Tsunami at the Opera …
It never falls to amaze me where (and when) my images turn up in a publication or find another airing.
A couple of months ago I received an email from the most unlikely source … Opera de Lyon in France … who requested the use of an image of mine made way back in January 2005 during the tsunami disaster aftermath in Banda Aceh, Indonesia. They requested a licence to use the pic in their material promoting and supporting this years opera season “I Was Looking at the Ceiling and Then I Saw the Sky” … and they nicely offered (without persuasion) to pay rather royally for the privilege.
The photo was made amongst the rubble of the unspeakable disaster that was Banda Aceh after the 2004 Boxing Day tsunami. It certainly wasn’t the best, the most dramatic or most memorable image that I made covering that massive disaster in Thailand, Myanmar or Indonesia … but it was this specific photo that Opera De Lyon requested to adorn their seasons brochure 2019/20, web site, promotional material and The Theatre de la Croix Rousse opera program. Who am I to argue …
i wasn’t on my own to be selected to have an image grace this years Opera de Lyon season material. They also selected work from highly regarded photojournalists … Bangladesh born Washington DC based photographer Andrew Biraj … and Paris based PJ Véronique de Viguerie.
Opera de Lyon’s rationale for the use of the images was quoted as … “The vitality of opera today – and its relevance – lies essentially in its ability to decipher and to see the world, the world of yesterday and the world of today. Great works and great shows open windows on our time and our news. We wish to present photos that illustrate and counterpoint the works of the program; images that expand and enrich the perception we can have of these operas, and come to open our reflection to the wider world”. So there …
First … but hopefully not the last … time that my images made it to the ‘Opera’. 🙂
Image © Brian Cassey 2005 for Opera de Lyon 2019 … top from the Opera de Lyon web site … below from the Opera de Lyon seasons program for “I was Looking at the Ceiling and Then I Saw the Sky”. Sadly both suffered from clumsy cropping.
The Real Bali … and Arthur Fleischmann …
A real pleasure to spend some time in a beautiful barely untouched part of Bali, far away (well, about an hour and a half) from ‘tourist central’.
The Sidemen Valley adjacent to the village of the same name in East Bali is akin to stepping back several decades to earlier times when Bali was an unmarred spiritual paradise. Rice paddies are liberally strewn through the lush fertile valley dominated at the end by views of dramatic volcanic Gunung Agung. It’s bloody gorgeous …
I recently became aware of the impressive Balinese 1930’s photography work of Slovak born photographer/sculptor Arthur Fleischmann. Whilst at Sidemen I made this atmospheric image … “Homage to Arthur Fleischmann – Diah” (top below) … as a tribute and an attempt to echo Fleischmann’s Balinese work of that era.
Fleischmann arrived in Bali by boat in 1937 and set about documenting Balinese life. In particular he turned his camera to what he saw as the everyday heroics of Balinese women in agrarian life and at harvest … “their labour under the heat of a searing sun celebrated and immortalised”. Three of Arthurs many images can be found bottom below.
His Balinese photography collection is best found in the large book “Bali in the 1930’s” (if you can find it!)
The outbreak of WWII led to his departure from Bali to a new life in Sydney where he become a member of Australia’s Merioola artist commune. In 1949 he left for London where he lived the rest of his life till his death in 1990 at the age of 94. His last sculptural work … “Tribute to the Discovery of DNA” … stands in the NSW State Library, Sydney.
I am very grateful for the help of loverly local talent Diah Antari, my driver Suyasa and the rest of the so helpful staff at the beautiful Wapa di Ume hotel in the Sidemen Valley … so very much appreciated !
(The other real bonus being in Bali again … the chance to once again stay at my very ‘favouritist’ hotel … the sublime Tandjung Sari at Sanur. Owned by the Wawo-Runtu family since it’s beginnings in 1962, Tandjung Sari is a peaceful oasis on the Sanur waterfront … a place that fosters Balinese arts and lifestyle above all else. Once a haven for rock stars and royalty it has matured with grace over the decades. Nothing much has changed … and nor does it need to … since my first of many visits over twenty years ago.)
Image “Homage to Arthur Fleischmann – Diah” (top) © Brian Cassey, Images x 3 (bottom) © Arthur Fleischmann