Wonderful Weekend at ‘Head On’, Sydney …

Without doubt, the biggest drawcard in Australia for the photographic community is the ‘Head On Photo Festival’ in Sydney.

The annual festival features numerous exhibitions selected from around Australia and the planet … and I’ve been fortunate enough for the last few years to be part of the selection panel that ploughs through several hundred collections of fabulous photographic works to decide what actually ends up on the exhibition walls (or fences!) of Bondi Pavilion and the beach front, Paddington Reservoir Gardens and other venues around Sydney.

The festival also hosts the Head On Photo Awards (Portrait, Landscape and a new one – Exposure), which attracted entries this year from as far afield as Bulgaria, Malta, Greece and Slovenia, to name just four of many.

(NB … I must confess to a little bit of bias … have been a Head On Award winner in the past, a finalist lots of times and an exhibitor on numerous occasions.)

This years collection of exhibition works on display was one of the best I’ve seen. It was excellent to see the work that we agonised to select on a computer screen way back in March, exhibited in the best locations at Bondi, Paddington and more. The same can be said for this years awards … the finalists in Head On Portrait Prize in particular were absolutely brilliant this year.

Head On, however, is not just about awards and exhibitions … it’s the coming together of talented (and newby) photographers from around the world to engage, discuss, swap ideas, learn, celebrate the photographic image and perhaps share a drink or three. Was excellent to catch up with imaging colleagues and friends at a splendid Bondi Pavilion opening eve and across the five days that I could afford to stay … amongst them Mark “Crusty” Baker (who kindly provided luxurious accomodation), Stephen Dupont and the delightful Martina Reys (great Rwanda show you two!), Michael Coyne, Peter Solness, Max Pam, Barbara McGrady, Diana Lui, Marta Soul, Donna Squire, Mike Magee, Simon Harnest, Katherine Griffiths, John Swainston, Max Mason-Hubers, Glenn Porter, Diane Brooks (thanks for the rides !) … and two ‘first time’ Cairns based photographers … the lovely talented Emese Gyalog and new to our city landscape photographer Danielle Jayde. (My apologies to those I may have missed mentioning !)

Of course, all this would not be possible without the amazing tiny Head On team who move mountains to put the festival together … Festival Director Moshe Rosenzveig OAM, Anita Schwartz, Stephen Godfrey, Callum Boland, Charles Mackean and volunteers. Brilliant …

Cairns photographers recognised for their work in the festival this year were the afore mentioned Emese Gyalog and Danielle Jayde, Marc Steiner … and … a certain Brian Cassey 🙂 (no great big deal … this time it was just a semi-finalist in the ‘Exposure’ category with ‘Marilyn Monroe 60 Years On – Bonn‘ 😉 … shown at the festival bottom below.)

Images from top … © John Swainston (promoting Stephen Dupont’s ‘Rwanda 30+ Bearing Witness to Genocide’ exhibition on festival opening eve), © Brian Cassey (Stephen Dupont at the opening eve of ‘Rwanda 30+ Bearing Witness to Genocide’), © Brian Cassey (Martina Reys talks to Rwanda genocide survivors at ‘Rwanda 30+ Bearing Witness to Genocide’), © John Swainston (Head On work displayed on the Bondi Beach waterfront), © Brian Cassey ( my selected work in ‘Exposure’ – ‘Marilyn Monroe 60 Years On – Bonn’)

PNG To Percival Prize …

Pleased that I made it back from an incredible Papua New Guinea gig on Friday morning … just in time to jump on a flight to Townsville for the opening eve ‘bash’ of the 2018 Percival Photographic Portrait Prize.

The ‘Percival’s’ are relatively new … a biennial prize now into it’s third edition. Despite it’s relative youth it has quickly grown into a worthwhile quality event attracting work from some of the best photographic portrait artists from around the country. A ten grand first prize has ensured that. It is run by the Townsville City Council and the exhibition of finalists work graces the clean crisp confines of the Pinnacles Gallery in Thuringowa.

Great to have two works on the walls of the finalist’s exhibition … as also did friends and photographer colleagues Jon Lewis, Peter Solness and Felicity Cole … whilst Rod McNicol and Glen O’Malley scored one apiece. Although there are one or two questionable works in the large expertly lit exhibition the overall standard of the majority is impressive, rivalling many other more notable prizes across the land. The City of Townsville Council also produces what has to be one of the best and most professional printed exhibition catalogues I have seen.

I havn’t previously mentioned my works that have been selected …  but can reveal that they are … “The Skin I’m In – II” of Carol Mayer (the same image that has graced the National Portrait Gallery and several other exhibition walls) … and “Mowisha from Jumbun” made in the indigenous township near Tully. Nothing new here I’m afraid …

The winner of the, not insubstantial, cash was Sydney’s Kellie Leczinska with her work “Mbathio, Marrickville”. The job of judging fell to Cherie McNair, Director and CEO, Australian Centre for Photography and Judy Annear, former Curator of Photography at the Art Gallery of New South Wales.

Townsville Council should heartily and genuinely be congratulated for hosting this award and exhibition and for their support of the photographic arts. Would be wonderful to see Cairns do something similar …

The exhibition runs at the Pinnacles Gallery, 20 Village Boulevard, Thuringowa Central, Townsville, 10am to 5pm till the 15th July.

Below are images of my works on the gallery walls. (© Brian Cassey)

 

2018 Percival Photographic Portrait Prize - "Mowisha from Jumbun" - by Brian Cassey

2018 Percival Photographic Portrait Prize - "The Skin I'm In - II" - by Brian Cassey

 

 

QMMA’s ‘Best Image’ …

QMMA – Queensland Multi Media Awards

The QMMA’S are now in their nineteenth year … not an insignificant achievement. The catchment area for the awards is basically the entire state of Queensland – but minus Brisbane – and it attracts entrants from all regions and from a wide spectrum of media and advertising organisations and individuals.

Last Saturday eve at the Pullman Reef Hotel Casino Cairns this years presentations were made and I was fortunate to take home the ‘gong’ for “Best Photographic Image”. The pic “The Betel Nut Trader” (below) was made in Papua New Guinea late in 2013 as part of an essay on the ban in Port Moresby of the trade in the natural and traditionally chewed mild narcotic betel nut (buai). It was published by the Sydney Morning Herald.

Image © Brian Cassey

QMMABlog