Very sadly the exhibition of my work “A Photographer’s Life – Part 3 – Portrait” on the walls of the gorgeous new Mulgrave Gallery on the Cairns Esplanade has now come to an end.
An epic opening eve back in late January followed by the six week run of the exhibition saw scores of viewers and fantastic feedback from visitors from around the planet and Australia (including many from the cruise ships that regularly dock in Cairns).
If you were one that couldn’t/didn’t visit the exhibition during it’s ‘showing’ but are still keen to see what it was all about … or just fancy your own tangible memento of the exhibition … you can still get your hands on your personally signed hard cover limited edition volume featuring all the portraits that were on the walls. The book “A Photographer’s Life – Part Three – Portrait” is now available via the ‘Shop’ on my web site at … https://www.briancasseyphotographer.com/shop/category/books/ … where you may also find my other Limited Edition signed books available. (HINT: If you are a Cairns ‘local’ or close by please just send me an email (bc@briancasseyphotographer.com) requesting your personalised copy and I’ll hand deliver it to you without any postage/shipping charges saving you $$$’s 🙂 )
Huge Thanks to curator Chris Stannard and the all the rest of the fabulous dedicated team at Cairns Galleries. To Head On Photo Festival director Moshe Rosenzveig OAM who flew from Sydney to open the exhibitions. Amazing ! Also to Collie Jacobs for the image (top) below of the gallery entrance with me spoiling the pic. Second image below is the cover of the book, followed by a couple of pics of the pages inside.
… very nice run in last weekends edition of the Courier Mail that featured my images … old and brand new … of old friend ‘Ex Millionaire to island Castaway’ David Glasheen. David lost a literal fortune during the 1987 economic crash and then chose to ‘drop out’ and live a solitary secluded life on historic Restoration Island off the coast of far north Queensland.
His story and my photographs of David spread World wide after I visited him three times on his island … (named Restoration Island by Captain Bligh when he landed there during his epic 4000 mile open boat journey following the HMS Bounty mutiny) … back in 2010 and 2011 for News Ltd, the New York Times and Fairfax.
David later published a book about his life entitled “The Millionaire Castaway” which sold a quarter of a million copies around the planet.
Recently I learnt that David (now 81) had suffered a heart attack and had left the island for a bed in Cairns Hospital. At the hospital I was told he had just been discharged and I found him at the nearby Red Cross accomodation. We chatted about old times and I asked if I could make yet another newer portrait … which he readily agreed to.
This portrait (top image) is the result. David has always had a story to tell so I passed on details of his current trauma and story to Courier Mail gun journalist Michael Madigan (who I have worked with on many stories previously) … and passed on David’s new portrait and the earlier 2010/2011 pics of David on his remote inland retreat to the Courier picture desk.
The result … a front page pointer, Davids portrait on page 15 and a spread across pages 36 and 61. Happy with that … huge thanks to Michael for his brilliant words … and, of course, David who is now recovering with his family ‘down south’ (but really hoping to soon get back to his island home.)
Not an extinct flightless bird, Dodho publishes “Dodho Magazine” … in their words “one of the most influential online contemporary photography magazines, committed to discovering and promoting the best photographers around the world”.
So … was excellent to again be selected in the “Dodho Fine Art” awards and see one of my favourite images … “Mother Africa – Aurora” … grace the wonderful Dodho large format hard cover fine art awards book.
This was only the second edition of the fine art awards and pleased to say that another of my images … “Bonn – Asking the Question” … was selected in the inaugural awards last year (see second image below). Dodho now also hosts other awards each year … and I also have had work selected … twice each … in their “Portrait Awards” and “Color Awards”. Getting quite a nice little collection of fine award photo books !
Dodho really do do a fine job of promoting a great variety of International photography. Do look out for them …
… pretty stoked that my image “Aurukun – Generations” has been selected and listed for sale by the prestigious Duncan Miller Gallery in the United States.
The gallery and their web portal Your Daily Photograph (https://www.yourdailyphotograph.com) specialises in the sale of “important classic and contemporary photographic works of art” … and are the owner of the largest collection of vintage photographs on the West Coast of America. They have subscribers and potential purchasers in 75 countries.
You may see the work on their YDP site here … http://eepurl.com/i829Xw My work is apparently in very good company … in the recent past images by Henri Cartier-Bresson, Andreas Gursky, Richard Misrach, Andre Kertesz, Edward Burtynsky and other photography legends have been offered for sale on YourDailyPhotograph.
The portrait of Aurukun Wik elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola was made outside their house in the Cape York Peninsula indigenous community. It has featured numerous times in awards across the last few years … arguably the most stella being ‘sent into space’ and projected above the planet courtesy of the British Journal of Photography “Portrait of Humanity” awards … and published in the book collection of the same name.
My first sale at Duncan Miller Gallery was back in 2012 with my “Rajasthan Dancers” photograph, made in Udaipur, Rajasthan, India in 2011 (image below).
Very pleased to be interviewed by ABC Radio’s wonderful Drive presenter Charlie McKillop on the morning of the opening of three exhibitions in Cairns that I am more than heavily involved in.
The three exhibitions are spread across both the Court House Gallery and the new adjoining Mulgrave Gallery … the exhibition of my latest work “A Photographer’s Life – Part 3 – Portraits” … the exhibition of the work of Australian photojournalists that I curated alongside Head On Photo Festival Director Moshe Rosenzveig OAM, “Paper Tigers – An Anthology of Australian Photojournalism” … and the resulting photojournalism work from my mentorship of Trinity Bay High School visual arts students, “Word on the Street”.
Have known ABC’s Charlie for many years … she’s a great interviewer who makes sure she has completed all the research on her interviewees. It’s really just a friendly rewarding chat … ‘on air’. Thanks Charlie !
Won’t go into too much detail about the exhibitions here and will let the interview itself ‘fill you in’.
“A Photographer’s Life – Part 3 – Portrait” and “Word on the Street” run till 29th February at the Mulgrave Gallery whilst “Paper Tigers’ finishes on the 22rd February at the Court House Gallery.
It was a brilliant and amazingly well attended evening.
Moshe Rosenzveig flew up from Sydney to perform the official exhibition openings under the evenings very threatening skies … and also joined me the following day hosting our artist/curators talks.
It is the first time that “Paper Tigers” has been shown outside of Sydney … and it was a real pleasure to see the sixty works by Australia’s wonderful photojournalist community on the expansive walls of the Court House Gallery … including my 2016 Nikon Walkley Portrait Prize winner “Abdullatif – Beaten Asylum Seeker” (pic 5 below 🙂 ). Was a real (lengthy and sometimes complicated) pleasure to work with Moshe to put this significant collection together. The exhibition includes many examples of Australian photojournalism that are historic and helped shaped the face of the country. VERY well worth a visit and a long long look.
My exhibition of ‘Portraits’ is a logical extension of my two earlier exhibitions … A Photographer’s Life Parts 1 & 2. Part One was exhibited in The Tanks Arts Centre in 2017 … and Part Two in the Court House Gallery in 2021. Together they documented not only my involvement in photography from a very early age and across the decades, but also the changes in photojournalism and the media environment. Part Three demonstrates the move more to portraiture from the more traditional and difficult to obtain (and more expensive) pure photojournalism. It also contains several of my fondest and most emotional images. Great to see some of the images projected the size of a house too !
“Word on the Street” is the product of my connections over the years with Trinity Bay High School and their visual arts students and teachers. I have judged and presented their annual photographic portrait prize for near a decade and have many times provided the students with class room talks and street walks where we explored photography and photojournalism. The catalyst for this particular exhibit was a chat with Cairns Galleries curator Chris Stannard (left in image 4). We mentored the students in photojournalism and encouraged them to produce work whilst charging young cadet journalist Isaac Colman with the task of writing their stories. A very rewarding and successful exercise …
Must, must … hugely thank Chris Stannard and all at the galleries staff (Andy, Narelle, Jilara, Laurence etc etc) who worked so hard to put these exhibitions together … Moshe for his time, expertise, words, camaraderie and attendance … the visual arts students and teachers from TBHS … my wonderful subjects (Vale Alf, George S, George C and Desley) … and all who taken the time out to be there on the opening eve or have subsequently walked through the gallery doors !
Also grateful to Charlie McKillop at ABC Radio who very nicely interviewed me on exhibition opening morning for her ‘Drive’ segment. You may listen to that interview here if you have ten minutes and forty seconds to spare.
I do hope to have some fascinating ‘360 degree’ videos of the exhibitions very soon.
In pics below … Mulgrave Gallery entry to “A Photographer’s Life – Part 3 – Portraits” and “Word on the Street” during an accompanying musical event – featuring my image “The Kids of Ali Curung” … my exhibit image “George at the Bus Stop” projected at dusk … some of my portraits on the walls of the Mulgrave Gallery … Cairns Galleries Chris Stannard at the Court House entry to “Paper Tigers” … my work :Abdullatif – Beaten Asylum Seeker” in the Court House Gallery “Paper Tigers” collection … projection of my work “Veronica – Where Home Brew Kills” late on opening evening … lastly, Head On’s Moshe Rosenzveig (right), myself (left – a VERY rare pic), friends from the Cairns photographic community Shaz Spannenburg, Peter Rossi, Charmaine Heyer, Polly Fenton with (rear) Robert Gray from Brisbane … at the Conservatory Bar ‘after launch’ ‘do.
Was a Friday lunch time when I saw a distinguished man sitting quietly at the Cairns Central bus stop. Said ‘Hi’ … we exchanged pleasantries and I asked ‘George’ how far away his bus was … the board said eight minutes … and if I may make a quick portrait. George was fine with that so I raced back to my car a block away to grab a decent camera. We chatted very briefly whilst I made a few frames and it turns out that George was, in fact, Yirrganydji Elder Dr George Skeene OAM.
Of course, the bus arrived early and George told me his info was on the web … and off he went. Our interaction lasted a very pleasant six or seven minutes …
Fascinating to find Dr George on the web and learn the details of his stellar career. George grew up in Aboriginal reserves in Cairns and made it his life’s work to document his Yirrganydji cultural heritage.
I presented him with a print of his portrait whilst he was undergoing treatment at Cairns Hospital late last year. That same portrait also features in my new exhibition opening next Friday at the Mulgrave Gallery. George joins others on that exhibition wall that are no longer with us … and I will pay tribute to all of them at the opening. It will be emotional …
Don’t think I’ll ever forget that memorable fleeting bus stop meeting with George … and was devastated to hear of his demise from his daughter just over a week ago. Thank You George … you will be very sorely missed.
Bill & Michell’s emotional image post Cyclone Jasper flooding was selected for the Bronze Award in the Editorial category of the Budapest International Foto Awards … and also in the top images list of the Documentary category of the Capture Awards and featuring in the new Summer edition of the print magazine.
Also in the Budapest awards, it was really gratifying to also see “Little Tuna” get a mention (an Honourable one – spelt here with a ‘u’ 😉 ) … the first time my portrait of “Little Tuna” proprietor Kate Lamason with one of her ‘family’, has been recognised in awards. The portrait was made in the office of Kate’s highly successful Australian caught tuna business in Cairns and producing the pic left her work place more than a little damp.
Accompanying Bill & Michelle in the Capture Awards were two of my images “George at the Bus Stop” (George Skeene OAM) and “Bubblegum & Voices” (Kythie Yunkaporta discovering bubbles in Aurukun) in the People & Portrait category. Both have been mentioned in previous awards.
Then … on Christmas eve the beautiful new Dodho book “Color” arrived in my post office box. The hard cover, large format, nicely printed volume showcases the winners and top works from the 2024 “Color Awards” … and included my portrait “Generations- Aurukun” of Aurukun Elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola. Dodho do do lovely books 😉 .
Twenty one portraits from around the world were awarded … four winners and seventeen ‘Honorable Mentions’, including an HM for my work “The Yarrick Family of Kunhanhaa”, made on Mornington Island in the Gulf of Carpentaria.
The Artist Gallery suggests that their awards “Showcase the photographers ability to turn fleeting moments into timeless works of art. The winners and honourable mentions who have masterfully turned their lenses toward the soul, creating images that inspire, move, and remind us of the stories behind every face.”
The 21 selected winners and honourable mention portraits originated from Australia, Italy, UK, Malta, Spain, Czech Republic, Luxembourg, Norway, Germany, Israel, United Arab Emirates, USA, Austria, Mexico and The Netherlands.
Australia was represented three times … congrats to the other Aussie based artist Andrea Francolini who had two in the selection, with my image “The Yarrick Family of Kunhanhaa” being the third.
I’ve said it eight times before … and now year number 9 !
Under the tutelage of the visual arts teachers at Trinity Bay High School, Cairns … these teen photography students are amazing.
For the past eight years of judging I’ve been fascinated and oft times stunned by the effort and creativity that these high school students put into their annual photographic portrait prize entries.
This year was definitely no exception … and the rivalry and quality of their works were closer than ever. The 58 images they produced ranged from sultry classical black and white portraits to seriously colourful photographic abstract representations … and just about everything in between. Great to see that almost everyone had moved away from the ‘snap’ shot and constructed their entries with great thought, a story line and a connection to their subject … with a dose of photographic skill mixed in.
It took me overnight to make the judging decision … and separating the top three contenders was a torturous task. Eventually I settled on these (below … from top then left to right).
Overall Winner – Jesse Boyle with ‘Lostin’ ‘ … 2nd Prize – Antonia Kaufmann with ‘Shadows of Thoughts’ … 3rd Prize – Zane Thaddeus MacFarlane with ‘Bro Sobbing’ … Highly Commended X 3 – Azuma Said with ‘Echoes of Emptiness’, Maddalena Scalco with ’The Smile of 90 Years of Happiness’ and Jean Paul itembaya with ‘Past Reflections’. The Peoples Choice Award went to Theris Vakaruru with ‘Dallas’.
Jesse’s enigmatic subtle winning portrait caught the eye … and just clung on to it … and he was deservedly presented with a Canon 1500D DSLR with a 18-55mm lens sponsored by Garricks Camera House. (Of note was Maddalena’s ‘The Smile of 90 Years of Happiness’ work. Despite lacking some technicality and compositional skill it was an image that couldn’t help but make you smile 🙂 )
I’ll let you make up your own mind about these great portraits (below) created by the talented Trinity Bay High School students.
You can view all the TBHS students winning works from the past eight years by clicking here…2023 … 2022 … 2021 … 2020 … 2019 … 2018 … 2017 … 2016 …
PX3 is arguably the most prestigious and largest annual photography prize in Europe … so it was excellent when an email dropped in on the weekend with two pieces of excellent news.
The major item of news was the announcement that my image “George at the Bus Stop – Dr George Skeene OAM” … had been awarded SILVER in the ‘Portrait’ section of the prizes. I momentarily came across George at a Cairns bus stop and managed a few portraits before his bus whisked him away. Sadly, George is currently in ill health and I do hope this recognition cheers him up somewhat. You may read more about George and our encounter … and the previous awards his portrait has featured in by visiting … https://www.briancasseyphotographer.com/blog/images/2023/06/george-at-the-bus-stop/ … and … https://www.briancasseyphotographer.com/awards/
Also in the email was the news that my work “Escaping Cyclone Jasper Alive – Bill & Michelle” received an Honorable Mention, also in ‘Portrait’. Bill and Michelle are lucky to be alive after surviving the Cyclone Jasper flood event. Their story of being swept from their Degarra home of 45 years and clinging to trees for ten hours in the midst of a once in a hundred year flood is both fascinating and frightening … and you may find more details of their ordeal and survival here … https://www.briancasseyphotographer.com/blog/images/2024/01/bill-michelle-cyclone-jasper/
Massive Thanks and respect to my subjects who were … and still are … going through very difficult times in their lives. I seriously respect you all for your patience and understanding in allowing me the opportunity.
Of course … thanks also to PX3 for the giving my work some ‘air’ 🙂 .
Really, REALLY pleased about the ‘Saris’ image which I made in Varanasi on a totally memorable road trip journey through India with a couple of great photographer colleagues far too many years ago. It’s always been one of my personal favourite photographs, but this is the first time it has been recognised as something a little ‘special’. Thanks ICA !
Of course … it’s also very nice to see an image grabbed in just a minute or two whilst passing a Cairns bus stop one lunch time can mix it at the top end and also gain a 3rd Place Honor of Distinction. Thanks Dr George Skeene OAM !
Not to be forgotten, two more of my works also resonated … with “100 Years & 3 Weeks – Alf Neal OAM” handed an Honorable Mention … and “Crocodile Hunter George Craig” a Finalist Nomination … both in the ‘Portrait’ category.
… new month … more pics … have added NINE new images to the “Signed Collector Prints” collection on my new ‘Shop’ page. They join eight other works available to buy as 18” X 12” signed prints … all made on archival matt photographic paper 18” on longest side, 12” on shortest side (457mm X 305mm) … and I whack my signature thingy on the front bottom right corner 🙂 .
The latest nine … (below, left to right, top to bottom) … ‘Train Journey – Sri Lanka – 2018’, ‘Singing in the Rain – Dire Straits – 1986’, ‘Palm Island – 2007’, ‘Huli Maiden – Tari PNG – 1987’, ‘Manus – Bismarck Sea – 2016’, ‘Number 55 – 2015’, ‘Jodhpur Wedding Party – 2011’, ‘Two Up – 1987’ and ‘Beef Barons – 2015’ … bring the number of “Signed Collector Prints” currently on offer to 17 … and more will be added periodically.
Very pleased to see my image grace the cover of ‘Good Weekend’ magazine today … would be nicer if my portrait of terminal cancer patient Shannon Turner led to a story with, perhaps, a better ending.
Shannon Turner is dying … but is also part of something remarkable and ground breaking. She is one of 35 patients to take part in Australia’s first approved clinical trial of potent psychedelic drug therapy.
Inside the magazine journalist Kate Cole-Adams tells at length a wonderful fascinating story about the therapeutic use of hallucinogenic drugs by Shannon and 34 terminally ill others involved in a pioneering treatment.
Kate’s story is a ‘must read’ …
In 2018 Shannon was diagnosed with breast cancer. In 2020 she was told that the cancer had metastasised into her left lung and she was given just a year to live.
“I’ve never much liked the idea of getting high. Call me a wowser – perhaps control freak is more accurate! – but the notion of losing control of my mind and actions has never held much appeal. Each to their own, I guess.
That said, if I were facing imminent death due to terminal illness, I could see the appeal of getting high, in a safe setting, in a bid to unlock deeper levels of understanding and acceptance. This is what 35 patients signed up to do in a trailblazing clinical trial at St Vincent’s Hospital Melbourne that tested the use of psilocybin in terminally ill patients.
Their insights into the process are fascinating; so, too, the observation that Australia was lagging behind other major research nations in investigating the therapeutic use of psychedelics before this. Now it’s leapfrogged to the front of the pack, with hospitals and clinicians around the globe eagerly awaiting the results.
Terminally ill patients, no doubt, will also want to hear how effective psilocybin is.”
Kate’s words … spread over four pages inside the magazine accompanied by more pictures … are far too good a read to ignore … and can be found here at … https://www.smh.com.au/national/shannon-is-terminally-ill-in-a-trailblazing-trial-she-took-a-white-pill-20240129-p5f0v1.html … (sadly requiring a subscription). If you can, may I suggest sourcing a ‘hard copy’ of todays The Sydney Morning Herald or The Age, to read the magazine and view the pics all in the better old fashioned way … ‘in print’.
My subject Shannon was an absolute delight … and the work tells a remarkable story with the greatest of respect … Thanks Shannon, Thanks Katrina, Thanks Kate … gratified to be just a small part of it …
The ‘Clarions’ are the annual awards for Queenslands media fraternity hosted my the MEAA (Media, Entertainment and Arts Alliance) and, in their own words, “recognise excellence, independence, innovation and originality in storytelling and distinctive reporting. This can be through research and investigations, well-crafted and innovative presentations, news-breaking single stories or features, and engaging, entertaining and/or informative reporting.” (They also recognise the work of us ‘photographers’ too 😉 !)
Was very happy to be the recipient of both the major photography awards … ‘Best News Photograph’ for “Voices – 100 Years & 3 Weeks – Alf Neal OAM” … and … ‘Best Photographic Essay’ for “The Voice – Alf Neal OAM at 100”. Gratifyingly, it’s the third year in a row that I’ve been selected as winner of the Best Essay … puts the pressure on somewhat for next year.
I must greatly sincerely thank the Neal family of Yarrabah for allowing me to document the last days of the wonderful and distinguished legend and gentleman that was Alf ‘Popeye’ Neal OAM (in particular the help from Alf’s son Percy … Thank You Percy). I’ve written much on Alf’s life here previously …
I hope I have given a wonderful man the respect (and memories for his family) that he deserves. Miss you Alf.
It was also very nice to read the comments on my works by the judges …
‘Voices – 100 Years & 3 Weeks – Alf Neal OAM’ by Brian Cassey is in a class of its own and a standout news picture. From the story to the access to the execution, Brian nailed the image and while doing so told an important story. Alf’s life was dedicated to activism and this poignant portrait raises hopes that the changes he didn’t live to witness in his lifetime will come to fruition to better the future of his great great grandson, Kailan. Well done Brian, we hope to one day see this image hanging at the National Portrait Gallery!
‘The Voice – Alf Neal OAM at 100′ by Brian Cassey ticked everyone of the criteria for this category for me. The story, ‘The Voice’, is in the news most days. Brian Cassey developed and nurtured a relationship with the subject. He focused on one man to tell a more complicated story. He was trusted, which gave him access at a very sensitive time for this community. His research allowed a depth to his storytelling. The images and words reflect one another adding great depth to the coverage. His essay tells the story very well. It is beautifully photographed.
Of course … the Clarion Awards are also a great opportunity to visit the big city and catch up with the many photographer and journalist friends and colleagues that aren’t fortunate enough to live and work in the Tropics ;-). Thanks MEAA.
Below I’ve added just a few pics from the winning essay … if you fancy, the complete essay set of twelve images may be found on my web site at … https://www.briancasseyphotographer.com/awards/
So … you may be able to see why I am so pleased to receive a “Highly Commended” recognition for Alf’s pic in the 2023 “Mono Awards” for black and white imagery. The image means a lot to me … and it’s nice to see that others have appreciated Alf and his story.
This past week I once again had the delightful task of judging the works of Trinity Bay High School students in their annual Photographic Portrait Prize … and presenting the awards for the eighth year in a row.
Yearly, I’ve been amazed by the quality of photographic portraiture produced by the students … some barely in their teens. Looking back on my pictorial skills when their age, I would have been way down the bottom of class.
Having said that, this year when faced with over sixty quality portraits lining the Visual Arts walls, I was even more stunned. The collective students had really excelled and produced a ‘best ever’ portraiture exhibition.
Selecting the three winners was a daunting and lengthy task. In the end the overall winner boiled down to an almost impossible choice between two great portraits … neither of which would look out of place published in National Geographic magazine. Ultimately the self portrait ‘Window of Soul’ (top) by David-Paul Onakoy got the winning nod over ‘It Takes a Village to Raise a Child’ (second from top) made by his mate David Mashengo … but only just !! The Congolese student pair both produced wonderfully constructed portraits that told a story. David-Paul took home the winners prize of a DSLR camera courtesy of sponsors Garricks Camera House.
Interestingly and in contrast to the previous couple of years … this years three winners all showed strong eye contact in their portraits, with the beautifully executed and literally eye-catching work by Sienna Stuart-Bennet of her friend Shakira, ‘Vision’, making up the top prized trio.
I could have easily awarded a dozen or so ‘Honourable Mentions’ but had to limit the decision to just three, coincidently all black and white portraits. The works of … Jade Gubb (titled ‘Dystopian Gremlin’ – great attitude and angle of view) … Noecocha Cowley (‘Mary’ – striking use of shadow) … and Mattie-Leigh Hanson (‘Seashore’ – beautifully constructed and composed), prevailed. Virgil Gill won the top prize amongst the school staff section for the work ‘Sunshine’ … whilst ‘Sweet 16’ by student Shirley Vue (bottom image) was chosen by popular vote as ‘Peoples Choice’.
Much praise must go to the dedicated Visual Arts teaching staff at the school who are fostering and moulding this amazing young photographic talent.
You can view all the TBHS students winning works from the past seven years by clicking here… 2022 … 2021 … 2020 … 2019 … 2018 … 2017 … 2016 …
Must admit … there was a lot of emotion entailed in making this image “Mother Africa”. Without getting too personal my captivating subject Aurora Coulter was heavily invested in the subject, history and experience of making this work. Aurora … normally vibrant and ebullient … dug deep into past personal experiences to channel the emotional plight of her African American forebears over the centuries. There were tears …
Even later news (from just last eve) … “Mother Africa” will be one of the thirty works exhibited in an inaugural portraiture exhibition at the Crate 59 Gallery in Cairns.
“The Burning Cane Portrait Exhibition” (for portraiture in any medium made this year by Queensland artists) will open on the 4th of November and run for three weeks. “Mother Africa” will be there (very) large on the walls from the celebratory opening event … which, sadly, I will miss as I’ll be at the launch of the 2022 Head On Photo Festival in Sydney. More on both of these events at a later date.
Over the last couple of years since that damn virus reared it’s ugly knobbly profile, I’ve been trying to get back down to Sydney … each journey (five booked in all) very carefully planned to coincide with the ‘latest’ outbreak or lockdown. Missed out on several great events including two Head On Photo Festivals, a couple of exhibitions of my work … and the launch and exhibition of the ‘Paper Tigers’ Australian photojournalism project that I worked on with Moshe Rosenvzeig. It’s been a ‘bugger’ … (but, of course, a very minor inconvenience compared with those many more adversely effected by the pandemic.)
The invitation to my little talk about portraiture and photojournalism in Sydney came in the wake of my win in the Nikon Walkley Portrait Prize a couple of months back (see post here) with the image “The Yarrick Family of Kunhanhaa” … my third win in the prize in the last ten years and the reason for attending this years awards eve. The promo describes the event thus … “What makes a great portrait and when is a portrait photojournalism? Award-winning photojournalist Brian Cassey will discuss this question and the power of lighting, composition and how to achieve the best results. Plus the importance of building trust and rapport with your subject”.
So … it kicks off Thursday at high noon at Macleay College, Chippendale and will run for approximately two hours (no one will be allowed to fall asleep 🙂 ).
Next day … the Friday … the Walkley presentation eve event gets underway in Darling Harbour … really looking forward to that !
… just about recovering from personal euphoria following my exhibition opening at the Court House Gallery and the Nikon Walkley Portrait Prize win (Thanks to all for your comments, likes etc etc !) … whilst in the meantime these items about some other very pleasant ‘recognitions’ and ‘mentions in dispatches’ have also arrived … for the record as follows …
Head On Portrait Prize Semi Finalist… “The Yarrick Family of Kunhahaa” … screening at the Head On Portrait Prize exhibition now showing at Paddington Reservoir Gardens, Sydney.
Australian Photography Awards … Two Shortlisted in ‘Documentary’ … “The Yarrick Family of Kunhahaa” & “Tears For George Floyd – 8 Minutes & 46 Seconds”.Winners will be announced over the five days between November 29th and December 3rd.
Fotonostrum International Portrait Award – ‘Jury’s Special Selection’ by Art Streiber – “Tears For George Floyd – 8 Minutes & 46 Seconds”, “Kate – Waiting For Her New Breasts II” & “The Yarrick Family Of Kunhanhaa”.
International Photography Awards (IPA) – Highly Commended X 2 – ‘People’ – “The Yarrick Family Of Kunhanhaa” – ‘Editorial’ – “Tears For George Floyd – 8 Minutes & 46 Seconds”.
Black & White Spider Awards 16th Edition – Finalist Nominee X 4 in ‘Silhouette’ – “Charlie & the Pandemic”, ‘Portrait’ – “Ramnami” & “The Skin I’m In II’, ‘Photojournalism’ – “Tears For George Floyd – 8 Minutes & 46 Seconds”.
Some will be aware that lots of these images (above) have been previously recognised in other awards and splashed around a lot lately … so … here’s two from the list (Black & White Spider Awards) that havn’t 🙂 … for“Charlie & the Pandemic” it’s a ‘first’ … and for “Ramnami” it’s a fourth gong (but I like it 😉… below)
Now I have just learnt that one of the two has also been selected as a Finalist in the Perth Centre for Photography “IRIS Award” for portraiture … and that is bloody satisfying as it’s a ‘first’ for me.
Here’s how the IRIS Award describes itself … “The Award is an international prize recognising new and outstanding portraiture in photographic art. The criteria for selection focuses on portraits that are unique, compelling and engaging whilst maintaining excellence in photography. Concept, meaning and depth are equally as important as well executed work. Originality is essential and the award encourages work that is evocative and provocative and in some ways may be relevant to the current global cultural landscape.”
This year the award was judged by the highly esteemed and Internationally distributed GUP Magazine (Guide to Unique Photography) based in the Netherlands.
It seems this pic (below) met their criteria … “Generations – Aurukun” of Silas and Rebecca Wolmby and their great grand children. That in itself is rewarding, as the pic … originally made in 2016 during a News Ltd job in the Cape York indigenous township … thereafter languished forgotten and unloved in my archive until I again chanced upon it a few months ago. Since then it’s been around. The pic was Shortlisted and book published in the Magnum and British Journal of Photography ‘Portrait of Humanity’ project … and selected as a Finalist in the FIPP.
Very sadly, the wonderful gent Silas has since passed on. However, I hope to be travelling to Aurukun again in the near future and will make sure that Rebecca and the Wolmby family receive a big copy of the image.
The exhibition opening and prize announcement of the IRIS Award is on Friday 18th October at the Perth Centre for Photography Gallery, 357 Murray Street, Perth … just one week after the opening and prize announcement of the FIPP in Fremantle. WA friends … you are warned … 🙂
Pleased that I made it back from an incredible Papua New Guinea gig on Friday morning … just in time to jump on a flight to Townsville for the opening eve ‘bash’ of the 2018 Percival Photographic Portrait Prize.
The ‘Percival’s’ are relatively new … a biennial prize now into it’s third edition. Despite it’s relative youth it has quickly grown into a worthwhile quality event attracting work from some of the best photographic portrait artists from around the country. A ten grand first prize has ensured that. It is run by the Townsville City Council and the exhibition of finalists work graces the clean crisp confines of the Pinnacles Gallery in Thuringowa.
Great to have two works on the walls of the finalist’s exhibition … as also did friends and photographer colleagues Jon Lewis, Peter Solness and Felicity Cole … whilst Rod McNicol and Glen O’Malley scored one apiece. Although there are one or two questionable works in the large expertly lit exhibition the overall standard of the majority is impressive, rivalling many other more notable prizes across the land. The City of Townsville Council also produces what has to be one of the best and most professional printed exhibition catalogues I have seen.
I havn’t previously mentioned my works that have been selected … but can reveal that they are … “The Skin I’m In – II” of Carol Mayer (the same image that has graced the National Portrait Gallery and several other exhibition walls) … and “Mowisha from Jumbun” made in the indigenous township near Tully. Nothing new here I’m afraid …
Townsville Council should heartily and genuinely be congratulated for hosting this award and exhibition and for their support of the photographic arts. Would be wonderful to see Cairns do something similar …
The exhibition runs at the Pinnacles Gallery, 20 Village Boulevard, Thuringowa Central, Townsville, 10am to 5pm till the 15th July.
Was invited to a free lunch tomorrow at The Tattersall’s Club in Brisbane for the presentation of this year’s “Excellence in Rural Journalism Awards” … but sadly can’t take it up.
Seems my image of young indigenous girl “Mowisha from Jumbun” has been selected as the Winner of the ‘Excellence in Rural Photography – People’ award. The pic was made whilst I was working in the Jumbun aboriginal community in the Murray River valley near Tully, North Queensland for an SBS story “The Town at the End of the Road” by Mark White.
Jumbun residents, like little Mowisha, are predominantly from the Girrimay and Dyirbal Aboriginal clans. Her community of about a hundred are battling the controlling Indigenous Land Council to resurrect a farming industry. The 200ha Jumbun property is still listed on the ILC’s books as Jumbun Farm, despite nothing currently being grown there by its residents. That wasn’t always the case. Jumbun was founded in 1975 as a farming community under the Whitlam government, By the 1980s it was growing produce including bananas, pumpkins and zucchinis and exporting to Sydney and Melbourne. However, changes in farming practices, crop blight and cyclones meant the industry dried up.
Residents are desperate to revive the community’s fortunes but have received no support from the ILC to help them restart farming produce and running cattle. The community needs to produce to stave off the prospect of disappearing completely. For little Mowisha Jumbun is her home, history and possible employment … but without farming the future of her community is, indeed, bleak.
This was the first time that I’ve won anything whilst working for SBS … but hopefully not the last. Gratifyingly, this is the third year in a row that I’ve been named the ‘People’ category winner (here … are this year 2018, 2017, 2016). Don’t know if I can keep that one up …!
In fact such was the International flavour of the selected works that my two ‘Highly Commended’ images (“Mowisha from Jumbun” and “Aak Puul Ngantam Stockman – Dominic” … below) sat amongst other acknowledged works from … Russia, Poland, Czech Republic, Georgia, Hungary, USA, the Netherlands, Croatia, France, China, Spain, Sweden, the UK, Slovakia, Italy, New Zealand, Germany, Lithuania, Austria, Bangladesh, Qatar, Brazil, Kenya, Canada, Romania, India, Turkey, Portugal, Argentina … and Macau ! To also grab a ‘second’ from amongst all that lot is pretty satisfying.
To the ‘film purest’ I must point out that each of my three selected images started out as full colour digital image files … and not film !! Sorry bout that …
