The Passing of George Skeene OAM … and Tokyo …

… bitter, sweet and emotional to receive this 😞 …

Just a couple of days after the saddest news on January 3rd of the passing of Yirrganydji (Cairns) elder Dr George Skeene OAM, I received the email that my work … “George at the Bus Stop – George Skeene OAM” … had scored an Honorable Mention in the Portrait category of the ‘Tokyo International Foto Awards’ (TIFA).

George … who I fortuitously met at a Cairns bus stop in June 2023 … was a true delight to meet and photograph … a real gentleman.

Was a Friday lunch time when I saw a distinguished man sitting quietly at the Cairns Central bus stop. Said ‘Hi’ … we exchanged pleasantries and I asked ‘George’ how far away his bus was … the board said eight minutes … and if I may make a quick portrait. George was fine with that so I raced back to my car a block away to grab a decent camera. We chatted very briefly whilst I made a few frames and it turns out that George was, in fact, Yirrganydji Elder Dr George Skeene OAM.

Of course, the bus arrived early and George told me his info was on the web … and off he went. Our interaction lasted a very pleasant six or seven minutes …

Fascinating to find Dr George on the web and learn the details of his stellar career.  George grew up in Aboriginal reserves in Cairns and made it his life’s work to document his Yirrganydji cultural heritage. 

He traced and catalogued Yirrganydji artefacts that were spirited to Germany in the early 1900’s, wrote a book “Two Cultures” about the Cairns aboriginal camps, arranged for the return and reburial in Cairns of the remains of a Yirrganydji woman held at the Queensland Museum … and there is much more of his exploits ‘on the web’.

George was awarded an Honorary Doctor of Letters at James Cook University in 2013 and the Medal of the Order of Australia (OAM) in 2016.

I presented him with a print of his portrait whilst he was undergoing treatment at Cairns Hospital late last year. That same portrait also features in my new exhibition opening next Friday at the Mulgrave Gallery. George joins others on that exhibition wall that are no longer with us … and I will pay tribute to all of them at the opening. It will be emotional …

Don’t think I’ll ever forget that memorable fleeting bus stop meeting with George … and was devastated to hear of his demise from his daughter just over a week ago. Thank You George … you will be very sorely missed.

Also scored a second TIFA Honorable Mention (this time Editorial category) with my image of Bill & Michelle Dunn after surviving the massive post Cyclone Jasper flood event that almost took their lives.

You’ve likely seen both these pics previously … and for that I apologise …

Whilst on … must also congratulate photographer good friend Emese Gyalog who scored a TIFA ‘Gold’ in wedding and a HN in Fine Art … nice two Em !

Images © Brian Cassey

Nice Chrissie Presents from … Budapest (BIFA), The Capture Awards and Dodho Color Awards …

… nice early Xmas pressies from the ‘Budapest International Foto Awards’ (BIFA), ‘The Capture Awards’ (hosted by Capture Magazine) and the ‘Dodho Color Awards’ 2024 (hosted by Dodho Magazine.)

The first two featured great results for my image “Alive – Bill & Michell’s Miraculous Escape From Cyclone Jasper”, which only a few weeks ago also took out the Clarion Awards (Queensland Media awards) ‘Best News Photograph’ honours.

Bill & Michell’s emotional image post Cyclone Jasper flooding was selected for the Bronze Award in the Editorial category of the Budapest International Foto Awards … and also in the top images list of the Documentary category of the Capture Awards and featuring in the new Summer edition of the print magazine.

Also in the Budapest awards, it was really gratifying to also see “Little Tuna” get a mention (an Honourable one – spelt here with a ‘u’ 😉 ) … the first time my portrait of “Little Tune” proprietor Kate Lamason with one of her ‘family’, has been recognised in awards. The portrait was made in the office of Kate’s highly successful Australian caught tuna business in Cairns and producing the pic left her work place more than a little damp.

Accompanying Bill & Michelle in the Capture Awards were two of my images “George at the Bus Stop” (George Skeene OAM) and “Bubblegum & Voices” (Kythie Yunkaporta discovering bubbles in Aurukun) in the People & Portrait category. Both have been mentioned in previous awards.

Then … on Christmas eve the beautiful new Dodho book “Color” arrived in my post office box. The hard cover, large format, nicely printed volume showcases the winners and top works from the 2024 “Color Awards” … and included my portrait “Generations- Aurukun” of Aurukun Elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola. Dodho do do lovely books 😉 .

Images © Brian Cassey … from top … Budapest International Foto Awards 2024 (BIFA), The Capture Awards 2024, the book “Colors” by Dodho Magazine – hard cover collection of the best photographs from the 2024 Dodho Color Awards.

Tuesday … 69th Walkley Awards …

So … what does one do on a Tuesday night in November ? Last Tuesday I made a flying 30 hour visit back to Sydney to attend the media industries ‘night of nights’ … The Walkley Awards … at the International Convention Centre (ICC).

The catalyst for the lightening short visit was the inclusion of my work (stills, video and drone) in the Courier/Sunday Mail team documentary production “Prayed Upon: A Real Life Hand Maid’s Tale” which was selected as a Finalist in the ‘News – Current Affairs – Short Film’ category of the awards.

Our team … comprising Kate Kyriacou, Greg Stolz, Rhylea Millar, Natalie Gregg, Melanie Pilling, Anna Caldwell and myself … were up against works in the category by co-finalists 60 Minutes and the ABC. Our teams work told the story of a frightening ‘cult’ based on the Atherton Tablelands in far north Queensland.

Was the first time I’ve had the privilege to be a finalist in the Walkley Awards outside of the pure ‘photojournalism’ Nikon-Walkley categories side of things … so that was a little different.

Very kindly, Nikon Australia’s marketing manager Kylie Dredge arranged a seat at the Nikon tables for myself alongside my photography friends and colleagues and the Nikon crew. That was a blast !

Good mates all … AFP’s David Gray took out the ‘News Photography Award’ with his remarkable 20,000 ASA image of freed Julian Assange “Walk to Freedom”, SMH’s Nick Moir won ‘Press Photographer of the Year’, Getty’s Quinn Rooney claimed the ‘Sports Photography’ gong for “Australian’s in the Pool”, whilst Kate Geraghty (SMH) was awarded ‘Nikon Photo of the Year’ for her image, “Funeral at Al-Aqsa”. Getty’s Diego Fedele won ‘Feature/photographic Essay’ and Chris Hopkins image for ‘Good Weekend’ won the ‘Portrait Prize’.

Obviously there was much ‘celebrating’ to do. The Nikon team led by Kylie duly obliged and made sure we did so well into the next morning. Congrats to all my mates and colleagues … winners and finalists … the Walkley’s and the MEAA … and thanks to all at Nikon. (It’s been a pleasure to use Nikon’s fabulous products for many decades … they really do so much to support the photojournalists in the industry.)

Oh Yes !! Back to our ‘Current Affairs’ finalist selection. Sadly we were beaten to the pen nib winners trophy by the ’60 Minutes’ entry, but that didn’t stop our Queensland team celebrating just being in Sydney for a fabulous eve amongst the very best of Australia’s media.

(NB … it’s not often my dinner suit gets an airing 😉 )

Main image © News Ltd … below … still, drone images and video by © Brian Cassey

Wonderful Weekend at ‘Head On’, Sydney …

Without doubt, the biggest drawcard in Australia for the photographic community is the ‘Head On Photo Festival’ in Sydney.

The annual festival features numerous exhibitions selected from around Australia and the planet … and I’ve been fortunate enough for the last few years to be part of the selection panel that ploughs through several hundred collections of fabulous photographic works to decide what actually ends up on the exhibition walls (or fences!) of Bondi Pavilion and the beach front, Paddington Reservoir Gardens and other venues around Sydney.

The festival also hosts the Head On Photo Awards (Portrait, Landscape and a new one – Exposure), which attracted entries this year from as far afield as Bulgaria, Malta, Greece and Slovenia, to name just four of many.

(NB … I must confess to a little bit of bias … have been a Head On Award winner in the past, a finalist lots of times and an exhibitor on numerous occasions.)

This years collection of exhibition works on display was one of the best I’ve seen. It was excellent to see the work that we agonised to select on a computer screen way back in March, exhibited in the best locations at Bondi, Paddington and more. The same can be said for this years awards … the finalists in Head On Portrait Prize in particular were absolutely brilliant this year.

Head On, however, is not just about awards and exhibitions … it’s the coming together of talented (and newby) photographers from around the world to engage, discuss, swap ideas, learn, celebrate the photographic image and perhaps share a drink or three. Was excellent to catch up with imaging colleagues and friends at a splendid Bondi Pavilion opening eve and across the five days that I could afford to stay … amongst them Mark “Crusty” Baker (who kindly provided luxurious accomodation), Stephen Dupont and the delightful Martina Reys (great Rwanda show you two!), Michael Coyne, Peter Solness, Max Pam, Barbara McGrady, Diana Lui, Marta Soul, Donna Squire, Mike Magee, Simon Harnest, Katherine Griffiths, John Swainston, Max Mason-Hubers, Glenn Porter, Diane Brooks (thanks for the rides !) … and two ‘first time’ Cairns based photographers … the lovely talented Emese Gyalog and new to our city landscape photographer Danielle Jayde. (My apologies to those I may have missed mentioning !)

Of course, all this would not be possible without the amazing tiny Head On team who move mountains to put the festival together … Festival Director Moshe Rosenzveig OAM, Anita Schwartz, Stephen Godfrey, Callum Boland, Charles Mackean and volunteers. Brilliant …

Cairns photographers recognised for their work in the festival this year were the afore mentioned Emese Gyalog and Danielle Jayde, Marc Steiner … and … a certain Brian Cassey 🙂 (no great big deal … this time it was just a semi-finalist in the ‘Exposure’ category with ‘Marilyn Monroe 60 Years On – Bonn‘ 😉 … shown at the festival bottom below.)

Images from top … © John Swainston (promoting Stephen Dupont’s ‘Rwanda 30+ Bearing Witness to Genocide’ exhibition on festival opening eve), © Brian Cassey (Stephen Dupont at the opening eve of ‘Rwanda 30+ Bearing Witness to Genocide’), © Brian Cassey (Martina Reys talks to Rwanda genocide survivors at ‘Rwanda 30+ Bearing Witness to Genocide’), © John Swainston (Head On work displayed on the Bondi Beach waterfront), © Brian Cassey ( my selected work in ‘Exposure’ – ‘Marilyn Monroe 60 Years On – Bonn’)

Artist Tony Clark … Unsculpted …

… a great pleasure to meet and photograph Australia’s highly acclaimed artist painter, Tony Clark, at his Mission Beach tin shack home studio for a five page feature story in last weeks The Australian Weekend Magazine.

Tony is one of Australia’s most respected artists. For over four decades his uniquely styled paintings have been testing the boundaries between genres and disciplines and borrowing from the histories of art, architecture and theatre design along the way. He has lived and worked in Sicily in Italy and Essen in Germany and is now back in Australia at Mission Beach working on a new exhibition “Unsculpted”.

The exhibition, which opens at the University of Melbourne Buxton Contemporary on November 1st for a massive seven month run, will consist of around 100 paintings spanning over forty years of Tony’s work.

I spent two days with Tony making portraits and pics of him working on pieces in his ramshackle studio whilst gun journalist Ariela Bard got her material for her brilliant story with the intriguing title “Art, Crocs & Rock ’n’ Roll”.

I’m fondest of this first horizontal portrait of Tony (top) , whilst the magazine used a similar vertical version filling the whole second page of the article … so pretty happy with that. Also fond of the second image (bottom) of Tony amongst his mountains of art books that he collects and devours for inspiration. More of my pics were used on the other pages in the magazine.

Not only is Tony a highly regarded, brilliant and innovative artist but also a damn fine bloke. Thanks for the hospitality, Tony … great to work with you Ariela !

Image © Brian Cassey

16 Photos That Changed the Way We See the World …

Proud as punch and super overwhelmed to be included in a collection of photographs published last week by the ‘Head On Foundation’ entitled “16 Photos that changed the way we see the World”.

To say my 2016 image of asylum seeker “Abdullatif” in detention on Papua New Guinea is good enough to be in the amazing company of the work in this collection is a vast overstatement ( I think that’s right 😉 ).

The collection is chock a block full of truly historic and iconic photographs … images that are embedded in most peoples memories … Nick Ut’s napalm girl ‘The Terror of War”(1972), Joe Rosenthal’s “Raising the Flag on Iwo Jima” (1945), Robert Capa’s “Falling Soldier (1936), Malcolm Browne’s “Burning Monk” (1963), Thomas Hoepker’s brilliant “9/11” (2001), David Scherman’s “Lee Miller in Hitlers Bath” (1945) … and … without listing them all … other legendary works by current International legends … Ben Lowy, Ron Haviv, Paula Bronstein, Lynsey Addario and Australian’s Merv Bishop, Stephen Dupont and Kate Geraghty. You can see them all here … https://headon.org.au/magazine/16-photos-that-changed-the-way-we-see-the-world

Then … and it was the shock of my life … at number four … between Ben Lowy and Nick Ut’s startling work … was my pic and the story of “Abdullatif”. Head On described the rationale for the complete set thus … “Photojournalists have captured images that have continued to shape our world to this very day. We are highlighting some of the most impactful of these images, showcasing their history and investigating their continuing legacy.”

One of the nicest surprises of my decades wielding cameras. (If I had been sitting on a chair I would have fallen off it !).

Please don’t miss seeing this amazing collection of fabulous unforgettable photojournalism (even though you likely know them all anyway 😉 ). Thank You Head On Foundation !

“Abdullatif” Image © Brian Cassey

Trinity Bay High School … Portrait Prize Number 9 …

I’ve said it eight times before … and now year number 9 !

Under the tutelage of the visual arts teachers at Trinity Bay High School, Cairns … these teen photography students are amazing.

For the past eight years of judging I’ve been fascinated and oft times stunned by the effort and creativity that these high school students put into their annual photographic portrait prize entries.

This year was definitely no exception … and the rivalry and quality of their works were closer than ever. The 58 images they produced ranged from sultry classical black and white portraits to seriously colourful photographic abstract representations … and just about everything in between. Great to see that almost everyone had moved away from the ‘snap’ shot and constructed their entries with great thought, a story line and a connection to their subject … with a dose of photographic skill mixed in.

It took me overnight to make the judging decision … and separating the top three contenders was a torturous task. Eventually I settled on these (below … from top then left to right).

Overall Winner – Jesse Boyle with ‘Lostin’ ‘ … 2nd Prize – Antonia Kaufmann with ‘Shadows of Thoughts’ … 3rd Prize – Zane Thaddeus MacFarlane with ‘Bro Sobbing’ … Highly Commended X 3 – Azuma Said with ‘Echoes of Emptiness’, Maddalena Scalco with ’The Smile of 90 Years of Happiness’ and Jean Paul itembaya with ‘Past Reflections’. The Peoples Choice Award went to Theris Vakaruru with ‘Dallas’.

Jesse’s enigmatic subtle winning portrait caught the eye … and just clung on to it … and he was deservedly presented with a Canon 1500D DSLR with a 18-55mm lens sponsored by Garricks Camera House. (Of note was Maddalena’s ‘The Smile of 90 Years of Happiness’ work. Despite lacking some technicality and compositional skill it was an image that couldn’t help but make you smile 🙂 )

I’ll let you make up your own mind about these great portraits (below) created by the talented Trinity Bay High School students.

You can view all the TBHS students winning works from the past eight years by clicking here…2023202220212020 2019201820172016

Bring on the decade in 2025 😉

Images © the student artists … Jesse Boyle, Antonia Kaufmann, Zane  Nguyen-Pung, Azuma Smid, Maddalena Scalco, Jean-Paul Itembaya, Theris Vakaruru .

Dodho Published Again … & Looking Good at the Percival’s …

Nice chunky parcel dropped into my PO box this week. Inside was the Dodho Magazines hard cover book of the works selected as Finalists in the 2024 Dodo Portrait Prize. A really nice publication and collection …

So pleased to find that my image of Kuranda based artist Peter “Potter” Thompson (top) looking great across a whole page. If anyone deserves the recognition it’s Peter and the image title … “Do Not Resuscitate – Peter ‘Potter’ Thompson” … may give a clue to why.

A Master Ceramicist, Peter ‘Potter’ Thompson has been working the kilns in the Kuranda rainforest studio that he has called home for over fifty years. Peter – amongst Australia’s most accomplished practitioners of wood-fired kiln pottery – is something of a miracle having survived three heart attacks over his career producing imaginative Asian/Taoist inspired works that have graced galleries far and wide. On his pace maker heart chest is tattooed ’N F Resuscitare’ (‘Do Not Resuscitate’) and his blood group – a testament to his dry sense of humour.

This image of Peter has also been recognised in the 2024 Tokyo International Foto Awards (TIFA), the 2023 Pollux International Awards and Australia’s Capture Awards. Thanks Peter !

Recently I also visited the Perc Tucker Gallery in Townsville where three of my other images graced the walls in the Percival Photographic Portrait Prize … “George at the Bus Stop – Dr George Skeene OAM”, “Last of the Trochus Divers – Albert ‘Boyo’ Ware” and “100 Years & 3 Weeks – Alf Neal OAM” (see the other two pics below). The Townsville council host a fabulous show of portrait photography which is accompanied by the works of artists who prefer to use paints … The Percival Portrait Prize. Both shows are worth some time exploring and are open until September 1st.

Images © Brian Cassey

Barcelona & the Pollux Awards …

… very welcome news from Barcelona this morning regarding the 21st Pollux Awards … the prestigious International photography prize hosted by famed Spanish based FotoNostrum Magazine. Even better is that the news involves three of my (at the moment) lesser known works.

“The Last Image of Alf … Alf Neal OAM” has, up to now, been somewhat overshadowed by another earlier image I made of Alf on his hundredth birthday with his great great grandson Kailan … “100 Years & 3 Weeks … Alf Neal OAM” … which has been recognised numerous times around the planet and in Australia.

So it was a gratifying experience to see the portrait of my old mate Alf … made on the verandah of his Yarrabah home in the last days of his one hundred and first and final year … selected as the ‘Winner’ of Pollux ‘People’ category. I know that Alf, if he was still around, would be immensely proud … and I’m sure that his Yarrabah family will be too.

The ‘icing on the cake’ is that two of my so far ‘unsung’ images … “Voices & Bubblegum … Aurukun” & “Surviving Cyclone Jasper … Bill & Michelle” … were both awarded ‘Honorable Mentions’ in the same ‘People’ category … a nice ‘triple’ 🙂 . The ‘Bubblegum’ pic was made at ‘Indigenous Voice to Parliament’ referendum pre-polling in Aurukun, when young Kythie Yunkaporta was more enthralled with the bubblegum skills of Shuntay Marpoodin. The image of Bill and Michelle Dunn was made as they told their harrowing story of survival at their Degarra (Bloomfield) home destroyed in the massive flooding that followed Cyclone Jasper.

The Pollux Awards have been good to me over the years … and this is the fourth year in a row that I’ve been fortunate to be selected as ‘Winner’ of the ‘People’ category (earlier ‘wins’ … 20th Edition here 19th Edition here, 18th Edition here ).

One of the nicest things about the Pollux Awards is that the winners works do end up as physical framed photographs on a wall … the very prestigious walls of the FotoNostrum Gallery, Mediterranean House of Photography, in Barcelona, Spain. That will happen from July 2025 … (a nice time to be in Barcelona and Spain 😉 ? ).

Very nice also to be in the good company of my US photojournalist mate and Pulitzer Prize winner, Michael Robinson Chavez, whose work was selected in the Pollux ‘Documentary & Reportage’ category.

You may find all of this years Pollux Awards winners in a special edition FotoNostrum Magazine here … https://www.fotonostrummag.com/21-pollux … my work is on pages 64 & 65, whilst Michael Robinson Chavez’s works are on page 116.

Images © Brian Cassey

International Color Awards … Second, Third and More …

… great news on Sunday that TWO of my images have each been awarded “2nd Place Merit of Excellence” and “3rd Place Honor of Distinction” in the 17th edition of the “International Color Awards” … “Drying Saris on the Banks of the Ganges” in ‘Photojournalism’ … and … “George at the Bus Stop” in ‘Portrait’

Really, REALLY pleased about the ‘Saris’ image which I made in Varanasi on a totally memorable road trip journey through India with a couple of great photographer colleagues far too many years ago. It’s always been one of my personal favourite photographs, but this is the first time it has been recognised as something a little ‘special’. Thanks ICA !

Of course … it’s also very nice to see an image grabbed in just a minute or two whilst passing a Cairns bus stop one lunch time can mix it at the top end and also gain a 3rd Place Honor of Distinction. Thanks Dr George Skeene OAM !

Not to be forgotten, two more of my works also resonated … with “100 Years & 3 Weeks – Alf Neal OAM” handed an Honorable Mention … and “Crocodile Hunter George Craig” a Finalist Nomination … both in the ‘Portrait’ category.

You may find the first, second and third placed winners (and Honorable Mentions) in ‘Photojournalism’ … here … https://photoshow.colorawards.com/winners.php?x=p&cid=590 … and ‘Portrait’ here … https://photoshow.colorawards.com/winners.php?x=p&cid=591 … and also nice to see young photojournalist and my 2023 Head On Photo Festival photojournalism talk co-presenter Mouneb Taim get one too !

Gotta be happy with that …  

Images © Brian Cassey

Triple in Percival Portrait Prize …

… in news this month … so pleased that all three of my entries in the Percival Portrait Prize were selected as ‘Finalists’.

The three works … “Last of the Trochus Divers – Albert ‘Boyo’ Ware” , “George at the Bus Stop – Dr George Skeene OAM” and “100 Years & 3 Weeks – Alf Neal OAM” … all made the cut and will be exhibited on the beautiful walls of the historic Perc Tucker Gallery in Townsville.

Overall winners of the fiscal prizes (in painting, photographic and student) will be announced at the exhibition opening eve event on the Saturday 22nd June . Sounds pretty good to me … the last one two years ago (with subject Aurora in tow as mentioned in a recent post) was highly enjoyable. 

It’s also the third time in a row that I have had all three entries selected as finalists in the prestigipus biennial awards. You may find the works here … 2024, 2022, 2020. In the 2018 edition … my first attempt … I made two entries and both were selected.

Townsville council really turns it on for the Percival opening eve at Perc Tucker on their mall … and I’ll definitely be making the trek to our southern neighbour for the night.

The exhibition will run until the 1st of September at the Perc Tucker Regional Gallery, Corner of Flinders and Denham Streets, Townsville.

Thanks, of course, to my subjects … Albert, George and the sadly late Alf (Thanks Neal family !) Exceptional gentlemen All … 

Images © Brian Cassey

Dodho Photo Books … & Bonn …

… always a pleasure when a Dodho Magazine photo book drops into the old post office box (not literally … they are too big !)

Recently Dodho’s latest volume “Fine Art – Best Photographers of 2023” arrived … and therein gracing a prominent whole page was arguably one of my favourite images … “Bonn Marie – Asking the Question”. The portrait of Cairns girl Bonn Marie has been selected in the ‘Top 25’ of images in the latest Dodho Fine Art Awards … very pleased with that …

The large (12″ X 12″ – 30cm X 30cm) hardcover books are beautifully designed and produced and each contains wonderful work from photographers from around the planet. ‘Fine Art’ is now sitting on my bookshelves next to my other Dodho books ‘Portrait’ (with my image “100 Years & 3 Weeks – Alf Neal OAM” inside … also selected in Best 25) … and ‘Colors’ (with my portrait “George Craig – Crocodile Hunter” therein).

Bonn has been an absolute pleasure the other side of the camera. ‘Asking the Question’ has been recognised now in several awards … likely the most prestigious being the winner of 3rd Place in the “International Portrait Photographer of the Year” awards. 

Back in December another of my Bonn portraits … “Marilyn Monroe – 60 Years On – by Bonn” … received attention with an ‘Honourable Mention’ in the Fine Art category of the “Budapest International Foto Awards” (BIFA). You can see this work and find more details of how and why that image came about here

BIG Thanks Bonn, for your patience and professionalism !

If you are inclined … you can grab Dodho’s ‘Fine Art’ book here , ‘Colors’ here … and the ‘Portrait’ book here

Image of Bonn © Brian Cassey

‘Tokyo’ First in ’24 …

… nice way to start 2024 ! …

Very gratifying news this week that two of my pics have done ‘it’ again … both winning ‘Honorable Mentions’ in the ‘People’ category of the Tokyo International Foto Awards (TIFA). The first of the New Year 2024 … 

Both selected TIFA images … “Do Not Resuscitate – Peter ‘Potter’ Thompson” (top) … & … “100 Years & 3 Weeks – Alf Neal OAM” (below) … have been recognised previously. Just before Christmas my portrait of Peter ‘Potter’ in his Kuranda ceramic studio was selected in the Top Twenty in the Capture Magazine portrait awards … whilst my portrait of Alf ‘Popeye’ Neal went a little better and was selected in the Top Ten in the same Awards (and published in the December issue of Capture Magazine) … along with an Honorable mention in the Budapest International Foto Awards (BIFA). ‘Alf’ has also racked up several other previous accolades … and for ‘Potter’ it’s the third.

Earlier last year these two images teamed up to win the ‘People’ category of the “19th Pollux International Awards” … which at the time was their first ‘recognitions’ .

Check out these (and others) on my ‘Awards’ page at … https://www.briancasseyphotographer.com/awards/

Images © Brian Cassey

Images © Brian Cassey 

Head On Photo Festival … Brilliant …

Crackin’ long weekend at the 2023 Head On Photo Festival in Sydney. 

Great to catch up with so many friends and photography colleagues. Amongst those photographers (and SO sorry for those fleetingly met and missed here) … and roughly in order they appeared …  Mark ‘Crusty’ Baker, David Gray, Rick Stevens, Mike Bowers, Peter Solness, Gary Ramage, Janie Barrett, John Donegan, Dean Sewell, Nicky Cately,  Judith Nangala Crispin, Jessica Hromas, Andrew Quilty, Michael Coyne, Glenn Porter, (pocket UK rocket) Jennifer Forward-Hayter,  John Swainston , Fiona Bowring and Dianne Brooks (who did an amazing job as my personal ‘chauffeur’ 😉 )

Then … you’ve got the fabulous dedicated Head On crew … Moshe Rosenzveig OAM, Anita, Steven, Emma, Charles, Lana et al. Amazin’ job !

Great to see the almost endless brilliant photography works at Bondi Beach, Reservoir Gardens, TAFE Ultimo etc … being part of a photo judges panel talk with colleagues Judith Nangala Crispin and Jessica Hromas … and to see my Head On Portrait Prize Finalist ‘Alf Neal’ work on the wall amongst a brilliant Bondi Pavilion exhibition in company with the work of media colleagues Gary Ramage, Kate Geraghty, Glenn Porter and forty odd others.

But wait … there’s more … the third showing for the “Paper Tigers” exhibition of Australian photojournalism, this time in the spacious realms of TAFE Ultimo … collection curated by myself and Moshe.

Wouldn’t have missed all this for quids … go see  … (and that’s the ‘name dropping’ other with 😉 )

Below are two of my works at the current Head On Festival … “Voices – 100 Years & 3 Weeks – Alf Neal OAM” amongst the Portrait Prize Finalists … and “Abdullatif – Beaten Asylum Seeker” amongst the sixty brilliant works of photojournalism that is “Paper Tigers”.

Images © Brian Cassey @headonphotofest #headonphoto 

Two George’s … Albert … & Kowanyama … 20th Pollux Awards …

Excellent news that my image “George at the Bus Stop” was just selected as WINNER of the ‘20th Pollux International Photo Awards’ – People … whilst three other of my works received Honourable Mentions !

Very nice Result ! Thank You so much to all my wonderful subjects … 

Whilst the portrait of George Skeene OAM got the biggest nod … “The Last of the Trochus Divers” (Albert ‘Boyo’ Ware), “George Craig – Crocodile Hunter” and the series “The People from the Place of Many Waters” (Kowanyama) all received Hon Mentions in the same ‘People’ category.

Winning images will be presented at an exhibition at the Fotonostrum Gallery, Barcelona, Spain in December 2024.

Gratifyingly, it’s the first award ‘recognitions’ for both “George at the Bus Stop” and “The Last of the Trochus Divers” … whilst it’s the second such for “George Craig – Crocodile Hunter” and “The People from the Place of Many Waters”. 

Wonder if I can get to Spain ? 🙂

20th Pollux Awards ‘WINNER’ & ‘Honourable Mentions’ X 3  – ‘People ‘ … Images all © Brian Cassey @brian_cassey

Images © Brian Cassey

Dr George Skeene at “Burning Cane” … Sold

Still time to take in the work of the far norths best portrait artists across all mediums at the Crate 59 “Burning Cane” exhibition in Cairns. Now in its second year the exhibition consists of over 40 works of great portraiture and it’s certain to become an annual firm favourite.

Crate 59 was packed for the “Burning Cane” opening eve event back in September … and I was very happy to have a photographic work on the gallery wall. “George at the Bus Stop” is a pretty straight forward piece of portrait photography … in contrast to many of the innovative and creative painted, drawn and sculptured works … but nevertheless seemed to attract a lot of attention. The framed work was bought by a local art collector (not sure If I can mention his name) and it was nice to see the ‘Red Dot’.

The story of “George at the Bus Stop” is one of those serendipitous twists of fate … a couple of minutes chance encounter that you can read all about George and our meeting in a previous post here.

Dr George Skeene OAM was a gentleman in those few moments … and he is very definitely a scholar (hence the OAM 🙂 ).

If you havn’t been already, “Burning Cane” is still open to viewers for the next couple of weeks but hours are limited to when Billy’s Coffee is open … Monday to Thursday 6am to 12.30, Friday and Saturday 6am to 3pm. Grab yourself a strong dark cuppa and take a look at some great art …

Last day is Thursday October 12th.

Image © Brian Cassey … “George at the Bus Stop” at the “Burning Cane” exhibition – Dr George Skeene OAM

8th Year … Trinity Bay High Student Portrait Prize …

This past week I once again had the delightful task of judging the works of Trinity Bay High School students in their annual Photographic Portrait Prize … and presenting the awards for the eighth year in a row.

Yearly, I’ve been amazed by the quality of photographic portraiture produced by the students … some barely in their teens. Looking back on my pictorial skills when their age, I would have been way down the bottom of class.

Having said that, this year when faced with over sixty quality portraits lining the Visual Arts walls, I was even more stunned. The collective students had really excelled and produced a ‘best ever’ portraiture exhibition.

Selecting the three winners was a daunting and lengthy task. In the end the overall winner boiled down to an almost impossible choice between two great portraits … neither of which would look out of place published in National Geographic magazine. Ultimately the self portrait ‘Window of Soul’ (top) by David-Paul Onakoy got the winning nod over ‘It Takes a Village to Raise a Child’ (second from top) made by his mate David Mashengo … but only just !! The Congolese student pair both produced wonderfully constructed portraits that told a story. David-Paul took home the winners prize of a DSLR camera courtesy of sponsors Garricks Camera House.

Interestingly and in contrast to the previous couple of years … this years three winners all showed strong eye contact in their portraits, with the beautifully executed and literally eye-catching work by Sienna Stuart-Bennet of her friend Shakira, ‘Vision’, making up the top prized trio.

I could have easily awarded a dozen or so ‘Honourable Mentions’ but had to limit the decision to just three, coincidently all black and white portraits. The works of … Jade Gubb (titled ‘Dystopian Gremlin’ – great attitude and angle of view) … Noecocha Cowley (‘Mary’ – striking use of shadow) … and Mattie-Leigh Hanson (‘Seashore’ – beautifully constructed and composed), prevailed. Virgil Gill won the top prize amongst the school staff section for the work ‘Sunshine’ … whilst ‘Sweet 16’ by student Shirley Vue (bottom image) was chosen by popular vote as ‘Peoples Choice’.

Much praise must go to the dedicated Visual Arts teaching staff at the school who are fostering and moulding this amazing young photographic talent.

You can view all the TBHS students winning works from the past seven years by clicking here… 2022202120202019201820172016

See you all next year for number nine …

Images © The Student Artists … from top … David-Paul Onakoy, David Mashengo, Sienna Stuart-Bennet, Jade Gubb, Noecocha Cowley & Mattie-Leigh Hanson, Shirley Vue

IRIS Award … It’s Alf …

… I wasn’t allowed to tell anyone which of my images was selected as a Finalist in the Perth Centre for Photography’s IRIS Awards a few weeks ago … the list of selected works was a well kept secret … but I can now !

Last Friday saw the opening eve of the awards in Perth … and the forty works selected as Finalists filled the PCP gallery. There was my image “100 Years & 3 Weeks – Alf Neal OAM” hanging nicely on the wall (thanks to the printing and framing skills of Paul Maietta and the crew at Fitzgerald Photo Imaging).

A little forward planning and a lot of positive finger crossing meant that I managed to arrive in Perth from London two days before Fridays’ opening event (shattered following the seventeen hour direct flight that I booked many months ago !).

It’s the third time in a row that my work has been selected as a finalist in this biennial award … links to my previous Finalist works may be found here (2021) … and here (2019) .

Sadly Alf didn’t get to hear of this latest ‘recognition’ of his work in indigenous community and on the 1967 referendum, as he passed away quietly in May this year.

However, “100 Years & 3 Weeks – Alf Neal OAM” is continuing to wrack up accolades and preserve the memory of a wonderful inspirational Yarrabah gentleman.

Image of Alf © Brian Cassey

IRIS Awards - Perth Centre for Photography 2023 Finalists

A Few New ‘Award Updates’ …

A few nice recognitions over the past few weeks … 🙂

Firstly … so nice to once again be selected as a Finalist in the Perth Centre for Photography’s ‘IRIS’ portrait awards …  a biennial award that my work has now been selected for the third time in a row. The actual finalist works chosen this time are still a necessary secret … but all will be revealed when the exhibition of finalist and winners works opens at PCP’s Perth gallery on September 1st. Fortunately I will be in Perth at that time en route back from the UK.

PCP describes the ‘IRIS’ awards so … “The IRIS Award celebrates excellence in portraiture photography, revealing portraits that are unique, original and conceptually stimulating. IRIS has been running for 18 years, with the inaugural exhibition held back in 2003”.

I missed seeing my last finalist work on the ‘IRIS” exhibition wall in 2021“Tears for George Floyd … 8 Minutes and 46 Seconds” …  due to the Covid-19 pandemic … so I’m looking forward to being there for this one.

Arguably the one of the nicest surprises was the news that my portrait of the now sadly departed 100 year old Alf ‘Popeye’ Neal OAM entitled “100 Years & 3 Weeks” was selected in the ‘Best 25’ of the Dohdo International photography magazines “Portrait – Best Photographers of 2023” collection. The pic of Alf is now nicely included in the large format hard cover year book “Portrait” (see top image below) and will also be exhibited in an online ‘Best 25’ collection for the next year. 

(The same image of Alf was earlier this year also selected as the Winner of the ‘People’ category of the 19th International Pollux Awards.)

In the 16th International Color Awards announced recently my works were selected as ‘Honourable Mentions’ in both the ‘Portrait’ category (with image “Covid Vax & Ice Cream”) and the ‘Children of the World’ category (with image “Veronica – Where Home Brew Kills”) … whilst my image “Scooter” also made the finalist cut in ‘Portrait’. See the trio of images below. All three have been acknowledged in previous awards.

Lastly in ‘new’ award dispatches … “Covid Vax & Ice Cream” again resonated when it was selected as a finalist in the ‘People’ category of the 2023 ‘ReFocus Colour Awards‘.

A pleasant few weeks … 🙂

Images © Brian Cassey

Albert … the Last of the Trochus Divers … and CIAF …

Now 83 years old Albert ‘Boyo’ Ware began his career as a trochus diver deckhand at the age of fifteen. He is now one of just a handful of Torres Strait and Aboriginal survivors of the trochus and pearl shell industry that dominated the farm northern Australian economy in the 1950’s and 1960’s.

Initially working trochus from small boats with a crew of four Albert eventually progressed to diving for pearl shell from larger lugger boats after the bottom fell out of the trochus market.

Albert still calls St Pauls on Moa Island in the Torres Strait ‘home ‘ despite his post seafaring exploits as a Cape York stockman and stints working on the railways and roads of far north Queensland.

A prolific story teller, Albert can bend your ears for hours with great humour and enthusiasm. One highlight of our conversations was this tale of the time he rode a whale. Diving for pearl shell at the southern end of the Great Barrier Reef near Gladstone they came across a twelve metre hump back whale stranded in a lagoon. The whale has doing circles around the lagoon so Albert and his mate jumped in, hung onto the whale tail and went for a spin. (The whale was fine and escaped to freedom when the tide rose.)

I met Albert at the opening of “Lugger Bort” … a Cairns Indigenous Art Fair event at The Tanks Arts Centre in Cairns. The brilliant exhibition curated by Nerelle Nicol focuses on “the working life of the Aboriginal, Torres Strait and South Sea Islanders who worked the pearling, Beche-de-mer and trochus industries living on luggers in Far North Queensland” was a ‘must see’ but sadly ended yesterday, Sunday.

A pleasure to listen to Albert tell his stories and to make his portrait … and … as he told me … “The journey is still on”.

Image © Brian Cassey

“Alf” & “Potter” Win Pollux International Award …

… very welcome news  … TWO of my recent images combined to win the ‘People’ category of the “19th Pollux International Awards” … first time ‘recognitions’ for them both.

Always satisfying when ‘new’ pics get a bit of attention.

The images “100 Years & 3 Weeks – Alf” and “Do Not Resuscitate – Peter Potter” … below … are the two works that were jointly selected as the Winner of the ‘People’ category.

“100 Years & 3 Weeks” (bottom) features prominent Kuku Djungan elder and aboriginal and islander leader and activist Alf Neal and his three week old great great grandson Kailan Murgha at their Yarrabah home two days before the community celebration of Alf’s centenary.

Alf was a driving force in a decade long fight for the 1967 referendum which resulted in Indigenous peoples recognition in Australia’s Constitution. He was awarded ‘Medal of the Order of Australia’ (OAM) for ‘Service to the Aboriginal community’ in 2019.

“Do Not Resuscitate – Peter Potter” (top) features prominent Master Potter … Peter “Potter” Thompson … in his Kuranda rainforest studio ‘Five Treasures’ where he produces his imaginative Asian/Taoist inspired clay works fired in wood-fired kilns. 

“Potter” is something of a miracle having survived three heart attacks over his decades long career producing works that have graced galleries far and wide. The tattoo over his pace maker enhanced heart and chest states ’N F Resuscitare’ (‘Do Not Resuscitate’) and his blood group … a testament to his longevity and Impeccably wry and dry sense of humour.

Was also excellent to see US mate, Washington Post shooter and Pulitzer Prize winner Michael Robinson Chavez get a mention in the ‘Documentary & Reportage’ category for his fantastic work in Ukraine.

The Pollux Awards have been awarding the best of the planets photographic works for near a couple of decades. 

Winners work will be exhibited, large scale, on the walls of the FotoNostrum Gallery in Barcelona, Spain in December later this year. (NB … I’ve had work exhibited in the Fotonostrum Gallery in Barcelona previously … back in 2021 with my portrait of Carol Mayer … “The Skin I’m In”. )

Pretty happy with that 🙂

Images © Brian Cassey

 

19th Pollux Awards - International - Winners - People - “100 Years & 3 Weeks - Alf” & “Do Not Resuscitate - Peter Potter” - images by Brian Cassey ©

19th Pollux Awards - International - Winners - People - “100 Years & 3 Weeks - Alf” & “Do Not Resuscitate - Peter Potter” - images by Brian Cassey ©

415,000 Entries … 200+ countries … Sony World Photography …

Yes … you’ve likely seen this work before 🙂 (as recently as my last post here … sorry) … BUT … what IS new is that “Mother Africa – Aurora” has been selected (announced yesterday) in the ‘Shortlist’ of just fourteen images in the 2023 Sony World Photography Awards for ‘Portraiture’. When you consider that this years Sony World wide awards attracted approximately four hundred and fifteen thousand entries from over two hundred countries, you’ll maybe understand why I’m pretty ‘chuffed’ and grateful that I can now show it again here in this context !

The fourteen short listed Open works in ‘Portraiture’ emanated from photographers around the planet  …  Denmark, the Philippines, Slovakia, USA, Angola, New Zealand, Australia, Nigeria (2), Poland (2) and the UK (3) … (see complete list below). (You may notice that, unusually, Sony decided to put myself and my work in the UK column (place of birth) rather than the more common place of residence column (Aus) … very nice to be British again 😉 )

The Winners and short listed works from this years awards … arguably the Worlds largest and most prestigious … will be published as a collection in a hard cover book ‘Sony World Photography Awards 2023’, … whilst Winning and shortlisted images will be exhibited as part of the Sony World Photography Awards exhibition at beautiful Somerset House in my old home town London from April 14 – May 1, 2023. (Hope my UK family can make it 😉 ).

“Mother Africa” was also short listed this month in “Portrait of Humanity” … a planet wide award and collection of photographic portraiture by the “British Journal of Photography” … and has also received major attention in several other International and Australian awards.

(NB … SO grateful to my subject, delightful African American Australian based Aurora Coulter … Thanks again ‘Rora’ !)

Image © Brian Cassey

Sony World Photography Awards 2023 - "Mother Africa - Aurora" by Brian Cassey Shortlisted in Open Portraiture ©.
Sony World Photography Awards 2023 - "Mother Africa - Aurora" by Brian Cassey Shortlisted in Open Portraiture ©.

Vol.5 … Portrait of Humanity

Very pleased with the announcement last eve … “Mother Africa” selected in the prestigious International “Portrait of Humanity 2023” awards ‘Shortlist’.   (Have known for a little while that the work “Mother Africa” featuring Aurora Coulter (below) was ‘Shortlisted’ but was sworn to secrecy till yesterdays official ‘announcement.)

Now in it’s 5th ‘edition’ and organised by the venerable highly respected British Journal of Photography 1854 … Portrait of Humanity has fast become one of the most select, yet largest, collections of contemporary portrait photography on the planet. 

“Mother Africa” will be amongst the other short listed works published in the “Portrait of Humanity 2023” hard cover book published by Hoxton Mini Press.

I was also stoked to be ’shortlisted’ in the first, second and fourth editions of POH over past years. First and second edition winning portraits … “Aurukun – Generations”, “Ramnami” and “The Skin I’m In” were exhibited ‘in space’ above the planet by Portrait of Humanity in a very creative exercise. Last year’s selected work in edition four was “Covid Vax & Ice Cream “ … a portrait of Leanna Bulmer after her Covid vaccination at Yarrabah. 

Many Thanks once again must go to my talented and delightful subject Aurora … making the picture was an emotional moment in our friend Marc’s ‘studio shed’ and Aurora really made it ‘work’.

The image is certainly racking up a nice little ‘collection’ 🙂 … check out previous recognitions for “Mother Africa” on my ‘Awards’ page at … www.briancasseyphotographer.com/awards .

 Image © Brian Cassey @brian_cassey @bjp1854 @portrait_of_humanity @1854_PoH @The British Journal of Photography

"Portrait of Humanity 2023" - Shortlisted and published in Portrait of Humanity 2023 by Hoxton Mini Press - "Mother Africa - Aurora" - Image by Brian Cassey

Marilyn Monroe, Playboy Magazine … & Bonn …

… VERY much a departure from what I normally do … and for that matter … what I’ve ever done.

I admit … this image I produced may look somewhat ‘familiar’ to many of a certain ‘vintage’. However, I can assure you that it is brand new. The ‘polar opposite’ of photojournalism, documentary, reportage etc, it does, indeed, tell a timely story I wanted to tell.

The year 2022 marked the 60th anniversary of the death of arguably the planet’s greatest ever sex symbol … movie star and blonde bombshell Marilyn Monroe. She died at just 36 …

There were many thousands of photographs made of Marilyn (Norma Jeane) during her stellar but far too short career as an actress, model, sometimes singer … and undeniable centre of massive unrelenting attention.

What I aimed to portray in this work was a recreation of ‘Marilyn’ in the vintage style of the days of the mid last century when she captivated audiences around the World … and in Cairns character and model Bonn Marie I knew I had just the person to make that happen. (Bonn had previously featured in one of my works that gained a fair bit of International attention.)

In particular … this image I made of Bonn (below) mirrors one of the works of US photographer Tom Kelley who had the enviable task of shooting Marilyn’s infamous ‘red velvet’ set in 1949 before her acting career took off (when she had red hair pre the ‘blond bombshell’ era). Strangely Tom’s image didn’t receive lavish attention until Hugh Hefner selected it for the first centrefold in the first ever edition of Playboy Magazine in 1953 !

I still can’t get over the fantastic job that Bonn (aided by the mastery of make up artist Sue Kim) did in morphing into Marilyn’s character and look … the resemblance is chilling. Despite the fact that I didn’t attempt to copy the original pose in Tom’s work directly … the similarities in body shape, pose, style, expression and more are obvious. Bonn created a damn fine Marilyn …

A couple of little interesting asides about the original Kelley image. Originally … pre Playboy … Marilyn faced right to left in the frame. Hefner decided to reverse it in the magazine centrefold … and that’s the way I made the ‘tribute’ image with Bonn. As well as making Hefner’s new magazine a massive success, Kelley’s image … an image of tastefulness and sophistication … became truly historic, played a key role in shaping 20th century history, led to a redefinition of female sexuality in America and spawned a sexual revolution.

This is the first time ever I’ve ‘remade’ an earlier image by another photographer … and I’m damn sure it will also be the last … but I do hope you enjoy the resulting work, Bonn’s amazing ‘Marilyn’ portrayal and the rationale behind retelling a pivotal and timely part of the Monroe story.

This “Marilyn” – Bonn large framed work (below) is currently pride of place on the wall in the exhibition “Red Hot” (and available for sale) at the Kite Gallery in Cairns. The exhibition of great works runs until 16th January 2023 and is well worth checking out.

Image © Brian Cassey … with subject Bonn Marie and hair, makeup Sue Kim … (with Thanks and acknowledgement to photographer Tom Kelley)

Tribute to Marilyn Monroe sixty years after her untimely death in 1962 .... Image by Brian Cassey © (with Bonn Marie) based on the 1949 'Red sheet' work by photographer Tom Kelley which became Marilyn's and Playboy Magazines first ever cenrefold. in the magazine's first edition in 1953.