Russ …

It was a kick in the guts … the news that my mentor and mate … photojournalist legend and World Press Photo winner Russell McPhedran … had died in his sleep at the age of 82.

Sounds silly … but I’d never thought of that happening to ‘Russ’. Not large in stature, but massive in character and accomplishments, Russ had a more than significant influence on my career as a photographer. in the late 80’s and 90’s Russell took this brat of a freelance under his wing … as he did with so many other less than experienced photographers … taught me the ropes and trusted me to work on photo assignments of international importance for Associated Press of America (AP).

Just some of those stories were … the tsunami disaster in Sissano Papua New Guinea, George Speight’s coup in Fiji, the evacuation of survivors of the Bali bomb blasts, the exodus of Timor Leste refugees from the aggression of the Indonesians … and the World Economic Forum riots closer to home in Melbourne. There were many more … including a memorable few days in Port Douglas searching for Clinton’s ‘Monica Lewinsky’.

Russ had asked me to rush to Port when the story ‘broke’. It was soon obvious that Monica wasn’t there and wasn’t arriving either.  I rang Russ to let him know. The call went something like this … “OK Brian … can’t hear you … just putting my golf clubs in the car and I’ll be up there in a few hours”.  He was too … his second love after beating everyone to the best news pic was golf.

Before I learned about ‘the wires’ and agency ‘play’ Russell had already made some of the most memorable images of the twentieth century. Arguably the most notable was the image (described by Australian photojournalist and commentator Mike Bowers as the best known news Image ever made by an Australian) of a member of the Palestinian ‘Black September’ terrorist group during the murderous attack on the Israeli athletes during the 1972 Olympic Games in Munich.

There were many more Russ images that circled the planet just like he did during a career that began at The Sun newspaper in Sydney. Wordsmiths have penned many tributes to Russ over the last few days … and tell his story far better than I. Please find a couple of them here … from the New York Times and the South China Morning Post. There are many more on the net …

Mike Bowers made this memorable statement when Russ was inducted into the Australian Media Hall of Fame last November … “Few photographers take a picture powerful enough to enter the permanent consciousness of a nation, let alone become instantly recognizable around the world. Russ has a clutch of them”. Mike’s full tribute is here.

Russ’s funeral on Monday … ‘A Celebration of Life’ … was as memorable as his work and I was honoured to be there to say goodbye. The throng in attendance was a ‘who’s who’ of Australia’s media … including PJ colleagues Mark ‘Crusty’ Baker, Rick Rycroft, Rick Stevens, David Gray, John French, Paul Matthews, Phil Hillyard, Stephen Holland, Verity Chambers, Peter Morris, Patrick Riviere, Gregg Porteous, Will Burgess, Quentin Jones, Paul Lovelace (apols for those missed) … and former Nikon supremo John Swainston who also kindly picked me up from the airport. Russ’s spouse Shirley and former News Ltd Chairman and CEO John Hartigan brought … a rarity at a funeral … applause from all for their telling of Russ ‘tales’. Post event ‘tales’ went on at the Great Northern pub that eve.

Yes … it’s too late now to say but … Russ … I owe you … lots … Thanks … the pleasure has been all mine.

 

Russell McPhedran - Olympic Games 1975

 

Six weeks and the Commonwealth Games …

The Commonwealth Games is now well and truly over … the stories of triumph and endeavour (and a little controversy) slowly fading into history.

Personally, ‘GC 2018’ meant six weeks of photographic employment … five weeks around the country with the Commonwealth Games ‘Queen’s Baton Relay’ … and a further week covering the fourteen Commonwealth Games basketball events in Cairns for Australian Associated Press (AAP) including the visit of … ahem … ‘basketball fan’ HRH Prince Charley.

All very rewarding … and a satisfactory little ‘earner’..

The rest of this post was penned on my return from the ‘Queen’s Baton Relay’ stint back in January … but has been held over till now to satisfy any contractual requirements.

“Just back from a manic, chockers but fantastically rewarding full month criss-crossing Australia with the Commonwealth Games Queens Baton Relay … Thanks to team mate colleagues Jeremy Sutton-Hibbert and Colin McPherson (they are Scottish but I won’t hold that against them) … and the GOLDOC crew.

Commencing on the 23rd December and running (almost literally) to the tail end of January, I travelled, in order, to Brisbane, the Gold Coast, Melbourne, Hobart, Perth, Canberra, Sydney, Brisbane, Stradroke Island, Gold Coast, Townsville, Palm Island, Gold Coast, Springbrook, Uluru, Melbourne, Warrnambool, the Great Ocean Road … and Adelaide. We took in Australia’s top sporting events … the Boxing Day ‘Ashes’ test match in Melbourne, the finish of the Sydney to Hobart Yacht race (including Taste of Tasmania) in Hobart, the Perth Cup (horses) and Hopman Cup (tennis) in Western Australia, ‘A League’ football Sydney FC V Newcastle at Allianz Stadium, the Sydney ‘Ashes’ test match at the SCG, the Brisbane International tennis (with Rod Laver, Roy Emerson et al), the Magic Millions beach horse run on the Gold Coast, the National Sports Museum at the MCG and the Tour Downunder cycle races in Adelaide … and climbed each of the Sydney Harbour Bridge (with Ian Thorpe), the Q1 building (322 metres) at Surfers Paradise and the roof of the Adelaide Oval. We also took the Queens’s Baton to Uluru, Palm Island, the Twelve Apostle’s and Springbrook National Park.

I met and worked with some wonderful people … athletes, baton bearers, the relay team members and myriads of people who showed great interest in “The Baton” … whilst catching up with many photographer colleagues at distant parts of the country. I also made the odd photograph or two … ”

Below are just three of those … made at Uluru, at Surfers Paradise (Magic Millions) and at the peak of the Sydney Harbour Bridge …

Images © Brian Cassey and GOLDOC

 

Queen's Baton Relay 2018 - Uluru - Brian Cassey GOLDOC

Queen's Baton Relay 2018 - Magic Millions Beach Run Surfers Paradise - Brian Cassey & GOLDOC

Queen's Baton Relay 2018 - Sydney Harbour Bridge - Ian Thorpe - Brian Cassey & GOLDOC

 

Guns & Basketball … PNG & Cairns …

What a difference a week makes …

Chalk ‘n’ Cheese …

One week I’m in Port Moresby, Papua New Guinea, shooting (if you’ll excuse the term) images of camouflaged ‘Special Services’ police heavily armed with automatic weapons … and the next week I’m banging away at fourteen Commonwealth Games basketball games and the heir to the British throne. That’s why I’m thoroughly rapt with the job I’m privileged to do.

The story in PNG … with words by excellent ‘News’ journalist Charles Miranda … was based on gun running into Australia’s closest neighbour in the lead up to the visits of the World’s leaders (including Trump and Putin) to the APEC conference in Port Moresby in November. The story and pics got a great run in many News Ltd mastheads around the country including The Daily Telegraph, the Courier Mail, The West Australian … and more that I haven’t yet seen.

Back in Cairns in time for the XXI Commonwealth Games and the mens and womens Preliminary and Qualifying Finals basketball games with teams from India, Jamaica, Malaysia, Nigeria, New Zealand, Canada, England, Scotland … and Australia. (Sadly … the one game featuring England was disastrous if you hailed from across ‘The Ditch’ … they were duly thrashed by the Cannacks.)

Basketball, played in a perfectly lit but sterile indoor environment, is generally formulaic to shoot … but I did spend a few valuable minutes attempting something a little different during a couple of games … including an image I was a little pleased with (middle pic below) made during the Australian win over Nigeria. A slow shutter speed combined with a bit of vertical panning …

Prince Charles also made an appearance at the basketball and, as the ‘Pool’ photographer, my images of Charley were made available to all of Getty Images, the European Press Photo Agency (EPA) and my ’employer’ Australian Associated Press (AAP). Security, protocol, time restraints and bully tactics by broadcast media meant that good images were a challenge … but I did produce what I thought a nice comprehensive set.

So … a rewarding couple of weeks work … and variety is certainly the ‘spice of life’.

Below … one of my images of PNG ‘Special Services’ officers … and just one of the published ‘News’ feature pages (The Daily Telegraph) … pics from my Commonwealth Games basketball coverage (Australia V Nigeria and Scotland V Nigeria) and the visit of Prince Charles.

Images © Brian Cassey, News Ltd and AAP

Papua New Guinea 'Special Services' police - image by Brian Cassey

Papua New Guinea 'Special Services' police - The Daily Telegraph - by Brian Cassey

Australia's Angus Brandt (left) and Nigeria's Prince Orizu contest during the Men's Preliminary Round Pool A Basketball between Australia and Nigeria at the XXI Commonwealth Games Cairns, Australia. Image by Brian Cassey

Nigeria's Musa Usman goes up to shoot as Scotland's Alasdair Fraser tries to block during the Men's Qualifying Finals basketball game between Scotland and Nigeria at the XXI Commonwealth Games in Cairns - image by Brian Cassey

Britain's Prince Charles (with former Australian and WNBA basketball player Lauren Jackson to his right) during the India V New Zealand women's basketball game at the Commonwealth Games, Cairns - image by Brian Cassey

 

 

TIFA Winners Announced …

Seems only a hand full of Australian based photographers get a mention in the ‘Winners list’ of the ‘Tokyo International Foto Awards’ (TIFA) announced quietly today.

The good news is that colleagues and friends of mine … David Dare Parker and Adam Pretty are on that list … and that I also made it with two awards.

David Dare Parker’s great work on the Rohingya fleeing Myanmar into Bangladesh took out Second Prize (Silver) in Editorial General News … whilst Adam Pretty’s excellent and much lauded essay ‘Waterpolo Warriors’ won Gold in Editorial Sport.

My successes are … “The Skin I’m In – II” … Second Prize (Silver) in the Portrait category … and “Beaten Asylum Seeker” … Third Prize (Bronze) in the Editorial Political category. Both images have been in the spot light previously and just some of the earlier relevant links may be found at … https://www.briancasseyphotographer.com/blog/awardsblog/2018/03/carol-does-it-again/https://www.briancasseyphotographer.com/blog/2016/10/october-great-month/https://www.briancasseyphotographer.com/blog/2017/04/4782/… and https://www.briancasseyphotographer.com/blog/2016/12/sensational-walkleys/  .

The remainder of the TIFA Winners were spread right around the planet … with some interesting names popping up.

The Winners works will be hung or projected at the ICA Gallery, ICA3 Bldg E 2F, 3 Chome-4-6 Higashinihonbashi, Chūō, Tokyo from May 12th to 16th … with the opening event on May 13th from 3 to 7pm.

Below … my winning images from the TIFA web site … pics © Brian Cassey

 

Tokyo International Foto Awards (TIFA) - Bronze Prize (Third) - Editorial Political - "Beaten Asylum Seeker" by Brian Cassey

Tokyo International Foto Awards (TIFA) - Silver Prize (Second) - Portrait - "The Skin I'm In - II" by Brian Cassey

Rural Press Awards … there is a free lunch …

… but I won’t be there for it!

Was invited to a free lunch tomorrow at The Tattersall’s Club in Brisbane for the presentation of this year’s  “Excellence in Rural Journalism Awards” … but sadly can’t take it up.

Seems my image of young indigenous girl “Mowisha from Jumbun” has been selected as the Winner of the ‘Excellence in Rural Photography – People’ award. The pic was made whilst I was working in the Jumbun aboriginal community in the Murray River valley near Tully, North Queensland for an SBS story “The Town at the End of the Road” by Mark White.

Jumbun residents, like little Mowisha, are predominantly from the Girrimay and Dyirbal Aboriginal clans. Her community of about a hundred are battling the controlling Indigenous Land Council to resurrect a farming industry. The 200ha Jumbun property is still listed on the ILC’s books as Jumbun Farm, despite nothing currently being grown there by its residents. That wasn’t always the case. Jumbun was founded in 1975 as a farming community under the Whitlam government, By the 1980s it was growing produce including bananas, pumpkins and zucchinis and exporting to Sydney and Melbourne. However, changes in farming practices, crop blight and cyclones meant the industry dried up.

Residents are desperate to revive the community’s fortunes but have received no support from the ILC to help them restart farming produce and running cattle. The community needs to produce to stave off the prospect of disappearing completely. For little Mowisha Jumbun is her home, history and possible employment … but without farming the future of her community is, indeed, bleak.

This was the first time that I’ve won anything whilst working for SBS … but hopefully not the last. Gratifyingly, this is the third year in a row that I’ve been named the ‘People’ category winner (here … are this year 20182017, 2016). Don’t know if I can keep that one up …!

Below – the Winning “Mowisha from Jumbun’ image – © Brian Cassey

Press Excellence in Rural Journalism Awards- Brisbane - People category - Winner - "Mowisha from Jumbun" by Brian Cassey

‘Spread’ in Australian Photography with ‘AFP400TX’ …

Excellent article in the current ‘Australian Photography’ magazine … and a luverly use of one of my images across a double page spread on the title pages … on Renato Repetto‘s wonderful ongoing ‘AFP400TX’ project.

The read entitled ‘Film Noir’, written by photography journalist Sam Edmonds, tells the story of Renato’s idea of passing a vintage 70’s Nikon F2 around to a host of Australia’s top photographers to each shoot one 36 frame roll of Tri-X black and white film. The resulting images will form the basis of eventual exhibitions and a book.

Singing the praises (rightly) of Renato’s idea, the article also delves into the reactions and the resulting project work of several legendary … and … uuummm … older ‘AFP400TX’ practioners … in Tim Page, Michael Coyne and Robert McFarlane. I also get a par or two and a couple of accompanying images in the article. (Sometimes it’s nice to be ‘the youngest’.)

Although the exhibitions and book may still be some little time in the future … the Nikon F2 is still traversing Australia in the hands of celebrated and not so celebrated photographer’s … it’s great to see Renato’s excellent project already gaining the respect it deserves. (My earlier comments on ‘AFP400TX’ can be found at  … https://www.briancasseyphotographer.com/blog/publications/2017/08/final-frame-nikon-f2-afp400tx/ … and … https://www.briancasseyphotographer.com/blog/2017/07/nikon-f2-roll-tri-x-36-pics/

My double page spread image (below) … shot on just the last frame 36 on my roll of Tri-X  …  is of musician Geoff Tozer who has been diagnosed with several forms of terminal cancer. My second image accompanying the article was a portrait of Aurukun ‘Camp Dog’ artist Lex Namponan.

Image © Brian Cassey & publication by Australian Photography

Australian Photography - Film Noir - AFP400TX project - Geoff Tozer image by Brian Cassey

Inside Manus … at the ‘Fox Gallery’, Melbourne …

Great weekend ‘down south’ in Melbourne … and pretty intense too. Arrived at Tom Goldner’s ‘The Fox Darkroom & Gallery’ from Cairns with less than an hour to spare before the scheduled opening of my “Inside Manus Detention Centre” collection. Tom, his meticulous assistant Leni Fohringer and ‘The Fox’ crew had performed a wonderful job hanging the work and readying the gallery and the (essential) refreshment for the exhibition launch eve.

Tom had been relentless in his desire to show my work from inside the Lombrum asylum seeker detention centre, made just two days after the Australian government closed it down early last November with over six hundred men still inside. Journalist Rory Callinan and myself were extremely fortunate to gain access inside the abandoned camp … built by the Australian government at astronomic cost just a few years back … to document the plight of the hundreds left in the tropical heat with no power, no food, no water, no medicines … and no services.

The evening was excellent and the crowd large, engaged and enthusiastic. Great to have good photographer friends and colleagues Tracey Nearmy and John Donegan in attendance … and also Nikon’s tireless Professional Markets Manager Julie Kimpton. Oh yeah … we even managed to collect a tidy amount of cash from donations during the evening which will be passed on to the Asylum Seeker Resource Centre.

On Saturday it was back to ‘The Fox’ for a presentation of an expanded ‘projection and chat’ version of my “A Photographer’s Life – Part One” collection … previously hung in Sydney and Cairns … in front of a twenty plus seated audience. Managed to natter about the show accompanied by the projection of over a hundred images for over the two hours of the event … hopefully without boring the pants off the paying patrons too much.

I really do need to sincerely thank a host of people for their support in getting  “Inside Manus Detention Centre” on the wall and a success … Tom Goldner for his enthusiasm, determination and great gallery space, Leni for her boundless energy and organisational skills, Prism Imaging for their fantastic printing of the work, Julie Kimpton and Nikon Australia for their invaluable assistance, Alison Stieven-Taylor from ‘Photojournalism Now’ for her wonderful promotional help, the entire ‘Fox’ team of volunteers and associates … and all those that made it to ‘The Fox Darkroom & Gallery’ on the weekend for the two shows. Hope you all enjoyed it as much as I did.

Also thanks to the  ‘Milk Bar Mag’ and ‘Broadsheet’ publications in Melbourne for their coverage and promotion of the show.

“Inside Manus Detention Centre” is open at ‘The Fox Gallery’, Kensington, Melbourne till March 4th.

Images All © Brian Cassey

'Inside Manus Detention Centre' at the Fox Gallery Melbourne - by Brian Cassey

… the quiet before the opening …

'Inside Manus Detention Centre' at the Fox Gallery Melbourne - by Brian Cassey

… but it soon got a little busy …

'Inside Manus Detention Centre' at the Fox Gallery Melbourne - by Brian Cassey

… unmistakably Nikon’s Julie Kimpton on the right …

'Inside Manus Detention Centre' at the Fox Gallery Melbourne - by Brian Cassey

… Pakistani refugee Ezatullah Kakar on the boat to the Lombrum detention centre with food and medicines …

“A Photographer’s Life – Part One” at The Tanks …

It has been an absolute pleasure to bring my “A Photographer’s Life – Part One” exhibition back to Cairns. More than half the featured works were made in the Cairns or north Queensland region (the remainder from various parts of the planet).

The work was originally collated as a ‘featured exhibition’ in the 2017 Head On Photo Festival earlier this year and was hosted by the Moran Foundation at the heritage listed Juniper Hall in Paddington, Sydney. The exhibition was selected by eminent photography journalist Alison Stieven-Taylor as one of the top five exhibitions in the festival  (from a total of 147).

When I approached The Tanks curator Chris Stannard with the idea of showing the work in Cairns he didn’t hesitate … and he and his team has worked a miracle to get it up and launched before the years end. I owe Chris and his team … Ulys, Lou, Ivan and the team … a massive vote of ‘Thanks’. Indeed … the exhibition has been ‘tweaked’ since Sydney and, in all honesty, looks significantly better than it did in the gracious surrounds of historic Juniper Hall.

In particular, the camera hardware referred to in the exhibition is featured more prominently at The Tanks … and there also a few ‘kit’ additions. Thanks to a donation by fellow photographer David Hancock, the exhibit now includes the first ever usable digital photojournalist camera from the 90’s … the then massively expensive Kodak Nikon AP NC2000 … and a long forgotten United Press International ‘wire’ drum photo transmitter from the 70’s to the 80’s. These sit alongside a collection of my very used and battered Nikon kits … and examples of my earliest cameras from the very first plastic VP Twin way back when I was a pre teen.

There are also two large TV screens continuously showing five of my video features including the multi award winning “Eyes – the Soul of a Photograph”.

Exhibition opening eve last Friday was wonderful … and I’d like to thank the many who arrived and made it such a great night. TA !

“A Photographer’s Life – Part One” is showing at The Tanks Arts Centre, Cairns till January 30th 2018 … with a short break for Xmas festivities between 23rd December to January 2nd.

Finally … on the day of the exhibition opening I was interviewed on ABC Radio Far North by affable breakfast presenter Kier Shorey … about the exhibition, work and life … and, if you fancy, the near thirteen minute audio is below.

 

 

Images at The Tanks © Brian Cassey

"A Photographer's Life - Part One" - The Tanks, Cairns by Brian Cassey

"A Photographer's Life - Part One" - The Tanks, Cairns by Brian Cassey

"A Photographer's Life - Part One" - The Tanks, Cairns by Brian Cassey

 

Inside Manus … Abandoned Asylum Seekers …

Last week News Ltd journalist Rory Callinan and myself managed to get inside the now ‘closed’ Australian asylum seeker detention centre at Lombrum, Manus Island in Papua New Guinea.

We were invited to join a small band of refugees who were running urgently needed foods and medicines back to the detention centre where near 600 asylum seekers had been abandoned and left with no food, water, electricity, health or any other services by Australia’s ‘closure’ of the centre. The food run was to be one of the last … police next day stopped the boat trips and arrested local boatmen.

Our visit was short and chaotic … we were mobbed by men desperate for help and desperate to tell their harrowing stories of four years detention or to beg for medicines. Conditions were obviously deteriorating fast … despite their attempts to keep basic order and collect water from a makeshift well dug in the camp. Some were visibly ill and others showed signs of mental torment.

I’m not sure how long we spent in the camp but we were soon ushered back to the boat as we were warned the police were coming. But we were there … unlike the overwhelming majority of Australia’s media.

The images were used in News Corp publications including three on the front of The Australian.

A sobering experience … although in depth comment at the moment eludes me …

Have now compiled a photo essay of the images made. Below are just a few from the full essay which is now published on my web site at … https://www.briancasseyphotographer.com/photographs/inside-abandoned-manus/

Images © Brian Cassey and News Corp.

Inside Abandoned Manus - pic essay by Brian Cassey - inside the now abandoned Australian detention centre in PNG where near 600 asylum seekers are surviving without food, water and all other services

Inside Abandoned Manus - pic essay by Brian Cassey - inside the now abandoned Australian detention centre in PNG where near 600 asylum seekers are surviving without food, water and all other services
Inside Abandoned Manus - pic essay by Brian Cassey - inside the now abandoned Australian detention centre in PNG where near 600 asylum seekers are surviving without food, water and all other services

Inside Abandoned Manus - pic essay by Brian Cassey - inside the now abandoned Australian detention centre in PNG where near 600 asylum seekers are surviving without food, water and all other services

‘Armani Refugees’ … Not … !

It’s not too often that your work prompts days worth of National news coverage … but that has been the case since last weeks job for the Daily Telegraph and News Ltd in Papua New Guinea.

The job description from the DT pic desk was succinct … get to Port Moresby and find the first group of refugees that were flying out of Manus Island en route to the United States. In short … I did find them, spoke to them, shared drinks and (almost) a shisha pipe with them … and photographed them at Port Moresby airport as they departed for resettlement in the US.

The images were published page one and page six of the Daily Telegraph (below) … and almost instantly Australia’s Immigration Minister Peter Dutton denounced the asylum seekers in my photographs (variously from Myanmar, Sudan, Bangladesh, Somalia, etc) for their dress and refugee status, during a radio interview with Sydney’s Roy Hadley. The term “Armani Refugees” was bantered about.

This par is from The Guardian … “Mr Dutton, asked about an image of those preparing to depart Port Moresby, said a lot of people who ended up in the island camps had not come from war-ravaged areas but were instead economic refugees. They’d received “an enormous amount of support” from Australian taxpayers for a long time. “We have been taken for a ride, I believe, by a lot of the advocates and people within Labor and the Greens who want you to believe this is a terrible existence,” Mr Dutton said.”

So … there you have it … being incarcerated behind numerous massive razor wire topped fences for a period of around four years, being subjected to physical and mental torment despite being classified as ‘genuine refugees’ by government agencies whist also NOT being a criminal … is astonishingly described by Dutton as “receiving an enormous amount of support”!

Let’s get this straight … the clothing of those asylum seekers who I saw depart PNG was either … donated by charities or government … or purchased on the very cheap from Manus Island road side stalls or shops. Armani or Gucci didn’t come into it.

Labor’s Chris Bowen fired back at Dutton … “They are refugees, they’ve been found by him (Immigration Minister Peter Dutton) and his government to be genuine refugees under the (UN 1951 Refugee) Convention – and he might choose to point that out rather than being the commentator on the efficacy or otherwise of their clothing.”

I spent several hours with the group of refugees in their well hidden Port Moresby hotel … and can confirm that their over riding concern wasn’t for fashion or clothing … but for the fate of the hundreds of their asylum seeker friends still facing an uncertain future at the hands of the Australian Government on Manus Island.

It did take several days … but on Sunday Foreign Minister Julie Bishop DID come out to contradict colleague Dutton and confirm that “people leaving Australia’s offshore detention centres for resettlement in the US were ‘genuine refugees’ (source – The Guardian). At least Bishop showed some integrity … too much to expect any of that from Dutton.

Images © Brian Cassey & The Daily Telegraph

Armani Refugees - Daily Telegraph - Manus Island refugees fly to the US - image by Brian Cassey

Armani Refugees - Daily Telegraph - Manus Island refugees fly to the US - image by Brian Cassey

The Final Frame … Nikon F2 and AFP400TX …

Well that brought back memories …

Back when shooting film and you have one frame left on your roll of thirty six … and something too good to miss presents itself.

Thanks to Renato Repetto‘s excellent AFP400TX project (#AFP400TX, @AFP400TX – see my earlier post) I recently got to revisit that long forgotten scenario. As explained earlier the project aims to get a manual everything Nikon F2 loaded with just one 36 frame roll of Tri-X film into the hands of selected photographers around Australia … and from the resulting images compile capital city exhibitions and a book.

An admirable project that I’m very pleased to be a part of.

I took my turn with the beautiful F2 a couple of weeks ago. Renato has just received my processed images back from the project sponsors Rewind Photo Lab in NSW … and has allowed me to use one image to show you guys what’s going on. (The rest are a secret until the project culmination.)

Prior to making this particular image I had already shot a variety of scenarios and carefully used 35 of the precious 36 frames on the roll. Then I met Geoff …

… and Geoff had a story to tell.

An accomplished musician, Geoff Tozer has been told he is dying. He has been diagnosed with bowel, bladder, bone and advanced spinal cancer. But … he says … “I’m too busy to die”. Geoff told me he’s a friend of Rolling Stones Bill Wyman and accomplished in Wyman’s musicality. He is set to work on the soundtrack of a new movie on the short life of Stones member Brian Jones … possibly alongside musician legends Eric Clapton, Jimmy Page and Mick Fleetwood.

So … with just that one frame left on my project roll of film I was feeling a bit of pressure when I lined up the image and pressed the shutter to make Geoff’s portrait.

It was with some relief that I received the scanned image (below) from Renato last eve !

The AFP400TX Nikon F2 camera is now winging it’s way down to Victoria for Melbourne photographers Michael Coyne, Jesse Marlow, Tracey Nearmy, Barat Ali Batoor and Andrew Chapman to make their contribution.

Image © Brian Cassey

AFP400TX Project - "Too Busy To Die" by Brian Cassey Cairns Australia

Nikon F2 … Roll of Tri-X … 36 Pics …

Thanks to legendary veteran combat photographer Tim Page (who dobbed me in) … I have this week been wielding on a spare shoulder a pristine circa 1971 manual everything Nikon F2 loaded with a roll of Tri-X film.

The idea … the brainchild of photographer Renato Repetto … is to get the Nikon into the hands of top (and not so top) photographers all around Australia who will each shoot one roll of B&W film … just 36 frames each.

The AFP400TX Project is about seeing life through the eyes of Australian Film Photographers. The Nikon F2 (eye level DE-1 Plain Prism, 1971-1976) no 7587117 with a 55mm 2.8 Micro Nikkor will be used for every exposure of the project, making the only variable the photographer. All rolls of film will be developed by the project sponsor Rewind Photo Lab in NSW to ensure consistency across the project.

My colleagues of note featured in the project include the afore mentioned Tim PageDavid Dare Parker, Michael Coyne, Stephen Dupont, Jesse Marlow, Sean Davey, Heather Faulkner, Roger Garwood  … and many maybe not so well known.

A diary accompanying the camera will document the creative thoughts of all the photographers in the project for later  incorporation into a photo book. The book will be launched with gallery exhibitions in Brisbane, Sydney and Melbourne featuring silver gelatin prints of the best photos of the project.

Now … I cut my teeth shooting ‘manual everything’ film SLR’s way, way back when … but can now confirm that ‘going back’ is somewhat of a sobering and frightening experience !!

Below is a pic I made (on a D4S) of Wik Munkan artist Lex Namponan from Aurukun, wielding the precious Nikon F2 used in the project. Lex was born in 1971 … the same year that the F2 was released. I used two precious frames from the Tri-X roll to make a portrait of Lex. Fingers crossed that Lex and I make the AFP400TX Project exhibitions and book …

Image © Brian Cassey

AFP400TX Project - Australia - Brian Cassey

 

‘Remixes’ at ‘Flying Monkey’ …

It was a great compliment to be asked to participate in an exhibition collaboration with talented Cairns artist Rick Beresford … and the results of that partnership are now up on the walls of the Flying Monkey Gallery.

Rick – an accomplished artist, curator and arts educator – asked if he could ‘work’ on several of my images … and the startling resulting works now form the exhibition ‘The Remixes’.

The exhibition is now open to the public at the Flying Monkey … and the official launch/opening will be at the unusual time of 10am (yup … in the morning) next Saturday 17th June (just before I jump on a plane for Melbourne!). So please do drop in Saturday to the Flying Monkey on Sheridan Street Cairns, grab yourself a coffee and some breakfast and say ‘Hi’ !

Below is one of the results of our collaboration from an image I made of three year old Harmony in the indigenous community of Kowrowa west of Kuranda.

Image and work © Brian Cassey and Rick Beresford

'The Cassey Remixes' - at the 'Flying Monkey Gallery' Cairns - by Brian Cassey and Rick Beresford

Sydney Unhanging … & World Press …

Back from a quick trip down to Sydney to ‘dehang’ the “A Photographer’s Life – Part One” exhibition at Juniper Hall … and made the most of the two and a bit days in the harbour city.

Was fortunate to score the help of not one, but two, lovely ‘assistants’ during Mondays take down and packing of the works from the exhibition walls. Both Jewel Isaacs (a great friend from my early days in Cairns who I hadn’t caught up with for several decades) and Jennifer Allison (fellow UK ‘ex-pat’ and now a passionate new full time photographer based in Sydney) turned up to lend a hand.

With the exhibition prints duly dispatched back to Cairns, Jen and I took time out to see some of the last Head On Photo Festival exhibitions of this years festival at the Gaffa Gallery … including Matthew Portch’s “Lost America”, John Dobson’s “Suburbia” and Sissy Reyes’s “The Martians Are Coming”. Some intriguing work …

However, the undoubted highlight was a several hour visit (Tuesday before the flight back home) to Australia’s oldest library – the State Library of New South Wales – to see the “2017 World Press Photo Exhibition”. If you haven’t yet made it to this years brilliant World Press exhibition I strongly suggest you do … there is nothing better than seeing these absolutely amazing images from the Planet’s best photojournalists exceedingly well lit, printed large and displayed around the library’s cavernous old walls for maximum impact. The words and stories surrounding the images also stir the emotions. The “2017 World Press Photo Exhibition” runs till the 25th June.

(If you do make it to the State Library for World Press … an added bonus is that there is another exhibition on the same floor by Sydney street portraitist Jon Lewis – “Beauty in Difference” – that is also well worth your attention.)

 

Everyday … Climate Change …

During the Head On Photo Festival in Sydney a few weeks back I got to meet with many photographer colleagues … some that have been friends for many years … and many that I was meeting for the first time. Amongst the later was James Whitlow Delano … an American reportage photographer based in Tokyo with a reputation for great work on the subjects of human rights, the environment and culture.

James was a co-member of the Head On Photo Festival featured debate panel on photojournalism … and following the proceedings at The Beauchamp Hotel we had a little chat. James explained that he was the creator of one of the most far reaching and popular ‘everyday’ Instagram feeds … @everydayclimatechange … and invited me to join. Cool bananas … !!!

@everydayclimatechange, as the name suggests, attempts to highlight the problems and challenges of Global climate change through imagery … and it’s photographer lineup is awe inspiring! As well as James … amongst the inspirational and dedicated members are Ed Kashi, Ashley Crowther, Michael Robinson Chavez, Franck Vogel, Palani Mohan, Amnon Gutman, Jeremy Sutton-Hibbert, Matilde Gattoni and Vlad Sokhin … to name just a few from around six continents. (Apparently I’m the first Australasian based member – an honour indeed).

The feed is currently (today) followed by over ninety six thousand people World wide … and fast approaching the 100K milestone. It makes fascinating reading and viewing and brings into stark reality the effects that human habitation is having on our Global home.

For myself, already a member of of @everydayaustralia created by Andrew Quilty and currently with over 56K followers, @everydayclimatechange gives me the opportunity for my work to be seen by a wider audience … and perhaps make an infinitesimal difference to the state of our planet.

Please consider following @everydayclimatechange

Below is a screen grab of the @everydayclimatechange page … followed by the image and text of my very first post. Thanks James for the great opportunity.

Images © Brian Cassey (1) and individual photographers.

@everydayclimatechange - Everyday Climate Change - Brian Cassey

 

@everydayclimatechange - Everyday Climate Change - Brian Cassey

BBC 5 Live & “A Photographer’s Life – Part One” …

Prior to the last weekends launch of my exhibition “A Photographer’s Life – Part One” at the 2017 Head On Photo Festival in Sydney, I was interviewed by my old mate BBC Australia correspondent Phil Mercer.

The BBC 5 Live interview, hosted by Phil and Rhod Sharp, became a rather lengthy affair and touched on my photographic work over the decades, Head On Photo Festival and my featured “A Photographer’s Life – Part One” exhibition in Sydney, various aspects of photography and photojournalism … and my life in the UK and Australia. It runs for near 22 minutes.

 

Eric the ‘Beef Boss’ … & Lunch …

Eric Rosendale of Bonny Glen Station, Cape York Peninsula says he needs to clear more of his land for grazing and to make it possible to muster stock on horse back. He was critical … in a story by The Australian journalist Michael McKenna … of the Queensland Governments proposed tree clearing crack down.

I’ve just learnt that the picture I made to accompany the story has now been recognised in the ‘2017 Queensland Rural Press Media Awards’ … and I get to go down to Brisbane for a nice lunch at the Stamford Plaza in a couple of weeks to receive a couple of rural ‘gongs’ … courtesy of the Rural Press Club.

The image of Eric (below) was selected as the Winner of the ‘People’ category in this years photography awards … and then also selected as ‘Overall Winner’ across all photographic categories. It will now go on to represent Queensland in the Nation wide ‘Australian Star Prize for Rural Photography’ which is decided by the Australian Council of Agricultural Journalists. If successful there it will move on to represent Australia in the planet wide competition run by the International Federation of Agricultural Journalists (IFAJ) to be announced in South Africa. Some ‘If’s involved in all this … but pleased to receive the recognition so far and to follow up last years similar win with ‘Beef Farmers’.

‘Beef Boss’ Image © Brian Cassey

'Rural Press Photography Awards Queensland 2017' - Winner - 'Beef Boss' by Brian Cassey - Eric Rosendale of Bonny Glen Station, Cape York Peninsula

Bi ’16, Hi ’17 …

Thanks to Murray Young for pointing this out (I was across the other side of the planet so initially missed it) … great showing in the first publication of 2017 in the Sunday Mail, January 1.

The S Mail used my image of beaten asylum seeker Abdullatif Almoftaji across the entire front page cover of their photographic retrospective special … ‘2016 Pictures of the Year’ … which also included some mind blowing and soon to be, if not already, ‘iconic’ (for want of a better term) images … including Cameron Spencer’s Getty image of Usain BoltBurhan Ozbilici’s startling AP image of Mevlut Mert Altintas after murdering Russian Ambassador to Turkey Andrei Karlov, Jonathan Bachman’s ‘Black Lives Matter’ Baton Rouge protest pic of leshia Evans … and Mahmoud Raslan’s haunting image of 5 year old Syrian child Omran Daqneesh in Aleppo. All images that will go down in history.

Real Chuffed to have my image part of such an amazing collection.

My pic of beaten 20 year old Iraqi asylum seeker Abdullatif was made at the Manus Island Papua New Guinea police watch house during a visit to document the island’s detainees. In December it was recognised as the winner of the Nikon Walkley Portrait Prize for 2016.

Below is a grab of the January 1st three page Sunday Mail special ‘In the Frame – Pictures of the Year’ (Abdullatif image © Brian Cassey)

Pictures of the Year 2016 - Abdulaftif Almoftaji - Manus Island by Brian Cassey

Pictures of the Year 2016 - Abdulaftif Almoftaji - Manus Island by Brian Cassey

 

National Portrait Gallery … Yes …

I’m not allowed to give you much in the way of details about this yet … sworn to secrecy … but may I say that I’m absolutely stoked to learn the news that an (unnamed at the moment) image of mine has been selected as a Finalist in the National Portrait Gallery’s ‘National Photographic Portrait Prize’ for 2017 … !

Apparently close to three thousand entries were received for this years awards … and it’s great to make the finalist cut.

Nice to add the NPPP to the other finalist awards over the last few months … the Moran Contemporary Photography Prize, the Bowness Photography Prize, the Contemporary Landscapes in Photography (CLIP) Awards … along with a second place in the Moscow International Foto Awards (MIFA), two wins in the Tokyo International Foto Awards (TIFA) … and a much appreciated Win in the Nikon Walkley Portrait Prize.

I feel a very fortunate fellow right now … 🙂

All ‘National Photographic Portrait Prize’ finalist and winning works will be revealed at the opening of the exhibition at the National Portrait Gallery, King Edward Terrace, Canberra, ACT on the 31st March. (Note to self … must book flights …) There’s a prize of $25,000 at stake for the creator of the most outstanding photographic portrait. This year there will also be prizes for Highly Commended as well an Art Handlers’ Award and People’s Choice Award.  The exhibition will run till the 18th June before touring to the Blue Mountains, Mornington Peninsula, Western Sydney, and Devonport, with also the possibility of a fifth venue being added.

National Photographic Portrait Prize 2017

 

Fostering Young Portrait Photographers …

I first clicked the shutter of a camera (two shillings and sixpence at Woolworths) at what would, in those good old days, have been considered a young age. The work produced was erratic and questionable … but I fluked the odd one or two that I was happy with.

This week I had the pleasure to be involved with scores of young photographers whose work at a similar age far outshines my earliest efforts. Along with fellow Cairns photographer Romy Bullerjahn, I was asked to judge and present prizes at the 2016 Trinity Bay High School Portrait Photography Prize.

I really didn’t know what to expect before walking into the schools gallery to select the winning portraits from about fifty entries … many of a quite startling quality. Picking winners was a difficult task for Romy and myself but we eventually settled on first, second, third and two highly commended (as well as two ‘staff’ prizes).

The story around 14 year old Matt Hastie’s selected winning portrait “Shades” is remarkable. Matt only picked up his first DSLR camera a month ago – a ‘loaner’ from the school inventory. Prior to that he had only made ‘phone’ pictures. His prize winning evocative image (below – top) was made during that first ever ‘proper photography assignment’.

Shell shocked and shy, Matt said he was ‘pretty happy’ to win and to be presented with the prize of his very own Canon DSLR courtesy of Garricks Camera House. He is now enthusiastic about his plan to choose Photo Imaging as an elective school subject from grade 10 … and maybe one day pursue a professional photography career.

Fractionally behind Matt’s work were images by students of a similar age or younger – Matilda Sail (2nd – year 7), Eden Cvetkovic, (3rd – year 11), Eliza Sail, (commended – Year 9) and Pagan Sutcliffe (commended – Year 11). Delon Clark took out the Peoples Choice Award.

When I was their age it was inconceivable for schools to teach photography. With the help of Trinity Bay Arts teachers Ian Whittaker, Sean Tooley and the Arts department staff and program, these young aspiring students have made great strides towards becoming the next generation of photographers and photographic artists.

Images – Top – Winner “Shades’ by Matthew Hastie © . Below – clockwise from top left – works by Matilda Sail © 2nd, Eden Cvetkovic © 3rd, Pagan Sutcliffe © HC, Eliza Sail © HC, Delon Clarke © Peoples Choice.

Trinity Bay High School Portrait Prize inner 2016 by Matthew Hastie - judge Brian Cassey

Trinity High School Portrait Prize 2016 place getters - judge Brian Cassey

India … Redux … 2016

… it’s five years since I visited India for a memorable journey with colleagues Rob Maccoll and Peter Wallis …one of the aims of which was to document life on a road trip from a – once ubiquitous, now disappearing – iconic Hindustan Motors Ambassador (an Indian version of the British 1950’s Morris Oxford).

We found our Ambassador and real gentleman driver Kishore in Jodhpur and travelled – not without incident – through the states of Uttar Pradesh and Rajasthan … and between us amassed a few photographs.

On returning to Australia I managed a quick edit of the total images and published a pic essay on my personal web site and the ‘fotostrada’ site entitled “India in an Ambassador” which you can find at … www.briancasseyphotographer.com/photographs/india/ .. .and … www.fotostrada.com/brian-cassey/india-in-ambassador/BCRaja1/.

However, just the other day I was searching for one of the original pic files and delving into the India archive. I kept noticing images that I had missed during the original edit. So I kept looking …

This is the result – “India Redux 2016” – 34 essentially NEW images that have never seen ‘the light of day’ before … from New Delhi, Jodhpur, Udaipur, Agra, Vrindavan, Pushkar, Jaipur and Varanasi and the roads in-between.

(That’ll learn me to take more care during big edits … !)

The new essay is now live on my site at … https://www.briancasseyphotographer.com/photographs/india-redux-2016/ … and also in ‘Latest Stories’ on the ‘fotostrada’ photojournalist web site at … http://www.fotostrada.com/latest-stories/india—redux-2016/BCIndiaRedux28v/

Below are just three teaser images from the new essay … top and bottom from Jodhpur, middle from Varanasi.

Images © Brian Cassey

Jodhpur - India Redux 2016 - Brian Cassey

Ex Cairns Australia pic by Brian Cassey Varanasi - India Redux - 2016 Pic by Brian Cassey

Ex Cairns Australia pic by Brian Cassey Jodhpur - India Redux - 2016 Pic by Brian Cassey

Hell or Heaven … Manus …

… it all depends on your perspective …

As intimated in an earlier post … my new pic essay from the work on Manus Island Papua New Guinea documenting the plight of detained asylum seekers and the lifestyle of the islanders – entitled “Manus Island – Heaven & Hell” – is now up on both my personal site and that of the photojournalist collective ‘fotostrada’.

Twenty six images contrasting the idyllic but basic lifestyle that Manus Islanders have enjoyed for centuries with the new phenomena of asylum seekers from the Middle East, north Africa and west Asia amongst their midst. A distinct clash of culture.

The essay may be found on my personal site here “Manus Island – Heaven & Hell” … and on the  ‘fotostrada’ site here “Manus Island – Heaven & Hell”.

Below is just one image from the essay … one that I missed during my edits on the island but found recently whilst doing a recap !

Image © Brian Cassey

Manus Heaven & Hell by Brian Cassey - Manus Island PNG

“Eyes” in ‘Cairns Eye’ …

Many Thanks to Roz Pulley and the team at ‘Cairns Eye’ magazine for devoting the cover and a double page spread in this weekends issue to the recent win for my short film “Eyes – the Soul of a Photograph” in the Moscow International Foto Awards. Very grateful crew … !

Despite the challenge of portraying the essence of a short film about the ‘moving image’ (in more than just one sense of the term ‘moving image’) the piece in Cairns Eye looks great. On the cover and spread they used seven of the twenty six essentially portrait images – made in the USA (2), India (3), Indonesia (1), Thailand (1), Hong Kong China (1), Papua New Guinea (4) and Australia (14) – which featured in the film. Sadly there is no way they can play the haunting accompanying music in the film – a beautifully emotive piece by composer Robert Mann entitled ‘Rio Vista’. However, you can hear the music and see the complete project at … www.briancasseyphotographer.com/play

The rationale for the film – which also was a Finalist in the ‘Head On Moving Image Prize’ (amongst others) earlier this year – was to explore the axiom that that the eyes are the gateway to not only the soul but the still photograph.

For earlier news on the ‘Moving Image Essay’ win in the Moscow International Foto Awards  – and to play the work – please click on my recent post “Eyes” … a Winner in Moscow …” here.

Below I’ve posted screen grabs of the cover and relevant pages from the new Cairns Eye issue – images © Brian Cassey

CairnsEye1lr

CairnsEye2lr

CairnsEye3lr

Words ‘n’ Pics on Sex in PNG …

The illegality of female and male sex for sale and homosexuality in Papua New Guinea does not mean that these practises are not flourishing in our nearest neighbour … with the resulting growth of HIV/AIDS, sexual violence and rape.

To compile this story and images  – “Lives On The Line – The Risky Business of Selling Sex in PNG” – for Papua New Guinea’s Lily magazine (the first of hopefully more newspaper/magazine publications) – I spent some considerable time last year in ‘establishments’ in Port Moresby that most would politely describe as ‘questionable’ and/or ‘risky’ to say the least. However, most of those I spoke to in relation to their work selling sex did so with polite acceptance and frankness. Photographs were made that would not make their identity and involvement obvious to the authorities.

Amongst those providing me with remarkable insights were a self confessed middle aged lesbian pimp who has the health and well being of her teenage charges very much at heart, two teen girls (16 and 18) who cruise a well known Port Moresby ‘patch’, a ‘working girl’ (Pamuk Meri) who bases herself in an infamous ‘club’ and admits to half a dozen or so ‘clients’ a day … and a young gay man to whom payment for sex is just ‘normal’.

“Lives On The Line” is the third story that I have had published in Lily Magazine – a quality glossy women’s print mag that would well and truly hold it’s own on Australia’s news and magazine stands. (… and Many Thanks to Lily Managing Editor Margo Nugent for her hospitality and assistance!)

If you are interested in the full story and publishing “Lives On The Line” please send me an email at …

Below are pdf’s of the eight pages of the article in the mag …

Magazine © Lily 2015, images and words © Brian Cassey

Lily Magazine article on Sex in Papua New Guinea - words and images by Brian Cassey

Lily Magazine article on Sex in Papua New Guinea - words and images by Brian Cassey