IRIS Award … It’s Alf …

… I wasn’t allowed to tell anyone which of my images was selected as a Finalist in the Perth Centre for Photography’s IRIS Awards a few weeks ago … the list of selected works was a well kept secret … but I can now !

Last Friday saw the opening eve of the awards in Perth … and the forty works selected as Finalists filled the PCP gallery. There was my image “100 Years & 3 Weeks – Alf Neal OAM” hanging nicely on the wall (thanks to the printing and framing skills of Paul Maietta and the crew at Fitzgerald Photo Imaging).

A little forward planning and a lot of positive finger crossing meant that I managed to arrive in Perth from London two days before Fridays’ opening event (shattered following the seventeen hour direct flight that I booked many months ago !).

It’s the third time in a row that my work has been selected as a finalist in this biennial award … links to my previous Finalist works may be found here (2021) … and here (2019) .

Sadly Alf didn’t get to hear of this latest ‘recognition’ of his work in indigenous community and on the 1967 referendum, as he passed away quietly in May this year.

However, “100 Years & 3 Weeks – Alf Neal OAM” is continuing to wrack up accolades and preserve the memory of a wonderful inspirational Yarrabah gentleman.

Image of Alf © Brian Cassey

IRIS Awards - Perth Centre for Photography 2023 Finalists

A Few New ‘Award Updates’ …

A few nice recognitions over the past few weeks … 🙂

Firstly … so nice to once again be selected as a Finalist in the Perth Centre for Photography’s ‘IRIS’ portrait awards …  a biennial award that my work has now been selected for the third time in a row. The actual finalist works chosen this time are still a necessary secret … but all will be revealed when the exhibition of finalist and winners works opens at PCP’s Perth gallery on September 1st. Fortunately I will be in Perth at that time en route back from the UK.

PCP describes the ‘IRIS’ awards so … “The IRIS Award celebrates excellence in portraiture photography, revealing portraits that are unique, original and conceptually stimulating. IRIS has been running for 18 years, with the inaugural exhibition held back in 2003”.

I missed seeing my last finalist work on the ‘IRIS” exhibition wall in 2021“Tears for George Floyd … 8 Minutes and 46 Seconds” …  due to the Covid-19 pandemic … so I’m looking forward to being there for this one.

Arguably the one of the nicest surprises was the news that my portrait of the now sadly departed 100 year old Alf ‘Popeye’ Neal OAM entitled “100 Years & 3 Weeks” was selected in the ‘Best 25’ of the Dohdo International photography magazines “Portrait – Best Photographers of 2023” collection. The pic of Alf is now nicely included in the large format hard cover year book “Portrait” (see top image below) and will also be exhibited in an online ‘Best 25’ collection for the next year. 

(The same image of Alf was earlier this year also selected as the Winner of the ‘People’ category of the 19th International Pollux Awards.)

In the 16th International Color Awards announced recently my works were selected as ‘Honourable Mentions’ in both the ‘Portrait’ category (with image “Covid Vax & Ice Cream”) and the ‘Children of the World’ category (with image “Veronica – Where Home Brew Kills”) … whilst my image “Scooter” also made the finalist cut in ‘Portrait’. See the trio of images below. All three have been acknowledged in previous awards.

Lastly in ‘new’ award dispatches … “Covid Vax & Ice Cream” again resonated when it was selected as a finalist in the ‘People’ category of the 2023 ‘ReFocus Colour Awards‘.

A pleasant few weeks … 🙂

Images © Brian Cassey

‘Tears’ At The Perth IRIS Awards …

The ‘IRIS’ awards exhibition … an International biennial art prize acknowledging outstanding contemporary portraiture … opened in Perth on Friday eve at the Perth Centre for Photography Gallery. So pleased to see my ‘Finalist’ selected image “Tears for George Floyd … 8 Minutes and 46 Seconds” (top below) make it’s ‘on the wall’ debut in the fantastic exhibition. (Image © Brian Cassey @brian_cassey)

The award prides itself for “selecting revealing portraits that are unique, original and conceptually stimulating”.

Normally I’d be there at the opening … but no way could I travel early to endure a costly 14 day quarantine on top of airfares etc etc. 

The exhibition works were in the main, indeed, unique in many ways … a great exhibition to be part of.

As I couldn’t attend (thanks to covid), loverly Perth based photographer Andrea Vose very, very kindly sent me pics from the opening eve (below) illustrating my work as it sat on the exhibition walls. Thank You heaps Andrea !!

Images below … “Tears for George Floyd … 8 Minutes and 46 Seconds” © Brian Cassey … Images at Perth Centre for Photography Gallery © Andrea Vose

IRIS Award - for Contemporary Photographic Portraiture, Perth - 'Finalist' - 'Tears for George Floyd ... 8 Minutes and 46 Seconds' by Brian Cassey

IRIS Award - for Contemporary Photographic Portraiture, Perth - 'Finalist' - 'Tears for George Floyd ... 8 Minutes and 46 Seconds' by Brian Cassey

IRIS Award - for Contemporary Photographic Portraiture, Perth - 'Finalist' - 'Tears for George Floyd ... 8 Minutes and 46 Seconds' by Brian Cassey

 

Happenings in Perth, India … and the UK …

A lot of ‘goings on’ recently with exhibition openings in Perth, a rewarding ‘road trip’ in India, a bit of recognition from ‘Budapest’ … and an image on the walls at the Royal Photographic Society in England.

Travelled to Perth (and Fremantle) last month for two exhibition openings at two events … the ‘Fremantle International Portrait Prize’ (FIPP) one week and the ‘IRIS Portrait Awards’ at the Perth Centre for Photography the next.

Satisfyingly, both included personal works  … ‘Tomotaro on the Block’ and ‘Generations- Aurukun’ in the ‘FIPP’ … and just ‘Generations – Aurukun’ in the ‘IRIS’. Both great opening eves … first time for me in the ‘IRIS’ collection, but third time in the mix for the ‘FIPP’. Nice also to have a good opportunity to spend a little time in the West and catch up with photographer colleagues Richard Wainwright, Roger Garwood, Johannes Reinhart, Peter Ramshaw and Justin Ma… and also sparkling Nikon rep Julie Kimpton.

From Perth it was four flights to Mumbai (including a quick overnight stopover in Little India Singapore) where I met up with friend and former photo editor at the Indian Express, director of Solaris Images … and all round good bloke Srienivas Akella. ‘Srini’ had organised flights for the two of us to Raipur in the state of Chhattisgarh where I had identified one story in particular that I was keen to work on.

Srini has extensive knowledge of his home country and had also searched out a few other possible pic stories to fill any ‘blanks’ in covering my main objective. As it turned out we managed three stories over six days … my main story (which stretched over three days and involved twenty four hours of driving through Chhattisgarh – all will be revealed when the story and pics are placed and published) … pics of two (apparently of five) of the surviving full body tattooed ‘Ramnami’ – a low caste sect that once endured having the name of their god Rama etched over their entire bodies … and a continuation of my earlier ‘Typewriter Wallahs’ pic essay (this time in the city of Raipur) on the men (and woman) of India who persist in working with (and repairing) ancient manual typewriters.

The weeks work culminated back in Mumbai on a big Diwali celebration night of fireworks, colour and food with Srini, his family and his very pleasant community. Thanks Srini !

Also received great news … an email from ‘Portrait Salon’ stating … “Dear Brian, We are delighted to tell you that our judge, Peter Dench, has selected the attached image (‘Tomotaro on the Block’ … yeah that one again) to be included in this year’s Portrait Salon selection. This year, ‘Portrait Salon’ will be exhibited at the Royal Photographic Society in Bristol, from 21 – 28 November. It will then travel up to Harrogate to be part of the Photo North Festival, from 30 November – 2 December. The images will be presented both as a slideshow, and in print.”

Of course … I am stoked …

UK based ‘Portrait Salon’ is a sort of a ‘Salon des Refusés’ and solicits work that doesn’t make the winners cut of the monumental National Portrait Gallery (London) ‘Taylor Wessing Photographic Portrait Prize’ each year. Now in it’s 9th annual edition ‘Portrait Salon’ arguably shows more interesting work than the ‘Taylor Wessing’.

‘Tomotaro’ certainly has been good for me … as well as the ‘Portrait Salon’ and ‘FIPP’ mentioned above, it has also been recognised in the Tokyo International Foto Awards (TIFA), the Moscow International Foto Awards (MIFA), The Australian Photography Awards (APA) and the 12th International Color Awards.

Not far behind, ‘Generations – Aurukun’ has featured in the ‘IRIS’ and ‘FIPP’ mentioned and also the 2019 Portrait of Humanity and The Australian Photography Awards (APA).

Also at the end of October both of these images were announced ‘Winners’ in their respective categories (Editorial Sports and People) in the inaugural 2019 Budapest International Foto Awards (BIFA). Nice news to arrive home in Cairns to …

Images below © Brian Cassey … as follows from top … ‘Ramnami’ Maherttar Ram Tandon at his home in Churella Village, Chhattisgarh, India. Maherttar is covered all over his body with tattoos repeating the name of his God Rama … D. N. Verma amongst old manual typewriters that he is repairing at his Chhattisgarh Typewriter Works company in Raipur … my ‘Generations – Aurukun’ work at the ‘IRIS Awards‘, Perth Centre for Photography … ‘Tomotaro on the Block’ on the wall of the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle (the same pic as selected for the ‘Portrait Salon’ in the UK’) … ‘Generations – Aurukun’ at the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle.

 

'Ramnami' from Chhattisgarh, India - image © by Brian Cassey

D. N. Verma - typewriter technician and owner of Chhattisgarh Typewriter Works in Raipur, Chhattisgarh, India - image © Brian Cassey

Image 'Generations - Aurukun' - finalist IRIS Awards, Perth Centre for Photography - © by Brian Cassey

'Tomotaro on the Block' 0 Fremantle International Portrait Prize (FIPP) - Finalist © Brian Cassey

'Generations - Aurukun' - Fremantle International Portrait Prize (FIPP) - Finalist © Brian Cassey

 

Silas & Rebecca … Now at the IRIS Awards …

Last post I related that two of my images have recently been selected as Finalists in the Fremantle International Portrait Prize

Now I have just learnt that one of the two has also been selected as a Finalist in the Perth Centre for Photography “IRIS Award” for portraiture … and that is bloody satisfying as it’s a ‘first’ for me.

Here’s how the IRIS Award describes itself … “The Award is an international prize recognising new and outstanding portraiture in photographic art. The criteria for selection focuses on portraits that are unique, compelling and engaging whilst maintaining excellence in photography. Concept, meaning and depth are equally as important as well executed work. Originality is essential and the award encourages work that is evocative and provocative and in some ways may be relevant to the current global cultural landscape.”

This year the award was judged by the highly esteemed and Internationally distributed GUP Magazine (Guide to Unique Photography) based in the Netherlands.

It seems this pic (below) met their criteria … “Generations – Aurukun” of Silas and Rebecca Wolmby and their great grand children. That in itself is rewarding, as the pic … originally made in 2016 during a News Ltd job in the Cape York indigenous township … thereafter languished forgotten and unloved in my archive until I again chanced upon it a few months ago. Since then it’s been around. The pic was Shortlisted and book published in the Magnum and British Journal of Photography ‘Portrait of Humanity’ project … and selected as a Finalist in the FIPP.

Very sadly, the wonderful gent Silas has since passed on. However, I hope to be travelling to Aurukun again in the near future and will make sure that Rebecca and the Wolmby family receive a big copy of the image.

The exhibition opening and prize announcement of the IRIS Award is on Friday 18th October at the Perth Centre for Photography Gallery, 357 Murray Street, Perth … just one week after the opening and prize announcement of the FIPP in Fremantle. WA friends … you are warned … 🙂

Image © Brian Cassey

IRIS Awards - Perth Centre for Photography - Finalist - "Generations - Aurukun' by Brian Cassey

Blimey ! Landscape ! …

‘Landscape’ is a photography genre that I haven’t really touched on over the years … I’m much more comfortable with actual humans taking up pixel space on my rectangles (or squares). Don’t get me wrong … I have a hell of a lot of appreciation of, and respect for, the wonderful landscape work of photographers such as Murray Fredericks and Peter Solness and more.  I suppose I just haven’t embraced it …

So … it was with much surprise and delight … that I received an email last eve with the news that I have been selected as a Finalist in the prestigious and International ‘Contemporary Landscapes in Photography Award’ (CLIP for short).

Clip describes itself thus – “The CLIP Award is an internationally recognised photographic prize for new perspectives in natural and urban landscape photography. The selection criteria focuses on images which are original, stimulating, and that challenge traditional notions of landscape photography.”

The image ‘Number 55’ marks my first ‘success’ (of sorts) in Landscape photography … and it will form part of the CLIP Finalists exhibition at the Perth Centre for Photography commencing mid March when the Winners will be announced. The pic was made on New Years Eve 2015 as I was passing an emerging blaze in a house just five minutes drive from my home in Cairns.

Not sure whether I can justify a trip to Perth for the opening eve and Winners announcement … but sure would like to see my work hanging amongst the other selected landscapes. We’ll see …

Details of the awards, the Perth exhibition and the list of Finalists are on the Perth Centre for Photography Facebook page here … https://www.facebook.com/pcpwa/

Below is my selected landscape image – ‘Number 55’  © Brian Cassey

Ex Cairns to the Cairns Post 31.12.2015 Aeroglen House Fire - Not the Way To End The Year- Pics by BRIAN CASSEY, A house burns at Aeroglen before the arrival of the fire brigade today - New Years Eve.