Winning Portraits By Trinity Bay HS Students …

Once again … for the fourth year … had the pleasure last week of judging the work of photography students at the Trinity Bay High School Cairns annual portrait photography prize.

This year the exhibition walls at the school were covered in around seventy works … significantly more than previous years … made by students from grades 7 through to 12. For the first time more than one major prize was on offer … an overall ‘Best in Show’ and Junior (grades 7 to 10) and Senior (grades 11 and 12) Winners prizes.

‘Best in Show’ was a ‘no brainer’ … Lou Vang’s brilliant and highly technical portrait “True Self” (top below) demanded your attention with a mesmerising stare which followed you around the room. Lou focused critically on the most important point of the image … the eyes. A portrait that would stand on it’s own anywhere. Lou was awarded a Nikon D3500 courtesy of Garricks Camera House.

The Junior and Senior prizes, however, were a lot harder to decide upon. Following a fair bit of agonising I settled on the Junior winner … Kelli Baker’s creative “Fragmented” (bottom below) just getting the nod over Holly Koch’s dark brooding “Arinar in Shadow” (second from top below). The Senior decision was just as difficult but eventually settled on Marcus Pedro’s “Time to Destroy” (right – third from top) over Kayla Allan’s “Kales” (left – third from top).

Two others received ‘Highly Commended’ awards … Georgia Willis for “Windswept” in the Juniors and Tarik Clarke for “Denied” in the Seniors. Visitors to the exhibition voted “Saturated Vibrance” by Chantelle as the ‘Peoples Choice’ winner.

Another great exhibition by photography students at Trinity Bay … and a testament to the quality of the arts and photography teaching staff of Dan, Jim, Nina, Ian et al. Refreshing to see this dedication to the photographic arts.

Links to previous years winners and works can be found here … 2018, 2017, 2016.

Images © the artists … Lou Vang, Holly Koch, Kayla Allan, Marcus Pedro and Kelli Baker.

Trinity Bay High School Photographic Portrait Prize - Winner - Mugshot by Lou Vang

Trinity Bay High School Photographic Portrait Prize - Arinar in Shadow by Holly Koch

Trinity Bay High School Photographic Portrait Prize - Images by Kayla Allan and Marcus Pedro

Trinity Bay High School Photographic Portrait Prize - Junior Winner - Fragmented by Kelli Baker

‘On the Wall’ at Fremantle International …

Nice to learn that two of my images have been ‘short listed’ and selected as ‘Finalists’ in the bi-annual Fremantle International Portrait Prize. The two pics will be amongst the other ‘Finalists’ on the walls of the FIPP exhibition and vying for some tasty worthwhile prizes (courtesy of Nikon Australia and others) due to be announced on the opening eve at the historic Moores Building Contemporary Art Gallery , Fremantle on the 12th of October.

A total of over seventeen hundred entries were received from around the planet … and the selected ‘Finalist’ works hail from as far afield as Croatia, Hungary, the UK, the USA, Indonesia, Vietnam … as well as from across Australia.

My two works selected are … ‘Tomotaro on the Block’ (a portrait of Japanese paralympic swimmer Tomotaro Nakamura which has been mentioned in dispatches a few times previously … here, here, here and here) … and ‘Generations Aurukun’ (a portrait of Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby … which was also previously selected as a ‘Finalist’ in the massive World wide ‘Portrait of Humanity’ printed collection and awards).

I’ve attended the Fremantle International Portrait Prize exhibition opening and awards eve on a couple of occasions in the past in 2015 and 2013 … and it’s always a great well presented and thoroughly enjoyable event. Hoping I can make the trek across the continent for it again his year as well …

After the big bash opening eve the exhibition of the selected works will be open at the Moores Building Contemporary Art Gallery, 46 Henry St, Fremantle, from the 13th to the 27th October. I’m sure it will be very much worth a visit.

Proceeds from this years FIPP go to help the Arthritis and Osteoporosis WA Foundation and to the Kai Eardley Foundation for Youth Mental Health.

Below are my two selected ‘Finalist’ works … ‘Generations Aurukun’ and ‘Tomotaro the Block’ (images © Brian Cassey)

'Generations Aurukun' - Fin almost Fremantle Portrait Prize 2019 - image of Aurukun elders Silas and Rebecca Wolmby with their great grand children - Shalona and Keola Wolmby by Brian Cassey

"Tomotaro on the Block' - Finalist Fremantle International Portrait Prize 2019 - image by Brian Cassey

Portrait of Humanity …

… very, very, very pleased to learn that one of my lesser known images has been selected for the ‘Shortlist’ of the massive and prestigious “Portrait of Humanity” World Wide portrait photography project and exhibition … and will be published in the hard cover book collection of the same name.

The grand stated aim of “Portrait of Humanity” … a collaboration between Magnum Photos and 1854 Media (the publishers of the ‘British Journal of Photography’) … is to “create one of the greatest collaborative photography exhibitions in history”. The 200 short listed images from all around the planet were chosen for their “expressions of individuality, community and unity”.

Photographers were initially asked to document “the universal expressions of life … laughter, courage, moments of reflection, journeys to work, first hellos, last goodbyes, and everything in between.” Tens of thousands of submissions came from every corner of the globe.

In news released this week “Portraits of Humanity” said that “Together the winning and shortlisted images create a powerful and diverse Portrait of Humanity. Fifty photographs will tour the world as part as an exhibition and 200 images will be featured soon in a 322 page volume published by Hoxton Mini Press”. (My image graces page 272.)

(Sadly there was only one other Australian based photographer amongst the two hundred selected … indigenous photographer Wayne Quilliam with his image from the Tiwi Islands.)

The selection of my work … of Aurukun indigenous elders Silas and Rebecca Wolmby with their twin great grand children Shalona and Keola and entitled “Generations” … was a very pleasant surprise.

I’ve photographed Silas and Rebecca in Aurukun many times over the decades … they have always been wonderfully polite and obliging and they were a voice of sanity in their ‘unsettled’ remote Cape York community. Sadly Silas died recently and Shalona and Keola will be unlikely to grow up with a memory of their respected great grandfather.

As a ‘short lister’ I receive a copy of the “Portrait of Humanity” book filled with truly wonderful portraiture. If you wish to invest in this great collection you can do so here at the Hoxton Mini Press web site.

Image of Silas and Rebecca (top) ©Brian Cassey … and book publication (below … mine is on the left page 🙂 ) is ©1854 Media & Hoxton Mini Press

"Portraits of Humanity" - International Portrait Photography Project 2019 - Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby - Image by Brian Cassey, Cairns
"Portraits of Humanity" - International Portrait Photography Project 2019 - Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby - Image by Brian Cassey, Cairns

Passion for India … @sandwichlightindia …

Excellent to be invited to be part of another very worthwhile Instagram feed … even if this one does have the initially puzzling name of @sandwichlightindia.

Sandwichlightindia … created by Queensland photographer and ‘Indophile’ Russell Shakespeare  … is a collective platform  for “photographers who are passionate about India” … and the invited membership, including (but not only) very talented photographer colleagues Marco Del Grande, Warren Clarke, Brendan Esposito, Peter Wallis and S Anand Singh, certainly show a love for imagery on the subcontinent.

The catalyst for the name ‘sandwichlightindia’ was explained to me by Russell. Seems he and Varanasi photographer Anand Singh were together on an assignment during the Hindu ‘Festival of Lights’ … Diwali. The pic idea was to portray a certain candle lit location at twilight. When they got to the location at dusk the candles weren’t lit and the light was fading.

Russell heard Anand and other local photographers saying “Sandwich light no good, sandwich light no good” … one even repeating it to a pic editor on the other end of the phone. Seems that the term compared the light to a sandwich … one slice of bread is too dark, the other slice too light … and all the good stuff (balanced and just right light) is in the middle of the sandwich!

… and that’s how @sandwichlightindia was born.

The feed is still in it’s infancy … Russell admits that the name means it’s hard to just come across … but the work and depiction of Indian life makes it well worth a visit and a follow. If you have any interest in quality photojournalism and India I urge you to do so …

I’m also a member of two other high profile Instagram photographer collectives … @everydayclimatechange (addressing climate change issues around the World through imagery … currently 114,000 followers) and @everydayaustralia (depictions of daily life in Australia … 54,000 followers).

Below are a selection of images from @sandwichlightindia by my colleagues … from top © Russell Skakespeare, A Anand Singh, Marco Del Grande, Warren Clarke and Peter Wallis.

 

@sandwichlightindia - image by Russell Shakespeare - on blog post by Brian Cassey - "

@sandwichlightindia - image by S Anand Singh - on blog post by Brian Cassey - "Passion for India ... @sandwichlightindia ..."

@sandwichlightindia - image by Marco Del Grande- on blog post by Brian Cassey - "Passion for India ... @sandwichlightindia ..."

@sandwichlightindia - image by Warren Clarke - on blog post by Brian Cassey - "Passion for India ... @sandwichlightindia ..."

@sandwichlightindia - image by Peter Wallis - on blog post by Brian Cassey - "Passion for India ... @sandwichlightindia ..."

Mumbai … India …

Not long back from a very rewarding stint in Mumbai … India’s pulse …

Worked on a few potential photo stories … some with more success than others … and formed friendships with two great experienced Indian photographers.

S Anand Singh … freelance photojournalist and ‘Mr Varanasi’ … made the long trek from Benares to act as my invaluable fixer. Anand introduced me to Mumbai photojournalist legend Srienivas Akella (Srini for short!). Srini is a former associate photo editor at the Indian Express and was the driving force behind the Solaris Images picture agency. The two of ’em introduced me to members of the Mumbai media photo community …. some of which I found I had ‘connections’ to … and the delights of the Mumbai Press Club. They were also tireless in working through our pretty packed picture agenda.

Anand and Srini guided me through the complexities of the amazing Mumbai urban train system (which it is said moves approximately 9 million people every day) as we traversed the mega city to venues that I may never have discovered.

As I havn’t yet managed to edit all the work that I made in a hectic but thoroughly enjoyable visit … I’ve posted below just a few images from some of those stories we worked on. There’s a pic (bottom) from a far too short, minutes long, visit to a Kushti (Indian wrestling) akhara (would have liked much more time to document properly … despite the fact that many photographers have worked on this before), an image (second from top) from the Dahi Handi festival celebrating a young Lord Krishna, one from a set on dabbawallahs (the men who deliver the cities lunches) … and just one (top) from a pic essay I am very fond of … “The Typewriter Wallahs of Mumbai” … which I’ll post on my web site soon. There will be more at a later date …

Thank You Anand and Srini for making it all possible . Really looking forward to working with you again in the future …

(Stop Press … Srini is planning to use his vast experience of India to organise photo tours for photographers to visit the subcontinent from Australia . Stay tuned for more news on that … )

Images © Brian Cassey

 

"Typewriter Wallahs of Mumbai - pic essay by Brian Cassey photographer Cairns Australia

India Mumbai - Dahi Handi 2018 Pic © by Brian Cassey

Dabba Wallahs - Mumbai India - images by Brian Cassey photographer Cairns Australia

Kushti wrestling - Mumbai India - image © Brian Cassey Cairns Australia

Rural Press Awards … there is a free lunch …

… but I won’t be there for it!

Was invited to a free lunch tomorrow at The Tattersall’s Club in Brisbane for the presentation of this year’s  “Excellence in Rural Journalism Awards” … but sadly can’t take it up.

Seems my image of young indigenous girl “Mowisha from Jumbun” has been selected as the Winner of the ‘Excellence in Rural Photography – People’ award. The pic was made whilst I was working in the Jumbun aboriginal community in the Murray River valley near Tully, North Queensland for an SBS story “The Town at the End of the Road” by Mark White.

Jumbun residents, like little Mowisha, are predominantly from the Girrimay and Dyirbal Aboriginal clans. Her community of about a hundred are battling the controlling Indigenous Land Council to resurrect a farming industry. The 200ha Jumbun property is still listed on the ILC’s books as Jumbun Farm, despite nothing currently being grown there by its residents. That wasn’t always the case. Jumbun was founded in 1975 as a farming community under the Whitlam government, By the 1980s it was growing produce including bananas, pumpkins and zucchinis and exporting to Sydney and Melbourne. However, changes in farming practices, crop blight and cyclones meant the industry dried up.

Residents are desperate to revive the community’s fortunes but have received no support from the ILC to help them restart farming produce and running cattle. The community needs to produce to stave off the prospect of disappearing completely. For little Mowisha Jumbun is her home, history and possible employment … but without farming the future of her community is, indeed, bleak.

This was the first time that I’ve won anything whilst working for SBS … but hopefully not the last. Gratifyingly, this is the third year in a row that I’ve been named the ‘People’ category winner (here … are this year 20182017, 2016). Don’t know if I can keep that one up …!

Below – the Winning “Mowisha from Jumbun’ image – © Brian Cassey

Press Excellence in Rural Journalism Awards- Brisbane - People category - Winner - "Mowisha from Jumbun" by Brian Cassey

Two Up at QMMA’s …

The results of this years Queensland Multi Media Awards – the 22nd annual since their first in 1995 – were announced this week in a much quieter fashion than normal. The awards recognise those in the media, PR and advertising industries for their exceptional works. There have been many memorable, sometimes quite insane and legendary, presentation nights of celebration for award winners over the last couple of decades.

Sadly, QMMA funds for the first time this year did not run to the usual spectacular presentation dinner at a ritzy hotel.

So  … without the usual fanfare, fine foods and a few drinks … this years winners have just been announced quietly by email.

The email contained the good news that my image “The Skin I’m In – II” of Carol Mayer … has added to it’s growing tally (previously, amongst others, finalist in the National Photographic Portrait Prize) … by taking out both the ‘Best Editorial Photograph’ and ‘Best Photographic Image’ photography award categories. Huge ‘Thanks’ yet again to my wonderful subject Carol …

The QMMA’s … steered by the tireless Anita Plos … have been a great part of the media landscape in Queensland for a long long time … and provided many memorable evenings whilst recognising the best in the business. Fingers crossed that next year … the 23rd annual … the QMMA’s are back on track with the gala presentation night format.

“The Skin I’m In – II” © Brian Cassey

QMMA Queensland Multi Media Awards 2017 - Winner - Best Editorial Photograph - Best Photographic Image - "The Skin I'm In - II" - by Brian Cassey

 

 

Why This Won the Trinity Bay School Portrait Prize …

Last week it was a pleasure to once again judge the works in the annual photographic portrait prize at Trinity Bay High School in Cairns.

This years exhibition totalled about sixty portraits from the students (and a handful of teachers). The overall standard of the entries appeared improved on last years crop. A significant achievement. It took a stroll several times around the exhibition walls before finally settling on this years First, Second, Third, a couple of  ‘commendations’ and a staff prize.

The work that I finally settled on as best in show was a multi layered portrait by grade 12 Shantelle Birch entitled “Self Hate” (top – below).  Not only is Shantelle’s work a complicated and quality portrait, but also comments on the role of portraiture in society itself. The strong title and intricate image evokes emotion, addresses a contemporary youth issue on personal image and self doubt … and the pressures to confirm to stereotypes that visually bombard youth everyday. For her very well deserved win she was thrilled to receive a Nikon D3400 DSLR courtesy of sponsor Garricks Camera House.

Fractionally behind in Second Place was “The Despondent Girl” (second from top – below) … a  well structured beautifully textured and composed portrait by Irin Phomraksa (also grade 12). Her work was anchored on the stare of the one visible eye amongst the seeming chaos of the windswept image.

Third was a classic and well constructed portrait – “Look Like Art” (bottom – below) by grade 11’s Lit Thai. Highly Commended awards went to untitled works by Etevise Taua and Lachlan Best (Lachlan’s clever and disturbing!), whilst the exhibition crowd voted Graziella Romunga’s work as ‘People’s Choice’. Staff prize went to a stand out entry – “Goodbye” by Anna Koetz Trowse.

Trinity Bay High School Visual Arts department teachers, including Sean Tooley and Ian Whittaker, should take a bow. Once again it was great to see, comment on and judge the wonderful photographic work of their talented students.

Images © the artists – Shantelle Birch, Irin Phomraksa and Lit Thai (2017)

Trinity Bay High School Photographic Portrait Prize - judged by Brian Cassey

Trinity Bay High School Photographic Portrait Prize - judged by Brian Cassey

Trinity Bay High School Photographic Portrait Prize - judged by Brian Cassey

‘Remixes’ at ‘Flying Monkey’ …

It was a great compliment to be asked to participate in an exhibition collaboration with talented Cairns artist Rick Beresford … and the results of that partnership are now up on the walls of the Flying Monkey Gallery.

Rick – an accomplished artist, curator and arts educator – asked if he could ‘work’ on several of my images … and the startling resulting works now form the exhibition ‘The Remixes’.

The exhibition is now open to the public at the Flying Monkey … and the official launch/opening will be at the unusual time of 10am (yup … in the morning) next Saturday 17th June (just before I jump on a plane for Melbourne!). So please do drop in Saturday to the Flying Monkey on Sheridan Street Cairns, grab yourself a coffee and some breakfast and say ‘Hi’ !

Below is one of the results of our collaboration from an image I made of three year old Harmony in the indigenous community of Kowrowa west of Kuranda.

Image and work © Brian Cassey and Rick Beresford

'The Cassey Remixes' - at the 'Flying Monkey Gallery' Cairns - by Brian Cassey and Rick Beresford

Still On … “A Photographer’s Life” & Head On …


There is still time left to visit “A Photographer’s Life – Part One” … my featured Head On Photo Festival 2017 exhibition in Sydney.

Despite the dual events of my exhibition opening and the festival opening now well over two weeks ago, both events are still going strong for yet another couple of weeks.

The launch of “A Photographer’s Life – Part One” on the beautiful walls of historic Juniper Hall (completed by convict settler Robert Cooper in 1824) surpassed expectations. Really special was the attendance of bloody brilliant news photographer colleagues Phil Hillyard, David Gray, Rick Stevens, Glenn Campbell, Dean Lewins, Michael Amendolia and Paul Blackmore (there’s an astonishing number of ‘Walkleys’ amongst that lot!).

The following day, Sunday, saw the obligatory exhibition ‘artist talk’ … and a couple of surprises. As the crowd gathered two old friends materialised that I had not seen for many years. Turning up unannounced in support (or to heckle) were … old mate from the Brisbane years way back – Jules Kovacs … and the eternally lovely Barbara Sotiriadis from the early days in Cairns. Wonderful …

Apart from the obvious exhibition opening, visiting amazin’ exhibitions and catching up with a host of great photographers and friends that I don’t see often enough or at all … a highlight of my week at Head On was to take a place on the panel in the festival key debate on the topical subject “Does photojournalism facilitate or counteract fake news?”.

Felt distinctly honoured to take a place on the panel alongside US documentary photographer Maggie Steber, Israeli photographer Natan Dvir,  social media expert Kyla Woods, photojournalist and founder of Everyday Climate Change James Whitlow Delano and founder of Everyday Japan Q. Sakamaki … whilst Melbourne photography journalist Alison Stieven-Taylor took on the ‘moderation’ task. The top floor of The Beauchamp Hotel venue was packed for the vigorous and constructive hour plus of discussion. Great fun …

Perhaps it’s timely to say a huge ‘Thanks’ to Head On driving forces Moshe Rosenzveig and Anita Schwartz, Lauran Vohmann and the rest of the HO crew … also the great team at the Moran Foundation’s Juniper Hall headed by Cathy Brown and Craig Brush  … and Sonja and Chris at Arthead Mossvale for their brilliant work printing the exhibition. Really appreciate all your collective efforts to make it such a success.

“A Photographer’s Life – Part One” continues at Juniper Hall, 250 Oxford St, Paddington 10am to 4pm Wednesdays to Sundays till June 4th.

Pics … from top … “A Photographer’s Life – Part One” opening event at Juniper Hall (top two), a bunch of very talented photojournalists (and me) at the exhibition opening (l to r – David Gray, Rick Stevens, Michael Amendolia, myself, Dean Lewins, Glenn Campbell and Phil Hillyard), Head On director Moshe Rosenzveig opens my exhibition, the photojournalism debate panel at the Beauchamp Hotel (l to r – Alison Steven-Taylor, Natan Dvir, Q. Sakamaki, Maggie Steber, James Whitlow Delano, myself and Kyla Woods), a couple of the walls of my exhibition at Juniper Hall … and a promotional work outside the Moran offices in the Sydney CBD.

Images © Brian Cassey (6), Michael Amendolia (1) and John Swainston (1)

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

BBC 5 Live & “A Photographer’s Life – Part One” …

Prior to the last weekends launch of my exhibition “A Photographer’s Life – Part One” at the 2017 Head On Photo Festival in Sydney, I was interviewed by my old mate BBC Australia correspondent Phil Mercer.

The BBC 5 Live interview, hosted by Phil and Rhod Sharp, became a rather lengthy affair and touched on my photographic work over the decades, Head On Photo Festival and my featured “A Photographer’s Life – Part One” exhibition in Sydney, various aspects of photography and photojournalism … and my life in the UK and Australia. It runs for near 22 minutes.

 

BBC 5 Live Interview

Prior to the launch of my exhibition “A Photographer’s Life – Part One” at the 2017 Head On Photo Festival in Sydney, I was interviewed by my old mate BBC Australia correspondent Phil Mercer.

The BBC 5 Live interview, hosted by Phil and Rhod Sharp, became a rather lengthy affair and touched on my photographic work over the decades, the then pending exhibition in Sydney, various aspects of photography and photojournalism … and my life in the UK and Australia. It runs for near 22 minutes.

Dubai, London and Budapest …

One of the absolute truths of being a working photographer is that you always appear to be … well … ‘working’. We don’t even qualify for a ‘busman’s holiday’ … definition … “a holiday where you do something similar to your usual work instead of having a rest from it”. It’s the ‘holiday’ part of the definition that doesn’t happen.

The fact of travelling is that the camera is always slung over your shoulder … and if it isn’t on your shoulder you WILL eventually regret it.

I’ve just returned from nearly a months travel to Dubai, the UK and Hungary where a camera rarely left my grasp … and where my time was also spent productively visiting photography work in galleries or meeting editors, printers or others involved in the industry.

In Dubai I worked on some ground work and initial photography for a new World class environmental venture to be opened later this year (my reason for travelling to the UAE … but more on that down the track). I also found a little time to make two contrasting images of daily life in the principality. Away from the glitz and opulence of downtime Dubai I spent early mornings among the thousands of wharfies and sailors who worked on the traditional wooden dhow trading boats that ply their goods around the Arabian Sea from their base at Dubai Creek. Near all were ‘foreigners’ from Iran, Pakistan or elsewhere. My fav pic was the portrait I made of old Hossain in front of the most beautiful weathered rosewood dhow hull. (top below).

In contrast was the image (also below) I made in a segregated ‘male only’ carriage on the Dubai Metro … one of just a handful of railway systems in the World that operate segregated carriages for women to address sexual harassment and unwanted contact .

London is proudly my heritage … and I spent some time fruitlessly digging around for reminders of the London of old. These two pics (3 and 4 below) came closest to the required nostalgia levels. Wandsworth Common on a cold foggy morn with the young football players from Broomwood FC brought back memories of my own youthful footballing days. The portrait subject is Lewisham street trader Alan Hogg. Born in Lewisham Hospital (as was I) Alan is the quintessential south east Londoner of old. He runs ‘Pitch 45’ at Lewisham High Street market selling, according to his licence, ‘fruit and vegetables or flowers or xmas novelties’. Lewisham has now long been a diverse multicultural society and cloth capped characters of Alan’s ilk have almost disappeared. Pure nostalgia …

The last image is deliberately different … a quirky image from Budapest Hungary … a city now best known for it’s beautiful city architecture. However, metres below the World Heritage Castle district on the Buda side of the city there exists a cold war nuclear bunker … complete with gas masks and ‘occupants’!

Ain’t travel … and work … grand !

All Images © Brian Cassey – from top – Dubai UAE x 2, London England x 2, Budapest Hungary

Dubai, UAE - portrait of Hossain at the Dubai Creek wharf - by Brian Cassey

Dubai Metro - crowded male Metro carriage segregated by sex (female carriage half empty) -image by Brian Cassey

Football on a foggy day at Wandsworth Common, London - image by Brian Cassey

P{portrait of market stall holder Alan Hogg at Lewisham Market, London - image by Brian Cassey

Pic from the Cold War nuclear bunker in Budapest, Hungary - Image by Brian Cassey

National Portrait Gallery … Yes …

I’m not allowed to give you much in the way of details about this yet … sworn to secrecy … but may I say that I’m absolutely stoked to learn the news that an (unnamed at the moment) image of mine has been selected as a Finalist in the National Portrait Gallery’s ‘National Photographic Portrait Prize’ for 2017 … !

Apparently close to three thousand entries were received for this years awards … and it’s great to make the finalist cut.

Nice to add the NPPP to the other finalist awards over the last few months … the Moran Contemporary Photography Prize, the Bowness Photography Prize, the Contemporary Landscapes in Photography (CLIP) Awards … along with a second place in the Moscow International Foto Awards (MIFA), two wins in the Tokyo International Foto Awards (TIFA) … and a much appreciated Win in the Nikon Walkley Portrait Prize.

I feel a very fortunate fellow right now … 🙂

All ‘National Photographic Portrait Prize’ finalist and winning works will be revealed at the opening of the exhibition at the National Portrait Gallery, King Edward Terrace, Canberra, ACT on the 31st March. (Note to self … must book flights …) There’s a prize of $25,000 at stake for the creator of the most outstanding photographic portrait. This year there will also be prizes for Highly Commended as well an Art Handlers’ Award and People’s Choice Award.  The exhibition will run till the 18th June before touring to the Blue Mountains, Mornington Peninsula, Western Sydney, and Devonport, with also the possibility of a fifth venue being added.

National Photographic Portrait Prize 2017

 

Tokyo International … Result …

A very welcome email arrived just a day or two before Christmas with the news that two of my works had been selected as winners in the inaugural edition of the Tokyo International Foto Awards (TIFA’s).

‘TIFA’ …  a new event on the calendar … aims “to recognize, reward and expose talented photographers from around the world and introduce them to the creative community in Japan”.

My works selected were … Gold (First Place) in ‘Editorial Personality’ for the portrait ‘The Skin I’m In’ of burns survivor Carol Mayer … and Silver (First Place) in ‘Moving Image Essay’ for my short film ‘Eyes – the Soul of a Photograph’. Both works have featured previously in other awards.

They will be shown alongside other works during the winners exhibition at the Owada Gallery, Shibuya Cultural Center Owada, 23-21 Sakura-gaoka-cho, Shibuya-ku, Tokyo … with the grand opening eve on February 25th. Sadly, I doubt I will be able to take up the invitation.

All Images © Brian Cassey

'The Skin I'm In' - portrait of Carol Mayer - Winner - 'Editorial - Personality', Tokyo International Foto Awards 2016 - image by Brian Cassey

“Eyes” – a Winner in Moscow (and now Tokyo)

Update: December 2016

“Eyes – the Soul of a Photograph” was also selected as Winner and Silver medalist in the ‘Moving Image Essay’ category of the 2016 ‘Tokyo International Foto Awards (TIFA’s)‘ … and was screened at the Owada Gallery, Shibuya Cultural Center Owada, 23-21 Sakura-gaoka-cho, Shibuya-ku, Tokyo in February 2017.

November 2nd, 2015

In news from far flung Moscow … my short film “Eyes – the Soul of a Photograph” was selected as the inaugural Winner of the ‘Moscow International Foto Awards – Moving Image Essay’. Completely stoked … ! Originally put together for the ‘Nikon Walkley Storyology Slide Awards’ (in which it finished 2nd) the piece then went on to be selected as a Finalist in the 2015 ‘Head On Photo Festival – Moving Image Prize’ .

As the winner “Eyes” was projected onto the big screen at a presentation eve at the prestigious FotoLoft Gallery in Moscow (address 4-й Сыромятнический пер., 1/8, строение 6, Moscow, Russia, 105120 !!) on Tuesday November 3rd.

Just a pity I couldn’t get there to see it … but a nice honour to receive a win from the international award, based in Russia, that attracts a host of top photographers from around the planet.

 

Images and Presentation © Brian Cassey

Something Completely Different … ‘Blunt’ …

Tenth Anniversary ‘Blunt’ – ten years since Cairns artists Dominic Johns and Roland Nancarrow created “The Blunt Edge of Portraiture” in a light hearted nod to established portrait prizes … the Archibald and Moran Prizes.

Embraced by Cairns artists of many creative mediums, the invitational ‘Blunt’ has grown massively since inception. Each artist is challenged to create a portrait work that captures the essence of a fellow artist … and on Saturday eve nearly seventy portraits lined the walls of the homely Pink Phoenix Gallery for the tenth anniversary “Blunt of the Decade” celebration … and there is no celebration like a ‘Blunt’ celebration !

I was charged to create a work of young artist Fiona Price … who had her first exhibition ‘Eyes’ just a couple of years back (seems we have a fascination with eyes in common 🙂 ).

To match the unbridled creativity of Cairns artists I thought I’d better create something a little more ‘out of the box’ creatively than my usual work … and with the help of a very receptive Fiona put together my entry (below … full frame (top) and on the wall on Saturday at Pink Phoenix Gallery). Fiona gamely endured body paint and house paint … and the pain of paint in her eye. Thanks Fiona … !

This years big ‘Blunt’ winner was Jessica Roelofs for her portrait of fellow artist Suzi O’Malley.

Sadly … the ‘Blunt’ has outgrown the suburban Pink Phoenix Gallery … but 2017 might just possibly herald a new era of ‘Blunt’ at the wonderful and spacious Tanks Arts Centre. Bring it on …

UPDATE : Pleased to discover that my portrait (below) of Fiona has been selected in a “Best of Blunt” collection to be exhibitied at the ‘Flying Monkey Gallery’ in Sheridan Street Cairns from mid December through to January.

Images © Brian Cassey 2016

2016 Blunt Edge of Portraiture - 10th Anniversary - Portrait of Fiona Price by Brian Cassey

2016bluntblog1small

“Disko Meri” Does It Again …

“Disko Meri” – an image I made of nightclub bar girl Julie in Port Moresby, Papua New Guinea – has been recognised yet again, taking out an “Honourable Mention” in the ‘Portrait’ category of the prestigious “9th International Color Awards”.

The planet wide annual photography awards bill themselves as “The World’s most watched photo show” and all winners were announced in a four and a half hour live streaming online event. Must admit I missed that bit …

“Disko Meri” has received quite a bit of attention over the past year or so … and previously was recognised in the ‘Head On Portrait Prize’, the ‘Moscow International Foto Awards’ (MIFA) and the ‘Queensland Multi Media Awards’.

Sadly … I have not been able to thank my subject Julie personally so far. The bar where she works in Port Moresby does not have either a phone number or internet presence. I intend on my next visit to Port Moresby to make it a priority to visit her again at the ‘Diamond Club’ to thank her and present her with a print … the very least I can do.

Below … and at the risk of boring you with it again … is the portrait of Julie – “Disko Meri”

Image © Brian Cassey

"DISKO MERI - PNG Bar Girl" - Honorable Mention 9th International Color Awards - Brian Cassey

CLIP, Rural Press and Head On …

A hectic but rewarding three days this week … although the majority involved sitting on various aircraft.

On Wednesday I was kindly invited to luncheon in Brisbane by the Rural Press Club of Queensland … and very pleasant it was too. At the Tattersall’s Club function Rural Press announced the winners of the their annual media awards and I was most pleased to receive three awards for best ‘People’ photograph, best ‘Production’ photograph and … most pleasing … the overall ‘Excellence in Rural Photography Award’. The two winning images involved were ‘Beef Farmers’ in the ‘People’ and ‘Overall’ categories (made of a lovely elderly cattle farming couple at the Daintree) and ‘Banana Farmer’ (of a banana farmer at his tiny road side stall at the time when Panama disease race 4 was discovered locally). Both pics are posted below.

The afternoon was made even more special when my Courier Mail wordsmith colleague Michael Madigan took out the main journalism prize on offer … and we joined in much mutual back slapping and a long celebration.

Thursday … another plane … this time to Perth for the ‘CLIP (Contemporary Landscapes in Photography) Awards’ and exhibition opening at the beautiful Perth Centre for Photography.

Was wrapped with the selection of my work ‘Number 55’ as a finalist in an award that describes itself as ‘an internationally recognised photographic prize for new perspectives in natural and urban landscape photography’. My first real ‘Landscape’ photography recognition.

The gallery space was full of charm and character, the exhibited works indeed diverse and challenging … and I was pleased as punch to see ‘Number 55’ hanging amongst such an excellent collection of images. The home of photography in Perth also boasts a beautiful garden area where the bar was doing a roaring trade. Mike Gray took out the main prize with his image ‘Backyard Bag Study ‘, with Matt Abbott awarded the second prize for his great work ‘Dogs’. An extremely pleasant evening of great landscape photography at an excellent venue. If you are in Perth the exhibition runs till April 17th.

Below is a pic of part of the CLIP exhibition featuring my piece ‘Number 55’ on the wall – very nicely printed and mounted by Perth’s Fitzgerald Photo.

The one event I couldn’t quite squeeze into the schedule was the opening in Sydney on Wednesday eve of the ‘Head On Portrait Prize In Retrospect‘ exhibition as part of Art Month Sydney. The exhibition includes my previous portrait prize Finalist work ‘Disko Meri’.

Finally … this post is being strung together Friday on the long haul from Perth back to Cairns.

Images below © Brian Cassey – Rural Press Winners “Beef Farmers’ and ‘Banana Farmer’ … and CLIP Finalist ‘Number 55’ at the Perth Centre for Photography.

'Excellence in Rural Photography'' Winner 20126 - Brian Cassey

Excellence in Rural Photography - Production - Winner - Brian Cassey

CLIP Awards 2016 - 'Number 55' - Brian Cassey

Ravenshoe Blast Survivor …

Sometimes good things just happen … sometimes very bad things just happen …

The Courier Mail journalist Peter Michael and myself were on the Atherton Tablelands covering the story of the virus that had killed four elderly patients at Herberton Hospital. On the very off chance we also dropped into an address that we had for one of the most badly injured of the survivors of last June’s appalling and unfathomable ‘Serves You Right Cafe’ explosion in Ravenshoe. (For the few that may not remember – an out of control ute inexplicably careered into a large gas bottle at the rear of the cafe – causing a massive explosion that killed two and injured twenty more).

Noeleen Avenell answered her door to us dressed in one of her full pressure suits – a fact of her life since the explosion – and invited us in. We then sat enthralled as she regaled us with her story over the months since the accident.

Noeleen was the chef at the cafe that day and told us of the the moment the vehicle smashed into the gas bottle followed seconds later by the massive explosion that, mixed with the burning cooking oil she was working over, engulfed her. She was dragged from the smouldering cafe by her ankles – the only parts of her body that weren’t burnt – and remembers being placed into the ambulance. She woke up from a coma a month later in the Royal Brisbane Hospital with burns to near sixty percent of her body and rated only a five percent chance of survival, spent four months in intensive care and has so far endured eighteen operations – but it was evident from her talk with us that she has not lost her sense of humour.

More of Noeleen’s saga … and evidence of her wicked sense of humour … can be found in Saturdays The Courier Mail story here (possibly only to News Ltd subscribers unfortunately).

Thank You Noeleen for your incredible story, allowing me to make your portrait … and for showing truly amazing strength and dignity.

Below is one of the portraits made … and grabs of page 1 and page 12 of Saturdays The Courier Mail.

Images  © Brian Cassey

Noeleen Avenell - survivor of the Ravenshoe 'Serves You Right' cafe blast - portrait by Brian Cassey

 

Noeleen Avenell - survivor of the Ravenshoe 'Serves You Right' cafe blast - portrait by Brian Cassey

Cutting Edge Work at the ‘Blunts’ …


A truly memorable evening last Friday when twenty four ‘Blunt Virgins’ displayed their various and varied works at ‘crate59 Gallery’ Cairns, vying for places in Cairns answer to the Archibald’s – the ‘Blunt Edge of Portraiture Awards’.

The gallery was packed with guests – the pavement outside was packed with guests (totalling an astonishing 450 odd) – as six artists portraiture works were selected from the sculpture, drawing, painting, craftwork, performance art and photography on display.

It’s a little while since I have been described as a ‘virgin’ … but was more than happy to be invited to take part and produce a photographic portrait of fellow artist and performer Kloe Gee for the show. On the eve Kloe – unlike my rather ‘raw’ image of her on the wall – was beautifully body painted as a bower bird – and performed her ‘portrait’ of fellow artist Maree Nicholson by gracefully moving amongst the gallery audience and ‘collecting’ items to add to her ‘nest’.

The winning half dozen or so artists were announced (or informed personally such was the racket from the enthusiastic and boisterous crowd) and both Kloe and I got a welcome ‘winner’ tap on the shoulder from Blunt organiser Dominic Johns.

For all the noise, excitement, ‘refreshment’ and other carrying on I can’t remember the complete list of winners (and the Blunt web site has yet to be updated with results) … but do remember that the evenings overall winner was a compelling portrait of Darren Blackman by fellow artist India Collins.

A really great evening … and an annual art event that Blunt organisers Dominic Johns and Roland Nancarrow … and the City of Cairns … can be proud of.

Below Is my winning portrait entry of Kloe (top and middle) and the overall winning portrait of Darren Blackman by India Collins (bottom). Works © Brian Cassey and © India Collins.

 

Blunt Edge of Portraiture Kloe Gee

Blunt Edge of Portraiture Kloe Gee
BluntIndiaCollinsDarrenBlackman

Blunt Edge of Portraiture …

They bill themselves as Cairns answer to the ‘Archibald Prize‘ … a bold but very tongue in cheek comparison.

The ‘Blunt Edge of Portraiture Awards’ were the brain child of Cairns locals Roland Nancarrow and Dominic Johns back in 2007 and they have been amassing street cred ever since. Unlike the famed Archibald’s the portraits are not restricted to just brush, palette, paint, crayon or ink …  and invited ‘Blunt’ artists may use any (or all) mediums available to create a ‘portrait’ including wet clay, film, mixed media, photography, metalwork, mosaic, poetry etc. One memorable past entry was constructed out of custard !

I have been invited (at the suggestion of fellow photographer Glen O’Malley) to be a part of this years ‘Not Quite Blunt Awards’  – along with twenty three other Blunt ‘Virgins’ or newcomers who will be competing for a spot in the next full scale ‘Blunt Edge’ awards in 2016. Each ‘Virgin’ is drawn out of the hat to make a portrait of one other of the twenty four and the works will form an exhibition and vie for awards announced on the eve of December 11th at Crate 59 Gallery in Cairns.

Indeed fortunate to have been tasked with making a portrait of the delightful performance artist Kloe Gee … whilst artist Maree has the unenviable task of having to make a likeness of me interesting ! The works will be judged by eminent artists from southern climes who are not familiar with the Cairns art scene.

All in all it sounds a load of fun … ‘Thanks’ for the Blunt invitation!

20th QMMA’s Brings Two …

Hard to believe that Saturday eves Queensland Multi Media Awards hosted in Cairns at the Pullman Reef Hotel Casino was a landmark twentieth anniversary event. Yup … already twenty years of acknowledging and rewarding the work of Queensland’s regional media and advertising industry.

For some long forgotten reason I missed that first year of the awards (then named FNQ Media Awards) in 1996  … but do remember taking home the ‘Best News Photograph’ award the next year 1997. The winning image was of a then 6 year old Tjandamarra O’Shane – a victim of a burning petrol attack in his school playground that left him clinging to life with burns to 70% of his body. The pic was made outside Cairns Court on the day that his attacker Paul Wade Streeton was sentenced to life in prison.

Since that first QMMA win in ’97 I have had a fair chunk of excuses to attend the annual awards evenings … and haven’t missed a year since.

At the culmination of Saturdays celebrations I came home with two more awards – ‘Best News Photograph’ for “Mourning Our Dead Brothers and Sisters” (an image of the surviving siblings at the Murray Street murder scene – judges comment – “A tragic moment mourning, poignantly and sympathetically captured”) … and … ‘Best Editorial Image’ for “Disk Meri” (portrait of a PNG bar girl – judges comment – “A timeless and beautiful portrait illustrating a complex and difficult story”).

The QMMA crew – in particular stalwart Anita Plos – should be congratulated on their amazin’ work, persistence and dedication organising these important media awards over two decades … and here’s to the 21st!

My two winning images © are below and may also be found on an earlier blog post here.

Murray Street Cairns - massacre of children

Moscow Int Foto - Disko Meri Brian Cassey