‘Tokyo’ First in ’24 …

… nice way to start 2024 ! …

Very gratifying news this week that two of my pics have done ‘it’ again … both winning ‘Honorable Mentions’ in the ‘People’ category of the Tokyo International Foto Awards (TIFA). The first of the New Year 2024 … 

Both selected TIFA images … “Do Not Resuscitate – Peter ‘Potter’ Thompson” (top) … & … “100 Years & 3 Weeks – Alf Neal OAM” (below) … have been recognised previously. Just before Christmas my portrait of Peter ‘Potter’ in his Kuranda ceramic studio was selected in the Top Twenty in the Capture Magazine portrait awards … whilst my portrait of Alf ‘Popeye’ Neal went a little better and was selected in the Top Ten in the same Awards (and published in the December issue of Capture Magazine) … along with an Honorable mention in the Budapest International Foto Awards (BIFA). ‘Alf’ has also racked up several other previous accolades … and for ‘Potter’ it’s the third.

Earlier last year these two images teamed up to win the ‘People’ category of the “19th Pollux International Awards” … which at the time was their first ‘recognitions’ .

Check out these (and others) on my ‘Awards’ page at … https://www.briancasseyphotographer.com/awards/

Images © Brian Cassey

Images © Brian Cassey 

Head On Photo Festival … Brilliant …

Crackin’ long weekend at the 2023 Head On Photo Festival in Sydney. 

Great to catch up with so many friends and photography colleagues. Amongst those photographers (and SO sorry for those fleetingly met and missed here) … and roughly in order they appeared …  Mark ‘Crusty’ Baker, David Gray, Rick Stevens, Mike Bowers, Peter Solness, Gary Ramage, Janie Barrett, John Donegan, Dean Sewell, Nicky Cately,  Judith Nangala Crispin, Jessica Hromas, Andrew Quilty, Michael Coyne, Glenn Porter, (pocket UK rocket) Jennifer Forward-Hayter,  John Swainston , Fiona Bowring and Dianne Brooks (who did an amazing job as my personal ‘chauffeur’ 😉 )

Then … you’ve got the fabulous dedicated Head On crew … Moshe Rosenzveig OAM, Anita, Steven, Emma, Charles, Lana et al. Amazin’ job !

Great to see the almost endless brilliant photography works at Bondi Beach, Reservoir Gardens, TAFE Ultimo etc … being part of a photo judges panel talk with colleagues Judith Nangala Crispin and Jessica Hromas … and to see my Head On Portrait Prize Finalist ‘Alf Neal’ work on the wall amongst a brilliant Bondi Pavilion exhibition in company with the work of media colleagues Gary Ramage, Kate Geraghty, Glenn Porter and forty odd others.

But wait … there’s more … the third showing for the “Paper Tigers” exhibition of Australian photojournalism, this time in the spacious realms of TAFE Ultimo … collection curated by myself and Moshe.

Wouldn’t have missed all this for quids … go see  … (and that’s the ‘name dropping’ other with 😉 )

Below are two of my works at the current Head On Festival … “Voices – 100 Years & 3 Weeks – Alf Neal OAM” amongst the Portrait Prize Finalists … and “Abdullatif – Beaten Asylum Seeker” amongst the sixty brilliant works of photojournalism that is “Paper Tigers”.

Images © Brian Cassey @headonphotofest #headonphoto 

Two George’s … Albert … & Kowanyama … 20th Pollux Awards …

Excellent news that my image “George at the Bus Stop” was just selected as WINNER of the ‘20th Pollux International Photo Awards’ – People … whilst three other of my works received Honourable Mentions !

Very nice Result ! Thank You so much to all my wonderful subjects … 

Whilst the portrait of George Skeene OAM got the biggest nod … “The Last of the Trochus Divers” (Albert ‘Boyo’ Ware), “George Craig – Crocodile Hunter” and the series “The People from the Place of Many Waters” (Kowanyama) all received Hon Mentions in the same ‘People’ category.

Winning images will be presented at an exhibition at the Fotonostrum Gallery, Barcelona, Spain in December 2024.

Gratifyingly, it’s the first award ‘recognitions’ for both “George at the Bus Stop” and “The Last of the Trochus Divers” … whilst it’s the second such for “George Craig – Crocodile Hunter” and “The People from the Place of Many Waters”. 

Wonder if I can get to Spain ? 🙂

20th Pollux Awards ‘WINNER’ & ‘Honourable Mentions’ X 3  – ‘People ‘ … Images all © Brian Cassey @brian_cassey

Images © Brian Cassey

Dr George Skeene at “Burning Cane” … Sold

Still time to take in the work of the far norths best portrait artists across all mediums at the Crate 59 “Burning Cane” exhibition in Cairns. Now in its second year the exhibition consists of over 40 works of great portraiture and it’s certain to become an annual firm favourite.

Crate 59 was packed for the “Burning Cane” opening eve event back in September … and I was very happy to have a photographic work on the gallery wall. “George at the Bus Stop” is a pretty straight forward piece of portrait photography … in contrast to many of the innovative and creative painted, drawn and sculptured works … but nevertheless seemed to attract a lot of attention. The framed work was bought by a local art collector (not sure If I can mention his name) and it was nice to see the ‘Red Dot’.

The story of “George at the Bus Stop” is one of those serendipitous twists of fate … a couple of minutes chance encounter that you can read all about George and our meeting in a previous post here.

Dr George Skeene OAM was a gentleman in those few moments … and he is very definitely a scholar (hence the OAM 🙂 ).

If you havn’t been already, “Burning Cane” is still open to viewers for the next couple of weeks but hours are limited to when Billy’s Coffee is open … Monday to Thursday 6am to 12.30, Friday and Saturday 6am to 3pm. Grab yourself a strong dark cuppa and take a look at some great art …

Last day is Thursday October 12th.

Image © Brian Cassey … “George at the Bus Stop” at the “Burning Cane” exhibition – Dr George Skeene OAM

8th Year … Trinity Bay High Student Portrait Prize …

This past week I once again had the delightful task of judging the works of Trinity Bay High School students in their annual Photographic Portrait Prize … and presenting the awards for the eighth year in a row.

Yearly, I’ve been amazed by the quality of photographic portraiture produced by the students … some barely in their teens. Looking back on my pictorial skills when their age, I would have been way down the bottom of class.

Having said that, this year when faced with over sixty quality portraits lining the Visual Arts walls, I was even more stunned. The collective students had really excelled and produced a ‘best ever’ portraiture exhibition.

Selecting the three winners was a daunting and lengthy task. In the end the overall winner boiled down to an almost impossible choice between two great portraits … neither of which would look out of place published in National Geographic magazine. Ultimately the self portrait ‘Window of Soul’ (top) by David-Paul Onakoy got the winning nod over ‘It Takes a Village to Raise a Child’ (second from top) made by his mate David Mashengo … but only just !! The Congolese student pair both produced wonderfully constructed portraits that told a story. David-Paul took home the winners prize of a DSLR camera courtesy of sponsors Garricks Camera House.

Interestingly and in contrast to the previous couple of years … this years three winners all showed strong eye contact in their portraits, with the beautifully executed and literally eye-catching work by Sienna Stuart-Bennet of her friend Shakira, ‘Vision’, making up the top prized trio.

I could have easily awarded a dozen or so ‘Honourable Mentions’ but had to limit the decision to just three, coincidently all black and white portraits. The works of … Jade Gubb (titled ‘Dystopian Gremlin’ – great attitude and angle of view) … Noecocha Cowley (‘Mary’ – striking use of shadow) … and Mattie-Leigh Hanson (‘Seashore’ – beautifully constructed and composed), prevailed. Virgil Gill won the top prize amongst the school staff section for the work ‘Sunshine’ … whilst ‘Sweet 16’ by student Shirley Vue (bottom image) was chosen by popular vote as ‘Peoples Choice’.

Much praise must go to the dedicated Visual Arts teaching staff at the school who are fostering and moulding this amazing young photographic talent.

You can view all the TBHS students winning works from the past seven years by clicking here… 2022202120202019201820172016

See you all next year for number nine …

Images © The Student Artists … from top … David-Paul Onakoy, David Mashengo, Sienna Stuart-Bennet, Jade Gubb, Noecocha Cowley & Mattie-Leigh Hanson, Shirley Vue

IRIS Award … It’s Alf …

… I wasn’t allowed to tell anyone which of my images was selected as a Finalist in the Perth Centre for Photography’s IRIS Awards a few weeks ago … the list of selected works was a well kept secret … but I can now !

Last Friday saw the opening eve of the awards in Perth … and the forty works selected as Finalists filled the PCP gallery. There was my image “100 Years & 3 Weeks – Alf Neal OAM” hanging nicely on the wall (thanks to the printing and framing skills of Paul Maietta and the crew at Fitzgerald Photo Imaging).

A little forward planning and a lot of positive finger crossing meant that I managed to arrive in Perth from London two days before Fridays’ opening event (shattered following the seventeen hour direct flight that I booked many months ago !).

It’s the third time in a row that my work has been selected as a finalist in this biennial award … links to my previous Finalist works may be found here (2021) … and here (2019) .

Sadly Alf didn’t get to hear of this latest ‘recognition’ of his work in indigenous community and on the 1967 referendum, as he passed away quietly in May this year.

However, “100 Years & 3 Weeks – Alf Neal OAM” is continuing to wrack up accolades and preserve the memory of a wonderful inspirational Yarrabah gentleman.

Image of Alf © Brian Cassey

IRIS Awards - Perth Centre for Photography 2023 Finalists

A Few New ‘Award Updates’ …

A few nice recognitions over the past few weeks … 🙂

Firstly … so nice to once again be selected as a Finalist in the Perth Centre for Photography’s ‘IRIS’ portrait awards …  a biennial award that my work has now been selected for the third time in a row. The actual finalist works chosen this time are still a necessary secret … but all will be revealed when the exhibition of finalist and winners works opens at PCP’s Perth gallery on September 1st. Fortunately I will be in Perth at that time en route back from the UK.

PCP describes the ‘IRIS’ awards so … “The IRIS Award celebrates excellence in portraiture photography, revealing portraits that are unique, original and conceptually stimulating. IRIS has been running for 18 years, with the inaugural exhibition held back in 2003”.

I missed seeing my last finalist work on the ‘IRIS” exhibition wall in 2021“Tears for George Floyd … 8 Minutes and 46 Seconds” …  due to the Covid-19 pandemic … so I’m looking forward to being there for this one.

Arguably the one of the nicest surprises was the news that my portrait of the now sadly departed 100 year old Alf ‘Popeye’ Neal OAM entitled “100 Years & 3 Weeks” was selected in the ‘Best 25’ of the Dohdo International photography magazines “Portrait – Best Photographers of 2023” collection. The pic of Alf is now nicely included in the large format hard cover year book “Portrait” (see top image below) and will also be exhibited in an online ‘Best 25’ collection for the next year. 

(The same image of Alf was earlier this year also selected as the Winner of the ‘People’ category of the 19th International Pollux Awards.)

In the 16th International Color Awards announced recently my works were selected as ‘Honourable Mentions’ in both the ‘Portrait’ category (with image “Covid Vax & Ice Cream”) and the ‘Children of the World’ category (with image “Veronica – Where Home Brew Kills”) … whilst my image “Scooter” also made the finalist cut in ‘Portrait’. See the trio of images below. All three have been acknowledged in previous awards.

Lastly in ‘new’ award dispatches … “Covid Vax & Ice Cream” again resonated when it was selected as a finalist in the ‘People’ category of the 2023 ‘ReFocus Colour Awards‘.

A pleasant few weeks … 🙂

Images © Brian Cassey

Albert … the Last of the Trochus Divers … and CIAF …

Now 83 years old Albert ‘Boyo’ Ware began his career as a trochus diver deckhand at the age of fifteen. He is now one of just a handful of Torres Strait and Aboriginal survivors of the trochus and pearl shell industry that dominated the farm northern Australian economy in the 1950’s and 1960’s.

Initially working trochus from small boats with a crew of four Albert eventually progressed to diving for pearl shell from larger lugger boats after the bottom fell out of the trochus market.

Albert still calls St Pauls on Moa Island in the Torres Strait ‘home ‘ despite his post seafaring exploits as a Cape York stockman and stints working on the railways and roads of far north Queensland.

A prolific story teller, Albert can bend your ears for hours with great humour and enthusiasm. One highlight of our conversations was this tale of the time he rode a whale. Diving for pearl shell at the southern end of the Great Barrier Reef near Gladstone they came across a twelve metre hump back whale stranded in a lagoon. The whale has doing circles around the lagoon so Albert and his mate jumped in, hung onto the whale tail and went for a spin. (The whale was fine and escaped to freedom when the tide rose.)

I met Albert at the opening of “Lugger Bort” … a Cairns Indigenous Art Fair event at The Tanks Arts Centre in Cairns. The brilliant exhibition curated by Nerelle Nicol focuses on “the working life of the Aboriginal, Torres Strait and South Sea Islanders who worked the pearling, Beche-de-mer and trochus industries living on luggers in Far North Queensland” was a ‘must see’ but sadly ended yesterday, Sunday.

A pleasure to listen to Albert tell his stories and to make his portrait … and … as he told me … “The journey is still on”.

Image © Brian Cassey

“Alf” & “Potter” Win Pollux International Award …

… very welcome news  … TWO of my recent images combined to win the ‘People’ category of the “19th Pollux International Awards” … first time ‘recognitions’ for them both.

Always satisfying when ‘new’ pics get a bit of attention.

The images “100 Years & 3 Weeks – Alf” and “Do Not Resuscitate – Peter Potter” … below … are the two works that were jointly selected as the Winner of the ‘People’ category.

“100 Years & 3 Weeks” (bottom) features prominent Kuku Djungan elder and aboriginal and islander leader and activist Alf Neal and his three week old great great grandson Kailan Murgha at their Yarrabah home two days before the community celebration of Alf’s centenary.

Alf was a driving force in a decade long fight for the 1967 referendum which resulted in Indigenous peoples recognition in Australia’s Constitution. He was awarded ‘Medal of the Order of Australia’ (OAM) for ‘Service to the Aboriginal community’ in 2019.

“Do Not Resuscitate – Peter Potter” (top) features prominent Master Potter … Peter “Potter” Thompson … in his Kuranda rainforest studio ‘Five Treasures’ where he produces his imaginative Asian/Taoist inspired clay works fired in wood-fired kilns. 

“Potter” is something of a miracle having survived three heart attacks over his decades long career producing works that have graced galleries far and wide. The tattoo over his pace maker enhanced heart and chest states ’N F Resuscitare’ (‘Do Not Resuscitate’) and his blood group … a testament to his longevity and Impeccably wry and dry sense of humour.

Was also excellent to see US mate, Washington Post shooter and Pulitzer Prize winner Michael Robinson Chavez get a mention in the ‘Documentary & Reportage’ category for his fantastic work in Ukraine.

The Pollux Awards have been awarding the best of the planets photographic works for near a couple of decades. 

Winners work will be exhibited, large scale, on the walls of the FotoNostrum Gallery in Barcelona, Spain in December later this year. (NB … I’ve had work exhibited in the Fotonostrum Gallery in Barcelona previously … back in 2021 with my portrait of Carol Mayer … “The Skin I’m In”. )

Pretty happy with that 🙂

Images © Brian Cassey

 

19th Pollux Awards - International - Winners - People - “100 Years & 3 Weeks - Alf” & “Do Not Resuscitate - Peter Potter” - images by Brian Cassey ©

19th Pollux Awards - International - Winners - People - “100 Years & 3 Weeks - Alf” & “Do Not Resuscitate - Peter Potter” - images by Brian Cassey ©

415,000 Entries … 200+ countries … Sony World Photography …

Yes … you’ve likely seen this work before 🙂 (as recently as my last post here … sorry) … BUT … what IS new is that “Mother Africa – Aurora” has been selected (announced yesterday) in the ‘Shortlist’ of just fourteen images in the 2023 Sony World Photography Awards for ‘Portraiture’. When you consider that this years Sony World wide awards attracted approximately four hundred and fifteen thousand entries from over two hundred countries, you’ll maybe understand why I’m pretty ‘chuffed’ and grateful that I can now show it again here in this context !

The fourteen short listed Open works in ‘Portraiture’ emanated from photographers around the planet  …  Denmark, the Philippines, Slovakia, USA, Angola, New Zealand, Australia, Nigeria (2), Poland (2) and the UK (3) … (see complete list below). (You may notice that, unusually, Sony decided to put myself and my work in the UK column (place of birth) rather than the more common place of residence column (Aus) … very nice to be British again 😉 )

The Winners and short listed works from this years awards … arguably the Worlds largest and most prestigious … will be published as a collection in a hard cover book ‘Sony World Photography Awards 2023’, … whilst Winning and shortlisted images will be exhibited as part of the Sony World Photography Awards exhibition at beautiful Somerset House in my old home town London from April 14 – May 1, 2023. (Hope my UK family can make it 😉 ).

“Mother Africa” was also short listed this month in “Portrait of Humanity” … a planet wide award and collection of photographic portraiture by the “British Journal of Photography” … and has also received major attention in several other International and Australian awards.

(NB … SO grateful to my subject, delightful African American Australian based Aurora Coulter … Thanks again ‘Rora’ !)

Image © Brian Cassey

Sony World Photography Awards 2023 - "Mother Africa - Aurora" by Brian Cassey Shortlisted in Open Portraiture ©.
Sony World Photography Awards 2023 - "Mother Africa - Aurora" by Brian Cassey Shortlisted in Open Portraiture ©.

Vol.5 … Portrait of Humanity

Very pleased with the announcement last eve … “Mother Africa” selected in the prestigious International “Portrait of Humanity 2023” awards ‘Shortlist’.   (Have known for a little while that the work “Mother Africa” featuring Aurora Coulter (below) was ‘Shortlisted’ but was sworn to secrecy till yesterdays official ‘announcement.)

Now in it’s 5th ‘edition’ and organised by the venerable highly respected British Journal of Photography 1854 … Portrait of Humanity has fast become one of the most select, yet largest, collections of contemporary portrait photography on the planet. 

“Mother Africa” will be amongst the other short listed works published in the “Portrait of Humanity 2023” hard cover book published by Hoxton Mini Press.

I was also stoked to be ’shortlisted’ in the first, second and fourth editions of POH over past years. First and second edition winning portraits … “Aurukun – Generations”, “Ramnami” and “The Skin I’m In” were exhibited ‘in space’ above the planet by Portrait of Humanity in a very creative exercise. Last year’s selected work in edition four was “Covid Vax & Ice Cream “ … a portrait of Leanna Bulmer after her Covid vaccination at Yarrabah. 

Many Thanks once again must go to my talented and delightful subject Aurora … making the picture was an emotional moment in our friend Marc’s ‘studio shed’ and Aurora really made it ‘work’.

The image is certainly racking up a nice little ‘collection’ 🙂 … check out previous recognitions for “Mother Africa” on my ‘Awards’ page at … www.briancasseyphotographer.com/awards .

 Image © Brian Cassey @brian_cassey @bjp1854 @portrait_of_humanity @1854_PoH @The British Journal of Photography

"Portrait of Humanity 2023" - Shortlisted and published in Portrait of Humanity 2023 by Hoxton Mini Press - "Mother Africa - Aurora" - Image by Brian Cassey

Marilyn Monroe, Playboy Magazine … & Bonn …

… VERY much a departure from what I normally do … and for that matter … what I’ve ever done.

I admit … this image I produced may look somewhat ‘familiar’ to many of a certain ‘vintage’. However, I can assure you that it is brand new. The ‘polar opposite’ of photojournalism, documentary, reportage etc, it does, indeed, tell a timely story I wanted to tell.

The year 2022 marked the 60th anniversary of the death of arguably the planet’s greatest ever sex symbol … movie star and blonde bombshell Marilyn Monroe. She died at just 36 …

There were many thousands of photographs made of Marilyn (Norma Jeane) during her stellar but far too short career as an actress, model, sometimes singer … and undeniable centre of massive unrelenting attention.

What I aimed to portray in this work was a recreation of ‘Marilyn’ in the vintage style of the days of the mid last century when she captivated audiences around the World … and in Cairns character and model Bonn Marie I knew I had just the person to make that happen. (Bonn had previously featured in one of my works that gained a fair bit of International attention.)

In particular … this image I made of Bonn (below) mirrors one of the works of US photographer Tom Kelley who had the enviable task of shooting Marilyn’s infamous ‘red velvet’ set in 1949 before her acting career took off (when she had red hair pre the ‘blond bombshell’ era). Strangely Tom’s image didn’t receive lavish attention until Hugh Hefner selected it for the first centrefold in the first ever edition of Playboy Magazine in 1953 !

I still can’t get over the fantastic job that Bonn (aided by the mastery of make up artist Sue Kim) did in morphing into Marilyn’s character and look … the resemblance is chilling. Despite the fact that I didn’t attempt to copy the original pose in Tom’s work directly … the similarities in body shape, pose, style, expression and more are obvious. Bonn created a damn fine Marilyn …

A couple of little interesting asides about the original Kelley image. Originally … pre Playboy … Marilyn faced right to left in the frame. Hefner decided to reverse it in the magazine centrefold … and that’s the way I made the ‘tribute’ image with Bonn. As well as making Hefner’s new magazine a massive success, Kelley’s image … an image of tastefulness and sophistication … became truly historic, played a key role in shaping 20th century history, led to a redefinition of female sexuality in America and spawned a sexual revolution.

This is the first time ever I’ve ‘remade’ an earlier image by another photographer … and I’m damn sure it will also be the last … but I do hope you enjoy the resulting work, Bonn’s amazing ‘Marilyn’ portrayal and the rationale behind retelling a pivotal and timely part of the Monroe story.

This “Marilyn” – Bonn large framed work (below) is currently pride of place on the wall in the exhibition “Red Hot” (and available for sale) at the Kite Gallery in Cairns. The exhibition of great works runs until 16th January 2023 and is well worth checking out.

Image © Brian Cassey … with subject Bonn Marie and hair, makeup Sue Kim … (with Thanks and acknowledgement to photographer Tom Kelley)

Tribute to Marilyn Monroe sixty years after her untimely death in 1962 .... Image by Brian Cassey © (with Bonn Marie) based on the 1949 'Red sheet' work by photographer Tom Kelley which became Marilyn's and Playboy Magazines first ever cenrefold. in the magazine's first edition in 1953.

Tokyo … and “Mother Africa” …

…  nice timing and Merry Xmas …

Early in the hours of Christmas Eve an email dropped in with the nice news that my image “Mother Africa” had been selected again … this time for a “Bronze” award in the ’22 Tokyo International Foto Awards (TIFA) Fine Art category.

So pleased that this work has gained attention. To be accurate the making of this image (in a friends little basic shed studio) engendered a lot of emotion … and tears.  My subject, the delightful currently Australia based  African American Aurora Coulter,  knew the ‘look’ that would make the photograph ‘work’ at depicting the historical … (and still current when you take into consideration the death of black man George Floyd and others at the hands of police officers etc) … treatment of her forebears in the US. Aurora dug into the depths of past memories and experiences for this image … and for that I’m so grateful. Her emotion made it ‘work’.

“Mother Africa” has been selected previously in other awards since it was made in January earlier this (nearly over) year … the International Portrait Photographer of the Year, The Pollux Awards, the International Photography Awards (IPA), Budapest International Foto Awards (BIFA), Moscow International Foto Awards (MIFA), the Percival Portrait Prize … and … another arguably more prestigious prize that I am not at liberty yet to tell anyone about 🙂

Once again Aurora … the very biggest Thanks … !

Image © Brian Cassey

Tokyo International Foto Awards (TIFA) 2022 - WINNER - Bronze Award - Fine Art - image by Brian Cassey

Mentioned in Dispatches from Budapest …

… Nice … 4 X Honourable Mentions in the 2022 Budapest International Foto Awards (BIFA) announced yesterday.

You’ve likely seen the work before on this blog, social media or elsewhere … but always nice to receive a little more kudos. So … here they are …

1. “Veronica – Where Home Brew Kills” – People/Children – Five year old Veronica Barnes on Mornington Island in far northern Australia. Her remote indigenous community is suffering the ravages of a dangerous ‘Home Brew’ alcohol epidemic. Veronica is growing up in a community where community members – including children – are dying from alcohol related issues and severe diabetes.
2. “Scooter- Paralympian” – Editorial/Sport – Swim Paralympian Grant “Scooter” Patterson has diastrophic dysplasia, a joint fusion disability connected to dwarfism. He was catapulted to cult hero status around the planet when he won silver and bronze swim medals at the 2020 Tokyo Paralympics. His nickname comes from his constant form of transport – a three wheel scooter.
3. “Mother Africa” – People/Culture – As a black Colorado born African American, Aurora Coulter is acutely aware of her heritage, the treatment of her coloured predecessors and forebears in the United States – and also the history of Australia’s indigenous population since supposed ‘settlement’.
4. “Covid Vax & Ice Cream” – People/Portrait – After receiving her first Pfizer Covid-19 vaccination in her remote Yarrabah far north Australia home, 67 year old aboriginal Leanne Bulmer sits with her ‘reward’ – a free ice cream from the ice cream van that was arranged to follow the on foot ‘door to door’ doctors and medical teams through the indigenous community.

Taking some of the gloss off the BIFA announcement was the insane decision by both IG and FB to ‘remove’ the tasteful and respectful ‘news’ image of Veronica citing their ‘community standards’ and impose a ‘ban’ … whilst they constantly bombard social media with unsolicited overtly sexually blatant images of females displaying their various ‘bits’. Go figure …

You may check out where all four of these images have previously gained attention on my ‘Awards’ page here.

Also a special mention and a brilliant result for Cairns colleague and friend Emese Gyalog who won a ‘Bronze’ award and also 4 x Honourable Mentions … (and who just happens to be in Budapest right now.)

Big Thanks to my subjects … Veronica, Grant ‘Scooter’ Patterson, Aurora Coulter and Leanne Bulmer.

Images © Brian Cassey

Budapest International Foto Awards (BIFA 2022 - Honourable Mention X 4 - "Veronica - Where Home Brew Kills", "Scooter", "Mother Africa" & "Covid Vax & Ice Cream" - by Brian Cassey

 

Head On Photo Festival … Exhibitions and Talks … Brilliant

There is so much I could say about this years Head On Photo Festival in Sydney. Could almost write a book about it …

Sadly, don’t have enough space to tell all about this years exhibitions, artists talks, panel talks, awards and other photographer events that made this years, soon to conclude, festival so special … but I will try.

This years annual extravaganza was based around the beautiful newly remodelled Bondi Pavilion opposite the World famous beach … and in the stunning surrounds at the Reservoir Gardens in Paddington. The work of 500-plus photographers was displayed in 107 exhibitions across the two major venues and further afield.

Work from my “A Photographer’s Life – Part Two” collection … first exhibited in full last year at The Court House Gallery in Cairns  … was selected as a ‘featured’ exhibition in Reservoir Gardens. Re-titled “(Selections From) A Photographer’s Life – Part Two” the work on the picturesque wall was edited down to twelve works (from the original 38) by Head On’s Moshe Rosenzveig and team (see top two images below).

Out of the nine other exhibitions also displayed in Reservoir Gardens four were my firm festival favourites … the works of two photojournalists, Giles Clarke from the USA (“Yemen: Conflict & Chaos”) and Mouneb Taim from Syria (“War Notes”), Judith Nangala Crispin’s magnificent and startling photographic creations using wild animals “Dangerous Stars” … and the haunting, disturbing, brave yet occasionally amusing work by breast cancer survivor Lisa Murray and her five-year-old son Griffin entitled “Through My Child’s Eyes”. Brilliant visual treats all …

Out of the many, many exhibitions lining the entire length of Bondi Beach I was most drawn to two that displayed a great visual sense of humour during Covid lockdown … Andrew Rovenko’s fabulous “The Rocketgirl Chronicles” and my old once Cairns mate Jake Nowakowski and his brilliant “Superheroes in Lockdown” set.

Please do take some time to click on the links to see these great exhibitions. Sadly the Reservoir Gardens exhibitions closed at the weekend but the Bondi works will be on display until December 4th.

I was also asked to do some ‘nattering’ at the Festival … in particular an artist talk regarding my “A Photographer’s Life – Part Two” work … and a panel talk on the challenges of photojournalism, and how photojournalists gain trust from and access to their subject entitled “Insiders & Outsiders”. The above mentioned photojournalists Giles Clarke and Mouneb Taim were my co-panelists in a talk moderated by photography journalist Alison Steven-Taylor.

Arguably the most satisfying festival event for me personally was the (re)opening of “Paper Tigers” … an exhibition of the work of sixty of Australia’s best photojournalists curated my myself and Moshe Rosenzveig. The culmination of nearly a year of cajoling and collecting the work of the best of Aussie based media PJ’s, the original exhibition of the sixty collected works was slap bang in the middle of Covid lockdowns and border closures. I and many others of the our contributors … even those in NSW … obviously couldn’t attend. Moshe and the Head On crew made good on their promise of ‘Launch Two’ at the fabulous Delmar Gallery in Ashfield just two weekends ago … and our “Paper Tigers” contributors could at last travel from around the country to celebrate the works on the walls and the accompanying “Paper Tigers” book (see images three and four below).

For those interested … here are the contributors to “Paper Tigers” … a totally talented bunch who withstood my constant nagging … Thanks …

Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob Maccoll, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz and Tracey Nearmy.

Many Thanks to the Head On crew of Moshe, Anita, Stephen, India, Georgia and Talia for putting on a truly awesome festival.

Finally … two further things … happy to report that my image “Scooter” (Paralympian Grant Patterson) was selected as semi-finalist in the Head On Portrait Prize (image below) … and that in a very, very, VERY rare occurrence fellow photographer lovely Iceland based Serena Dzenis managed to con me into being the subject (hate that) of a damn photograph at my Reservoir Gardens exhibition (bottom below). No idea how she managed that …

Images © Brian Cassey (top five) & Serena Dzenis (bottom)

Head On Photo Festival 2022 - "(Selections From) A Photographer's Life - Part Two" - by Brian Cassey - at the Reservoir Gardens Paddington Sydney

Head On Photo Festival 2022 - "(Selections From) A Photographer's Life - Part Two" - by Brian Cassey - at the Reservoir Gardens Paddington Sydney

Head On Photo Festival 2022 - "Paper Tigers" exhibition of Australian photojournalism - Curated by Brian Cassey and Moshe Rosenzveig - at Delmar Gallery Ashfield Sydney

Head On Photo Festival 2022 - "Paper Tigers" exhibition of Australian photojournalism - Curated by Brian Cassey and Moshe Rosenzveig - at Delmar Gallery Ashfield Sydney

"Scooter" - Semi-Finalist in the Head On Portrait Prize 2022 - image by Brian Cassey

Brian Cassey at his Head vOn Photo Festival exhibition "(Selection From) - A Photographer's Life - Part Two" at Reservoir Garden Paddington Sydney - image by Serena Dzenis

“Australian Life” … Sydney Awards & Exhibition Including “Covid Vax & Ice Cream” …

… this is the way to display photographers work !

Just spent a few days in Sydney town to take in the opening of the 2022 “Australian Life” photographic awards and exhibition in Hyde Park … and it’s a cracker ! 

The work of twenty eight selected award Finalists … very gratifyingly including my “Covid Vax & Ice Cream” portrait of Yarrabah’s Leanne Bulmer …  are showcased along one of Hyde Park’s main pedestrian thoroughfares. Each work is brilliantly displayed at 2.8 metres wide in massive lightboxes … at dusk the pictorial effect was startling. 

The range of work displayed is diverse, sometimes poignant, sometimes amusing, invariably fascinating and a visual feast. 

Sydney Mayor Clover Moore commented on the event …  “These images are thought-provoking, joyful, harrowing. Each one captures a moment in time somewhere in Australia and together they form a record of the challenges and richness of Australian life”.

The twenty eight works in the exhibition were selected from a total of over seventeen hundred images from around the country. Many Thanks to all the photographers who were selected and made this exhibition ‘special’.

Opening eve, of course, it rained constantly … but since then the weather has been kinder and a constant flow of pedestrians have taken in the show.

If you are unable to visit the exhibition in Sydney you may find all the exhibition images on the City of Sydney website at … https://news.cityofsydney.nsw.gov.au/photos/australian-life-photography-competition-finalists-2022… but it isn’t as good as ‘being there’.

You can also listen to a two minute audio file on my “Covid Vax & Ice Cream” image … that is available to access by scanning a barcode under the displayed work in Hyde Park … here … https://cityofsydney.wistia.com/medias/cm60fq1d2y

Great to see this City of Sydney – Art & About event return following a two year pandemic hiatus. The exhibit is open to all in Hyde Park (adjacent to St James Station) until October 9th.

Images © Brian Cassey – “Covid Vax & Ice Cream” – top and second from left bottom image (other individual works © the artists) … Thanks (once again) to my subject Leanne.

2022 "Australian Life" photo awards - Hyde Park, Sydney - Art & About - "Covid Vax & Ice Cream" by Brian Cassey

2022 "Australian Life" photo awards - Hyde Park, Sydney - Art & About - "Covid Vax & Ice Cream" by Brian Cassey

2022 "Australian Life" photo awards - Hyde Park, Sydney - Art & About - "Covid Vax & Ice Cream" by Brian Cassey

Judging School Students Portraiture at TBHS …

The years fly by … it seems almost yesterday that I was asked for the first time to judge the work of Trinity Bay High Schools photography class students. It was actually seven years ago in 2016 … and the students whose work was displayed in that years exhibition will now be well into their twenties.

This year I once again had the distinct pleasure of being asked to judge the schools annual photographic portrait prize … for the seventh year in a row.

Last week that judging took place followed by the announcement of winners and presentations …

There were a whole host of great portraits adorning the walls of the schools gallery that could have made it into the winners circle including (but not only) works by Axil Austin, Marie Johnson, Naomi Rubambo, Patrick Munguyiko and Prince Mashengo.

A very challenging decision this year … but after circling the gallery works on the wall many times …  with several breaks for rumination … i came up with these results (images below, counter clockwise from top) … Winner – ‘Bridezilla’ by Ali Talty , Second Place – ‘Mutesi’ by Angelique Iradukanda, Third Place – ‘Muslim Girl’ by Samita Khadka and Highly Commended – ‘The Deadly Clown’ by Mamta Bista. At bottom below is the work that was voted Peoples Choice by visitors to the exhibition … ‘Island Eyes’ by Peiwa Wamala  … and personally I’m glad they did :-).

Ali’s Winning work ‘Bridezilla’ was unmissable on the wall … a highly detailed image from a great quality file. It’s one of those images that you can’t stop looking around and searching for little details and making your own ‘interpretations’. (Still not one hundred percent about the title tho’ 😉 ). For her excellent wining work Ali was presented with a DSLR camera courtesy of sponsor Garricks Camera House, Cairns by teacher Ian Whittaker.

Angelique’s Second Place ‘Mutesi’ is a nicely put together classy, sophisticated work … nice interesting pose by the subject, displaying her to best effect.

An excellent quality image file and the use of great quality of the light and careful pose and composition used in Samita’s ‘Muslim Girl’ made it an exceptional work and a well deserved Third.

Some may feel that the selection of Mamta’s ‘The Deadly Clown’ may have been a ‘controversial’ decision. My take is that the almost abstract work is totally unmissable and unforgettable … some viewers remarked it was ‘very scary’. Great … if an image evokes emotion I’m all for it. I’ve seen the body of work that Mamta selected this image from … and it’s great creative work that deserved recognition.

The Trinity Bay teachers excelled this year with more entries in the ‘Staff Award’ than previous years … and my selection for best staff entry was a clever black and white work ‘Infinite Gambit’ by Kelly Nottle.

Over the years I’ve been constantly amazed by the work that these grade 12, 11 and younger students produce … and the work that that the teachers of the Visual Arts Faculty … this year Luke Madsen, Caroline Mudge and Clair Lloyd … nurture their students to produce.

Can’t wait for my eighth TBHS Photographic Portrait Prize next year …

You can find the previous winning images from the last six years of the TBHS portrait prize here …20212020, 2019, 2018, 2017, 2016.

Images © the students … (top four – counter clockwise from top) … ‘Bridezilla’ by Ali Talty, ‘Mutesi’ by Angelique Iradukanda, ‘Muslim Girl’ by Samita Khadka and ‘The Deadly Clown’ by Mamta Bista … (bottom) … ‘Island Eyes’ by Peiwa Wamala

Trinity Bay High School Portrait Prize 2022 - winner by Ali Talty - judge Brian Cassey

Trinity Bay High School Portrait Prize 2022 - 3rd and 2nd Place - Muslim Girl Samita Khadka_ Mutesi by Angelique - judge Brian Cassey

Trinity Bay High School Portrait Prize - Honourable - The Deadly Clown by Mamta Bista - judge Brian Cassey

Trinity Bay High School Portrait Prize - People's Choice - Island Eyes - Peiwa Wamala

 

Tim Page … 25 May 1944 to 24 August 2022 …

Tim … a LEGEND in the REAL sense of the word …

Born in Tunbridge Wells in Kent UK (not far from where I was ‘brung up’ some years later), Tim went on to become one of the most adventurous, successful and colourful conflict photojournalists on the planet.

Yesterday was his last day on that planet …

I’ve been fortunate to not only have been aware and in awe of Tim’s work since the late ’60’s but to have met and chatted with Tim on many occasions over the decades. Not enough occasions … but somewhat privileged nevertheless …

One of my fondest memories of the irrepressible Tim was on ‘Table 55’ at the 2016 Walkley Awards in Brisbane. What must have been the best and most enjoyable table of the evening consisted of eventual ‘Gold Walkley’ winner and younger photojournalist legend Andrew Quilty (and his delightful mum Ann), photography journalist Alison Steven-Taylor, fellow photojournalist Michael Amendolia, little ol’ me … and Tim escorting his lovely partner Marianne Harris. The best way to spend any eve … and a great way to celebrate my little win in the Nikon Walkley Portrait Prize.

In the pics below the two ‘Legends’ Tim and Andrew ‘chew the cud’ following Andrew’s big win (second image from top) … and (third from top) Tim watches the announcement of my Nikon Walkley Portrait Award  with Marianne.

It was whilst nattering at table 55 that Tim broached the idea of a ‘print swap’. He fancied a signed copy of my winning portrait of “Abdullatif – Beaten Refugee”.

Bloody ‘ell … I was distinctly honoured and more than happy to oblige !

As sometimes happens all went a little quiet on the issue … until a couple of YEARS later when this turned up in the mail (top below) … a signed print …

“Ambush of 173rd Airborne – Iron Triangle – 1965”

Tim made this image very early on in his stella career whilst covering a Vietcong ambush of the US 173rd in South Vietnam. His work from this action saw his first publication in ‘Life’ magazine. Several of Tim’s images of this ambush aftermath are infamous and all over the net … but I’ve found no evidence of this particular frame elsewhere (please correct me if I’m wrong.)

It will be treasured … 

Here’s how Tim described his work covering the ambush …

“It was Larry Burrows who had to teach me how to load my first Leica M3; I got it as a perk having just had this image (nb – a similar image at the scene but including helicopters) run as a vertical double truck in a 5-page spread in LIFE in the fall of ’65.

At the same time that Hello Dolly opened at Nha Trang airbase, a company of 173rd Airborne had walked into an ambush in Viet Cong base zone, known as the Iron Triangle. The sign had read “American who read this die.”

A class of prime youth shredded in seconds.

The dust-offs started coming within 30 minutes. I got a ride back to Ton San Nhut and was downtown in Room 401 of the Caravelle in another 30. Mostly, I remember carrying a badly wounded grunt whose leg came off and he almost bled out.”

(Notes … ‘dust-off’ was the lingo (and call sign) for casualty evacuation by helicopter … the Caravelle was the hotel in central Saigon where the media invariably stayed (and is still there.)

Tim also personally signed my copy of his book ‘Requiem’ … the brilliant volume he collated containing the work of the photographers and journalists killed during the Vietnamese wars against the Japanese, French and Americans. ‘Requiem’ became a must see traveling photographic exhibition that traversed the planet. Fittingly and luckily I took in the exhibition when it was presented in Vietnam’s War Remnants Museum in Ho Chi Minh City in 2014.

The last image below was made when Tim visited Cairns TEN years ago to talk at the launch of the Degrees South Collection volume “WAR” … along with two other photojournalist members of Degrees South, David Dare Parker and Michael Coyne. Tim, David and Michael each signed my cherished copy … over one or two beers 😉

Tim survived injuries in action four times. The first in Chu Lai September 1965 when he was struck by shrapnel in the legs and stomach; the second during Buddhist riots in Da Nang in 1966 when he sustained more shrapnel wounds to the head, back, and arms … and the third in August 1966 in the South China sea, when he was on board a coast guard cutter mistakenly strafed by the US Air Force which left Tim adrift at sea badly wounded. Lastly, in April 1969 Tim jumped out of a helicopter to help load wounded soldiers just as a sergeant stepped on a nearby mine, sending a 2-inch piece of shrapnel into Tim’s head. Tim’s multiple injuries led his colleagues in the field to joke that he would never make it to the age of 23.

Tim made it to yesterday aged 78 …. 

NB. For All interested … have found the entire series of “Frankie’s House” made in 1992 (all four episodes at around the two hundred minute mark) … a TV series based (pretty loosely) on the early photojournalism career of Tim in Vietnam. Can be found on YouTube at … https://www.youtube.com/playlist?list=PLMqda4uF4-_4Azl9H-Xy5ES0NrHnbB5bd .)  Apparently Tim wasn’t a fan …

Images © Tim Page & Brian Cassey

Ambush of 173rd Airborne Iron Triangle 1965 - Image by Tim Page ... Brian Cassey Blog

Photojpurnalists Tim Page and Andrew Quilty at Table 55, Walkley Awards 2016 - Image by Brian Cassey

Photojpurnalist Tim Page at Table 55, Walkley Awards 2016 - with Nikon Walkley Portrait Prize winning image "Abdullatif - Beaten Asylum Seeker" by Brian Cassey

War Photojournalist Tim Page at Cairns launch of 'WAR - Degrees South' at The Tanks, Cairns - image by Brian Cassey

Pollux and Barcelona …

… very nice news this week … mainly that Leanne and my image “Covid Vax & Ice Cream” (yeah … that one again) has been declared the Winner of the 2022 ‘Pollux International’ award ‘People’ prize. Yay …

Best part of the news is that ‘“Covid Vax & Ice Cream” will now be exhibited ‘on the wall’ of the Fotonostrum Gallery, Barcelona, Spain in October as part of the 7th Biennial of Fine Art and Documentary Photography.

Icing on the cake is that my two other works … “Mother Africa” (Aurora Coulter) and “Scooter” (Paralympian Grant ‘Scooter’ Patterson) … were also each recognised with an ‘Honourable Mention’ in Portrait. (Pleasingly the first recognition for the “Scooter” image. Thanks Scooter !)) Happy with that … 

Images © Brian Cassey

2022 Pollux International Photo Awards - People - "Covid Vax & Ice Cream" - image by Brian Cassey

Leanne … You International Star You … !

Two pieces of ‘news’ that I’ve known about for a little while but had to stay ‘dumb’ about … Leanne and “Covid Vax & Ice Cream” has done it again … twice !

Firstly, my portrait of Leanne with her post Pfizer jab ice cream in Yarrabah (top below), has been selected as a Finalist in the prestigious planet wide ‘Kuala Lumpur International Portrait Prize’ (KLPA). The three selected as major prize winners of the award have now been announced, whilst all the thirty four Finalists will make up a KLPA exhibition at the GMBB gallery in Malaysia’s capital from the 16th September till the 2nd of October. It will be well worth a visit if you happen to be in KL … especially to see on the wall the beautiful winning entry by Australian Carole Mills Noronha entitled ‘Wonder’.

Very gratifying … and more so as KLPA has donated the proceeds from the award to be shared equally by Disaster Emergencies Committee and the United Nations Crisis Response to aid Ukrainian refugees.

It’s the third time I’ve been fortunate to be selected in the ‘Kuala Lumpur International Portrait Prize’.  On the first occasion (pre covid in 2013) I travelled to Kuala Lumpur for the exhibition opening and presentation. My successful work that year was “Roustabout” … and it did look fabulous (and big) on the gallery wall (centre below).

Last year 2021 – despite being selected as a finalist for the second time with “Aurukun Generations” (also below) – a visit to KL was Covid problematic. The exhibition of portraits was delayed and delayed … until the works finally appeared on the exhibition gallery walls at the the GMBB creative community centre in Bukit Bintang, KL in January and February this year.

The works selected as this years Finalists may be found here … https://www.klphotoawards.com

Secondly … received the news that “Covid Vax & Ice Cream” also made the Shortlist selection (from a grand total of 4,482 works) in the annual National Portrait Gallery London ‘Taylor Wessing Photographic Portrait Prize’ … the second year in a row I’ve been shortlisted. Third time luckier ?

Earlier this year “Covid Vax & Ice Cream” was also selected in the World wide ‘Portrait of Humanity’ awards … and a Finalist in the ‘Percival Photographic Portrait Prize’ at the Perc Tucker Gallery in Townsville.

… and … there’s yet another exciting announcement for “Covid Vax & Ice Cream” coming up soon 😉 ! Thanks Leanne … !

Images © Brian Cassey

Kulala Lumpur International Portrait Prize (KLPA) 2022 - Finalist - Covid Vax & Ice Cream - by Brian Cassey

Kulala Lumpur International Portrait Prize (KLPA) 2013 - Finalist - 'Roustabout' - by Brian Cassey

Kuala Lumpur International Portrait Prize (KLPA) 2021 - Finalist - 'Generations - Aurukun' - by Brian Cassey

‘Veronica’ Wins MIFA Gold …

But wait … there’s more !  Hot on the heels of the wonderful 2022 ‘International Portrait Photographer of the Year’ results … see the post on the 25th of June … has come the results from the 2022 ‘Moscow International Foto Awards’ (MIFA). (N.B – not political or warmongering in any way).

The great new news is my images picked up two gongs … a Winning shiny Gold in the ‘Editorial’ category and a Bronze in the ‘People’ category.

Really stoked to see ‘Veronica – Where Home Brew Kills’ … an image I made (top below) in Mornington Island in the Gulf of Carpentaria whilst covering the story of a dangerous home brew alcohol epidemic in the community … take out the Gold placement in Editorial & Environment. It’s the second time it’s caught the eye, winning an ‘Honourable Mention’ earlier this year in the 2022 17th Pollux Awards. (Will prepare a print for Veronica and her family and deliver to them when next I get to Mornington Island.)

Also in the MIFA mix was my portrait of the delightful African American Aurora (bottom of this post) entitled ‘Mother Africa’ which won a Bronze award in People/Culture. The aim of ‘Mother Africa’ was to represent the ill treatment of Aurora’s African forbears in the America’s over the centuries. The work is racking up a list of recognitions with previous selections in 2022 The Percival Portrait Prize, the 2022 International Color Awards and the 2022 International Portrait Photographer of the Year.

Huge Thanks to Veronica and Aurora … can’t do this stuff without wonderful subjects.

Without overdoing it … there’s a couple of more bits of good news coming … but I’m not allowed at this stage to share the details 🙂

Images © Brian Cassey

Moscow International Foto Awards (MIFA) 2022 Winning images Gold Award - Editorial Environment - "Veronica - Where Home Brew Kills", Bronze Award - People Culture - "Mother Africa" by Brian Cassey

Moscow International Foto Awards (MIFA) 2022 Winning images Gold Award - Editorial Environment - "Veronica - Where Home Brew Kills", Bronze Award - People Culture - "Mother Africa" by Brian Cassey

Three (New) Images Selected in Percival Portrait Prize …

Chuffed that three of my portraits are getting their FIRST award recognition after being selected yesterday (Friday) as Finalists in the bi-annual Percival Portrait Prize. They will be exhibited on the gracious walls of the historic Perc Tucker Gallery in Townsville.

The award runs in conjunction with the Percival Painting Portrait Prize and attracts entries from around Australia and Internationally.

Nice to see these three more recent images selected … ‘Covid Vax & Ice Cream’ (top – Leanne at Yarrabah after her Covid vaccination),  ‘Mother Africa’ (centre – African American Aurora Coulter) and ‘Graham Elms – Legendary Larrikin’ (bottom) … all made in far north Queensland in the last few months.

‘Covid Vax & Ice Cream’ was made for a The Australian story on the door to door vaccination program in the indigenous community of Yarrabah. ‘Mother Africa’ … of Colorado USA raised African American Aurora Coulter …  was made to depict the historic plight of black Americans, an issue very close to Aurora’s heart. ‘Graham Elms – Legendary Larrikin’ was made for a Sunday Mail series on … well … ‘Larrikins’. Graham is your archetypal far north Queensland bad boy of old.

It’s now three ‘Percival’s’ in a row that I have had work selected to be exhibited … three works in 2018 hereand two in 2016 here

The winners of this years Percival Photographic Portrait Prize will be selected and announced at the exhibition opening at Perc Tucker Gallery in Townsville on the 23rd April and will show till July 3rd.

Images © Brian Cassey

 

6th Time Lucky … Sydney & The Walkley Awards …

Sydney … got there … and so stoked I did !!

On five occasions since the Covid virus reared it’s ugly head two years ago, I’ve booked to travel to Sydney for photography (and social) events … each time to be thwarted by new outbreaks, lockdowns or border closures. Seemed like it would never happen …

Then, in November last year, I received the fabulous news that my “The Yarrick Family of Kunhanhaa” image was selected as the Winner of the Nikon Walkley Portrait Prize. Epic. Not only that … but the Walkley Foundation contacted me and asked if I would present a Walkley Masterclass on photojournalism and portraiture as a prelude to the awards presentation eve, by then delayed and re-scheduled for Tamworth NSW in the first weeks of February. Of course … what’s not to like 🙂

With flights booked to Tamworth nervously waited and monitored the news of the latest Covid Omicron march across Australia. In January the Tamworth Country Music Festival was cancelled and the Walkley’s had no choice but to move their awards away from Tamworth and reschedule in Sydney later in February.

So … last week I actually flew to Sydney … presented my “The Portrait & Photojournalism” Walkley Masterclass at Macleay College to the assembled enthusiastic twenty plus audience throng … AND … had an absolute belter of an evening (and somewhat later) at the Walkley Awards.

Thanks to the Walkley Foundation, the International Convention Centre Darling Harbour and the Nikon Australia crew, it really was a fabulous evening … with an amazing’ collection of Aus based photographers … umm … ‘celebrating’ … and a recognition of my win in the Nikon Portrait Prize.

Hope I don’t miss anyone … but here goes with the Aus based media photographers who were also there and why …

Alex Coppel won the ‘Sport Photography’ category and ‘Press Photographer of the Year’, Andrew Quilty won ‘Long Form Feature Writing’, Dean Sewell won ‘Feature/Photographic Essay’, Brooke Mitchell won ‘News Photography’ … Finalists Jake Nowakowski, Justin McManus, Scott Barbour, Jason Edwards, Chris Hopkins, Michael Dodge joined other prominent photo media figures Mark ‘Crusty’ Baker (AP), Dean Lewins (AAP), Jeremy Piper, Tracey Nearmy, Matt Abbott and James Brickwood. Many of us were graciously hosted on the two Nikon Australia tables (and at the ‘after parties’ – plural) by Nikon Marketing Manager Kylie Dredge and Professional Marketing Manager Julie Kimpton. (Huge Thanks Kylie and Julie ! … and couldn’t ask for a better bunch of colleagues to celebrate with.)

Below is a little vid of the announcement of my Nikon Portrait Prize win (my third win in this category in the last ten years) at the awards last Friday eve. It’s very short as I was too busy nattering to photographer mates, hampered by a large glass of Shiraz in my hand and missed the start of the announcement. Oh well … (the sound is the best bit).

Clip © Brian Cassey (iPhone)

 

 

Documenting Mt Mulligan Mine Disaster 1921 for Aus Geographic …

How do you illustrate, in the middle of a pandemic, a story of a tragedy that happened one hundred years ago in a remote part of Australia ? That was the delightful challenge that I was set by Australian Geographic for their story in the just published March/April ’22 edition on the September 1921 Mt Mulligan mine disaster on Cape York Peninsula that took the lives of seventy five miners. 

Journalist Denise Cullen initially came up with the names of several people who had strong connections to Mt Mulligan both before and after Australia’s second largest mine tragedy in 1921. A couple were in then Covid Delta locked in New South Wales so ‘out of bounds’. 

However, most were fortunately in Queensland and so began a several weeks quest around the Sunshine State to find and photograph these fascinating individuals. I found and made portraits … and listened fascinated … as they sat and told me their stories in Cairns, Mackay and the Atherton Tablelands.

Ken Best worked in the mine up until it’s final closure in 1957 and told of older miners stories of ‘ghosts’ in the mine. Pam Millett’s grandfather had a contract to cart logs to the mine to shore up the ceilings and roof, and he was delivering logs at the time of the deadly explosion. Helen Scott and her family were the last to leave the mine settlement when it was finally closed and  ‘removed’. Desley Brkic’s grandfather was the first to witness the smoke from the mine explosion. 

Arguably, though, the most emotional image for me was found at the end of a journey to Mackay to photograph an object.

Stephen Smyth of the Construction, Forestry, Maritime, Mining and Energy Union (CFMEU) is the ‘keeper’ of an inanimate object that, for me, summed up the story of the disaster perfectly in a simple single frame … a battered ‘Waltham’ pocket watch that was on the person of miner George Doran James when he was killed in the explosion. The watch ‘stopped’ at the moment George, along with his son and seventy three others died at nine twenty five that morning. 

It was a pleasure to be afforded the time to portray and meet these fascinating people over a time frame that is rare these days … (Thanks AG and Editor Chrissie Goldrick) and to be involved in this story that is a part of Australia’s history.

Check out Denise’s story and my images (including two whole page pics) spanning ten pages of Australian Geographic print journal 167 March/April edition … on sale now.

Images – top – Desley Brkic reflects on the disaster at her home in Tinaroo, centre – the ‘Waltham’ watch, worn by a blast victim, that stopped at the moment of the explosion, bottom – ex miner Ken Best of Mackay.   © Brian Cassey, Magazine © Australian Geographic