Happenings in Perth, India … and the UK …
A lot of ‘goings on’ recently with exhibition openings in Perth, a rewarding ‘road trip’ in India, a bit of recognition from ‘Budapest’ … and an image on the walls at the Royal Photographic Society in England.
Travelled to Perth (and Fremantle) last month for two exhibition openings at two events … the ‘Fremantle International Portrait Prize’ (FIPP) one week and the ‘IRIS Portrait Awards’ at the Perth Centre for Photography the next.
Satisfyingly, both included personal works … ‘Tomotaro on the Block’ and ‘Generations- Aurukun’ in the ‘FIPP’ … and just ‘Generations – Aurukun’ in the ‘IRIS’. Both great opening eves … first time for me in the ‘IRIS’ collection, but third time in the mix for the ‘FIPP’. Nice also to have a good opportunity to spend a little time in the West and catch up with photographer colleagues Richard Wainwright, Roger Garwood, Johannes Reinhart, Peter Ramshaw and Justin Ma… and also sparkling Nikon rep Julie Kimpton.
From Perth it was four flights to Mumbai (including a quick overnight stopover in Little India Singapore) where I met up with friend and former photo editor at the Indian Express, director of Solaris Images … and all round good bloke Srienivas Akella. ‘Srini’ had organised flights for the two of us to Raipur in the state of Chhattisgarh where I had identified one story in particular that I was keen to work on.
Srini has extensive knowledge of his home country and had also searched out a few other possible pic stories to fill any ‘blanks’ in covering my main objective. As it turned out we managed three stories over six days … my main story (which stretched over three days and involved twenty four hours of driving through Chhattisgarh – all will be revealed when the story and pics are placed and published) … pics of two (apparently of five) of the surviving full body tattooed ‘Ramnami’ – a low caste sect that once endured having the name of their god Rama etched over their entire bodies … and a continuation of my earlier ‘Typewriter Wallahs’ pic essay (this time in the city of Raipur) on the men (and woman) of India who persist in working with (and repairing) ancient manual typewriters.
The weeks work culminated back in Mumbai on a big Diwali celebration night of fireworks, colour and food with Srini, his family and his very pleasant community. Thanks Srini !
Also received great news … an email from ‘Portrait Salon’ stating … “Dear Brian, We are delighted to tell you that our judge, Peter Dench, has selected the attached image (‘Tomotaro on the Block’ … yeah that one again) to be included in this year’s Portrait Salon selection. This year, ‘Portrait Salon’ will be exhibited at the Royal Photographic Society in Bristol, from 21 – 28 November. It will then travel up to Harrogate to be part of the Photo North Festival, from 30 November – 2 December. The images will be presented both as a slideshow, and in print.”
Of course … I am stoked …
UK based ‘Portrait Salon’ is a sort of a ‘Salon des Refusés’ and solicits work that doesn’t make the winners cut of the monumental National Portrait Gallery (London) ‘Taylor Wessing Photographic Portrait Prize’ each year. Now in it’s 9th annual edition ‘Portrait Salon’ arguably shows more interesting work than the ‘Taylor Wessing’.
‘Tomotaro’ certainly has been good for me … as well as the ‘Portrait Salon’ and ‘FIPP’ mentioned above, it has also been recognised in the Tokyo International Foto Awards (TIFA), the Moscow International Foto Awards (MIFA), The Australian Photography Awards (APA) and the 12th International Color Awards.
Not far behind, ‘Generations – Aurukun’ has featured in the ‘IRIS’ and ‘FIPP’ mentioned and also the 2019 Portrait of Humanity and The Australian Photography Awards (APA).
Also at the end of October both of these images were announced ‘Winners’ in their respective categories (Editorial Sports and People) in the inaugural 2019 Budapest International Foto Awards (BIFA). Nice news to arrive home in Cairns to …
Images below © Brian Cassey … as follows from top … ‘Ramnami’ Maherttar Ram Tandon at his home in Churella Village, Chhattisgarh, India. Maherttar is covered all over his body with tattoos repeating the name of his God Rama … D. N. Verma amongst old manual typewriters that he is repairing at his Chhattisgarh Typewriter Works company in Raipur … my ‘Generations – Aurukun’ work at the ‘IRIS Awards‘, Perth Centre for Photography … ‘Tomotaro on the Block’ on the wall of the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle (the same pic as selected for the ‘Portrait Salon’ in the UK’) … ‘Generations – Aurukun’ at the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle.
Adani and the Gond …
Great, at last, to see images and words I put together during late last years journey to India published for the first time.
The Guardian UK have published my work on their ‘The Age of Extinction’ feature page under the head “India’s Ancient Tribes Battle to Save their Forest Home from Mining”.
The ‘ancient tribe’ is the ancient Gond people, their ‘forest home’ is the Hasdeo Arand forest in Chhattisgarh … and they are battling (amongst others) the massive Indian conglomerate that is also planning to mine in central Queensland Australia … Adani.
The Hasdeo Arand forest is the largest continuous stretch of dense forest in central India, covering about 170,000 hectares of the state of Chhattisgarh – the coal mining powerhouse of the country.
One of the last remaining remnants of the massive deciduous forests that once covered much of India, it is rich in biodiversity, contains many threatened species including elephants, leopards and sloth. It is also home to the Gond – one of India’s original indigenous peoples or Adivasis. The tribe take their name from the mythical Gondwanaland that gave birth to India and they have a deep spiritual connection to the forest. To the Gond the forest is life itself. Every forest feature has a spiritual significance – they see spirits in every leaf, tree, stream, river and hill. They also rely on products collected there to sustain life – flowers, fruits, grains, seeds, tubers and roots for food and medicines – and timber, leaves and grasses for ropes, mats, brooms, baskets, fires and building purposes.
Sadly for the Gond people and other Adivasis forest dwellers, the Hasdeo Arand sits atop over a billion metric tonnes of proven quality coal reserves.
In 2006 the Hasdeo Arand was legally declared off limits from exploitation, followed by a more explicit declaration by the Ministry of Environment, Forest and Climate Change in 2009 that the area was a ‘no-go’ area for mining.
That all changed in 2011 when the government changed tack, the community forest rights were revoked and forest clearance and mining permissions was granted for three coal blocks in the Hasdeo Arand … including the Parsa East and Kante Basan mine managed by Adani. The pace of new mines in the forest has escalated … thirty more newly surveyed open cut mine sites are due to go online in the Hasdeo Arand which threatens to destroy approximately eighty percent of the entire forest … and the lives of the forest dweller Gond people.
I thought that might make a decent story !!!! It is little known in Australia where passions for and against the Adani owned Carmichael mine in central Queensland are running high.
So, with friend and former pic editor Srienivas Akella in tow we travelled Mumbai to Raipur and into Chhattisgarh. We spent a total of a whole day driving over the four days covering the story. We met many Gond, documented their protests, lifestyle and the effects that the mines were having on their well being and that of the forest, resident elephants and other occupants … and saw the massive operating Adani Parsa East and Kante Basan open cut coal mine.
Pleased that The Guardian have seen the importance of this story, not only to Australians and Indians, but also to the planet in general.
Special Thanks to Srienivas and local Raipur contact Bipasha Paul.
My ‘The Guardian’ story and images may be found at … https://www.theguardian.com/environment/2020/feb/10/indias-ancient-tribes-battle-to-save-their-forest-home-from-mining
Below are just a small percentage of the images (© Brian Cassey) from the project … some that didn’t make the published story. Pics of the Adani operations at their PEKB mine, Gond protests, the threatened Hasdeo Arand forest and Chhattisgarh.
STOP PRESS … seventeen of my images from this story are now published as a ‘special feature’ over a week on the planet wide instagram feed … https://www.instagram.com/everydayclimatechange/ … devoted to bringing attention to climate change issues.