldon Photographic Portrait Prize and exhibition ‘I Be Human’ at Edge Galleries, Maldon, Victoria in February … whilst there’s also an exciting ‘first’ for another image in a big International Prize that I’m not allowed to tell you about yet on pain of death ! 😉

January is good … (despite Facebook/Meta)

Image © Brian Cassey

17th Pollux International Photography Awards - 'Honourable Mention' - People - "Veronica - Where Home Brew Kills" by Brian Casse

‘Gold’ X Two in Tokyo …

Early Chrissy present from Tokyo …

It was only a week ago that I shared the news on here of two successes in the Budapest International Foto Awards (BIFA) … a Gold Award for “8 Minutes & 46 Seconds – Tears For George Floyd” in Editorial and a Silver Award for “The Yarrick Family Of Kunhanhaa” in People.

Well … seems Santa has come a day or two early as I just received the news that these two images have gone one better in the Tokyo International Foto Awards (TIFA) with both images winning ‘Gold’ !

So … rather than bashing out a similar post to the one a week ago I’ve copied it below … and updated it a bit 🙂

Here goes … 🙂

More news … this time from Hungary & Tokyo …

… these two images (below) have done it yet again! Announced this week … TWO Gold Awards in the 2021 Tokyo International Foto Awards (TIFA) for both “8 Minutes & 46 Seconds – Tears For George Floyd” (in Editoria) and “The Yarrick Family Of Kunhanhaa” (in People) … and a few days earlier … a Gold award in the 2021 Budapest International Foto Awards (BIFA) ‘Editorial’ for “8 Minutes & 46 Seconds – Tears For George Floyd”… and a Silver in ‘People’ for “The Yarrick Family of Kunhanhaa”.

Chuffed with that …

These two pics have been good to me … and have amassed a tidy number of other recognitions over the past year or so.

Previous successes for these two images may be found at these pages … https://www.briancasseyphotographer.com/blog/2021/11/more-for-the-awards-page/, https://www.briancasseyphotographer.com/blog/2021/10/nikon-walkley-portrait-prize-3-yes/, https://www.briancasseyphotographer.com/blog/2021/10/mornington-essay-wins-at-clarions/, https://www.briancasseyphotographer.com/blog/2021/09/tears-at-the-perth-iris-awards/, https://www.briancasseyphotographer.com/blog/2021/08/mornington-clarion-media-awards-finalist/, https://www.briancasseyphotographer.com/blog/2021/07/silver-and-bronze-in-moscow-international/, https://www.briancasseyphotographer.com/blog/2021/04/international-color-awards/https://www.briancasseyphotographer.com/blog/2021/05/carol-amongst-big-handful-at-16th-international-pollux-awards/,

Images © Brian Cassey

Tokyo International Foto Awards (TIFA) - WINNER - GOLD Awards X 2 - Editorial - "8 Minutes & 46 Seconds - Tears For George Floyd" ... & ... People, Family - "The Yarrick Family of Kunhanhaa" - by Brian Cassey

Tokyo International Foto Awards (TIFA) - WINNER - GOLD Awards X 2 - Editorial - "8 Minutes & 46 Seconds - Tears For George Floyd" ... & ... People, Family - "The Yarrick Family of Kunhanhaa" by Brian Cassey

Pulitzer Prize Winner Barbara Davidson Meets Carol in Barcelona …

Mentioned a few months ago that a handful of my images had been selected in the 16th Edition Pollux Photography Awards … including a nice ‘Portrait Winner’ placement for my work “The Skin I’m In” of Cairns burns survivor Carol Mayer.

Perhaps it’s just another ‘Carol’ coincidence (there have been several) … but last week on the first anniversary of Carol’s so sad passing at the the hands of the ‘Big C’ December 2020, I received these images of my portrait of Carol on display in the winners circle at the opening event of the The 6th Biennial of Fine Art and Documentary Photography at the FotoNostrum Gallery in the Spanish city of Barcelona.

Carol would no doubt have been be as pleased as I am that her portrait was appraised at the Barcelona exhibition opening by three times Pulitzer Prize Winner and Emmy film award winning photojournalist/director Barbara Davidson (seen in all black centre top image, below, with “The Skin I’m In” at the FotoNostrum Gallery).

Celebrated as photo ‘Royalty’, Barbara is best known for her work on victims of gang violence in Los Angeles. She is also a 2019-2020 Guggenheim Fellow recipient and will spend the year traveling the United States making portraits of survivors of gun violence using an 8×10 film camera. 

Somewhat of a coup for the Barcelona Foto Biennalle to have Barbara attend the opening event as a very special guest in these times of Covid … and a real buzz for me (and probably Carol ‘up there’ too). Still trying to learn from the event organisers (who sent me these pics) whether Barbara made any audible comment about the work.

So … great to win the Pollux Portrait Award with the image of Carol … and that led to the real buzz of the work being selected to appear on the wall of the 6th Biennial Foto Barcelona at the FotoNostrum Gallery … which led to it being seen by multi Pulitzer winning photo ‘Royalty’ Barbara Davidson … and also lead to Carol posthumously once again spreading her message to burns survivors of the World that anything is possible …

Carol’s legacy lives on … again …

Carol Mayer Image © Brian Cassey … photos © FotoNostrum Gallery, Barcelona