THREE Exhibition Openings in Cairns …

Two weeks since the opening of three exhibitions at the adjoining Mulgrave and Court House Galleries in Cairns.

Really stoked to see my new exhibition of 35 portraits “A Photographer’s Life – Part 3 – Portraits” … the collection I curated alongside Head On Photo Festival Director Moshe Rosenzveig “Paper Tigers – An Anthology of Australian Photojournalism” … and the work of Trinity Bay High School students that I mentored and edited with Cairns Galleries curator Chris Stannard “Word on the Street” … all opening simultaneously on the lawn between the galleries.

It was a brilliant and amazingly well attended evening.

Moshe Rosenzveig flew up from Sydney to perform the official exhibition openings under the evenings very threatening skies … and also joined me the following day hosting our artist/curators talks.

It is the first time that “Paper Tigers” has been shown outside of Sydney … and it was a real pleasure to see the sixty works by Australia’s wonderful photojournalist community on the expansive walls of the Court House Gallery … including my 2016 Nikon Walkley Portrait Prize winner “Abdullatif – Beaten Asylum Seeker” (pic 5 below 🙂 ). Was a real (lengthy and sometimes complicated) pleasure to work with Moshe to put this significant collection together. The exhibition includes many examples of Australian photojournalism that are historic and helped shaped the face of the country. VERY well worth a visit and a long long look.

My exhibition of ‘Portraits’ is a logical extension of my two earlier exhibitions … A Photographer’s Life Parts 1 & 2. Part One was exhibited in The Tanks Arts Centre in 2017 … and Part Two in the Court House Gallery in 2021. Together they documented not only my involvement in photography from a very early age and across the decades, but also the changes in photojournalism and the media environment. Part Three demonstrates the move more to portraiture from the more traditional and difficult to obtain (and more expensive) pure photojournalism. It also contains several of my fondest and most emotional images. Great to see some of the images projected the size of a house too !

“Word on the Street” is the product of my connections over the years with Trinity Bay High School and their visual arts students and teachers. I have judged and presented their annual photographic portrait prize for near a decade and have many times provided the students with class room talks and street walks where we explored photography and photojournalism. The catalyst for this particular exhibit was a chat with Cairns Galleries curator Chris Stannard (left in image 4). We mentored the students in photojournalism and encouraged them to produce work whilst charging young cadet journalist Isaac Colman with the task of writing their stories. A very rewarding and successful exercise …

Must, must … hugely thank Chris Stannard and all at the galleries staff (Andy, Narelle, Jilara, Laurence etc etc) who worked so hard to put these exhibitions together … Moshe for his time, expertise, words, camaraderie and attendance … the visual arts students and teachers from TBHS … my wonderful subjects (Vale Alf, George S, George C and Desley) … and all who taken the time out to be there on the opening eve or have subsequently walked through the gallery doors !

Also grateful to Charlie McKillop at ABC Radio who very nicely interviewed me on exhibition opening morning for her ‘Drive’ segment. You may listen to that interview here if you have ten minutes and forty seconds to spare.

Plenty of time left to take in the exhibitions … “Paper Tigers” runs to the 23rd of February … whilst “A Photographer’s Life – Part 3 – Portraits” and “Word on the Street” have both been extended until the 29th February. I may even catch you there 😉 .

I do hope to have some fascinating ‘360 degree’ videos of the exhibitions very soon.

In pics below … Mulgrave Gallery entry to “A Photographer’s Life – Part 3 – Portraits” and “Word on the Street” during an accompanying musical event – featuring my image “The Kids of Ali Curung” … my exhibit image “George at the Bus Stop” projected at dusk … some of my portraits on the walls of the Mulgrave Gallery … Cairns Galleries Chris Stannard at the Court House entry to “Paper Tigers” … my work :Abdullatif – Beaten Asylum Seeker” in the Court House Gallery “Paper Tigers” collection … projection of my work “Veronica – Where Home Brew Kills” late on opening evening … lastly, Head On’s Moshe Rosenzveig (right), myself (left – a VERY rare pic), friends from the Cairns photographic community Shaz Spannenburg, Peter Rossi, Charmaine Heyer, Polly Fenton with (rear) Robert Gray from Brisbane … at the Conservatory Bar ‘after launch’ ‘do.

Images © Brian Cassey … except second © Cristina Bevilacqua … and bottom © Moshe Rosenzveig/Sarah Hulgill

TWO at the Clarion Awards …

… utterly chuffed to win the two major photography prizes at last eves “The Clarion Awards” (Queenslands Media Awards) in Brisbane … Best News Photo for “Alive – Bill & Michell’s Miraculous Escape From Jasper” … & … Best Photographic Essay for “Jasper Brings Once in a Century Flooding”.
A terrific evening amongst many media colleagues and friends old and some new. Well worth the trip from the tropics to the big city ;-).

The night really was a reminder that the media industry is still alive and kicking …. the work of the category winners was a real credit to all … and I was extremely gratified to be just a part of it.

Thank You to the MEAA (especially the Queensland branch) for continuing to organise such a great media event.

First image below is my winning Best News Photo … a work that is very close to my heart. Thank You Bill and Michelle from Degarra who put up with me at an extremely fragile time of their lives … to The Australian pic editors Michael Bilbe-Taylor and Milan Scepanovic who entrusted me with a very difficult and complicated assignment … and to gun journo Michael McKenna who did a great job of crafting the story via a very crackly phone line.

The following twelve images is my winning photo essay … made from when Jasper first reared it’s destructive head, through the record breaking rain falls and on to the start of ‘recovery’. 

Oh yeah … the judges comments are there too at the bottom. 

(Must also mention my medical mate Dr Richard Jackman who managed to get me back out working during the cyclone event after a busted vertebrae incurred during a rain sodden stair fall 🙂 )

Images © Brian Cassey  @brian_cassey

The Artist Gallery … Portraits from around the Globe …

Nice email with news overnight … a new one for me and the first time I’ve entered … “The Artist Gallery Portrait Awards”. 

Twenty one portraits from around the world were awarded … four winners and seventeen ‘Honorable Mentions’, including an HM for my work  “The Yarrick Family of Kunhanhaa”, made on Mornington Island in the Gulf of Carpentaria.

The Artist Gallery suggests that their awards “Showcase the photographers ability to turn fleeting moments into timeless works of art. The winners and honourable mentions who have masterfully turned their lenses toward the soul, creating images that inspire, move, and remind us of the stories behind every face.”

The overall winning work was from Turkey … a brilliant and emotional image “The Bitter Face of War” by Erçin Ertürk

The 21 selected winners and honourable mention portraits originated from Australia, Italy, UK, Malta, Spain, Czech Republic, Luxembourg, Norway, Germany, Israel, United Arab Emirates, USA, Austria, Mexico and The Netherlands. 

Australia was represented three times … congrats to the other Aussie based artist Andrea Francolini who had two in the selection, with my image “The Yarrick Family of Kunhanhaa” being the third.

My Yarrick family image has been good to me, previously winning the “Nikon-Walkley Portrait Prize”, second in the “International Portrait Photographer of the Year” and a dozen other accolades.

Image © Brian Cassey

Tuesday … 69th Walkley Awards …

So … what does one do on a Tuesday night in November ? Last Tuesday I made a flying 30 hour visit back to Sydney to attend the media industries ‘night of nights’ … The Walkley Awards … at the International Convention Centre (ICC).

The catalyst for the lightening short visit was the inclusion of my work (stills, video and drone) in the Courier/Sunday Mail team documentary production “Prayed Upon: A Real Life Hand Maid’s Tale” which was selected as a Finalist in the ‘News – Current Affairs – Short Film’ category of the awards.

Our team … comprising Kate Kyriacou, Greg Stolz, Rhylea Millar, Natalie Gregg, Melanie Pilling, Anna Caldwell and myself … were up against works in the category by co-finalists 60 Minutes and the ABC. Our teams work told the story of a frightening ‘cult’ based on the Atherton Tablelands in far north Queensland.

Was the first time I’ve had the privilege to be a finalist in the Walkley Awards outside of the pure ‘photojournalism’ Nikon-Walkley categories side of things … so that was a little different.

Very kindly, Nikon Australia’s marketing manager Kylie Dredge arranged a seat at the Nikon tables for myself alongside my photography friends and colleagues and the Nikon crew. That was a blast !

Good mates all … AFP’s David Gray took out the ‘News Photography Award’ with his remarkable 20,000 ASA image of freed Julian Assange “Walk to Freedom”, SMH’s Nick Moir won ‘Press Photographer of the Year’, Getty’s Quinn Rooney claimed the ‘Sports Photography’ gong for “Australian’s in the Pool”, whilst Kate Geraghty (SMH) was awarded ‘Nikon Photo of the Year’ for her image, “Funeral at Al-Aqsa”. Getty’s Diego Fedele won ‘Feature/photographic Essay’ and Chris Hopkins image for ‘Good Weekend’ won the ‘Portrait Prize’.

Obviously there was much ‘celebrating’ to do. The Nikon team led by Kylie duly obliged and made sure we did so well into the next morning. Congrats to all my mates and colleagues … winners and finalists … the Walkley’s and the MEAA … and thanks to all at Nikon. (It’s been a pleasure to use Nikon’s fabulous products for many decades … they really do so much to support the photojournalists in the industry.)

Oh Yes !! Back to our ‘Current Affairs’ finalist selection. Sadly we were beaten to the pen nib winners trophy by the ’60 Minutes’ entry, but that didn’t stop our Queensland team celebrating just being in Sydney for a fabulous eve amongst the very best of Australia’s media.

(NB … it’s not often my dinner suit gets an airing 😉 )

Main image © News Ltd … below … still, drone images and video by © Brian Cassey

Wonderful Weekend at ‘Head On’, Sydney …

Without doubt, the biggest drawcard in Australia for the photographic community is the ‘Head On Photo Festival’ in Sydney.

The annual festival features numerous exhibitions selected from around Australia and the planet … and I’ve been fortunate enough for the last few years to be part of the selection panel that ploughs through several hundred collections of fabulous photographic works to decide what actually ends up on the exhibition walls (or fences!) of Bondi Pavilion and the beach front, Paddington Reservoir Gardens and other venues around Sydney.

The festival also hosts the Head On Photo Awards (Portrait, Landscape and a new one – Exposure), which attracted entries this year from as far afield as Bulgaria, Malta, Greece and Slovenia, to name just four of many.

(NB … I must confess to a little bit of bias … have been a Head On Award winner in the past, a finalist lots of times and an exhibitor on numerous occasions.)

This years collection of exhibition works on display was one of the best I’ve seen. It was excellent to see the work that we agonised to select on a computer screen way back in March, exhibited in the best locations at Bondi, Paddington and more. The same can be said for this years awards … the finalists in Head On Portrait Prize in particular were absolutely brilliant this year.

Head On, however, is not just about awards and exhibitions … it’s the coming together of talented (and newby) photographers from around the world to engage, discuss, swap ideas, learn, celebrate the photographic image and perhaps share a drink or three. Was excellent to catch up with imaging colleagues and friends at a splendid Bondi Pavilion opening eve and across the five days that I could afford to stay … amongst them Mark “Crusty” Baker (who kindly provided luxurious accomodation), Stephen Dupont and the delightful Martina Reys (great Rwanda show you two!), Michael Coyne, Peter Solness, Max Pam, Barbara McGrady, Diana Lui, Marta Soul, Donna Squire, Mike Magee, Simon Harnest, Katherine Griffiths, John Swainston, Max Mason-Hubers, Glenn Porter, Diane Brooks (thanks for the rides !) … and two ‘first time’ Cairns based photographers … the lovely talented Emese Gyalog and new to our city landscape photographer Danielle Jayde. (My apologies to those I may have missed mentioning !)

Of course, all this would not be possible without the amazing tiny Head On team who move mountains to put the festival together … Festival Director Moshe Rosenzveig OAM, Anita Schwartz, Stephen Godfrey, Callum Boland, Charles Mackean and volunteers. Brilliant …

Cairns photographers recognised for their work in the festival this year were the afore mentioned Emese Gyalog and Danielle Jayde, Marc Steiner … and … a certain Brian Cassey 🙂 (no great big deal … this time it was just a semi-finalist in the ‘Exposure’ category with ‘Marilyn Monroe 60 Years On – Bonn‘ 😉 … shown at the festival bottom below.)

Images from top … © John Swainston (promoting Stephen Dupont’s ‘Rwanda 30+ Bearing Witness to Genocide’ exhibition on festival opening eve), © Brian Cassey (Stephen Dupont at the opening eve of ‘Rwanda 30+ Bearing Witness to Genocide’), © Brian Cassey (Martina Reys talks to Rwanda genocide survivors at ‘Rwanda 30+ Bearing Witness to Genocide’), © John Swainston (Head On work displayed on the Bondi Beach waterfront), © Brian Cassey ( my selected work in ‘Exposure’ – ‘Marilyn Monroe 60 Years On – Bonn’)

16 Photos That Changed the Way We See the World …

Proud as punch and super overwhelmed to be included in a collection of photographs published last week by the ‘Head On Foundation’ entitled “16 Photos that changed the way we see the World”.

To say my 2016 image of asylum seeker “Abdullatif” in detention on Papua New Guinea is good enough to be in the amazing company of the work in this collection is a vast overstatement ( I think that’s right 😉 ).

The collection is chock a block full of truly historic and iconic photographs … images that are embedded in most peoples memories … Nick Ut’s napalm girl ‘The Terror of War”(1972), Joe Rosenthal’s “Raising the Flag on Iwo Jima” (1945), Robert Capa’s “Falling Soldier (1936), Malcolm Browne’s “Burning Monk” (1963), Thomas Hoepker’s brilliant “9/11” (2001), David Scherman’s “Lee Miller in Hitlers Bath” (1945) … and … without listing them all … other legendary works by current International legends … Ben Lowy, Ron Haviv, Paula Bronstein, Lynsey Addario and Australian’s Merv Bishop, Stephen Dupont and Kate Geraghty. You can see them all here … https://headon.org.au/magazine/16-photos-that-changed-the-way-we-see-the-world

Then … and it was the shock of my life … at number four … between Ben Lowy and Nick Ut’s startling work … was my pic and the story of “Abdullatif”. Head On described the rationale for the complete set thus … “Photojournalists have captured images that have continued to shape our world to this very day. We are highlighting some of the most impactful of these images, showcasing their history and investigating their continuing legacy.”

One of the nicest surprises of my decades wielding cameras. (If I had been sitting on a chair I would have fallen off it !).

Please don’t miss seeing this amazing collection of fabulous unforgettable photojournalism (even though you likely know them all anyway 😉 ). Thank You Head On Foundation !

“Abdullatif” Image © Brian Cassey

Trinity Bay High School … Portrait Prize Number 9 …

I’ve said it eight times before … and now year number 9 !

Under the tutelage of the visual arts teachers at Trinity Bay High School, Cairns … these teen photography students are amazing.

For the past eight years of judging I’ve been fascinated and oft times stunned by the effort and creativity that these high school students put into their annual photographic portrait prize entries.

This year was definitely no exception … and the rivalry and quality of their works were closer than ever. The 58 images they produced ranged from sultry classical black and white portraits to seriously colourful photographic abstract representations … and just about everything in between. Great to see that almost everyone had moved away from the ‘snap’ shot and constructed their entries with great thought, a story line and a connection to their subject … with a dose of photographic skill mixed in.

It took me overnight to make the judging decision … and separating the top three contenders was a torturous task. Eventually I settled on these (below … from top then left to right).

Overall Winner – Jesse Boyle with ‘Lostin’ ‘ … 2nd Prize – Antonia Kaufmann with ‘Shadows of Thoughts’ … 3rd Prize – Zane Thaddeus MacFarlane with ‘Bro Sobbing’ … Highly Commended X 3 – Azuma Said with ‘Echoes of Emptiness’, Maddalena Scalco with ’The Smile of 90 Years of Happiness’ and Jean Paul itembaya with ‘Past Reflections’. The Peoples Choice Award went to Theris Vakaruru with ‘Dallas’.

Jesse’s enigmatic subtle winning portrait caught the eye … and just clung on to it … and he was deservedly presented with a Canon 1500D DSLR with a 18-55mm lens sponsored by Garricks Camera House. (Of note was Maddalena’s ‘The Smile of 90 Years of Happiness’ work. Despite lacking some technicality and compositional skill it was an image that couldn’t help but make you smile 🙂 )

I’ll let you make up your own mind about these great portraits (below) created by the talented Trinity Bay High School students.

You can view all the TBHS students winning works from the past eight years by clicking here…2023202220212020 2019201820172016

Bring on the decade in 2025 😉

Images © the student artists … Jesse Boyle, Antonia Kaufmann, Zane  Nguyen-Pung, Azuma Smid, Maddalena Scalco, Jean-Paul Itembaya, Theris Vakaruru .

Barcelona & the Pollux Awards …

… very welcome news from Barcelona this morning regarding the 21st Pollux Awards … the prestigious International photography prize hosted by famed Spanish based FotoNostrum Magazine. Even better is that the news involves three of my (at the moment) lesser known works.

“The Last Image of Alf … Alf Neal OAM” has, up to now, been somewhat overshadowed by another earlier image I made of Alf on his hundredth birthday with his great great grandson Kailan … “100 Years & 3 Weeks … Alf Neal OAM” … which has been recognised numerous times around the planet and in Australia.

So it was a gratifying experience to see the portrait of my old mate Alf … made on the verandah of his Yarrabah home in the last days of his one hundred and first and final year … selected as the ‘Winner’ of Pollux ‘People’ category. I know that Alf, if he was still around, would be immensely proud … and I’m sure that his Yarrabah family will be too.

The ‘icing on the cake’ is that two of my so far ‘unsung’ images … “Voices & Bubblegum … Aurukun” & “Surviving Cyclone Jasper … Bill & Michelle” … were both awarded ‘Honorable Mentions’ in the same ‘People’ category … a nice ‘triple’ 🙂 . The ‘Bubblegum’ pic was made at ‘Indigenous Voice to Parliament’ referendum pre-polling in Aurukun, when young Kythie Yunkaporta was more enthralled with the bubblegum skills of Shuntay Marpoodin. The image of Bill and Michelle Dunn was made as they told their harrowing story of survival at their Degarra (Bloomfield) home destroyed in the massive flooding that followed Cyclone Jasper.

The Pollux Awards have been good to me over the years … and this is the fourth year in a row that I’ve been fortunate to be selected as ‘Winner’ of the ‘People’ category (earlier ‘wins’ … 20th Edition here 19th Edition here, 18th Edition here ).

One of the nicest things about the Pollux Awards is that the winners works do end up as physical framed photographs on a wall … the very prestigious walls of the FotoNostrum Gallery, Mediterranean House of Photography, in Barcelona, Spain. That will happen from July 2025 … (a nice time to be in Barcelona and Spain 😉 ? ).

Very nice also to be in the good company of my US photojournalist mate and Pulitzer Prize winner, Michael Robinson Chavez, whose work was selected in the Pollux ‘Documentary & Reportage’ category.

You may find all of this years Pollux Awards winners in a special edition FotoNostrum Magazine here … https://www.fotonostrummag.com/21-pollux … my work is on pages 64 & 65, whilst Michael Robinson Chavez’s works are on page 116.

Images © Brian Cassey

On the Stage … with ‘Grit’ …

… a really different place and opportunity to share the story of my several decades hefting cameras around various parts of the planet to tell the odd story or two.

My first … (and likely my last 🙂 ) … appearance on a theatre stage, was yesterday when I had the privilege of taking a small part in the Perseverance Street Theatre Company production of the play “Grit” at the JUTE theatre in Cairns.

The premise of the theatrical and musical production is to highlight and tell stories of resilience, determination, regret, positivity … and ‘grit’. It is performed by four talented members … storyteller Fletcher Colfs accompanied by cast members Abby Bowyer, Ben Adams and Sarah Harvey.

My part was to relate the story (with the pre show input of JUTE creative producer Kathryn Ash) of basically my entire life … both pre and post my first ever two shillings and sixpence camera … to tell the stories of the amazing people I have met and photographed over the decades, many in the midst of unfathomable hardship and suffering . Some had triumphed over adversity … others didn’t …

One who did ‘triumph’ was burns survivor and my pictorial subject Carol Mayer (inset in promotional poster below) … whose bravery and fortitude taught me much in the time I knew her before her untimely so so sad death.

All this was voiced with lead actor Fletcher as a prelude to the rest of the show.

The six scenarios during the play were a beautiful mixture of humour and pathos … poignant, uplifting, thought provoking, enlightening, moving and more. A great way to spend an hour and a half …

The show continues it’s travels around Queensland (without my input) next week to Rockhampton and Bundaberg.

‘Carol Mayer’ image © Brian Cassey

"Grit" a play at the JUTE Theatre in Cairns ... part played by Brian Cassey photographer.

Budapest, Dodho & Capture Awards … early Xmas Pressies …

… 3 nice early Chrissie presents … from ‘Budapest International Foto Awards’ (BIFA), Dodho Color Awards’ and Capture Magazines inaugural ‘Capture Awards’ … with four different images featuring.

Most pleasing for me was a first recognition for an image I’m rather fond of … and frankly rather different from my usual ‘stuff’ … entitled “Marilyn Monroe – 60 Years on – By Bonn” (top).

‘Marilyn’ was selected as an Honorable Mention in the Fine Art category of the Budapest International … and I’m very happy with that. I’m pretty sure that my subject Bonn Marie will be happy with that too … she did an admirable job of channeling the 50’s and early 60’s sex goddess … fabulous Bonn ! Thanks … and to Sue Kim too for her great nostalgic make up and hair magic.

I’ll try and keep it concise … but the catalyst for creating the image was the 60th anniversary of Marilyn’s (arguably the planet’s greatest ever sex symbol) untimely death in 1962 at the age of just 36. The idea was to  mirror one of the works of US photographer Tom Kelley who had the enviable task of shooting Marilyn’s infamous ‘red velvet’ set in 1949 before her acting career took off (when she had red hair pre the ‘blond bombshell’ era). Strangely Tom’s image didn’t receive lavish attention until Hugh Hefner selected it for the first centrefold in the first ever edition of Playboy Magazine in 1953!

The original is a truly iconic (in the real sense of the word) photograph and played a key role in shaping 20th century history, spawning a redefinition of female sexuality and a sexual revolution.

I like to think that Bonn and I did the original work justice. (Fine Art or not … it’s a real shame that this work is unacceptable on social media and its use would lead to a ban … go figure!)

“100 Years & 3 Weeks – Alf Neal OAM” also scored an Honourable Mention in the BIFA Portrait category … to add to a growing list of recognitions. Still miss you Alf.

By the way … it would be remiss of me not to mention that Cairns colleague and Hungarian born friend Emese Gyalog also featured in the Budapest awards, winning a Bronze Award and a Honorable Mention for her work. Excellent …

My pic of Green Island croc legend “George Craig – Crocodile Hunter” featured in the second edition Dodho Magazine Color Awards … and was awarded with a whole page (third from top) in a quite beautifully produced collection of photography … the Dodho large format hard cover book of the awards best images entitled ‘Color –  Best Photographers of 2023’ (third and fourth pics). Dodho really know how to produce wonderful polished photography books!

Last but certainly not least … “100 Years & 3 Weeks – Alf Neal OAM” was also selected in the ‘Top Ten Portraits’ of the inaugural Capture Magazine “Capture Awards” … and features amongst the winners in the current Summer 24 print edition of Australia’s premier pro photography magazine. A bit of cream on top was also the selection in the top twenty ‘Portraits’ list of my portrait “Do Not Resuscitate – Peter ‘Potter’ Thompson” of the Kuranda master potter (bottom image).

All have been updated to my ‘Awards’ listings page at … https://www.briancasseyphotographer.com/awards/

A very nice way to finish 2023 … Many Thanks to all involved … and have a great ’24 !

All images © Brian Cassey

Head On Photo Festival … Brilliant …

Crackin’ long weekend at the 2023 Head On Photo Festival in Sydney. 

Great to catch up with so many friends and photography colleagues. Amongst those photographers (and SO sorry for those fleetingly met and missed here) … and roughly in order they appeared …  Mark ‘Crusty’ Baker, David Gray, Rick Stevens, Mike Bowers, Peter Solness, Gary Ramage, Janie Barrett, John Donegan, Dean Sewell, Nicky Cately,  Judith Nangala Crispin, Jessica Hromas, Andrew Quilty, Michael Coyne, Glenn Porter, (pocket UK rocket) Jennifer Forward-Hayter,  John Swainston , Fiona Bowring and Dianne Brooks (who did an amazing job as my personal ‘chauffeur’ 😉 )

Then … you’ve got the fabulous dedicated Head On crew … Moshe Rosenzveig OAM, Anita, Steven, Emma, Charles, Lana et al. Amazin’ job !

Great to see the almost endless brilliant photography works at Bondi Beach, Reservoir Gardens, TAFE Ultimo etc … being part of a photo judges panel talk with colleagues Judith Nangala Crispin and Jessica Hromas … and to see my Head On Portrait Prize Finalist ‘Alf Neal’ work on the wall amongst a brilliant Bondi Pavilion exhibition in company with the work of media colleagues Gary Ramage, Kate Geraghty, Glenn Porter and forty odd others.

But wait … there’s more … the third showing for the “Paper Tigers” exhibition of Australian photojournalism, this time in the spacious realms of TAFE Ultimo … collection curated by myself and Moshe.

Wouldn’t have missed all this for quids … go see  … (and that’s the ‘name dropping’ other with 😉 )

Below are two of my works at the current Head On Festival … “Voices – 100 Years & 3 Weeks – Alf Neal OAM” amongst the Portrait Prize Finalists … and “Abdullatif – Beaten Asylum Seeker” amongst the sixty brilliant works of photojournalism that is “Paper Tigers”.

Images © Brian Cassey @headonphotofest #headonphoto 

8th Year … Trinity Bay High Student Portrait Prize …

This past week I once again had the delightful task of judging the works of Trinity Bay High School students in their annual Photographic Portrait Prize … and presenting the awards for the eighth year in a row.

Yearly, I’ve been amazed by the quality of photographic portraiture produced by the students … some barely in their teens. Looking back on my pictorial skills when their age, I would have been way down the bottom of class.

Having said that, this year when faced with over sixty quality portraits lining the Visual Arts walls, I was even more stunned. The collective students had really excelled and produced a ‘best ever’ portraiture exhibition.

Selecting the three winners was a daunting and lengthy task. In the end the overall winner boiled down to an almost impossible choice between two great portraits … neither of which would look out of place published in National Geographic magazine. Ultimately the self portrait ‘Window of Soul’ (top) by David-Paul Onakoy got the winning nod over ‘It Takes a Village to Raise a Child’ (second from top) made by his mate David Mashengo … but only just !! The Congolese student pair both produced wonderfully constructed portraits that told a story. David-Paul took home the winners prize of a DSLR camera courtesy of sponsors Garricks Camera House.

Interestingly and in contrast to the previous couple of years … this years three winners all showed strong eye contact in their portraits, with the beautifully executed and literally eye-catching work by Sienna Stuart-Bennet of her friend Shakira, ‘Vision’, making up the top prized trio.

I could have easily awarded a dozen or so ‘Honourable Mentions’ but had to limit the decision to just three, coincidently all black and white portraits. The works of … Jade Gubb (titled ‘Dystopian Gremlin’ – great attitude and angle of view) … Noecocha Cowley (‘Mary’ – striking use of shadow) … and Mattie-Leigh Hanson (‘Seashore’ – beautifully constructed and composed), prevailed. Virgil Gill won the top prize amongst the school staff section for the work ‘Sunshine’ … whilst ‘Sweet 16’ by student Shirley Vue (bottom image) was chosen by popular vote as ‘Peoples Choice’.

Much praise must go to the dedicated Visual Arts teaching staff at the school who are fostering and moulding this amazing young photographic talent.

You can view all the TBHS students winning works from the past seven years by clicking here… 2022202120202019201820172016

See you all next year for number nine …

Images © The Student Artists … from top … David-Paul Onakoy, David Mashengo, Sienna Stuart-Bennet, Jade Gubb, Noecocha Cowley & Mattie-Leigh Hanson, Shirley Vue

Mentioned in Dispatches from Budapest …

… Nice … 4 X Honourable Mentions in the 2022 Budapest International Foto Awards (BIFA) announced yesterday.

You’ve likely seen the work before on this blog, social media or elsewhere … but always nice to receive a little more kudos. So … here they are …

1. “Veronica – Where Home Brew Kills” – People/Children – Five year old Veronica Barnes on Mornington Island in far northern Australia. Her remote indigenous community is suffering the ravages of a dangerous ‘Home Brew’ alcohol epidemic. Veronica is growing up in a community where community members – including children – are dying from alcohol related issues and severe diabetes.
2. “Scooter- Paralympian” – Editorial/Sport – Swim Paralympian Grant “Scooter” Patterson has diastrophic dysplasia, a joint fusion disability connected to dwarfism. He was catapulted to cult hero status around the planet when he won silver and bronze swim medals at the 2020 Tokyo Paralympics. His nickname comes from his constant form of transport – a three wheel scooter.
3. “Mother Africa” – People/Culture – As a black Colorado born African American, Aurora Coulter is acutely aware of her heritage, the treatment of her coloured predecessors and forebears in the United States – and also the history of Australia’s indigenous population since supposed ‘settlement’.
4. “Covid Vax & Ice Cream” – People/Portrait – After receiving her first Pfizer Covid-19 vaccination in her remote Yarrabah far north Australia home, 67 year old aboriginal Leanne Bulmer sits with her ‘reward’ – a free ice cream from the ice cream van that was arranged to follow the on foot ‘door to door’ doctors and medical teams through the indigenous community.

Taking some of the gloss off the BIFA announcement was the insane decision by both IG and FB to ‘remove’ the tasteful and respectful ‘news’ image of Veronica citing their ‘community standards’ and impose a ‘ban’ … whilst they constantly bombard social media with unsolicited overtly sexually blatant images of females displaying their various ‘bits’. Go figure …

You may check out where all four of these images have previously gained attention on my ‘Awards’ page here.

Also a special mention and a brilliant result for Cairns colleague and friend Emese Gyalog who won a ‘Bronze’ award and also 4 x Honourable Mentions … (and who just happens to be in Budapest right now.)

Big Thanks to my subjects … Veronica, Grant ‘Scooter’ Patterson, Aurora Coulter and Leanne Bulmer.

Images © Brian Cassey

Budapest International Foto Awards (BIFA 2022 - Honourable Mention X 4 - "Veronica - Where Home Brew Kills", "Scooter", "Mother Africa" & "Covid Vax & Ice Cream" - by Brian Cassey

 

Head On Photo Festival … Exhibitions and Talks … Brilliant

There is so much I could say about this years Head On Photo Festival in Sydney. Could almost write a book about it …

Sadly, don’t have enough space to tell all about this years exhibitions, artists talks, panel talks, awards and other photographer events that made this years, soon to conclude, festival so special … but I will try.

This years annual extravaganza was based around the beautiful newly remodelled Bondi Pavilion opposite the World famous beach … and in the stunning surrounds at the Reservoir Gardens in Paddington. The work of 500-plus photographers was displayed in 107 exhibitions across the two major venues and further afield.

Work from my “A Photographer’s Life – Part Two” collection … first exhibited in full last year at The Court House Gallery in Cairns  … was selected as a ‘featured’ exhibition in Reservoir Gardens. Re-titled “(Selections From) A Photographer’s Life – Part Two” the work on the picturesque wall was edited down to twelve works (from the original 38) by Head On’s Moshe Rosenzveig and team (see top two images below).

Out of the nine other exhibitions also displayed in Reservoir Gardens four were my firm festival favourites … the works of two photojournalists, Giles Clarke from the USA (“Yemen: Conflict & Chaos”) and Mouneb Taim from Syria (“War Notes”), Judith Nangala Crispin’s magnificent and startling photographic creations using wild animals “Dangerous Stars” … and the haunting, disturbing, brave yet occasionally amusing work by breast cancer survivor Lisa Murray and her five-year-old son Griffin entitled “Through My Child’s Eyes”. Brilliant visual treats all …

Out of the many, many exhibitions lining the entire length of Bondi Beach I was most drawn to two that displayed a great visual sense of humour during Covid lockdown … Andrew Rovenko’s fabulous “The Rocketgirl Chronicles” and my old once Cairns mate Jake Nowakowski and his brilliant “Superheroes in Lockdown” set.

Please do take some time to click on the links to see these great exhibitions. Sadly the Reservoir Gardens exhibitions closed at the weekend but the Bondi works will be on display until December 4th.

I was also asked to do some ‘nattering’ at the Festival … in particular an artist talk regarding my “A Photographer’s Life – Part Two” work … and a panel talk on the challenges of photojournalism, and how photojournalists gain trust from and access to their subject entitled “Insiders & Outsiders”. The above mentioned photojournalists Giles Clarke and Mouneb Taim were my co-panelists in a talk moderated by photography journalist Alison Steven-Taylor.

Arguably the most satisfying festival event for me personally was the (re)opening of “Paper Tigers” … an exhibition of the work of sixty of Australia’s best photojournalists curated my myself and Moshe Rosenzveig. The culmination of nearly a year of cajoling and collecting the work of the best of Aussie based media PJ’s, the original exhibition of the sixty collected works was slap bang in the middle of Covid lockdowns and border closures. I and many others of the our contributors … even those in NSW … obviously couldn’t attend. Moshe and the Head On crew made good on their promise of ‘Launch Two’ at the fabulous Delmar Gallery in Ashfield just two weekends ago … and our “Paper Tigers” contributors could at last travel from around the country to celebrate the works on the walls and the accompanying “Paper Tigers” book (see images three and four below).

For those interested … here are the contributors to “Paper Tigers” … a totally talented bunch who withstood my constant nagging … Thanks …

Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob Maccoll, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz and Tracey Nearmy.

Many Thanks to the Head On crew of Moshe, Anita, Stephen, India, Georgia and Talia for putting on a truly awesome festival.

Finally … two further things … happy to report that my image “Scooter” (Paralympian Grant Patterson) was selected as semi-finalist in the Head On Portrait Prize (image below) … and that in a very, very, VERY rare occurrence fellow photographer lovely Iceland based Serena Dzenis managed to con me into being the subject (hate that) of a damn photograph at my Reservoir Gardens exhibition (bottom below). No idea how she managed that …

Images © Brian Cassey (top five) & Serena Dzenis (bottom)

Head On Photo Festival 2022 - "(Selections From) A Photographer's Life - Part Two" - by Brian Cassey - at the Reservoir Gardens Paddington Sydney

Head On Photo Festival 2022 - "(Selections From) A Photographer's Life - Part Two" - by Brian Cassey - at the Reservoir Gardens Paddington Sydney

Head On Photo Festival 2022 - "Paper Tigers" exhibition of Australian photojournalism - Curated by Brian Cassey and Moshe Rosenzveig - at Delmar Gallery Ashfield Sydney

Head On Photo Festival 2022 - "Paper Tigers" exhibition of Australian photojournalism - Curated by Brian Cassey and Moshe Rosenzveig - at Delmar Gallery Ashfield Sydney

"Scooter" - Semi-Finalist in the Head On Portrait Prize 2022 - image by Brian Cassey

Brian Cassey at his Head vOn Photo Festival exhibition "(Selection From) - A Photographer's Life - Part Two" at Reservoir Garden Paddington Sydney - image by Serena Dzenis

Judging School Students Portraiture at TBHS …

The years fly by … it seems almost yesterday that I was asked for the first time to judge the work of Trinity Bay High Schools photography class students. It was actually seven years ago in 2016 … and the students whose work was displayed in that years exhibition will now be well into their twenties.

This year I once again had the distinct pleasure of being asked to judge the schools annual photographic portrait prize … for the seventh year in a row.

Last week that judging took place followed by the announcement of winners and presentations …

There were a whole host of great portraits adorning the walls of the schools gallery that could have made it into the winners circle including (but not only) works by Axil Austin, Marie Johnson, Naomi Rubambo, Patrick Munguyiko and Prince Mashengo.

A very challenging decision this year … but after circling the gallery works on the wall many times …  with several breaks for rumination … i came up with these results (images below, counter clockwise from top) … Winner – ‘Bridezilla’ by Ali Talty , Second Place – ‘Mutesi’ by Angelique Iradukanda, Third Place – ‘Muslim Girl’ by Samita Khadka and Highly Commended – ‘The Deadly Clown’ by Mamta Bista. At bottom below is the work that was voted Peoples Choice by visitors to the exhibition … ‘Island Eyes’ by Peiwa Wamala  … and personally I’m glad they did :-).

Ali’s Winning work ‘Bridezilla’ was unmissable on the wall … a highly detailed image from a great quality file. It’s one of those images that you can’t stop looking around and searching for little details and making your own ‘interpretations’. (Still not one hundred percent about the title tho’ 😉 ). For her excellent wining work Ali was presented with a DSLR camera courtesy of sponsor Garricks Camera House, Cairns by teacher Ian Whittaker.

Angelique’s Second Place ‘Mutesi’ is a nicely put together classy, sophisticated work … nice interesting pose by the subject, displaying her to best effect.

An excellent quality image file and the use of great quality of the light and careful pose and composition used in Samita’s ‘Muslim Girl’ made it an exceptional work and a well deserved Third.

Some may feel that the selection of Mamta’s ‘The Deadly Clown’ may have been a ‘controversial’ decision. My take is that the almost abstract work is totally unmissable and unforgettable … some viewers remarked it was ‘very scary’. Great … if an image evokes emotion I’m all for it. I’ve seen the body of work that Mamta selected this image from … and it’s great creative work that deserved recognition.

The Trinity Bay teachers excelled this year with more entries in the ‘Staff Award’ than previous years … and my selection for best staff entry was a clever black and white work ‘Infinite Gambit’ by Kelly Nottle.

Over the years I’ve been constantly amazed by the work that these grade 12, 11 and younger students produce … and the work that that the teachers of the Visual Arts Faculty … this year Luke Madsen, Caroline Mudge and Clair Lloyd … nurture their students to produce.

Can’t wait for my eighth TBHS Photographic Portrait Prize next year …

You can find the previous winning images from the last six years of the TBHS portrait prize here …20212020, 2019, 2018, 2017, 2016.

Images © the students … (top four – counter clockwise from top) … ‘Bridezilla’ by Ali Talty, ‘Mutesi’ by Angelique Iradukanda, ‘Muslim Girl’ by Samita Khadka and ‘The Deadly Clown’ by Mamta Bista … (bottom) … ‘Island Eyes’ by Peiwa Wamala

Trinity Bay High School Portrait Prize 2022 - winner by Ali Talty - judge Brian Cassey

Trinity Bay High School Portrait Prize 2022 - 3rd and 2nd Place - Muslim Girl Samita Khadka_ Mutesi by Angelique - judge Brian Cassey

Trinity Bay High School Portrait Prize - Honourable - The Deadly Clown by Mamta Bista - judge Brian Cassey

Trinity Bay High School Portrait Prize - People's Choice - Island Eyes - Peiwa Wamala

 

Tim Page … 25 May 1944 to 24 August 2022 …

Tim … a LEGEND in the REAL sense of the word …

Born in Tunbridge Wells in Kent UK (not far from where I was ‘brung up’ some years later), Tim went on to become one of the most adventurous, successful and colourful conflict photojournalists on the planet.

Yesterday was his last day on that planet …

I’ve been fortunate to not only have been aware and in awe of Tim’s work since the late ’60’s but to have met and chatted with Tim on many occasions over the decades. Not enough occasions … but somewhat privileged nevertheless …

One of my fondest memories of the irrepressible Tim was on ‘Table 55’ at the 2016 Walkley Awards in Brisbane. What must have been the best and most enjoyable table of the evening consisted of eventual ‘Gold Walkley’ winner and younger photojournalist legend Andrew Quilty (and his delightful mum Ann), photography journalist Alison Steven-Taylor, fellow photojournalist Michael Amendolia, little ol’ me … and Tim escorting his lovely partner Marianne Harris. The best way to spend any eve … and a great way to celebrate my little win in the Nikon Walkley Portrait Prize.

In the pics below the two ‘Legends’ Tim and Andrew ‘chew the cud’ following Andrew’s big win (second image from top) … and (third from top) Tim watches the announcement of my Nikon Walkley Portrait Award  with Marianne.

It was whilst nattering at table 55 that Tim broached the idea of a ‘print swap’. He fancied a signed copy of my winning portrait of “Abdullatif – Beaten Refugee”.

Bloody ‘ell … I was distinctly honoured and more than happy to oblige !

As sometimes happens all went a little quiet on the issue … until a couple of YEARS later when this turned up in the mail (top below) … a signed print …

“Ambush of 173rd Airborne – Iron Triangle – 1965”

Tim made this image very early on in his stella career whilst covering a Vietcong ambush of the US 173rd in South Vietnam. His work from this action saw his first publication in ‘Life’ magazine. Several of Tim’s images of this ambush aftermath are infamous and all over the net … but I’ve found no evidence of this particular frame elsewhere (please correct me if I’m wrong.)

It will be treasured … 

Here’s how Tim described his work covering the ambush …

“It was Larry Burrows who had to teach me how to load my first Leica M3; I got it as a perk having just had this image (nb – a similar image at the scene but including helicopters) run as a vertical double truck in a 5-page spread in LIFE in the fall of ’65.

At the same time that Hello Dolly opened at Nha Trang airbase, a company of 173rd Airborne had walked into an ambush in Viet Cong base zone, known as the Iron Triangle. The sign had read “American who read this die.”

A class of prime youth shredded in seconds.

The dust-offs started coming within 30 minutes. I got a ride back to Ton San Nhut and was downtown in Room 401 of the Caravelle in another 30. Mostly, I remember carrying a badly wounded grunt whose leg came off and he almost bled out.”

(Notes … ‘dust-off’ was the lingo (and call sign) for casualty evacuation by helicopter … the Caravelle was the hotel in central Saigon where the media invariably stayed (and is still there.)

Tim also personally signed my copy of his book ‘Requiem’ … the brilliant volume he collated containing the work of the photographers and journalists killed during the Vietnamese wars against the Japanese, French and Americans. ‘Requiem’ became a must see traveling photographic exhibition that traversed the planet. Fittingly and luckily I took in the exhibition when it was presented in Vietnam’s War Remnants Museum in Ho Chi Minh City in 2014.

The last image below was made when Tim visited Cairns TEN years ago to talk at the launch of the Degrees South Collection volume “WAR” … along with two other photojournalist members of Degrees South, David Dare Parker and Michael Coyne. Tim, David and Michael each signed my cherished copy … over one or two beers 😉

Tim survived injuries in action four times. The first in Chu Lai September 1965 when he was struck by shrapnel in the legs and stomach; the second during Buddhist riots in Da Nang in 1966 when he sustained more shrapnel wounds to the head, back, and arms … and the third in August 1966 in the South China sea, when he was on board a coast guard cutter mistakenly strafed by the US Air Force which left Tim adrift at sea badly wounded. Lastly, in April 1969 Tim jumped out of a helicopter to help load wounded soldiers just as a sergeant stepped on a nearby mine, sending a 2-inch piece of shrapnel into Tim’s head. Tim’s multiple injuries led his colleagues in the field to joke that he would never make it to the age of 23.

Tim made it to yesterday aged 78 …. 

NB. For All interested … have found the entire series of “Frankie’s House” made in 1992 (all four episodes at around the two hundred minute mark) … a TV series based (pretty loosely) on the early photojournalism career of Tim in Vietnam. Can be found on YouTube at … https://www.youtube.com/playlist?list=PLMqda4uF4-_4Azl9H-Xy5ES0NrHnbB5bd .)  Apparently Tim wasn’t a fan …

Images © Tim Page & Brian Cassey

Ambush of 173rd Airborne Iron Triangle 1965 - Image by Tim Page ... Brian Cassey Blog

Photojpurnalists Tim Page and Andrew Quilty at Table 55, Walkley Awards 2016 - Image by Brian Cassey

Photojpurnalist Tim Page at Table 55, Walkley Awards 2016 - with Nikon Walkley Portrait Prize winning image "Abdullatif - Beaten Asylum Seeker" by Brian Cassey

War Photojournalist Tim Page at Cairns launch of 'WAR - Degrees South' at The Tanks, Cairns - image by Brian Cassey

Pulitzer Prize Winner Barbara Davidson Meets Carol in Barcelona …

Mentioned a few months ago that a handful of my images had been selected in the 16th Edition Pollux Photography Awards … including a nice ‘Portrait Winner’ placement for my work “The Skin I’m In” of Cairns burns survivor Carol Mayer.

Perhaps it’s just another ‘Carol’ coincidence (there have been several) … but last week on the first anniversary of Carol’s so sad passing at the the hands of the ‘Big C’ December 2020, I received these images of my portrait of Carol on display in the winners circle at the opening event of the The 6th Biennial of Fine Art and Documentary Photography at the FotoNostrum Gallery in the Spanish city of Barcelona.

Carol would no doubt have been be as pleased as I am that her portrait was appraised at the Barcelona exhibition opening by three times Pulitzer Prize Winner and Emmy film award winning photojournalist/director Barbara Davidson (seen in all black centre top image, below, with “The Skin I’m In” at the FotoNostrum Gallery).

Celebrated as photo ‘Royalty’, Barbara is best known for her work on victims of gang violence in Los Angeles. She is also a 2019-2020 Guggenheim Fellow recipient and will spend the year traveling the United States making portraits of survivors of gun violence using an 8×10 film camera. 

Somewhat of a coup for the Barcelona Foto Biennalle to have Barbara attend the opening event as a very special guest in these times of Covid … and a real buzz for me (and probably Carol ‘up there’ too). Still trying to learn from the event organisers (who sent me these pics) whether Barbara made any audible comment about the work.

So … great to win the Pollux Portrait Award with the image of Carol … and that led to the real buzz of the work being selected to appear on the wall of the 6th Biennial Foto Barcelona at the FotoNostrum Gallery … which led to it being seen by multi Pulitzer winning photo ‘Royalty’ Barbara Davidson … and also lead to Carol posthumously once again spreading her message to burns survivors of the World that anything is possible …

Carol’s legacy lives on … again …

Carol Mayer Image © Brian Cassey … photos © FotoNostrum Gallery, Barcelona

 

 

Mornington Essay Wins At Clarions …

Scored a nice tidy hangover … and Best Photographic Essay gong … at ‘The Clarions’ (Queensland’s media awards) presentation event at the Brisbane Convention & Exhibition Centre on Saturday eve.

A great evening honouring the best work of Queensland’s media industry over the last troubled year, it was also a brilliant opportunity to catch up with media mates and colleagues for a drink or two (honest!). To win the award for Best Photographic Essay with my work documenting the dire strait of the Mornington Island indigenous community in the Gulf of Carpentaria for The Courier Mail and The Australian was a very pleasant bonus.

The judges (for whom I have the greatest respect 😉 ) commented thus on my work ‘Mornington Island – The Queenslanders Left behind’ … “This series of images beautifully captures and communicates the plight of a forgotten community. Brian has included both dramatic candid moments and evocative portraits to tell the subjects story while seamlessly using a variety of techniques to create a moving connection to both people and place.

You will get a better look at the entire pic essay on my ‘Awards’ page at … https://www.briancasseyphotographer.com/awards/

Huge Thanks to all at the Media Entertainment and Arts Alliance for once again hosting the awards and the evening … and to the wonderful people of Mornington for their hospitality.

Images © Brian Cassey (pages The Courier Mail & The Australian)

 

2021 Clarion Awards (Queensland Media Awards) - Winner - Best Photographic Essay - 'The Queenslanders Left Behind' by Brian Cassey (The Courier Mail and The Australian)

2021 Clarion Awards (Queensland Media Awards) - Winner - Best Photographic Essay - 'The Queenslanders Left Behind' by Brian Cassey (The Courier Mail and The Australian)

2021 Clarion Awards (Queensland Media Awards) - Winner - Best Photographic Essay - 'The Queenslanders Left Behind' by Brian Cassey (The Courier Mail and The Australian)

Two Exhibitions in Sydney … (If Only I Could Get There !) …

Moshe Rosenzveig and the crew of the 2020 Head On Photo Festival performed miracles earlier on this year as Covid-19 tightened it’s grip on Australia and the planet. They transformed a massive ‘venue’ based photography festival into the World’s first ‘On Line’ photo festival in a matter of just a few short weeks … and opened on time in the first weeks of May. The ‘On Line’ awards, artist talks, photography workshops and panel talks were aired on screens to thousands watching and listening around the planet and across Australia. An amazing effort …

With gallery spaces ‘out of bounds’ due to Covid the more traditional (and aesthetically more pleasing) ‘photographs on walls’ exhibitions reluctantly had to be put on ‘hold’.

I had two involvements in this years Head On ‘On Line’ photo festival … a personal exhibition “Me Too … Where The Boys Are … The Girls Are” (a photo essay on the performance of male strippers and their female audience) … and the co-curation (with Moshe Rosenzveig) of a project close to the heart … “Paper Tigers” … a collection of the work by sixty of Australia’s finest photojournalists. Both received large views on-line.

Now six months later, as Covid cases thankfully take a massive dive, these two exhibitions and work by many others are showing physically ‘on the walls’ (and fences) in numerous galleries and at venues around Sydney. Brilliant … and astonishing work by Head On !

Very sadly … I can’t ‘B’ well get there ! My Queensland Premier has stood fast to her decision that the borders between the Sunshine State and Sydney will remain firmly shut till (extremely annoyingly) at least the first of December … just days after these exhibitions close. The way of the World in 2020 … but I’m still gutted …

My exhibition “Me Too … Where The Boys Are … The Girls Are” opened yesterday on the wall at the fabulously atmospheric venue of the Paddington Reservoir Gardens … and runs there alongside four other great exhibits until the 29th of November. Photographer colleague, mate and gentleman Michael Amendolia went out of his way to lessen the blow of not ‘being there’ by sending me a raft of images of my exhibition in place (below). Thanks Michael !

The “Paper Tigers” exhibition (and the launch of the “Paper Tigers” book) opens at the new ‘Twenty Twenty Six Gallery’ in Bondi tomorrow … with an official opening this Saturday afternoon. Many of my Sydney based colleagues will be attending (lucky them) … whilst us interstate contributors will have to be patient until further opportunities eventuate down the track.

There will be more on ‘Paper Tigers’ … how it came about, what it contains and why it is important … a little later when I receive some images from colleagues who get to attend the gallery …

In the meantime … Paul Neeson from Sydney radio station East Side FM and I had an ‘on air’ chat about my work and both these exhibitions and the Head On Photo Festival in general. It runs for just over twenty one minutes and can be listened to here below. There is also an online text story on “Me Too … Where The Boys Are … The Girls Are” here.

 

Damn that bloody virus !

Images © Brian Cassey (two pics from “Me Too … “Where The Boys Are … The Girls Are” and my “Paper Tigers” image “Abdullatif” … & … Michael Amendolia (top 2 General Exhibition pics)

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Twenty Twenty Six Gallery - Bondi - "Paper Tigers" - exhibition of work by 60 Australian photojournalists co-curated by Brian Cassey

The ABC Story on ‘Paper Tigers’ …

A great piece by ABC journalist Teresa Tan on the ‘Paper Tigers’ project curated by Moshe Rosenzveig and ‘yours truly’ … and one of the highlights of the just completed 2020 ‘Head On Photo Festival’.

Teresa interviewed six of the sixty photojournalists who are participating in ‘Paper Tigers’ …  an anthology of contemporary Australian photojournalism. The published piece delved into the personal back story of the images that each of the six had selected for inclusion in the exhibition and a ‘Paper Tigers’ book that is sure to become a sort after volume. The subject matter captured by each of the six was diverse and the stories of how these images came about extremely illuminating. The six photojournalists whose work is analysed in the ABC article are Tracey Nearmy, Nick Moir, Craig Greenhill, Eddie Safarik, Rob Maccoll … and unashamedly … myself :-). Teresa’s story is available here … https://www.abc.net.au/news/2020-05-17/photojournalism-australian-photographers-share-stories/12247936?fbclid=IwAR2wYuO2fPf9ry0Fb57x5MPBsk95MoLhEcoIoKFHmZA79RpQUGIhePfxgv8

The Guardian also did a fine job highlighting ‘Paper Tigers’ at Head On showcasing the work of Martine Perret, Jaime Murcia, Andrew Chapman, Nic Walker, Michael Coyne, Penny Stevens, Tracey Nearmy, Meredith O’Shea, Glenn Lockitch, Eddie Safarik, Ashley Crowther, Janie Barrett, Jessica Hromas, Delly Carr, Dean Lewins and Alex Coppel. It can be found here … https://www.theguardian.com/artanddesign/gallery/2020/may/01/paper-tigers-exhibition-australias-contemporary-photojournalists-in-pictures

You can find more details about the origins of the ‘Paper Tigers’ idea and how it evolved on a previous post on this blog at … https://www.briancasseyphotographer.com/blog/exhibitions/2020/05/paper-tigers-strippers-head-on-photo-festival/ … which also lists all sixty photojournalists participating in the project.

The ‘Paper Tigers’ exhibition can be found on the Head On Photo Festival site at … https://www.headon.com.au/exhibitions/paper-tigers   … the Limited Edition book ‘Paper Tigers’ can be purchased from the Head On site at … https://www.headon.com.au/product/paper-tigers-book

Sadly,  the physical exhibition of the work at Paddington Town Hall has had to be postponed … however, it is now planned to have the sixty works on the walls in Paddo in early November. Stay tuned on that one …

Paper Tigers, Strippers … & Head On Photo Festival

… it started with a germ of an idea and took nigh on a year to come to fruition … but “Paper Tigers – an Anthology of Contemporary Australian Photojournalism” is now very much a reality as an exhibition and a book.

My initial idea of a print swap of work between Australia’s talented photojournalists morphed into something much grander after a long chat with Head On Photo Festival director Moshe Rosenzveig OAM.

Moshe enthusiastically grasped the implications of the project … the like of which he confessed had been close to his heart for some years. Our combined plan grew into a featured exhibition of the work of Australia’s media photographers at Paddington Town Hall during this years Head On Photo Festival, a book of the exhibition and an exhibition ‘event’ for photographers to meet, admire their work and swap prints.

So began the task of ‘mustering’ Australia’s talented photojournalists … an ‘interesting’ exercise to invite, confirm participation and collate the collection of work … one image from each. In the end we had to draw a line at sixty.

The list is exceedingly impressive … in alphabetical order … Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob McColl, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz, Tracey Nearmy.

When it comes to media photographers Australia is, indeed, a ‘Lucky Country’.

Then … along came Covid-19 …

It has long amazed me how the tiny Head On team (currently Moshe, partner Anita Schwartz, Stephen, Anna and Paula) manage to put together the far reaching and monumental photo festival that it has become. It enjoys and includes contributions and entries from the best around the planet … and a World wide reputation. For a moment Coronavirus threatened all that …

However, Moshe was not fazed … and the massive work of converting the entire festival to an ‘online’ event began. That online event has now been underway for two weeks … and has been revolutionary in it’s presentation of exhibitions, artist talks, panel talks, photo related workshops, award announcements and more.

Paper Tigers has played a significant part in this Head On festival. The exhibition is available … all sixty works by sixty photojournalists … online (a simple registration required), the book ‘Paper Tigers’ (see my book image ‘Abdullatif’ top below) is now available for purchase on the website … and Head On hosted a fascinating online panel talk around the work and Australian photojournalism. It is planned to still show the physical exhibition of the complete work on the walls and host the photographers ‘do’ and print swap at Paddington Town Hall early in November (hopefully post Covid).

Below are just two of the sixty wonderful images that make up the ‘Paper Tigers’ collection. Dean Sewell’s ‘Bruce’ from 1999 and Nic Walker’s ‘Rite of Passage’ from 2014. The other 58 are just as impressive.

Amongst the massive amount of brilliant photography on line in this years festival I was also pleased to present my own little ‘featured’ exhibition. “Me Too ! Where the Boys Are … the Girls Are” showcases my work covering the MenX burlesque group during their tour to Cairns whilst being filmed for a Vice TV show. It shows the interaction between the guys who are performing and doing a job (without much in the way of clothing) and the young female audience who willingly participate. The exhibition may be found online on the Head On website (again with a simple registration) … and I did mange to stumble through an online ‘artist talk’ on the subject for those brave enough or with time to waste 🙂 . (NB – link to recorded ‘artist talks’ will be down the track.) Two of my images from the exhibition (which also should be physically on the wall in November) are below.

Lastly … was also pleased to see one of my most successful images … ‘Generations – Aurukun’ (yes … you’ve probably seen it before but it’s (bottom) below anyway 🙂 ) … selected as a semi-finalist in this festivals Portrait Prize. It’s also included in the Portrait Prize video here at the 1:18 mark.

The Head On Photo Festival 2020 has just a few days left to run. If you havn’t visited yet and you have any interest in photography at all I strongly suggest you visit and enjoy. Moshe, Anita, Anna, Stephen and Paula have done a remarkable job.

Images © … Brian Cassey & Head On (top), Dean Sewell, Nic Walker and Brian Cassey (bottom three).

@headonphotofestival

 

Head On - Paper Tigers - Book - photojournalism - 'Abdullatif' by Brian Cassey

Head On - Paper Tigers Book - 'The Block' - image by Dean Sewell - Oculi

Head On - Paper Tigers - Book - image by Nic Walker

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On Portrait Prize - Semi-Finalist - 'Generations - Aurukun' - by Brian Cassey

The Real Bali … and Arthur Fleischmann …

A real pleasure to spend some time in a beautiful barely untouched part of Bali, far away (well, about an hour and a half) from ‘tourist central’.

The Sidemen Valley adjacent to the village of the same name in East Bali is akin to stepping back several decades to earlier times when Bali was an unmarred spiritual paradise. Rice paddies are liberally strewn through the lush fertile valley dominated at the end by views of dramatic volcanic Gunung Agung. It’s bloody gorgeous …

I recently became aware of the impressive Balinese 1930’s photography work of Slovak born photographer/sculptor Arthur Fleischmann. Whilst at Sidemen I made this atmospheric image … “Homage to Arthur Fleischmann – Diah” (top below) … as a tribute and an attempt to echo Fleischmann’s Balinese work of that era.

Fleischmann arrived in Bali by boat in 1937 and set about documenting Balinese life. In particular he turned his camera to what he saw as the everyday heroics of Balinese women in agrarian life and at harvest … “their labour under the heat of a searing sun celebrated and immortalised”. Three of Arthurs many images can be found bottom below.

His Balinese photography collection is best found in the large book “Bali in the 1930’s” (if you can find it!)

The outbreak of WWII led to his departure from Bali to a new life in Sydney where he become a member of Australia’s Merioola artist commune. In 1949 he left for London where he lived the rest of his life till his death in 1990 at the age of 94. His last sculptural work … “Tribute to the Discovery of DNA” … stands in the NSW State Library, Sydney.

I am very grateful for the help of loverly local talent Diah Antari, my driver Suyasa and the rest of the so helpful staff at the beautiful Wapa di Ume hotel in the Sidemen Valley … so very much appreciated !

(The other real bonus being in Bali again … the chance to once again stay at my very ‘favouritist’ hotel … the sublime Tandjung Sari at Sanur. Owned by the Wawo-Runtu family since it’s beginnings in 1962, Tandjung Sari is a peaceful oasis on the Sanur waterfront … a place that fosters Balinese arts and lifestyle above all else. Once a haven for rock stars and royalty it has matured with grace over the decades. Nothing much has changed … and nor does it need to … since my first of many visits over twenty years ago.)

Image “Homage to Arthur Fleischmann – Diah” (top) © Brian Cassey, Images x 3 (bottom) © Arthur Fleischmann

"Homage to Arthur Fleischmann" - image © by Brian Cassey - made of Diah Antari in the Sidemen Valley East Bali

The work of Arthur Fleischmann in Bali 1930's - compilation by Brian Cassey

Passion for India … @sandwichlightindia …

Excellent to be invited to be part of another very worthwhile Instagram feed … even if this one does have the initially puzzling name of @sandwichlightindia.

Sandwichlightindia … created by Queensland photographer and ‘Indophile’ Russell Shakespeare  … is a collective platform  for “photographers who are passionate about India” … and the invited membership, including (but not only) very talented photographer colleagues Marco Del Grande, Warren Clarke, Brendan Esposito, Peter Wallis and S Anand Singh, certainly show a love for imagery on the subcontinent.

The catalyst for the name ‘sandwichlightindia’ was explained to me by Russell. Seems he and Varanasi photographer Anand Singh were together on an assignment during the Hindu ‘Festival of Lights’ … Diwali. The pic idea was to portray a certain candle lit location at twilight. When they got to the location at dusk the candles weren’t lit and the light was fading.

Russell heard Anand and other local photographers saying “Sandwich light no good, sandwich light no good” … one even repeating it to a pic editor on the other end of the phone. Seems that the term compared the light to a sandwich … one slice of bread is too dark, the other slice too light … and all the good stuff (balanced and just right light) is in the middle of the sandwich!

… and that’s how @sandwichlightindia was born.

The feed is still in it’s infancy … Russell admits that the name means it’s hard to just come across … but the work and depiction of Indian life makes it well worth a visit and a follow. If you have any interest in quality photojournalism and India I urge you to do so …

I’m also a member of two other high profile Instagram photographer collectives … @everydayclimatechange (addressing climate change issues around the World through imagery … currently 114,000 followers) and @everydayaustralia (depictions of daily life in Australia … 54,000 followers).

Below are a selection of images from @sandwichlightindia by my colleagues … from top © Russell Skakespeare, A Anand Singh, Marco Del Grande, Warren Clarke and Peter Wallis.

 

@sandwichlightindia - image by Russell Shakespeare - on blog post by Brian Cassey - "

@sandwichlightindia - image by S Anand Singh - on blog post by Brian Cassey - "Passion for India ... @sandwichlightindia ..."

@sandwichlightindia - image by Marco Del Grande- on blog post by Brian Cassey - "Passion for India ... @sandwichlightindia ..."

@sandwichlightindia - image by Warren Clarke - on blog post by Brian Cassey - "Passion for India ... @sandwichlightindia ..."

@sandwichlightindia - image by Peter Wallis - on blog post by Brian Cassey - "Passion for India ... @sandwichlightindia ..."

Image Theft From @everdayclimatechange …

In May I was invited to join the Everyday Climate Change @everydayclimatechange Instagram group … a collaborative feed founded by James Whitlow Delano to highlight the visual effects of warming on our precious planet. It has recently grown to surpass one hundred thousand followers. Delighted to join a group of dedicated wonderful photographers with a vitally important agenda.

Sadly, @everydayclimatechange has been the victim of blatant image theft by a ‘for profit’ company. A dozen contributors, including myself, have seen their work stolen, their personal and @everydayclimatechange image credits stripped … and featured on the companies instagram feed complete with our copyright holders captions in place.

We at @everydayclimatechange are now collectively contemplating what action to take to redress the situation.

Below … side by side … are my relevant © contributions to @everydayclimatechange (left) and the stolen works as published (right – with the offending company name etc obscured at present).

Images © Brian Cassey

@everydayclimatechange by Brian Cassey