“Mother Africa” in International Photography Awards (IPA) …
Must admit … there was a lot of emotion entailed in making this image “Mother Africa”. Without getting too personal my captivating subject Aurora Coulter was heavily invested in the subject, history and experience of making this work. Aurora … normally vibrant and ebullient … dug deep into past personal experiences to channel the emotional plight of her African American forebears over the centuries. There were tears …
So … I’m delighted as much for Aurora as for myself that this work has been recognised several times around the planet … the latest being last weeks notification of an “Honourable Mention” in the ‘Portrait’ section of the 2022 International Photography Awards (IPA).
Over the last few months “Mother Africa” … made in January this year in a friends shed studio (Thanks Marc) … has also catalogued other mentions in … the 2022 Pollux Awards (Portrait – Honourable Mention), the Moscow International Foto Awards (People Culture – Bronze Award), the 2022 International Portrait Photographer of the Year (Published in IPPOTY Top 101 Portraits selection and book), the 2022 Percival Photographic Prize (Townsville – Finalist) and the 15th International Colour Awards (Portrait – Finalist).
Even later news (from just last eve) … “Mother Africa” will be one of the thirty works exhibited in an inaugural portraiture exhibition at the Crate 59 Gallery in Cairns.
“The Burning Cane Portrait Exhibition” (for portraiture in any medium made this year by Queensland artists) will open on the 4th of November and run for three weeks. “Mother Africa” will be there (very) large on the walls from the celebratory opening event … which, sadly, I will miss as I’ll be at the launch of the 2022 Head On Photo Festival in Sydney. More on both of these events at a later date.
Image © Brian Cassey (and massive Thanks again Aurora !)
“Do Not Resuscitate” … Peter Potter …
I’ve known the skills of Kuranda master ceramicist Peter “Potter” Thompson for some time … but up until a couple of weeks ago had never met him. I did try and arrange a portrait session with Peter a couple of years back but at the time he politely demurred.
Peter has been building his rainforest studio practice for 50 years and is amongst Australia’s most accomplished practitioners of wood-fired pottery, his cutting edge work gracing major galleries far and wide.
His workshop ‘Five Treasures’ is where he creates and fires his Orient inspired creations in expansive high temperature kilns fired by locally collected timber, following Taoist principles. His passion for each and every piece is obvious.
Peter’s outwardly quiet demeanour belies a no nonsense approach to both his work and his life … and he portrays an impeccably wry sense of humour.
The harshness of his work environment has impacted his health … and Peter has survived three heart attacks over the last twenty years. In true Peter style the tattoo above his heart (and pacemaker) means ‘Do Not Resuscitate’. Chemical emissions from the kiln firings have also impacted his lung capacity.
A couple of weeks ago I was introduced to Peter by Ian Whittaker who has authored a book on his life and work. Peter showed me around his studio home, workshop and kilns as he earnestly talked about his magic pottery … and his upcoming hospital stay for yet another major operation.
Peter allowed me to make a series of portraits … and this one (below) I believe most accurately shows his complex character and environment as his life as a potter encircles him.
Thank You Peter … good luck with the latest operation.
Image © Brian Cassey