‘Remixes’ at ‘Flying Monkey’ …

It was a great compliment to be asked to participate in an exhibition collaboration with talented Cairns artist Rick Beresford … and the results of that partnership are now up on the walls of the Flying Monkey Gallery.

Rick – an accomplished artist, curator and arts educator – asked if he could ‘work’ on several of my images … and the startling resulting works now form the exhibition ‘The Remixes’.

The exhibition is now open to the public at the Flying Monkey … and the official launch/opening will be at the unusual time of 10am (yup … in the morning) next Saturday 17th June (just before I jump on a plane for Melbourne!). So please do drop in Saturday to the Flying Monkey on Sheridan Street Cairns, grab yourself a coffee and some breakfast and say ‘Hi’ !

Below is one of the results of our collaboration from an image I made of three year old Harmony in the indigenous community of Kowrowa west of Kuranda.

Image and work © Brian Cassey and Rick Beresford

'The Cassey Remixes' - at the 'Flying Monkey Gallery' Cairns - by Brian Cassey and Rick Beresford

Still On … “A Photographer’s Life” & Head On …


There is still time left to visit “A Photographer’s Life – Part One” … my featured Head On Photo Festival 2017 exhibition in Sydney.

Despite the dual events of my exhibition opening and the festival opening now well over two weeks ago, both events are still going strong for yet another couple of weeks.

The launch of “A Photographer’s Life – Part One” on the beautiful walls of historic Juniper Hall (completed by convict settler Robert Cooper in 1824) surpassed expectations. Really special was the attendance of bloody brilliant news photographer colleagues Phil Hillyard, David Gray, Rick Stevens, Glenn Campbell, Dean Lewins, Michael Amendolia and Paul Blackmore (there’s an astonishing number of ‘Walkleys’ amongst that lot!).

The following day, Sunday, saw the obligatory exhibition ‘artist talk’ … and a couple of surprises. As the crowd gathered two old friends materialised that I had not seen for many years. Turning up unannounced in support (or to heckle) were … old mate from the Brisbane years way back – Jules Kovacs … and the eternally lovely Barbara Sotiriadis from the early days in Cairns. Wonderful …

Apart from the obvious exhibition opening, visiting amazin’ exhibitions and catching up with a host of great photographers and friends that I don’t see often enough or at all … a highlight of my week at Head On was to take a place on the panel in the festival key debate on the topical subject “Does photojournalism facilitate or counteract fake news?”.

Felt distinctly honoured to take a place on the panel alongside US documentary photographer Maggie Steber, Israeli photographer Natan Dvir,  social media expert Kyla Woods, photojournalist and founder of Everyday Climate Change James Whitlow Delano and founder of Everyday Japan Q. Sakamaki … whilst Melbourne photography journalist Alison Stieven-Taylor took on the ‘moderation’ task. The top floor of The Beauchamp Hotel venue was packed for the vigorous and constructive hour plus of discussion. Great fun …

Perhaps it’s timely to say a huge ‘Thanks’ to Head On driving forces Moshe Rosenzveig and Anita Schwartz, Lauran Vohmann and the rest of the HO crew … also the great team at the Moran Foundation’s Juniper Hall headed by Cathy Brown and Craig Brush  … and Sonja and Chris at Arthead Mossvale for their brilliant work printing the exhibition. Really appreciate all your collective efforts to make it such a success.

“A Photographer’s Life – Part One” continues at Juniper Hall, 250 Oxford St, Paddington 10am to 4pm Wednesdays to Sundays till June 4th.

Pics … from top … “A Photographer’s Life – Part One” opening event at Juniper Hall (top two), a bunch of very talented photojournalists (and me) at the exhibition opening (l to r – David Gray, Rick Stevens, Michael Amendolia, myself, Dean Lewins, Glenn Campbell and Phil Hillyard), Head On director Moshe Rosenzveig opens my exhibition, the photojournalism debate panel at the Beauchamp Hotel (l to r – Alison Steven-Taylor, Natan Dvir, Q. Sakamaki, Maggie Steber, James Whitlow Delano, myself and Kyla Woods), a couple of the walls of my exhibition at Juniper Hall … and a promotional work outside the Moran offices in the Sydney CBD.

Images © Brian Cassey (6), Michael Amendolia (1) and John Swainston (1)

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

"A Photographer's Life - Part One" - Head On Photo Festival 2017 - Moran Prizes - Juniper Hall - Brian Cassey

BBC 5 Live & “A Photographer’s Life – Part One” …

Prior to the last weekends launch of my exhibition “A Photographer’s Life – Part One” at the 2017 Head On Photo Festival in Sydney, I was interviewed by my old mate BBC Australia correspondent Phil Mercer.

The BBC 5 Live interview, hosted by Phil and Rhod Sharp, became a rather lengthy affair and touched on my photographic work over the decades, Head On Photo Festival and my featured “A Photographer’s Life – Part One” exhibition in Sydney, various aspects of photography and photojournalism … and my life in the UK and Australia. It runs for near 22 minutes.

 

BBC 5 Live Interview

Prior to the launch of my exhibition “A Photographer’s Life – Part One” at the 2017 Head On Photo Festival in Sydney, I was interviewed by my old mate BBC Australia correspondent Phil Mercer.

The BBC 5 Live interview, hosted by Phil and Rhod Sharp, became a rather lengthy affair and touched on my photographic work over the decades, the then pending exhibition in Sydney, various aspects of photography and photojournalism … and my life in the UK and Australia. It runs for near 22 minutes.

Dubai, London and Budapest …

One of the absolute truths of being a working photographer is that you always appear to be … well … ‘working’. We don’t even qualify for a ‘busman’s holiday’ … definition … “a holiday where you do something similar to your usual work instead of having a rest from it”. It’s the ‘holiday’ part of the definition that doesn’t happen.

The fact of travelling is that the camera is always slung over your shoulder … and if it isn’t on your shoulder you WILL eventually regret it.

I’ve just returned from nearly a months travel to Dubai, the UK and Hungary where a camera rarely left my grasp … and where my time was also spent productively visiting photography work in galleries or meeting editors, printers or others involved in the industry.

In Dubai I worked on some ground work and initial photography for a new World class environmental venture to be opened later this year (my reason for travelling to the UAE … but more on that down the track). I also found a little time to make two contrasting images of daily life in the principality. Away from the glitz and opulence of downtime Dubai I spent early mornings among the thousands of wharfies and sailors who worked on the traditional wooden dhow trading boats that ply their goods around the Arabian Sea from their base at Dubai Creek. Near all were ‘foreigners’ from Iran, Pakistan or elsewhere. My fav pic was the portrait I made of old Hossain in front of the most beautiful weathered rosewood dhow hull. (top below).

In contrast was the image (also below) I made in a segregated ‘male only’ carriage on the Dubai Metro … one of just a handful of railway systems in the World that operate segregated carriages for women to address sexual harassment and unwanted contact .

London is proudly my heritage … and I spent some time fruitlessly digging around for reminders of the London of old. These two pics (3 and 4 below) came closest to the required nostalgia levels. Wandsworth Common on a cold foggy morn with the young football players from Broomwood FC brought back memories of my own youthful footballing days. The portrait subject is Lewisham street trader Alan Hogg. Born in Lewisham Hospital (as was I) Alan is the quintessential south east Londoner of old. He runs ‘Pitch 45’ at Lewisham High Street market selling, according to his licence, ‘fruit and vegetables or flowers or xmas novelties’. Lewisham has now long been a diverse multicultural society and cloth capped characters of Alan’s ilk have almost disappeared. Pure nostalgia …

The last image is deliberately different … a quirky image from Budapest Hungary … a city now best known for it’s beautiful city architecture. However, metres below the World Heritage Castle district on the Buda side of the city there exists a cold war nuclear bunker … complete with gas masks and ‘occupants’!

Ain’t travel … and work … grand !

All Images © Brian Cassey – from top – Dubai UAE x 2, London England x 2, Budapest Hungary

Dubai, UAE - portrait of Hossain at the Dubai Creek wharf - by Brian Cassey

Dubai Metro - crowded male Metro carriage segregated by sex (female carriage half empty) -image by Brian Cassey

Football on a foggy day at Wandsworth Common, London - image by Brian Cassey

P{portrait of market stall holder Alan Hogg at Lewisham Market, London - image by Brian Cassey

Pic from the Cold War nuclear bunker in Budapest, Hungary - Image by Brian Cassey

National Portrait Gallery … Yes …

I’m not allowed to give you much in the way of details about this yet … sworn to secrecy … but may I say that I’m absolutely stoked to learn the news that an (unnamed at the moment) image of mine has been selected as a Finalist in the National Portrait Gallery’s ‘National Photographic Portrait Prize’ for 2017 … !

Apparently close to three thousand entries were received for this years awards … and it’s great to make the finalist cut.

Nice to add the NPPP to the other finalist awards over the last few months … the Moran Contemporary Photography Prize, the Bowness Photography Prize, the Contemporary Landscapes in Photography (CLIP) Awards … along with a second place in the Moscow International Foto Awards (MIFA), two wins in the Tokyo International Foto Awards (TIFA) … and a much appreciated Win in the Nikon Walkley Portrait Prize.

I feel a very fortunate fellow right now … 🙂

All ‘National Photographic Portrait Prize’ finalist and winning works will be revealed at the opening of the exhibition at the National Portrait Gallery, King Edward Terrace, Canberra, ACT on the 31st March. (Note to self … must book flights …) There’s a prize of $25,000 at stake for the creator of the most outstanding photographic portrait. This year there will also be prizes for Highly Commended as well an Art Handlers’ Award and People’s Choice Award.  The exhibition will run till the 18th June before touring to the Blue Mountains, Mornington Peninsula, Western Sydney, and Devonport, with also the possibility of a fifth venue being added.

National Photographic Portrait Prize 2017

 

Tokyo International … Result …

A very welcome email arrived just a day or two before Christmas with the news that two of my works had been selected as winners in the inaugural edition of the Tokyo International Foto Awards (TIFA’s).

‘TIFA’ …  a new event on the calendar … aims “to recognize, reward and expose talented photographers from around the world and introduce them to the creative community in Japan”.

My works selected were … Gold (First Place) in ‘Editorial Personality’ for the portrait ‘The Skin I’m In’ of burns survivor Carol Mayer … and Silver (First Place) in ‘Moving Image Essay’ for my short film ‘Eyes – the Soul of a Photograph’. Both works have featured previously in other awards.

They will be shown alongside other works during the winners exhibition at the Owada Gallery, Shibuya Cultural Center Owada, 23-21 Sakura-gaoka-cho, Shibuya-ku, Tokyo … with the grand opening eve on February 25th. Sadly, I doubt I will be able to take up the invitation.

All Images © Brian Cassey

'The Skin I'm In' - portrait of Carol Mayer - Winner - 'Editorial - Personality', Tokyo International Foto Awards 2016 - image by Brian Cassey

“Eyes” – a Winner in Moscow (and now Tokyo)

Update: December 2016

“Eyes – the Soul of a Photograph” was also selected as Winner and Silver medalist in the ‘Moving Image Essay’ category of the 2016 ‘Tokyo International Foto Awards (TIFA’s)‘ … and was screened at the Owada Gallery, Shibuya Cultural Center Owada, 23-21 Sakura-gaoka-cho, Shibuya-ku, Tokyo in February 2017.

November 2nd, 2015

In news from far flung Moscow … my short film “Eyes – the Soul of a Photograph” was selected as the inaugural Winner of the ‘Moscow International Foto Awards – Moving Image Essay’. Completely stoked … ! Originally put together for the ‘Nikon Walkley Storyology Slide Awards’ (in which it finished 2nd) the piece then went on to be selected as a Finalist in the 2015 ‘Head On Photo Festival – Moving Image Prize’ .

As the winner “Eyes” was projected onto the big screen at a presentation eve at the prestigious FotoLoft Gallery in Moscow (address 4-й Сыромятнический пер., 1/8, строение 6, Moscow, Russia, 105120 !!) on Tuesday November 3rd.

Just a pity I couldn’t get there to see it … but a nice honour to receive a win from the international award, based in Russia, that attracts a host of top photographers from around the planet.

 

Images and Presentation © Brian Cassey

Something Completely Different … ‘Blunt’ …

Tenth Anniversary ‘Blunt’ – ten years since Cairns artists Dominic Johns and Roland Nancarrow created “The Blunt Edge of Portraiture” in a light hearted nod to established portrait prizes … the Archibald and Moran Prizes.

Embraced by Cairns artists of many creative mediums, the invitational ‘Blunt’ has grown massively since inception. Each artist is challenged to create a portrait work that captures the essence of a fellow artist … and on Saturday eve nearly seventy portraits lined the walls of the homely Pink Phoenix Gallery for the tenth anniversary “Blunt of the Decade” celebration … and there is no celebration like a ‘Blunt’ celebration !

I was charged to create a work of young artist Fiona Price … who had her first exhibition ‘Eyes’ just a couple of years back (seems we have a fascination with eyes in common 🙂 ).

To match the unbridled creativity of Cairns artists I thought I’d better create something a little more ‘out of the box’ creatively than my usual work … and with the help of a very receptive Fiona put together my entry (below … full frame (top) and on the wall on Saturday at Pink Phoenix Gallery). Fiona gamely endured body paint and house paint … and the pain of paint in her eye. Thanks Fiona … !

This years big ‘Blunt’ winner was Jessica Roelofs for her portrait of fellow artist Suzi O’Malley.

Sadly … the ‘Blunt’ has outgrown the suburban Pink Phoenix Gallery … but 2017 might just possibly herald a new era of ‘Blunt’ at the wonderful and spacious Tanks Arts Centre. Bring it on …

UPDATE : Pleased to discover that my portrait (below) of Fiona has been selected in a “Best of Blunt” collection to be exhibitied at the ‘Flying Monkey Gallery’ in Sheridan Street Cairns from mid December through to January.

Images © Brian Cassey 2016

2016 Blunt Edge of Portraiture - 10th Anniversary - Portrait of Fiona Price by Brian Cassey

2016bluntblog1small

“Disko Meri” Does It Again …

“Disko Meri” – an image I made of nightclub bar girl Julie in Port Moresby, Papua New Guinea – has been recognised yet again, taking out an “Honourable Mention” in the ‘Portrait’ category of the prestigious “9th International Color Awards”.

The planet wide annual photography awards bill themselves as “The World’s most watched photo show” and all winners were announced in a four and a half hour live streaming online event. Must admit I missed that bit …

“Disko Meri” has received quite a bit of attention over the past year or so … and previously was recognised in the ‘Head On Portrait Prize’, the ‘Moscow International Foto Awards’ (MIFA) and the ‘Queensland Multi Media Awards’.

Sadly … I have not been able to thank my subject Julie personally so far. The bar where she works in Port Moresby does not have either a phone number or internet presence. I intend on my next visit to Port Moresby to make it a priority to visit her again at the ‘Diamond Club’ to thank her and present her with a print … the very least I can do.

Below … and at the risk of boring you with it again … is the portrait of Julie – “Disko Meri”

Image © Brian Cassey

"DISKO MERI - PNG Bar Girl" - Honorable Mention 9th International Color Awards - Brian Cassey

CLIP, Rural Press and Head On …

A hectic but rewarding three days this week … although the majority involved sitting on various aircraft.

On Wednesday I was kindly invited to luncheon in Brisbane by the Rural Press Club of Queensland … and very pleasant it was too. At the Tattersall’s Club function Rural Press announced the winners of the their annual media awards and I was most pleased to receive three awards for best ‘People’ photograph, best ‘Production’ photograph and … most pleasing … the overall ‘Excellence in Rural Photography Award’. The two winning images involved were ‘Beef Farmers’ in the ‘People’ and ‘Overall’ categories (made of a lovely elderly cattle farming couple at the Daintree) and ‘Banana Farmer’ (of a banana farmer at his tiny road side stall at the time when Panama disease race 4 was discovered locally). Both pics are posted below.

The afternoon was made even more special when my Courier Mail wordsmith colleague Michael Madigan took out the main journalism prize on offer … and we joined in much mutual back slapping and a long celebration.

Thursday … another plane … this time to Perth for the ‘CLIP (Contemporary Landscapes in Photography) Awards’ and exhibition opening at the beautiful Perth Centre for Photography.

Was wrapped with the selection of my work ‘Number 55’ as a finalist in an award that describes itself as ‘an internationally recognised photographic prize for new perspectives in natural and urban landscape photography’. My first real ‘Landscape’ photography recognition.

The gallery space was full of charm and character, the exhibited works indeed diverse and challenging … and I was pleased as punch to see ‘Number 55’ hanging amongst such an excellent collection of images. The home of photography in Perth also boasts a beautiful garden area where the bar was doing a roaring trade. Mike Gray took out the main prize with his image ‘Backyard Bag Study ‘, with Matt Abbott awarded the second prize for his great work ‘Dogs’. An extremely pleasant evening of great landscape photography at an excellent venue. If you are in Perth the exhibition runs till April 17th.

Below is a pic of part of the CLIP exhibition featuring my piece ‘Number 55’ on the wall – very nicely printed and mounted by Perth’s Fitzgerald Photo.

The one event I couldn’t quite squeeze into the schedule was the opening in Sydney on Wednesday eve of the ‘Head On Portrait Prize In Retrospect‘ exhibition as part of Art Month Sydney. The exhibition includes my previous portrait prize Finalist work ‘Disko Meri’.

Finally … this post is being strung together Friday on the long haul from Perth back to Cairns.

Images below © Brian Cassey – Rural Press Winners “Beef Farmers’ and ‘Banana Farmer’ … and CLIP Finalist ‘Number 55’ at the Perth Centre for Photography.

'Excellence in Rural Photography'' Winner 20126 - Brian Cassey

Excellence in Rural Photography - Production - Winner - Brian Cassey

CLIP Awards 2016 - 'Number 55' - Brian Cassey

Ravenshoe Blast Survivor …

Sometimes good things just happen … sometimes very bad things just happen …

The Courier Mail journalist Peter Michael and myself were on the Atherton Tablelands covering the story of the virus that had killed four elderly patients at Herberton Hospital. On the very off chance we also dropped into an address that we had for one of the most badly injured of the survivors of last June’s appalling and unfathomable ‘Serves You Right Cafe’ explosion in Ravenshoe. (For the few that may not remember – an out of control ute inexplicably careered into a large gas bottle at the rear of the cafe – causing a massive explosion that killed two and injured twenty more).

Noeleen Avenell answered her door to us dressed in one of her full pressure suits – a fact of her life since the explosion – and invited us in. We then sat enthralled as she regaled us with her story over the months since the accident.

Noeleen was the chef at the cafe that day and told us of the the moment the vehicle smashed into the gas bottle followed seconds later by the massive explosion that, mixed with the burning cooking oil she was working over, engulfed her. She was dragged from the smouldering cafe by her ankles – the only parts of her body that weren’t burnt – and remembers being placed into the ambulance. She woke up from a coma a month later in the Royal Brisbane Hospital with burns to near sixty percent of her body and rated only a five percent chance of survival, spent four months in intensive care and has so far endured eighteen operations – but it was evident from her talk with us that she has not lost her sense of humour.

More of Noeleen’s saga … and evidence of her wicked sense of humour … can be found in Saturdays The Courier Mail story here (possibly only to News Ltd subscribers unfortunately).

Thank You Noeleen for your incredible story, allowing me to make your portrait … and for showing truly amazing strength and dignity.

Below is one of the portraits made … and grabs of page 1 and page 12 of Saturdays The Courier Mail.

Images  © Brian Cassey

Noeleen Avenell - survivor of the Ravenshoe 'Serves You Right' cafe blast - portrait by Brian Cassey

 

Noeleen Avenell - survivor of the Ravenshoe 'Serves You Right' cafe blast - portrait by Brian Cassey

Cutting Edge Work at the ‘Blunts’ …


A truly memorable evening last Friday when twenty four ‘Blunt Virgins’ displayed their various and varied works at ‘crate59 Gallery’ Cairns, vying for places in Cairns answer to the Archibald’s – the ‘Blunt Edge of Portraiture Awards’.

The gallery was packed with guests – the pavement outside was packed with guests (totalling an astonishing 450 odd) – as six artists portraiture works were selected from the sculpture, drawing, painting, craftwork, performance art and photography on display.

It’s a little while since I have been described as a ‘virgin’ … but was more than happy to be invited to take part and produce a photographic portrait of fellow artist and performer Kloe Gee for the show. On the eve Kloe – unlike my rather ‘raw’ image of her on the wall – was beautifully body painted as a bower bird – and performed her ‘portrait’ of fellow artist Maree Nicholson by gracefully moving amongst the gallery audience and ‘collecting’ items to add to her ‘nest’.

The winning half dozen or so artists were announced (or informed personally such was the racket from the enthusiastic and boisterous crowd) and both Kloe and I got a welcome ‘winner’ tap on the shoulder from Blunt organiser Dominic Johns.

For all the noise, excitement, ‘refreshment’ and other carrying on I can’t remember the complete list of winners (and the Blunt web site has yet to be updated with results) … but do remember that the evenings overall winner was a compelling portrait of Darren Blackman by fellow artist India Collins.

A really great evening … and an annual art event that Blunt organisers Dominic Johns and Roland Nancarrow … and the City of Cairns … can be proud of.

Below Is my winning portrait entry of Kloe (top and middle) and the overall winning portrait of Darren Blackman by India Collins (bottom). Works © Brian Cassey and © India Collins.

 

Blunt Edge of Portraiture Kloe Gee

Blunt Edge of Portraiture Kloe Gee
BluntIndiaCollinsDarrenBlackman

Blunt Edge of Portraiture …

They bill themselves as Cairns answer to the ‘Archibald Prize‘ … a bold but very tongue in cheek comparison.

The ‘Blunt Edge of Portraiture Awards’ were the brain child of Cairns locals Roland Nancarrow and Dominic Johns back in 2007 and they have been amassing street cred ever since. Unlike the famed Archibald’s the portraits are not restricted to just brush, palette, paint, crayon or ink …  and invited ‘Blunt’ artists may use any (or all) mediums available to create a ‘portrait’ including wet clay, film, mixed media, photography, metalwork, mosaic, poetry etc. One memorable past entry was constructed out of custard !

I have been invited (at the suggestion of fellow photographer Glen O’Malley) to be a part of this years ‘Not Quite Blunt Awards’  – along with twenty three other Blunt ‘Virgins’ or newcomers who will be competing for a spot in the next full scale ‘Blunt Edge’ awards in 2016. Each ‘Virgin’ is drawn out of the hat to make a portrait of one other of the twenty four and the works will form an exhibition and vie for awards announced on the eve of December 11th at Crate 59 Gallery in Cairns.

Indeed fortunate to have been tasked with making a portrait of the delightful performance artist Kloe Gee … whilst artist Maree has the unenviable task of having to make a likeness of me interesting ! The works will be judged by eminent artists from southern climes who are not familiar with the Cairns art scene.

All in all it sounds a load of fun … ‘Thanks’ for the Blunt invitation!

20th QMMA’s Brings Two …

Hard to believe that Saturday eves Queensland Multi Media Awards hosted in Cairns at the Pullman Reef Hotel Casino was a landmark twentieth anniversary event. Yup … already twenty years of acknowledging and rewarding the work of Queensland’s regional media and advertising industry.

For some long forgotten reason I missed that first year of the awards (then named FNQ Media Awards) in 1996  … but do remember taking home the ‘Best News Photograph’ award the next year 1997. The winning image was of a then 6 year old Tjandamarra O’Shane – a victim of a burning petrol attack in his school playground that left him clinging to life with burns to 70% of his body. The pic was made outside Cairns Court on the day that his attacker Paul Wade Streeton was sentenced to life in prison.

Since that first QMMA win in ’97 I have had a fair chunk of excuses to attend the annual awards evenings … and haven’t missed a year since.

At the culmination of Saturdays celebrations I came home with two more awards – ‘Best News Photograph’ for “Mourning Our Dead Brothers and Sisters” (an image of the surviving siblings at the Murray Street murder scene – judges comment – “A tragic moment mourning, poignantly and sympathetically captured”) … and … ‘Best Editorial Image’ for “Disk Meri” (portrait of a PNG bar girl – judges comment – “A timeless and beautiful portrait illustrating a complex and difficult story”).

The QMMA crew – in particular stalwart Anita Plos – should be congratulated on their amazin’ work, persistence and dedication organising these important media awards over two decades … and here’s to the 21st!

My two winning images © are below and may also be found on an earlier blog post here.

Murray Street Cairns - massacre of children

Moscow Int Foto - Disko Meri Brian Cassey

“Eyes” … a Winner in Moscow …

In news from far flung Moscow … my short film “Eyes – the Soul of a Photograph” has been selected as the inaugural Winner of the ‘Moscow International Foto Awards – Moving Image Essay’. Completely stoked … ! Originally put together for the ‘Nikon Walkley Storyology Slide Awards’ (in which it finished 2nd) the piece then went on to make the finalist cut of ten in the ‘Head On Moving Image Prize’ earlier this year.

“Eyes” is to be projected onto the big screen at the prestigious FotoLoft Gallery in Moscow (address 4-й Сыромятнический пер., 1/8, строение 6, Moscow, Russia, 105120 !!) on Tuesday November 3rd.
Just a pity I can’t get there to see it … but a nice honour to receive a win from the international award, based in Russia, that attracts a host of top photographers from around the planet.

The film can be viewed right here … (Images and Presentation © Brian Cassey)

 

Nikon Walkley’s In Brisbane …

Thanks to Nikon Australia and the Walkley Foundation I last week again travelled to Brisbane to help launch the ‘2014 Nikon Walkley Press Photography Exhibition’ at the Brisbane Powerhouse.

Great to catch up with colleagues and mates once again but first I had to do the ‘official bit’ on stage and wax (probably not so) lyrical – to an audience of about 70 guests – about the work of Australia’s press photographers and the wonderful images collected into this years exhibition displayed on the textured and colourful walls of the Powerhouse. I then joined forces on stage with Nikon Walkley News category finalist – Courier Mail staffer and mate – Peter Wallace … and we talked about how he worked to obtain his great image of now convicted murderer Gerard Baden-Clay.

A great evening that I hope everyone enjoyed … and ‘Thanks’ to the Walkley’s, Nikon and all at the Powerhouse.

If you get the chance to see the exhibition – either in Brisbane or in other touring venues – you will not be disappointed. The work is extraordinary (as is usual every year) and a testament to the talent of Australia’s press photographers.

Below a pic – courtesy of Nikon’s Chris Dalton – of yours truly hiding behind the microphone at the Nikon Walkley exhibition launch with the work of Sport finalist Brett Costello on the big screen . Image © Chris Dalton

NikonWalkleyBrisbaneBlog

Travel Portraiture Spread in Digi Mag …

… about to hit the newsagents any day now … the new edition of ‘Digital Photography’ magazine features a seven page spread of my work under the title “The Art of Portraiture”.

The renowned enthusiast and pro photographer mag saw fit (for some reason) to use fifteen of my photographs accompanied by twenty of ‘my tips on travel portraiture’.

Not that I’m complaining … they have used a nice selection of my pics and the layout is neat and eye catching … and there are a few images on the pages that have not seen the light of day in a publication previously. The twenty ‘tips’ are all pretty obvious and I’ve probably left out the most important ones!

Please do the publisher a favour and go buy a copy … but if that’s not on …

Below are screen shots of the ‘Digital Photography’ seven page spread. All images (and my tips!!) © Brian Cassey

Digital Photography Magazine1

Digital Photography Magazine 2

Digital Photography Magazine 3

Digital Photography Magazine 4

 

Interview with Head On Photo Festival …

Following a win in the Head On Portrait Prize at the 2013 Head On Photo Festival Sydney with my image “Stockman” I was interviewed by the festivals Steve Marshall. The video interview covered my reaction to the win with the portrait of Aak Puul Ngantam stockman Dominic Ngakyunkwokka and my photography career to date. It runs for approximately two minutes.