sydney

Tuesday … 69th Walkley Awards …

So … what does one do on a Tuesday night in November ? Last Tuesday I made a flying 30 hour visit back to Sydney to attend the media industries ‘night of nights’ … The Walkley Awards … at the International Convention Centre (ICC).

The catalyst for the lightening short visit was the inclusion of my work (stills, video and drone) in the Courier/Sunday Mail team documentary production “Prayed Upon: A Real Life Hand Maid’s Tale” which was selected as a Finalist in the ‘News – Current Affairs – Short Film’ category of the awards.

Our team … comprising Kate Kyriacou, Greg Stolz, Rhylea Millar, Natalie Gregg, Melanie Pilling, Anna Caldwell and myself … were up against works in the category by co-finalists 60 Minutes and the ABC. Our teams work told the story of a frightening ‘cult’ based on the Atherton Tablelands in far north Queensland.

Was the first time I’ve had the privilege to be a finalist in the Walkley Awards outside of the pure ‘photojournalism’ Nikon-Walkley categories side of things … so that was a little different.

Very kindly, Nikon Australia’s marketing manager Kylie Dredge arranged a seat at the Nikon tables for myself alongside my photography friends and colleagues and the Nikon crew. That was a blast !

Good mates all … AFP’s David Gray took out the ‘News Photography Award’ with his remarkable 20,000 ASA image of freed Julian Assange “Walk to Freedom”, SMH’s Nick Moir won ‘Press Photographer of the Year’, Getty’s Quinn Rooney claimed the ‘Sports Photography’ gong for “Australian’s in the Pool”, whilst Kate Geraghty (SMH) was awarded ‘Nikon Photo of the Year’ for her image, “Funeral at Al-Aqsa”. Getty’s Diego Fedele won ‘Feature/photographic Essay’ and Chris Hopkins image for ‘Good Weekend’ won the ‘Portrait Prize’.

Obviously there was much ‘celebrating’ to do. The Nikon team led by Kylie duly obliged and made sure we did so well into the next morning. Congrats to all my mates and colleagues … winners and finalists … the Walkley’s and the MEAA … and thanks to all at Nikon. (It’s been a pleasure to use Nikon’s fabulous products for many decades … they really do so much to support the photojournalists in the industry.)

Oh Yes !! Back to our ‘Current Affairs’ finalist selection. Sadly we were beaten to the pen nib winners trophy by the ’60 Minutes’ entry, but that didn’t stop our Queensland team celebrating just being in Sydney for a fabulous eve amongst the very best of Australia’s media.

(NB … it’s not often my dinner suit gets an airing 😉 )

Main image © News Ltd … below … still, drone images and video by © Brian Cassey

Wonderful Weekend at ‘Head On’, Sydney …

Without doubt, the biggest drawcard in Australia for the photographic community is the ‘Head On Photo Festival’ in Sydney.

The annual festival features numerous exhibitions selected from around Australia and the planet … and I’ve been fortunate enough for the last few years to be part of the selection panel that ploughs through several hundred collections of fabulous photographic works to decide what actually ends up on the exhibition walls (or fences!) of Bondi Pavilion and the beach front, Paddington Reservoir Gardens and other venues around Sydney.

The festival also hosts the Head On Photo Awards (Portrait, Landscape and a new one – Exposure), which attracted entries this year from as far afield as Bulgaria, Malta, Greece and Slovenia, to name just four of many.

(NB … I must confess to a little bit of bias … have been a Head On Award winner in the past, a finalist lots of times and an exhibitor on numerous occasions.)

This years collection of exhibition works on display was one of the best I’ve seen. It was excellent to see the work that we agonised to select on a computer screen way back in March, exhibited in the best locations at Bondi, Paddington and more. The same can be said for this years awards … the finalists in Head On Portrait Prize in particular were absolutely brilliant this year.

Head On, however, is not just about awards and exhibitions … it’s the coming together of talented (and newby) photographers from around the world to engage, discuss, swap ideas, learn, celebrate the photographic image and perhaps share a drink or three. Was excellent to catch up with imaging colleagues and friends at a splendid Bondi Pavilion opening eve and across the five days that I could afford to stay … amongst them Mark “Crusty” Baker (who kindly provided luxurious accomodation), Stephen Dupont and the delightful Martina Reys (great Rwanda show you two!), Michael Coyne, Peter Solness, Max Pam, Barbara McGrady, Diana Lui, Marta Soul, Donna Squire, Mike Magee, Simon Harnest, Katherine Griffiths, John Swainston, Max Mason-Hubers, Glenn Porter, Diane Brooks (thanks for the rides !) … and two ‘first time’ Cairns based photographers … the lovely talented Emese Gyalog and new to our city landscape photographer Danielle Jayde. (My apologies to those I may have missed mentioning !)

Of course, all this would not be possible without the amazing tiny Head On team who move mountains to put the festival together … Festival Director Moshe Rosenzveig OAM, Anita Schwartz, Stephen Godfrey, Callum Boland, Charles Mackean and volunteers. Brilliant …

Cairns photographers recognised for their work in the festival this year were the afore mentioned Emese Gyalog and Danielle Jayde, Marc Steiner … and … a certain Brian Cassey 🙂 (no great big deal … this time it was just a semi-finalist in the ‘Exposure’ category with ‘Marilyn Monroe 60 Years On – Bonn‘ 😉 … shown at the festival bottom below.)

Images from top … © John Swainston (promoting Stephen Dupont’s ‘Rwanda 30+ Bearing Witness to Genocide’ exhibition on festival opening eve), © Brian Cassey (Stephen Dupont at the opening eve of ‘Rwanda 30+ Bearing Witness to Genocide’), © Brian Cassey (Martina Reys talks to Rwanda genocide survivors at ‘Rwanda 30+ Bearing Witness to Genocide’), © John Swainston (Head On work displayed on the Bondi Beach waterfront), © Brian Cassey ( my selected work in ‘Exposure’ – ‘Marilyn Monroe 60 Years On – Bonn’)

Head On Photo Festival … Exhibitions and Talks … Brilliant

There is so much I could say about this years Head On Photo Festival in Sydney. Could almost write a book about it …

Sadly, don’t have enough space to tell all about this years exhibitions, artists talks, panel talks, awards and other photographer events that made this years, soon to conclude, festival so special … but I will try.

This years annual extravaganza was based around the beautiful newly remodelled Bondi Pavilion opposite the World famous beach … and in the stunning surrounds at the Reservoir Gardens in Paddington. The work of 500-plus photographers was displayed in 107 exhibitions across the two major venues and further afield.

Work from my “A Photographer’s Life – Part Two” collection … first exhibited in full last year at The Court House Gallery in Cairns  … was selected as a ‘featured’ exhibition in Reservoir Gardens. Re-titled “(Selections From) A Photographer’s Life – Part Two” the work on the picturesque wall was edited down to twelve works (from the original 38) by Head On’s Moshe Rosenzveig and team (see top two images below).

Out of the nine other exhibitions also displayed in Reservoir Gardens four were my firm festival favourites … the works of two photojournalists, Giles Clarke from the USA (“Yemen: Conflict & Chaos”) and Mouneb Taim from Syria (“War Notes”), Judith Nangala Crispin’s magnificent and startling photographic creations using wild animals “Dangerous Stars” … and the haunting, disturbing, brave yet occasionally amusing work by breast cancer survivor Lisa Murray and her five-year-old son Griffin entitled “Through My Child’s Eyes”. Brilliant visual treats all …

Out of the many, many exhibitions lining the entire length of Bondi Beach I was most drawn to two that displayed a great visual sense of humour during Covid lockdown … Andrew Rovenko’s fabulous “The Rocketgirl Chronicles” and my old once Cairns mate Jake Nowakowski and his brilliant “Superheroes in Lockdown” set.

Please do take some time to click on the links to see these great exhibitions. Sadly the Reservoir Gardens exhibitions closed at the weekend but the Bondi works will be on display until December 4th.

I was also asked to do some ‘nattering’ at the Festival … in particular an artist talk regarding my “A Photographer’s Life – Part Two” work … and a panel talk on the challenges of photojournalism, and how photojournalists gain trust from and access to their subject entitled “Insiders & Outsiders”. The above mentioned photojournalists Giles Clarke and Mouneb Taim were my co-panelists in a talk moderated by photography journalist Alison Steven-Taylor.

Arguably the most satisfying festival event for me personally was the (re)opening of “Paper Tigers” … an exhibition of the work of sixty of Australia’s best photojournalists curated my myself and Moshe Rosenzveig. The culmination of nearly a year of cajoling and collecting the work of the best of Aussie based media PJ’s, the original exhibition of the sixty collected works was slap bang in the middle of Covid lockdowns and border closures. I and many others of the our contributors … even those in NSW … obviously couldn’t attend. Moshe and the Head On crew made good on their promise of ‘Launch Two’ at the fabulous Delmar Gallery in Ashfield just two weekends ago … and our “Paper Tigers” contributors could at last travel from around the country to celebrate the works on the walls and the accompanying “Paper Tigers” book (see images three and four below).

For those interested … here are the contributors to “Paper Tigers” … a totally talented bunch who withstood my constant nagging … Thanks …

Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob Maccoll, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz and Tracey Nearmy.

Many Thanks to the Head On crew of Moshe, Anita, Stephen, India, Georgia and Talia for putting on a truly awesome festival.

Finally … two further things … happy to report that my image “Scooter” (Paralympian Grant Patterson) was selected as semi-finalist in the Head On Portrait Prize (image below) … and that in a very, very, VERY rare occurrence fellow photographer lovely Iceland based Serena Dzenis managed to con me into being the subject (hate that) of a damn photograph at my Reservoir Gardens exhibition (bottom below). No idea how she managed that …

Images © Brian Cassey (top five) & Serena Dzenis (bottom)

Head On Photo Festival 2022 - "(Selections From) A Photographer's Life - Part Two" - by Brian Cassey - at the Reservoir Gardens Paddington Sydney

Head On Photo Festival 2022 - "(Selections From) A Photographer's Life - Part Two" - by Brian Cassey - at the Reservoir Gardens Paddington Sydney

Head On Photo Festival 2022 - "Paper Tigers" exhibition of Australian photojournalism - Curated by Brian Cassey and Moshe Rosenzveig - at Delmar Gallery Ashfield Sydney

Head On Photo Festival 2022 - "Paper Tigers" exhibition of Australian photojournalism - Curated by Brian Cassey and Moshe Rosenzveig - at Delmar Gallery Ashfield Sydney

"Scooter" - Semi-Finalist in the Head On Portrait Prize 2022 - image by Brian Cassey

Brian Cassey at his Head vOn Photo Festival exhibition "(Selection From) - A Photographer's Life - Part Two" at Reservoir Garden Paddington Sydney - image by Serena Dzenis

Walkley Awards … Nikon Portrait Prize Announcement … Sydney

It’s very short as I was too busy nattering to photographer mates and colleagues I hadn’t seen since before the pandemic, was hampered by a large glass of Shiraz in my hand whilst seated at the Nikon table and missed the start of the announcement. 🙂

However, below is a little vid of part of the announcement of my Nikon Portrait Prize win with the work “The Yarrick Family of Kunhanhaa” (my third win in this category in the last ten years) at the 2021 66th Walkley Awards presentation event at the International Convention Centre (ICC), Darling Harbour, Sydney last Friday eve. Click to play … and the sound is the best bit :-).

6th Time Lucky … Sydney & The Walkley Awards …

Sydney … got there … and so stoked I did !!

On five occasions since the Covid virus reared it’s ugly head two years ago, I’ve booked to travel to Sydney for photography (and social) events … each time to be thwarted by new outbreaks, lockdowns or border closures. Seemed like it would never happen …

Then, in November last year, I received the fabulous news that my “The Yarrick Family of Kunhanhaa” image was selected as the Winner of the Nikon Walkley Portrait Prize. Epic. Not only that … but the Walkley Foundation contacted me and asked if I would present a Walkley Masterclass on photojournalism and portraiture as a prelude to the awards presentation eve, by then delayed and re-scheduled for Tamworth NSW in the first weeks of February. Of course … what’s not to like 🙂

With flights booked to Tamworth nervously waited and monitored the news of the latest Covid Omicron march across Australia. In January the Tamworth Country Music Festival was cancelled and the Walkley’s had no choice but to move their awards away from Tamworth and reschedule in Sydney later in February.

So … last week I actually flew to Sydney … presented my “The Portrait & Photojournalism” Walkley Masterclass at Macleay College to the assembled enthusiastic twenty plus audience throng … AND … had an absolute belter of an evening (and somewhat later) at the Walkley Awards.

Thanks to the Walkley Foundation, the International Convention Centre Darling Harbour and the Nikon Australia crew, it really was a fabulous evening … with an amazing’ collection of Aus based photographers … umm … ‘celebrating’ … and a recognition of my win in the Nikon Portrait Prize.

Hope I don’t miss anyone … but here goes with the Aus based media photographers who were also there and why …

Alex Coppel won the ‘Sport Photography’ category and ‘Press Photographer of the Year’, Andrew Quilty won ‘Long Form Feature Writing’, Dean Sewell won ‘Feature/Photographic Essay’, Brooke Mitchell won ‘News Photography’ … Finalists Jake Nowakowski, Justin McManus, Scott Barbour, Jason Edwards, Chris Hopkins, Michael Dodge joined other prominent photo media figures Mark ‘Crusty’ Baker (AP), Dean Lewins (AAP), Jeremy Piper, Tracey Nearmy, Matt Abbott and James Brickwood. Many of us were graciously hosted on the two Nikon Australia tables (and at the ‘after parties’ – plural) by Nikon Marketing Manager Kylie Dredge and Professional Marketing Manager Julie Kimpton. (Huge Thanks Kylie and Julie ! … and couldn’t ask for a better bunch of colleagues to celebrate with.)

Below is a little vid of the announcement of my Nikon Portrait Prize win (my third win in this category in the last ten years) at the awards last Friday eve. It’s very short as I was too busy nattering to photographer mates, hampered by a large glass of Shiraz in my hand and missed the start of the announcement. Oh well … (the sound is the best bit).

Clip © Brian Cassey (iPhone)

 

 

East Side FM Interview … Photojournalism, ‘Paper Tigers’ & ‘Strippers’

As a news piece and as a promo for the 2020 “Works on the Wall’ section of the Head On Photo Festival, I had the pleasure of a lengthy ‘on air’ chat with East Side FM’s journalist Paul Neeson. It aired on the Sydney radio station on the Monday morning of the 9th November … the same time as my personal Head On exhibition “Me Too … Where The Boys Are … The Girls Are” (see the blog post and images here) opened to the public in Reservoir Gardens, Paddington.

Paul asked all the right questions … and the subjects discussed crossed photojournalism, portraiture, my work and my current exhibitions “Me Too … (etc)” … and “Paper Tigers” … the exhibition and book on the work of sixty Australian photojournalists that I co-curated with Head On’s Moshe Rosenzveig. “Paper Tigers” is on the walls of the new “Twenty Twenty Six Gallery” in Bondi until the 22nd of November.

The interview, which runs for a little over twenty one minutes, can be accessed here below.

Paper Tigers, Strippers … & Head On Photo Festival

… it started with a germ of an idea and took nigh on a year to come to fruition … but “Paper Tigers – an Anthology of Contemporary Australian Photojournalism” is now very much a reality as an exhibition and a book.

My initial idea of a print swap of work between Australia’s talented photojournalists morphed into something much grander after a long chat with Head On Photo Festival director Moshe Rosenzveig OAM.

Moshe enthusiastically grasped the implications of the project … the like of which he confessed had been close to his heart for some years. Our combined plan grew into a featured exhibition of the work of Australia’s media photographers at Paddington Town Hall during this years Head On Photo Festival, a book of the exhibition and an exhibition ‘event’ for photographers to meet, admire their work and swap prints.

So began the task of ‘mustering’ Australia’s talented photojournalists … an ‘interesting’ exercise to invite, confirm participation and collate the collection of work … one image from each. In the end we had to draw a line at sixty.

The list is exceedingly impressive … in alphabetical order … Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob McColl, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz, Tracey Nearmy.

When it comes to media photographers Australia is, indeed, a ‘Lucky Country’.

Then … along came Covid-19 …

It has long amazed me how the tiny Head On team (currently Moshe, partner Anita Schwartz, Stephen, Anna and Paula) manage to put together the far reaching and monumental photo festival that it has become. It enjoys and includes contributions and entries from the best around the planet … and a World wide reputation. For a moment Coronavirus threatened all that …

However, Moshe was not fazed … and the massive work of converting the entire festival to an ‘online’ event began. That online event has now been underway for two weeks … and has been revolutionary in it’s presentation of exhibitions, artist talks, panel talks, photo related workshops, award announcements and more.

Paper Tigers has played a significant part in this Head On festival. The exhibition is available … all sixty works by sixty photojournalists … online (a simple registration required), the book ‘Paper Tigers’ (see my book image ‘Abdullatif’ top below) is now available for purchase on the website … and Head On hosted a fascinating online panel talk around the work and Australian photojournalism. It is planned to still show the physical exhibition of the complete work on the walls and host the photographers ‘do’ and print swap at Paddington Town Hall early in November (hopefully post Covid).

Below are just two of the sixty wonderful images that make up the ‘Paper Tigers’ collection. Dean Sewell’s ‘Bruce’ from 1999 and Nic Walker’s ‘Rite of Passage’ from 2014. The other 58 are just as impressive.

Amongst the massive amount of brilliant photography on line in this years festival I was also pleased to present my own little ‘featured’ exhibition. “Me Too ! Where the Boys Are … the Girls Are” showcases my work covering the MenX burlesque group during their tour to Cairns whilst being filmed for a Vice TV show. It shows the interaction between the guys who are performing and doing a job (without much in the way of clothing) and the young female audience who willingly participate. The exhibition may be found online on the Head On website (again with a simple registration) … and I did mange to stumble through an online ‘artist talk’ on the subject for those brave enough or with time to waste 🙂 . (NB – link to recorded ‘artist talks’ will be down the track.) Two of my images from the exhibition (which also should be physically on the wall in November) are below.

Lastly … was also pleased to see one of my most successful images … ‘Generations – Aurukun’ (yes … you’ve probably seen it before but it’s (bottom) below anyway 🙂 ) … selected as a semi-finalist in this festivals Portrait Prize. It’s also included in the Portrait Prize video here at the 1:18 mark.

The Head On Photo Festival 2020 has just a few days left to run. If you havn’t visited yet and you have any interest in photography at all I strongly suggest you visit and enjoy. Moshe, Anita, Anna, Stephen and Paula have done a remarkable job.

Images © … Brian Cassey & Head On (top), Dean Sewell, Nic Walker and Brian Cassey (bottom three).

@headonphotofestival

 

Head On - Paper Tigers - Book - photojournalism - 'Abdullatif' by Brian Cassey

Head On - Paper Tigers Book - 'The Block' - image by Dean Sewell - Oculi

Head On - Paper Tigers - Book - image by Nic Walker

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On Portrait Prize - Semi-Finalist - 'Generations - Aurukun' - by Brian Cassey

Six weeks and the Commonwealth Games …

The Commonwealth Games is now well and truly over … the stories of triumph and endeavour (and a little controversy) slowly fading into history.

Personally, ‘GC 2018’ meant six weeks of photographic employment … five weeks around the country with the Commonwealth Games ‘Queen’s Baton Relay’ … and a further week covering the fourteen Commonwealth Games basketball events in Cairns for Australian Associated Press (AAP) including the visit of … ahem … ‘basketball fan’ HRH Prince Charley.

All very rewarding … and a satisfactory little ‘earner’..

The rest of this post was penned on my return from the ‘Queen’s Baton Relay’ stint back in January … but has been held over till now to satisfy any contractual requirements.

“Just back from a manic, chockers but fantastically rewarding full month criss-crossing Australia with the Commonwealth Games Queens Baton Relay … Thanks to team mate colleagues Jeremy Sutton-Hibbert and Colin McPherson (they are Scottish but I won’t hold that against them) … and the GOLDOC crew.

Commencing on the 23rd December and running (almost literally) to the tail end of January, I travelled, in order, to Brisbane, the Gold Coast, Melbourne, Hobart, Perth, Canberra, Sydney, Brisbane, Stradroke Island, Gold Coast, Townsville, Palm Island, Gold Coast, Springbrook, Uluru, Melbourne, Warrnambool, the Great Ocean Road … and Adelaide. We took in Australia’s top sporting events … the Boxing Day ‘Ashes’ test match in Melbourne, the finish of the Sydney to Hobart Yacht race (including Taste of Tasmania) in Hobart, the Perth Cup (horses) and Hopman Cup (tennis) in Western Australia, ‘A League’ football Sydney FC V Newcastle at Allianz Stadium, the Sydney ‘Ashes’ test match at the SCG, the Brisbane International tennis (with Rod Laver, Roy Emerson et al), the Magic Millions beach horse run on the Gold Coast, the National Sports Museum at the MCG and the Tour Downunder cycle races in Adelaide … and climbed each of the Sydney Harbour Bridge (with Ian Thorpe), the Q1 building (322 metres) at Surfers Paradise and the roof of the Adelaide Oval. We also took the Queens’s Baton to Uluru, Palm Island, the Twelve Apostle’s and Springbrook National Park.

I met and worked with some wonderful people … athletes, baton bearers, the relay team members and myriads of people who showed great interest in “The Baton” … whilst catching up with many photographer colleagues at distant parts of the country. I also made the odd photograph or two … ”

Below are just three of those … made at Uluru, at Surfers Paradise (Magic Millions) and at the peak of the Sydney Harbour Bridge …

Images © Brian Cassey and GOLDOC

 

Queen's Baton Relay 2018 - Uluru - Brian Cassey GOLDOC

Queen's Baton Relay 2018 - Magic Millions Beach Run Surfers Paradise - Brian Cassey & GOLDOC

Queen's Baton Relay 2018 - Sydney Harbour Bridge - Ian Thorpe - Brian Cassey & GOLDOC

 

L’Oiel … Head On Festival Top Five …

Pretty speechless about this … an article today in France’s brilliant photographic magazine “L’Oiel de la Photographie” (The Eye of Photography) by photographic journalist Alison Stieven-Taylor has my Head On exhibition … “A Photographer’s Life – Part One” … as one of the top five exhibitions in the current “Head On Photo Festival” in Sydney.

Considering that this years “Head On Photo Festival” features photographers work in about a hundred and twenty exhibitions and locations around Sydney city …  that is amazingly gratifying. Especially when, as I have seen, the amazing work from photographers around the planet who have been selected to exhibit their fantastic work on seemingly every available Sydney wall.

Alison rounded out her top five picks with Juli Balla’s “Where the Sidewalk Ends”, Dina Litovsky’s “Meatpacking”, Astrid Verhoef’s “Inscapes” and “Kings Cross 1970-1971” by Australian legend Rennie Ellis.

However, there are many other exhibitions at Head On this year that will also blow you away … including, but not only, “Amelia and the Animals” by Robyn Schwartz, brilliant “Bowie Unseen” by Marcus Klinco, Michael Amendolia’s work on sight restoration in Africa and Asia, Natan Dvir’s “Platforms” … and … Maggie Steber’s mesmerising “The Secret Garden of Lily Lapalma”.

I’ll be posting more about my exhibition and my time at the festival in the days to come. Do yourself a favour and try and take in as much as you can of one of the Planets greatest photography events.

Below … a screen grab from “L’Oiel de la Photographie” and Alison’s ‘top five’ exhibitions.

Images © Brian Cassey, text © Alison Stieven-Taylor and “L’Oiel de la Photographie”.

 

L'Oiel de la photographie - "A Photographer's Life - Part One" - top five exhibitions Head On 2017

 

 

BBC 5 Live & “A Photographer’s Life – Part One” …

Prior to the last weekends launch of my exhibition “A Photographer’s Life – Part One” at the 2017 Head On Photo Festival in Sydney, I was interviewed by my old mate BBC Australia correspondent Phil Mercer.

The BBC 5 Live interview, hosted by Phil and Rhod Sharp, became a rather lengthy affair and touched on my photographic work over the decades, Head On Photo Festival and my featured “A Photographer’s Life – Part One” exhibition in Sydney, various aspects of photography and photojournalism … and my life in the UK and Australia. It runs for near 22 minutes.

 

“A Photographer’s Life … “

Just one week out from the opening of my very personal exhibition … “A Photographer’s Life – Part One” … at the wonderful Juniper Hall, Paddington, Sydney.

The exhibition assembled from across my decades of work has been quietly coming together over the past few months with the help of Moshe Rosenzveig from Head On … and is a featured exhibition of this years “Head On Photo Festival” which also kicks off across Sydney next weekend.

So it was timely and hugely appreciated to today get a massive plug for the exhibition from renowned photography journalist Alison Stieven-Taylor in her brilliant ‘Photojournalism Now’ industry newsletter.

‘Photojournalism Now’ is a must read one stop weekly read for all that is relevant and new in photography and photojournalism.

Alison introduces this weeks edition`on Facebook with this … “This week it’s all about Head On Photo Festival (Moshe Rosenzveig, Brian Cassey, Michael Amendolia, Maggie Steber, Dina Litovsky, Juli Balla) – check it out. This is a mind blowing line up and it’s only a preview.” … and personally I’m pretty ‘mind blown’ to be included in such a list of photographic talent 🙂

Alison goes on to excuse my Brit birth in her plug for “A Photographer’s Life – Part One” … below.

Thanks Alison … and looking forward to a thoroughly enjoyable exhibition and festival.

(“A Photographer’s Life – Part One” is showing at Juniper Hall, 250 Oxford St, Paddington, Sydney from May 6th till 4th June. The “Head On Photo Festival 2017” runs from May 5th to 28th May.)

Images © Brian Cassey

Photojournalism Now - Head On Photo Festival 2017 - Brian Cassey

Fragility of Home … Sydney & Bowen …

I’m writing this from a (hopefully) well constructed ‘motel’ in Bowen north Queensland as the winds and rains from approaching category 4, possibly 5, Cyclone Debbie build to a crescendo. The full destructive power of ‘Debbie’ is still about a hundred and eighty kilometres and twelve hours away. It’s going to be a long night …

Come mid morning tomorrow Bowen will be facing a different landscape of shattered homes.

Seems strangely coincidental that only a couple of days ago I was in Sydney participating in an exhibition at the Contact Sheet Gallery entitled “Home” in which I had two sets of work … “My Place” (5 prints) and “Fragility of Home” (10 prints).

The photographs that made up “Fragility of Home” were selected to illustrate the transient nature of that which we call ‘home’ … and the set includes images of homes ravaged by fire, neglect … and cyclones … that I have collected over the years.

“Home” – a group exhibition – also include some great work by artists Daniel Grendon and Isabelle Baumann (who also co-curated), Godelieve Mols,  Ivana Jovanovic, Lola Alexander, Michael Jalaru Torres, Nick Pont, Samantha Mackie and Zorica Purlija. The show runs till April 1st.

Tomorrow many residents of Bowen may well ponder the ‘fragility’ of their own homes and lives as Cyclone Debbie  leaves a trail of destruction …

Below (top) is a pic of the opening night of “Home” at Contact Sheet Gallery with my “Fragility of Home” set on the far right and the “My Place” set far left. Following that below are two images from “Fragility …” including one from Cyclone Yasi coverage in 2011 … and one from “My Place”. Images © Brian Cassey

"Home" exhibition at Contact Sheet Gallery, St Leonards, Sydney - works by Brian Cassey

"Home" exhibition at Contact Street Gallery, St leonards, Sydney - works by Brian Cassey

"Home" exhibition at Contact Street Gallery, St leonards, Sydney - works by Brian Cassey

"Home" exhibition at Contact Street Gallery, St leonards, Sydney - works by Brian Cassey

Sydney … Moran & Walkley …

A massive and memorable fifty hours in Sydney this week …

Arrived Sydney Tuesday to be met by former Cairns Post staffer from way way back … Terri Bradley … and we were soon joined by Margaret River WA based photographer colleague Martine Perret at the ‘Wine Library‘ in Paddington for an evening of  ‘work catch up’.

Wednesday was 2016 Moran Prize day at Juniper Hall, Paddington. The deserving winners – Johannes Rienhart in the ‘Moran Contemporary Photographic Prize’ and Megan Seres in the ‘Moran National Portrait Prize’ – were announced at a news event in the morning, whilst the evening saw more merriment and much partying at the Moran family stately home and gallery.

Excellent to catch up with a host of Moran photographic finalists … Martine Perret (again) of course, winner Johannes, Michael Amendolia, Matt Abbott, Raphaela Rosella, Damien Pleming, Cameron Neville, Brad Smith, Todd Kennedy, Paul McIver … (also but very briefly Zoe Mongey and Reza Ghasemi).  Also attending for the evenings (ahem) ‘networking’ were Head On Photo Festival director Moshe Rosenzveig and photographer Brendan Beirne (former Nikon-Walkley winner with the Packer/Gyngell ‘Bondi Biffo’ news pics).

(The ‘Moran National Portrait Prize’ winner Megan Seres received $150,000 for her portrait of her daughter ‘Scarlett as Colonial Girl’ … Johannes Reinhart coined $50,000 for his ‘Mermaid Show’ image in the ‘Moran Contemporary Photographic Prize’.)

Between the morning and evening Moran events I took in the 2016 ‘Nikon-Walkley Press Photography Exhibition’ at the State Library of New South Wales … and was very happy to see my Portrait Prize winning image ‘Beaten Refugee’ very prominently displayed (see image below). Great to share the exhibition (and lunch) with my old mate and former Fleet Street ‘Blunt’ Frank Thorne, as well as Terri and Martine.

Also just had time to fit in a quick coffee with AAP photographer and ‘fotostrada’ colleague Dean Lewins … !

A pretty hectic but rewarding trip to the ‘Big Smoke’ … and a big ‘Thank You’ to Terri for her time and care.

The ‘Moran Contemporary Photographic Prize Exhibition’ (including my finalist image ‘Number 55’) runs at Juniper Hall, Paddington till 5th February 2017 … and the ‘Nikon-Walkley Press Photography Exhibition’ (including my ‘Beaten Refugee’) runs at the State Library of NSW till November 27th. Both exhibitions are well worth some time …

Images below © Brian Cassey … top – my Portrait Prize winner  ‘Beaten Refugee’ at the ‘Nikon-Walkley Press Photography Exhibition‘, Sydney … middle and bottom – my ‘Moran Contemporary Photographic Prize’ finalist image ‘Number 55‘ displayed inside and outside Juniper Hall, Paddington.

 

2016 Nikon-Walkley Portrait Prize - Winner - 'Beaten Refugee' by Brian Cassey
2016 Moran Contemporary Photographic Prize - 'Number 55' - Finalist by Brian Cassey

2016 Moran Contemporary Photographic Prize - 'Number 55' - Finalist by Brian Cassey

 

The Best Moving Images …

Here …  courtesy of the Head On Photo Festival … are ten small teaser segments of each of the ten film works selected as Finalists in the ‘Head On Moving Image Prize’ … including my humble piece “Eyes – The Soul of a Photograph”.

The sheer variety of styles and quality of the other nine Finalists is astonishing … and I’m delighted to be one of the ten with my first entry attempt at this genre.

The complete works of the ten finalists screen from a minute to about about five minutes each – ‘Eyes’ is three minutes duration. Unfortunately the full length screenings of the ten finalists work at the Brenda May Gallery Sydney theatrette has now finished … but I’m sure Head On will pursue further avenues to display this great collection of ‘Moving Images’. Will keep you posted …

 

Head On Shenanigans & Finalists …

The Head On Photo Festival continues it’s meteoric and spectacular growth.

This years month long Festival kicked off in style on May 1 at Town Hall Sydney – the Festival ‘Hub’ – and I was pleased to once again be a part of Australia’s eminent photo show thanks to Festival Directors Moshe Rosenzveig and Anita Schwartz. Opening eve was packed to the ornate Town Hall rafters with about 800 guests and nine top flight photo exhibitions – and a very welcome ‘welcome’ bar.

Described as ‘a veritable orgy of photography’ Head On Photo Festival this year consisted of over a hundred exhibitions and the work of several hundred photographers.

For me, a Highlight amongst all the brilliant exhibitions, opening nights, workshops, artist talks, award presentations, portfolio reviews, pop up studios, trivia evenings etc etc and bloody fantastic work … was a meal post Custom’s House wine and cheese which I shared with three US superstar photographers, a delightful colleague from Byron Bay and two photographers from Iran !! (I know … it’s sounding like the opening line of a ‘joke’).

Sharing pizzas, wine and photojournalism small talk that eve were Ben Lowy (renowned Getty Images photojournalist) and his partner Marvi Lacar (Facebook Pages picture editor) , Los Angeles Times Chief Photographer Michael Robinson Chávez , Iranian girls Saghar Amirazimi and Shiva Shakhesi, the gorgeous and so talented Natalie Grono,  … and myself …

An extremely convivial and fascinating ‘across the divide’ few hours … ! (Pizzas weren’t bad either)

Head On Award wise I was, indeed, fortunate to have my work selected as a Finalist in two categories – the prestigious ‘Head On Portrait Prize’ and the new ‘Head On Moving Image Prize’ – and included in the Portrait Prize exhibition at the Museum of Sydney (till June 8th) and the Moving Image show at Brenda May Gallery Waterloo (till June 6th). Both exhibitions are well worth a visit and a pleasure to humbly be a part of.

Below I’ve posted my Portrait Finalist image “Disko Meri” – a portrait of a night club hostess girl in Port Moresby PNG (Thank You Julie!) – and my Moving Image work “Eyes – The Soul of a Photograph”.

Many Thanks for the wonderful hospitality afforded me by the Head On Photo Festival crew – Kat Mills, Lauran Vohmann, John Slaytor, Jon Lewis, Moshe, Anita and many others … just brilliant …

Images © Brian Cassey

HeadOn_DiskoMeri_Blog

 

Two In For Head On Prizes …

Amongst the mass of mostly annoying or pure spam emails received lately were two that were especially welcomed.  Both were from the crew at the Head On Prizes and contained the excellent news that my work had been selected as finalist in two categories of the prestigious awards – ‘Portraits’ and ‘Moving Image’.

I have previously had work selected in the ‘Portrait’ category … but this is a ‘first’ for me in the ‘Moving Image’ category.

Ten finalists have had their work selected in ‘Moving Image’ which is for small moving pieces (movies) combining any combination of multimedia, visual art, sound art, still or moving images or other media. Certainly isn’t my speciality so I’m incredibly gratified just to be amongst the ten!

The Head On Portrait Prize, now in its 12th year, is one of Australia’s most critically acclaimed photographic portrait prizes and has also received World wide recognition. In 2014 the Portrait Prize exhibition toured Internationally and it is expected that the 2015 Portrait exhibition will do the same.

So it’s particularly pleasing to make the Portrait finalist cut once again. (for news on my Head On Portrait Prize successes in previous years go to here and here.)

I’m not allowed to name or identify either of the finalist works at this time … but all will be revealed at the opening night of the ‘2015 Head On Photo Festival’ in Sydney on Friday 1st May. The ‘Portrait Prize’ exhibition will then run from the 2nd May till the 8th June at Sydney Living Museums … whilst the ‘Moving Image’ work will be displayed at the Brenda May Gallery Sydney from the 5th May till 6th June.

To keep abreast of the happenings at the Head On Photo Festival and Head On Prizes on social media use these tags … Hashtag – #headon15,  Facebook – @Head On Photo Festival​,  Twitter – @HeadOnPhotoFest,  Instagram – @headonphotofestival .

‘Genesis’ Story in Walkley Mag …

The latest edition of the Walkley Magazine has hit the streets … and within is published (at the request of the Walkley Foundation) “In the Beginning” … my story on the ‘Genesis Project’ exhibition.

‘Genesis’ developed from an a germ of an idea I had … to explore the early images of now experienced photographers …  the catalysts that transformed a child, teen or young adult into a potential devoted pro photographer. The moments when through creating an image they realised “this is what I want to do – become a photographer and make photographs – to capture life’s moments”.

The exhibition was a major featured event at this years Head On Photo Festival in Sydney. Was pretty chuffed when contacted by the Walkley Foundation and asked to contribute the ‘Genesis’ story to their prestigious magazine. Posted below are grabs of the three pages as published where you may read the story and see some of the images. (As mentioned in the previous post I was also asked to present a ‘power talk’ and visual presentation on the project at the Walkley ‘Storyology’ event in Sydney.)

There is more on the ‘Genesis Project’ on my blog at … https://www.briancasseyphotographer.com/blog/2014/05/genesis-project-great-company/ … and … https://www.briancasseyphotographer.com/blog/publications/2014/05/genesis-france-world/ … and … https://www.briancasseyphotographer.com/blog/travel/2014/05/curating-genesis-project/

Images in these pages © Fiona Wolf, Katrin Koenning, Ben Lowy, Glenn Campbell, John Donegan, Chris Rainier and Brian Cassey

WalkleyGenesisBlog1

WalkleyGenesisBlog2

WalkleyGenesisBlog3

Walkley Storyology …

The first week of December saw the Walkley Foundation’s biggest week of the year – the ‘Storyology’ four day media event and – showcasing the pinnacle of Australian journalism’s in 2014 – the annual ‘Walkley Awards‘ presentation night. I was very pleased to travel to Sydney to be a involved in both – as a speaker (twice) at ‘Storyology’ and as a guest of Nikon at the ‘Walkley’s’.

The ‘Storyology’ event at the Chauvel Cinema Paddington attracted a host of respected and exciting speakers from around the planet and Australia … and I was very humbled to see my name amongst the long list which included such stellar media luminaries as (to name just a few) Laurie Oakes, Quentin Dempster, Wendy Hamer et al.

My involvement at ‘Storyology’ was two fold. On the Wednesday I was tasked with giving a ‘powertalk’ in the ‘Listen Up: Getting Back To The Story’ segment where, at the Walkley Foundation request, I told the story and showed the images from the photographers involved in the ‘Genesis Project’ exhibition that I co-curated with Moshe Rosenzveig for the Head On Photo Festival earlier in 2014.

The real honour for me, however, was being a part of Thursday’s ‘Show and Tell’ panel talk on photojournalism alongside three fellow photographers that each have my utmost respect … John Donegan, David Dare Parker and Andrew Quilty. For an hour in front of a very interested and inquisitive audience we talked about our careers, our lives and our images … and answered some very well put questions from the floor.

Thursday evening saw this years ‘Walkley Awards’ unfold on the water at Darling Harbour. The Nikon crew were once again fine hosts and it was excellent to catch up with many many photographers and journalist friends whilst this years award winners were recognised. My colleague from the ‘Storyology’ panel talk – Andrew Quilty – deservedly added the “Nikon Walkley Press Photographer of the Year” prize (presented to him by our fellow panelist David Dare Parker) to his earlier announced “Press Photo of the Year” award. Nice to see … and I certainly enjoyed the evening more than last years (for me) stress filled event. (The ‘after party’ became a bit of a blur and I do believe I did get to bed before sun rise.)  Congratulations to all this years winners … and a big ‘Thanks’ to the Walkley Foundation and Nikon for the invitations.

Below is a pic made (by Jenny from the Walkleys) during the ‘Storyology’ ‘Show and Tell’ panel talk with – left to right – John Donegan, myself, David Dare Parker and Andrew Quilty – whilst one of my Hong Kong cage home images is the subject of discussion (above). © Image

StoryologyBlog

 

‘The Genesis Project ‘ … in Great Company

… well that went orf well then !!  .M Contemporary Gallery, Sydney, was packed to the rafters last eve for the launch of “The Genesis Project” exhibition … my little project that has been a year in the making and a featured exhibition at the massive and currently rocking ‘Head On Photo Festival’ in Sydney.

Twelve of the nineteen photographers involved in the project – Ben Lowy, Murray Fredericks, Peter Solness, Fiona Wolf, Glenn Campbell, John Donegan, Sam Harris, Phil Hillyard, Craig Golding, Jon Lewis, Moshe Rosenzveig – (and me , of course) – turned up to see their work on the walls and talk ‘stuff’ … along with a score of other photographers and photographic personalities amongst a crowd of about a hundred. The crew at .M Contemporary were fabulous hosts and spoiled their guests with some top wines – Thank You’ hugely’ Louise,  Michelle and Candice.

The idea of the collected works is to explore at what point do photographers become photographers? What were the catalysts that transformed a child, teen or young adult into a potential devoted pro photographer. The moments when through creating an image they realised “this is what I want to do – to make photographs, become a photographer and … to capture life’s moments”.

The stories that the photographers have told about their lives, careers and images are fascinating, sometimes poignant and honest … and the words are as much a part of the success of the show as the great photographic works.

If you missed last nights goin’s on you can still catch the exhibition till the 8th of June at .M Contemporary Gallery, 37 Ocean Street, Woollahra. (if nothing else I have now worked out how to spell ‘Woollahra’!)

Below are a couple of quickies of the ‘Genesis’ photographers and other photographers and guests at the opening –

Top – left to right – Mike Bowers, Craig Golding, Ben Lowy, Fiona Wolf (with Phil Hillyard hiding over the rear right)

Centre – left to right – Murray Fredericks, John Donegan (kneeling), Craig Golding, Ben Lowy, Moshe Rosenzveig (kneeling), Glenn Campbell (rear), Jon Lewis (rear), Phil Hillyard (rear), Peter Solness (kneeling), Fiona Wolf,  Sam Harris  and myself.

Bottom – view of work and peoples heads … !

©images Brian Cassey

20140520_GenesisExhibition1Blog

20140520_GenesisExhibition2Blog

20140520_GenesisExhibition15

Curating ‘The Genesis Project’ …

In just two weeks I will officially lose my ‘curatorial virginity’ when “The Genesis Project” – a feature and headlining exhibition event of the ‘2014 Head On Photo Festival’ – opens on May 20th at the ‘M Contemporary Gallery’ in Woollahra Sydney.

‘Genesis’ is the result of the germ of an idea, persistence and a lot of hard work … and the faith of ‘Head On’ director Moshe Rosenzveig.

The concept of the exhibit is to examine ‘at what point do photographers become photographers’ ?

What were the catalysts that transformed a child, teen, young adult into a potential devoted pro photographer. The moments when through creating an image they realised “this is what I want to do – become a photographer and make photographs – to capture life’s moments”.
I have asked renowned photographers from a range of photographic disciplines to delve back into their individual photography archives from childhood and onwards – and rediscover some of their first photographs taken on their first, sometimes primitive, cameras – images from their first rolls of colour – their first pics on an SLR – their first published photograph – and the moments that moved or excited them.
To tell the stories of those formative creative moments that helped mould them into the experienced passionate photographers that they have now become.

We have assembled fabulous unseen images and previously untold stories from our photographers who share their insights into their compelling work from their earlier days experimenting with or developing as a photographer and the pivotal moments in their careers.

Here is our impressive list of contributing photographers – Ben Lowy, Roger Ballen, Murray Fredericks, Chris Rainier, David Dare Parker, Fiona Wolf, Jackie Ranken, Katrin Koenning, Martine Perret, Sam Harris, Glenn Campbell, Jon Lewis, Peter Eastway, Craig Golding, John Donegan, Peter Solness, Phil Hillyard, Moshe Rosenzveig … and then there’s me too …

I thank them all.

All are more than welcome to attend the opening eve of a very different and engaging photographic exhibition, Tuesday May 20th from 6.30pm at ‘M Contemporary Gallery’, E37 Ocean Street, Woollahra, Sydney.

You may bag yourself a real photographic collectors item.

Below is one of my two personal ‘seminal’ images  – made many many  decades ago in Portugal on the first roll of colour transparency film I ever shot – that will be one of the works on sale at “The Genesis Project”. The image has been scanned directly from the original faded, mouldy and dusty Agfa slide. To see the full story behind behind it and the similar works of our contributing photographers please come to the exhibition that will run from opening night May 20th till June 8th.

Image © Brian Cassey

GenesisBrianCasseyPortugalBlog

Cairns to Sydney to Kuala Lumpur …

An event filled week ! Travelled back to Sydney to take in more of this years ‘Head On Photo Festival’, a bit of the ‘Reportage Photography Festival’, the first ‘Walkley Slide Night’ of 2013 … and … the opening at Global Gallery Paddington of my exhibition “The Aak Puul Ngantam Stockman”. 

Straight after exhibition opening eve it was off to Kuala Lumpur Malaysia for the exhibition and winners announcement at Galeri Petronas of the “2013 Kuala Lumpur International Portrait Awards”.

“The Aak Puul Ngantam Stockman” exhibition was obviously a highlight … and Global Gallery was chockers with media photographer colleagues, friends and many others enjoying the ‘hospitality’. Moshe Rosenzveig from Head On kindly arrived to give the opening address.

The exhibition comprised fourteen near metre high prints of the entire mustering crew of the indigenous operated APN Cape York operation … including stockmen young and old, helicopter pilot, cook, junior Jillaroos, teacher … even newcomer stockman journalist Michel McKenna (who made the trip from Brisbane for the opening to admire his ‘visage’ !)

The “2013 Kuala Lumpur International Portrait Awards” was also a fantastic exhibition … well worth the effort and some fantastic work adorning the walls of Galeri Petronas under the twin towers … including my selected finalist image “Roustabout” of APN’s versatile do-it-all guy Perry Ward.

Printed almost two metres high on beautiful canvas and displayed spotlighted on a massive black wall, “Roustabout” certainly had the ‘wow’ factor as you entered the gallery! (see image below). Unfortunately it wasn’t selected as a top three winner. The winning image of a street band certainly was a very special image. Not so sure about second and third selected images tho’!

Below is a pic of the “Roustabout” image as it was displayed in KL … and a couple of pics from the Global Gallery  APN exhibition opening eve in Paddington.

© images Brian Cassey

Ex Cairns Australia pic by Brian CasseyPic by Brian Cassey

APNEx3s copy

APNEx2s copy