Publications

Aurukun Artist Keith Wikmunea …

… had the very distinct privilege and pleasure to travel to Aurukun on Cape York Peninsula recently to portray indigenous artist Keith Wikmunea. He then was soon to be announced the winner of the $100,000 Telstra Indigenous Art Award, the top prize at the National Aboriginal and Torres Strait Islander Awards (NATSIAA) in Darwin. Images of Keith and his work were required to spread around Australia’s media in conjunction with the story of his win.

I spent a thoroughly enjoyable couple of days with Keith and Wik & Kugu Aurukun Arts Centre Manager Gabe Waterman as our winner worked on sculpting a ‘camp dog’ in the arts centre workshop … and out and about at various locations around the indigenous township. Keith was patient and a delight.

His $100,000 sculptured milkwood winning work – entitled “Ku’, Theewith & Kalampang: The White Cockatoo, Galah and the Wandering Dog” – was inspired by his ancestors, says Keith. He has already spent his prize money on a boat and a car for his family.

My images of Keith appeared in The Australian, The Sydney Morning Herald and many other print and web publications around Australia … and will also grace Sydney railway stations to spread the word about his win, his talent and the Telstra award.

Below are some of my favourite images of Keith in Aurukun and a mock up of the Telstra promotional banner work soon to be seen in Sydney stations.

Images © Brian Cassey

Telstra NATSIAA Award Winner Keith Wikmunea - image © Brian Cassey
Telstra NATSIAA Award Winner Keith Wikmunea - image © Brian Cassey
Telstra NATSIAA Award Winner Keith Wikmunea - image © Brian Cassey
Telstra NATSIAA Award Winner Keith Wikmunea - image © Brian Cassey
Telstra NATSIAA Award Winner Keith Wikmunea - image © Brian Cassey

My ‘Stills’ in Brilliant Stan Doco “The Cape” …

So gratified to be a part of the documentary film “The Cape” recently released on Stan.

The doco tells in stark graphic detail the events surrounding the disappearance of Queensland fisherman Bevin Simmonds and his ten year old son Brad whilst checking shark nets off the west coast of Cape York Peninsula in 2003 … and the subsequent investigations, eventual murder charges and 2005 trial of rival fisher Michael Gater (who was having an affair with Bevin’s wife Cathy) and Gater’s mother Joan.

‘The Cape’ story was an original concept of friend and former journalist colleague Peter Michael … and  also features a disturbing but fascinating number of gritty Cape character interviewees who knew the Gator, Simmonds and Ward families … alongside some wonderfully shot scenes of Cape York, the Gulf and the Great Barrier Reef.

Produced by veteran war correspondent Michael Ware and former news magazine exec Justine A Rosenthal, ‘The Cape’ is evocatively filmed and beautifully put together … and also contains over thirty of my images of the stories main protagonists, used to great effect full screen. All of my images were made during the two week Supreme Court trial in Cairns and portray murder accused pair Michael Gater and his mother Joan Gater, Bevin and Brad’s wife and mother Cathy …  and many other members of the Gater and Ward clan’s who attended the proceedings.

Just the ‘looks’ in the photographs I made there still send chills …

The show … available to Stan subscribers here … has received rave reviews. (For those not Stan subscribed the ‘trailer’ is here.)

Entertainment website MamaMia writes, “The new Stan Original Documentary Revealed: The Cape is one of the most gripping and emotionally charged documentaries of the year“. TV Blackbox put it this way … “The Cape” is the story of rival fishing families who built empires amongst the twisted mangroves in Far North Queensland. The isolation, an all-consuming sexual obsession and a series of small choices leads to a suspected double murder of Brad and Bevin Simmonds. Emmy® Award-nominated filmmakers, Michael Ware and Justine A. Rosenthal take us on a journey into Australia’s Deep North and the human psyche to uncover what we’re capable of when our humanity is stripped bare in this fascinating portrayal of an insular and isolated community.”

The Daily Mail also published this nice piece on the producers and the tribulations of making the film in the run up to it’s release.

Below is (top) the Stan doco promo … followed by just four of my thirty odd ‘stills’ © that were used in the film … from top … accused murderer Michael Gater pensive during the 2005 two week trial, his mother and fellow accused Joan Gater, Bevin Simmonds wife and Michael Gater’s lover Cathy Simmonds … and Michael Gater outside court with a grin following his acquittal.

It was a distinct pleasure to work with ‘The Cape’ team … they were a pleasure … Thanks All!

(NB … I also appear in TV footage at the Supreme Court trial in Cairns making images of the Gaters … and looking rather ‘scruffy’ doing it … if you are game … watch around the 69th, 70th minute mark!)

Images © Brian Cassey … Documentary ‘The Cape’ © Stan & various entities

@stanaustralia @woodenhorse.tv #TheCapeOnStan #StanOriginals #RevealedOnStan @fremantle @screenaustralia @screennsw @thepostlounge

India … Modi … Adani … the Gond … & The Washington Post …

… very gratified to be a part of a significant political and environmental story crafted and published yesterday by The Washington Post.

The story … by journalists Gerry Shih, Karishma Mehrotra and Anant Gupta and accompanied by two of my images from Chhattisgarh, India … is entitled “India Cracks Down on Critics of Coal”. The lengthy story documents how India’s Modi government is using state power to help Gutam Adani expand his coal operations in the country and silence the voices of NGO’s and other critics both Internationally and internally.

A large focus of the story is the destruction of the Hasdeo Arand forest in Chhattisgarh state central India by the expansion of open cut coal mines already operating or planned … with Adani a major player. It also documents the special relationship between Gutam Adani and India Prime Minister Narendra Modi and the impacts on any opposition to coal expansion.

In 2019 I wrote and illustrated a story on the impact of the destruction of the Hasdeo Arand, the effects on the Gond tribal people who have called it home for centuries and the plans for many more coal mines in the pristine forest area, home to elephants, jaguars and other wild life. The story was featured in The Guardian (main story and a photo gallery) and several other International publications including CNN, Italy’s ‘Corriere Della Sera’ newspaper, ‘Orion’ environmental magazine and more. The Washington Post story updates the situation in my original story and expands into how the Indian government is cracking down on any dissent, be it International NGO’s or Indian Nationals, as Adani and others carve up the profits from unbridled coal expansion.

It is a worrying, troublesome but important and fascinating read … highly recommended … and may be found here … https://www.washingtonpost.com/world/2023/06/05/india-coal-adani-modi-crackdown/  (no subscription required). My two supporting images from the Hasdeo Arand forest are shown below.

Images © Brian Cassey – publication The Washington Post

The Washington Post story on India crack down on critics of coal - Adani & the Gond - images by Brian Cassey
The Washington Post story on India crack down on critics of coal - Adani & the Gond - images by Brian Cassey

Will Miss You Alf … 100 …

It wasn’t unexpected but that didn’t make it any easier to take.

Just a few days ago I learnt the very, very sad news that Alf Neal OAM … the 100 year old Yarrabah indigenous elder and a driving force behind the 1967 referendum that resulted in Indigenous peoples historic recognition in Australia’s Constitution … died peacefully and with dignity surrounded by his family.

Just over six weeks ago I saw Alf … affectionally known as ‘Popeye’ … for the very last time. It was on the balcony of his seafront home opposite the site of the old ‘tree of knowledge’ in Yarrabah.

I had arranged for News journalist and friend Michael Madigan to meet and talk to Alf about his amazing life and the current ‘Indigenous Voice to Parliament’ campaign.
I had made images of Alf during the week late last year when he wracked up one hundred fascinating years and was feted with a centenary celebration in his indigenous community. Michael came up from Brisbane to put the words together to accompany Alf’s images. The story and pics ran in The Sunday Mail on April 23rd … a ‘hero’ shot on page 3 (“100 Years & 3 Weeks”) with a link to a large spread of words and more Alf pics from my archives on pages 20 and 21. If you can find it, Alf’s story (link here but needs a subscription) as penned by Michael is really epic.

I have known and photographed Alf for a couple of decades and it was sad to see him so bodily frail … but even so it was obvious that his brain was still sharp despite his difficulties in communication. Son Percy did an admirable job translating and relaying Alf’s thoughts for Michaels notes. At one stage when I was focused on Alf’s face from a distance he broke into a grin of recognition as he saw me … a magical moment for me personally.

Long an advocate and fighter for indigenous rights, Alf was born in the early 1920’s on his beloved country at Ngarrabullgan (Mount Mulligan) west of Cairns. Moved to the indigenous community of Yarrabah, he was baptised at the age of 2 and grew up in dormitories. His earliest memories were of learning white man law alongside the traditions of aboriginal lore.

Alf grew to be a prominent indigenous leader and a major driving force in the decades long fight for the 1967 referendumwhich resulted in Indigenous peoples historic recognition in Australia’s Constitution. For his efforts, in 2019 the former bush lawyer, cane cutter and baker was awarded the ‘Medal of the Order of Australia’ (OAM) for ‘Service to the Aboriginal community, particularly the 1967 Referendum Campaign’.

I’ve made images of Alf many times over the decades as he voiced his opinion on many issues relating to the lives of Australia’s aboriginal and islander population. Sadly that voice is now silent. A tragedy that he won’t be around to see (hopefully) a ‘Yes’ vote in the “Indigenous Voice to Parliament’ referendum later this year.

The family have given permission for this image to be used. My condolences to the Neal family, to Yarrabah and the aboriginal community in general. Alf was majestic and a delight and will be greatly missed.

Image – Alf on his balcony just a few weeks ago. © Brian Cassey.

Indigenous elder and statesman Alf Neal OAM dies at 100 - images by Brian Cassey

Alf at a Hundred … and The Sunday Mail …

I’ve had the pleasure of knowing and portraying now one hundred year old Alfie “Popeye” Neal OAM for a few decades … a gentleman with quiet determination and a mission to improve the plight of Australia’s indigenous residents.

Long an advocate and fighter for indigenous rights, Alf was born in the early 1920’s on his beloved country at Ngarrabullgan (Mount Mulligan) west of Cairns. Moved to the indigenous community of Yarrabah, he was baptised at the age of 2 and grew up in dormitories. His earliest memories were of learning white man law alongside the traditions of aboriginal lore.

In 2019 the former bush lawyer and cane cutter was awarded the ‘Medal of the Order of Australia’ (OAM) for ‘Service to the Aboriginal community, particularly the 1967 Referendum Campaign’. Alf was a leader in the decades long fight for the referendum which eventually resulted in Indigenous peoples historic recognition in Australia’s Constitution.

In light of the ongoing “Voices” campaign and upcoming referendum, I pitched an image of Alf and his three week old great great grandson …  “100 Years & 3 Weeks” … to the Sunday Mail … and big thanks to journalist Michael ‘Mad Dog’ Madigan for is great words and SM Pic Ed Jamie Hanson (in his last week on the paper after 30 odd years) for getting this story across the line and over three pages of last Sundays edition. 

The top pic is a very recent previously unpublished portrait of Alf that I made on his Yarrabah verandah …  image two (bottom left) is a page grab  of “100 Years & 3 Weeks” in the Sunday Mail … and image three (bottom right) is todays two page SM spread of Michael’s words on Alf’s colourful life and achievements with some more of my ‘Alf’ pics from across the years.

Thanks Alf, son Percy, journo ‘Mad Dog’ and pic ed Jamie. (A very ‘special Thanks’ for Jamie for being ‘one of the best’ pic editors …  happy (chosen) redundancy and enjoy life outside the media, Jamie … Thanks for everything !).

Images © Brian Cassey, publication The Sunday Mail

Voices - Alf Neal OAM at 100 - "100 Years & 3 Weeks" - images by Brian Cassey - Yarrabah

“The Legend That Is George” …

Recently travelled to Green Island on the Great Barrier Reef with photographer colleague Emese Gyalog to meet and document, soon to be 93 year old croc legend George Craig.

To say George has lived a life is a massive understatement. Schooled in England but born in South America, George dived with epic Tarzan star Johnny Weissmuller in an aquatic show before stowing away on a ship at London’s docks to Jamaica where he picked bananas. Then he found himself in Darwin Australia defusing WWII bombs.

However, the travel that most impacted the direction of George’s life was to the Fly River in Papua New Guinea, where he set about croc hunting … later turning to croc ‘collecting’. George not only ‘collected’ crocs but also a massive trove of PNG artefacts unmatched almost anywhere.

In the 1970’s when he needed somewhere to put all these crocs and art he took over tourist venture Marineland Melanesia at Green Island on the Great Barrier Reef, where he lives and works to this day. George also brought a mate of his to Green Island from the NT … a now 5 5 metre “saltie” named “Cassius” … the largest croc in captivity on the planet. (See here Guinness Book of Records.)

You may read much more about George, his early croc hunting, collecting and PNG artefacts here … https://oceanicart.com/PROVENANCE/George-Craig/1

It was an absolute pleasure to photograph George on Green Island … on his favourite chair where he sometimes paints, amongst his amazing collections of probably priceless art … and with his massive mate “Cassius”.

The Courier Mail were delighted to see the work and ran it today Saturday on page three (with a pic pointer from page 1), with a story brilliantly constructed by journo, wordsmith and mate Michael Madigan.

I do like “Cassius” but I’m much fonder of the portraits I made of George in his happy place with his art works, one of which leads this little set below.

Thanks George , Cassius and Emese … had a great rewarding day !

Images © Brian Cassey, publication © The Courier Mail

"The Legend That Is George" - Images and story of former croc hunter George Craig antis croc Cassius - the World's largest croc in captivity - by Brian Cassey

"The Legend That Is George" - Images and story on former croc hunter George Craig antis croc Cassius - the World's largest croc in captivity - by Brian Cassey

"The Legend That Is George" - Images and story on former croc hunter George Craig antis croc Cassius - the World's largest croc in captivity - by Brian Cassey

The Guardian … Vintage Nikon F2 … and Film ! …

… in good company in The Guardian today as they feature the 400TX Project presenting black & white film work produced on a 50 year old Nikon F2 passed around to some of (quote) … “Australia’s most prominent photographers” … including this geezer from Cairns.

The project was the brain child of Brisbane photographer Renato Repetto who transported the vintage 1970’s black Nikon F2 with a 55mm lens loaded, with just one 36 frame roll of Kodak Tri-X BW film, on numerous journeys criss crossing Australia and into the hands of current working photographers who gave it their best shot.

The Guardian story (a snippet below) can be found in full at https://www.theguardian.com/artanddesign/gallery/2023/mar/19/one-roll-of-film-what-a-test-the-400tx-project-in-pictures … and on abridged version on Insta at https://www.instagram.com/guardianaustralia/ … under the title ‘Back to Basics’.

The list of photographers featured is as impressive as the work … Dean Sewell, Tim Page (so sadly no longer with us), Paul Blackmore, Robert McFarlane, David Maurice Smith, Peter Solness, Michael Coyne, James Brickwood, Shehab Uddin, Jakub Fabijanski, Oli Sansom, Meg Hewitt, David Kelly … and yours truly .

My frame in the feature is “Too Busy To Die” … made in sparse light with the last frame of the thirty six on the  film roll … of accomplished musician Geoff Tozer. He had just told he was dying. He was diagnosed with bowel, bladder, bone and advanced spinal cancer. But, he told me, “I’m too busy to die.”

I cut my teeth on ‘manual everything’ film cameras like the Nikon F2 decades ago and used ‘zone focusing’, guessed exposures and well-timed single shutter releases in my early work. This project has brought into stark reality how spoilt we photographers are now with digital imaging and digital photo technology … and, to be honest, the process of shooting black and white film again scared me stiff !

(The two posts on the 400TX Project published when I originally made the “Too Busy To Die” work can be found here … https://www.briancasseyphotographer.com/blog/publications/2017/08/final-frame-nikon-f2-afp400tx/ … and here …  https://www.briancasseyphotographer.com/blog/2017/07/nikon-f2-roll-tri-x-36-pics/ … whilst a further post regarding 400TX and my work in an Australian Photography article can be found here … https://www.briancasseyphotographer.com/blog/travel/2018/03/spread-australian-photography-afp400tx/

Image “Too Busy To Die” (top) © Brian Cassey … Image “Sin & Stef in Bondi” (bottom) © Paul Blackmore, page “Back to Basics” © The Guardian

 

The Guardian - 400TX Project - Back to Basics - Image "Too Busy To Die" of Geoff Tower by Brian Cassey

 

The Guardian - story 400TX Project - Back to Basics - Image "Too Busy To Die" of Geoff Tower by Brian Cassey ©, second image © Paul Blackmore

415,000 Entries … 200+ countries … Sony World Photography …

Yes … you’ve likely seen this work before 🙂 (as recently as my last post here … sorry) … BUT … what IS new is that “Mother Africa – Aurora” has been selected (announced yesterday) in the ‘Shortlist’ of just fourteen images in the 2023 Sony World Photography Awards for ‘Portraiture’. When you consider that this years Sony World wide awards attracted approximately four hundred and fifteen thousand entries from over two hundred countries, you’ll maybe understand why I’m pretty ‘chuffed’ and grateful that I can now show it again here in this context !

The fourteen short listed Open works in ‘Portraiture’ emanated from photographers around the planet  …  Denmark, the Philippines, Slovakia, USA, Angola, New Zealand, Australia, Nigeria (2), Poland (2) and the UK (3) … (see complete list below). (You may notice that, unusually, Sony decided to put myself and my work in the UK column (place of birth) rather than the more common place of residence column (Aus) … very nice to be British again 😉 )

The Winners and short listed works from this years awards … arguably the Worlds largest and most prestigious … will be published as a collection in a hard cover book ‘Sony World Photography Awards 2023’, … whilst Winning and shortlisted images will be exhibited as part of the Sony World Photography Awards exhibition at beautiful Somerset House in my old home town London from April 14 – May 1, 2023. (Hope my UK family can make it 😉 ).

“Mother Africa” was also short listed this month in “Portrait of Humanity” … a planet wide award and collection of photographic portraiture by the “British Journal of Photography” … and has also received major attention in several other International and Australian awards.

(NB … SO grateful to my subject, delightful African American Australian based Aurora Coulter … Thanks again ‘Rora’ !)

Image © Brian Cassey

Sony World Photography Awards 2023 - "Mother Africa - Aurora" by Brian Cassey Shortlisted in Open Portraiture ©.
Sony World Photography Awards 2023 - "Mother Africa - Aurora" by Brian Cassey Shortlisted in Open Portraiture ©.

Vol.5 … Portrait of Humanity

Very pleased with the announcement last eve … “Mother Africa” selected in the prestigious International “Portrait of Humanity 2023” awards ‘Shortlist’.   (Have known for a little while that the work “Mother Africa” featuring Aurora Coulter (below) was ‘Shortlisted’ but was sworn to secrecy till yesterdays official ‘announcement.)

Now in it’s 5th ‘edition’ and organised by the venerable highly respected British Journal of Photography 1854 … Portrait of Humanity has fast become one of the most select, yet largest, collections of contemporary portrait photography on the planet. 

“Mother Africa” will be amongst the other short listed works published in the “Portrait of Humanity 2023” hard cover book published by Hoxton Mini Press.

I was also stoked to be ’shortlisted’ in the first, second and fourth editions of POH over past years. First and second edition winning portraits … “Aurukun – Generations”, “Ramnami” and “The Skin I’m In” were exhibited ‘in space’ above the planet by Portrait of Humanity in a very creative exercise. Last year’s selected work in edition four was “Covid Vax & Ice Cream “ … a portrait of Leanna Bulmer after her Covid vaccination at Yarrabah. 

Many Thanks once again must go to my talented and delightful subject Aurora … making the picture was an emotional moment in our friend Marc’s ‘studio shed’ and Aurora really made it ‘work’.

The image is certainly racking up a nice little ‘collection’ 🙂 … check out previous recognitions for “Mother Africa” on my ‘Awards’ page at … www.briancasseyphotographer.com/awards .

 Image © Brian Cassey @brian_cassey @bjp1854 @portrait_of_humanity @1854_PoH @The British Journal of Photography

"Portrait of Humanity 2023" - Shortlisted and published in Portrait of Humanity 2023 by Hoxton Mini Press - "Mother Africa - Aurora" - Image by Brian Cassey

Marilyn Monroe, Playboy Magazine … & Bonn …

… VERY much a departure from what I normally do … and for that matter … what I’ve ever done.

I admit … this image I produced may look somewhat ‘familiar’ to many of a certain ‘vintage’. However, I can assure you that it is brand new. The ‘polar opposite’ of photojournalism, documentary, reportage etc, it does, indeed, tell a timely story I wanted to tell.

The year 2022 marked the 60th anniversary of the death of arguably the planet’s greatest ever sex symbol … movie star and blonde bombshell Marilyn Monroe. She died at just 36 …

There were many thousands of photographs made of Marilyn (Norma Jeane) during her stellar but far too short career as an actress, model, sometimes singer … and undeniable centre of massive unrelenting attention.

What I aimed to portray in this work was a recreation of ‘Marilyn’ in the vintage style of the days of the mid last century when she captivated audiences around the World … and in Cairns character and model Bonn Marie I knew I had just the person to make that happen. (Bonn had previously featured in one of my works that gained a fair bit of International attention.)

In particular … this image I made of Bonn (below) mirrors one of the works of US photographer Tom Kelley who had the enviable task of shooting Marilyn’s infamous ‘red velvet’ set in 1949 before her acting career took off (when she had red hair pre the ‘blond bombshell’ era). Strangely Tom’s image didn’t receive lavish attention until Hugh Hefner selected it for the first centrefold in the first ever edition of Playboy Magazine in 1953 !

I still can’t get over the fantastic job that Bonn (aided by the mastery of make up artist Sue Kim) did in morphing into Marilyn’s character and look … the resemblance is chilling. Despite the fact that I didn’t attempt to copy the original pose in Tom’s work directly … the similarities in body shape, pose, style, expression and more are obvious. Bonn created a damn fine Marilyn …

A couple of little interesting asides about the original Kelley image. Originally … pre Playboy … Marilyn faced right to left in the frame. Hefner decided to reverse it in the magazine centrefold … and that’s the way I made the ‘tribute’ image with Bonn. As well as making Hefner’s new magazine a massive success, Kelley’s image … an image of tastefulness and sophistication … became truly historic, played a key role in shaping 20th century history, led to a redefinition of female sexuality in America and spawned a sexual revolution.

This is the first time ever I’ve ‘remade’ an earlier image by another photographer … and I’m damn sure it will also be the last … but I do hope you enjoy the resulting work, Bonn’s amazing ‘Marilyn’ portrayal and the rationale behind retelling a pivotal and timely part of the Monroe story.

This “Marilyn” – Bonn large framed work (below) is currently pride of place on the wall in the exhibition “Red Hot” (and available for sale) at the Kite Gallery in Cairns. The exhibition of great works runs until 16th January 2023 and is well worth checking out.

Image © Brian Cassey … with subject Bonn Marie and hair, makeup Sue Kim … (with Thanks and acknowledgement to photographer Tom Kelley)

Tribute to Marilyn Monroe sixty years after her untimely death in 1962 .... Image by Brian Cassey © (with Bonn Marie) based on the 1949 'Red sheet' work by photographer Tom Kelley which became Marilyn's and Playboy Magazines first ever cenrefold. in the magazine's first edition in 1953.

Cracking Clarion Winning Eve in Brisbane …

Great evening at “The Clarion Awards” 2022 … the night where Queensland wide media gather together in Brisbane to party, generally misbehave … and share a few awards around.

Very pleased to have picked up one of those awards … ‘Best Photographic Essay’ … with my work from the indigenous community of Yarrabah, “Covid Vax  & Ice Cream”. The pic essay consisted of twelve images narrating a door to door covid vaccination campaign by doctors and medical professionals organised to increase extremely low inoculation uptake amongst the populace. I covered the door to door program (with an arranged ice cream van following dispensing free treats) for The Australian who used most of the work either in print or in on-line galleries. One of the pics contained in the essay … of 67 year old Leanne Bulmer with her post Pfizer jab ice cream … has also found much success on it’s own, previously winning several awards around the planet (see here, here, here, here and here … and bottom below.)

The second Clarion photography award category … ‘Best News Photograph’ … was also of a covid nature and taken out by the Courier Mail photographer Lachie Millard. His terrific work showed three year old Memphis being reunited with his mother at Archerfield air field following a two month covid border closure separation.

Magic to catch up with many friends and colleagues from around the State. It’s such an enjoyable annual event and get together. Huge thanks to all at The Clarions and the Media, Entertainment and Arts Alliance for their great organisational skills and presentation at the Brisbane Convention & Exhibition Centre.  Wonderful … 

Below are just four of the twelve images that make up my winning “Covid Vax & Ice Cream” photo essay. To see the complete essay go to my ‘Awards’ page at … www.briancasseyphotographer.com/awards  .

Images © Brian Cassey

2022 The Clarion Awards - Brisbane - WINNER - Best Photographic Essay - "Covid Vax & Ice Cream" by Brian Cassey

2022 The Clarion Awards - Brisbane - WINNER - Best Photographic Essay - "Covid Vax & Ice Cream" by Brian Cassey

2022 The Clarion Awards - Brisbane - WINNER - Best Photographic Essay - "Covid Vax & Ice Cream" by Brian Cassey

2022 The Clarion Awards - Brisbane - WINNER - Best Photographic Essay - "Covid Vax & Ice Cream" by Brian Cassey

Excellent Run In “Orion” Magazine …

Classy International quality quarterly print magazine “Orion” celebrates it’s 40th anniversary of continuous publication this year … and I can’t think of a better time for my images to make an appearance inside in a ten page ‘spread’.

Four of the images I made whilst working in Chhattisgarh India just before the pandemic are spread across the pages of the story “The Place of Many Waters” penned by University of Sydney professor of sociology Sujatha Fernandes … two images as double page spreads and two page lead pics. Also a fifth ‘bonus’ image run across the back cover of the magazine accompanied by a beautiful fitting quote (see images below).

My work in Chhattisgarh on Indian mining giant Adani’s open cut coal mining destruction of the beautiful Hasdeo Arand forest … the centuries long home of the tribal Gond peoples … seamlessly slotted around Sujatha’s excellent words documenting the struggles, similarities and threats from the mining conglomerate to indigenous peoples in India and Central Australia.

Will let “Orion” explain it’s style and mission in it’s own words … “Orion magazine invites readers into a community of caring for the planet. Through writing and art that explore the connection between nature and culture, Orion inspires new thinking about how humanity might live on Earth justly, sustainably, and joyously.”

The complete “The Place of Many Waters” story … Sujatha’s words and my images … may also be found online here … https://orionmagazine.org/article/coal-mining-indigenous-land-rights/ … however, it’s much nicer to view and read it in the lovely hard copy paper magazine.

My work on the Gond people of the Hasdeo Arand and their fight against the destruction of their forest home has also been published elsewhere … including (but not only) … the Guardian, CNN and Italy’s ‘Corriere Della Sera‘.

Images © Brian Cassey, magazine © Orion

 

One Place Better … International Portrait Photographer of the Year …

Chuffed … !  The results just in for the 2022 ‘The International Portrait Photographer of the Year’ awards … and two of my images are represented.

‘The Yarrick Family of Kunhanhaa’ (top below) has been selected as the winner of Second Place  (The Family Sitting) “The International Portrait photographer of the Year”  … and, very nicely includes the award of some ‘folding stuff’ and … rare these days … a glass trophy to whack in the ‘office’. It will also be showcased TWICE in the accompanying book ‘The Top 101 International Portrait Photographs of the Year’ … firstly in the ‘winners’ section  and then in the ‘Top 101’ portraits section.

Also selected in the ‘Top 101’ section of the book is my portrait of gorgeous African American Aurora Coulter … ‘Mother Africa – Aurora’ (also below).

‘The Top 101 International Portrait Photographs of the Year’ book will be available in hard cover and as an ebook in the very near future. Stay tuned for the link …

Both portraits have featured in other earlier International and Australian award selections. Check ’em out on my ‘awards’ page here …

Images © Brian Cassey

2022 International Portrait Photographer of the Year - WINNER 2nd Place - "The Yarrick Family of Kunhanhaa" - The Family Sitting - "Mother Africa - Aurora" - by Brian Cassey

2022 International Portrait Photographer of the Year - WINNER 2nd Place - "The Yarrick Family of Kunhanhaa" - The Family Sitting - "Mother Africa - Aurora" - by Brian Cassey

‘Ruby’ … Her Story … Her images …

Thanks to the brilliant explosive but so so sad comprehensive three part story penned by journalist Kristin Shorten, I’ve in the past few days had an exceptional run in The Australian three editions in a row with several different portraits of ‘Ruby’ … a startlingly brave but severely damaged  twenty one year old indigenous mother from the remote Northern Territory community of Yuendumu.

Over three front pages over three days and several more inside, Kristin tells in graphic horrific and ultimately the saddest detail, the story of ‘Ruby’ (not her real name), her multiple rapes at the hands of her father, the violence that is endemic in her NT community … and the aftermath of that violence as she fled to the relative safety of Cairns. For ‘Ruby’ that was indeed ‘relative’ as she found herself in jail and separated from her one year old son.

‘Ruby’ … who not surprisingly has difficulty trusting anyone … was charming to portray and, eventually, to talk to.

An aspiring artist, ‘Ruby’ uses her art to forget her brutal past. Sincerely hope her art thrives and the story of her future with her son is much brighter.

Huge thanks and a pleasure to be a part of Kristin’s fabulous work on this story that had to be told.

Here are my personal favourite portraits of ‘Ruby’ (from top) and grabs of The Aus page 1 and some of the other pages with my pics. Kristin’s comprehensive harrowing stories and more of my images can be found online … with a subscription … at …

https://www.theaustralian.com.au/nation/indigenous/out-of-yuendumu-how-violence-seeps-through-generations/news-story/5d28ff3aa44699c9e89d884019a2a594

https://www.theaustralian.com.au/nation/indigenous/rubys-story-i-didnt-want-dad-jailed-but-i-was-scared-he-would-kill-me/news-story/303ce27b48c7278aabc971833f822ed7

https://www.theaustralian.com.au/nation/indigenous/father-free-to-unleash-four-month-reign-of-terror/news-story/060ca1e3716cf7642d0fef3382b3e39a

https://www.theaustralian.com.au/nation/indigenous/rubys-story-i-want-to-go-back-home-but-i-dont-feel-safe-there/news-story/242e3968f716b96a55b9ac4186ee1a2a

https://www.theaustralian.com.au/nation/rubys-art-thrives-in-her-baby-sons-shine/news-story/6537c9e30ed8251156cf66e38181b600

https://www.theaustralian.com.au/nation/in-the-clamour-for-an-indigenous-voice-true-suffering-is-being-drowned-out/news-story/0b6fd8710fc0410a9a377fa8364f3824

Images © Brian Cassey

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey - The Australian

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey - The Australian

Ruby from Yuenemudu - story by Kristin Shorten, images by Brian Cassey - The Australian

 

 

Portrait of Humanity … Covid, Leanne & Ice Cream …

Stoked to once again be selected on the ‘Shortlist’ of the prestigious “Portrait of Humanity”.

The 2022 edition of the “Portrait of Humanity” awards have just been announced … and I’ve been buzzing about this for some time but was sworn to secrecy until Thursdays official ‘announcement’. … so pleased to be ’Shortlisted’ again for the International POH awards with my work “Covid Vax & Ice Cream” .

Now in it’s 4th ‘edition’ and organised by the British Journal of Photography, 1854 and Magnum … “Portrait of Humanity” has fast become one of the most select collections of portrait photography on the planet. 

The image of Leanne with her ice cream was made after she received a Covid Pfizer vaccination in her home from a team of roaming ‘door to door’ doctors and medical staff … followed by a pink ice cream van (complete with musical ‘Green Sleeves’ tones) dispensing free ice cream to the newly vaxed and the communities numerous children.

The portrait will be amongst the other short listed works published in the “Portrait of Humanity 2022” hard cover book printed by Hoxton Mini Press.

I was also stoked to be ’short listed’ in the first and second editions of POH a few years back and three of my winning portraits … “Aurukun – Generations”, “Ramnami” and “The Skin I’m In” where exhibited in the stratosphere above the planet and then digitally transmitted through the unending vastness of space, as a result.

My photo of Leanne and her ice cream was published in The Australian newspaper in October 2021 and further images of the home vaccination program were used on their Instagram account at https://www.instagram.com/p/CU_0dItvoAX/ .

Thanks to my (almost) unwitting subject Leanne at Yarrabah, who I’m sure will be as pleased as I am when she finds out ;-).

… and all absolutely nothin’ to do with the Easter Bunny 😉

Below – “Covid Vax & Ice Cream” © Image by Brian Cassey

6th Time Lucky … Sydney & The Walkley Awards …

Sydney … got there … and so stoked I did !!

On five occasions since the Covid virus reared it’s ugly head two years ago, I’ve booked to travel to Sydney for photography (and social) events … each time to be thwarted by new outbreaks, lockdowns or border closures. Seemed like it would never happen …

Then, in November last year, I received the fabulous news that my “The Yarrick Family of Kunhanhaa” image was selected as the Winner of the Nikon Walkley Portrait Prize. Epic. Not only that … but the Walkley Foundation contacted me and asked if I would present a Walkley Masterclass on photojournalism and portraiture as a prelude to the awards presentation eve, by then delayed and re-scheduled for Tamworth NSW in the first weeks of February. Of course … what’s not to like 🙂

With flights booked to Tamworth nervously waited and monitored the news of the latest Covid Omicron march across Australia. In January the Tamworth Country Music Festival was cancelled and the Walkley’s had no choice but to move their awards away from Tamworth and reschedule in Sydney later in February.

So … last week I actually flew to Sydney … presented my “The Portrait & Photojournalism” Walkley Masterclass at Macleay College to the assembled enthusiastic twenty plus audience throng … AND … had an absolute belter of an evening (and somewhat later) at the Walkley Awards.

Thanks to the Walkley Foundation, the International Convention Centre Darling Harbour and the Nikon Australia crew, it really was a fabulous evening … with an amazing’ collection of Aus based photographers … umm … ‘celebrating’ … and a recognition of my win in the Nikon Portrait Prize.

Hope I don’t miss anyone … but here goes with the Aus based media photographers who were also there and why …

Alex Coppel won the ‘Sport Photography’ category and ‘Press Photographer of the Year’, Andrew Quilty won ‘Long Form Feature Writing’, Dean Sewell won ‘Feature/Photographic Essay’, Brooke Mitchell won ‘News Photography’ … Finalists Jake Nowakowski, Justin McManus, Scott Barbour, Jason Edwards, Chris Hopkins, Michael Dodge joined other prominent photo media figures Mark ‘Crusty’ Baker (AP), Dean Lewins (AAP), Jeremy Piper, Tracey Nearmy, Matt Abbott and James Brickwood. Many of us were graciously hosted on the two Nikon Australia tables (and at the ‘after parties’ – plural) by Nikon Marketing Manager Kylie Dredge and Professional Marketing Manager Julie Kimpton. (Huge Thanks Kylie and Julie ! … and couldn’t ask for a better bunch of colleagues to celebrate with.)

Below is a little vid of the announcement of my Nikon Portrait Prize win (my third win in this category in the last ten years) at the awards last Friday eve. It’s very short as I was too busy nattering to photographer mates, hampered by a large glass of Shiraz in my hand and missed the start of the announcement. Oh well … (the sound is the best bit).

Clip © Brian Cassey (iPhone)

 

 

Documenting Mt Mulligan Mine Disaster 1921 for Aus Geographic …

How do you illustrate, in the middle of a pandemic, a story of a tragedy that happened one hundred years ago in a remote part of Australia ? That was the delightful challenge that I was set by Australian Geographic for their story in the just published March/April ’22 edition on the September 1921 Mt Mulligan mine disaster on Cape York Peninsula that took the lives of seventy five miners. 

Journalist Denise Cullen initially came up with the names of several people who had strong connections to Mt Mulligan both before and after Australia’s second largest mine tragedy in 1921. A couple were in then Covid Delta locked in New South Wales so ‘out of bounds’. 

However, most were fortunately in Queensland and so began a several weeks quest around the Sunshine State to find and photograph these fascinating individuals. I found and made portraits … and listened fascinated … as they sat and told me their stories in Cairns, Mackay and the Atherton Tablelands.

Ken Best worked in the mine up until it’s final closure in 1957 and told of older miners stories of ‘ghosts’ in the mine. Pam Millett’s grandfather had a contract to cart logs to the mine to shore up the ceilings and roof, and he was delivering logs at the time of the deadly explosion. Helen Scott and her family were the last to leave the mine settlement when it was finally closed and  ‘removed’. Desley Brkic’s grandfather was the first to witness the smoke from the mine explosion. 

Arguably, though, the most emotional image for me was found at the end of a journey to Mackay to photograph an object.

Stephen Smyth of the Construction, Forestry, Maritime, Mining and Energy Union (CFMEU) is the ‘keeper’ of an inanimate object that, for me, summed up the story of the disaster perfectly in a simple single frame … a battered ‘Waltham’ pocket watch that was on the person of miner George Doran James when he was killed in the explosion. The watch ‘stopped’ at the moment George, along with his son and seventy three others died at nine twenty five that morning. 

It was a pleasure to be afforded the time to portray and meet these fascinating people over a time frame that is rare these days … (Thanks AG and Editor Chrissie Goldrick) and to be involved in this story that is a part of Australia’s history.

Check out Denise’s story and my images (including two whole page pics) spanning ten pages of Australian Geographic print journal 167 March/April edition … on sale now.

Images – top – Desley Brkic reflects on the disaster at her home in Tinaroo, centre – the ‘Waltham’ watch, worn by a blast victim, that stopped at the moment of the explosion, bottom – ex miner Ken Best of Mackay.   © Brian Cassey, Magazine © Australian Geographic

Nikon Walkley Portrait Prize #3 … Yes !

… well, that was damn exciting and unexpected !

A few days ago received an email (proceeded by phone calls) with the great news that I’d once again won the ‘Nikon Walkley Portrait Prize’. Really stoked with that …

The Walkley’s usually announce the winners of the ‘Nikon Portrait Prize’, the ‘Nikon Photo of the Year Prize’ and the finalists of the other Nikon photographic categories during state capital evening ‘events’ … but Covid this year meant a much quieter disclosure via an 8am email.

Wasn’t expected anything … so missed the initial email and only learn’t that my pic “The Yarrick Family of Kunhanhaa” had been selected as the portrait prize winner when colleagues started ringing me !

The pic was made on Mornington Island (Kunhanhaa) in the Gulf of Carpentaria in far northern Australia … an indigenous community that is experiencing multiple ‘social issues’ mostly due to the tyranny of distance and … well …  being ‘forgotten’. Myself and ‘gun’ journalist Michael McKenna travelled to the island in December 2020 to document the story of massive overcrowding in the communities basic homes … and the image and story was published on page one of ‘The Australian’ (below).

Many thanks to Michael … and also to the ‘driven’ Mayor of Mornington, Kyle Yanner, who is single minded in solving the issues that have beset his community.

This portrait was also a part of my pic essay “Mornington Island – The Queenslanders Left behind” that recently won the ‘Photographic Essay’ category of ‘The Clarion Awards’ … Queensland’s media awards.

Also, huge congrats to brilliant Sydney Morning Herald colleague Kate Geraghty who scored the ‘Nikon Photo of the Year Prize’ with an evocative image of a Covid-19 patient that was also published as a page1.

Can’t forget the several of my colleagues that received the news that they are ‘Finalists’ in the remaining Nikon Walkley photographic categories who won’t now learn their fate till the big announcements at The Walkley Awards presentation night of nights in Tamworth in February 2022. I’ll be there ‘with bells on’ !

Below I’ve also posted images and links to my other two previous winning ‘Nikon Walkley Portrait Prize’ photographs in 2016 (here) and 2011 (here). Also just a couple of the links to all the Nikon Walkley winners and category finalists here and here.

STOP PRESS: Was interviewed in the days after the announcement by the Walkley Foundation’s Kate Burgess for an article in The Walkley Magazine. Kate’s work and my words may be found here … https://medium.com/the-walkley-magazine/spotlight-on-brian-cassey-1bfa58b91af8

Images © Brian Cassey

 

2021 Nikon Walkley Portrait Prize - Winner - "The Yarrick Family of Kunhanhaa' - by Brian Cassey

2021 Nikon Walkley Portrait Prize - Winner - "The Yarrick Family of Kunhanhaa' - by Brian Cassey for The Australian

'Abdullatif - Beaten Asylum Seeker' - Winner 2016 Nikon Walkley Portrait Prize - image by Brian Cassey

'Carol - Burne Survivor' - Winner 2011 'Nikon Walkley Portrait Prize' - image by Brian Cassey

Covid Vax & Ice Cream …

Every now and then there comes along a really rewarding story … and every now and then that story throws up a ‘special’ pic.
Last week, for me, this job threw up one of ‘em.

I thoroughly enjoyed being allowed to document the ‘door to door’ Covid-19 vaccination program in the far northern indigenous community of Yarrabah. Orchestrated by the Gurriny Yealamucka Health Service, the operation was startling and well organised … teams of doctors and health workers went from home to home to inform and vaccinate the indigenous population that had been lagging far behind in Covid-19 vaccination numbers.

Following behind the vaccination teams was a pink ice cream van … complete with musical ‘Green Sleeves’ tones … dispensing free ice cream to the newly vaxed and the communities numerous children.
In my favourite image of the day (top below), 67 year old Leanne Bulmer sits in her home with her ‘vaccination ice cream’ after receiving her shot of Pfizer from a doctor on her verandah. I nearly missed it … a health worker spirited Leanne a choc coated soft serve … and I overheard him casually mention it. Leanne was delighted to allow this portrait before her ice cream melted in the tropical heat.

In the second image Dr Peter Roach vaccinates elderly Yarrabah resident Raymond Davidson in his home assisted by health worker Belita Kynuna. The bottom pic shows 19 year old Sherrie Bligh as she is vaccinated by nurse Susie Jarman and enjoys her free ice cream at her Yarrabah home, watched by 2 year old Cleo Costello.

The story and two of my images (including Leanne’s) was published in Thursday’s ‘The Australian’ newspaper under the great head “Jab Blitz Proves As Easy As Pie With Ice Cream”.

The later publication of seven of my images and story link on The Australian’s Instagram account accrued over a thousand ‘likes’ …but, sadly. also led to a stream of readers ‘comments’ (inexplicably to me) highly critical of the vaccination program and the newspapers coverage.

Nevertheless, the ‘door to door’ program proved to be a big success with many residents having their fears allayed and taking the vaccination plunge. All that ice cream just sweetened the deal.

Images © Brian Cassey

 

'Covid Vax & Ice Cream' - images of the covid vaccine door to door rollout in the indigenous community of Yarrabah, north Queensland - by Brian Cassey ©

'Covid Vax & Ice Cream' - images of the covid vaccine door to door rollout in the indigenous community of Yarrabah, north Queensland - by Brian Cassey ©

'Covid Vax & Ice Cream' - images of the covid vaccine door to door rollout in the indigenous community of Yarrabah, north Queensland - by Brian Cassey ©

 

 

Mornington Essay Wins At Clarions …

Scored a nice tidy hangover … and Best Photographic Essay gong … at ‘The Clarions’ (Queensland’s media awards) presentation event at the Brisbane Convention & Exhibition Centre on Saturday eve.

A great evening honouring the best work of Queensland’s media industry over the last troubled year, it was also a brilliant opportunity to catch up with media mates and colleagues for a drink or two (honest!). To win the award for Best Photographic Essay with my work documenting the dire strait of the Mornington Island indigenous community in the Gulf of Carpentaria for The Courier Mail and The Australian was a very pleasant bonus.

The judges (for whom I have the greatest respect 😉 ) commented thus on my work ‘Mornington Island – The Queenslanders Left behind’ … “This series of images beautifully captures and communicates the plight of a forgotten community. Brian has included both dramatic candid moments and evocative portraits to tell the subjects story while seamlessly using a variety of techniques to create a moving connection to both people and place.

You will get a better look at the entire pic essay on my ‘Awards’ page at … https://www.briancasseyphotographer.com/awards/

Huge Thanks to all at the Media Entertainment and Arts Alliance for once again hosting the awards and the evening … and to the wonderful people of Mornington for their hospitality.

Images © Brian Cassey (pages The Courier Mail & The Australian)

 

2021 Clarion Awards (Queensland Media Awards) - Winner - Best Photographic Essay - 'The Queenslanders Left Behind' by Brian Cassey (The Courier Mail and The Australian)

2021 Clarion Awards (Queensland Media Awards) - Winner - Best Photographic Essay - 'The Queenslanders Left Behind' by Brian Cassey (The Courier Mail and The Australian)

2021 Clarion Awards (Queensland Media Awards) - Winner - Best Photographic Essay - 'The Queenslanders Left Behind' by Brian Cassey (The Courier Mail and The Australian)

Veronica … Mornington Island … Where Home Brew Kills …

Thrilled, but also saddened to once again travel to remote Mornington Island (Kunhanhaa) in the tropical Gulf of Carpentaria in northern Australia … the third visit in the past year.

Mornington is a delightful destination populated by delightful people … but the community are grappling with many social ills mainly caused by the tyranny of distance and basically, being ‘forgotten’.

New young Kunhanhaa Mayor Kyle Yanner is determined to raise awareness about the many issues that have beset his community … and has managed to get the attention of the Queensland Government near two thousand kilometres distant in Brisbane.

I again made many images during last weeks visit to the island … but this pic of five year old Veronica Barnes is the one I’m most fond of. I was concentrating on portraying a 16 year old who was a ‘home brew’ imbiber when I glanced Veronica and her tiny puppy. A couple of frames later and I had what I think is a ‘special’ image (sorta ‘Bill Henson style’ 😉 ). (NB … her father gave permission for the pic to be seen.)

Veronica’s community is experiencing the ravages of a wide spread ‘home brew’ alcohol epidemic … and this was the main thrust of our story. She is growing up in a community where many of her extended family members and friends are suffering the consequences of alcohol induced diabetes and untimely death. The community … ‘dry’ for twenty  years … has seen a rapid rise of dangerous home brewed alcohols … and children as young as ten years old have been imbibing and adversely effected. Diabetes cases have skyrocketed and the cemetery is littered with the graves of those who have succumbed to alcohol related issues in their teens, twenties and thirties. 

Mayor Yanner and the council are reaching out for urgent assistance to stem the scourge and are proposing the introduction of regulated mainstream mid strength alcohol products to the island, controlled at a Tavern. Queensland Minister for the Environment Meaghan Scanlon MP made the trek to Mornington last week to listen first hand to Yanner’s plans.

Veronica’s image was just one of the many made whilst covering the story (by journalist Domanii Cameron) in The Courier and Sunday Mail newspapers … below is a also page grab of the spread as published in Saturdays ‘Weekend’ edition.

My recent previous visits to Mornington documented severe overcrowding in the community’s housing (The Australian, December 2020) … and numerous issues in ‘The Queenslanders Left Behind’ (The Sunday Mail, May 2021)

 

Images ©Brian Cassey – publication © Courier Mail

 

'Veronica - Mornington Island - Where Home Brew Kills' - image by Brian Cassey for Courier Mail story on alcohol abuse and home brew on Mornington Island in the Gulf of Carpentaria.

 

'Veronica - Mornington Island - Where Home Brew Kills' - image by Brian Cassey for Courier Mail story on alcohol abuse and home brew on Mornington Island in the Gulf of Carpentaria.

 

The Book … International Portrait Photographer of the Year …

Back in June I posted on this blog the news of the winners of ‘The 2021 International Portrait Photographer of the Year’ award and the selection of a couple of my portraits amongst them.

So now … arrived in the post this week  … ‘The 2021 International Portrait Photographer of the Year’ book  … and very stoked to have three page entries in this great hard cover collection.

“Bonn Marie … Asking the Question” (left below) makes two appearances, one in the award ‘Winners’ section (a 3rd Place) and one in the main body of the book alongside my second portrait “Kate Yeoman – Waiting For Her New Breasts” (right below). 

‘The 2021 International Portrait Photographer of the Year’ is a classy quality book printed by Momento Pro in Sydney and contains all the award winners work and also includes the top 101 photographs. It’s a great collection of diverse portrait work from around the planet. You may order a copy if you fancy (two different sizes to choose from) by visiting the Momento wed site at … https://www.internationalportraitphotographer.com/…/awa…

Huge Thanks to my brilliant subjects  Bonn Marie and Kate    !

( Received a nice little trophy for Bonn’s pic too … bottom pic )

Images X 2  © Brian Cassey … book © International Portrait Photographer the Year and the artists.

2021 International Portrait Photographer of the Year ... the Book ... with works by Brian Cassey

2021 International Portrait Photographer of the Year ... the Book ... with works by Brian Cassey

2021 International Portrait Photographer of the Year ... the Book ... with works by Brian Cassey

Mornington … Clarion Media Awards Finalist …

… it’s always a pleasure … a once a year excuse to trek to Brisbane and spend a very pleasant eve with southern media colleagues that I far too infrequently get to socialise with.

The ‘Finalists’ in the Clarion Awards … Queensland’s prestigious awards which recognise the best of the Sunshine States media for their work across the year … were announced this week … and very pleased to be selected as one of three photographers in ‘Best Photographic Essay’.

So … if the Covid virus plays nicely (i.e. elsewhere) … will be off to Brissie in October to enjoy another year of the Clarion Awards ‘presentations’ … this time at a cocktail function at the Brisbane Convention and Exhibition Centre.

Greatly looking forward to catching up with photographers Darren England and Evan Morgan (co-finalists in ‘Essay’), David Clark, Annette Dew and Tertius Pickard (finalists In ‘News Photograph’) and ‘Regional’ finalists Rob Maccoll and Cairns colleague Brendan Radke. Big congrats guys n gal. Not forgetting the wonderful journalists, scribes, blunts (whatever you choose to call ‘em) that pen the words that fill the spaces between our photographs.

My selected work is a pic essay compiled from images made for The Sunday Mail and The Australian, documenting the plight of the indigenous residents of the remote Gulf of Carpentaria township of Mornington Island. Entitled “The Queenslanders Left Behind”, it comprises eleven images made during two journeys to the island, concentrating on the issues of housing overcrowding and other social ills.

Five of those eleven pics are here below … from top … Shaylene Yarrick and her children bed down in the lounge of their overcrowded house … Mum Cheree Loogatha and daughter Arizona outside their Gununa house …  Shaylene Yarrick sheds a tear outside her tiny overcrowded home … The Loogatha family yarn around the fire outside their house … Mornington Island sisters Yvonne Wilson (17) and Corrin Wilson (13) suffer from type 2 diabetes. Corrin also has rheumatic heart disease, whilst their mother is receiving dialysis following renal failure.

Very pleased to once again have the chance (it’s now twelve years of ‘Finalists’ with a fair few ‘Wins’ over the last decade and a half) to enjoy Queensland’s media ’Night of Nights’.

Covid-19 … please don’t stuff it up !

Images © Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey