So … you may be able to see why I am so pleased to receive a “Highly Commended” recognition for Alf’s pic in the 2023 “Mono Awards” for black and white imagery. The image means a lot to me … and it’s nice to see that others have appreciated Alf and his story.
This past week I once again had the delightful task of judging the works of Trinity Bay High School students in their annual Photographic Portrait Prize … and presenting the awards for the eighth year in a row.
Yearly, I’ve been amazed by the quality of photographic portraiture produced by the students … some barely in their teens. Looking back on my pictorial skills when their age, I would have been way down the bottom of class.
Having said that, this year when faced with over sixty quality portraits lining the Visual Arts walls, I was even more stunned. The collective students had really excelled and produced a ‘best ever’ portraiture exhibition.
Selecting the three winners was a daunting and lengthy task. In the end the overall winner boiled down to an almost impossible choice between two great portraits … neither of which would look out of place published in National Geographic magazine. Ultimately the self portrait ‘Window of Soul’ (top) by David-Paul Onakoy got the winning nod over ‘It Takes a Village to Raise a Child’ (second from top) made by his mate David Mashengo … but only just !! The Congolese student pair both produced wonderfully constructed portraits that told a story. David-Paul took home the winners prize of a DSLR camera courtesy of sponsors Garricks Camera House.
Interestingly and in contrast to the previous couple of years … this years three winners all showed strong eye contact in their portraits, with the beautifully executed and literally eye-catching work by Sienna Stuart-Bennet of her friend Shakira, ‘Vision’, making up the top prized trio.
I could have easily awarded a dozen or so ‘Honourable Mentions’ but had to limit the decision to just three, coincidently all black and white portraits. The works of … Jade Gubb (titled ‘Dystopian Gremlin’ – great attitude and angle of view) … Noecocha Cowley (‘Mary’ – striking use of shadow) … and Mattie-Leigh Hanson (‘Seashore’ – beautifully constructed and composed), prevailed. Virgil Gill won the top prize amongst the school staff section for the work ‘Sunshine’ … whilst ‘Sweet 16’ by student Shirley Vue (bottom image) was chosen by popular vote as ‘Peoples Choice’.
Much praise must go to the dedicated Visual Arts teaching staff at the school who are fostering and moulding this amazing young photographic talent.
You can view all the TBHS students winning works from the past seven years by clicking here… 2022 … 2021 … 2020 … 2019 … 2018 … 2017 … 2016 …
Last Friday saw the opening eve of the awards in Perth … and the forty works selected as Finalists filled the PCP gallery. There was my image “100 Years & 3 Weeks – Alf Neal OAM” hanging nicely on the wall (thanks to the printing and framing skills of Paul Maietta and the crew at Fitzgerald Photo Imaging).
A little forward planning and a lot of positive finger crossing meant that I managed to arrive in Perth from London two days before Fridays’ opening event (shattered following the seventeen hour direct flight that I booked many months ago !).
It’s the third time in a row that my work has been selected as a finalist in this biennial award … links to my previous Finalist works may be found here (2021) … and here (2019) .
Sadly Alf didn’t get to hear of this latest ‘recognition’ of his work in indigenous community and on the 1967 referendum, as he passed away quietly in May this year.
However, “100 Years & 3 Weeks – Alf Neal OAM” is continuing to wrack up accolades and preserve the memory of a wonderful inspirational Yarrabah gentleman.
… had the very distinct privilege and pleasure to travel to Aurukun on Cape York Peninsula recently to portray indigenous artist Keith Wikmunea. He then was soon to be announced the winner of the $100,000 Telstra Indigenous Art Award, the top prize at the National Aboriginal and Torres Strait Islander Awards (NATSIAA) in Darwin. Images of Keith and his work were required to spread around Australia’s media in conjunction with the story of his win.
I spent a thoroughly enjoyable couple of days with Keith and Wik & Kugu Aurukun Arts Centre Manager Gabe Waterman as our winner worked on sculpting a ‘camp dog’ in the arts centre workshop … and out and about at various locations around the indigenous township. Keith was patient and a delight.
His $100,000 sculptured milkwood winning work – entitled “Ku’, Theewith & Kalampang: The White Cockatoo, Galah and the Wandering Dog” – was inspired by his ancestors, says Keith. He has already spent his prize money on a boat and a car for his family.
My images of Keith appeared in The Australian, The Sydney Morning Herald and many other print and web publications around Australia … and will also grace Sydney railway stations to spread the word about his win, his talent and the Telstra award.
Below are some of my favourite images of Keith in Aurukun and a mock up of the Telstra promotional banner work soon to be seen in Sydney stations.
Nice to receive the news recently that this set of portraits made in a little pop up studio during a workshop I hosted in the indigenous community of Kowanyama Cape York Peninsula late last year … “People From The Place of Many Waters” … was awarded an ‘Honorable Mention’ in ‘Portraiture – Series’ at this years prestigious “Le Prix De La Photographie De Paris” (Paris Photo Prize … PX3).
Many Thanks to the wonderful people of Kowanyama, Cape York Peninsula … the “People From The Place of Many Waters” . In particular my selection of subjects below from the hundreds of portraits made … David “Crow” Kitchener (top) – James “Doon Doon” Josiah Junior, Jyson Yam & Sneeklaw Possum (second from top) – Evelyn Birchley & Her Red Dress – Nazarie Birchley with Herbert Major-Birchley – Neville Henry – Zacchias Daniel – Arnold Possum – Charmaine Lawrence and Ruban Gibo … and all the many others who I portrayed during the program and workshop … and Tania Major who facilitated the visit for the RISE arts program.
In addition, another of my images … “100 Years & 3 Weeks – Alf Neal OAM” (yeah that one again – see other posts) … was also selected for an ‘Honorable Mention’ in the same PX3 awards, portraiture singles category … a nice welcome double 😉 !
A few nice recognitions over the past few weeks … 🙂
Firstly … so nice to once again be selected as a Finalist in the Perth Centre for Photography’s ‘IRIS’ portrait awards … a biennial award that my work has now been selected for the third time in a row. The actual finalist works chosen this time are still a necessary secret … but all will be revealed when the exhibition of finalist and winners works opens at PCP’s Perth gallery on September 1st. Fortunately I will be in Perth at that time en route back from the UK.
PCP describes the ‘IRIS’ awards so … “The IRIS Award celebrates excellence in portraiture photography, revealing portraits that are unique, original and conceptually stimulating. IRIS has been running for 18 years, with the inaugural exhibition held back in 2003”.
In the 16th International Color Awards announced recently my works were selected as ‘Honourable Mentions’ in both the ‘Portrait’ category (with image “Covid Vax & Ice Cream”) and the ‘Children of the World’ category (with image “Veronica – Where Home Brew Kills”) … whilst my image “Scooter” also made the finalist cut in ‘Portrait’. See the trio of images below. All three have been acknowledged in previous awards.
Now 83 years old Albert ‘Boyo’ Ware began his career as a trochus diver deckhand at the age of fifteen. He is now one of just a handful of Torres Strait and Aboriginal survivors of the trochus and pearl shell industry that dominated the farm northern Australian economy in the 1950’s and 1960’s.
Initially working trochus from small boats with a crew of four Albert eventually progressed to diving for pearl shell from larger lugger boats after the bottom fell out of the trochus market.
Albert still calls St Pauls on Moa Island in the Torres Strait ‘home ‘ despite his post seafaring exploits as a Cape York stockman and stints working on the railways and roads of far north Queensland.
A prolific story teller, Albert can bend your ears for hours with great humour and enthusiasm. One highlight of our conversations was this tale of the time he rode a whale. Diving for pearl shell at the southern end of the Great Barrier Reef near Gladstone they came across a twelve metre hump back whale stranded in a lagoon. The whale has doing circles around the lagoon so Albert and his mate jumped in, hung onto the whale tail and went for a spin. (The whale was fine and escaped to freedom when the tide rose.)
I met Albert at the opening of “Lugger Bort” … a Cairns Indigenous Art Fair event at The Tanks Arts Centre in Cairns. The brilliant exhibition curated by Nerelle Nicol focuses on “the working life of the Aboriginal, Torres Strait and South Sea Islanders who worked the pearling, Beche-de-mer and trochus industries living on luggers in Far North Queensland” was a ‘must see’ but sadly ended yesterday, Sunday.
A pleasure to listen to Albert tell his stories and to make his portrait … and … as he told me … “The journey is still on”.
Honoured to be accepted by the Kuku Djungan clan and the Neal family to document the funeral and interment ‘on country’ of the legendary highly respected aboriginal elder, bush lawyer and former cane cutter Alf Neal OAM.
Alf passed away with dignity in late May at the age of 100 … after a legendary life devoted to the betterment of Australia’s indigenous peoples.
Alf “Popeye” Neal was born in 1922 on his beloved country at Ngarrabullgan west of Cairns, Alf was moved to the indigenous community of Yarrabah at the age of two. His earliest memories were of learning aboriginal lore – and white man law.
In the 60’s Alf was a major member of the Aboriginal and Torres Strait Islander Advancement League which fought a decade long campaign to have Indigenous peoples recognised in the Constitution and counted in the census of 1967.
In 2019 he was awarded the ‘Medal of the Order of Australia’ for ‘Service to the Aboriginal community, particularly the 1967 Referendum Campaign’.
I’ve portrayed Alf many times over the years … and like to think I’m a Neal family friend. I’ll sure miss the quiet impressive gentleman … and so will Australia’s ATSI community at large.
His funeral was at St Alban’s Church in Yarrabah … where it appeared half the community turned up. (top 2 images). His interment followed the next day on his beautiful Ngarrabullgan traditional country and attended by his extended Djungan clan, Neal family and invited guests (bottom 3). These are just a handful of the many I made over the two days of proceedings.
So gratified to be a part of the documentary film “The Cape” recently released on Stan.
The doco tells in stark graphic detail the events surrounding the disappearance of Queensland fisherman Bevin Simmonds and his ten year old son Brad whilst checking shark nets off the west coast of Cape York Peninsula in 2003 … and the subsequent investigations, eventual murder charges and 2005 trial of rival fisher Michael Gater (who was having an affair with Bevin’s wife Cathy) and Gater’s mother Joan.
‘The Cape’ story was an original concept of friend and former journalist colleague Peter Michael … and also features a disturbing but fascinating number of gritty Cape character interviewees who knew the Gator, Simmonds and Ward families … alongside some wonderfully shot scenes of Cape York, the Gulf and the Great Barrier Reef.
Produced by veteran war correspondent Michael Ware and former news magazine exec Justine A Rosenthal, ‘The Cape’ is evocatively filmed and beautifully put together … and also contains over thirty of my images of the stories main protagonists, used to great effect full screen. All of my images were made during the two week Supreme Court trial in Cairns and portray murder accused pair Michael Gater and his mother Joan Gater, Bevin and Brad’s wife and mother Cathy … and many other members of the Gater and Ward clan’s who attended the proceedings.
Just the ‘looks’ in the photographs I made there still send chills …
The show … available to Stan subscribers here … has received rave reviews. (For those not Stan subscribed the ‘trailer’ is here.)
Entertainment website MamaMia writes, “The new Stan Original Documentary Revealed: The Cape is one of the most gripping and emotionally charged documentaries of the year“. TV Blackbox put it this way … “The Cape” is the story of rival fishing families who built empires amongst the twisted mangroves in Far North Queensland. The isolation, an all-consuming sexual obsession and a series of small choices leads to a suspected double murder of Brad and Bevin Simmonds. Emmy® Award-nominated filmmakers, Michael Ware and Justine A. Rosenthal take us on a journey into Australia’s Deep North and the human psyche to uncover what we’re capable of when our humanity is stripped bare in this fascinating portrayal of an insular and isolated community.”
It was a distinct pleasure to work with ‘The Cape’ team … they were a pleasure … Thanks All!
(NB … I also appear in TV footage at the Supreme Court trial in Cairns making images of the Gaters … and looking rather ‘scruffy’ doing it … if you are game … watch around the 69th, 70th minute mark!)
I was doing exactly that on Friday lunch time when I walked past the stop in central Cairns and spotted a fine looking gentleman. Said ‘Hi’ … we exchanged pleasantries and I asked ‘George’ how far away his bus was … the board said eight minutes … and if I may make a quick portrait. George was fine with that so I raced back to my car a block away to grab a decent camera. We were chatting whilst I made a few frames and it turns out that George is, in fact … Dr George Skeene OAM and a Yirrganydji Elder !
Of course, the bus arrived early and George told me his info is on the web … and off he went. Our interaction lasted a very pleasant six or seven minutes …
Fascinating to find Dr George on the web and learn the details of his stellar career. George grew up in Aboriginal reserves in Cairns and has made it his life’s work to document his Yirrganydji cultural heritage.
Very nice to be part of The Sunday Mail newspapers 100 Years celebration publication last weekend.
From what I’ve been told the editors made a special request to include my image of breast cancer survivor Kate Yeoman in last weekends Sunday Mail centenary celebratory special “Capturing 100 Years of Milestones – Pictures Frame Big Moments”. Great to see Kate amongst other images of Her Majesty Queen Elizabeth in Cairns 1954, the Victory Parade in Brisbane at the end of the second World war, the ‘Ekka’ in 1950 … and more.
In February 2020 Kate Yeoman was one of dozens of women who had been on hospital waiting lists for breast reconstruction surgery for many years. Kate was diagnosed with rare Tubular Carcinoma cancer eight years prior and endured a double mastectomy. She was advised that breast reconstruction would be implemented at that same time. She was still waiting when the Sunday Mail embarked on a campaign to bring to light the massive surgery waiting times so many years later.
That’s when I arranged to meet Kate at a friends private little studio. We talked over the options for images for some time and she completely agreed that the most impactful images were the way to go.
To say it had impact is an understatement. Queensland Health Minister Steven Miles responded by phoning Kate personally, saying he was “incredibly moved”. Miles immediately reacted by ‘fast tracking’ surgery for Kate and 24 other women who had been on lengthy wait lists for breast reconstruction. Miles also later announced a $250 million investment for an elective surgery “blitz” to reduce surgery wait times.
So rewarding when your work actually makes a difference.
I’ve known for a some time that Kate’s front page is framed large and prominently amongst a limited collection on the cavernous walls within the News Ltd offices in Brisbane … although I havn’t been there lately to witness that … so it’s a welcome bonus to see it as part of this significant event.
Kate … you are a wonderfull and courageous woman … Thanks !
… very gratified to be a part of a significant political and environmental story crafted and published yesterday by The Washington Post.
The story … by journalists Gerry Shih, Karishma Mehrotra and Anant Gupta and accompanied by two of my images from Chhattisgarh, India … is entitled “India Cracks Down on Critics of Coal”. The lengthy story documents how India’s Modi government is using state power to help Gutam Adani expand his coal operations in the country and silence the voices of NGO’s and other critics both Internationally and internally.
A large focus of the story is the destruction of the Hasdeo Arand forest in Chhattisgarh state central India by the expansion of open cut coal mines already operating or planned … with Adani a major player. It also documents the special relationship between Gutam Adani and India Prime Minister Narendra Modi and the impacts on any opposition to coal expansion.
In 2019 I wrote and illustrated a story on the impact of the destruction of the Hasdeo Arand, the effects on the Gond tribal people who have called it home for centuries and the plans for many more coal mines in the pristine forest area, home to elephants, jaguars and other wild life. The story was featured in The Guardian (main story and a photo gallery) and several other International publications including CNN, Italy’s ‘Corriere Della Sera’ newspaper,‘Orion’ environmental magazine and more. The Washington Post story updates the situation in my original story and expands into how the Indian government is cracking down on any dissent, be it International NGO’s or Indian Nationals, as Adani and others carve up the profits from unbridled coal expansion.
It wasn’t unexpected but that didn’t make it any easier to take.
Just a few days ago I learnt the very, very sad news that Alf Neal OAM … the 100 year old Yarrabah indigenous elder and a driving force behind the 1967 referendum that resulted in Indigenous peoples historic recognition in Australia’s Constitution … died peacefully and with dignity surrounded by his family.
Just over six weeks ago I saw Alf … affectionally known as ‘Popeye’ … for the very last time. It was on the balcony of his seafront home opposite the site of the old ‘tree of knowledge’ in Yarrabah.
I have known and photographed Alf for a couple of decades and it was sad to see him so bodily frail … but even so it was obvious that his brain was still sharp despite his difficulties in communication. Son Percy did an admirable job translating and relaying Alf’s thoughts for Michaels notes. At one stage when I was focused on Alf’s face from a distance he broke into a grin of recognition as he saw me … a magical moment for me personally.
Long an advocate and fighter for indigenous rights, Alf was born in the early 1920’s on his beloved country at Ngarrabullgan (Mount Mulligan) west of Cairns. Moved to the indigenous community of Yarrabah, he was baptised at the age of 2 and grew up in dormitories. His earliest memories were of learning white man law alongside the traditions of aboriginal lore.
Alf grew to be a prominent indigenous leader and a major driving force in the decades long fight for the 1967 referendumwhich resulted in Indigenous peoples historic recognition in Australia’s Constitution. For his efforts, in 2019 the former bush lawyer, cane cutter and baker was awarded the ‘Medal of the Order of Australia’ (OAM) for ‘Service to the Aboriginal community, particularly the 1967 Referendum Campaign’.
I’ve made images of Alf many times over the decades as he voiced his opinion on many issues relating to the lives of Australia’s aboriginal and islander population. Sadly that voice is now silent. A tragedy that he won’t be around to see (hopefully) a ‘Yes’ vote in the “Indigenous Voice to Parliament’ referendum later this year.
The family have given permission for this image to be used. My condolences to the Neal family, to Yarrabah and the aboriginal community in general. Alf was majestic and a delight and will be greatly missed.
I’ve had the pleasure of knowing and portraying now one hundred year old Alfie “Popeye” Neal OAM for a few decades … a gentleman with quiet determination and a mission to improve the plight of Australia’s indigenous residents.
Long an advocate and fighter for indigenous rights, Alf was born in the early 1920’s on his beloved country at Ngarrabullgan (Mount Mulligan) west of Cairns. Moved to the indigenous community of Yarrabah, he was baptised at the age of 2 and grew up in dormitories. His earliest memories were of learning white man law alongside the traditions of aboriginal lore.
In light of the ongoing “Voices” campaign and upcoming referendum, I pitched an image of Alf and his three week old great great grandson …“100 Years & 3 Weeks” … to the Sunday Mail … and big thanks to journalist Michael ‘Mad Dog’ Madigan for is great words and SM Pic Ed Jamie Hanson (in his last week on the paper after 30 odd years) for getting this story across the line and over three pages of last Sundays edition.
Thanks Alf, son Percy, journo ‘Mad Dog’ and pic ed Jamie. (A very ‘special Thanks’ for Jamie for being ‘one of the best’ pic editors … happy (chosen) redundancy and enjoy life outside the media, Jamie … Thanks for everything !).
50 year old Sydney masseuse Michelle Lee gently shipped her oars in Port DouglasWednesday April 5th 2023 to become the first woman to row solo across the Pacific Ocean … an epic feat that spanned 240 days.
Michelle left Ensenada Mexico in her row boat ‘The Australian Maid’ on August 8th 2022 with approximately 14000 kms ahead of her, much of it dodging numerous Cyclones (Hurricanes) and the unexpected. It was not only the weather that impacted her progress … she was shadowed by large sharks across the ocean (one decided to visit Michelle by jumping into the boat) … and currents and tides slowed her last run in to the Australian coast changing landfall from Cairns to Port Douglas.
She had previously defeated the lesser shorter challenge of rowing across the Atlantic in 68 days … a feat that led to her being named the 2019 National Geographic Adventurer of the Year.
Recently travelled to Green Island on the Great Barrier Reef with photographer colleague Emese Gyalog to meet and document, soon to be 93 year old croc legend George Craig.
To say George has lived a life is a massive understatement. Schooled in England but born in South America, George dived with epic Tarzan star Johnny Weissmuller in an aquatic show before stowing away on a ship at London’s docks to Jamaica where he picked bananas. Then he found himself in Darwin Australia defusing WWII bombs.
However, the travel that most impacted the direction of George’s life was to the Fly River in Papua New Guinea, where he set about croc hunting … later turning to croc ‘collecting’. George not only ‘collected’ crocs but also a massive trove of PNG artefacts unmatched almost anywhere.
In the 1970’s when he needed somewhere to put all these crocs and art he took over tourist venture Marineland Melanesia at Green Island on the Great Barrier Reef, where he lives and works to this day. George also brought a mate of his to Green Island from the NT … a now 5 5 metre “saltie” named “Cassius” … the largest croc in captivity on the planet. (See here Guinness Book of Records.)
It was an absolute pleasure to photograph George on Green Island … on his favourite chair where he sometimes paints, amongst his amazing collections of probably priceless art … and with his massive mate “Cassius”.
The Courier Mail were delighted to see the work and ran it today Saturday on page three (with a pic pointer from page 1), with a story brilliantly constructed by journo, wordsmith and mate Michael Madigan.
I do like “Cassius” but I’m much fonder of the portraits I made of George in his happy place with his art works, one of which leads this little set below.
Thanks George , Cassius and Emese … had a great rewarding day !
… very welcome news… TWO of my recent images combined to win the ‘People’ category of the “19th Pollux International Awards” … first time ‘recognitions’ for them both.
Always satisfying when ‘new’ pics get a bit of attention.
The images “100 Years & 3 Weeks – Alf” and “Do Not Resuscitate – Peter Potter” … below … are the two works that were jointly selected as the Winner of the ‘People’ category.
“100 Years & 3 Weeks” (bottom) features prominent Kuku Djungan elder and aboriginal and islander leader and activist Alf Neal and his three week old great great grandson Kailan Murgha at their Yarrabah home two days before the community celebration of Alf’s centenary.
Alf was a driving force in a decade long fight for the 1967 referendum which resulted in Indigenous peoples recognition in Australia’s Constitution. He was awarded ‘Medal of the Order of Australia’ (OAM) for ‘Service to the Aboriginal community’ in 2019.
“Do Not Resuscitate – Peter Potter” (top) features prominent Master Potter … Peter “Potter” Thompson … in his Kuranda rainforest studio ‘Five Treasures’ where he produces his imaginative Asian/Taoist inspired clay works fired in wood-fired kilns.
“Potter” is something of a miracle having survived three heart attacks over his decades long career producing works that have graced galleries far and wide. The tattoo over his pace maker enhanced heart and chest states ’N F Resuscitare’ (‘Do Not Resuscitate’) and his blood group … a testament to his longevity and Impeccably wry and dry sense of humour.
… in good company in The Guardian today as they feature the 400TX Project presenting black & white film work produced on a 50 year old Nikon F2 passed around to some of (quote) … “Australia’s most prominent photographers” … including this geezer from Cairns.
The project was the brain child of Brisbane photographer Renato Repetto who transported the vintage 1970’s black Nikon F2 with a 55mm lens loaded, with just one 36 frame roll of Kodak Tri-X BW film, on numerous journeys criss crossing Australia and into the hands of current working photographers who gave it their best shot.
The list of photographers featured is as impressive as the work … Dean Sewell, Tim Page (so sadly no longer with us), Paul Blackmore, Robert McFarlane, David Maurice Smith, Peter Solness, Michael Coyne, James Brickwood, Shehab Uddin, Jakub Fabijanski, Oli Sansom, Meg Hewitt, David Kelly … and yours truly .
My frame in the feature is “Too Busy To Die” … made in sparse light with the last frame of the thirty six on the film roll … of accomplished musician Geoff Tozer. He had just told he was dying. He was diagnosed with bowel, bladder, bone and advanced spinal cancer. But, he told me, “I’m too busy to die.”
I cut my teeth on ‘manual everything’ film cameras like the Nikon F2 decades ago and used ‘zone focusing’, guessed exposures and well-timed single shutter releases in my early work. This project has brought into stark reality how spoilt we photographers are now with digital imaging and digital photo technology … and, to be honest, the process of shooting black and white film again scared me stiff !
Yes … you’ve likely seen this work before 🙂 (as recently as my last post here … sorry) … BUT … what IS new is that “Mother Africa – Aurora” has been selected (announced yesterday) in the ‘Shortlist’ of just fourteen images in the 2023 Sony World Photography Awards for ‘Portraiture’. When you consider that this years Sony World wide awards attracted approximately four hundred and fifteen thousand entries from over two hundred countries, you’ll maybe understand why I’m pretty ‘chuffed’ and grateful that I can now show it again here in this context !
The fourteen short listed Open works in ‘Portraiture’ emanated from photographers around the planet … Denmark, the Philippines, Slovakia, USA, Angola, New Zealand, Australia, Nigeria (2), Poland (2) and the UK (3) … (see complete list below). (You may notice that, unusually, Sony decided to put myself and my work in the UK column (place of birth) rather than the more common place of residence column (Aus) … very nice to be British again 😉 )
The Winners and short listed works from this years awards … arguably the Worlds largest and most prestigious … will be published as a collection in a hard cover book ‘Sony World Photography Awards 2023’, … whilst Winning and shortlisted images will be exhibited as part of the Sony World Photography Awards exhibition at beautiful Somerset House in my old home town London from April 14 – May 1, 2023. (Hope my UK family can make it 😉 ).
Very pleased with the announcement last eve … “Mother Africa” selected in the prestigiousInternational “Portrait of Humanity 2023” awards ‘Shortlist’. (Have known for a little while that the work “Mother Africa” featuring Aurora Coulter (below) was ‘Shortlisted’ but was sworn to secrecy till yesterdays official ‘announcement.)
Now in it’s 5th ‘edition’ and organised by the venerable highly respected British Journal of Photography 1854 … Portrait of Humanity has fast become one of the most select, yet largest, collections of contemporary portrait photography on the planet.
Many Thanks once again must go to my talented and delightful subject Aurora … making the picture was an emotional moment in our friend Marc’s ‘studio shed’ and Aurora really made it ‘work’.
Every now and then a job turns up that’s … well … a little different. December saw one of those.
Former ‘Young Australian of the Year’ (2007) Tania Major contacted me and asked if I may like to host ‘portrait sessions’ and a workshop in her home township of Kowanyama on western Cape York just before Christmas. The idea … part of the RISE Arts Program … was to raise awareness of the possibilities of photographic portraiture in the indigenous community and provide any residents who ‘sat’ (or stood, leant or lay) with a timely portrait before Christmas. Nice idea …
So … I traveled to Kowanyama, set up a makeshift studio in the Kowanyama Arts & Culture Centre … and spent four days meeting and photographing the fabulous characters who arrived almost constantly. Elderly, young, very young and not so young …
It was not only great fun but also a truly positive and rewarding event.
The seven portraits I’ve selected here below are just a tiny proportion of the over three hundred I made during the program.
Thanks Tania ( @tanmajor ) … and to the Kowanyama residents for their wonderful hospitality and humour at what was a difficult time for the community (which I won’t go into here.)
Portraits left to right from top …
David “Crow” Kitchener … Evelyn Birchley & Her Red Dress … and … James “Doon Doon” Josiah Junior, Jyson Yam & Sneeklaw Possum … Zacchias Daniel … and … Neville Henry … Arnold Possum … and … Nazarie Birchley with Herbert Major-Birchley.
… VERY much a departure from what I normally do … and for that matter … what I’ve ever done.
I admit … this image I produced may look somewhat ‘familiar’ to many of a certain ‘vintage’. However, I can assure you that it is brand new. The ‘polar opposite’ of photojournalism, documentary, reportage etc, it does, indeed, tell a timely story I wanted to tell.
The year 2022 marked the 60th anniversary of the death of arguably the planet’s greatest ever sex symbol … movie star and blonde bombshell Marilyn Monroe. She died at just 36 …
There were many thousands of photographs made of Marilyn (Norma Jeane) during her stellar but far too short career as an actress, model, sometimes singer … and undeniable centre of massive unrelenting attention.
I still can’t get over the fantastic job that Bonn (aided by the mastery of make up artist Sue Kim) did in morphing into Marilyn’s character and look … the resemblance is chilling. Despite the fact that I didn’t attempt to copy the original pose in Tom’s work directly … the similarities in body shape, pose, style, expression and more are obvious. Bonn created a damn fine Marilyn …
A couple of little interesting asides about the original Kelley image. Originally … pre Playboy … Marilyn faced right to left in the frame. Hefner decided to reverse it in the magazine centrefold … and that’s the way I made the ‘tribute’ image with Bonn. As well as making Hefner’s new magazine a massive success, Kelley’s image … an image of tastefulness and sophistication … became truly historic, played a key role in shaping 20th century history, led to a redefinition of female sexuality in America and spawned a sexual revolution.
This is the first time ever I’ve ‘remade’ an earlier image by another photographer … and I’m damn sure it will also be the last … but I do hope you enjoy the resulting work, Bonn’s amazing ‘Marilyn’ portrayal and the rationale behind retelling a pivotal and timely part of the Monroe story.
This “Marilyn” – Bonn large framed work (below) is currently pride of place on the wall in the exhibition “Red Hot” (and available for sale) at the Kite Gallery in Cairns. The exhibition of great works runs until 16th January 2023 and is well worth checking out.
So pleased that this work has gained attention. To be accurate the making of this image (in a friends little basic shed studio) engendered a lot of emotion … and tears. My subject, the delightful currently Australia based African American Aurora Coulter, knew the ‘look’ that would make the photograph ‘work’ at depicting the historical … (and still current when you take into consideration the death of black man George Floyd and others at the hands of police officers etc) … treatment of her forebears in the US. Aurora dug into the depths of past memories and experiences for this image … and for that I’m so grateful. Her emotion made it ‘work’.
You’ve likely seen the work before on this blog, social media or elsewhere … but always nice to receive a little more kudos. So … here they are …
1. “Veronica – Where Home Brew Kills” – People/Children – Five year old Veronica Barnes on Mornington Island in far northern Australia. Her remote indigenous community is suffering the ravages of a dangerous ‘Home Brew’ alcohol epidemic. Veronica is growing up in a community where community members – including children – are dying from alcohol related issues and severe diabetes.
2. “Scooter- Paralympian” – Editorial/Sport – Swim Paralympian Grant “Scooter” Patterson has diastrophic dysplasia, a joint fusion disability connected to dwarfism. He was catapulted to cult hero status around the planet when he won silver and bronze swim medals at the 2020 Tokyo Paralympics. His nickname comes from his constant form of transport – a three wheel scooter.
3. “Mother Africa” – People/Culture – As a black Colorado born African American, Aurora Coulter is acutely aware of her heritage, the treatment of her coloured predecessors and forebears in the United States – and also the history of Australia’s indigenous population since supposed ‘settlement’.
4. “Covid Vax & Ice Cream” – People/Portrait – After receiving her first Pfizer Covid-19 vaccination in her remote Yarrabah far north Australia home, 67 year old aboriginal Leanne Bulmer sits with her ‘reward’ – a free ice cream from the ice cream van that was arranged to follow the on foot ‘door to door’ doctors and medical teams through the indigenous community.
Taking some of the gloss off the BIFA announcement was the insane decision by both IG and FB to ‘remove’ the tasteful and respectful ‘news’ image of Veronica citing their ‘community standards’ and impose a ‘ban’ … whilst they constantly bombard social media with unsolicited overtly sexually blatant images of females displaying their various ‘bits’. Go figure …
You may check out where all four of these images have previously gained attention on my ‘Awards’ page here.
Also a special mention and a brilliant result for Cairns colleague and friend Emese Gyalog who won a ‘Bronze’ award and also 4 x Honourable Mentions … (and who just happens to be in Budapest right now.)
Big Thanks to my subjects … Veronica, Grant ‘Scooter’ Patterson, Aurora Coulter and Leanne Bulmer.
