Welcome ! The object of this blog is to furnish up to date news and comment about future and past work, assignments, new images, essays and anything else related to photojournalism, portraiture and the photographic image.
Based in Cairns, northern tropical Australia, I’ve been a pro photographer for what seems like forever and is actually several decades, working mainly at photojournalism and press work for newspapers, mags and wires.
This blog is just one part of my dedicated Photojournalism site where you’ll find many more examples of my work in both pic essays, single images, multimedia and more.
To have all new posts to “Blog/Journal/News … Whatever …” sent automatically and directly to your ‘inbox’ please ‘SUBSCRIBE’ by entering your email in the column on the right.
I trust you enjoy the blog and images – feel free to leave a comment – alternatively email bc@briancasseyphotographer.com with any comments, questions, observations or suggestions.
… my exhibition “Achromatic” sadly ended at The Hound Small Bar Edge Hill a little while ago now … however … only three images from my “Cold War” series, made in the atmospheric little lounge, were able to be featured amongst the dozen black and white works that made up the collected image selection.
So … as a big Thank You to my patient and wonderful “Cold War” talent … fellow photographer Emese Gyalog and Will Davey … I’m taking the opportunity to post more of the work, belatedly, here !
The catalyst for the “Cold War” series of images was the superb work of director Paweł Pawlikowski in the making of the gorgeous black and white Polish film “Cold War” (2018). The photography and light in the film is truly beautiful … and the emotion charged movie is arguably up there as my all time favourite.
In my images paying tribute to the film, Emese elegantly played the part of ‘Zula’ (Polish actress Joanna Kulig) and was supported manfully by Will as lead character ‘Wiktor’.
Thanks once again to Ana, manager at The Hound, who brilliantly facilitated both my “Achromatic”exhibition and a whole evening to make the “Cold War” image set. (Of course, … The Hound is always a wonderful venue for drinks any time !)
A shout out too to Cass from Cass Elmer Makeup, Cairns for her work.
A truly brilliant launch eve at the Bondi Pavilion to open this years festival … great large crowd of attendees and some lovely photography, awards and prizes, fat hot dogs and wine … perfect.
Was in Sydney for the festival in my capacity of featured exhibition exhibitor, award finalist, panelist … and more. This year the festival hosted well over a hundred exhibitions of photography … and I was thrilled and fortunate that one of them was my exhibition of work “Up North – Tropical People”. My featured collection … shown in prime position in the tranquil contemplative beautiful surrounds of the Paddington Reservoir Gardens … consisted of images of many of the characters that make Cairns and the tropical north home. Thanks Head On …
Also in the Reservoir Gardens complex was the collected works selected as ‘Finalists’ in the Head On Exposure Awards … and I was again delighted to be selected amongst their number with my image “Crush of Humanity – Dahi Handi – Mumbai”, made on an Indian adventure some years back.
The quality of the work in all this years Head On Awards … Portrait, Landscape and Exposure … was truly very special. Honoured to be amongst the list.
The winner of the Exposure Award was a remarkable, powerful, tragic and thought provoking image entitled “Faith Amidst Genocide”, made in war torn Gaza by Turkish photographer Abdelrahman Alkahlout.
Bondi Pavilion and the Bondi Promenade hosted many awards and exhibition collections for thousands of beach goers and tourists to take in … including a great exhibition of sport images (by many of my friends and colleagues) to celebrate the Walkley Awards 70th year … “Sporting Moments Through the Lens”. Pretty classic, that one …
One of the less obvious highlights was somewhat of a festival coup … the screening (first in the southern hemisphere) of the film “The Stringer”. Somewhat controversial, the film documents the authorship disputation of the iconic Vietnam war photograph “The Terror of War” (more commonly referred to as “Napalm Girl”). The screening also saw a live appearance by one of the films main characters and ‘witness’ … former Associated Press Vietnam pic editor Carl Robinson … who verbalised his account of the proceeding fifty years ago. Fascinating stuff … but far too complicated to go further into it all here. (“The Stringer” launches on Netflix later this month … ).
Now for a shameless bit of name dropping … just some of the co-panelists, photographers, award nominees, festival attendees and thoroughly nice people that I engaged with over my five days at the festival in Sydney … Dave Gray, John Swainston, Kate Geraghty, Glenn Lockitch, Judith Nangala Crispin, Paul Blackmore, Tegan Sadlier, Michele Aboud, Sebastian Giunta, Tim Levy, Jess Prescott, Bronek Kozka, Pia Jessen, Guy Templeton, Fiona Bowring, Grace Costa, Birgit Neiser, Anastasia Trahanas, Dianne Brooks … and many many more … AND … of course … the Head On crew that made it all happen … Moshe, Anita, Stephen, Paula and all the others involved in keeping the wheels turning. Thank You !
When travelling I do make a point to research any photographic exhibitions showing … and outside of Head On in Sydney I found a couple worth visiting at the State Library of New South Wales … “Merv Bishop: Close Up” (Merv made that iconic image of Vincent Lingiari and Gough Whitlam with red dirt running through his fingers) and “PIX: The Magazine that Changed Everything” (brilliant nostalgic exhibition exploring the fantastic photography in the publication that spanned thirty four years of the twentieth century). Both shows an added bonus to the Sydney visit …
… not my every day work … but very pleased to have a photographic piece on the wall in the important “Sex and Politics” exhibition in Paris France … opening this evening 13th November !
The exhibition description supplied … “Sex and Politics” is a contemporary photography exhibition taking place in Paris from November 13–16, 2025, which coincides with Paris Photo. The show, located at the Bastille Design Center, explores how sexuality, desire, and power intersect in photography. It features artists whose work addresses themes like the political nature of sexuality, the body in culture, and digital intimacy. “Sex and Politics” explores the intersections of sexuality, representation, and power in contemporary photography. The exhibition features artists whose work engages the body, desire, and the cultural ideologies that shape them.
Fortunately I had one image that I felt fitted the bill … and Danila at Art-Icon agreed.
I made the photograph of delightful Cairns girl Bonn Marie a couple of years ago. The rationale was to revisit the impact that the “Red Velvet” images of infamous actress Marilyn Monroe back in 1949 made in a building a sexual revolution in the 50’s.
2022 marked the 60th anniversary of the death at 36 of Marilyn … the planet’s greatest ever sex symbol . There were countless photographs made of her during a far too short career as an actress and centre of massive unrelenting attention. What I aimed to portray was an image of ‘Marilyn’ in the vintage style of the mid last century when she infamously captivated audiences around the World. The image mirrors the work of US photographer Tom Kelley, who originally shot those infamous “Red Velvet” photographs before her acting career took off. Tom’s image didn’t receive much attention until Hugh Hefner selected it as the first centrefold in the very first edition of Playboy Magazine in 1953.
Marilyn Monroe’s Playboy centrefold was historically significant, influencing the portrayal and public acceptance of the female form in a ground breaking way, shattering norms and redefining the place of women in society. The image was a pivotal element in Playboy’s goal to define sex as a socially acceptable subject and provide a new outlet for female sexuality. . Kelley’s image played a key role in shaping 20th century history, spawning a new reality of female sexuality and a sexual revolution, whilst catapulting the subject of feminism into the political arena. Female empowerment was on the march …
Will be eternally grateful to Bonn for her stunning portrayal and interpretation of an historic photograph that changed so much … Massive Thanks, Bonn.
Also like to sincerely thanks Danila and Slavica from Art-Icon for inviting me to exhibit.
… this time last week (Saturday 18th) two young British women were battling gusting twenty knot winds as they rowed their nine metre vessel ‘Velocity’ towards terra firma in Cairns.
The previous day I had taken a little voyage myself … a fifty nautical jaunt on the 12.5 metre Reef Adventures boat ‘Lethal Weapon’ … in the opposite direction. The rationale was to journey out past the edge of the Great Barrier Reef into the Coral Sea to meet Miriam Payne (25) and Jess Rowe (28) on the last stage of their epic 8213 nautical mile row across the Pacific Ocean.
The girls left Lima Peru on the 5th of May. 165 days later they stepped ashore at the Marlin Marina in Cairns after battling storms, massive waves, technical issues that nullified all their electronics … and a lack of chocolate … setting a new record as the first all-female pair to row across the Pacific Ocean nonstop and unsupported.
Following a rather bumpy trip on ‘Lethal Weapon’ through choppy waters last Friday, we found Miriam and Jess rowing steadfastly towards the edge of the Great Barrier Reef … and I made many images (just five of them here below). An hour or so later we shot back to Cairns. The pics were syndicated by Agence France-Presse/Getty around the planet. Very nice to see my work in The Times, The Telegraph, the Daily Mail, the Guardian (all UK) … and many more around the World.
( Arguably Miriam and Jess’s feat was more impressive than their Scottish male counterparts when taking into consideration ‘manpower’ or ‘womanpower’. Although the three Maclean brothers were quicker at 139 days … just the two of Miriam and Jess managed the journey only 26 days longer .. do the figures and go girls ! )
I had the pleasure of meeting Jess and Miriam (again) on dry land at a Salt House reception on Wednesday eve. A nicer couple of young ladies you could not imagine … vibrant, down to earth and full of humility. Many Thanks for the opportunity to meet you and your families properly … and thanks also to Cairns PR Pip Miller and Dave Gray from Agence France-Presse for your support.
Good (great) news stories are so good to cover …
You may see more of my images of these two amazing young ladies and their huge adventure on my Instagram here … and my Facebook here .
… honestly didn’t expect this … great evening at the Sofitel in Brisbane Saturday … made even better by the very welcome announcements that I actually won both the major photography prizes in the 30th anniversary “Clarion Awards” (Queensland’s journalism awards).
However, the eve was tinged with sadness too …
My set of pictures of the life of friend and recently sadly passed away subject … “Millionaire Castaway David Glasheen” … was judged the winner of ‘Best Photographic Essay’, whilst my portrait of David recovering from his heart attack earlier this year won ‘Best News Photograph’. The work was published perfectly and respectfully in the Courier Mail with words by gun scribe Michael Madigan … many thanks for that CM !
Here are the ‘judges comments’ on my work …
Best Metropolitan News Photo … “Brian showed dogged determination to track down castaway David Glasheen after he had suffered a heart attack. Using good old fashioned news sense Brian found his friend David recovering in the Red Cross Rehabilitation Centre in Cairns. The photograph is a strong example of using available resources to capture a portrait. A clever use of light, painting a haunting image of the subject in his frail state.”
Best Photographic Essay … “Brian’s photographic essay of David Glasheen, the millionaire castaway, perfectly captures the unique, and dream-like nature of the man’s life. From taking a mannequin down a tropical island in a wheelbarrow, to beautiful portrait shots that show the impacts of time, the series clearly tells the story of how this man lived and the scars he carries. Brian’s exquisite technical skill, and his storytelling ability is clearly on display in this essay.”
I admit to having reservations when seeing my images of ‘Resto Dave’ … is was a terrible shock to talk to him on the phone in early July, just a couple of days before he succumbed in a Brisbane hospital to the effects of that February heart attack and other complications. He was a truly fascinating genuine character armed with humour, compassion and a zest for life. I recommend a read of his best selling book “The Millionaire Castaway”.
However, it was still a thoroughly enjoyable evening at the Sofitel … a fitting venue to commemorate thirty years of the media awards that celebrate the best of Queensland journalism. This year the event was organised by the Queensland branch of the MEAA … and everyone did a stellar job. Fantastic to make the pilgrimage again to the ‘big smoke’ of Brisbane and enjoy the company of many journalists, photographers and other media colleagues.
Huge congrats to all the ‘Clarion’ finalists and winners … in particular the photography finalist contingent of Adam Head, Annette Dew, Glenn Hampson, Matt Dennien, Kenji Sato and Cairns based Brendan Radke. Below are the images that comprised my winning entries … and David, you are very very sorely missed.
… some unabashed self indulgent promotions and, well, recent updates regarding my work :-).
Firstly … … can now reveal the image that was selected as a ‘Finalist’ in the prestigious Perth Centre of Photography portrait “IRIS Award” (see top below). My selected work “Unsculpted – Australian Artist Tony Clark” was kept confidential until last Friday eves exhibition opening event.
It’s the fourth time in a row that I have had works selected and exhibited as a prize finalist in this bi-annual award ( see my earlier ‘finalists’ from 2023, 2021 and 2019 ).
PCP describes the portrait prize thus … “Embracing unrestrained approaches to portraiture, the Award celebrates works of nuance, raw emotion, and personal connection — revealing the essence of human relationships and lived experience, whether in love, joy, desire, distance, or disconnection. We are invited into the shifting constellations of human sentiment, a space for reflection and dialogue on intimacy and identity in contemporary life.”
The PCP “IRIS” exhibition of the thirty finalist portraits runs from the 4th to the 18th October at Cheap Tongue Gallery, Walyalup (Fremantle) Tuesday–Friday 10am–3pm. If you are in ‘The West’ I hope you can take it in … 🙂 .
My latest exhibition in Australia’s premier photography festival … “Up North – Tropical People” … has now been confirmed. The work, pictorially portraying the wonderful inhabitants of the northern tropics of Australia, will grace the tranquil rustic walls of the Paddington Reservoir Gardens, Sydney from the 8th to the 30th November … and is free for everyone who wanders into the unique venue (second from top).
Lastly … this post is getting a bit long … very happy to receive a ‘finalist’ recognition for a black and white version of my “Millionaire Castaway – David Glasheen” image in the ‘People’ category of Australia’s 2025 “Mono Awards” (bottom image below).
Have just had the great pleasure once again … for the tenth year … of judging the annual Trinity Bay High School photographic Portrait Prize … and what a show it was.
In the intervening years I’ve been fascinated and oft times stunned by the photography produced by this schools visual arts students … a testament to their dedicated and enthusiastic teachers. Each year the newest crop of students step up and produce both thoughtful and quality portraits making the winners selections a difficult task. This year was certainly no exception …
Ultimately I selected the work “Hood Rat” (top below) by Tyquon Prasad O’Brien as this years winner … a beautifully composed and produced portrait that spoke of the seeming fragility of being a teenager in today’s world. Tyquorn was presented with a Nikon Z mirrorless camera kindly sponsored by Camera House.
Just behind Tyquon’s work was Sujan Rai’s portrait of subject Paula Moana Schwertfeger channeling “Taylor Swift” … a technically brilliant portrait based on a ‘Swiftie’ album cover. Sujan was presented with a polaroid camera. (More on album covers below … 🙂 ).
Also recognised were two Highly Commended portraits … “Twins” by Nyota Asumani Lufugula and “Motown Vibes” by Keanu Sudiana … great works both. I also found myself drawn to an emotive and different portrait on the wall by Lillian Orr entitled “Our Last Sunrise”. Something resonated with me and it turned out that the back story to the image was both emotional and very personal. It certainly deserves to be recognised.
The new ‘Junior’ category was won by Eva Nomotu for a nice portrait of her mother … ‘Peoples Choice’ went to Ally Payett for the ‘Wolf’ portrait … and the ‘Staff’ winner was Virgil Gill’s work “Kilth”.
Which brings to this years new innovation … a special project posed to the students to visually recreate music album covers ! Using photography and editing software the students created around sixty ‘takes’ on original CD covers … many technically great, some highly amusing and collectively a fantastic show. (see bottom image below for part of it). I selected the diptych by Aniisa Idai as the best in show, but in all honesty all the works were really all highly competent and highly entertaining ! (Especially liked ‘Kiss’, ‘The Group Fire’, ‘Fake it Flowers’ and, of course, ‘Amy Winehouse’ !)
The work presented at the show is a testament to the amazing talents of TBHS visual arts teachers … Janelle Williams, Caroline Mudge, Luke Marsden, Clair Lloyd and Melanie Tuxworth … the students are indeed lucky to have you. Take a bow …
You can view all the TBHS students winning works from the previous nine years by clicking here … 2024 … 2023 … 2022 … 2021 … 2020 … 2019 … 2018 … 2017 … 2016 …
AAP Magazine has published a beautifully produced magazine featuring the “Portrait” award winning works of 25 portrait photographers from around the planet … from the USA, Great Britain, Spain, Italy, Lithuania, China, Israel, Turkey, Germany, Poland, Italy … and two from Australia … myself … and friend Carole Mills Noronha whose work graces the magazine cover.
My winning image … “100 Years and 3 Weeks – Alf Neal OAM” was accompanied in the publication by two other of my portraits “Millionaire Castaway – David Glasheen” and “Neville Henry – Kowanyama”, under the title “Australians” over a two page spread (see top below).
The hard copy publication really feels more like a book than a magazine … stout card cover and ultra heavy weight paper throughout the 96 pages … beautiful simple layout showing the work at it’s finest … and no advertising whatsoever. A pure pleasure to be included …
… delighted to announce my new exhibition of photographic works … “Achromatic” … at the beautiful atmospheric surrounds of “The Hound” bar, Edge Hill from the 17th to the 29th September.
The exhibit is my first ever collection of purely black and white photographic works … blending in with the theme of this gorgeous little whiskey/cocktail bar and celebrating its milestone first anniversary.
The definition of the title “Achromatic” … ‘free from extraneous colours, possessing or involving no hue’ … and the collection demonstrates how reducing a photograph to black and white emphasises contrast, form, and texture, allowing viewers to focus on composition and the interplay of light and shadow without the distraction of colour.
The photographs in the collection are varied and include, landscape, portraiture, photojournalism and more … and also includes three images made at “The Hound” as a tribute to the beautiful Paweł Pawlikowski film “Cold War”.
The exhibition is tailored specifically for the “The Hound” in conjunction with the amazing and motivated bar manager Ana Belen Hernalz … and I also owe a massive vote of thanks to fellow photographer Emese Gyalog and Will Davey who played their parts beautifully in the “Cold War” images.
Sadly I’ll be working in the Torres Strait when the exhibition first opens … but on return the plan is to organise a photographers eve and/or a closing event at the “The Hound” … very likely on Thursday 25th September. Put it in your electronic diary !
Last Saturday 30th August, three Scottish brothers rowed into Cairns in a tiny row boat at the culmination of an incredible 14500 kilometre unsupported voyage from Lima, Peru.
Brothers Ewan, Jamie and Lachlan comprehensively smashed the world record for the fastest human-powered Pacific Ocean crossing, completing the journey in 139 days.
I covered the arrival of the brothers in Cairns at Marlin Marina … where a crowd of family, friends, onlookers and media gathered … for AFP (Agence France-Presse).
The images are being widely published around the planet … and these are just a few of the pages they have ended up gracing … ‘The Scottish Sun’, The Scotsman’, ‘The Edinburgh News’, ‘The Taipei Times’ (Taiwan), France24, ‘The Malay Mail’ (Malaysia), ‘The Omak Chronicle’ (USA), ‘Digital Journal’ (Global), ‘Non Stop Local KHQ’ (Idaho USA), ‘ETV Bharat’ (India), ‘Barron’s’ (USA), AS Sports (Spain) … and arguably the three most prestigious … the UK publications ‘The Times’, The Independent’ and ‘The Daily Mail’.
A nice and positive story to cover … the brothers feat is really incredible as was the support that Ewan, Jamie and Lachlan received from a large and vociferous gathering of family and friends. Here are just four of the many images made on the day and syndicated by AFP.
From top … the brothers arrive at the Cairns Marlin Marina and celebrate with flares and bagpipes … Lachlan, Jamie and Ewan prepare for dry land … Lachlan and Jamie hug their girlfriends Heide and Emily after stepping ashore … Lachlan, Jamie and Ewan celebrate their remarkable success with the Scottish flag.
… fabulous to be part of a major portrait photography exhibition in Arles, France … with my work “100 Years & 3 Weeks – Alf Neal OAM” exhibited over two and a half metres high overlooking the majestic Rhone River bank.
‘Alf’ wasn’t on his own … the river side walls were covered with scores of large images by the best portrait photographers from around the planet which made up the Art-Icon exhibit “Faces” (“Visages”) …. a major draw card in the just concluded 2025 Arles International Photo Festival (Rencontres d’Arles).
Sadly unable to travel to France for the show, It has been my real pleasure to vicariously enjoy it via the many photographers, both “Faces” participants and festival guests, who were lucky enough to ‘be there’ and nice enough to post images of the works very literally ‘on the walls’.
Good friends, Head On Photo Festival director Moshe Rosenzveig OAM and Pulitzer winner Michael Robinson Chávez, were attending the festival in Arles and took time out to make and send me pics of the exhibition and my ‘Alf’ work … whilst many of the “Faces” artists in attendance also splashed images around social media for those unable to get there ( See images below 🙂 ).
There is also a physical pictorial book of the “Faces” portrait exhibition in the works.
Once again I’d like to thank DanilaTkachenko and Slavica Veselinovic (@shavi_veselinovic) from Art-Icon for their tireless work creating this massive exhibition of poraiture and taking it to the World.
… Yay ! Great News … selected as one of three Finalists in the “Kennedy Awards” … “Outstanding Portrait Photography” category. The prestigious awards describe themselves as “a truly independent, national celebration of the best Australian journalism … the Australian media’s night of nights”.
The black tie awards presentation dinner is in the very plush surrounds of the Ballroom, Royal Randwick, Sydney on August 15th.
Sounds very flash … and yeah … will be packing the ‘whistle ’n’ flute’ and winging it down to Sydney for a couple of (likely dangerous) days meeting up with many photographer and journalist friends and colleagues.
You’ve likely seen my selected finalist image before in earlier posts ( here, here and here ) … and it’s described below so I won’t bombard you with it again.
… great to have a cover photo (and more pics inside) in the the current edition of The Australian Weekend Magazine … running with a story on former journalist colleague, Walkley Award and Prime Minister’s Prize for Literature winner now author, Nicolas Rothwell and his talented co-author wife Alison Nampitjinpa Anderson.
It’s long been a pleasure to work alongside Nicolas whenever we crossed paths … a supreme journalist when at The Australian for decades covering International news stories, indigenous affairs, arts … and more.
Nicholas and Alison have now co-authored the book “Yilkari – A Desert Suite” … launching July 29th by Text Publishing … a fictional tale centred on Alison’s Western Desert Luritja-Pintupi country in the Northern Territory.
So … it was a great thrill for me to be re-acquainted with Nicolas … and meet Alison … in their remote Great Dividing Range hideaway … and take a few images.
A distinct pleasure and a nice pic run too 🙂 … below is the magazine cover, a portrait of Nicolas which runs over the entirety of page 14 … and a cosy pic of the two of them on page 17.
In February I posted an ‘update’ on World renowned island castaway David Glasheen and his then health issues. I’m so sad to advise that the former millionaire and later decades long island recluse passed away last weekend. His family have told me that he never really recovered over the five months since that hospitalisation for a heart attack.
So … I make no apologies for once again running this ‘last image’ portrait (top) that I made of David in the Red Cross accomodation following his discharge from Cairns Hospital back in February. That portrait was the catalyst for an another lengthy story on David’s island life in the Courier Mail newspaper.
David’s story … of losing a business fortune in the 1987 economic crash and dropping out to live a solitary life for decades on a remote tiny island off the coast of northern Australia … resonated around the planet. His book “Millionaire Castaway” (illustrated on the cover with another of my ‘David’ portraits) was a best seller around the World.
I had the pleasure of visiting David (and his mannequin friend) on remote Restoration Island three times over the years. He was always a gentleman, a fascinating wonderful host … and a great subject. (His island brewed beer was pretty good too.) Below I’ve also posted a few more pics of David when on his island home in healthier times, with his dog Quassi and his ‘friend’ Miranda.
Restoration Island (and the World) has lost a unique resident … they don’t make ’em like ‘Resto Dave’ anymore …
… blimey … FORTY years ago as a young pup I was awarded my first photo prize as the (highly unexpected) winner of the “Australian Sports Photo of the Year” !
Sponsored by Kodak and Adidas in 1985, it was the inaugural edition of the awards celebrating Australia’s best sports images with a very large cash prize, a weeks holiday on the Gold Coast and photo product for the lucky winner … me ! 🙂 .
The announcement and prize presentation was televised from Melbourne as a part of the “Australian Sports Star of the Year” awards. I had to buy a suit and tie (and SHOES) to attend 😉 !
It was a massive shock to win, especially as the other two finalists were staff photographers from the Sydney Morning Herald and The Age (who weren’t too pleased that a little ‘nobody’ from tiny Cairns had pipped ‘em ).
The winning pic (below) of gun Cairns skier Steve Hook mid slalom on Trinity Inlet Cairns was made on film with a Nikon FM2 and a squeeze focus Novoflex 200mm lens. (I was long a big fan of the squeezey focus Novoflex glass … 200, 280, 400 & 600mm.)
My win was a catalyst for lots of interest from the news media and picture editors … and, in effect, was the precursor to the expansion of my photography into more challenging and rewarding press work and photojournalism.
Many Thanks to Steve Hook, brother Howard and the others of the Cairns waterski fraternity of the time. Big Thanks also to John Croucher of the Cairns Yacht Club who nagged me incessantly to enter into a photo prize for the first time.
(Nb … if you fancy water skiing on Trinity Inlet in this day and age the crocodiles would make short work of you !)
… very happy to be featured nattering to Podcaster and former journalist/photographer Issac McCarthy for … whoa … an hour and twenty odd minutes about photojournalism and my pictorial work over the last several decades. Isaac hosts “How Good Are Humans” podcasts available on Spotify, Buzzsprout and Apple etc … and my little natter with him is his 54th Episode since beginning in 2020.
Isaac entitled this episode “Getting the Shot in Brothels, Refugee Camps and Disaster Zones | Photojournalism | Brian Cassey” … and it can be listened to right here …
Isaac is a terrific talented compere, extremely knowledgable about the media and certainly completes pain staking research on his subjects. In our hour and twenty four minutes and 32 seconds chat Isaac and I touch on the ethics of photojournalism, working and making images in hostile environments, gaining the trust of pictorial subjects, telling stories that inform the planet and ‘keeping the bastards honest’, the stories around several of my favourite images, the future of photojournalism … and much more …
If have you any interest about what I’ve been up to for the last few decades and curious about the ‘realities’ of photojournalism and media photography … pull up a comfy chair (and a couple of glasses of Shiraz or similar) … and relax for near an hour and a half.
… SO nice ! … very happy to be announced a winner in the 22nd International Pollux Awards with my image “Millionaire Castaway – David Glasheen”. Fifth year in a row I’ve had the honour of winning the major Pollux gong in People … and each time also awarded extra Honourable Mentions as well :-).
My portrait of 82 year old Restoration Island castaway and former business tycoon David Glasheen will be exhibited on the walls of the new Mediterranean House of Photography (formerly the FotoNostrum Gallery) in Barcelona, Spain in the first quarter 2026.
I made the portrait of David following his discharge from hospital after earlier suffering a heart attack. He plans to return to life on isolated Restoration Island when fully recovered.
Very nice to see my pic essay “The Dogs of Sai Kung” make an another long overdue re-appearance … this time in the prestigious photographic magazine ‘Dodho’.
I made this pic essay some years back whilst in Hong Kong documenting a far more serious photo story on the former UK colonies cage and coffin homes. The ‘Dogs’ essay was made when on a ‘day off’ at the HK seaside playing with lots of colourful canines.
The essay does however illustrate a more serious issue … and the rationale is explained in my caption …
“ The Chinese have long been accused of devouring “anything that moves,” including meals made from our beloved canines. However, the fishing village of Sai Kung in the New Territories of Hong Kong has embraced dogs as members of the family with a passion bordering on obsession. In the 1970s, the Hong Kong government actively discouraged the population from having too many children. The policy worked, and today, Hong Kong has one of the world’s lowest birth rates of 0.7 per woman of childbearing age (2022) … far below the replacement rate of 2.1. To compensate, locals have taken to spoiling their pet woofers as an integral and substitute part of the family. On Sundays, locals parade their pooches in prams along the picturesque waterfront, where they join their human “parents” for exercise and even lunch at the tables of seafood restaurants. The town is awash with dog boutiques where you can buy your precious pooch the latest fashions, and even a doggy bakery offering individual doggy pies and other freshly baked treats. Lavish attention is paid to grooming, and competition is fierce just like with human babies.”
The New York Times reported today that Hollywood actor Val Kilmer has died from pneumonia … 30 years after he and I had a little interaction and altercation whilst he was in Cairns filming the universally panned movie “The Island of Dr. Moreau”.
Coincidentally, it was only a couple of days ago when I posted a social media piece (Facebook & Instagram) explaining and illustrating our little ‘meeting’ thirty years ago, that particularly upset the accomplished, very famous but ‘unpredictable’ star.
Here is that little story … illustrated with my pics on page 5 of New Idea Magazine who kindly passed a bit of coin over for the privilege :-).
“30 Years Ago … Val Kilmer and I … and That Punch” …
Just came across this once again … in a box under the house. 30 years ago Val Kilmer and Marlon Brando were in Cairns filming “The Island of Dr. Moreau”. Val … ditched by his wife live on TV for philandering (apparently with Cindy Crawford) … was being worse than his usual obnoxious self on set. Adroit at evading the media, Val was boasting that no photographer would find him as he constantly changed his appearance. Fortunately, a local ‘extra’ gave me a tip off that Val was throwing a party for all the cast and crew at a Cairns restaurant. So … I went along, was invited in (without a camera) and was introduced to both Val Kilmer and Marlon Brando … had a very pleasant chat with both. Later Val decided to sit at a table on the footpath … an opportune time to grab a camera. Walked up to Val said ‘Hi’ and made a couple of frames. He got up out of his chair and let go with a punch that luckily hit the camera in front of my face. All I could think to do was to say ‘Thanks’ ! Sold it next day to New Idea who ran it on page 5. A nice little (Big!) earner. (Also got Val again a few weeks later after he visited a PNG gallery in Cairns … but that’s another story.)
Now recognised as one of the most disastrous films ever made … for outrageous and astounding happenings both on set and in the final film … “The Island of Dr. Moreau” is legendary for all the wrong reasons … see this YouTube movie for all the insane gory details … https://www.youtube.com/watch?v=X9Cg-upCQD8 .”
Here below is a grab of the article from New Idea with my pics and you should be able to read the text on screen. No comments about my hair style please .
Never one to bear a grudge (it was all in the ‘game’ after all) … it’s very sad to hear the demise of the ‘Top Gun’ and ‘Batman’ star whose acting was obviously so appreciated by many … and at such an early age. Vale Val …
Very sadly the exhibition of my work “A Photographer’s Life – Part 3 – Portrait” on the walls of the gorgeous new Mulgrave Gallery on the Cairns Esplanade has now come to an end.
An epic opening eve back in late January followed by the six week run of the exhibition saw scores of viewers and fantastic feedback from visitors from around the planet and Australia (including many from the cruise ships that regularly dock in Cairns).
If you were one that couldn’t/didn’t visit the exhibition during it’s ‘showing’ but are still keen to see what it was all about … or just fancy your own tangible memento of the exhibition … you can still get your hands on your personally signed hard cover limited edition volume featuring all the portraits that were on the walls. The book “A Photographer’s Life – Part Three – Portrait” is now available via the ‘Shop’ on my web site at … https://www.briancasseyphotographer.com/shop/category/books/ … where you may also find my other Limited Edition signed books available. (HINT: If you are a Cairns ‘local’ or close by please just send me an email (bc@briancasseyphotographer.com) requesting your personalised copy and I’ll hand deliver it to you without any postage/shipping charges saving you $$$’s 🙂 )
Huge Thanks to curator Chris Stannard and the all the rest of the fabulous dedicated team at Cairns Galleries. To Head On Photo Festival director Moshe Rosenzveig OAM who flew from Sydney to open the exhibitions. Amazing ! Also to Collie Jacobs for the image (top) below of the gallery entrance with me spoiling the pic. Second image below is the cover of the book, followed by a couple of pics of the pages inside.
… very nice run in last weekends edition of the Courier Mail that featured my images … old and brand new … of old friend ‘Ex Millionaire to island Castaway’ David Glasheen. David lost a literal fortune during the 1987 economic crash and then chose to ‘drop out’ and live a solitary secluded life on historic Restoration Island off the coast of far north Queensland.
His story and my photographs of David spread World wide after I visited him three times on his island … (named Restoration Island by Captain Bligh when he landed there during his epic 4000 mile open boat journey following the HMS Bounty mutiny) … back in 2010 and 2011 for News Ltd, the New York Times and Fairfax.
David later published a book about his life entitled “The Millionaire Castaway” which sold a quarter of a million copies around the planet.
Recently I learnt that David (now 81) had suffered a heart attack and had left the island for a bed in Cairns Hospital. At the hospital I was told he had just been discharged and I found him at the nearby Red Cross accomodation. We chatted about old times and I asked if I could make yet another newer portrait … which he readily agreed to.
This portrait (top image) is the result. David has always had a story to tell so I passed on details of his current trauma and story to Courier Mail gun journalist Michael Madigan (who I have worked with on many stories previously) … and passed on David’s new portrait and the earlier 2010/2011 pics of David on his remote inland retreat to the Courier picture desk.
The result … a front page pointer, Davids portrait on page 15 and a spread across pages 36 and 61. Happy with that … huge thanks to Michael for his brilliant words … and, of course, David who is now recovering with his family ‘down south’ (but really hoping to soon get back to his island home.)
Not an extinct flightless bird, Dodho publishes “Dodho Magazine” … in their words “one of the most influential online contemporary photography magazines, committed to discovering and promoting the best photographers around the world”.
So … was excellent to again be selected in the “Dodho Fine Art” awards and see one of my favourite images … “Mother Africa – Aurora” … grace the wonderful Dodho large format hard cover fine art awards book.
This was only the second edition of the fine art awards and pleased to say that another of my images … “Bonn – Asking the Question” … was selected in the inaugural awards last year (see second image below). Dodho now also hosts other awards each year … and I also have had work selected … twice each … in their “Portrait Awards” and “Color Awards”. Getting quite a nice little collection of fine award photo books !
Dodho really do do a fine job of promoting a great variety of International photography. Do look out for them …
… pretty stoked that my image “Aurukun – Generations” has been selected and listed for sale by the prestigious Duncan Miller Gallery in the United States.
The gallery and their web portal Your Daily Photograph (https://www.yourdailyphotograph.com) specialises in the sale of “important classic and contemporary photographic works of art” … and are the owner of the largest collection of vintage photographs on the West Coast of America. They have subscribers and potential purchasers in 75 countries.
You may see the work on their YDP site here … http://eepurl.com/i829Xw My work is apparently in very good company … in the recent past images by Henri Cartier-Bresson, Andreas Gursky, Richard Misrach, Andre Kertesz, Edward Burtynsky and other photography legends have been offered for sale on YourDailyPhotograph.
The portrait of Aurukun Wik elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola was made outside their house in the Cape York Peninsula indigenous community. It has featured numerous times in awards across the last few years … arguably the most stella being ‘sent into space’ and projected above the planet courtesy of the British Journal of Photography “Portrait of Humanity” awards … and published in the book collection of the same name.
My first sale at Duncan Miller Gallery was back in 2012 with my “Rajasthan Dancers” photograph, made in Udaipur, Rajasthan, India in 2011 (image below).
It was a brilliant and amazingly well attended evening.
Moshe Rosenzveig flew up from Sydney to perform the official exhibition openings under the evenings very threatening skies … and also joined me the following day hosting our artist/curators talks.
It is the first time that “Paper Tigers” has been shown outside of Sydney … and it was a real pleasure to see the sixty works by Australia’s wonderful photojournalist community on the expansive walls of the Court House Gallery … including my 2016 Nikon Walkley Portrait Prize winner “Abdullatif – Beaten Asylum Seeker” (pic 5 below 🙂 ). Was a real (lengthy and sometimes complicated) pleasure to work with Moshe to put this significant collection together. The exhibition includes many examples of Australian photojournalism that are historic and helped shaped the face of the country. VERY well worth a visit and a long long look.
My exhibition of ‘Portraits’ is a logical extension of my two earlier exhibitions … A Photographer’s Life Parts 1 & 2. Part One was exhibited in The Tanks Arts Centre in 2017 … and Part Two in the Court House Gallery in 2021. Together they documented not only my involvement in photography from a very early age and across the decades, but also the changes in photojournalism and the media environment. Part Three demonstrates the move more to portraiture from the more traditional and difficult to obtain (and more expensive) pure photojournalism. It also contains several of my fondest and most emotional images. Great to see some of the images projected the size of a house too !
“Word on the Street” is the product of my connections over the years with Trinity Bay High School and their visual arts students and teachers. I have judged and presented their annual photographic portrait prize for near a decade and have many times provided the students with class room talks and street walks where we explored photography and photojournalism. The catalyst for this particular exhibit was a chat with Cairns Galleries curator Chris Stannard (left in image 4). We mentored the students in photojournalism and encouraged them to produce work whilst charging young cadet journalist Isaac Colman with the task of writing their stories. A very rewarding and successful exercise …
Must, must … hugely thank Chris Stannard and all at the galleries staff (Andy, Narelle, Jilara, Laurence etc etc) who worked so hard to put these exhibitions together … Moshe for his time, expertise, words, camaraderie and attendance … the visual arts students and teachers from TBHS … my wonderful subjects (Vale Alf, George S, George C and Desley) … and all who taken the time out to be there on the opening eve or have subsequently walked through the gallery doors !
Also grateful to Charlie McKillop at ABC Radio who very nicely interviewed me on exhibition opening morning for her ‘Drive’ segment. You may listen to that interview here if you have ten minutes and forty seconds to spare.
I do hope to have some fascinating ‘360 degree’ videos of the exhibitions very soon.
In pics below … Mulgrave Gallery entry to “A Photographer’s Life – Part 3 – Portraits” and “Word on the Street” during an accompanying musical event – featuring my image “The Kids of Ali Curung” … my exhibit image “George at the Bus Stop” projected at dusk … some of my portraits on the walls of the Mulgrave Gallery … Cairns Galleries Chris Stannard at the Court House entry to “Paper Tigers” … my work :Abdullatif – Beaten Asylum Seeker” in the Court House Gallery “Paper Tigers” collection … projection of my work “Veronica – Where Home Brew Kills” late on opening evening … lastly, Head On’s Moshe Rosenzveig (right), myself (left – a VERY rare pic), friends from the Cairns photographic community Shaz Spannenburg, Peter Rossi, Charmaine Heyer, Polly Fenton with (rear) Robert Gray from Brisbane … at the Conservatory Bar ‘after launch’ ‘do.
.
