Head On Festival and Portrait Prize …

Travelled down to Sydney for the launch of the five week long “Head On Photo Festival” and the announcement of the 2013 “Head On Portrait Prize” winners.

The Turner Hall at Sydney TAFE Institute was packed to it’s (very beautiful) rafters for the Festival launch, the “Head On Portrait Prize” winners announcement and also the announcements of the new “Head Off Landscape Prize” and the “Head On Momento Photobook Awards”.

Absolutely thrilled when Head On director Moshe Rosenzveig announced that I was ‘Winner of Second Prize’ in the portrait award for my image “Stockman”. I was joined up on stage by Jonathan May who made the amazing winning image and third place winner Matthew Reed.

“Stockman” (Dominic Ngakyunkwokka) is just one image from the series “The Aak Puul Ngantam Stockman” originally made for a story by ‘The Australian’ journalist Michael McKenna (who also features in the series). You can see the entire “The Aak Puul Ngantam Stockman” collection of prints at the Global Gallery in Paddington Sydney from the 29th May till the 9th June, as a “Head On Festival” featured exhibition. Please come along for opening night celebrations and a drink or two from 6pm.

The day after the Global Gallery exhibition launch I’m orf to Kuala Lumpur where another image from “The Aak Puul Ngantam Stockman” – “Roustabout (Perry Ward) – is a finalist in the “2013 Kuala Lumpur International Photography Awards” and will be exhibited at “Galeri Petronas” in the Petronas Towers KL from the 23rd May till 23rd June. Winners announcement is 5pm June 1st.

The exhibition of the “Head On Portrait Prize” winning images and thirty seven other Portrait Prize Finalists can be seen at the State Gallery of New South Wales, Sydney until the 23rd June.

There are galleries of winning and finalist images from the Portrait, Landscape and Book Prizes on the web here at ‘TimeOut’ ,  here at “Fairfax News” and here at “Photojournalism Now”

Here (below) is how my “Stockman” image is displayed in the State Library of NSW – image © Brian Cassey

HeadOnSLNSW

“Roustabout” Selected in KL …

Very pleasant news that one of my “The Aak Puul Ngantam Stockman” portrait series has been selected as a Finalist in the prestigious “5th Kuala Lumpur International Photo Awards”. The selected Finalist image is a portrait of Perry Ward – the “Roustabout” of the APN Cape York crew that are mustering thousands of head of stock out from the indigenous township of Aurukun, northern Australia.

The announcement of the Winner and place getters will be made at Galeri Petronas, KLCC,
Kuala Lumpur, Malaysia on Saturday 1st June 2013, from 5pm – and all the finalist images will be exhibited at the gallery from 23rd May to 23rd June.

Indeed an honour to be involved in such an enterprise … and I’m also pleased for the great and accommodating members of APN Cape York who allowed me to make the image.

Below is the Finalist image – small size – of Perry, the “Roustabout” – the entire “The Aak Puul Ngantam Stockman” portrait essay can be found here.

image ©Brian Cassey

RoustaboutBlog

Sydney Exhibition – Head On

Only a few weeks till my collection of images – “The Aak Puul Ngantam Stockman” – opens at the Global Gallery in Paddington Sydney as a ‘featured’ exhibition in the massive ‘Head On Photo Festival’.

All are welcome to the opening function at the gallery on the eve of Wednesday 29th May from 6ish  (with a little drink or two offered – but no obligation!)

The exhibit consists of 14 large portraits – all made ‘in situ’ at the base camp of the mustering operations on a remote property out from the indigenous township of Aurukun, Cape York Peninsula. The cattle venture by indigenous APN Cape York is an attempt to provide sustainable employment and a sense of pride in the troubled township – and break the cycle of booze, drugs, violence and welfare dependency.

The subjects included in the exhibition are a mix of elder experienced former aboriginal stockman, young indigenous men from Aurukun keen to learn the ropes, a white family of head stockman, wife and cook and two daughter Jillaroos, a teacher for the kids and a ‘roustabout’ – all of whom are directly involved in the day to day hands on mustering operation.

The crew are mustering – by horseback, quad bike and helicopter – about 5000 head which are the remnants and descendants of a failed cattle venture in the 1990’s.

The work was originally made for  ’The Weekend Australian’ newspaper and accompanied by text from journalist Michael McKenna (who is also one of the subjects).

The exhibition runs at Global Gallery till the 9th June … looking forward to seeing you there.

Below is just one of fourteen portraits that make up the exhibition.

Image of Winston Marpoondin – © Brian Cassey

APNBlog

 

“The Australian” … Best …

… another ‘Best of 2012’ collection … this time from “The Australian” newspaper.

I’m fortunate to have half a dozen images amongst “The Best of the Australian 2012” collection … and my ‘fotostrada’ colleagues Sam Mooy and Kelly Barnes also weighed in with a dozen pics between them.

I’ve posted below a screen shot of the first page of the collection … my image of 79 year old Herbert McLean from Hopevale on Cape York Peninsula … and the complete gallery can be accessed here at … http://www.theaustralian.com.au/news/galleries/gallery-e6frg8zf-1226541844275?page=1

©  image Brian Cassey

 

‘fotostrada’ … BEST images of 2012 …

As another year draws to a close all of us at the ‘fotostrada’ collective are determined not to be outdone by all the ‘best of’ image lists that sprout online and in apps at this time of year.

So … we’ve come up with our very own “The ‘fotostrada’ BEST of 2012” gallery … which is now live on our web site at http://www.fotostrada.com/#/best-images-of-2012/ !!!

We’re a well travelled lot … and the images in our 2012 BEST collection were made as far afield as Afghanistan, India, China, England, Turkey, Myanmar, Sri Lanka, Vietnam, Malaysia and Antarctica … as well as all around Australia.

All of us at ‘fotostrada’ hope you enjoy the images … and would like to wish you all an excellent holiday season.

Below are the collected thumbs of the gallery images … click on it to take you to the full size Gallery images.

© Brian Cassey, Dean Lewins, Tracey Nearmy, Sam Mooy, Kelly Barnes, Glenn Campbell, Mark ‘Crusty’ Baker, Graham Crouch, Dean Saffron.

 

Nikon Walkley Slide Win …

Took a quick trip to Brisbane on Tuesday to attend the Nikon Walkley Photographers Slide Night at the Powerhouse.

An excellent evening was made even more so when my slide piece “Life in a Coffin: Hong Kong” was voted by the majority of the assembled throng (which numbered about 70) as the Winning Entry.

The event attracted twenty multimedia movie entries from a talented bunch of photojournalists on a diverse range of subjects including ‘seagulls ‘n’ chips’, ‘disaster in Bangladesh’, ‘Anzacs’, ‘trawlermen’, ‘actors’ and ‘Shanghai fashion week’ … so to be selected as the best by one’s peers is, indeed, an honour.

Thanks to Nikon I left with a prize of a Nikon 1 V1 camera and a couple of lenses.

“Life in a Coffin: Hong Kong” consists of a collection of still images from my recent visit to Hong Kong to document the plight of the twenty percent and rapidly increasing poor in a city that is arguably the richest on the planet.

You can see the complete Winning presentation below .. albeit at a lower resolution than the original.

Images and Movie © Brian Cassey

Finalist in the Clarions …

In gratifying news just announced two of my entries have been selected as Finalists in the “2012 Clarion Awards” – Queensland’s prestigious annual awards for the media industry.

The Finalist entries are “The Seventh Second” in the ‘Sports Photography’ category and “Soulless in Seoul” in the ‘Photographic Essay’ category.

“The Seventh Second” is an image (below) made at the Mareeba Rodeo in north Queensland, whilst “Soulless in Seoul” documents the plight of homeless in Seoul the capital of South Korea (one image from the set is shown below).

Winners of all the various categories across the media spectrum will be announced at a spectacular dinner event, organised by the Queensland MEAA, at the Brisbane Convention & Exhibition Centre on the night of Saturday the 25th of August.

Images © Brian Cassey

A Win … and a Third … in the US …

Just received the great news that TWO of my images featured in last nights presentation of awards at the “2012 Kellicutt International Juried Photo Show” in California. My image of Carol Mayer – “Carol – Burns Survivor” – was judged the overall Winner (very gratifying!), whilst my image from Udaipur India – “Rajasthan Dancers” gained a Third place!!!

The theme of this years show was “Vibrant” and it is indeed an honour to have two images selected by the judges from a large contingent of amazingly vibrant and accomplished works from around the World.

The jurors made some very nice comments in regards to my images … and I will ensure that Carol gets to see the comments made about the image of her below …

From juror Kate Jordahl – “Difficult to look at, but as the eyes are the windows to the soul, we see a soul strong and loving, sad and knowing. We are drawn into the tragedy and triumph of this women’s life. The photographer truly connected with Carol and allows us to see her with empathy and understanding.”

From juror Scott Atkinson – “At first I looked away from this print, but it’s impossible to escape the spirit in those eyes! The face, like a windswept landscape, is now burnished to a swirling patina by both time and the camera’s selective focus. The slightly smudged lipstick adds a touch of normal. But it’s those eyes, those sharply focused blue eyes, that show the vibrant world that lives behind the skin. They’ll follow you throughout the gallery.”

From juror Michael Collopy – “The deep blue calm of her eyes accented by her red lips provides the viewer a direct connection to her apparent triumph over tragedy that is written in her textured face. Her eyes follow you throughout the room. This is a visually arresting photograph that is beautifully and simply achieved. It has a profound result. I liked the fact the photographer chose natural light to illuminate this beautiful portrait. It is a tight crop that continues the honest, revealing and direct dialogue between the photographer and subject. The stunning result conveys the trust and connection that the photographer has achieved.”

Kate Jordahl also commented on the Rajasthan pic – “Movement and color join in a literal dance of light and life. This image captures the swirling dancers at the peak moment of this event showing us as only as photography can what we can feel but not actually see with our eyes.”

Seems like I get a very nice trophy (image below) and a little cheque … and the exhibition of the 45 Finalist images will continue at the Coastal Arts League Gallery in Half Moon Bay CA  before the exhibition moves to the Calumet Gallery in San Francisco in August.

Would have been very nice to have been at the awards presentation in the U S of A on Saturday night … c’est la vie …

Below the pic of the trophy are my Winning and Third placed images – “Carol – Burns Survivor” and “Rajasthan Dancers” – © Brian Cassey

 

Sam and Chook Make Semis …

Well … certainly not the hundred grand first prize (arguably the Worlds’ richest photographic prize) … nor even the two thousand buck runners up cheque like last year – but – just a leetle pat on the back in the Moran Contemporary Photographic Prize.

Two of my images – “Sam the Barber” and “The Legacy of Chook” – have just been selected as semi-finalists in the prestigious awards this year. Not up to the standard of the past two years with consecutive finalist selections – but rewarding nevertheless.

The Moran is an immense and most sought after award and it attracts a monumental amount of entries of a stunning standard on the theme “Contemporary Life in Australia” with an emphasis on Australians going about their day-to-day lives within their environment.

I wish the finalists all the best and look forward to the announcement of the winning $100,000 recipient in Sydney mid July.

My two selected semi-finalists entries – “Sam the Barber” and “The Legacy of Chook”- are reproduced below …

© images Brian Cassey

 

Global Gallery and ‘Bus’ Portraits …

An excellent evening last week at the Global Gallery in Paddington Sydney for the ‘opening’ of our ‘fotostrada’ collaborative exhibition – “Portraits on a Bus”.

The exhibit consisted of thirty prints by ‘fotostrada’ members Dean Lewins, Tracey Nearmy, Sam Mooy, Graham Crouch, Mark ‘Crusty’ Baker and myself – from geographically as far afield as India, Pakistan, Hong Kong, Malaysia, Indonesia, all around Australia and even Antarctica – all of them portraying the bus passenger and the machines that convey them.

Gratifyingly it seemed that almost every photographer in Sydney had come along to have a look at the work (and down a free drink or two!) and it was excellent to spend just a little time with media imaging colleagues that I don’t get to catch up with too often!

The entire “Portraits on a Bus” work is now available – for those who were unable to get to Global Gallery – on the ‘fotostrada’ web site at http://www.fotostrada.com/#/latest-stories/portraits-on-a-bus/

In addition my own “Portraits on a Bus” essay, consisting of my exhibition images and a number that just missed out on the exhibition cut, are now on my personal web site at https://www.briancasseyphotographer.com/images.php?imagefolder=bus 

The “Portraits on a Bus” exhibition was held in conjunction with the “2012 Head On Photo Festival”. Below is a quick pic of the exhibition opening eve at Global Gallery.

© image Brian Cassey

Two in Show …

Just received the news that two of my images – “Rajasthan Dancers” and “Carol – Burns Survivor” – have been selected as ‘Finalists’ in the United States based “2012 Kellicutt International Juried Photo Show – Through A Lens: Vibrant!”.

My images, along with other finalists from the US, the UK, Australia, India, Hong Kong, Canada and Puerto Rico, are part of the hanging exhibition that will be shown in galleries around California.

Prize winners will be announced during an awards ceremony at the Coastal Arts League Gallery in Half Moon Bay CA on July 7th before the exhibition moves to the Calumet Gallery in San Francisco in August.

You can see all the selected finalists images at … http://www.coastalartsleague.com/kellicutt/2012/HangingInShow/index.html … and I’m in some very good company. The selected photographs seem to cross almost all photographic disciplines and styles and will provide a fascinating exhibition.  Just a pity I probably won’t be there to see it!

Below I’ve posted the two images selected as ‘Finalists’ – “Rajasthan Dancers” and “Carol – Burns Survivor”

Images © Brian Cassey

Portraits on a Bus …

The ‘fotostrada’ photojournalist collective – of which I am one member of a total of eleven  – is showing a group exhibition entitled “Portraits on a Bus” as part of the “2012 Head On Photo Festival” .

The exhibition runs at the Global Gallery, Paddington, Sydney from Tuesday, 29th May to Sunday 3rd June with the grand opening eve on Wednesday 30th May from 6pm. All are welcome to attend.

Here’s the exhibit description from the Head On Festival program and web site …

“The bus is ubiquitous. Every country on the planet has some form of bus transportation.

From cramped roof top rides on dishevelled buses in India … to tiny ‘bemos’ in Indonesia, mundane mass transport in Hong Kong, luxury express buses in Australia … even a work bus in Antarctica – the ‘fotostrada’ collective team has captured all in images which convey the very essence of the travelling bus passenger and the machines that carry them.”

Several of my images made during visits to India, Hong Kong and Indonesia are featured in the exhibition alongside other great work by colleagues Dean Lewins, Tracey Nearmy, Graham Crouch, Sam Mooy, Renee Nowytarger, Mark ‘Crusty’ Baker and Melanie Russell.

I’ve put together my own personal extended version of “Portraits on a Bus” from all my images that made the short list for the exhibition collection … and this essay has been added to my personal web site at https://www.briancasseyphotographer.com/images.php?imagefolder=bus.

Posted below is a small selection of my “Portraits on a Bus” images.

Look forward to seeing you at the exhibition …

Images © Brian Cassey – from Hong Kong, Rajasthan India and Sukawati Bali Indonesia.

 

Walkley Mag Splash …

The Walkley Magazine has published my “Soulless in Seoul” pic essay (retitled “Sleepless in Seoul”) as a double page spread in the centre of this months new edition. A great layout and a great shop window.

The images in the essay show the plight of the hundreds of homeless who are currently being evicted from Seoul Railway Station and precinct by South Korea’s super efficient state rail authority Korail.

Bizarrely, Korail have stated that the homeless pose a ‘terrorist threat’. In the latest twist the newly elected mayor of Seoul has asked Korail to reverse the decision to evict – but Korail have no intention of doing so.

I came across the sorry story during a brief stopover in Seoul whilst returning from exhibiting my work “Cage Dogs of Hong Kong” at the Gwangju Design Biennale in the south of South Korea.

Below I’ve posted an image of the Walkley Magazine spread and one larger image from the essay.

The full “Soulless in Seoul” essay can be viewed on my personal website at https://www.briancasseyphotographer.com/images.php?imagefolder=seoul … and on the web site of my collective ‘fotostrada’ at http://www.fotostrada.com/#/brian-cassey/soulless-in-seoul/BCSeoul1s

© images by Brian Cassey

 

‘fotostrada’ on Facebook …

As many of you may know I am a member of the photojournalist collective ‘fotostrada’ – currently eleven experienced well respected and awarded photojournalists based all around the Australian and Asian continents.

As well as maintaining a web site shopfront at www.fotostrada.com which showcases our collective work in personal folios, pic essays and monthly ‘New Singles’ , we also host a Facebook page where we compile, on a regular basis, news items on all aspects of photojournalism, street photography, pro photographer gear and other pro photography related interests.

The page has already amassed a large following (well over 700 at present) and discussion on items posted is proving popular.

You may become one of our ‘fotostrada’ Facebook page followers by visiting us at http://www.facebook.com/pages/fotostrada/109039275790133 and clicking on the ‘Like’ button at the top of the page.

Below is a screen shot of part of the latest ‘fotostrada’ page showing news items etc .

See you there …

Nikon-Walkley Comes to ‘Brissie’ …

Thanks to the Walkley Foundation, the MEAA and – not least of all – Nikon Australia, I travelled ‘down south’ to Brisbane last week to attend the opening of the 2011/2012 Nikon-Walkley Photographic exhibition at the Powerhouse – and the Australian Institute of Professional Photography “Hair of the Dog” conference.

It was excellent to attend the Nikon-Walkley opening eve and to catch up with colleagues and friends – and an honour to give the opening floor talk and to receive an embarrassingly over the top introduction by MEAA Federal Secretary Chris Warren ! Thanks Chris!

It was also an honour to have my image “Carol – Burns Survivor” exhibited amongst some truly fantastic work from Australia’s best press photographers.

(Something I was not so excited about was the ABC radio and TV interviews I was required to do – a learning curve.)

The Powerhouse is a fantastic exhibition space oozing character, all the works were all very well lit … and the staff were super attentive and efficient.

The exhibition runs to February 27th and is very well worth a visit.

Below is an iPhone pic of my image nestled in the Powerhouse’s beautiful exhibition space.

Image © Brian Cassey 2012

 

A Little Chat at the Walkley Media Conference …

Last week I was fortunate (and honoured) to be invited to be a part of the Walkley Media Conference – “What’s the Story? Inventing the Future” – in Brisbane. Felt rather humble to be part of a great list of speakers that included the ABC’s Mark Scott, Greg Hywood (CEO of Fairfax Media), well known humourist and journalist Wendy Harmer – and many distinguished others – all of whom, I’m sure, had more experience in this ‘speaking’ lark than I !

My session was scheduled for three and a half hours … (and went for four! – didn’t realise I could talk that long!) and touched on the changes in media photography over the last decades, the state of play today, how to handle the difficulties encountered and what we may expect in the future. A mix of about two dozen journalists, photographers and students patiently listened and asked a myriad of thoughtful questions over the session. I thank them for their attention ! (‘Thanks’ is also due to Nikon’s Quentin Visentin who demonstrated the new Nikon 1 kit to the audience.)

My congratulations and ‘Thanks’ also to the MEAA and the Walkley Foundation for a fantastic conference!

Of course … my highlight of the Brisbane visit was the 2011 Walkley Awards presentation at the Convention & Exhibition Centre on Sunday eve. A brilliant night to be a part of – very gratified to receive the recognition of the Nikon Walkley Best Portrait Award for my image  ‘Carol – Burns Survivor’ – and to share the evening with talented press photographers Glenn Campbell,  Craig Greenhill, Stuart McEvoy, Rob Maccoll, Nev Madsen, the Getty guys, 2011 Nikon Walkley Press Photographer of the Year Phil Hillyard … as well as many journalist and industry colleagues. Great Night!

Whilst searching for material for my conference session I came across one of the very first photographs I ever took … at the age of about ten or eleven … and my first ever camera that made that image – a bakelite VP Twin camera that was bought (begrudgingly by my parents) from Woolworths in the Isle of Wight for two shillings and six pence ! (about fifty cents). I’m NOT telling anybody how long ago that actually WAS … but below I’ve posted the image (of the Cunard liner “RMS Queen Elizabeth” in the Solent UK – I was a boy into ships and trains at that stage!) and a pic of the camera. I used both images at the commencement of the Walkley Conference session.

© Image by Brian Cassey (a little while ago!)

 

Gwangju Biennale – South Korea …

Returned last Thursday from a rewarding trip to Gwangju in South Korea where I was asked to exhibit my work on the cage homes of Hong Kong – “Cage Dogs” – at the Gwangju Design Biennale 2011. The total exhibit included a reconstruction of three 6 foot by two and a half foot wire cage ‘homes’ set on a floor plan where eighteen cages would be set. The minimalist feel to the exhibit added to it’s poignancy and it slotted it well alongside many other startling exhibits.

The theme of this years Biennale  is “Dogadobisangdo” (圖可圖非常圖) – “Design is Design is not Design” –  inspired by the first words in Do Duk Kyeong (Tao Te Ching, 道德經)’ of No Ja (Lao Tzu, 老子) – ‘The way道 that is the way is not always the way. The name名 that is the name is not always the name.’ – reinterpreted as ‘design is design is not always design and non-design is non-design is not always non-design’.

So there !

Chinese artist, architectural designer (the Olympic “Bird’s Nest” stadium) and activist – Ai Weiwei – is director/curator but was not in attendance as he is under ‘loose detention’ in China and unable to leave Beijing.

Very entertaining and elaborate opening ceremony with many imposing dignitaries and some excellent audiovisual work from renowned DJ Spooky. The Gwangju Design Biennale is expected to attract about a half million visitors to the city that is the centre of the arts and democracy on the Korean Peninsula.

Posted below a pic of the cage home exhibit at the Biennale – and my cage home images  ‘Cage Dogs’ can be found here.

Image © Brian Cassey 2011

Korea – Gwangju Design Biennale – Cage Dogs …

Have been invited to exhibit at Asia’s pre-eminent design and arts expo – the Gwangju Design Biennale in South Korea – with the images I collected from my visits to Hong Kong’s ‘Cage Home’ people. The Biennale team are replicating a Hong Kong cage home flat (which normally house up to 20 individual cage homes) and an actual 6 foot by two and a half foot wire cage ‘home’.

My surrounding exhibited photographs will tell the visual story of some of the tens of thousands of unfortunates who are living their lives in these cramped cages in Hong Kong – acknowledged as one of the World’s richest cities.

I’ve also been invited to give a video presentation … so will be off to Gwangju in southern Korea for the opening event on September 2nd.

Gwangju is Korea’s sixth largest city and the focus for contemporary design and arts on the peninsula and, indeed, Asia. The last Gwangju Design Biennale in 2009 attracted fractionally under half a million visitors.

However, Gwangju city is most noted for the 1980 massacre of (an unofficial figure) of near two thousand pro-democracy student demonstrators by the armed forces, when the city was at the forefront of the democracy movement in South Korea. The people of Gwangju are proud of the uprising and tend to be at the forefront of any political upheaval in the country.

Below I’ve posted  just two of the ‘Cage Dogs’ images that will be part of the exhibit at the Biennale. They will link to more cage home images on my web site proper.

Images © Brian Cassey

It’s Open …

Great evening Wednesday at the Global Gallery, Paddington on the opening of the ‘fotostrada’ exhibition – part of the Head On Photo Festival 2011. All nine members of ‘fotostrada’ displayed work … and four attended in person – Sam Mooy, Tracey Nearmy, Kelly Barnes made the trip up from Adelaide and I travelled down from Cairns. Plenty of other great work at the gallery too from Patrick Tombola, Nadia Janis, Claire Martin and Gemma-Rose Turnbull. The exhibition runs to May 29 so still time to take it all in.

Posted a pic below from the opening eve and, interestingly, this was one of the first frames exposed on my new piece of kit – the Fuji Finepix X100 – which arrived in Sydney that day. When I’ve had more of a play I’ll post ‘first impressions’ on this blog.

© Brian Cassey

Almost …

Visited Sydney this week to attend both the “Moran Contemporary Photographic Prize” and the “Head On Portrait Prize” after two of my images – ‘Cyclone’ and ‘Carol – Burns Survivor’ respectively – were selected as finalists.

In each of the photo prizes 40 finalists were chosen (out of many thousands of entries) and it was, indeed, an honour to be amongst the great work on display and in contention.

Nice surprise then, when ‘Cyclone’ (see earlier blog post ‘Moran Prize…’ for the actual image) – was adjudged “Highly Commended” and runner up to Moran Prize winner Jack Atley – who pocketed a cool hundred grand winners cheque! Unfortunately my award cheque was somewhat way smaller than Jacks!

However, both exhibitions are now under way and very much worth a visit – they both contain magic and inspiring images from Australia’s top photographers and photo artists. You can see all the finalists at the Mitchell Galleries, State Library of New South Wales until 26th June for the Morans … and at the Australian Centre for Photography in Oxford Street, Paddington till June 6th for Head On .

 

‘fotostrada’ at Global …

My ‘fotostrada’ colleagues and I would be very pleased to see you at our upcoming exhibition – part of this years Head On Photo Festival – at Global Gallery, 5 Comber Street, Paddington, Sydney. It includes examples of work from all nine ‘fotostrada’ members and runs from Tuesday 17th till Sunday 29th May from 11am – 6pm.

Everything you would like to know about the exhibition can be found on our Head On Festival page at http://headon.com.au/event/global-gallery-fotostrada-australian-photographers-collective-0

Official opening is Wednesday 18th May from 6pm – and “Drinks with the Artists” will be on Saturday 28th May 2pm – 4pm (with available ‘fotostrada’ members)

See you there !!

National Library of Australia …

My gratitude goes to Craig Hodges of ACT who sent me a message today with the welcome information that my volume of indigenous images – “To Be Indigenous” – is currently featured and on display in the reading room of The National Library of Australia in Canberra.

A bit pleased about that …

The volume is 64 pages landscape, hardcover and 13″x11″ on premium stock – features a forward by Walkley winning journalist Tony Koch and images from many north Queensland indigenous communities.

Below is a cover image and a selection of pics from inside the volume. More info on books can be found here.

All Images © Brian Cassey