Excellent Run In “Orion” Magazine …

Classy International quality quarterly print magazine “Orion” celebrates it’s 40th anniversary of continuous publication this year … and I can’t think of a better time for my images to make an appearance inside in a ten page ‘spread’.

Four of the images I made whilst working in Chhattisgarh India just before the pandemic are spread across the pages of the story “The Place of Many Waters” penned by University of Sydney professor of sociology Sujatha Fernandes … two images as double page spreads and two page lead pics. Also a fifth ‘bonus’ image run across the back cover of the magazine accompanied by a beautiful fitting quote (see images below).

My work in Chhattisgarh on Indian mining giant Adani’s open cut coal mining destruction of the beautiful Hasdeo Arand forest … the centuries long home of the tribal Gond peoples … seamlessly slotted around Sujatha’s excellent words documenting the struggles, similarities and threats from the mining conglomerate to indigenous peoples in India and Central Australia.

Will let “Orion” explain it’s style and mission in it’s own words … “Orion magazine invites readers into a community of caring for the planet. Through writing and art that explore the connection between nature and culture, Orion inspires new thinking about how humanity might live on Earth justly, sustainably, and joyously.”

The complete “The Place of Many Waters” story … Sujatha’s words and my images … may also be found online here … https://orionmagazine.org/article/coal-mining-indigenous-land-rights/ … however, it’s much nicer to view and read it in the lovely hard copy paper magazine.

My work on the Gond people of the Hasdeo Arand and their fight against the destruction of their forest home has also been published elsewhere … including (but not only) … the Guardian, CNN and Italy’s ‘Corriere Della Sera‘.

Images © Brian Cassey, magazine © Orion

 

“Australian Life” … Sydney Awards & Exhibition Including “Covid Vax & Ice Cream” …

… this is the way to display photographers work !

Just spent a few days in Sydney town to take in the opening of the 2022 “Australian Life” photographic awards and exhibition in Hyde Park … and it’s a cracker ! 

The work of twenty eight selected award Finalists … very gratifyingly including my “Covid Vax & Ice Cream” portrait of Yarrabah’s Leanne Bulmer …  are showcased along one of Hyde Park’s main pedestrian thoroughfares. Each work is brilliantly displayed at 2.8 metres wide in massive lightboxes … at dusk the pictorial effect was startling. 

The range of work displayed is diverse, sometimes poignant, sometimes amusing, invariably fascinating and a visual feast. 

Sydney Mayor Clover Moore commented on the event …  “These images are thought-provoking, joyful, harrowing. Each one captures a moment in time somewhere in Australia and together they form a record of the challenges and richness of Australian life”.

The twenty eight works in the exhibition were selected from a total of over seventeen hundred images from around the country. Many Thanks to all the photographers who were selected and made this exhibition ‘special’.

Opening eve, of course, it rained constantly … but since then the weather has been kinder and a constant flow of pedestrians have taken in the show.

If you are unable to visit the exhibition in Sydney you may find all the exhibition images on the City of Sydney website at … https://news.cityofsydney.nsw.gov.au/photos/australian-life-photography-competition-finalists-2022… but it isn’t as good as ‘being there’.

You can also listen to a two minute audio file on my “Covid Vax & Ice Cream” image … that is available to access by scanning a barcode under the displayed work in Hyde Park … here … https://cityofsydney.wistia.com/medias/cm60fq1d2y

Great to see this City of Sydney – Art & About event return following a two year pandemic hiatus. The exhibit is open to all in Hyde Park (adjacent to St James Station) until October 9th.

Images © Brian Cassey – “Covid Vax & Ice Cream” – top and second from left bottom image (other individual works © the artists) … Thanks (once again) to my subject Leanne.

2022 "Australian Life" photo awards - Hyde Park, Sydney - Art & About - "Covid Vax & Ice Cream" by Brian Cassey

2022 "Australian Life" photo awards - Hyde Park, Sydney - Art & About - "Covid Vax & Ice Cream" by Brian Cassey

2022 "Australian Life" photo awards - Hyde Park, Sydney - Art & About - "Covid Vax & Ice Cream" by Brian Cassey

Tim Page … 25 May 1944 to 24 August 2022 …

Tim … a LEGEND in the REAL sense of the word …

Born in Tunbridge Wells in Kent UK (not far from where I was ‘brung up’ some years later), Tim went on to become one of the most adventurous, successful and colourful conflict photojournalists on the planet.

Yesterday was his last day on that planet …

I’ve been fortunate to not only have been aware and in awe of Tim’s work since the late ’60’s but to have met and chatted with Tim on many occasions over the decades. Not enough occasions … but somewhat privileged nevertheless …

One of my fondest memories of the irrepressible Tim was on ‘Table 55’ at the 2016 Walkley Awards in Brisbane. What must have been the best and most enjoyable table of the evening consisted of eventual ‘Gold Walkley’ winner and younger photojournalist legend Andrew Quilty (and his delightful mum Ann), photography journalist Alison Steven-Taylor, fellow photojournalist Michael Amendolia, little ol’ me … and Tim escorting his lovely partner Marianne Harris. The best way to spend any eve … and a great way to celebrate my little win in the Nikon Walkley Portrait Prize.

In the pics below the two ‘Legends’ Tim and Andrew ‘chew the cud’ following Andrew’s big win (second image from top) … and (third from top) Tim watches the announcement of my Nikon Walkley Portrait Award  with Marianne.

It was whilst nattering at table 55 that Tim broached the idea of a ‘print swap’. He fancied a signed copy of my winning portrait of “Abdullatif – Beaten Refugee”.

Bloody ‘ell … I was distinctly honoured and more than happy to oblige !

As sometimes happens all went a little quiet on the issue … until a couple of YEARS later when this turned up in the mail (top below) … a signed print …

“Ambush of 173rd Airborne – Iron Triangle – 1965”

Tim made this image very early on in his stella career whilst covering a Vietcong ambush of the US 173rd in South Vietnam. His work from this action saw his first publication in ‘Life’ magazine. Several of Tim’s images of this ambush aftermath are infamous and all over the net … but I’ve found no evidence of this particular frame elsewhere (please correct me if I’m wrong.)

It will be treasured … 

Here’s how Tim described his work covering the ambush …

“It was Larry Burrows who had to teach me how to load my first Leica M3; I got it as a perk having just had this image (nb – a similar image at the scene but including helicopters) run as a vertical double truck in a 5-page spread in LIFE in the fall of ’65.

At the same time that Hello Dolly opened at Nha Trang airbase, a company of 173rd Airborne had walked into an ambush in Viet Cong base zone, known as the Iron Triangle. The sign had read “American who read this die.”

A class of prime youth shredded in seconds.

The dust-offs started coming within 30 minutes. I got a ride back to Ton San Nhut and was downtown in Room 401 of the Caravelle in another 30. Mostly, I remember carrying a badly wounded grunt whose leg came off and he almost bled out.”

(Notes … ‘dust-off’ was the lingo (and call sign) for casualty evacuation by helicopter … the Caravelle was the hotel in central Saigon where the media invariably stayed (and is still there.)

Tim also personally signed my copy of his book ‘Requiem’ … the brilliant volume he collated containing the work of the photographers and journalists killed during the Vietnamese wars against the Japanese, French and Americans. ‘Requiem’ became a must see traveling photographic exhibition that traversed the planet. Fittingly and luckily I took in the exhibition when it was presented in Vietnam’s War Remnants Museum in Ho Chi Minh City in 2014.

The last image below was made when Tim visited Cairns TEN years ago to talk at the launch of the Degrees South Collection volume “WAR” … along with two other photojournalist members of Degrees South, David Dare Parker and Michael Coyne. Tim, David and Michael each signed my cherished copy … over one or two beers 😉

Tim survived injuries in action four times. The first in Chu Lai September 1965 when he was struck by shrapnel in the legs and stomach; the second during Buddhist riots in Da Nang in 1966 when he sustained more shrapnel wounds to the head, back, and arms … and the third in August 1966 in the South China sea, when he was on board a coast guard cutter mistakenly strafed by the US Air Force which left Tim adrift at sea badly wounded. Lastly, in April 1969 Tim jumped out of a helicopter to help load wounded soldiers just as a sergeant stepped on a nearby mine, sending a 2-inch piece of shrapnel into Tim’s head. Tim’s multiple injuries led his colleagues in the field to joke that he would never make it to the age of 23.

Tim made it to yesterday aged 78 …. 

NB. For All interested … have found the entire series of “Frankie’s House” made in 1992 (all four episodes at around the two hundred minute mark) … a TV series based (pretty loosely) on the early photojournalism career of Tim in Vietnam. Can be found on YouTube at … https://www.youtube.com/playlist?list=PLMqda4uF4-_4Azl9H-Xy5ES0NrHnbB5bd .)  Apparently Tim wasn’t a fan …

Images © Tim Page & Brian Cassey

Ambush of 173rd Airborne Iron Triangle 1965 - Image by Tim Page ... Brian Cassey Blog

Photojpurnalists Tim Page and Andrew Quilty at Table 55, Walkley Awards 2016 - Image by Brian Cassey

Photojpurnalist Tim Page at Table 55, Walkley Awards 2016 - with Nikon Walkley Portrait Prize winning image "Abdullatif - Beaten Asylum Seeker" by Brian Cassey

War Photojournalist Tim Page at Cairns launch of 'WAR - Degrees South' at The Tanks, Cairns - image by Brian Cassey

Pollux and Barcelona …

… very nice news this week … mainly that Leanne and my image “Covid Vax & Ice Cream” (yeah … that one again) has been declared the Winner of the 2022 ‘Pollux International’ award ‘People’ prize. Yay …

Best part of the news is that ‘“Covid Vax & Ice Cream” will now be exhibited ‘on the wall’ of the Fotonostrum Gallery, Barcelona, Spain in October as part of the 7th Biennial of Fine Art and Documentary Photography.

Icing on the cake is that my two other works … “Mother Africa” (Aurora Coulter) and “Scooter” (Paralympian Grant ‘Scooter’ Patterson) … were also each recognised with an ‘Honourable Mention’ in Portrait. (Pleasingly the first recognition for the “Scooter” image. Thanks Scooter !)) Happy with that … 

Images © Brian Cassey

2022 Pollux International Photo Awards - People - "Covid Vax & Ice Cream" - image by Brian Cassey

Leanne … You International Star You … !

Two pieces of ‘news’ that I’ve known about for a little while but had to stay ‘dumb’ about … Leanne and “Covid Vax & Ice Cream” has done it again … twice !

Firstly, my portrait of Leanne with her post Pfizer jab ice cream in Yarrabah (top below), has been selected as a Finalist in the prestigious planet wide ‘Kuala Lumpur International Portrait Prize’ (KLPA). The three selected as major prize winners of the award have now been announced, whilst all the thirty four Finalists will make up a KLPA exhibition at the GMBB gallery in Malaysia’s capital from the 16th September till the 2nd of October. It will be well worth a visit if you happen to be in KL … especially to see on the wall the beautiful winning entry by Australian Carole Mills Noronha entitled ‘Wonder’.

Very gratifying … and more so as KLPA has donated the proceeds from the award to be shared equally by Disaster Emergencies Committee and the United Nations Crisis Response to aid Ukrainian refugees.

It’s the third time I’ve been fortunate to be selected in the ‘Kuala Lumpur International Portrait Prize’.  On the first occasion (pre covid in 2013) I travelled to Kuala Lumpur for the exhibition opening and presentation. My successful work that year was “Roustabout” … and it did look fabulous (and big) on the gallery wall (centre below).

Last year 2021 – despite being selected as a finalist for the second time with “Aurukun Generations” (also below) – a visit to KL was Covid problematic. The exhibition of portraits was delayed and delayed … until the works finally appeared on the exhibition gallery walls at the the GMBB creative community centre in Bukit Bintang, KL in January and February this year.

The works selected as this years Finalists may be found here … https://www.klphotoawards.com

Secondly … received the news that “Covid Vax & Ice Cream” also made the Shortlist selection (from a grand total of 4,482 works) in the annual National Portrait Gallery London ‘Taylor Wessing Photographic Portrait Prize’ … the second year in a row I’ve been shortlisted. Third time luckier ?

Earlier this year “Covid Vax & Ice Cream” was also selected in the World wide ‘Portrait of Humanity’ awards … and a Finalist in the ‘Percival Photographic Portrait Prize’ at the Perc Tucker Gallery in Townsville.

… and … there’s yet another exciting announcement for “Covid Vax & Ice Cream” coming up soon 😉 ! Thanks Leanne … !

Images © Brian Cassey

Kulala Lumpur International Portrait Prize (KLPA) 2022 - Finalist - Covid Vax & Ice Cream - by Brian Cassey

Kulala Lumpur International Portrait Prize (KLPA) 2013 - Finalist - 'Roustabout' - by Brian Cassey

Kuala Lumpur International Portrait Prize (KLPA) 2021 - Finalist - 'Generations - Aurukun' - by Brian Cassey

‘Veronica’ Wins MIFA Gold …

But wait … there’s more !  Hot on the heels of the wonderful 2022 ‘International Portrait Photographer of the Year’ results … see the post on the 25th of June … has come the results from the 2022 ‘Moscow International Foto Awards’ (MIFA). (N.B – not political or warmongering in any way).

The great new news is my images picked up two gongs … a Winning shiny Gold in the ‘Editorial’ category and a Bronze in the ‘People’ category.

Really stoked to see ‘Veronica – Where Home Brew Kills’ … an image I made (top below) in Mornington Island in the Gulf of Carpentaria whilst covering the story of a dangerous home brew alcohol epidemic in the community … take out the Gold placement in Editorial & Environment. It’s the second time it’s caught the eye, winning an ‘Honourable Mention’ earlier this year in the 2022 17th Pollux Awards. (Will prepare a print for Veronica and her family and deliver to them when next I get to Mornington Island.)

Also in the MIFA mix was my portrait of the delightful African American Aurora (bottom of this post) entitled ‘Mother Africa’ which won a Bronze award in People/Culture. The aim of ‘Mother Africa’ was to represent the ill treatment of Aurora’s African forbears in the America’s over the centuries. The work is racking up a list of recognitions with previous selections in 2022 The Percival Portrait Prize, the 2022 International Color Awards and the 2022 International Portrait Photographer of the Year.

Huge Thanks to Veronica and Aurora … can’t do this stuff without wonderful subjects.

Without overdoing it … there’s a couple of more bits of good news coming … but I’m not allowed at this stage to share the details 🙂

Images © Brian Cassey

Moscow International Foto Awards (MIFA) 2022 Winning images Gold Award - Editorial Environment - "Veronica - Where Home Brew Kills", Bronze Award - People Culture - "Mother Africa" by Brian Cassey

Moscow International Foto Awards (MIFA) 2022 Winning images Gold Award - Editorial Environment - "Veronica - Where Home Brew Kills", Bronze Award - People Culture - "Mother Africa" by Brian Cassey

One Place Better … International Portrait Photographer of the Year …

Chuffed … !  The results just in for the 2022 ‘The International Portrait Photographer of the Year’ awards … and two of my images are represented.

‘The Yarrick Family of Kunhanhaa’ (top below) has been selected as the winner of Second Place  (The Family Sitting) “The International Portrait photographer of the Year”  … and, very nicely includes the award of some ‘folding stuff’ and … rare these days … a glass trophy to whack in the ‘office’. It will also be showcased TWICE in the accompanying book ‘The Top 101 International Portrait Photographs of the Year’ … firstly in the ‘winners’ section  and then in the ‘Top 101’ portraits section.

Also selected in the ‘Top 101’ section of the book is my portrait of gorgeous African American Aurora Coulter … ‘Mother Africa – Aurora’ (also below).

‘The Top 101 International Portrait Photographs of the Year’ book will be available in hard cover and as an ebook in the very near future. Stay tuned for the link …

Both portraits have featured in other earlier International and Australian award selections. Check ’em out on my ‘awards’ page here …

Images © Brian Cassey

2022 International Portrait Photographer of the Year - WINNER 2nd Place - "The Yarrick Family of Kunhanhaa" - The Family Sitting - "Mother Africa - Aurora" - by Brian Cassey

2022 International Portrait Photographer of the Year - WINNER 2nd Place - "The Yarrick Family of Kunhanhaa" - The Family Sitting - "Mother Africa - Aurora" - by Brian Cassey

Three (New) Images Selected in Percival Portrait Prize …

Chuffed that three of my portraits are getting their FIRST award recognition after being selected yesterday (Friday) as Finalists in the bi-annual Percival Portrait Prize. They will be exhibited on the gracious walls of the historic Perc Tucker Gallery in Townsville.

The award runs in conjunction with the Percival Painting Portrait Prize and attracts entries from around Australia and Internationally.

Nice to see these three more recent images selected … ‘Covid Vax & Ice Cream’ (top – Leanne at Yarrabah after her Covid vaccination),  ‘Mother Africa’ (centre – African American Aurora Coulter) and ‘Graham Elms – Legendary Larrikin’ (bottom) … all made in far north Queensland in the last few months.

‘Covid Vax & Ice Cream’ was made for a The Australian story on the door to door vaccination program in the indigenous community of Yarrabah. ‘Mother Africa’ … of Colorado USA raised African American Aurora Coulter …  was made to depict the historic plight of black Americans, an issue very close to Aurora’s heart. ‘Graham Elms – Legendary Larrikin’ was made for a Sunday Mail series on … well … ‘Larrikins’. Graham is your archetypal far north Queensland bad boy of old.

It’s now three ‘Percival’s’ in a row that I have had work selected to be exhibited … three works in 2018 hereand two in 2016 here

The winners of this years Percival Photographic Portrait Prize will be selected and announced at the exhibition opening at Perc Tucker Gallery in Townsville on the 23rd April and will show till July 3rd.

Images © Brian Cassey

 

6th Time Lucky … Sydney & The Walkley Awards …

Sydney … got there … and so stoked I did !!

On five occasions since the Covid virus reared it’s ugly head two years ago, I’ve booked to travel to Sydney for photography (and social) events … each time to be thwarted by new outbreaks, lockdowns or border closures. Seemed like it would never happen …

Then, in November last year, I received the fabulous news that my “The Yarrick Family of Kunhanhaa” image was selected as the Winner of the Nikon Walkley Portrait Prize. Epic. Not only that … but the Walkley Foundation contacted me and asked if I would present a Walkley Masterclass on photojournalism and portraiture as a prelude to the awards presentation eve, by then delayed and re-scheduled for Tamworth NSW in the first weeks of February. Of course … what’s not to like 🙂

With flights booked to Tamworth nervously waited and monitored the news of the latest Covid Omicron march across Australia. In January the Tamworth Country Music Festival was cancelled and the Walkley’s had no choice but to move their awards away from Tamworth and reschedule in Sydney later in February.

So … last week I actually flew to Sydney … presented my “The Portrait & Photojournalism” Walkley Masterclass at Macleay College to the assembled enthusiastic twenty plus audience throng … AND … had an absolute belter of an evening (and somewhat later) at the Walkley Awards.

Thanks to the Walkley Foundation, the International Convention Centre Darling Harbour and the Nikon Australia crew, it really was a fabulous evening … with an amazing’ collection of Aus based photographers … umm … ‘celebrating’ … and a recognition of my win in the Nikon Portrait Prize.

Hope I don’t miss anyone … but here goes with the Aus based media photographers who were also there and why …

Alex Coppel won the ‘Sport Photography’ category and ‘Press Photographer of the Year’, Andrew Quilty won ‘Long Form Feature Writing’, Dean Sewell won ‘Feature/Photographic Essay’, Brooke Mitchell won ‘News Photography’ … Finalists Jake Nowakowski, Justin McManus, Scott Barbour, Jason Edwards, Chris Hopkins, Michael Dodge joined other prominent photo media figures Mark ‘Crusty’ Baker (AP), Dean Lewins (AAP), Jeremy Piper, Tracey Nearmy, Matt Abbott and James Brickwood. Many of us were graciously hosted on the two Nikon Australia tables (and at the ‘after parties’ – plural) by Nikon Marketing Manager Kylie Dredge and Professional Marketing Manager Julie Kimpton. (Huge Thanks Kylie and Julie ! … and couldn’t ask for a better bunch of colleagues to celebrate with.)

Below is a little vid of the announcement of my Nikon Portrait Prize win (my third win in this category in the last ten years) at the awards last Friday eve. It’s very short as I was too busy nattering to photographer mates, hampered by a large glass of Shiraz in my hand and missed the start of the announcement. Oh well … (the sound is the best bit).

Clip © Brian Cassey (iPhone)

 

 

Documenting Mt Mulligan Mine Disaster 1921 for Aus Geographic …

How do you illustrate, in the middle of a pandemic, a story of a tragedy that happened one hundred years ago in a remote part of Australia ? That was the delightful challenge that I was set by Australian Geographic for their story in the just published March/April ’22 edition on the September 1921 Mt Mulligan mine disaster on Cape York Peninsula that took the lives of seventy five miners. 

Journalist Denise Cullen initially came up with the names of several people who had strong connections to Mt Mulligan both before and after Australia’s second largest mine tragedy in 1921. A couple were in then Covid Delta locked in New South Wales so ‘out of bounds’. 

However, most were fortunately in Queensland and so began a several weeks quest around the Sunshine State to find and photograph these fascinating individuals. I found and made portraits … and listened fascinated … as they sat and told me their stories in Cairns, Mackay and the Atherton Tablelands.

Ken Best worked in the mine up until it’s final closure in 1957 and told of older miners stories of ‘ghosts’ in the mine. Pam Millett’s grandfather had a contract to cart logs to the mine to shore up the ceilings and roof, and he was delivering logs at the time of the deadly explosion. Helen Scott and her family were the last to leave the mine settlement when it was finally closed and  ‘removed’. Desley Brkic’s grandfather was the first to witness the smoke from the mine explosion. 

Arguably, though, the most emotional image for me was found at the end of a journey to Mackay to photograph an object.

Stephen Smyth of the Construction, Forestry, Maritime, Mining and Energy Union (CFMEU) is the ‘keeper’ of an inanimate object that, for me, summed up the story of the disaster perfectly in a simple single frame … a battered ‘Waltham’ pocket watch that was on the person of miner George Doran James when he was killed in the explosion. The watch ‘stopped’ at the moment George, along with his son and seventy three others died at nine twenty five that morning. 

It was a pleasure to be afforded the time to portray and meet these fascinating people over a time frame that is rare these days … (Thanks AG and Editor Chrissie Goldrick) and to be involved in this story that is a part of Australia’s history.

Check out Denise’s story and my images (including two whole page pics) spanning ten pages of Australian Geographic print journal 167 March/April edition … on sale now.

Images – top – Desley Brkic reflects on the disaster at her home in Tinaroo, centre – the ‘Waltham’ watch, worn by a blast victim, that stopped at the moment of the explosion, bottom – ex miner Ken Best of Mackay.   © Brian Cassey, Magazine © Australian Geographic

Walkley ‘Masterclass’ (and Walkley Presentation Eve) This Week … Hi Sydney !

Over the last couple of years since that damn virus reared it’s ugly knobbly profile, I’ve been trying to get back down to Sydney … each journey (five booked in all) very carefully planned to coincide with the ‘latest’ outbreak or lockdown. Missed out on several great events including two Head On Photo Festivals, a couple of exhibitions of my work … and the launch and exhibition of the ‘Paper Tigers’ Australian photojournalism project that I worked on with Moshe Rosenvzeig. It’s been a ‘bugger’ … (but, of course, a very minor inconvenience compared with those many more adversely effected by the pandemic.)

Don’t want to speak too soon … but Thanks to the Walkley Foundation (and Nikon Australia), in just a few days I’ll be winging my way to Sydney town to host a ‘Masterclass’ … ‘The Portrait & Photojournalism’ … and also attend the ‘delayed’ ’66th Walkley Awards for Excellence in Journalism’ presentation night.

The invitation to my little talk about portraiture and photojournalism in Sydney came in the wake of my win in the Nikon Walkley Portrait Prize a couple of months back (see post here) with the image “The Yarrick Family of Kunhanhaa” … my third win in the prize in the last ten years and the reason for attending this years awards eve. The promo describes the event thus … “What makes a great portrait and when is a portrait photojournalism? Award-winning photojournalist Brian Cassey will discuss this question and the power of lighting, composition and how to achieve the best results. Plus the importance of building trust and rapport with your subject”.

So … it kicks off Thursday at high noon at Macleay College, Chippendale and will run for approximately two hours (no one will be allowed to fall asleep 🙂 ).

Next day … the Friday … the Walkley presentation eve event gets underway in Darling Harbour … really looking forward to that !

If  you are are in Sydney and fancy listening to me for a couple of hours you may book and find all the details of ‘The Portrait and Photojournalism’ event here … https://www.eventbrite.com.au/e/masterclass-the-portrait-photojournalism-tickets-216702070727  … and in the image below.

Portrait here by Marc Steiner ©

 

 

The Portrait & Photojournalism - Walkley Masterclass by photographer Brian Cassey - Sydney Australia February 2022

‘Gold’ X Two in Tokyo …

Early Chrissy present from Tokyo …

It was only a week ago that I shared the news on here of two successes in the Budapest International Foto Awards (BIFA) … a Gold Award for “8 Minutes & 46 Seconds – Tears For George Floyd” in Editorial and a Silver Award for “The Yarrick Family Of Kunhanhaa” in People.

Well … seems Santa has come a day or two early as I just received the news that these two images have gone one better in the Tokyo International Foto Awards (TIFA) with both images winning ‘Gold’ !

So … rather than bashing out a similar post to the one a week ago I’ve copied it below … and updated it a bit 🙂

Here goes … 🙂

More news … this time from Hungary & Tokyo …

… these two images (below) have done it yet again! Announced this week … TWO Gold Awards in the 2021 Tokyo International Foto Awards (TIFA) for both “8 Minutes & 46 Seconds – Tears For George Floyd” (in Editoria) and “The Yarrick Family Of Kunhanhaa” (in People) … and a few days earlier … a Gold award in the 2021 Budapest International Foto Awards (BIFA) ‘Editorial’ for “8 Minutes & 46 Seconds – Tears For George Floyd”… and a Silver in ‘People’ for “The Yarrick Family of Kunhanhaa”.

Chuffed with that …

These two pics have been good to me … and have amassed a tidy number of other recognitions over the past year or so.

Previous successes for these two images may be found at these pages … https://www.briancasseyphotographer.com/blog/2021/11/more-for-the-awards-page/, https://www.briancasseyphotographer.com/blog/2021/10/nikon-walkley-portrait-prize-3-yes/, https://www.briancasseyphotographer.com/blog/2021/10/mornington-essay-wins-at-clarions/, https://www.briancasseyphotographer.com/blog/2021/09/tears-at-the-perth-iris-awards/, https://www.briancasseyphotographer.com/blog/2021/08/mornington-clarion-media-awards-finalist/, https://www.briancasseyphotographer.com/blog/2021/07/silver-and-bronze-in-moscow-international/, https://www.briancasseyphotographer.com/blog/2021/04/international-color-awards/https://www.briancasseyphotographer.com/blog/2021/05/carol-amongst-big-handful-at-16th-international-pollux-awards/,

Images © Brian Cassey

Tokyo International Foto Awards (TIFA) - WINNER - GOLD Awards X 2 - Editorial - "8 Minutes & 46 Seconds - Tears For George Floyd" ... & ... People, Family - "The Yarrick Family of Kunhanhaa" - by Brian Cassey

Tokyo International Foto Awards (TIFA) - WINNER - GOLD Awards X 2 - Editorial - "8 Minutes & 46 Seconds - Tears For George Floyd" ... & ... People, Family - "The Yarrick Family of Kunhanhaa" by Brian Cassey

Pulitzer Prize Winner Barbara Davidson Meets Carol in Barcelona …

Mentioned a few months ago that a handful of my images had been selected in the 16th Edition Pollux Photography Awards … including a nice ‘Portrait Winner’ placement for my work “The Skin I’m In” of Cairns burns survivor Carol Mayer.

Perhaps it’s just another ‘Carol’ coincidence (there have been several) … but last week on the first anniversary of Carol’s so sad passing at the the hands of the ‘Big C’ December 2020, I received these images of my portrait of Carol on display in the winners circle at the opening event of the The 6th Biennial of Fine Art and Documentary Photography at the FotoNostrum Gallery in the Spanish city of Barcelona.

Carol would no doubt have been be as pleased as I am that her portrait was appraised at the Barcelona exhibition opening by three times Pulitzer Prize Winner and Emmy film award winning photojournalist/director Barbara Davidson (seen in all black centre top image, below, with “The Skin I’m In” at the FotoNostrum Gallery).

Celebrated as photo ‘Royalty’, Barbara is best known for her work on victims of gang violence in Los Angeles. She is also a 2019-2020 Guggenheim Fellow recipient and will spend the year traveling the United States making portraits of survivors of gun violence using an 8×10 film camera. 

Somewhat of a coup for the Barcelona Foto Biennalle to have Barbara attend the opening event as a very special guest in these times of Covid … and a real buzz for me (and probably Carol ‘up there’ too). Still trying to learn from the event organisers (who sent me these pics) whether Barbara made any audible comment about the work.

So … great to win the Pollux Portrait Award with the image of Carol … and that led to the real buzz of the work being selected to appear on the wall of the 6th Biennial Foto Barcelona at the FotoNostrum Gallery … which led to it being seen by multi Pulitzer winning photo ‘Royalty’ Barbara Davidson … and also lead to Carol posthumously once again spreading her message to burns survivors of the World that anything is possible …

Carol’s legacy lives on … again …

Carol Mayer Image © Brian Cassey … photos © FotoNostrum Gallery, Barcelona

 

 

‘Deadly Threads’ Comes To Cairns …

Whilst my personal exhibition “A Photographer’s Life – Part Two” has sadly finished it’s five week season at the Court House Gallery Cairns, I’m very gratified to still have (large) work ‘next door’ at the Cairns Art Gallery as an integral part of ‘Deadly Threads’.

Early this year, at the request of the State Library of Queensland, I produced a series of images in a Cairns pop up studio of a fascinating variety of prominent northern Australian Aboriginal and Torres Strait Islanders wearing a creative colourful showcase of indigenous singlets, shirts, polos and jerseys.

The resulting SLQ exhibition “Deadly Threads” explores the significance of these apparel pieces as symbols of identity, celebration and unity. They have been developed to protest, commemorate special occasions and historical events and tell stories of Aboriginal and Torres Strait Islander history and cultures.

The exhibition drew crowds in Brisbane during an extended season at the State Library of Queensland from March to October … liberally sprinkled with massive prints of my work amongst the 190 shirts displayed. (I was fortunate to get down to Brisbane to see the exhibition on it’s very last day !)

The exhibition came ‘home’ to Cairns this month at the historic (formerly Public Curators Building) Cairns Art Gallery, with an opening eve on the 2nd of December. Very pleasingly my work again plays a prominent part … (although the actual shirts are still the real ‘stars’ of the show). Two of my works massively adorn the portico outside the gallery to alert passersby to the exhibition inside … images of South Sea Islander resident of Gimuy (Cairns), Franklin Mye (right – below) … and Conrad (CJ) Ahwang, Muluyligal-Zeandth R\Kes man also residing in Gimuy (left – below).

Inside a further half a dozen images adorned the walls … with the pick being another massive image of ‘CJ’ (pics below) unmissably greeting everyone as they entered the exhibition room.

This really is a fine exhibition … the shirts … especially those produced on Mer (Murray) Island to document Eddie Mabo and his work … are fascinating. I’m proud to be a part of it. The exhibition runs till the 23rd January and entry is free … don’t miss it !

Images © Brian Cassey

 

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

Gold & Silver at Budapest International …

More news … this time from Hungary …

… these two images (below) have done it yet again! Announced this week … a Gold award in the 2021 Budapest International Foto Awards (BIFA) ‘Editorial’ for “8 Minutes & 46 Seconds – Tears For George Floyd”… and a Silver in ‘People’ for “The Yarrick Family of Kunhanhaa”.

Chuffed with that …

These two pics have been good to me … and have amassed a tidy number of recognitions over the past year or so.

Previous successes for these two images may be found at these pages … https://www.briancasseyphotographer.com/blog/2021/11/more-for-the-awards-page/, https://www.briancasseyphotographer.com/blog/2021/10/nikon-walkley-portrait-prize-3-yes/, https://www.briancasseyphotographer.com/blog/2021/10/mornington-essay-wins-at-clarions/, https://www.briancasseyphotographer.com/blog/2021/09/tears-at-the-perth-iris-awards/, https://www.briancasseyphotographer.com/blog/2021/08/mornington-clarion-media-awards-finalist/, https://www.briancasseyphotographer.com/blog/2021/07/silver-and-bronze-in-moscow-international/, https://www.briancasseyphotographer.com/blog/2021/04/international-color-awards/https://www.briancasseyphotographer.com/blog/2021/05/carol-amongst-big-handful-at-16th-international-pollux-awards/,

 

Images © Brian Cassey

Budapest International Foto Awards - Winner Gold Award - Editorial - "8 Minutes & 46 Seconds - Tears for George Floyd" by Brian Cassey

Budapest International Foto Awards - Winner Silver Award - People - "The Yarrick Family of Kunhanhaa" by Brian Cassey

‘A Photographer’s Life – Part Two’ at The Court House Gallery …

Now just over two weeks since the doors opened on my latest exhibition … ‘A Photographer’s Life – Part Two’ … and one week since a brilliant official opening eve event at the beautiful venue, the heritage listed Court House Gallery.

Following on from ‘A Photographer’s Life – Part One’ … exhibited at the Head On Photo Festival in Sydney and The Tanks Arts Centre in Cairns in 2017 … there was always going to be a ‘Part Two’.

Essentially a ‘Retrospective’, the ‘Part One’ exhibition featured work selected from my archives … negatives from long forgotten boxes and numerous disk drives … that charted the progression from my first roll of film as a pre-teen, through my first paid media work in London town as a teen and onto my career across the decades producing press work that was published around the planet..

‘Part Two’ is a fundamentally different exhibition of work. It contains a few images that didn’t quite make the space cut for ‘Part One’ – but most of the work is new and made from 2016 up until today. Whilst ‘Part One’ was almost exclusively ‘assigned’ media work the ‘Part Two’ images are much less so. The decline in media work and the lack of media opportunity and funding has meant that much of the new work was made independently, often self funded and sometimes just purely personally observational. The photographs emanated from India, China, Sri Lanka, the United States, Papua New Guinea, the UK … and around Australia, 

An integral part of the new exhibition is the ‘story behind the images’. Each work is accompanied by text explaining how the image came about and why. Many of them are quite personal. Feedback from exhibition visitors so far is that the ‘stories’ added a depth and dimension to the images. Gratifying 🙂

The opening eve event on November 5th was a thoroughly enjoyable big success. An individual exhibition opening record crowd of over a hundred and twenty five crammed ‘standing room only’ in the ‘Court Room’ to witness ABC Radio’s Fiona Sewell ‘grill’ me nicely about eight of the thirty seven exhibition images for about forty five minutes. Many Thanks for hosting the event Fiona.  Great to see friends and colleagues past and present .. many I hadn’t seen in years … turn up for the occasion. Thanks all …

Also launched at the event was the large format high definition limited edition collectors book ‘A Photographer’s Life – Part One & Part Two’ … containing … yes … all the images (85 in all over 88 pages) from both ‘Part One’ and ‘Part Two’. All those who order a copy during the exhibition period (till 11th December) with have their names and an acknowledgment printed in the book … and my scrawled as best I can signature too 😉 . Order at the Court House Gallery office or phone either Dayle on 07 40326621 or the office on 07 40326620.

Greatest respect and massive thanks to Curator Chris Stannard , Dayle Jordon, Megan O’Rourke and the rest of the council team who did a brilliant job hanging and presenting the exhibition. 

The exhibition continues until the 11th December Tuesdays to Saturdays 10am to 4pm … another four weeks to take it in. (If anyone would like a ‘personalised’ tour of the work I will be happy to try and do just that … just contact me.)

Below are images … (impossible in small pics to do justice to the exhibition, the work and the gallery) … of the works on the wall, the opening eve event and the book.

Images © Brian Cassey (4), Brendan Radke (2) & Stacey Carrick (1) (Many Thanks Brendan and Stacey)

 

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

 

 

 

 

 

 

Nikon Walkley Portrait Prize #3 … Yes !

… well, that was damn exciting and unexpected !

A few days ago received an email (proceeded by phone calls) with the great news that I’d once again won the ‘Nikon Walkley Portrait Prize’. Really stoked with that …

The Walkley’s usually announce the winners of the ‘Nikon Portrait Prize’, the ‘Nikon Photo of the Year Prize’ and the finalists of the other Nikon photographic categories during state capital evening ‘events’ … but Covid this year meant a much quieter disclosure via an 8am email.

Wasn’t expected anything … so missed the initial email and only learn’t that my pic “The Yarrick Family of Kunhanhaa” had been selected as the portrait prize winner when colleagues started ringing me !

The pic was made on Mornington Island (Kunhanhaa) in the Gulf of Carpentaria in far northern Australia … an indigenous community that is experiencing multiple ‘social issues’ mostly due to the tyranny of distance and … well …  being ‘forgotten’. Myself and ‘gun’ journalist Michael McKenna travelled to the island in December 2020 to document the story of massive overcrowding in the communities basic homes … and the image and story was published on page one of ‘The Australian’ (below).

Many thanks to Michael … and also to the ‘driven’ Mayor of Mornington, Kyle Yanner, who is single minded in solving the issues that have beset his community.

This portrait was also a part of my pic essay “Mornington Island – The Queenslanders Left behind” that recently won the ‘Photographic Essay’ category of ‘The Clarion Awards’ … Queensland’s media awards.

Also, huge congrats to brilliant Sydney Morning Herald colleague Kate Geraghty who scored the ‘Nikon Photo of the Year Prize’ with an evocative image of a Covid-19 patient that was also published as a page1.

Can’t forget the several of my colleagues that received the news that they are ‘Finalists’ in the remaining Nikon Walkley photographic categories who won’t now learn their fate till the big announcements at The Walkley Awards presentation night of nights in Tamworth in February 2022. I’ll be there ‘with bells on’ !

Below I’ve also posted images and links to my other two previous winning ‘Nikon Walkley Portrait Prize’ photographs in 2016 (here) and 2011 (here). Also just a couple of the links to all the Nikon Walkley winners and category finalists here and here.

STOP PRESS: Was interviewed in the days after the announcement by the Walkley Foundation’s Kate Burgess for an article in The Walkley Magazine. Kate’s work and my words may be found here … https://medium.com/the-walkley-magazine/spotlight-on-brian-cassey-1bfa58b91af8

Images © Brian Cassey

 

2021 Nikon Walkley Portrait Prize - Winner - "The Yarrick Family of Kunhanhaa' - by Brian Cassey

2021 Nikon Walkley Portrait Prize - Winner - "The Yarrick Family of Kunhanhaa' - by Brian Cassey for The Australian

'Abdullatif - Beaten Asylum Seeker' - Winner 2016 Nikon Walkley Portrait Prize - image by Brian Cassey

'Carol - Burne Survivor' - Winner 2011 'Nikon Walkley Portrait Prize' - image by Brian Cassey

Covid Vax & Ice Cream …

Every now and then there comes along a really rewarding story … and every now and then that story throws up a ‘special’ pic.
Last week, for me, this job threw up one of ‘em.

I thoroughly enjoyed being allowed to document the ‘door to door’ Covid-19 vaccination program in the far northern indigenous community of Yarrabah. Orchestrated by the Gurriny Yealamucka Health Service, the operation was startling and well organised … teams of doctors and health workers went from home to home to inform and vaccinate the indigenous population that had been lagging far behind in Covid-19 vaccination numbers.

Following behind the vaccination teams was a pink ice cream van … complete with musical ‘Green Sleeves’ tones … dispensing free ice cream to the newly vaxed and the communities numerous children.
In my favourite image of the day (top below), 67 year old Leanne Bulmer sits in her home with her ‘vaccination ice cream’ after receiving her shot of Pfizer from a doctor on her verandah. I nearly missed it … a health worker spirited Leanne a choc coated soft serve … and I overheard him casually mention it. Leanne was delighted to allow this portrait before her ice cream melted in the tropical heat.

In the second image Dr Peter Roach vaccinates elderly Yarrabah resident Raymond Davidson in his home assisted by health worker Belita Kynuna. The bottom pic shows 19 year old Sherrie Bligh as she is vaccinated by nurse Susie Jarman and enjoys her free ice cream at her Yarrabah home, watched by 2 year old Cleo Costello.

The story and two of my images (including Leanne’s) was published in Thursday’s ‘The Australian’ newspaper under the great head “Jab Blitz Proves As Easy As Pie With Ice Cream”.

The later publication of seven of my images and story link on The Australian’s Instagram account accrued over a thousand ‘likes’ …but, sadly. also led to a stream of readers ‘comments’ (inexplicably to me) highly critical of the vaccination program and the newspapers coverage.

Nevertheless, the ‘door to door’ program proved to be a big success with many residents having their fears allayed and taking the vaccination plunge. All that ice cream just sweetened the deal.

Images © Brian Cassey

 

'Covid Vax & Ice Cream' - images of the covid vaccine door to door rollout in the indigenous community of Yarrabah, north Queensland - by Brian Cassey ©

'Covid Vax & Ice Cream' - images of the covid vaccine door to door rollout in the indigenous community of Yarrabah, north Queensland - by Brian Cassey ©

'Covid Vax & Ice Cream' - images of the covid vaccine door to door rollout in the indigenous community of Yarrabah, north Queensland - by Brian Cassey ©

 

 

‘Deadly Threads’ at State Library of Queensland …

Nice bonus travelling to Brisbane last weekend for The Clarions … when I accidentally came across my portrait work (massively printed) at the State Library of Queensland’s ‘Deadly Threads’ exhibition . 

Was of the believe that It had already closed and I’d missed it … but an impromptu walk through SLQ and there was the big sign  (accompanied by one of my large images) … ‘Deadly Threads – Where Did You Get That Shirt?’ … enter.

‘Deadly Threads’ is a showcase of singlets, shirts, polos and jerseys (over a 190) created by Aboriginal and Torres Strait Islander peoples from across Queensland. It explores the significance of these pieces as symbols of identity, celebration and unity. They have been developed to protest, commemorate special occasions and historical events and tell stories of Aboriginal and Torres Strait Islander history and cultures.

My part was to produce portraits of significant indigenous personalities wearing a range of these shirts for display around the exhibit and for promotional purposes. Around a dozen of my large portraits adorned the exhibition printed (in one case) up to a massive near four metres. I made the pics back in Cairns earlier this year in a little home made pop-up studio.

What I didn’t yet know was, that the day I stumbled into the exhibition last Sunday was it’s LAST day. When I returned next day with camera in hand to record the work, the staff were in the process of taking the exhibition down (hence the limited pics here 🙂 ).

The best news is that the ‘Deadly Threads’ exhibition is coming to Cairns very soon (you heard it first here) and will be open at the Cairns Regional Gallery in November/December. 

Here’s links to the State Library of Queensland’s ‘Deadly Threads’ … https://www.slq.qld.gov.au/deadlythreads … and … https://www.slq.qld.gov.au/whats-on/deadly-threads-where-did-you-get-shirt

It will be well worth catching when it opens at the Cairns Art Gallery where my large portraits will again feature.

Images © Brian Cassey

'Deadly Threads' at State Library of Queensland, Brisbane - Mural Photographic Prints by Brian Cassey

'Deadly Threads' at State Library of Queensland, Brisbane - Mural Photographic Prints by Brian Cassey

'Deadly Threads' at State Library of Queensland, Brisbane - Mural Photographic Prints by Brian Cassey

'Deadly Threads' at State Library of Queensland, Brisbane - Mural Photographic Prints by Brian Cassey

 

 

 

Mornington Essay Wins At Clarions …

Scored a nice tidy hangover … and Best Photographic Essay gong … at ‘The Clarions’ (Queensland’s media awards) presentation event at the Brisbane Convention & Exhibition Centre on Saturday eve.

A great evening honouring the best work of Queensland’s media industry over the last troubled year, it was also a brilliant opportunity to catch up with media mates and colleagues for a drink or two (honest!). To win the award for Best Photographic Essay with my work documenting the dire strait of the Mornington Island indigenous community in the Gulf of Carpentaria for The Courier Mail and The Australian was a very pleasant bonus.

The judges (for whom I have the greatest respect 😉 ) commented thus on my work ‘Mornington Island – The Queenslanders Left behind’ … “This series of images beautifully captures and communicates the plight of a forgotten community. Brian has included both dramatic candid moments and evocative portraits to tell the subjects story while seamlessly using a variety of techniques to create a moving connection to both people and place.

You will get a better look at the entire pic essay on my ‘Awards’ page at … https://www.briancasseyphotographer.com/awards/

Huge Thanks to all at the Media Entertainment and Arts Alliance for once again hosting the awards and the evening … and to the wonderful people of Mornington for their hospitality.

Images © Brian Cassey (pages The Courier Mail & The Australian)

 

2021 Clarion Awards (Queensland Media Awards) - Winner - Best Photographic Essay - 'The Queenslanders Left Behind' by Brian Cassey (The Courier Mail and The Australian)

2021 Clarion Awards (Queensland Media Awards) - Winner - Best Photographic Essay - 'The Queenslanders Left Behind' by Brian Cassey (The Courier Mail and The Australian)

2021 Clarion Awards (Queensland Media Awards) - Winner - Best Photographic Essay - 'The Queenslanders Left Behind' by Brian Cassey (The Courier Mail and The Australian)

Veronica … Mornington Island … Where Home Brew Kills …

Thrilled, but also saddened to once again travel to remote Mornington Island (Kunhanhaa) in the tropical Gulf of Carpentaria in northern Australia … the third visit in the past year.

Mornington is a delightful destination populated by delightful people … but the community are grappling with many social ills mainly caused by the tyranny of distance and basically, being ‘forgotten’.

New young Kunhanhaa Mayor Kyle Yanner is determined to raise awareness about the many issues that have beset his community … and has managed to get the attention of the Queensland Government near two thousand kilometres distant in Brisbane.

I again made many images during last weeks visit to the island … but this pic of five year old Veronica Barnes is the one I’m most fond of. I was concentrating on portraying a 16 year old who was a ‘home brew’ imbiber when I glanced Veronica and her tiny puppy. A couple of frames later and I had what I think is a ‘special’ image (sorta ‘Bill Henson style’ 😉 ). (NB … her father gave permission for the pic to be seen.)

Veronica’s community is experiencing the ravages of a wide spread ‘home brew’ alcohol epidemic … and this was the main thrust of our story. She is growing up in a community where many of her extended family members and friends are suffering the consequences of alcohol induced diabetes and untimely death. The community … ‘dry’ for twenty  years … has seen a rapid rise of dangerous home brewed alcohols … and children as young as ten years old have been imbibing and adversely effected. Diabetes cases have skyrocketed and the cemetery is littered with the graves of those who have succumbed to alcohol related issues in their teens, twenties and thirties. 

Mayor Yanner and the council are reaching out for urgent assistance to stem the scourge and are proposing the introduction of regulated mainstream mid strength alcohol products to the island, controlled at a Tavern. Queensland Minister for the Environment Meaghan Scanlon MP made the trek to Mornington last week to listen first hand to Yanner’s plans.

Veronica’s image was just one of the many made whilst covering the story (by journalist Domanii Cameron) in The Courier and Sunday Mail newspapers … below is a also page grab of the spread as published in Saturdays ‘Weekend’ edition.

My recent previous visits to Mornington documented severe overcrowding in the community’s housing (The Australian, December 2020) … and numerous issues in ‘The Queenslanders Left Behind’ (The Sunday Mail, May 2021)

 

Images ©Brian Cassey – publication © Courier Mail

 

'Veronica - Mornington Island - Where Home Brew Kills' - image by Brian Cassey for Courier Mail story on alcohol abuse and home brew on Mornington Island in the Gulf of Carpentaria.

 

'Veronica - Mornington Island - Where Home Brew Kills' - image by Brian Cassey for Courier Mail story on alcohol abuse and home brew on Mornington Island in the Gulf of Carpentaria.

 

‘Tears’ At The Perth IRIS Awards …

The ‘IRIS’ awards exhibition … an International biennial art prize acknowledging outstanding contemporary portraiture … opened in Perth on Friday eve at the Perth Centre for Photography Gallery. So pleased to see my ‘Finalist’ selected image “Tears for George Floyd … 8 Minutes and 46 Seconds” (top below) make it’s ‘on the wall’ debut in the fantastic exhibition. (Image © Brian Cassey @brian_cassey)

The award prides itself for “selecting revealing portraits that are unique, original and conceptually stimulating”.

Normally I’d be there at the opening … but no way could I travel early to endure a costly 14 day quarantine on top of airfares etc etc. 

The exhibition works were in the main, indeed, unique in many ways … a great exhibition to be part of.

As I couldn’t attend (thanks to covid), loverly Perth based photographer Andrea Vose very, very kindly sent me pics from the opening eve (below) illustrating my work as it sat on the exhibition walls. Thank You heaps Andrea !!

Images below … “Tears for George Floyd … 8 Minutes and 46 Seconds” © Brian Cassey … Images at Perth Centre for Photography Gallery © Andrea Vose

IRIS Award - for Contemporary Photographic Portraiture, Perth - 'Finalist' - 'Tears for George Floyd ... 8 Minutes and 46 Seconds' by Brian Cassey

IRIS Award - for Contemporary Photographic Portraiture, Perth - 'Finalist' - 'Tears for George Floyd ... 8 Minutes and 46 Seconds' by Brian Cassey

IRIS Award - for Contemporary Photographic Portraiture, Perth - 'Finalist' - 'Tears for George Floyd ... 8 Minutes and 46 Seconds' by Brian Cassey

 

Aus Paralympians Off to Tokyo Olympics …

… a large chunk of the Australian Paralympic team left Cairns last night for Tokyo to compete in the Olympic Games… and I had the distinct pleasure of working with these great athletes on their last training sessions on Thursday. Thanks to Delly Carr who ‘dobed’ me in and Athletics Australia for the work.

These are just a small selection of ten of those many images made at these training sessions at Barlow Park, Cairns … the evening session especially challenging as the ‘light’ can only be described as atrocious !

I can’t stress how wonderfully down to earth and receptive these athletes are … many World Champions and previous Olympics Gold winners amongst them … despite circumstances which would floor most all of us. 

In these ten images we have (top to bottom… I wish space would allow me to post more) … Vanessa Low – long jump World record holder & Olympic Gold Medalist … James Turner – 800 metre World Record & Olympic Gold Medalist (left) – and Scott Reardon – 100 metre Gold Medalist (right) … Robyn Lambird – wheelchair racer … Samantha Schmidt – Discuss … Ari Gesini – long jump … Chad Perris – 100 & 200 metres … Vanessa Low – long jump World record holder & Olympic Gold Medalist … Even O’Hanlon – 100 metres (front)  – and Chad Perris – 100 & 200 metres (rear) … Sarah Edmiston – discuss … Robyn Lambird – wheelchair racer.

Wish all the team the greatest success … (as long as they don’t embarrass Great Britain 😉 )

Images © Brian Cassey, Athletics Australia 

Australian Paralympic team members - off the the Tokt=yo Olympics - images by Brian Cassey

Australian Paralympic team members - off the the Tokt=yo Olympics - images by Brian Cassey

Australian Paralympic team members - off the the Tokt=yo Olympics - images by Brian Cassey

Australian Paralympic team members - off the the Tokt=yo Olympics - images by Brian Cassey

Australian Paralympic team members - off the the Tokt=yo Olympics - images by Brian Cassey

Australian Paralympic team members - off the the Tokt=yo Olympics - images by Brian Cassey

Australian Paralympic team members - off the the Tokt=yo Olympics - images by Brian Cassey

Australian Paralympic team members - off the the Tokt=yo Olympics - images by Brian Cassey

Australian Paralympic team members - off the the Tokt=yo Olympics - images by Brian Cassey

Australian Paralympic team members - off the the Tokt=yo Olympics - images by Brian Cassey

 

 

Mornington … Clarion Media Awards Finalist …

… it’s always a pleasure … a once a year excuse to trek to Brisbane and spend a very pleasant eve with southern media colleagues that I far too infrequently get to socialise with.

The ‘Finalists’ in the Clarion Awards … Queensland’s prestigious awards which recognise the best of the Sunshine States media for their work across the year … were announced this week … and very pleased to be selected as one of three photographers in ‘Best Photographic Essay’.

So … if the Covid virus plays nicely (i.e. elsewhere) … will be off to Brissie in October to enjoy another year of the Clarion Awards ‘presentations’ … this time at a cocktail function at the Brisbane Convention and Exhibition Centre.

Greatly looking forward to catching up with photographers Darren England and Evan Morgan (co-finalists in ‘Essay’), David Clark, Annette Dew and Tertius Pickard (finalists In ‘News Photograph’) and ‘Regional’ finalists Rob Maccoll and Cairns colleague Brendan Radke. Big congrats guys n gal. Not forgetting the wonderful journalists, scribes, blunts (whatever you choose to call ‘em) that pen the words that fill the spaces between our photographs.

My selected work is a pic essay compiled from images made for The Sunday Mail and The Australian, documenting the plight of the indigenous residents of the remote Gulf of Carpentaria township of Mornington Island. Entitled “The Queenslanders Left Behind”, it comprises eleven images made during two journeys to the island, concentrating on the issues of housing overcrowding and other social ills.

Five of those eleven pics are here below … from top … Shaylene Yarrick and her children bed down in the lounge of their overcrowded house … Mum Cheree Loogatha and daughter Arizona outside their Gununa house …  Shaylene Yarrick sheds a tear outside her tiny overcrowded home … The Loogatha family yarn around the fire outside their house … Mornington Island sisters Yvonne Wilson (17) and Corrin Wilson (13) suffer from type 2 diabetes. Corrin also has rheumatic heart disease, whilst their mother is receiving dialysis following renal failure.

Very pleased to once again have the chance (it’s now twelve years of ‘Finalists’ with a fair few ‘Wins’ over the last decade and a half) to enjoy Queensland’s media ’Night of Nights’.

Covid-19 … please don’t stuff it up !

Images © Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey