Head On Photo Festival … Brilliant …

Crackin’ long weekend at the 2023 Head On Photo Festival in Sydney. 

Great to catch up with so many friends and photography colleagues. Amongst those photographers (and SO sorry for those fleetingly met and missed here) … and roughly in order they appeared …  Mark ‘Crusty’ Baker, David Gray, Rick Stevens, Mike Bowers, Peter Solness, Gary Ramage, Janie Barrett, John Donegan, Dean Sewell, Nicky Cately,  Judith Nangala Crispin, Jessica Hromas, Andrew Quilty, Michael Coyne, Glenn Porter, (pocket UK rocket) Jennifer Forward-Hayter,  John Swainston , Fiona Bowring and Dianne Brooks (who did an amazing job as my personal ‘chauffeur’ 😉 )

Then … you’ve got the fabulous dedicated Head On crew … Moshe Rosenzveig OAM, Anita, Steven, Emma, Charles, Lana et al. Amazin’ job !

Great to see the almost endless brilliant photography works at Bondi Beach, Reservoir Gardens, TAFE Ultimo etc … being part of a photo judges panel talk with colleagues Judith Nangala Crispin and Jessica Hromas … and to see my Head On Portrait Prize Finalist ‘Alf Neal’ work on the wall amongst a brilliant Bondi Pavilion exhibition in company with the work of media colleagues Gary Ramage, Kate Geraghty, Glenn Porter and forty odd others.

But wait … there’s more … the third showing for the “Paper Tigers” exhibition of Australian photojournalism, this time in the spacious realms of TAFE Ultimo … collection curated by myself and Moshe.

Wouldn’t have missed all this for quids … go see  … (and that’s the ‘name dropping’ other with 😉 )

Below are two of my works at the current Head On Festival … “Voices – 100 Years & 3 Weeks – Alf Neal OAM” amongst the Portrait Prize Finalists … and “Abdullatif – Beaten Asylum Seeker” amongst the sixty brilliant works of photojournalism that is “Paper Tigers”.

Images © Brian Cassey @headonphotofest #headonphoto 

More For The Awards Page …

… just about recovering from personal euphoria following my exhibition opening at the Court House Gallery and the Nikon Walkley Portrait Prize win (Thanks to all for your comments, likes etc etc !) … whilst in the meantime these items about some other very pleasant ‘recognitions’ and ‘mentions in dispatches’ have also arrived … for the record as follows …

Head On Portrait Prize Semi Finalist  … “The Yarrick Family of Kunhahaa” … screening at the Head On Portrait Prize exhibition now showing at Paddington Reservoir Gardens, Sydney.

Australian Photography Awards … Two Shortlisted in ‘Documentary’ … “The Yarrick Family of Kunhahaa” & “Tears For George Floyd – 8 Minutes & 46 Seconds”.  Winners will be announced over the five days between November 29th and December 3rd.

Fotonostrum International Portrait Award – ‘Jury’s Special Selection’ by Art Streiber – “Tears For George Floyd – 8 Minutes & 46 Seconds”, “Kate – Waiting For Her New Breasts II” & “The Yarrick Family Of Kunhanhaa”.

International Photography Awards (IPA) – Highly Commended X 2 – ‘People’ – “The Yarrick Family Of Kunhanhaa” – ‘Editorial’ – “Tears For George Floyd – 8 Minutes & 46 Seconds”.

Black & White Spider Awards 16th Edition – Finalist Nominee X 4 in ‘Silhouette’ – “Charlie & the Pandemic”, ‘Portrait’ – “Ramnami” & “The Skin I’m In II’, ‘Photojournalism’ – “Tears For George Floyd – 8 Minutes & 46 Seconds”.

Very pleased about that. The complete list of ‘Awards’ … (shameless self promotion) … can be found here … https://www.briancasseyphotographer.com/awards/

Some will be aware that lots of these images (above) have been previously recognised in other awards and splashed around a lot lately … so … here’s two from the list (Black & White Spyder Awards) that havn’t 🙂 … for  “Charlie & the Pandemic” it’s a ‘first’ … and for “Ramnami” it’s a fourth gong (but I like it 😉  … below)

Images © Brian Cassey

Black & White Spyder Awards -Nominee - Silhouette - "Charlie & the Pandemic" by Brian Cassey

Black & White Spyder Awards - Nominee - Portrait - "Ramnami" by Brian Cassey

Paper Tigers, Strippers … & Head On Photo Festival

… it started with a germ of an idea and took nigh on a year to come to fruition … but “Paper Tigers – an Anthology of Contemporary Australian Photojournalism” is now very much a reality as an exhibition and a book.

My initial idea of a print swap of work between Australia’s talented photojournalists morphed into something much grander after a long chat with Head On Photo Festival director Moshe Rosenzveig OAM.

Moshe enthusiastically grasped the implications of the project … the like of which he confessed had been close to his heart for some years. Our combined plan grew into a featured exhibition of the work of Australia’s media photographers at Paddington Town Hall during this years Head On Photo Festival, a book of the exhibition and an exhibition ‘event’ for photographers to meet, admire their work and swap prints.

So began the task of ‘mustering’ Australia’s talented photojournalists … an ‘interesting’ exercise to invite, confirm participation and collate the collection of work … one image from each. In the end we had to draw a line at sixty.

The list is exceedingly impressive … in alphabetical order … Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob McColl, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz, Tracey Nearmy.

When it comes to media photographers Australia is, indeed, a ‘Lucky Country’.

Then … along came Covid-19 …

It has long amazed me how the tiny Head On team (currently Moshe, partner Anita Schwartz, Stephen, Anna and Paula) manage to put together the far reaching and monumental photo festival that it has become. It enjoys and includes contributions and entries from the best around the planet … and a World wide reputation. For a moment Coronavirus threatened all that …

However, Moshe was not fazed … and the massive work of converting the entire festival to an ‘online’ event began. That online event has now been underway for two weeks … and has been revolutionary in it’s presentation of exhibitions, artist talks, panel talks, photo related workshops, award announcements and more.

Paper Tigers has played a significant part in this Head On festival. The exhibition is available … all sixty works by sixty photojournalists … online (a simple registration required), the book ‘Paper Tigers’ (see my book image ‘Abdullatif’ top below) is now available for purchase on the website … and Head On hosted a fascinating online panel talk around the work and Australian photojournalism. It is planned to still show the physical exhibition of the complete work on the walls and host the photographers ‘do’ and print swap at Paddington Town Hall early in November (hopefully post Covid).

Below are just two of the sixty wonderful images that make up the ‘Paper Tigers’ collection. Dean Sewell’s ‘Bruce’ from 1999 and Nic Walker’s ‘Rite of Passage’ from 2014. The other 58 are just as impressive.

Amongst the massive amount of brilliant photography on line in this years festival I was also pleased to present my own little ‘featured’ exhibition. “Me Too ! Where the Boys Are … the Girls Are” showcases my work covering the MenX burlesque group during their tour to Cairns whilst being filmed for a Vice TV show. It shows the interaction between the guys who are performing and doing a job (without much in the way of clothing) and the young female audience who willingly participate. The exhibition may be found online on the Head On website (again with a simple registration) … and I did mange to stumble through an online ‘artist talk’ on the subject for those brave enough or with time to waste 🙂 . (NB – link to recorded ‘artist talks’ will be down the track.) Two of my images from the exhibition (which also should be physically on the wall in November) are below.

Lastly … was also pleased to see one of my most successful images … ‘Generations – Aurukun’ (yes … you’ve probably seen it before but it’s (bottom) below anyway 🙂 ) … selected as a semi-finalist in this festivals Portrait Prize. It’s also included in the Portrait Prize video here at the 1:18 mark.

The Head On Photo Festival 2020 has just a few days left to run. If you havn’t visited yet and you have any interest in photography at all I strongly suggest you visit and enjoy. Moshe, Anita, Anna, Stephen and Paula have done a remarkable job.

Images © … Brian Cassey & Head On (top), Dean Sewell, Nic Walker and Brian Cassey (bottom three).

@headonphotofestival

 

Head On - Paper Tigers - Book - photojournalism - 'Abdullatif' by Brian Cassey

Head On - Paper Tigers Book - 'The Block' - image by Dean Sewell - Oculi

Head On - Paper Tigers - Book - image by Nic Walker

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On Portrait Prize - Semi-Finalist - 'Generations - Aurukun' - by Brian Cassey

Moran & Head On Photo Festival … Sydney Wrap & Chat …

A packed ten days in Sydney town … (with a quick dash back to Cairns in the middle.)

Plenty of reasons to make the trek to Sydney for the 10th Head On Photo Festival … my “Rain Over Black Mountain” work on the walls of the Moran Contemporary Photographic Prize Finalist exhibition and a fantastic prize announcement eve bash …  an ‘artist talk’ to a nice receptive crowd at the Moran Prize Juniper Hall Gallery … hanging and the opening of my “18 Minutes Inside Manus Detention Centre” Head On exhibition at White Rhino Artspace … a glimpse of my Head On Portrait Prize semi-finalist “Tomotaro on the Block” at Paddington Town Hall … AND the opportunity to see brilliant work on many and varied exhibition walls and spend some quality time with many photo colleagues and friends old and new. It all went far too fast …

I could rave on for pages about the all the happenings over the ten days … but will have to abbreviate this just to the (many) highlights … here goes …

The grand opening eve of the 10th Head On Photo Festival and announcement of prize winners … including the camaraderie in the pub afterwards … with photographers David Dare Parker, Tracey Nearmy, Melanie Russell, Tami Xiang, Max Mason-Hubers, John Swainston and many more … pic editors News 360’s Neil Bennett and Fairfax’s Mags King … and photo industry personalities Alison Stieven-Taylor and Sally Brownbill.

A personal tour of the wonderful exhibition “Heat” at the Bondi Pavilion by the very talented photographer and great guy in question Paul Blackmore.

The opening eve of the exhibition of the work of infamous eccentric photographer Helmut Newtown in the gallery of the equally eccentric paparazzo Darryn Lyons … and the artist talks there by David Bowie photographer Masayoshi Sukita (who was celebrating his 81st birthday) and US music photographer Chris Cuffaro … followed by more pub natter with Natalie Grono, David DP, Max MH and more.

In Paddington Reservoir Gardens, the “Photos 1440” exhibition by the SMH with personal ‘commentary’ by pic editor Mags King and staff photographer Kate Geraghty … and also the brilliant images in “Like Last Years Snow” by Oded Wagenstein.

Head On ‘Conversations’ … two of the panel talks stood out … “Recapturing the Audience : Why is Nobody Paying Attention” … and “Truth, Lies and Censorship” (with US professor and artist Jennifer Greenburg outstanding in the later).

The great work of mate David Dare Parker covering the Rohingya story … “Exodus : Rohingya Refugee Crisis Bangladesh” … on the walls of the Delmar Gallery.

The truly memorable eve at the Moran Contemporary Photographic Prize opening and 2019 results at Juniper Hall and the spill over into the Imperial Hotel next door (with a whole bunch of great photographers and mates). Great to see “Rain Over Black Mountain” on the walls amongst other finalist works from a host of so talented colleagues (too long to list but you know who you are !).

My little ‘chat’ (‘artist talk’) to a crowd on a pleasant Sunday afternoon at Juniper Hall for the Moran Contemporary Photographic Prize.

Fantastic to see my work “18 Minutes Inside Manus Detention Centre” on the walls again … this time at the ‘White Rhino Artspace’ as part of the Head On Photo Festival. A huge Thanks to ‘Rhinos’ Catie and Regula for their help hanging and organising a thoroughly enjoyable ‘opening’ event that attracted many visitors … some of which were old friends/colleagues who I hadn’t seen for many years.

Lastly, but nowhere near least, the fabulous hospitality shown by the Head On Photo Festival crew … both widely across the entire festival and at the Paddington Town Hall ‘Hub’. Moshe (OAM), Anita, Stephen, Paula and all of you … I profusely Thank You !

Below … from top … Images © Brian Cassey … “Rain Over Black Mountain” on the wall of the beautiful Moran Contemporary Photographic Prize gallery, Juniper Hall … White Rhino Artspace owners Catie and Regula hang my “18 Minutes Inside Manus Detention Centre” work on the walls of their St Leonard’s gallery … the Head On Photo Festival crew (with director Moshe Rosenzvieg OAM second for left) during the “18 Minutes Inside Manus Detention Centre” exhibition launch at White Rhino Artspace … my Head On Portrait Prize semi-finalist work “Tomotaro on the Block” displayed at the Head On festival ‘Hub’, Paddington Town Hall.

'18 Minutes Inside Manus Detention Centre' - exhibition at White Rhino Artspace, Sydney - work by Brian Cassey

'18 Minutes Inside Manus Detention Centre' - exhibition at White Rhino Artspace, Sydney - work by Brian Cassey

Head On Portrait Prize 2019 - 'Tomotaro on the Block' - semi-finalist image by Brian Cassey

CLIP, Rural Press and Head On …

A hectic but rewarding three days this week … although the majority involved sitting on various aircraft.

On Wednesday I was kindly invited to luncheon in Brisbane by the Rural Press Club of Queensland … and very pleasant it was too. At the Tattersall’s Club function Rural Press announced the winners of the their annual media awards and I was most pleased to receive three awards for best ‘People’ photograph, best ‘Production’ photograph and … most pleasing … the overall ‘Excellence in Rural Photography Award’. The two winning images involved were ‘Beef Farmers’ in the ‘People’ and ‘Overall’ categories (made of a lovely elderly cattle farming couple at the Daintree) and ‘Banana Farmer’ (of a banana farmer at his tiny road side stall at the time when Panama disease race 4 was discovered locally). Both pics are posted below.

The afternoon was made even more special when my Courier Mail wordsmith colleague Michael Madigan took out the main journalism prize on offer … and we joined in much mutual back slapping and a long celebration.

Thursday … another plane … this time to Perth for the ‘CLIP (Contemporary Landscapes in Photography) Awards’ and exhibition opening at the beautiful Perth Centre for Photography.

Was wrapped with the selection of my work ‘Number 55’ as a finalist in an award that describes itself as ‘an internationally recognised photographic prize for new perspectives in natural and urban landscape photography’. My first real ‘Landscape’ photography recognition.

The gallery space was full of charm and character, the exhibited works indeed diverse and challenging … and I was pleased as punch to see ‘Number 55’ hanging amongst such an excellent collection of images. The home of photography in Perth also boasts a beautiful garden area where the bar was doing a roaring trade. Mike Gray took out the main prize with his image ‘Backyard Bag Study ‘, with Matt Abbott awarded the second prize for his great work ‘Dogs’. An extremely pleasant evening of great landscape photography at an excellent venue. If you are in Perth the exhibition runs till April 17th.

Below is a pic of part of the CLIP exhibition featuring my piece ‘Number 55’ on the wall – very nicely printed and mounted by Perth’s Fitzgerald Photo.

The one event I couldn’t quite squeeze into the schedule was the opening in Sydney on Wednesday eve of the ‘Head On Portrait Prize In Retrospect‘ exhibition as part of Art Month Sydney. The exhibition includes my previous portrait prize Finalist work ‘Disko Meri’.

Finally … this post is being strung together Friday on the long haul from Perth back to Cairns.

Images below © Brian Cassey – Rural Press Winners “Beef Farmers’ and ‘Banana Farmer’ … and CLIP Finalist ‘Number 55’ at the Perth Centre for Photography.

'Excellence in Rural Photography'' Winner 20126 - Brian Cassey

Excellence in Rural Photography - Production - Winner - Brian Cassey

CLIP Awards 2016 - 'Number 55' - Brian Cassey

New York, New York & Photoville …

Feeling extremely fortunate to be in New York for this years ‘Photoville’ festival of photography – a brilliant feast of fine photography set in and around 60 odd shipping containers on the banks of the East River Brooklyn overlooking the Manhattan skyline.

Photoville is only four years young … but has grown quickly into a vibrant showcase of the Worlds best photojournalism, documentary and fine art work. Highlights – and there were very many – included the works of Graham Macindoe (American Exile: Detained, Deported and Divided), Daniel Berahulak (Scenes from the Ebola Crises), Dougie Wallace (Stag, Hens & Bunnies: A Blackpool Story), Stephanie Sinclair (Too Young to Wed), Matt Black (The Geography of Poverty), Misha Friedman (The Iron Closet) and Ruddy Roye (When Living is a Protest) – although to single these out for their excellence is not to disparage the amazing works of a total of over four hundred contributing artists. (For more info on artists and their work check out Photoville’s web site here).

Thanks to the inclusion of the 2015 Head On Portrait Prize – and director of the Head On Photo Festival Moshe Rosenzveig – I had every reason to make the trek to Brooklyn. The 2015 Head On Portrait Prize exhibition was displayed in the centre of the Photoville site gracing the entire side of a massive shipping container … and included my image “Disko Meri”.

The festival opening day was shared with the 14th anniversary of the Twin Towers terror attacks. That evening saw a great sunset over the Hudson and the Manhattan sky line whilst Getty Images projected their ‘Legacy Collection’ of images on the big screen. A poignant moment when the photograph of the Twin Towers exploding 14 years ago to the day appeared with, in the background from ground zero, the twin beams of the ‘Tribute of Lights’ piercing the clouds (see image below).

As well as thousands of compelling images to take in there are also numerous workshops and panel discussions by high profile photographers to attend – and there is also a beer garden!

Photoville runs until this Sunday September 20th.

I’d also like to sincerely thank talented NY photographer Natan Dvir for the very generous use of his cosy pad in the Lower East Side Manhattan for the duration, whilst he was on assignment in Romania. Thanks Natan … !

Below are images from Photoville – two featuring the 2015 Head On Portrait Prize exhibit.

Images © Brian Cassey 2015

20150912_NY9_11Blog

20150913_NY_0088Blog

20150913_NY_0046Blog

20150912_NY_0044Blog

 

Head On Shenanigans & Finalists …

The Head On Photo Festival continues it’s meteoric and spectacular growth.

This years month long Festival kicked off in style on May 1 at Town Hall Sydney – the Festival ‘Hub’ – and I was pleased to once again be a part of Australia’s eminent photo show thanks to Festival Directors Moshe Rosenzveig and Anita Schwartz. Opening eve was packed to the ornate Town Hall rafters with about 800 guests and nine top flight photo exhibitions – and a very welcome ‘welcome’ bar.

Described as ‘a veritable orgy of photography’ Head On Photo Festival this year consisted of over a hundred exhibitions and the work of several hundred photographers.

For me, a Highlight amongst all the brilliant exhibitions, opening nights, workshops, artist talks, award presentations, portfolio reviews, pop up studios, trivia evenings etc etc and bloody fantastic work … was a meal post Custom’s House wine and cheese which I shared with three US superstar photographers, a delightful colleague from Byron Bay and two photographers from Iran !! (I know … it’s sounding like the opening line of a ‘joke’).

Sharing pizzas, wine and photojournalism small talk that eve were Ben Lowy (renowned Getty Images photojournalist) and his partner Marvi Lacar (Facebook Pages picture editor) , Los Angeles Times Chief Photographer Michael Robinson Chávez , Iranian girls Saghar Amirazimi and Shiva Shakhesi, the gorgeous and so talented Natalie Grono,  … and myself …

An extremely convivial and fascinating ‘across the divide’ few hours … ! (Pizzas weren’t bad either)

Head On Award wise I was, indeed, fortunate to have my work selected as a Finalist in two categories – the prestigious ‘Head On Portrait Prize’ and the new ‘Head On Moving Image Prize’ – and included in the Portrait Prize exhibition at the Museum of Sydney (till June 8th) and the Moving Image show at Brenda May Gallery Waterloo (till June 6th). Both exhibitions are well worth a visit and a pleasure to humbly be a part of.

Below I’ve posted my Portrait Finalist image “Disko Meri” – a portrait of a night club hostess girl in Port Moresby PNG (Thank You Julie!) – and my Moving Image work “Eyes – The Soul of a Photograph”.

Many Thanks for the wonderful hospitality afforded me by the Head On Photo Festival crew – Kat Mills, Lauran Vohmann, John Slaytor, Jon Lewis, Moshe, Anita and many others … just brilliant …

Images © Brian Cassey

HeadOn_DiskoMeri_Blog

 

Two In For Head On Prizes …

Amongst the mass of mostly annoying or pure spam emails received lately were two that were especially welcomed.  Both were from the crew at the Head On Prizes and contained the excellent news that my work had been selected as finalist in two categories of the prestigious awards – ‘Portraits’ and ‘Moving Image’.

I have previously had work selected in the ‘Portrait’ category … but this is a ‘first’ for me in the ‘Moving Image’ category.

Ten finalists have had their work selected in ‘Moving Image’ which is for small moving pieces (movies) combining any combination of multimedia, visual art, sound art, still or moving images or other media. Certainly isn’t my speciality so I’m incredibly gratified just to be amongst the ten!

The Head On Portrait Prize, now in its 12th year, is one of Australia’s most critically acclaimed photographic portrait prizes and has also received World wide recognition. In 2014 the Portrait Prize exhibition toured Internationally and it is expected that the 2015 Portrait exhibition will do the same.

So it’s particularly pleasing to make the Portrait finalist cut once again. (for news on my Head On Portrait Prize successes in previous years go to here and here.)

I’m not allowed to name or identify either of the finalist works at this time … but all will be revealed at the opening night of the ‘2015 Head On Photo Festival’ in Sydney on Friday 1st May. The ‘Portrait Prize’ exhibition will then run from the 2nd May till the 8th June at Sydney Living Museums … whilst the ‘Moving Image’ work will be displayed at the Brenda May Gallery Sydney from the 5th May till 6th June.

To keep abreast of the happenings at the Head On Photo Festival and Head On Prizes on social media use these tags … Hashtag – #headon15,  Facebook – @Head On Photo Festival​,  Twitter – @HeadOnPhotoFest,  Instagram – @headonphotofestival .

Interview with Head On Photo Festival …

Following a win in the Head On Portrait Prize at the 2013 Head On Photo Festival Sydney with my image “Stockman” I was interviewed by the festivals Steve Marshall. The video interview covered my reaction to the win with the portrait of Aak Puul Ngantam stockman Dominic Ngakyunkwokka and my photography career to date. It runs for approximately two minutes.