| Brian Cassey Photographer Cairns Australia

The Legacy and Images of Bruce Martin … ABC Far North …

February 4, 2024December 2, 2023

One of the saddest and most difficult interviews I’ve faced …

Recently I was asked by ABC Far North ‘Breakfast’ presenter Charlie McKillop If i’d be interested in a short live radio interview on the tragic loss of Aurukun and Wik influential leader Bruce Martin at the age of thirty nine.

I first really met ‘Waal Waal’ … (respectfully ‘The Departed’ during mourning) … eleven years ago, when I covered an Aak Puul Ngantam wild cattle mustering operation on Cape York Peninsula for The Australian newspaper. The near week long coverage meant I spent time around the camp fire listening in awe as ‘Waal Waal’ held court and outlined his future vision for the Wik people of Aurukun. (It was later when I realised that we had, in fact, met fleetingly when I made very wet portraits of him during his water polo days in the mid 2000’s)

I was later honoured when he officially opened my exhibition of images of the mustering operation – “Aak Paul Ngantam Stockman” (including portraits of all the crew) – at The Tanks Arts Centre in Cairns.

Thereafter ‘Waal Waal’ Martin’s career really took off. He became a member of the Prime Minister’s Indigenous Advisory Council and served as a director of the Indigenous Land and Sea Corporation.

Our last meeting was an impromptu breakfast (with his home made marmalade) in an Aurukun home a couple of years back.

There are a few links here below which document much more of the potential and life cut so cruelly short … and an image of mine that has become synonymous with that life. I … and many many others … will sorely miss you.

And … Yes … the full audio of the interview with Charlie McKillop on ABC Far North is here directly below too … and runs for around six and a half minutes.

https://www.abc.net.au/news/2023-07-22/far-north-queensland-remembers-aurukun-wik-man-bruce-martin/102629858

https://www.briancasseyphotographer.com/play/2014/02/abc-radio-interview-fiona-sewell-aak-puul-ngantam-stockman/

https://www.briancasseyphotographer.com/photographs/aak-puul-ngantam-stockman/

Image © Brian Cassey

The Legacy and Images of Bruce Martin … ABC Far North …

February 4, 2024December 2, 2023

One of the saddest and most difficult interviews I’ve faced …

Our last meeting was an impromptu breakfast (with his home made marmalade) in an Aurukun home a couple of years back.

And … Yes … the full audio of the interview with Charlie McKillop on ABC Far North is here directly below too … and runs for around six and a half minutes.

https://www.abc.net.au/news/2023-07-22/far-north-queensland-remembers-aurukun-wik-man-bruce-martin/102629858

https://www.briancasseyphotographer.com/play/2014/02/abc-radio-interview-fiona-sewell-aak-puul-ngantam-stockman/

https://www.briancasseyphotographer.com/photographs/aak-puul-ngantam-stockman/

Image © Brian Cassey

%%excerpt%% Interview on ABC Far North with presenter Charlie McKillop and guest Brian Cassey talking about the life and Brian's images of Aurukun Wik leader Bruce 'Waal Waal' Martin following his untimely death in Townsville.

“Yes” ? … “No” ? … Who Knows ? … A Week Full of “Voices” …

January 13, 2024October 4, 2023

Last week … manic ! Flight to Aurukun with indigenous leader Noel Pearson, another long day flying back to Aurukun and on to Pormpuraaw and Doomadgee Cape York Peninsula with Bob Katter … and in between following ‘Yes’ campaign director Dean Parkin all around Cairns.

As the ‘Indigenous Voice to Parliament’ referendum draws ever closer, campaigning is in full swing … and there has been regular arrivals of ‘campaigners’ from ‘down south’ flocking to the Far North (and more turning up later on this week.)

Pearson’s visit to Aurukun and Parkin’s in Cairns were covered for ‘The Australian’ (including a nice page 1) … and Katter in an epic three destination Cape York flights saga, was for Bob’s campaign.

These TEN images have been chosen from across the hundreds I made over a hectic week … and they are also featured (arguably better) on my Instagram account and may be found here … https://www.instagram.com/p/Cx94Gy6vP4C/

Bubblegum Discovery – Aurukun with Katter
Bob Katter plants an ‘illegal’ potato in Doomadgee
Young child explores the cenotaph in Aurukun – with Katter
Dawn Koondumbin (75) reads up on the ‘Voice’ – in Aurukun with Pearson
Bob Katter checks vegetable & fruit prices in the Doomadgee shop
Phyllis Yunkaporta with Sophera Kerindun – in Aurukun with Pearson
Deserted swim pool in Pormpuraaw – with Katter (left)
Noel Pearson meets Bertha Yunkaporta (91) – in Aurukun (right)
‘Yes’ campaign Director Dean Parkin in Cairns (left)
Bob Katter flies back from Aurukun, Pormpuraaw and Doomadgee (right)

Poses the question … what am I going to do after the referendum 🙂 ? !

Images © Brian Cassey

Aurukun Artist Keith Wikmunea …

January 13, 2024September 5, 2023

… had the very distinct privilege and pleasure to travel to Aurukun on Cape York Peninsula recently to portray indigenous artist Keith Wikmunea. He then was soon to be announced the winner of the $100,000 Telstra Indigenous Art Award, the top prize at the National Aboriginal and Torres Strait Islander Awards (NATSIAA) in Darwin. Images of Keith and his work were required to spread around Australia’s media in conjunction with the story of his win.

I spent a thoroughly enjoyable couple of days with Keith and Wik & Kugu Aurukun Arts Centre Manager Gabe Waterman as our winner worked on sculpting a ‘camp dog’ in the arts centre workshop … and out and about at various locations around the indigenous township. Keith was patient and a delight.

His $100,000 sculptured milkwood winning work – entitled “Ku’, Theewith & Kalampang: The White Cockatoo, Galah and the Wandering Dog” – was inspired by his ancestors, says Keith. He has already spent his prize money on a boat and a car for his family.

My images of Keith appeared in The Australian, The Sydney Morning Herald and many other print and web publications around Australia … and will also grace Sydney railway stations to spread the word about his win, his talent and the Telstra award.

Below are some of my favourite images of Keith in Aurukun and a mock up of the Telstra promotional banner work soon to be seen in Sydney stations.

Images © Brian Cassey

‘A Photographer’s Life – Part Two’ at The Court House Gallery …

July 31, 2023November 14, 2021

Now just over two weeks since the doors opened on my latest exhibition … ‘A Photographer’s Life – Part Two’ … and one week since a brilliant official opening eve event at the beautiful venue, the heritage listed Court House Gallery.

Following on from ‘A Photographer’s Life – Part One’ … exhibited at the Head On Photo Festival in Sydney and The Tanks Arts Centre in Cairns in 2017 … there was always going to be a ‘Part Two’.

Essentially a ‘Retrospective’, the ‘Part One’ exhibition featured work selected from my archives … negatives from long forgotten boxes and numerous disk drives … that charted the progression from my first roll of film as a pre-teen, through my first paid media work in London town as a teen and onto my career across the decades producing press work that was published around the planet..

‘Part Two’ is a fundamentally different exhibition of work. It contains a few images that didn’t quite make the space cut for ‘Part One’ – but most of the work is new and made from 2016 up until today. Whilst ‘Part One’ was almost exclusively ‘assigned’ media work the ‘Part Two’ images are much less so. The decline in media work and the lack of media opportunity and funding has meant that much of the new work was made independently, often self funded and sometimes just purely personally observational. The photographs emanated from India, China, Sri Lanka, the United States, Papua New Guinea, the UK … and around Australia,

An integral part of the new exhibition is the ‘story behind the images’. Each work is accompanied by text explaining how the image came about and why. Many of them are quite personal. Feedback from exhibition visitors so far is that the ‘stories’ added a depth and dimension to the images. Gratifying 🙂

The opening eve event on November 5th was a thoroughly enjoyable big success. An individual exhibition opening record crowd of over a hundred and twenty five crammed ‘standing room only’ in the ‘Court Room’ to witness ABC Radio’s Fiona Sewell ‘grill’ me nicely about eight of the thirty seven exhibition images for about forty five minutes. Many Thanks for hosting the event Fiona. Great to see friends and colleagues past and present .. many I hadn’t seen in years … turn up for the occasion. Thanks all …

Also launched at the event was the large format high definition limited edition collectors book ‘A Photographer’s Life – Part One & Part Two’ … containing … yes … all the images (85 in all over 88 pages) from both ‘Part One’ and ‘Part Two’. All those who order a copy during the exhibition period (till 11th December) with have their names and an acknowledgment printed in the book … and my scrawled as best I can signature too 😉 . Order at the Court House Gallery office or phone either Dayle on 07 40326621 or the office on 07 40326620.

Greatest respect and massive thanks to Curator Chris Stannard , Dayle Jordon, Megan O’Rourke and the rest of the council team who did a brilliant job hanging and presenting the exhibition.

The exhibition continues until the 11th December Tuesdays to Saturdays 10am to 4pm … another four weeks to take it in. (If anyone would like a ‘personalised’ tour of the work I will be happy to try and do just that … just contact me.)

Below are images … (impossible in small pics to do justice to the exhibition, the work and the gallery) … of the works on the wall, the opening eve event and the book.

Images © Brian Cassey (4), Brendan Radke (2) & Stacey Carrick (1) (Many Thanks Brendan and Stacey)

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

‘On the Wall’ … (Eventually) … in Kuala Lumpur …

July 31, 2023July 25, 2021

This one I really like …

Since 2009 The Kuala Lumpur International Photoawards (KLPA) has annually selected and recognised the best in photographic portraiture from around the World. The work chosen is invariably on the cutting edge and held in the highest regard.

So … to say the least … was undeniably very happy when this years results in the Open award were announced this week … nineteen (compelling and imaginative) works selected from artists in the USA (2), Belgium, Germany, The Netherlands (2), Poland (2), India (2), UK, Italy, Serbia, South Korea, Malaysia, Thailand, Ireland, Spain, Russia … and one selected from Australia … little old me.

Back from it’s trip ‘into space’ in 2019 my ‘Aurukun – Generations’ image was selected in the twenty strong list and will now travel to Malaysia’s capital Kuala Lumpur for a month or so ‘on the wall’ of a prestigious gallery … dates and venue to be arranged at the whims of Covid.

’Aurukun – Generations’ has now received a raft of recognitions in awards and exhibitions … and it very nearly didn’t happen at all. The image was one of dozens made in the troubled Cape York township of Aurukun for a news story. Another was chosen for publication with the story and this pic was quietly forgotten. It was several months later when I revisited the archive, came across it again and realised it’s potential.

It was one of three of my images ‘Sent Into Space’ (literally) by ‘Portrait of Humanity’ in 2019 and it has also been exhibited and recognised widely around the planet. (You can find some of those … here … here … here … here … here … here … here … and here .)

The work portrays Aurukun Wik elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola. Sadly Silas has since left us. I did present his family with a large print of the Image when I made it back to the township last year.

It’s been eight years since I last made it to a Kuala Lumpur Finalist list in 2013 … coincidentally with another image made Aurukun way … a portrait of Aak Paul Ngantam stockman Perry Ward entitled ‘Roustabout’ (bottom below).

I travelled to Kuala Lumpur that year for the exhibition opening event. ‘Roustabout’ looked magnificent in a wonderful Petronas Towers gallery setting.

Very sadly (thanks covid), I’m pretty sure that this time around I won’t get to see ‘Aurukun – Generations’ on a KL gallery wall any time soon. (Still a buzz tho’ 😉 )

Images © Brian Cassey – top ‘Aurukun – Generations’, bottom ‘Roustabout’.

… They Did It ! Pics in Space X 3 …

October 7, 2020

… PICS IN SPACE! … They did it (and included THREE of my portraits !)
Released overnight as promised by the British Journal of Photography (1854 Media) with the help of ‘Sent Into Space‘ … the film of the ‘Portrait of Humanity’ (2019 & 2020 projects) shortlisted images and their screening twenty four and a half miles ABOVE the planet in the stratosphere with the backdrop of space.

VERY pleased to have three portraits screened … ‘Aurukun – Generations’ (selected in the 2019 POH), ‘The Skin I’m In’ and ‘Ramnami’ (both selected in the 2020 POH) … as planet Earth rotates in the blackness of space. All the photographs were also transmitted out across the Universe and beyond as binary files … just in case there is anyone/anything ‘out there’ wondering about life on our little blue planet .

Here is a short video of my three portraits ‘in space’ with a few introductory pars from ‘Portraits of Humanity’ on broadcasting a message of peace and unity from humankind onto, well … infinity.
You can watch the entire 42 minute film of the exhibition of 400 images as the earth turns below … and how they did it … here … https://access.bjpsubs.com/portrait-of-humanity-sent-into-space/

Images X 3 © Brian Cassey, film © Portrait of Humanity & 1854 Media

‘Aurukun – Generations’ and Tokyo International (TIFA) …

December 31, 2019December 28, 2019

A nice little Xmas present … another little bit of recognition for my ‘Aurukun – Generations’ image … this time an ‘Honourable Mention’ in the Tokyo International Foto Awards (TIFA) in the People/Family category.

The pic … of Aurukun Wik elders Silas (90) and Rebecca Wolmby (83) with their twin great grand children Shalona and Keola … seems to have attracted a lot of attention with other selections over the months of 2019 in the UK based Portrait of Humanity, the Budapest International Foto Awards (BIFA), the Australian Photography Awards (APA) , the IRIS Portrait Awards in Perth and the Fremantle International Portrait Prize (FIPP).

Very sadly, Silas … a wonderful gentleman … passed away before his portrait gained such International recognition. I have a print ready to present to Rebecca on my next visit to Aurukun.

Image © Brian Cassey

Happenings in Perth, India … and the UK …

July 31, 2023November 14, 2019

A lot of ‘goings on’ recently with exhibition openings in Perth, a rewarding ‘road trip’ in India, a bit of recognition from ‘Budapest’ … and an image on the walls at the Royal Photographic Society in England.

Travelled to Perth (and Fremantle) last month for two exhibition openings at two events … the ‘Fremantle International Portrait Prize’ (FIPP) one week and the ‘IRIS Portrait Awards’ at the Perth Centre for Photography the next.

Satisfyingly, both included personal works … ‘Tomotaro on the Block’ and ‘Generations- Aurukun’ in the ‘FIPP’ … and just ‘Generations – Aurukun’ in the ‘IRIS’. Both great opening eves … first time for me in the ‘IRIS’ collection, but third time in the mix for the ‘FIPP’. Nice also to have a good opportunity to spend a little time in the West and catch up with photographer colleagues Richard Wainwright, Roger Garwood, Johannes Reinhart, Peter Ramshaw and Justin Ma… and also sparkling Nikon rep Julie Kimpton.

From Perth it was four flights to Mumbai (including a quick overnight stopover in Little India Singapore) where I met up with friend and former photo editor at the Indian Express, director of Solaris Images … and all round good bloke Srienivas Akella. ‘Srini’ had organised flights for the two of us to Raipur in the state of Chhattisgarh where I had identified one story in particular that I was keen to work on.

Srini has extensive knowledge of his home country and had also searched out a few other possible pic stories to fill any ‘blanks’ in covering my main objective. As it turned out we managed three stories over six days … my main story (which stretched over three days and involved twenty four hours of driving through Chhattisgarh – all will be revealed when the story and pics are placed and published) … pics of two (apparently of five) of the surviving full body tattooed ‘Ramnami’ – a low caste sect that once endured having the name of their god Rama etched over their entire bodies … and a continuation of my earlier ‘Typewriter Wallahs’ pic essay (this time in the city of Raipur) on the men (and woman) of India who persist in working with (and repairing) ancient manual typewriters.

The weeks work culminated back in Mumbai on a big Diwali celebration night of fireworks, colour and food with Srini, his family and his very pleasant community. Thanks Srini !

Also received great news … an email from ‘Portrait Salon’ stating … “Dear Brian, We are delighted to tell you that our judge, Peter Dench, has selected the attached image (‘Tomotaro on the Block’ … yeah that one again) to be included in this year’s Portrait Salon selection. This year, ‘Portrait Salon’ will be exhibited at the Royal Photographic Society in Bristol, from 21 – 28 November. It will then travel up to Harrogate to be part of the Photo North Festival, from 30 November – 2 December. The images will be presented both as a slideshow, and in print.”

Of course … I am stoked …

UK based ‘Portrait Salon’ is a sort of a ‘Salon des Refusés’ and solicits work that doesn’t make the winners cut of the monumental National Portrait Gallery (London) ‘Taylor Wessing Photographic Portrait Prize’ each year. Now in it’s 9th annual edition ‘Portrait Salon’ arguably shows more interesting work than the ‘Taylor Wessing’.

‘Tomotaro’ certainly has been good for me … as well as the ‘Portrait Salon’ and ‘FIPP’ mentioned above, it has also been recognised in the Tokyo International Foto Awards (TIFA), the Moscow International Foto Awards (MIFA), The Australian Photography Awards (APA) and the 12th International Color Awards.

Not far behind, ‘Generations – Aurukun’ has featured in the ‘IRIS’ and ‘FIPP’ mentioned and also the 2019 Portrait of Humanity and The Australian Photography Awards (APA).

Also at the end of October both of these images were announced ‘Winners’ in their respective categories (Editorial Sports and People) in the inaugural 2019 Budapest International Foto Awards (BIFA). Nice news to arrive home in Cairns to …

Images below © Brian Cassey … as follows from top … ‘Ramnami’ Maherttar Ram Tandon at his home in Churella Village, Chhattisgarh, India. Maherttar is covered all over his body with tattoos repeating the name of his God Rama … D. N. Verma amongst old manual typewriters that he is repairing at his Chhattisgarh Typewriter Works company in Raipur … my ‘Generations – Aurukun’ work at the ‘IRIS Awards‘, Perth Centre for Photography … ‘Tomotaro on the Block’ on the wall of the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle (the same pic as selected for the ‘Portrait Salon’ in the UK’) … ‘Generations – Aurukun’ at the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle.

'Ramnami' from Chhattisgarh, India - image © by Brian Cassey

D. N. Verma - typewriter technician and owner of Chhattisgarh Typewriter Works in Raipur, Chhattisgarh, India - image © Brian Cassey

Image 'Generations - Aurukun' - finalist IRIS Awards, Perth Centre for Photography - © by Brian Cassey

'Tomotaro on the Block' 0 Fremantle International Portrait Prize (FIPP) - Finalist © Brian Cassey

'Generations - Aurukun' - Fremantle International Portrait Prize (FIPP) - Finalist © Brian Cassey

A Portrait ‘Treble’ at the Australian Photography Awards …

October 1, 2019September 30, 2019

At the risk of sounding monotonous and repetitive … my apologies for once again featuring these three of my portrait images … but …

… all three have just been selected as ‘Honourable Mention’ Finalists in the Portrait category of the 2019 ‘Australian Photography Awards’ … pretty gratified with that.

Each of the three images have been really good for me … previously and variously being ‘mentioned in dispatches’ in the ‘Portrait of Humanity 2019’, ‘Moscow International Foto Awards’, ‘Tokyo International Foto Awards’, ‘Head On Portrait Prize’, ’12th International Color Awards’ … and the soon to be officially opened ‘Fremantle International Portrait Prize’ and ‘IRIS Portrait Prize’ in Western Australia.

Below are the three … “Generations Aurukun” featuring Aurukun elders Silas and Rebecca Wolmby with their twin great grand children … “Tomotaro on the Block’ of Japanese paralympic swimmer Tomotaro Nakamura at the 2018 Pan Pacific Para Games in Cairns … and “Victim of Sorcery – Dorcas” of ‘Sanguma’ (sorcery) victim Dorcas Numbi Nunugi recovering from a near fatal attack at a ‘safe house’ in Goroka, Papua New Guinea.

The ‘Australian Photography Awards’ exhibition opens at Sun Studios Melbourne on October 12th and runs until October 20th. Sadly, will miss the opening as have already committed to the ‘FIPP’ exhibition event in Fremantle on the same day.

Promise that I’ll soon shut up about these three pics … and concentrate on producing some new work 😉 .

Images © Brian Cassey

Three Honourable Mentions in Portrait Category of the Australian Photography Awards 2019 by Brian Cassey

Silas & Rebecca … Now at the IRIS Awards …

September 1, 2019September 1, 2019

Last post I related that two of my images have recently been selected as Finalists in the Fremantle International Portrait Prize …

Now I have just learnt that one of the two has also been selected as a Finalist in the Perth Centre for Photography “IRIS Award” for portraiture … and that is bloody satisfying as it’s a ‘first’ for me.

Here’s how the IRIS Award describes itself … “The Award is an international prize recognising new and outstanding portraiture in photographic art. The criteria for selection focuses on portraits that are unique, compelling and engaging whilst maintaining excellence in photography. Concept, meaning and depth are equally as important as well executed work. Originality is essential and the award encourages work that is evocative and provocative and in some ways may be relevant to the current global cultural landscape.”

This year the award was judged by the highly esteemed and Internationally distributed GUP Magazine (Guide to Unique Photography) based in the Netherlands.

It seems this pic (below) met their criteria … “Generations – Aurukun” of Silas and Rebecca Wolmby and their great grand children. That in itself is rewarding, as the pic … originally made in 2016 during a News Ltd job in the Cape York indigenous township … thereafter languished forgotten and unloved in my archive until I again chanced upon it a few months ago. Since then it’s been around. The pic was Shortlisted and book published in the Magnum and British Journal of Photography ‘Portrait of Humanity’ project … and selected as a Finalist in the FIPP.

Very sadly, the wonderful gent Silas has since passed on. However, I hope to be travelling to Aurukun again in the near future and will make sure that Rebecca and the Wolmby family receive a big copy of the image.

The exhibition opening and prize announcement of the IRIS Award is on Friday 18th October at the Perth Centre for Photography Gallery, 357 Murray Street, Perth … just one week after the opening and prize announcement of the FIPP in Fremantle. WA friends … you are warned … 🙂

Image © Brian Cassey

IRIS Awards - Perth Centre for Photography - Finalist - "Generations - Aurukun' by Brian Cassey

‘On the Wall’ at Fremantle International …

July 31, 2023August 17, 2019

Nice to learn that two of my images have been ‘short listed’ and selected as ‘Finalists’ in the bi-annual Fremantle International Portrait Prize. The two pics will be amongst the other ‘Finalists’ on the walls of the FIPP exhibition and vying for some tasty worthwhile prizes (courtesy of Nikon Australia and others) due to be announced on the opening eve at the historic Moores Building Contemporary Art Gallery , Fremantle on the 12th of October.

A total of over seventeen hundred entries were received from around the planet … and the selected ‘Finalist’ works hail from as far afield as Croatia, Hungary, the UK, the USA, Indonesia, Vietnam … as well as from across Australia.

My two works selected are … ‘Tomotaro on the Block’ (a portrait of Japanese paralympic swimmer Tomotaro Nakamura which has been mentioned in dispatches a few times previously … here, here, here and here) … and ‘Generations Aurukun’ (a portrait of Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby … which was also previously selected as a ‘Finalist’ in the massive World wide ‘Portrait of Humanity’ printed collection and awards).

I’ve attended the Fremantle International Portrait Prize exhibition opening and awards eve on a couple of occasions in the past in 2015 and 2013 … and it’s always a great well presented and thoroughly enjoyable event. Hoping I can make the trek across the continent for it again his year as well …

After the big bash opening eve the exhibition of the selected works will be open at the Moores Building Contemporary Art Gallery, 46 Henry St, Fremantle, from the 13th to the 27th October. I’m sure it will be very much worth a visit.

Proceeds from this years FIPP go to help the Arthritis and Osteoporosis WA Foundation and to the Kai Eardley Foundation for Youth Mental Health.

Below are my two selected ‘Finalist’ works … ‘Generations Aurukun’ and ‘Tomotaro the Block’ (images © Brian Cassey)

'Generations Aurukun' - Fin almost Fremantle Portrait Prize 2019 - image of Aurukun elders Silas and Rebecca Wolmby with their great grand children - Shalona and Keola Wolmby by Brian Cassey

"Tomotaro on the Block' - Finalist Fremantle International Portrait Prize 2019 - image by Brian Cassey

Portrait of Humanity …

August 1, 2023May 9, 2019

… very, very, very pleased to learn that one of my lesser known images has been selected for the ‘Shortlist’ of the massive and prestigious “Portrait of Humanity” World Wide portrait photography project and exhibition … and will be published in the hard cover book collection of the same name.

The grand stated aim of “Portrait of Humanity” … a collaboration between Magnum Photos and 1854 Media (the publishers of the ‘British Journal of Photography’) … is to “create one of the greatest collaborative photography exhibitions in history”. The 200 short listed images from all around the planet were chosen for their “expressions of individuality, community and unity”.

Photographers were initially asked to document “the universal expressions of life … laughter, courage, moments of reflection, journeys to work, first hellos, last goodbyes, and everything in between.” Tens of thousands of submissions came from every corner of the globe.

In news released this week “Portraits of Humanity” said that “Together the winning and shortlisted images create a powerful and diverse Portrait of Humanity. Fifty photographs will tour the world as part as an exhibition and 200 images will be featured soon in a 322 page volume published by Hoxton Mini Press”. (My image graces page 272.)

(Sadly there was only one other Australian based photographer amongst the two hundred selected … indigenous photographer Wayne Quilliam with his image from the Tiwi Islands.)

The selection of my work … of Aurukun indigenous elders Silas and Rebecca Wolmby with their twin great grand children Shalona and Keola and entitled “Generations” … was a very pleasant surprise.

I’ve photographed Silas and Rebecca in Aurukun many times over the decades … they have always been wonderfully polite and obliging and they were a voice of sanity in their ‘unsettled’ remote Cape York community. Sadly Silas died recently and Shalona and Keola will be unlikely to grow up with a memory of their respected great grandfather.

As a ‘short lister’ I receive a copy of the “Portrait of Humanity” book filled with truly wonderful portraiture. If you wish to invest in this great collection you can do so here at the Hoxton Mini Press web site.

Image of Silas and Rebecca (top) ©Brian Cassey … and book publication (below … mine is on the left page 🙂 ) is ©1854 Media & Hoxton Mini Press

"Portraits of Humanity" - International Portrait Photography Project 2019 - Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby - Image by Brian Cassey, Cairns

‘Spread’ in Australian Photography with ‘AFP400TX’ …

March 2, 2018March 2, 2018

Excellent article in the current ‘Australian Photography’ magazine … and a luverly use of one of my images across a double page spread on the title pages … on Renato Repetto‘s wonderful ongoing ‘AFP400TX’ project.

The read entitled ‘Film Noir’, written by photography journalist Sam Edmonds, tells the story of Renato’s idea of passing a vintage 70’s Nikon F2 around to a host of Australia’s top photographers to each shoot one 36 frame roll of Tri-X black and white film. The resulting images will form the basis of eventual exhibitions and a book.

Singing the praises (rightly) of Renato’s idea, the article also delves into the reactions and the resulting project work of several legendary … and … uuummm … older ‘AFP400TX’ practioners … in Tim Page, Michael Coyne and Robert McFarlane. I also get a par or two and a couple of accompanying images in the article. (Sometimes it’s nice to be ‘the youngest’.)

Although the exhibitions and book may still be some little time in the future … the Nikon F2 is still traversing Australia in the hands of celebrated and not so celebrated photographer’s … it’s great to see Renato’s excellent project already gaining the respect it deserves. (My earlier comments on ‘AFP400TX’ can be found at … https://www.briancasseyphotographer.com/blog/publications/2017/08/final-frame-nikon-f2-afp400tx/ … and … https://www.briancasseyphotographer.com/blog/2017/07/nikon-f2-roll-tri-x-36-pics/

My double page spread image (below) … shot on just the last frame 36 on my roll of Tri-X … is of musician Geoff Tozer who has been diagnosed with several forms of terminal cancer. My second image accompanying the article was a portrait of Aurukun ‘Camp Dog’ artist Lex Namponan.

Image © Brian Cassey & publication by Australian Photography

Good Weekend at 30 …

November 25, 2014November 25, 2014

Fairfax’s weekend colour magazine Good Weekend is celebrating an anniversary – “Three decades of great story telling” – by reprising thirty of the very best features re-published in a special ‘Classics’ series “Good Weekend at 30”.

Pleased to report that a story that I worked on with mega talented journalist John van Tiggelen is amongst them.

“Another Country” was originally published in the mag as the cover feature on the 15th of May 2008 (blimey – was it really that long ago) … and told the story of, in Johns incisive wonderfully descriptive words and my images, the plight of the residents of the troubled Cape York Peninsula indigenous community of Aurukun.

The publication of the story stirred the pot somewhat and it was an important catalyst for change in conditions in far too long neglected aboriginal communities. Certainly some of the observations made just six years ago are not as appropriate or apparent now.

The Fairfax promotional image for “Good Weekend at 30” is below … and my cover is bottom row third from left (indigenous children with wallaby). You can read John’s excellent “Another Country” and see some of my accompanying pics (in some cases badly cropped by online subs) at … http://www.smh.com.au/good-weekend/gw-classics/another-country-20140828-109ira.html . You may read all the excellent selected “Good Weekend at 30” feature stories by visiting … http://www.smh.com.au/good-weekend/gw-classics/

Also below is my favourite image from the Aurukun set (before being savagely hacked by subs !). It was used on page 1 of the Sydney Morning Herald to promote the original publication of “Another Country” back in 2008.

New Essay … Aurukun Day …

August 10, 2014

A new photo essay I made last weekend – “Aurukun Day” – has now been posted to the web site of the photojournalism collective ‘fotostrada’ in ‘Latest Stories’.

The images document the celebrations in the Cape York Peninsula indigenous community to mark the 110th anniversary of the founding of Aurukun by Presbyterian missionaries. The weekend was also an opportunity to ‘take back’ to Aurukun my work completed locally – “The Aak Puul Ngnatam Stockman”. A multimedia piece was projected on the wall of the local store before the ‘disco’ and my portrait prints were also displayed on the store in the township centre.

Full details of the new essay can be found on the ‘fotostrada’ site here.

Below are just two images from the essay of 23 – top Elder Jock Eundatweakin – and below local kids at the disco event.

Taking It Back To Aurukun …

August 16, 2014August 5, 2014

Even before showing my collection of “The Aak Puul Ngantam Stockman” portraits at exhibitions in Sydney (Head On Photo Festival), Darwin (Proof Photojournalism Festival) and Cairns I was toying with the idea of taking it back to where the photographs originated – Cape York Peninsula and the indigenous township of Aurukun.

To most of the subjects in the portrait collection, Aurukun is their home and it is also the home of APN Cape York – the indigenous corporation that is responsible for the mustering operation that I witnessed and recorded originally for stories in ‘The Australian’ newspaper.

It seemed only fair that the people involved in the venture and their families, friends and Wik clan members in remote Aurukun should get the chance to see the photographs.

A chance encounter with Juliana Doupe from the Apunipima Cape York Health Council at my exhibition at ‘The Tanks Arts Centre’ in Cairns in February set the project in serious motion. Juliana showed great enthusiasm for the idea and for the next few months was tireless in her attempts to help make it work. Nothing happens easily in the ‘fluid’ Cape indigenous communities but the hurdles were overcome one after the other.

All the work came to fruition this weekend when “The Aak Puul Ngantam Stockman” went back to Aurukun as part of the 2014 ‘Aurukun Day’ celebrations.

The evening of the 110th anniversary of the founding of Aurukun by missionaries was marked in the township centre by the community launch of the excellent Apunipima ‘Hip Hop’ music video starring a wildly energetic cast of locals … and followed by the projection of my APN multimedia video (which can be found on my ‘Play’ web site page or on ‘YouTube’ here). All again followed by much camaraderie as almost the entire community partied and crowded the dusty concrete dance floor at the ‘disco’.

On the second day of celebrations the collection of APN portrait prints were displayed along the wall of the Aurukun retail store … the meeting place in the heart of township … against a colourful indigenous backdrop. Sadly there was one omission from the exhibition. Elder and real gentleman Winston Marpoondin died recently and his portrait was excluded to respect cultural sensibilities.

It was, indeed, excellent to see the photographs ‘back home’ amongst the people of Aurukun and I’m very grateful to Juliana and also Andrew Packer from Apunipima for their invaluable help.

As soon as time permits I will post a new pic essay – ‘Aurukun Day’ – which will document the days activities. In the meantime below are images showing the exhibition as hung in Aurukun (top and bottom of 3) and (middle) locals watching the projected APN multimedia video – captured at a point in transition between one frame and the next.

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The Aak Puul Ngantam Stockman

May 24, 2013May 22, 2013

This presentation – “The Aak Puul Ngantam Stockman” – was made for the ‘Nikon Walkley Photographers Slide Night’ in Sydney at the State Library of New South Wales on the 28th May 2013. The images were made on Cape York Peninsula northern Australia and show the work of the mustering operation by the indigenous company APN Cape York. The operation is attempting to provide meaningful employment and occupation for the indigenous population of the area around Aurukun – and break the cycle of welfare dependancy, violence, alcohol and drug abuse. The portraits represented in this presentation were exhibited at The Global Gallery, Paddington, Sydney as a featured exhibit of the 2013 “Head On Photo Festival”.
One of the portrait images was selected as a Winner of the “Head On Portrait Prize” – and another as a ‘Finalist’ in the “Kuala Lumpur International Portrait Awards”.
The music accompanying the presentation – “Fire Serpent” from the album “Shaman’s Dance” – is used by kind permission of the artist Dan Pound.

Cape York Cattle Muster Essay …

January 14, 2013

Have now found time to post a new photo essay from the Cape York mustering trip – “Cattle Muster Cape York” – to the web site of my collective ‘fotostrada’ under ‘Latest Stories’. The new essay is in addition to the “Aak Puul Ngantam Stcokman” essay of portraits posted earlier.

This set of images were made during the mustering operations – by horse back, helicopter and quad bike, on the remote property out from the indigenous township of Aurukun. The stock they are mustering, numbering about 5000, are the remnants and descendants of a failed cattle venture in the 1990’s. The participants are a mix of elder experienced former aboriginal stockman, young indigenous men from Aurukun keen to learn the ropes, a white family of head stockman, wife and cook and two daughter Jillaroos, a teacher for the kids and a ‘roustabout’ – all of whom are directly involved in the day to day hands on mustering operation.

The venture is an attempt to provide sustainable employment and a sense of pride in the indigenous town – and break the cycle of booze, drugs, violence and welfare dependency.

They have already had some success with the sale of mustered stock fetching record prices at a recent Mareeba cattle auction.

The work was made for ‘The Australian’ newspaper with text by journalist Michael McKenna and was published over four pages (including page 1) of ‘The Weekend Australian’ edition (see earlier post below.)

Posted below are just three images from the complete essay which can be found in full at http://www.fotostrada.com/#/latest-stories/cattle-muster-cape-york/BCAurukunAPN24

Indigenous Stockmen Saddle Up Again …

November 1, 2012October 29, 2012

A little pleased with this weekends The Weekend Australian (27.10.2012).

Last Weekend I ventured once again up to the wilds of Cape York Peninsula, this time with journalist Michael McKenna, for a four day visit to Bruce Martin and his APN Cape York cattle enterprise a hundred K out from Aurukun.

APN Cape York is an initiative of Bruce and the collective Wik clans of Aurukun – an attempt to provide sustainable employment and a sense of pride in the indigenous town – and break the cycle of booze, drugs, violence and welfare dependency.

The idea of this particular plan of Aak Puul Ngantam (which in Wik mean “our father’s father’s country) is to return to the traditional ‘country’ – in this case as stockman to manage and profit from the approximately five thousand head of cattle left to run wild after an earlier venture failed in the 1990’s. To work on the land just as their forefathers did many decades before.

Our task was to document the mustering venture in words and pictures for the weekend edition of The Australian.

It didn’t start well … the ute taking us through the bush shed the drive shaft half way though the journey in the middle of nowhere, meaning we were unceremoniously towed into the mustering camp.

Sometimes, however, things fall into place – and with the help of the entire APN crew present – stockman Jay, Kenneth, Winston, Dominic, Steven, Cameron, Allan and Bruce, roustabout Perry, cook and mum Rebecca, jillaroo sisters Nina (5) and Shae-Anne (10), their teacher Moyra and helicopter pilot Brendan – the coverage went like clockwork (and with a great amount of banter and good humour).

I photographed the team erecting stock fences, mustering on horse back (and in Bruce’s case off the horses back!), helicopter and quad bike and training a herd of cattle to be used as a host herd.

The Weekend Australian used what must be a record number of images on the same subject by the same snapper – 22 of my pics in all over five pages – along with Michael’s excellent thousands of words! They also run on-line a photo essay and a video.

I’ve posted below screen grabs of the pages involved – and the online photo essay can be found here – and the video here.

Also below is just one image from the set of portraits I made of all the camp participants – an essay to be entitled “The Aak Puul Ngantam Stockman” – which I hope to exhibit at some stage in the future.

The full sets of images will appear on my web site when the current site revamp is finished in a few weeks time. They will also feature soon on the web site of my collective ‘fotostrada’.

Aurukun and the Grog …

November 9, 2012October 16, 2012

With Queensland Premier Campbell Newman’s decision to roll back the indigenous alcohol management plans the excrement hit the proverbial fan! I travelled to Aurukun (via Weipa and a two hour drive each way) on the western tip of Cape York with Brisbane based journalist Jamie Walker for ‘The Australian’ last week – where we covered not only the alcohol issue but also the final declaration of the Wik Native Title Determination.

We were only able to stay in the indigenous township for a matter of a few hours so there was little time for a social ‘chit chat’!

However, our efforts were well rewarded in Saturday’s Weekend Australian edition with a Page 1 story and large pic (of the very gracious Rebecca and Silas Wolmby), a spill to page 6 with another large image … and the whole of page 21 of the ‘Inquirer’ section with another two photos … all on the alcohol issue. We also scored page 3 and two pics in the Friday edition with the Wik Determination story.

Below I’ve posted a screen image of page 1 of Saturday’s Weekend Australian and also of Fridays page 3 of the Australian (with the image of delightful Aurukun school children and presiding Justice Andrew Greenwood). If you subscribe to the Australian you will be able to view these stories and pics online at http://www.theaustralian.com.au/