Camera Kit

The Guardian … Vintage Nikon F2 … and Film ! …

… in good company in The Guardian today as they feature the 400TX Project presenting black & white film work produced on a 50 year old Nikon F2 passed around to some of (quote) … “Australia’s most prominent photographers” … including this geezer from Cairns.

The project was the brain child of Brisbane photographer Renato Repetto who transported the vintage 1970’s black Nikon F2 with a 55mm lens loaded, with just one 36 frame roll of Kodak Tri-X BW film, on numerous journeys criss crossing Australia and into the hands of current working photographers who gave it their best shot.

The Guardian story (a snippet below) can be found in full at https://www.theguardian.com/artanddesign/gallery/2023/mar/19/one-roll-of-film-what-a-test-the-400tx-project-in-pictures … and on abridged version on Insta at https://www.instagram.com/guardianaustralia/ … under the title ‘Back to Basics’.

The list of photographers featured is as impressive as the work … Dean Sewell, Tim Page (so sadly no longer with us), Paul Blackmore, Robert McFarlane, David Maurice Smith, Peter Solness, Michael Coyne, James Brickwood, Shehab Uddin, Jakub Fabijanski, Oli Sansom, Meg Hewitt, David Kelly … and yours truly .

My frame in the feature is “Too Busy To Die” … made in sparse light with the last frame of the thirty six on the  film roll … of accomplished musician Geoff Tozer. He had just told he was dying. He was diagnosed with bowel, bladder, bone and advanced spinal cancer. But, he told me, “I’m too busy to die.”

I cut my teeth on ‘manual everything’ film cameras like the Nikon F2 decades ago and used ‘zone focusing’, guessed exposures and well-timed single shutter releases in my early work. This project has brought into stark reality how spoilt we photographers are now with digital imaging and digital photo technology … and, to be honest, the process of shooting black and white film again scared me stiff !

(The two posts on the 400TX Project published when I originally made the “Too Busy To Die” work can be found here … https://www.briancasseyphotographer.com/blog/publications/2017/08/final-frame-nikon-f2-afp400tx/ … and here …  https://www.briancasseyphotographer.com/blog/2017/07/nikon-f2-roll-tri-x-36-pics/ … whilst a further post regarding 400TX and my work in an Australian Photography article can be found here … https://www.briancasseyphotographer.com/blog/travel/2018/03/spread-australian-photography-afp400tx/

Image “Too Busy To Die” (top) © Brian Cassey … Image “Sin & Stef in Bondi” (bottom) © Paul Blackmore, page “Back to Basics” © The Guardian

 

The Guardian - 400TX Project - Back to Basics - Image "Too Busy To Die" of Geoff Tower by Brian Cassey

 

The Guardian - story 400TX Project - Back to Basics - Image "Too Busy To Die" of Geoff Tower by Brian Cassey ©, second image © Paul Blackmore

Getting Wet on the GBR …

… made a lightning fast visit to the Great Barrier Reef out from Cairns recently for The Australian.

Journalist Graham Lloyd and I were choppered out to Moore Reef … certainly one of my quickest (and shortest) visits to the Great Barrier Reef !

A twenty five minute helicopter flight … then straight into the water with camera, reef crew Katherine, reef ecologist Eric and journalist Graham … forty five minutes working in the lagoon, the flat and the wall of Moore Reef … then straight back on the chopper to Cairns.

The Australian published a couple of my images to accompany Graham’s story on page 3  (middle pic below) with a pointer from page 1.

In the top two images below Katherine is exploring the ‘wall’ area of Moore Reef which was smashed during Cyclone Yasi in 2011, impacted by Cyclone Ita in 2014 … and then extensively bleached during climate change related extreme temperature events in 2016 and 2017. Damage on the ‘wall’ section is still evident but it does appear that corals are making a comeback (and the fish numbers were astonishing.)

Even on the ‘flat’ area between the lagoon and the wall … where there has been extensive bleaching (which I documented back in May 2017 for @everydayclimatechange and News) … there is some coral regrowth.

Sadly, with more frequent extreme temperature events and cyclones almost a certainty as the planet warms, the World’s largest reef system still faces a distinctly uncertain future.

The reef trip also gave me a chance to use a nice new bit of kit … the Sealife 0.5X wide angle dome lens … on my Sealife DC2000 underwater camera (pic bottom below). The wide angle is perfect for my choice of underwater pics … making underwater ‘landscapes’ much more impressive. If you are interested in any underwater kit (including the excellent Sealife system) may I suggest contacting Tim Hochgrebe at Underwater Australasia for the best range and prices.

Images © Brian Cassey

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Ten Pages in ‘Australian Photography’ …

Don’t often get this sort of coverage so … many thanks to photography journalist Rob Ditessa and the Australian Photography magazine for the great ten page spread in the current April edition.

Rob managed a nice job putting a cohesive touch to the amazing amount of ‘waffle’ that I supplied at his request on the subject of my many years in the news media photographic industry that dates back to my teens.

In particular Rob was interested in the roles that picture agencies had in my progression from a very raw teen with a manual SLR covering British football to the muck and bullets coalface of the major international news stories such as the Boxing Day Asian Tsunami of 2004. (Sadly the pars mentioning my invaluable pic agency mentors such as AP’s Russ McPhedran were a ‘space’ casualty.)

The pages and images look great … with two double page spread photos and other pics amongst the text … and a ‘The Gear’ box detailing the kit I now use that should keep Kylie and Julie at Nikon Australia a little happy.

Sadly (perhaps not!) the text here will be unreadable … and if you have an inclination to read the story and text you’ll have to either subscribe or shell out for a print copy of the mag at your newsagents … (or send me a message and I’ll see what I can do 🙂 )

Images © Brian Cassey … Pages © Australian Photography

‘Spread’ in Australian Photography with ‘AFP400TX’ …

Excellent article in the current ‘Australian Photography’ magazine … and a luverly use of one of my images across a double page spread on the title pages … on Renato Repetto‘s wonderful ongoing ‘AFP400TX’ project.

The read entitled ‘Film Noir’, written by photography journalist Sam Edmonds, tells the story of Renato’s idea of passing a vintage 70’s Nikon F2 around to a host of Australia’s top photographers to each shoot one 36 frame roll of Tri-X black and white film. The resulting images will form the basis of eventual exhibitions and a book.

Singing the praises (rightly) of Renato’s idea, the article also delves into the reactions and the resulting project work of several legendary … and … uuummm … older ‘AFP400TX’ practioners … in Tim Page, Michael Coyne and Robert McFarlane. I also get a par or two and a couple of accompanying images in the article. (Sometimes it’s nice to be ‘the youngest’.)

Although the exhibitions and book may still be some little time in the future … the Nikon F2 is still traversing Australia in the hands of celebrated and not so celebrated photographer’s … it’s great to see Renato’s excellent project already gaining the respect it deserves. (My earlier comments on ‘AFP400TX’ can be found at  … https://www.briancasseyphotographer.com/blog/publications/2017/08/final-frame-nikon-f2-afp400tx/ … and … https://www.briancasseyphotographer.com/blog/2017/07/nikon-f2-roll-tri-x-36-pics/

My double page spread image (below) … shot on just the last frame 36 on my roll of Tri-X  …  is of musician Geoff Tozer who has been diagnosed with several forms of terminal cancer. My second image accompanying the article was a portrait of Aurukun ‘Camp Dog’ artist Lex Namponan.

Image © Brian Cassey & publication by Australian Photography

Australian Photography - Film Noir - AFP400TX project - Geoff Tozer image by Brian Cassey

“A Photographer’s Life – Part One” at The Tanks …

It has been an absolute pleasure to bring my “A Photographer’s Life – Part One” exhibition back to Cairns. More than half the featured works were made in the Cairns or north Queensland region (the remainder from various parts of the planet).

The work was originally collated as a ‘featured exhibition’ in the 2017 Head On Photo Festival earlier this year and was hosted by the Moran Foundation at the heritage listed Juniper Hall in Paddington, Sydney. The exhibition was selected by eminent photography journalist Alison Stieven-Taylor as one of the top five exhibitions in the festival  (from a total of 147).

When I approached The Tanks curator Chris Stannard with the idea of showing the work in Cairns he didn’t hesitate … and he and his team has worked a miracle to get it up and launched before the years end. I owe Chris and his team … Ulys, Lou, Ivan and the team … a massive vote of ‘Thanks’. Indeed … the exhibition has been ‘tweaked’ since Sydney and, in all honesty, looks significantly better than it did in the gracious surrounds of historic Juniper Hall.

In particular, the camera hardware referred to in the exhibition is featured more prominently at The Tanks … and there also a few ‘kit’ additions. Thanks to a donation by fellow photographer David Hancock, the exhibit now includes the first ever usable digital photojournalist camera from the 90’s … the then massively expensive Kodak Nikon AP NC2000 … and a long forgotten United Press International ‘wire’ drum photo transmitter from the 70’s to the 80’s. These sit alongside a collection of my very used and battered Nikon kits … and examples of my earliest cameras from the very first plastic VP Twin way back when I was a pre teen.

There are also two large TV screens continuously showing five of my video features including the multi award winning “Eyes – the Soul of a Photograph”.

Exhibition opening eve last Friday was wonderful … and I’d like to thank the many who arrived and made it such a great night. TA !

“A Photographer’s Life – Part One” is showing at The Tanks Arts Centre, Cairns till January 30th 2018 … with a short break for Xmas festivities between 23rd December to January 2nd.

Finally … on the day of the exhibition opening I was interviewed on ABC Radio Far North by affable breakfast presenter Kier Shorey … about the exhibition, work and life … and, if you fancy, the near thirteen minute audio is below.

 

 

Images at The Tanks © Brian Cassey

"A Photographer's Life - Part One" - The Tanks, Cairns by Brian Cassey

"A Photographer's Life - Part One" - The Tanks, Cairns by Brian Cassey

"A Photographer's Life - Part One" - The Tanks, Cairns by Brian Cassey

 

The Final Frame … Nikon F2 and AFP400TX …

Well that brought back memories …

Back when shooting film and you have one frame left on your roll of thirty six … and something too good to miss presents itself.

Thanks to Renato Repetto‘s excellent AFP400TX project (#AFP400TX, @AFP400TX – see my earlier post) I recently got to revisit that long forgotten scenario. As explained earlier the project aims to get a manual everything Nikon F2 loaded with just one 36 frame roll of Tri-X film into the hands of selected photographers around Australia … and from the resulting images compile capital city exhibitions and a book.

An admirable project that I’m very pleased to be a part of.

I took my turn with the beautiful F2 a couple of weeks ago. Renato has just received my processed images back from the project sponsors Rewind Photo Lab in NSW … and has allowed me to use one image to show you guys what’s going on. (The rest are a secret until the project culmination.)

Prior to making this particular image I had already shot a variety of scenarios and carefully used 35 of the precious 36 frames on the roll. Then I met Geoff …

… and Geoff had a story to tell.

An accomplished musician, Geoff Tozer has been told he is dying. He has been diagnosed with bowel, bladder, bone and advanced spinal cancer. But … he says … “I’m too busy to die”. Geoff told me he’s a friend of Rolling Stones Bill Wyman and accomplished in Wyman’s musicality. He is set to work on the soundtrack of a new movie on the short life of Stones member Brian Jones … possibly alongside musician legends Eric Clapton, Jimmy Page and Mick Fleetwood.

So … with just that one frame left on my project roll of film I was feeling a bit of pressure when I lined up the image and pressed the shutter to make Geoff’s portrait.

It was with some relief that I received the scanned image (below) from Renato last eve !

The AFP400TX Nikon F2 camera is now winging it’s way down to Victoria for Melbourne photographers Michael Coyne, Jesse Marlow, Tracey Nearmy, Barat Ali Batoor and Andrew Chapman to make their contribution.

Image © Brian Cassey

AFP400TX Project - "Too Busy To Die" by Brian Cassey Cairns Australia

Nikon F2 … Roll of Tri-X … 36 Pics …

Thanks to legendary veteran combat photographer Tim Page (who dobbed me in) … I have this week been wielding on a spare shoulder a pristine circa 1971 manual everything Nikon F2 loaded with a roll of Tri-X film.

The idea … the brainchild of photographer Renato Repetto … is to get the Nikon into the hands of top (and not so top) photographers all around Australia who will each shoot one roll of B&W film … just 36 frames each.

The AFP400TX Project is about seeing life through the eyes of Australian Film Photographers. The Nikon F2 (eye level DE-1 Plain Prism, 1971-1976) no 7587117 with a 55mm 2.8 Micro Nikkor will be used for every exposure of the project, making the only variable the photographer. All rolls of film will be developed by the project sponsor Rewind Photo Lab in NSW to ensure consistency across the project.

My colleagues of note featured in the project include the afore mentioned Tim Page … David Dare Parker, Michael Coyne, Stephen Dupont, Jesse Marlow, Sean Davey, Heather Faulkner, Roger Garwood  … and many maybe not so well known.

A diary accompanying the camera will document the creative thoughts of all the photographers in the project for later  incorporation into a photo book. The book will be launched with gallery exhibitions in Brisbane, Sydney and Melbourne featuring silver gelatin prints of the best photos of the project.

Now … I cut my teeth shooting ‘manual everything’ film SLR’s way, way back when … but can now confirm that ‘going back’ is somewhat of a sobering and frightening experience !!

Below is a pic I made (on a D4S) of Wik Munkan artist Lex Namponan from Aurukun, wielding the precious Nikon F2 used in the project. Lex was born in 1971 … the same year that the F2 was released. I used two precious frames from the Tri-X roll to make a portrait of Lex. Fingers crossed that Lex and I make the AFP400TX Project exhibitions and book …

Image © Brian Cassey

AFP400TX Project - Australia - Brian Cassey

 

The Pleasure of Camera Nostalgia (part 2) …

Back in May in a post on this blog …  “The Pleasure of Camera Nostalgia” …  I wrote about the cameras that I acquired and used during my formative teen years in photography. At the time I had just found replacements for a long lost pair of Minolta’s – a Minolta Rapid 24 rangefinder and a Minolta SRT101 SLR.

I also mentioned that I was searching for a rare camera – a Yashica Pentamatic – that sat on my teenage camera timeline between the two Minolta’s.

I am pleased to say that, after months of searching and net browsing and now thanks to EBay seller bj2875, I have acquired the much sought after Yashica.

Although a basic (and very pretty) camera the Yashica Pentamatic was my first ever SLR … and my first ‘sold’ photograph was made on the original. It was also Yashica’s first SLR model and it was launched in 1960 (my pounds, shillings and pence went on a second hand example some years after launch!). It has no exposure metering at all … and has the unique but intelligent feature of a shoulder mounted accessory shoe set around the rewind knob.

My example arrived from seller ‘Bob’ today courtesy US Mail and must say I am very pleased with the condition of the camera body, the 55mm 1.8 and the 35mm 2.8 Yashinon lenses, leather cases and straps, bulb flash complete with boxes of spare bulbs, original instruction booklet … and price ! Still inside the camera, on the last frame, was a roll of ‘Sears 24 exposure color slide film’. Have my doubts whether I’ll be able to get that processed.

My sincere thanks go to Bob who is more a seller of coins than cameras.

With the acquisition of the Yashica I believe I now have examples of all the cameras I used from childhood through to my twenties (unless my memory is completely stuffed).

Below is a pic of the camera after todays unpacking … pretty isn’t it.  Image © Brian Cassey

Yashica Pentamatic 35mm SLR film camera

 

Two Days With Nikon …

Thanks to Steve Merrin and Andrew King of Nikon Australia I spent a great two days last week in that other northern Queensland city of Townsville.

At Nikons invitation I gave a ‘lecture’ to Townsville’s pro photographers on photojournalism and surviving therein over the decades and in todays media climate … joined the Nikon crew in an extreme low light workshop which highlighted the performance of Nikons FX large sensor cameras including the D4s and the brand new Nikon D810 … and joined the sales crew at Garricks Camera House for a special Nikon promotion and sale day. it was Nikon’s first … and hopefully not the last … event in the far north of Queensland.

A full on and enjoyable couple of entertaining days …

The numbers in attendance at my little chat (which ran well over the time optimistically allotted by Steve at 90 minutes) surprised me … and according to the feedback … was well received by the audience of ‘pros’  – portrait, wedding, commercial and the odd PJ. Accompanying my natter was a visual show of over a hundred of my images from across the decades … and a few pieces of past photographic kit.

Below are just two of the hundred odd images from last Fridays Townsville presentation. The first is an emotion charged image from that most competitive game of lawn bowls which I made in the 80’s … and secondly an image I made in the far west of Queensland in the dysfunctional indigenous community of Urandangi in 2008.

Images © Brian Cassey

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The Pleasure of Camera Nostalgia …

Delving into images from long past to research “The Genesis Project” has been the catalyst for a wave of nostalgia for those cameras that I used during my formative years in photography.

I’ve always held a soft spot for the various pieces of camera kit that I have used over the years and have in the past mentioned my first ever rudimentary camera and the first images made therewith. Many years ago I was lucky enough to find and buy a second bakelite VP Twin to replace that long lost first camera.

Putting together “The Genesis Project” I was struck by the poignant story of colleague and fellow exhibitor John Donegan … whose entire photography career was born when he was given his brothers camera after his untimely and tragic death. That camera was a Minolta SRT101 – a classically styled SLR launched in 1966 which pioneered TTL full aperture metering.

I also used a Minolta SRT101 in my early years (mostly to shoot British football) and came across a near mint secondhand item online for a good price. On impulse I bought it to add to my collection … and also handed it to John to use at the ‘Genesis’ exhibition launch loaded with a roll of BW film.

My image selected for “The Genesis Project” dated back to my wayward teen years (you’ll have to go to the exhibition to read the whole story) and … coincidentally … I recently came across a nice example of the, now rare, camera I used to make that original pic – a Minolta Rapid 24 rangefinder. The seller (in the UK – EBay – minolta4me-kevin) has also kindly supplied a couple of the unique Agfa Rapid film cartridges that are used with self loaded 35mm film so that I can actually use the camera to take photographs again.

The memories came flooding back when I opened the Royal Mail package and picked out the little Minolta Rapid 24. It really is as charming a camera as I remember.

Not happy to stop there I’m now searching for a much rarer specimen – a Yashica Pentamatic 35mm SLR – to replace the one I used in the years between the Minolta 24 and the Minolta SRT101. Anyone know where I can get one ?

Below is a  pic of my ‘new/old’ Minolta pair and also … “The Genesis Project” image which was made long long ago on a Minolta Rapid 24 in Portugal (middle) and one of my early football photos (Charlton Athletic scoring the winner against Watford at the Valley, also a scary amount of decades ago) that was made on my original Minolta SRT101. A real decisive moment – no motor wind on’s in those days … one frame was all you got! (bottom). Images © Brian Cassey

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England - London - The Valley - Charlton 2 V Watford 1 - 01/10/