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APL – Part 3 – Portraits … Get the Book !

Very sadly the exhibition of my work “A Photographer’s Life – Part 3 – Portrait” on the walls of the gorgeous new Mulgrave Gallery on the Cairns Esplanade has now come to an end.

An epic opening eve back in late January followed by the six week run of the exhibition saw scores of viewers and fantastic feedback from visitors from around the planet and Australia (including many from the cruise ships that regularly dock in Cairns).

If you were one that couldn’t/didn’t visit the exhibition during it’s ‘showing’ but are still keen to see what it was all about … or just fancy your own tangible memento of the exhibition … you can still get your hands on your personally signed hard cover limited edition volume featuring all the portraits that were on the walls. The book “A Photographer’s Life – Part Three – Portrait” is now available via the ‘Shop’ on my web site at … https://www.briancasseyphotographer.com/shop/category/books/ … where you may also find my other Limited Edition signed books available. (HINT: If you are a Cairns ‘local’ or close by please just send me an email () requesting your personalised copy and I’ll hand deliver it to you without any postage/shipping charges saving you $$$’s 🙂 )

Near 2500 people walked through the doors of my APL – Part 3 – Portrait exhibition with a similar number for the other two shows with my involvement in the Mulgrave and Court House Galleries complex … “Word on the Street” (mentored the Trinity Bay High School visual arts students in photojournalism) and “Paper Tigers – an Anthology of Australian Photojournalism” (co-curated the work of 60 Australian photojournalists.) The feedback on all three was magnificent.

Huge Thanks to curator Chris Stannard and the all the rest of the fabulous dedicated team at Cairns Galleries. To Head On Photo Festival director Moshe Rosenzveig OAM who flew from Sydney to open the exhibitions. Amazing ! Also to Collie Jacobs for the image (top) below of the gallery entrance with me spoiling the pic. Second image below is the cover of the book, followed by a couple of pics of the pages inside.

Images & Book © Brian Cassey (and Collie Jacobs – top)

Millionaire Castaway … David Glasheen Update …

… very nice run in last weekends edition of the Courier Mail that featured my images … old and brand new … of old friend ‘Ex Millionaire to island Castaway’ David Glasheen. David lost a literal fortune during the 1987 economic crash and then chose to ‘drop out’ and live a solitary secluded life on historic Restoration Island off the coast of far north Queensland. 

His story and my photographs of David spread World wide after I visited him three times on his island … (named Restoration Island by Captain Bligh when he landed there during his epic 4000 mile open boat journey following the HMS Bounty mutiny) … back in 2010 and 2011 for News Ltd, the New York Times and Fairfax.

David later published a book about his life entitled “The Millionaire Castaway” which sold a quarter of a million copies around the planet.

Recently I learnt that David (now 81) had suffered a heart attack and had left the island for a bed in Cairns Hospital. At the hospital I was told he had just been discharged and I found him at the nearby Red Cross accomodation.  We chatted about old times and I asked if I could make yet another newer portrait … which he readily agreed to. 

This portrait (top image) is the result. David has always had a story to tell so I passed on details of his current trauma and story to Courier Mail gun journalist Michael Madigan (who I have worked with on many stories previously) … and passed on David’s new portrait and the earlier 2010/2011 pics of David on his remote inland retreat to the Courier picture desk.

The result … a front page pointer, Davids portrait on page 15 and a spread across pages 36 and 61. Happy with that … huge thanks to Michael for his brilliant words … and, of course, David who is now recovering with his family ‘down south’ (but really hoping to soon get back to his island home.)

Read David’s story in the Courier Mail here … https://www.couriermail.com.au/lifestyle/millionaire-castaway-david-glasheen-seeks-a-companion-for-qld-tropical-island/news-story/2c4f77dd13fe0a8388b533e3a53e460

Images © Brian Cassey

‘Fine Art’ … and Dodho …

Not an extinct flightless bird, Dodho publishes “Dodho Magazine” … in their words “one of the most influential online contemporary photography magazines, committed to discovering and promoting the best photographers around the world”.

So … was excellent to again be selected in the “Dodho Fine Art” awards and see one of my favourite images … “Mother Africa – Aurora” … grace the wonderful Dodho large format hard cover fine art awards book.

This was only the second edition of the fine art awards and pleased to say that another of my images … “Bonn – Asking the Question” … was selected in the inaugural awards last year (see second image below). Dodho now also hosts other awards each year … and I also have had work selected … twice each … in their “Portrait Awards” and “Color Awards”. Getting quite a nice little collection of fine award photo books !

Dodho really do do a fine job of promoting a great variety of International photography. Do look out for them …

By the way … “Mother Africa” is large front and centre in my current exhibition “A Photographer’s Life – Part 3 – Portraits” … open now at the Mulgrave Gallery, Esplanade, Cairns until the 29th February.

Images © Brian Cassey

Dodho Magazine Fine Art Awards 2024 -"Boon - Asking the Question" - image © by Brian Cassey

Duncan Miller Gallery … Los Angeles …

… pretty stoked that my image “Aurukun – Generations” has been selected and listed for sale by the prestigious Duncan Miller Gallery in the United States.

The gallery and their web portal Your Daily Photograph (https://www.yourdailyphotograph.com) specialises in the sale of “important classic and contemporary photographic works of art” … and are the owner of the largest collection of vintage photographs on the West Coast of America. They have subscribers and potential purchasers in 75 countries.

You may see the work on their YDP site here … http://eepurl.com/i829Xw
My work is apparently in very good company … in the recent past images by Henri Cartier-Bresson, Andreas Gursky, Richard Misrach, Andre Kertesz, Edward Burtynsky and other photography legends have been offered for sale on YourDailyPhotograph.

The portrait of Aurukun Wik elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola was made outside their house in the Cape York Peninsula indigenous community. It has featured numerous times in awards across the last few years … arguably the most stella being ‘sent into space’ and projected above the planet courtesy of the British Journal of Photography “Portrait of Humanity” awards … and published in the book collection of the same name.

My first sale at Duncan Miller Gallery was back in 2012 with my “Rajasthan Dancers” photograph, made in Udaipur, Rajasthan, India in 2011 (image below).

Images © Brian Cassey

ABC Radio … on 3 NEW Exhibitions …

Very pleased to be interviewed by ABC Radio’s wonderful Drive presenter Charlie McKillop on the morning of the opening of three exhibitions in Cairns that I am more than heavily involved in.

The three exhibitions are spread across both the Court House Gallery and the new adjoining Mulgrave Gallery … the exhibition of my latest work “A Photographer’s Life – Part 3 – Portraits” … the exhibition of the work of Australian photojournalists that I curated alongside Head On Photo Festival Director Moshe Rosenzveig OAM, “Paper Tigers – An Anthology of Australian Photojournalism” … and the resulting photojournalism work from my mentorship of Trinity Bay High School visual arts students, “Word on the Street”.

Have known ABC’s Charlie for many years … she’s a great interviewer who makes sure she has completed all the research on her interviewees. It’s really just a friendly rewarding chat … ‘on air’. Thanks Charlie !

Won’t go into too much detail about the exhibitions here and will let the interview itself ‘fill you in’.

It runs for ten minute and forty seconds.

There are many more details on the three exhibitions , the opening eve event and a set of photographs at my blog post here … https://www.briancasseyphotographer.com/blog/2025/01/three-exhibition-openings-in-cairns/

“A Photographer’s Life – Part 3 – Portrait” and “Word on the Street” run till 29th February at the Mulgrave Gallery whilst “Paper Tigers’ finishes on the 22rd February at the Court House Gallery.

THREE Exhibition Openings in Cairns …

Two weeks since the opening of three exhibitions at the adjoining Mulgrave and Court House Galleries in Cairns.

Really stoked to see my new exhibition of 35 portraits “A Photographer’s Life – Part 3 – Portraits” … the collection I curated alongside Head On Photo Festival Director Moshe Rosenzveig “Paper Tigers – An Anthology of Australian Photojournalism” … and the work of Trinity Bay High School students that I mentored and edited with Cairns Galleries curator Chris Stannard “Word on the Street” … all opening simultaneously on the lawn between the galleries.

It was a brilliant and amazingly well attended evening.

Moshe Rosenzveig flew up from Sydney to perform the official exhibition openings under the evenings very threatening skies … and also joined me the following day hosting our artist/curators talks.

It is the first time that “Paper Tigers” has been shown outside of Sydney … and it was a real pleasure to see the sixty works by Australia’s wonderful photojournalist community on the expansive walls of the Court House Gallery … including my 2016 Nikon Walkley Portrait Prize winner “Abdullatif – Beaten Asylum Seeker” (pic 5 below 🙂 ). Was a real (lengthy and sometimes complicated) pleasure to work with Moshe to put this significant collection together. The exhibition includes many examples of Australian photojournalism that are historic and helped shaped the face of the country. VERY well worth a visit and a long long look.

My exhibition of ‘Portraits’ is a logical extension of my two earlier exhibitions … A Photographer’s Life Parts 1 & 2. Part One was exhibited in The Tanks Arts Centre in 2017 … and Part Two in the Court House Gallery in 2021. Together they documented not only my involvement in photography from a very early age and across the decades, but also the changes in photojournalism and the media environment. Part Three demonstrates the move more to portraiture from the more traditional and difficult to obtain (and more expensive) pure photojournalism. It also contains several of my fondest and most emotional images. Great to see some of the images projected the size of a house too !

“Word on the Street” is the product of my connections over the years with Trinity Bay High School and their visual arts students and teachers. I have judged and presented their annual photographic portrait prize for near a decade and have many times provided the students with class room talks and street walks where we explored photography and photojournalism. The catalyst for this particular exhibit was a chat with Cairns Galleries curator Chris Stannard (left in image 4). We mentored the students in photojournalism and encouraged them to produce work whilst charging young cadet journalist Isaac Colman with the task of writing their stories. A very rewarding and successful exercise …

Must, must … hugely thank Chris Stannard and all at the galleries staff (Andy, Narelle, Jilara, Laurence etc etc) who worked so hard to put these exhibitions together … Moshe for his time, expertise, words, camaraderie and attendance … the visual arts students and teachers from TBHS … my wonderful subjects (Vale Alf, George S, George C and Desley) … and all who taken the time out to be there on the opening eve or have subsequently walked through the gallery doors !

Also grateful to Charlie McKillop at ABC Radio who very nicely interviewed me on exhibition opening morning for her ‘Drive’ segment. You may listen to that interview here if you have ten minutes and forty seconds to spare.

Plenty of time left to take in the exhibitions … “Paper Tigers” runs to the 23rd of February … whilst “A Photographer’s Life – Part 3 – Portraits” and “Word on the Street” have both been extended until the 29th February. I may even catch you there 😉 .

I do hope to have some fascinating ‘360 degree’ videos of the exhibitions very soon.

In pics below … Mulgrave Gallery entry to “A Photographer’s Life – Part 3 – Portraits” and “Word on the Street” during an accompanying musical event – featuring my image “The Kids of Ali Curung” … my exhibit image “George at the Bus Stop” projected at dusk … some of my portraits on the walls of the Mulgrave Gallery … Cairns Galleries Chris Stannard at the Court House entry to “Paper Tigers” … my work :Abdullatif – Beaten Asylum Seeker” in the Court House Gallery “Paper Tigers” collection … projection of my work “Veronica – Where Home Brew Kills” late on opening evening … lastly, Head On’s Moshe Rosenzveig (right), myself (left – a VERY rare pic), friends from the Cairns photographic community Shaz Spannenburg, Peter Rossi, Charmaine Heyer, Polly Fenton with (rear) Robert Gray from Brisbane … at the Conservatory Bar ‘after launch’ ‘do.

Images © Brian Cassey … except second © Cristina Bevilacqua … and bottom © Moshe Rosenzveig/Sarah Hulgill

Nice Chrissie Presents from … Budapest (BIFA), The Capture Awards and Dodho Color Awards …

… nice early Xmas pressies from the ‘Budapest International Foto Awards’ (BIFA), ‘The Capture Awards’ (hosted by Capture Magazine) and the ‘Dodho Color Awards’ 2024 (hosted by Dodho Magazine.)

The first two featured great results for my image “Alive – Bill & Michell’s Miraculous Escape From Cyclone Jasper”, which only a few weeks ago also took out the Clarion Awards (Queensland Media awards) ‘Best News Photograph’ honours.

Bill & Michell’s emotional image post Cyclone Jasper flooding was selected for the Bronze Award in the Editorial category of the Budapest International Foto Awards … and also in the top images list of the Documentary category of the Capture Awards and featuring in the new Summer edition of the print magazine.

Also in the Budapest awards, it was really gratifying to also see “Little Tuna” get a mention (an Honourable one – spelt here with a ‘u’ 😉 ) … the first time my portrait of “Little Tuna” proprietor Kate Lamason with one of her ‘family’, has been recognised in awards. The portrait was made in the office of Kate’s highly successful Australian caught tuna business in Cairns and producing the pic left her work place more than a little damp.

Accompanying Bill & Michelle in the Capture Awards were two of my images “George at the Bus Stop” (George Skeene OAM) and “Bubblegum & Voices” (Kythie Yunkaporta discovering bubbles in Aurukun) in the People & Portrait category. Both have been mentioned in previous awards.

Then … on Christmas eve the beautiful new Dodho book “Color” arrived in my post office box. The hard cover, large format, nicely printed volume showcases the winners and top works from the 2024 “Color Awards” … and included my portrait “Generations- Aurukun” of Aurukun Elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola. Dodho do do lovely books 😉 .

Images © Brian Cassey … from top … Budapest International Foto Awards 2024 (BIFA), The Capture Awards 2024, the book “Colors” by Dodho Magazine – hard cover collection of the best photographs from the 2024 Dodho Color Awards.

TWO at the Clarion Awards …

… utterly chuffed to win the two major photography prizes at last eves “The Clarion Awards” (Queenslands Media Awards) in Brisbane … Best News Photo for “Alive – Bill & Michell’s Miraculous Escape From Jasper” … & … Best Photographic Essay for “Jasper Brings Once in a Century Flooding”.
A terrific evening amongst many media colleagues and friends old and some new. Well worth the trip from the tropics to the big city ;-).

The night really was a reminder that the media industry is still alive and kicking …. the work of the category winners was a real credit to all … and I was extremely gratified to be just a part of it.

Thank You to the MEAA (especially the Queensland branch) for continuing to organise such a great media event.

First image below is my winning Best News Photo … a work that is very close to my heart. Thank You Bill and Michelle from Degarra who put up with me at an extremely fragile time of their lives … to The Australian pic editors Michael Bilbe-Taylor and Milan Scepanovic who entrusted me with a very difficult and complicated assignment … and to gun journo Michael McKenna who did a great job of crafting the story via a very crackly phone line.

The following twelve images is my winning photo essay … made from when Jasper first reared it’s destructive head, through the record breaking rain falls and on to the start of ‘recovery’. 

Oh yeah … the judges comments are there too at the bottom. 

(Must also mention my medical mate Dr Richard Jackman who managed to get me back out working during the cyclone event after a busted vertebrae incurred during a rain sodden stair fall 🙂 )

Images © Brian Cassey  @brian_cassey

Wonderful Weekend at ‘Head On’, Sydney …

Without doubt, the biggest drawcard in Australia for the photographic community is the ‘Head On Photo Festival’ in Sydney.

The annual festival features numerous exhibitions selected from around Australia and the planet … and I’ve been fortunate enough for the last few years to be part of the selection panel that ploughs through several hundred collections of fabulous photographic works to decide what actually ends up on the exhibition walls (or fences!) of Bondi Pavilion and the beach front, Paddington Reservoir Gardens and other venues around Sydney.

The festival also hosts the Head On Photo Awards (Portrait, Landscape and a new one – Exposure), which attracted entries this year from as far afield as Bulgaria, Malta, Greece and Slovenia, to name just four of many.

(NB … I must confess to a little bit of bias … have been a Head On Award winner in the past, a finalist lots of times and an exhibitor on numerous occasions.)

This years collection of exhibition works on display was one of the best I’ve seen. It was excellent to see the work that we agonised to select on a computer screen way back in March, exhibited in the best locations at Bondi, Paddington and more. The same can be said for this years awards … the finalists in Head On Portrait Prize in particular were absolutely brilliant this year.

Head On, however, is not just about awards and exhibitions … it’s the coming together of talented (and newby) photographers from around the world to engage, discuss, swap ideas, learn, celebrate the photographic image and perhaps share a drink or three. Was excellent to catch up with imaging colleagues and friends at a splendid Bondi Pavilion opening eve and across the five days that I could afford to stay … amongst them Mark “Crusty” Baker (who kindly provided luxurious accomodation), Stephen Dupont and the delightful Martina Reys (great Rwanda show you two!), Michael Coyne, Peter Solness, Max Pam, Barbara McGrady, Diana Lui, Marta Soul, Donna Squire, Mike Magee, Simon Harnest, Katherine Griffiths, John Swainston, Max Mason-Hubers, Glenn Porter, Diane Brooks (thanks for the rides !) … and two ‘first time’ Cairns based photographers … the lovely talented Emese Gyalog and new to our city landscape photographer Danielle Jayde. (My apologies to those I may have missed mentioning !)

Of course, all this would not be possible without the amazing tiny Head On team who move mountains to put the festival together … Festival Director Moshe Rosenzveig OAM, Anita Schwartz, Stephen Godfrey, Callum Boland, Charles Mackean and volunteers. Brilliant …

Cairns photographers recognised for their work in the festival this year were the afore mentioned Emese Gyalog and Danielle Jayde, Marc Steiner … and … a certain Brian Cassey 🙂 (no great big deal … this time it was just a semi-finalist in the ‘Exposure’ category with ‘Marilyn Monroe 60 Years On – Bonn‘ 😉 … shown at the festival bottom below.)

Images from top … © John Swainston (promoting Stephen Dupont’s ‘Rwanda 30+ Bearing Witness to Genocide’ exhibition on festival opening eve), © Brian Cassey (Stephen Dupont at the opening eve of ‘Rwanda 30+ Bearing Witness to Genocide’), © Brian Cassey (Martina Reys talks to Rwanda genocide survivors at ‘Rwanda 30+ Bearing Witness to Genocide’), © John Swainston (Head On work displayed on the Bondi Beach waterfront), © Brian Cassey ( my selected work in ‘Exposure’ – ‘Marilyn Monroe 60 Years On – Bonn’)

Dodho Published Again … & Looking Good at the Percival’s …

Nice chunky parcel dropped into my PO box this week. Inside was the Dodho Magazines hard cover book of the works selected as Finalists in the 2024 Dodo Portrait Prize. A really nice publication and collection …

So pleased to find that my image of Kuranda based artist Peter “Potter” Thompson (top) looking great across a whole page. If anyone deserves the recognition it’s Peter and the image title … “Do Not Resuscitate – Peter ‘Potter’ Thompson” … may give a clue to why.

A Master Ceramicist, Peter ‘Potter’ Thompson has been working the kilns in the Kuranda rainforest studio that he has called home for over fifty years. Peter – amongst Australia’s most accomplished practitioners of wood-fired kiln pottery – is something of a miracle having survived three heart attacks over his career producing imaginative Asian/Taoist inspired works that have graced galleries far and wide. On his pace maker heart chest is tattooed ’N F Resuscitare’ (‘Do Not Resuscitate’) and his blood group – a testament to his dry sense of humour.

This image of Peter has also been recognised in the 2024 Tokyo International Foto Awards (TIFA), the 2023 Pollux International Awards and Australia’s Capture Awards. Thanks Peter !

Recently I also visited the Perc Tucker Gallery in Townsville where three of my other images graced the walls in the Percival Photographic Portrait Prize … “George at the Bus Stop – Dr George Skeene OAM”, “Last of the Trochus Divers – Albert ‘Boyo’ Ware” and “100 Years & 3 Weeks – Alf Neal OAM” (see the other two pics below). The Townsville council host a fabulous show of portrait photography which is accompanied by the works of artists who prefer to use paints … The Percival Portrait Prize. Both shows are worth some time exploring and are open until September 1st.

Images © Brian Cassey

The image "Do Not Resuscitate - Peter 'Potter' Thompson" by Brian Cassey selected as 2024 Dodho Portrait Awards Finalist and published in the year book .... whilst three other of Brian's works stood out at the Percival Portrait Prize in Townsville.
The image "Do Not Resuscitate - Peter 'Potter' Thompson" br Brian Cassey selected as 2024 Dodho Portrait Awards Finalist and published in the year book .... whilst three other of Brian's works stood out at the Percival Portrait Prize in Townsville.
The image "Do Not Resuscitate - Peter 'Potter' Thompson" by Brian Cassey selected as 2024 Dodho Portrait Awards Finalist and published in the year book .... whilst three other of Brian's works stood out at the Percival Portrait Prize in Townsville.

Another Nine for ‘Collectors Print’ Shop …

… new month … more pics … have added NINE new images to the “Signed Collector Prints” collection on my new ‘Shop’ page.  They join eight other works available to buy as 18” X 12” signed prints … all made on archival matt photographic paper 18” on longest side, 12” on shortest side (457mm X 305mm) … and I whack my signature thingy on the front bottom right corner 🙂 .

The latest nine … (below, left to right, top to bottom) … ‘Train Journey – Sri Lanka – 2018’, ‘Singing in the Rain – Dire Straits – 1986’, ‘Palm Island – 2007’, ‘Huli Maiden – Tari PNG – 1987’, ‘Manus – Bismarck Sea – 2016’, ‘Number 55 – 2015’, ‘Jodhpur Wedding Party – 2011’, ‘Two Up – 1987’ and ‘Beef Barons – 2015’ … bring the number of “Signed Collector Prints” currently on offer to 17 … and more will be added periodically.

To take a look and place an order just go to … www.briancasseyphotographer.com/shop/category/prints/

Images © Brian Cassey

The Wet ‘n’ Windy Visit of Cyclone ‘Jasper’ …

… it’s raining heavily as I pen this … it is the ‘wet’ season after all … but nothing like the utterly torrential rains that Cyclone Jasper brought to Cairns and the far north in mid December.

Although the actual cyclone was somewhat lower on the scale as cyclones go … the rains that followed in Jasper’s wake were the most intense seen up here in many decades.

Breaking most of the very long standing rainfall records, metres high flooding and massive landslides caused absolute havoc … and as usual it’s my sometimes challenging job to cover the happenings photographically. As a freelance this gets a little complicated as the phone runs a little hot from calls from news publications and the ‘wires’ (news agencies).

Over the course of Jasper’s journey across the Coral Sea, it’s approach and crossing of the far north coast and it’s impact and aftermath thereafter … I found myself working for all of AAP (Australian Associated Press), AFP (Agence France Presse), NCA Newswire … and News Ltd. The images I made over the initial couple of weeks of turmoil were syndicated and published around the planet … some turning up in places and publications that I had no idea existed.

Jaspers effect on far north Queensland was massive. The Cairns northern beach suburbs of Holloways, Machans and Yorkeys Knob were inundated with metres of flood water … many residents escaping to their rooftops and eventual chopper rescue. Indigenous townships further north were so badly flooded that entire communities were evacuated. At least one was swept to their death. Metres of rain eroded mountains and caused numerous massive landslides that crushed buildings, covered main roads and changed the landscape … and that’s just part of the story.

Here’s links to just over a handful of the many publications where my work turned up over the cyclone event … The Arkansas Democrat Daily – USA, The Peninsula – Qatar, The Hindustan Times – India, The New Straits Times – Malaysia, RNZ – New Zealand, France 24, International – The News – Pakistan, Kuwait Times … and The Augusta-Margaret River Mail – WA Australia. They were scores more around the planet.

There’s a selection of my Jasper images (so far) below and here are short details of each for context … from top … as follows … 1. The Sanders family watch Jasper roll in across the Coral Sea at Holloways Beach … 2. Linda Applbee sits on the saturated contents stripped from their flooded Holloways Beach home … 3. Two Pictures on the wall … Steven and Caroline Cheng survey the flooding in their house of 38 years at Holloways Beach … 4. Evacuated residents leave the flooded Barron River bridge Cairns to return to their Holloways beach home … 5. Evacuated residents reunite with rescued family members at the Barron River Bridge Cairns … 6. (left) A discharged patient awaits outside the Emergency Department of Cairns Hospital behind a line of sand bags … (right) Tree surgeon Brice Stienstra removes a felled tree from Muddies Playground on the Cairns Esplanade … 7. (left) Rattled … Inundated ‘Rattle ‘n’ Hum’ bar on the Esplanade at Palm Cove as Jasper closes in … (right) 11 year old Cairns resident Jaxon Andrews tends to a cyclone battered and drenched white cockatoo … 8. (left) Ergon electrician Justin Pitts prepares to fix a power line victim of Jasper … (right) Motorists traverse flooded Cairns streets during torrential rains … 9. A massive tree snapped by Jasper on the Cairns Esplanade.

The first image of the waves at Holloways Beach turned up full TV screen whilst watching CNN … and the fourth image, made at the Barron River bridge in Cairns, was one of 23 images selected in the ‘Australia’s Best Agency Photography for 2023’ collection published by The Guardian. Nice …

Covering Jasper certainly wasn’t uneventful … my favourite lens became a victim of saturation … and I managed to fracture a vertebrae in a fall … minor stuff … and I’ve a feeling Jasper’s story isn’t quite over yet …

Images © Brian Cassey, AAP, AFP, NCANewswire

Clarion Awards … Thank You Neal Family of Yarrabah …

… a great night at the Queensland Clarion Awards in Brisbane on the weekend.

The ‘Clarions’ are the annual awards for Queenslands media fraternity hosted my the MEAA (Media, Entertainment and Arts Alliance) and, in their own words, “recognise excellence, independence, innovation and originality in storytelling and distinctive reporting. This can be through research and investigations, well-crafted and innovative presentations, news-breaking single stories or features, and engaging, entertaining and/or informative reporting.” (They also recognise the work of us ‘photographers’ too 😉 !)

Was very happy to be the recipient of both the major photography awards … ‘Best News Photograph’ for “Voices –  100 Years & 3 Weeks – Alf Neal OAM” … and … ‘Best Photographic Essay’ for “The Voice – Alf Neal OAM at 100”. Gratifyingly, it’s the third year in a row that I’ve been selected as winner of the Best Essay … puts the pressure on somewhat for next year.

I must greatly sincerely thank the Neal family of Yarrabah for allowing me to document the last days of the wonderful and distinguished legend and gentleman that was Alf ‘Popeye’ Neal OAM (in particular the help from Alf’s son Percy … Thank You Percy). I’ve written much on Alf’s life here previously …

I hope I have given a wonderful man the respect (and memories for his family) that he deserves. Miss you Alf.

It was also very nice to read the comments on my works by the judges …

‘Voices – 100 Years & 3 Weeks – Alf Neal OAM’ by Brian Cassey is in a class of its own and a standout news picture. From the story to the access to the execution, Brian nailed the image and while doing so told an important story. Alf’s life was dedicated to activism and this poignant portrait raises hopes that the changes he didn’t live to witness in his lifetime will come to fruition to better the future of his great great grandson, Kailan. Well done Brian, we hope to one day see this image hanging at the National Portrait Gallery!

‘The Voice – Alf Neal OAM at 100′ by Brian Cassey ticked everyone of the criteria for this category for me. The story, ‘The Voice’, is in the news most days. Brian Cassey developed and nurtured a relationship with the subject. He focused on one man to tell a more complicated story. He was trusted, which gave him access at a very sensitive time for this community. His research allowed a depth to his storytelling. The images and words reflect one another adding great depth to the coverage. His essay tells the story very well. It is beautifully photographed.

Of course … the Clarion Awards are also a great opportunity to visit the big city and catch up with the many photographer and journalist friends and colleagues that aren’t fortunate enough to live and work in the Tropics ;-). Thanks MEAA.

Below I’ve added just a few pics from the winning essay … if you fancy, the complete essay set of twelve images may be found on my web site at … https://www.briancasseyphotographer.com/awards/

Images © Brian Cassey of Alf, his funeral at Yarrabah and interment at Ngarrabullgan (Mt Mulligan) … Tweets (orX’s) by MEAA

Free Palestine … Brisbane …

… a quick weekend visit to Brisbane to attend the ‘Clarion Awards’ (Queensland’s annual media awards bash – more on that in another post) … and to catch up with UQ Uni studying daughter.

Daughter and friend were keen to join the “Free Palestine” rally in central Brisbane … so it seemed a good idea to spend some quality time and also attend and document a very current and important (disturbing) news story.

Thousands gathered to fill King George Square before a spirited march around the Brisbane central business district.  A motorcycle police officer I spoke to said it was the largest rally he’d seen in many many years. Impassioned but incident free, the rally shared the message about the Palestinian peoples several decades long fight for freedom, a homeland and some dignity … sadly to an almost deserted city centre.

Here below are just five of the many images I made at the rally on Saturday afternoon. More from the set may be found on my my Facebook page at … https://www.facebook.com/brian.cassey1 … and/or on my Instagram account at … https://www.instagram.com/brian_cassey/ .

Definitely an interesting activity to spend time with your placard waving daughter 🙂

Images © Brian Cassey

Mono Awards & “Alf at 100” …

Just quickly and not a biggie … but a little something to help keep the special memory of Alf Neal OAM alive …

This image below of Alf was from the last I made of the most significant aboriginal elder … one hundred year old Alf ‘Popeye’ Neal OAM … before he quietly passed away in May. You may read the story of that last time I photographed Alf on his balcony of his home in Yarrabah … and the massive impact he made to indigenous Australia over his ten decades … here at … https://www.briancasseyphotographer.com/blog/images/2023/05/will-miss-you-alf-100/  … and here at … https://www.briancasseyphotographer.com/blog/publications/2023/04/alf-at-a-hundred-and-the-sunday-mail/ .

So … you may be able to see why I am so pleased to receive a “Highly Commended” recognition for Alf’s pic in the 2023 “Mono Awards” for black and white imagery. The image means a lot to me … and it’s nice to see that others have appreciated Alf and his story.

Meanwhile, another image I made of Alf the week of Alf’s one hundredth birthday last October … “100 Years & 3 Weeks” … has been quietly and consistently racking up awards … with another few announcements imminent. 

Image © Brian Cassey

Portrait of Humanity … Covid, Leanne & Ice Cream …

Stoked to once again be selected on the ‘Shortlist’ of the prestigious “Portrait of Humanity”.

The 2022 edition of the “Portrait of Humanity” awards have just been announced … and I’ve been buzzing about this for some time but was sworn to secrecy until Thursdays official ‘announcement’. … so pleased to be ’Shortlisted’ again for the International POH awards with my work “Covid Vax & Ice Cream” .

Now in it’s 4th ‘edition’ and organised by the British Journal of Photography, 1854 and Magnum … “Portrait of Humanity” has fast become one of the most select collections of portrait photography on the planet. 

The image of Leanne with her ice cream was made after she received a Covid Pfizer vaccination in her home from a team of roaming ‘door to door’ doctors and medical staff … followed by a pink ice cream van (complete with musical ‘Green Sleeves’ tones) dispensing free ice cream to the newly vaxed and the communities numerous children.

The portrait will be amongst the other short listed works published in the “Portrait of Humanity 2022” hard cover book printed by Hoxton Mini Press.

I was also stoked to be ’short listed’ in the first and second editions of POH a few years back and three of my winning portraits … “Aurukun – Generations”, “Ramnami” and “The Skin I’m In” where exhibited in the stratosphere above the planet and then digitally transmitted through the unending vastness of space, as a result.

My photo of Leanne and her ice cream was published in The Australian newspaper in October 2021 and further images of the home vaccination program were used on their Instagram account at https://www.instagram.com/p/CU_0dItvoAX/ .

Thanks to my (almost) unwitting subject Leanne at Yarrabah, who I’m sure will be as pleased as I am when she finds out ;-).

… and all absolutely nothin’ to do with the Easter Bunny 😉

Below – “Covid Vax & Ice Cream” © Image by Brian Cassey

‘A Photographer’s Life – Part Two’ at The Court House Gallery …

Now just over two weeks since the doors opened on my latest exhibition … ‘A Photographer’s Life – Part Two’ … and one week since a brilliant official opening eve event at the beautiful venue, the heritage listed Court House Gallery.

Following on from ‘A Photographer’s Life – Part One’ … exhibited at the Head On Photo Festival in Sydney and The Tanks Arts Centre in Cairns in 2017 … there was always going to be a ‘Part Two’.

Essentially a ‘Retrospective’, the ‘Part One’ exhibition featured work selected from my archives … negatives from long forgotten boxes and numerous disk drives … that charted the progression from my first roll of film as a pre-teen, through my first paid media work in London town as a teen and onto my career across the decades producing press work that was published around the planet..

‘Part Two’ is a fundamentally different exhibition of work. It contains a few images that didn’t quite make the space cut for ‘Part One’ – but most of the work is new and made from 2016 up until today. Whilst ‘Part One’ was almost exclusively ‘assigned’ media work the ‘Part Two’ images are much less so. The decline in media work and the lack of media opportunity and funding has meant that much of the new work was made independently, often self funded and sometimes just purely personally observational. The photographs emanated from India, China, Sri Lanka, the United States, Papua New Guinea, the UK … and around Australia, 

An integral part of the new exhibition is the ‘story behind the images’. Each work is accompanied by text explaining how the image came about and why. Many of them are quite personal. Feedback from exhibition visitors so far is that the ‘stories’ added a depth and dimension to the images. Gratifying 🙂

The opening eve event on November 5th was a thoroughly enjoyable big success. An individual exhibition opening record crowd of over a hundred and twenty five crammed ‘standing room only’ in the ‘Court Room’ to witness ABC Radio’s Fiona Sewell ‘grill’ me nicely about eight of the thirty seven exhibition images for about forty five minutes. Many Thanks for hosting the event Fiona.  Great to see friends and colleagues past and present .. many I hadn’t seen in years … turn up for the occasion. Thanks all …

Also launched at the event was the large format high definition limited edition collectors book ‘A Photographer’s Life – Part One & Part Two’ … containing … yes … all the images (85 in all over 88 pages) from both ‘Part One’ and ‘Part Two’. All those who order a copy during the exhibition period (till 11th December) with have their names and an acknowledgment printed in the book … and my scrawled as best I can signature too 😉 . Order at the Court House Gallery office or phone either Dayle on 07 40326621 or the office on 07 40326620.

Greatest respect and massive thanks to Curator Chris Stannard , Dayle Jordon, Megan O’Rourke and the rest of the council team who did a brilliant job hanging and presenting the exhibition. 

The exhibition continues until the 11th December Tuesdays to Saturdays 10am to 4pm … another four weeks to take it in. (If anyone would like a ‘personalised’ tour of the work I will be happy to try and do just that … just contact me.)

Below are images … (impossible in small pics to do justice to the exhibition, the work and the gallery) … of the works on the wall, the opening eve event and the book.

Images © Brian Cassey (4), Brendan Radke (2) & Stacey Carrick (1) (Many Thanks Brendan and Stacey)

 

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

 

 

 

 

 

 

Covid Vax & Ice Cream …

Every now and then there comes along a really rewarding story … and every now and then that story throws up a ‘special’ pic.
Last week, for me, this job threw up one of ‘em.

I thoroughly enjoyed being allowed to document the ‘door to door’ Covid-19 vaccination program in the far northern indigenous community of Yarrabah. Orchestrated by the Gurriny Yealamucka Health Service, the operation was startling and well organised … teams of doctors and health workers went from home to home to inform and vaccinate the indigenous population that had been lagging far behind in Covid-19 vaccination numbers.

Following behind the vaccination teams was a pink ice cream van … complete with musical ‘Green Sleeves’ tones … dispensing free ice cream to the newly vaxed and the communities numerous children.
In my favourite image of the day (top below), 67 year old Leanne Bulmer sits in her home with her ‘vaccination ice cream’ after receiving her shot of Pfizer from a doctor on her verandah. I nearly missed it … a health worker spirited Leanne a choc coated soft serve … and I overheard him casually mention it. Leanne was delighted to allow this portrait before her ice cream melted in the tropical heat.

In the second image Dr Peter Roach vaccinates elderly Yarrabah resident Raymond Davidson in his home assisted by health worker Belita Kynuna. The bottom pic shows 19 year old Sherrie Bligh as she is vaccinated by nurse Susie Jarman and enjoys her free ice cream at her Yarrabah home, watched by 2 year old Cleo Costello.

The story and two of my images (including Leanne’s) was published in Thursday’s ‘The Australian’ newspaper under the great head “Jab Blitz Proves As Easy As Pie With Ice Cream”.

The later publication of seven of my images and story link on The Australian’s Instagram account accrued over a thousand ‘likes’ …but, sadly. also led to a stream of readers ‘comments’ (inexplicably to me) highly critical of the vaccination program and the newspapers coverage.

Nevertheless, the ‘door to door’ program proved to be a big success with many residents having their fears allayed and taking the vaccination plunge. All that ice cream just sweetened the deal.

Images © Brian Cassey

 

'Covid Vax & Ice Cream' - images of the covid vaccine door to door rollout in the indigenous community of Yarrabah, north Queensland - by Brian Cassey ©

'Covid Vax & Ice Cream' - images of the covid vaccine door to door rollout in the indigenous community of Yarrabah, north Queensland - by Brian Cassey ©

'Covid Vax & Ice Cream' - images of the covid vaccine door to door rollout in the indigenous community of Yarrabah, north Queensland - by Brian Cassey ©

 

 

Covid Lockdown in Cairns …

… seemed inevitable that it would happen sometime … and will likely happen again … a coronavirus pandemic lockdown in Cairns. Our tropical city has led a charmed life since last years initial lockdown in March and April … and we’ve watched as lockdowns have been instituted regularly around the rest of the country.

It took a mariner who had contracted the virus on an offshore ship before travelling back to Cairns and passing it on to a taxi driver to change all that and spark a (thankfully only) three day total lockdown.

These are just a few of the many images I made for Australian Associated Press (AAP) this week. More of my lockdown pics may be found on the AAP site here. (I also spent time covering the lockdown for News Ltd and you may have seen some of those in the local media.)

From top we have … 9 year old Lexie Barlow is tested by QML staff for covid-19 at a testing centre on the Cairns Esplanade … the Cairns Esplanade Lagoon empty and closed for the lockdown duration … masked indigenous children Isiah Bligh and Jakian Costello play in the rain during the Yarrabah lockdown … with occupancy down to seventeen percent a housekeeper patrols the empty corridors of the Cairns Hilton Hotel … Cairns residents queue for covid-19 testing at a QML test centre on the Esplanade … a girl exercises on the Cairns Esplanade during the lockdown.

Cairns has been fortunate since the pandemic began early in 2020 … and fingers crossed these are the last images of a local lockdown.

Images © Brian Cassey and AAP

Covid-19 Lockdown in Cairns - images by © Brian Cassey, AAP

Covid-19 Lockdown in Cairns - images by © Brian Cassey, AAP

Covid-19 Lockdown in Cairns - images by © Brian Cassey, AAP

Covid-19 Lockdown in Cairns - images by © Brian Cassey, AAP

Covid-19 Lockdown in Cairns - images by © Brian Cassey, AAP

Covid-19 Lockdown in Cairns - images by © Brian Cassey, AAP

Covid, Adani, Global Climate Catastrophe … CNN and Me …

… great to be part of a massive Covid-19 story of global importance just published on CNN.

The story entitled ‘The One Chance We Have’ delves into the story of how … during the Covid-19 pandemic and the subsequent confusion and devastation of the global economy … fossil fuel producing countries are injecting taxpayer money into propping up polluting industries that are hastening an earlier climate catastrophe. 

The story uses vignettes from four fossil fuel producing countries … Canada, Poland, Australia and India … to substantiate the premise that ‘The pandemic gave the world a golden opportunity to fix the climate crisis. We’re about to waste it.’

My work appears in the ‘India’ segment … and comprises six of the images I made just on a year ago in Chhattisgarh … set amongst a lengthy story (somewhat based on my original words but ‘updated’) on the destruction of the Hasdeo Arand forest and the Gond tribal population by Indian mining giant Adani hand in hand with Modi’s government.

My images and words from Chhattisgarh have previously been published in The Guardian (here and here), in Italian newspaper Corriere Della Sera (here) and elsewhere.  Very gratifying to see the work picked up again.

I must stress that this current story on CNN is a great and incredibly important piece of journalism and is well worth a look (at the images) and a good long read. Please do … there is far too much in the story to go into here and the implications for the future of the planet are chilling. 

I’m joined pictorially in the piece (in the ‘Australian’ section of the story) by Aussie based colleagues David Maurice Smith and Matthew Abbott. Hi Guys !

Thanks CNN for the important story and for using my work to help illustrate it. Thanks yet again to my fixer/friend Srienivas Akella from Mumbai … brilliant travelling with you.

Below … images (3 of my 6) © Brian Cassey … from the CNN story ‘The One Chance We Have’.

CNN story 'The One Chance We Have' on Covid-19 pandemic hastening a global climate catastrophe - images by Brian Cassey

CNN story 'The One Chance We Have' on Covid-19 pandemic hastening a global climate catastrophe - images by Brian Cassey

‘Black Lives Matter’ … Cairns …

Eight minutes and 46 seconds … a length of time that will reverberate down history. George Floyd was killed by a police officer kneeling with all his weight on his neck for 8:46. Floyds death at the hands of this Minneapolis police officer sparked massive  protests and demonstrations across America and around the World. The ‘Black Lives Matter’ and the ‘I Can’t Breath’ movement exploded across the divide of races and boundaries.

The movements brought the spotlight in Australia not only to Floyds death and the mounting death toll of African Americans at the hands of the US police … but also to the hideous numbers of Australian indigenous ‘deaths in custody’ … four hundred and thirty two since 1991.

On a Global scale last Sunday’s Cairns protest, against aboriginal deaths in custody and to show solidarity with the George Floyd protestors in the US, wasn’t Globally significant. However, to the people of Cairns … from all races and walks of life … it was worth risking Covid-19 to have their numerous voices heard.

The event in the centre of Cairns was all of … emotional, vociferous, passionate, meaningful and imperative. It was a pleasure to document despite the fact that I would rather it wasn’t necessary.

Below are a small selection of the images I made at the protest … a lot more may be found on my Instagram feed at … https://www.instagram.com/brian_cassey/

and my Facebook page at … https://www.facebook.com/brian.cassey1

Images © Brian Cassey

'Black Lives Matter' Protest Cairns - George Floyd - Aboroiginal Deaths in Custody - images by Brian Cassey

'Black Lives Matter' Protest Cairns - George Floyd - Aboroiginal Deaths in Custody - images by Brian Cassey

'Black Lives Matter' Protest Cairns - George Floyd - Aboroiginal Deaths in Custody - images by Brian Cassey

'Black Lives Matter' Protest Cairns - George Floyd - Aboroiginal Deaths in Custody - images by Brian Cassey

'Black Lives Matter' Protest Cairns - George Floyd - Aboroiginal Deaths in Custody - images by Brian Cassey

Paper Tigers, Strippers … & Head On Photo Festival

… it started with a germ of an idea and took nigh on a year to come to fruition … but “Paper Tigers – an Anthology of Contemporary Australian Photojournalism” is now very much a reality as an exhibition and a book.

My initial idea of a print swap of work between Australia’s talented photojournalists morphed into something much grander after a long chat with Head On Photo Festival director Moshe Rosenzveig OAM.

Moshe enthusiastically grasped the implications of the project … the like of which he confessed had been close to his heart for some years. Our combined plan grew into a featured exhibition of the work of Australia’s media photographers at Paddington Town Hall during this years Head On Photo Festival, a book of the exhibition and an exhibition ‘event’ for photographers to meet, admire their work and swap prints.

So began the task of ‘mustering’ Australia’s talented photojournalists … an ‘interesting’ exercise to invite, confirm participation and collate the collection of work … one image from each. In the end we had to draw a line at sixty.

The list is exceedingly impressive … in alphabetical order … Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob McColl, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz, Tracey Nearmy.

When it comes to media photographers Australia is, indeed, a ‘Lucky Country’.

Then … along came Covid-19 …

It has long amazed me how the tiny Head On team (currently Moshe, partner Anita Schwartz, Stephen, Anna and Paula) manage to put together the far reaching and monumental photo festival that it has become. It enjoys and includes contributions and entries from the best around the planet … and a World wide reputation. For a moment Coronavirus threatened all that …

However, Moshe was not fazed … and the massive work of converting the entire festival to an ‘online’ event began. That online event has now been underway for two weeks … and has been revolutionary in it’s presentation of exhibitions, artist talks, panel talks, photo related workshops, award announcements and more.

Paper Tigers has played a significant part in this Head On festival. The exhibition is available … all sixty works by sixty photojournalists … online (a simple registration required), the book ‘Paper Tigers’ (see my book image ‘Abdullatif’ top below) is now available for purchase on the website … and Head On hosted a fascinating online panel talk around the work and Australian photojournalism. It is planned to still show the physical exhibition of the complete work on the walls and host the photographers ‘do’ and print swap at Paddington Town Hall early in November (hopefully post Covid).

Below are just two of the sixty wonderful images that make up the ‘Paper Tigers’ collection. Dean Sewell’s ‘Bruce’ from 1999 and Nic Walker’s ‘Rite of Passage’ from 2014. The other 58 are just as impressive.

Amongst the massive amount of brilliant photography on line in this years festival I was also pleased to present my own little ‘featured’ exhibition. “Me Too ! Where the Boys Are … the Girls Are” showcases my work covering the MenX burlesque group during their tour to Cairns whilst being filmed for a Vice TV show. It shows the interaction between the guys who are performing and doing a job (without much in the way of clothing) and the young female audience who willingly participate. The exhibition may be found online on the Head On website (again with a simple registration) … and I did mange to stumble through an online ‘artist talk’ on the subject for those brave enough or with time to waste 🙂 . (NB – link to recorded ‘artist talks’ will be down the track.) Two of my images from the exhibition (which also should be physically on the wall in November) are below.

Lastly … was also pleased to see one of my most successful images … ‘Generations – Aurukun’ (yes … you’ve probably seen it before but it’s (bottom) below anyway 🙂 ) … selected as a semi-finalist in this festivals Portrait Prize. It’s also included in the Portrait Prize video here at the 1:18 mark.

The Head On Photo Festival 2020 has just a few days left to run. If you havn’t visited yet and you have any interest in photography at all I strongly suggest you visit and enjoy. Moshe, Anita, Anna, Stephen and Paula have done a remarkable job.

Images © … Brian Cassey & Head On (top), Dean Sewell, Nic Walker and Brian Cassey (bottom three).

@headonphotofestival

 

Head On - Paper Tigers - Book - photojournalism - 'Abdullatif' by Brian Cassey

Head On - Paper Tigers Book - 'The Block' - image by Dean Sewell - Oculi

Head On - Paper Tigers - Book - image by Nic Walker

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On Portrait Prize - Semi-Finalist - 'Generations - Aurukun' - by Brian Cassey

‘Aurukun – Generations’ and Tokyo International (TIFA) …

A nice little Xmas present … another little bit of recognition for my ‘Aurukun – Generations’ image … this time an ‘Honourable Mention’ in the Tokyo International Foto Awards (TIFA) in the People/Family category.

The pic … of Aurukun Wik elders Silas (90) and Rebecca Wolmby (83) with their twin great grand children Shalona and Keola … seems to have attracted a lot of attention with other selections over the months of 2019 in the UK based Portrait of Humanity, the Budapest International Foto Awards (BIFA), the Australian Photography Awards (APA) , the IRIS Portrait Awards in Perth and the Fremantle International Portrait Prize (FIPP).

Very sadly, Silas … a wonderful gentleman … passed away before his portrait gained such International recognition. I have a print ready to present to Rebecca on my next visit to Aurukun.

Image © Brian Cassey

'Aurukun - Generations' - Honorable Mention - Tokyo International Foto Awards (TIFA) - image by Brian Cassey

Cairns School Climate Strike in South Korea …

Last Friday school children around the planet once again took to the streets in their millions to protest against their respective governments refusal to instigate meaningful plans to combat the effects of climate change … and save the only home we have from possible extinction.

The ‘Global Youth Strike for Climate Action’ was the second World wide youth strike this year … and numbers this time far out-numbered the earlier event in March. I covered both events in Cairns for the Everyday Climate Change Global Instagram feed ( @everydayclimatechange ) which now has around a hundred and forty thousand followers.

At a (well timed) event in the city of Seongnam in South Korea the day before last Friday’s youth marches, an exhibition officially opened on the same subject of climate change … and it features my images made at the March climate action protests by school students in Cairns.

I was invited to participate (the only oversees exhibitor) in the exhibition ‘Every Day for Tomorrow’ … ‘ 내일을 위한 매일 ‘ … by event organiser and artist Yoa Eunkyung K, alongside three other South Korean artists with a variety of works and messages.

Hoseob Yoon ( 윤호섭 ) is an environmental activist and creative designer … the most well known artist working on environmental issues in South Korea.

Jeeyoung Lee ( 이지영 ) is a visual artist dedicated to spreading the word on climate change to the children of South Korea.

Joo Yangseob is a graphic artist who produces posters on the subject of climate change and social injustice.

Exhibition co-ordinator Yoa ( 좋아은경 ) uses wire in creative ways to make statements in her artworks.

So … it was a distinct pleasure to be asked to participate alongside such talent … and help showcase the plight of our planet to South Koreans. According to Yoa the subject of climate change is not a big issue in South Korea so it is gratifying to think the my images of Cairns school children may make a difference. The event was also an opportunity to showcase the work of our talented bunch of @everydayclimatechange photographers.

Below is the poster (top and bottom) for the exhibition which runs until the 27th October at the majestic Pangyo Eco Center in Seongnam … and just two of my images (© Brian Cassey) which grace the gallery wall made at the March schools climate action rally in Cairns.

Oh yes … apparently … my name in Korean is … ‘ 브라이언 캐시 ‘ … it’s on the poster (top) ! (at least I hope that’s what it says !).