… lovely to have a couple of images … one new and one old … selected by “Atlas of Humanity” and to be exhibited in Paris later this new year.
“Atlas of Humanity” is an international imaging project based around the UNESCO Declaration on Cultural Diversity and uses quality photographs to document cultural and ethnic diversity around the planet.
My two selected images … “Aak Puul Ngantam Stockman – Dominic” – & – “Gama Warrior Woman – Tsumeriyah” … will feature in the event “ImageNation Paris 2026” at the Galerie Joseph Le Palais, one of the most beautiful galleries in the very heart of the Marais quarter central Paris just a few steps from the iconic Centre Pompidou. The exhibition … scheduled during Paris Photo Week in November … will feature my Dominic portrait framed large on the walls … whilst the Tsumeriyah work will be projected and online.
My portrait of Dominic Ngakyunkwokka as he returned to camp from an Aak Puul Ngantam mustering operation out from Aurukun, Cape York Peninsula, was made some years back and won a Head On Portrait Prize.
It was a brilliant and amazingly well attended evening.
Moshe Rosenzveig flew up from Sydney to perform the official exhibition openings under the evenings very threatening skies … and also joined me the following day hosting our artist/curators talks.
It is the first time that “Paper Tigers” has been shown outside of Sydney … and it was a real pleasure to see the sixty works by Australia’s wonderful photojournalist community on the expansive walls of the Court House Gallery … including my 2016 Nikon Walkley Portrait Prize winner “Abdullatif – Beaten Asylum Seeker” (pic 5 below 🙂 ). Was a real (lengthy and sometimes complicated) pleasure to work with Moshe to put this significant collection together. The exhibition includes many examples of Australian photojournalism that are historic and helped shaped the face of the country. VERY well worth a visit and a long long look.
My exhibition of ‘Portraits’ is a logical extension of my two earlier exhibitions … A Photographer’s Life Parts 1 & 2. Part One was exhibited in The Tanks Arts Centre in 2017 … and Part Two in the Court House Gallery in 2021. Together they documented not only my involvement in photography from a very early age and across the decades, but also the changes in photojournalism and the media environment. Part Three demonstrates the move more to portraiture from the more traditional and difficult to obtain (and more expensive) pure photojournalism. It also contains several of my fondest and most emotional images. Great to see some of the images projected the size of a house too !
“Word on the Street” is the product of my connections over the years with Trinity Bay High School and their visual arts students and teachers. I have judged and presented their annual photographic portrait prize for near a decade and have many times provided the students with class room talks and street walks where we explored photography and photojournalism. The catalyst for this particular exhibit was a chat with Cairns Galleries curator Chris Stannard (left in image 4). We mentored the students in photojournalism and encouraged them to produce work whilst charging young cadet journalist Isaac Colman with the task of writing their stories. A very rewarding and successful exercise …
Must, must … hugely thank Chris Stannard and all at the galleries staff (Andy, Narelle, Jilara, Laurence etc etc) who worked so hard to put these exhibitions together … Moshe for his time, expertise, words, camaraderie and attendance … the visual arts students and teachers from TBHS … my wonderful subjects (Vale Alf, George S, George C and Desley) … and all who taken the time out to be there on the opening eve or have subsequently walked through the gallery doors !
Also grateful to Charlie McKillop at ABC Radio who very nicely interviewed me on exhibition opening morning for her ‘Drive’ segment. You may listen to that interview here if you have ten minutes and forty seconds to spare.
I do hope to have some fascinating ‘360 degree’ videos of the exhibitions very soon.
In pics below … Mulgrave Gallery entry to “A Photographer’s Life – Part 3 – Portraits” and “Word on the Street” during an accompanying musical event – featuring my image “The Kids of Ali Curung” … my exhibit image “George at the Bus Stop” projected at dusk … some of my portraits on the walls of the Mulgrave Gallery … Cairns Galleries Chris Stannard at the Court House entry to “Paper Tigers” … my work :Abdullatif – Beaten Asylum Seeker” in the Court House Gallery “Paper Tigers” collection … projection of my work “Veronica – Where Home Brew Kills” late on opening evening … lastly, Head On’s Moshe Rosenzveig (right), myself (left – a VERY rare pic), friends from the Cairns photographic community Shaz Spannenburg, Peter Rossi, Charmaine Heyer, Polly Fenton with (rear) Robert Gray from Brisbane … at the Conservatory Bar ‘after launch’ ‘do.
To say my 2016 image of asylum seeker “Abdullatif” in detention on Papua New Guinea is good enough to be in the amazing company of the work in this collection is a vast overstatement ( I think that’s right 😉 ).
The collection is chock a block full of truly historic and iconic photographs … images that are embedded in most peoples memories … Nick Ut’s napalm girl ‘The Terror of War”(1972), Joe Rosenthal’s “Raising the Flag on Iwo Jima” (1945), Robert Capa’s “Falling Soldier (1936), Malcolm Browne’s “Burning Monk” (1963), Thomas Hoepker’s brilliant “9/11” (2001), David Scherman’s “Lee Miller in Hitlers Bath” (1945) … and … without listing them all … other legendary works by current International legends … Ben Lowy, Ron Haviv, Paula Bronstein, Lynsey Addario and Australian’s Merv Bishop, Stephen Dupont and Kate Geraghty. You can see them all here … https://headon.org.au/magazine/16-photos-that-changed-the-way-we-see-the-world
Then … and it was the shock of my life … at number four … between Ben Lowy and Nick Ut’s startling work … was my pic and the story of “Abdullatif”. Head On described the rationale for the complete set thus … “Photojournalists have captured images that have continued to shape our world to this very day. We are highlighting some of the most impactful of these images, showcasing their history and investigating their continuing legacy.”
One of the nicest surprises of my decades wielding cameras. (If I had been sitting on a chair I would have fallen off it !).
Please don’t miss seeing this amazing collection of fabulous unforgettable photojournalism (even though you likely know them all anyway 😉 ). Thank You Head On Foundation !
… new month … more pics … have added NINE new images to the “Signed Collector Prints” collection on my new ‘Shop’ page. They join eight other works available to buy as 18” X 12” signed prints … all made on archival matt photographic paper 18” on longest side, 12” on shortest side (457mm X 305mm) … and I whack my signature thingy on the front bottom right corner 🙂 .
The latest nine … (below, left to right, top to bottom) … ‘Train Journey – Sri Lanka – 2018’, ‘Singing in the Rain – Dire Straits – 1986’, ‘Palm Island – 2007’, ‘Huli Maiden – Tari PNG – 1987’, ‘Manus – Bismarck Sea – 2016’, ‘Number 55 – 2015’, ‘Jodhpur Wedding Party – 2011’, ‘Two Up – 1987’ and ‘Beef Barons – 2015’ … bring the number of “Signed Collector Prints” currently on offer to 17 … and more will be added periodically.
Recently travelled to Green Island on the Great Barrier Reef with photographer colleague Emese Gyalog to meet and document, soon to be 93 year old croc legend George Craig.
To say George has lived a life is a massive understatement. Schooled in England but born in South America, George dived with epic Tarzan star Johnny Weissmuller in an aquatic show before stowing away on a ship at London’s docks to Jamaica where he picked bananas. Then he found himself in Darwin Australia defusing WWII bombs.
However, the travel that most impacted the direction of George’s life was to the Fly River in Papua New Guinea, where he set about croc hunting … later turning to croc ‘collecting’. George not only ‘collected’ crocs but also a massive trove of PNG artefacts unmatched almost anywhere.
In the 1970’s when he needed somewhere to put all these crocs and art he took over tourist venture Marineland Melanesia at Green Island on the Great Barrier Reef, where he lives and works to this day. George also brought a mate of his to Green Island from the NT … a now 5 5 metre “saltie” named “Cassius” … the largest croc in captivity on the planet. (See here Guinness Book of Records.)
It was an absolute pleasure to photograph George on Green Island … on his favourite chair where he sometimes paints, amongst his amazing collections of probably priceless art … and with his massive mate “Cassius”.
The Courier Mail were delighted to see the work and ran it today Saturday on page three (with a pic pointer from page 1), with a story brilliantly constructed by journo, wordsmith and mate Michael Madigan.
I do like “Cassius” but I’m much fonder of the portraits I made of George in his happy place with his art works, one of which leads this little set below.
Thanks George , Cassius and Emese … had a great rewarding day !
Early this year, at the request of the State Library of Queensland, I produced a series of images in a Cairns pop up studio of a fascinating variety of prominent northern Australian Aboriginal and Torres Strait Islanders wearing a creative colourful showcase of indigenous singlets, shirts, polos and jerseys.
The resulting SLQ exhibition “Deadly Threads” explores the significance of these apparel pieces as symbols of identity, celebration and unity. They have been developed to protest, commemorate special occasions and historical events and tell stories of Aboriginal and Torres Strait Islander history and cultures.
The exhibition came ‘home’ to Cairns this month at the historic (formerly Public Curators Building) Cairns Art Gallery, with an opening eve on the 2nd of December. Very pleasingly my work again plays a prominent part … (although the actual shirts are still the real ‘stars’ of the show). Two of my works massively adorn the portico outside the gallery to alert passersby to the exhibition inside … images of South Sea Islander resident of Gimuy (Cairns), Franklin Mye (right – below) … and Conrad (CJ) Ahwang, Muluyligal-Zeandth R\Kes man also residing in Gimuy (left – below).
Inside a further half a dozen images adorned the walls … with the pick being another massive image of ‘CJ’ (pics below) unmissably greeting everyone as they entered the exhibition room.
Now just over two weeks since the doors opened on my latest exhibition … ‘A Photographer’s Life – Part Two’ … and one week since a brilliant official opening eve event at the beautiful venue, the heritage listed Court House Gallery.
Essentially a ‘Retrospective’, the ‘Part One’ exhibition featured work selected from my archives … negatives from long forgotten boxes and numerous disk drives … that charted the progression from my first roll of film as a pre-teen, through my first paid media work in London town as a teen and onto my career across the decades producing press work that was published around the planet..
‘Part Two’ is a fundamentally different exhibition of work. It contains a few images that didn’t quite make the space cut for ‘Part One’ – but most of the work is new and made from 2016 up until today. Whilst ‘Part One’ was almost exclusively ‘assigned’ media work the ‘Part Two’ images are much less so. The decline in media work and the lack of media opportunity and funding has meant that much of the new work was made independently, often self funded and sometimes just purely personally observational. The photographs emanated from India, China, Sri Lanka, the United States, Papua New Guinea, the UK … and around Australia,
An integral part of the new exhibition is the ‘story behind the images’. Each work is accompanied by text explaining how the image came about and why. Many of them are quite personal. Feedback from exhibition visitors so far is that the ‘stories’ added a depth and dimension to the images. Gratifying 🙂
The opening eve event on November 5th was a thoroughly enjoyable big success. An individual exhibition opening record crowd of over a hundred and twenty five crammed ‘standing room only’ in the ‘Court Room’ to witness ABC Radio’s Fiona Sewell ‘grill’ me nicely about eight of the thirty seven exhibition images for about forty five minutes. Many Thanks for hosting the event Fiona. Great to see friends and colleagues past and present .. many I hadn’t seen in years … turn up for the occasion. Thanks all …
Also launched at the event was the large format high definition limited edition collectors book ‘A Photographer’s Life – Part One & Part Two’ … containing … yes … all the images (85 in all over 88 pages) from both ‘Part One’ and ‘Part Two’. All those who order a copy during the exhibition period (till 11th December) with have their names and an acknowledgment printed in the book … and my scrawled as best I can signature too 😉 . Order at the Court House Gallery office or phone either Dayle on 07 40326621 or the office on 07 40326620.
Greatest respect and massive thanks to Curator Chris Stannard , Dayle Jordon, Megan O’Rourke and the rest of the council team who did a brilliant job hanging and presenting the exhibition.
The exhibition continues until the 11th December Tuesdays to Saturdays 10am to 4pm … another four weeks to take it in. (If anyone would like a ‘personalised’ tour of the work I will be happy to try and do just that … just contact me.)
Below are images … (impossible in small pics to do justice to the exhibition, the work and the gallery) … of the works on the wall, the opening eve event and the book.
A few days ago received an email (proceeded by phone calls) with the great news that I’d once again won the ‘Nikon Walkley Portrait Prize’. Really stoked with that …
The Walkley’s usually announce the winners of the ‘Nikon Portrait Prize’, the ‘Nikon Photo of the Year Prize’ and the finalists of the other Nikon photographic categories during state capital evening ‘events’ … but Covid this year meant a much quieter disclosure via an 8am email.
The pic was made on Mornington Island (Kunhanhaa) in the Gulf of Carpentaria in far northern Australia … an indigenous community that is experiencing multiple ‘social issues’ mostly due to the tyranny of distance and … well … being ‘forgotten’. Myself and ‘gun’ journalist Michael McKenna travelled to the island in December 2020 to document the story of massive overcrowding in the communities basic homes … and the image and story was published on page one of ‘The Australian’ (below).
Many thanks to Michael … and also to the ‘driven’ Mayor of Mornington, Kyle Yanner, who is single minded in solving the issues that have beset his community.
Can’t forget the several of my colleagues that received the news that they are ‘Finalists’ in the remaining Nikon Walkley photographic categories who won’t now learn their fate till the big announcements at The Walkley Awards presentation night of nights in Tamworth in February 2022. I’ll be there ‘with bells on’ !
Below I’ve also posted images and links to my other two previous winning ‘Nikon Walkley Portrait Prize’ photographs in 2016 (here) and 2011 (here). Also just a couple of the links to all the Nikon Walkley winners and category finalists here and here.
At the risk of sounding monotonous and repetitive … my apologies for once again featuring these three of my portrait images … but …
… all three have just been selected as ‘Honourable Mention’ Finalists in the Portrait category of the 2019 ‘Australian Photography Awards’ … pretty gratified with that.
Below are the three … “Generations Aurukun” featuring Aurukun elders Silas and Rebecca Wolmby with their twin great grand children … “Tomotaro on the Block’ of Japanese paralympic swimmer Tomotaro Nakamura at the 2018 Pan Pacific Para Games in Cairns … and “Victim of Sorcery – Dorcas” of ‘Sanguma’ (sorcery) victim Dorcas Numbi Nunugi recovering from a near fatal attack at a ‘safe house’ in Goroka, Papua New Guinea.
The ‘Australian Photography Awards’ exhibition opens at Sun Studios Melbourne on October 12th and runs until October 20th. Sadly, will miss the opening as have already committed to the ‘FIPP’ exhibition event in Fremantle on the same day.
Promise that I’ll soon shut up about these three pics … and concentrate on producing some new work 😉 .
Sadly … as much as I’d like to … I can’t make it to Moscow to see it and the other winners on show. (unless someone out there feels inclined to donate a return airfare 😉 ! … NB … I haven’t yet visited Moscow !)
I could rave on for pages about the all the happenings over the ten days … but will have to abbreviate this just to the (many) highlights … here goes …
The grand opening eve of the 10th Head On Photo Festival and announcement of prize winners … including the camaraderie in the pub afterwards … with photographers David Dare Parker, Tracey Nearmy, Melanie Russell, Tami Xiang, Max Mason-Hubers, John Swainston and many more … pic editors News 360’s Neil Bennett and Fairfax’s Mags King … and photo industry personalities Alison Stieven-Taylor and Sally Brownbill.
In Paddington Reservoir Gardens, the “Photos 1440” exhibition by the SMH with personal ‘commentary’ by pic editor Mags King and staff photographer Kate Geraghty … and also the brilliant images in “Like Last Years Snow” by Oded Wagenstein.
The truly memorable eve at the Moran Contemporary Photographic Prize opening and 2019 results at Juniper Hall and the spill over into the Imperial Hotel next door (with a whole bunch of great photographers and mates). Great to see “Rain Over Black Mountain” on the walls amongst other finalist works from a host of so talented colleagues (too long to list but you know who you are !).
Fantastic to see my work “18 Minutes Inside Manus Detention Centre” on the walls again … this time at the ‘White Rhino Artspace’ as part of the Head On Photo Festival. A huge Thanks to ‘Rhinos’ Catie and Regula for their help hanging and organising a thoroughly enjoyable ‘opening’ event that attracted many visitors … some of which were old friends/colleagues who I hadn’t seen for many years.
Lastly, but nowhere near least, the fabulous hospitality shown by the Head On Photo Festival crew … both widely across the entire festival and at the Paddington Town Hall ‘Hub’. Moshe (OAM), Anita, Stephen, Paula and all of you … I profusely Thank You !
Great that the only other Australian Winner in the Editorial category was colleague and mate Jason O’Brien who also scored a Silver in the Sport category for his brilliant (and often awarded) image of the dive by French Tennis player Gael Monfils at the Australian Open. Congrats Jason … and nice to see our images side by side.
There’s some great images from photographers from all around the Planet amongst this years TIFA Winners … and they are well worth the time to take a look here.
A real pleasure to learn that for the first time I’ve had an image selected in a ‘science’ collection of ‘best of’ images.
An image I made on the job for the venerable and respected magazine ‘Science’ earlier this year has just been published in a fourteen pic collection entitled (rather staidly) “Our Favourite Science Photos of 2018”. The other thirteen pics are pretty damn stunning (although a couple appear a little ‘overworked’) and varied.
Although my contribution isn’t what one would call a ‘science’ pic as such it is a ‘science related’ pic … made during documenting the story of Yaws disease eradication on Lihir and Namatanai islands in the New Ireland area of remote Papua New Guinea. The original text accompanying the story was written by Science mag International News Editor Martin Enserink … and a blog post by ‘Science’ photo editor Bill Douthitt about how the assignment transpired can be found here … https://www.briancasseyphotographer.com/blog/comment/2018/07/5440/
A little bit of trivia for anyone interested … this is the first pic I’ve had published in a ‘best of’ collection made using the Sealife DC2000 underwater camera which I first wrote about here.
I would urge you to go to the link to see the entire ‘Best Science Photos of 2018’ collection here … https://vis.sciencemag.org/photosof2018/ … but for those with time constraints my selected pic is below. The caption accompanying the pic in the set reads “Eradicating Yaws Disease – Children in Papua New Guinea are some of the main victims of yaws disease, a bacterial infection caused by Treponema pallidumthat spreads through simple contact and attacks bones and skin—causing bright pink lesions and lifelong pain. Scientists hope to eradicate this little-known disease with a massive public health campaign—if governments, funding organizations, and the disease itself cooperate.”
Spent a few days … not near enough … with legendary News Ltd journo Cindy Wockner in Goroka in the Highlands of Papua New Guinea working on a story for News360 on victims of sorcery.
Variously named as ‘Sanguma’, ‘Poison’ and other local monikers … sorcery related violence has exploded in PNG in recent years. There is little evidence that the phenomena has a long history. It appears that the crimes are opportunistic using vicious attacks and, indeed, murder … and an accusation of sorcery is a convenient weapon against the vulnerable. Once the victim is tainted with a sorcery accusation the stigma generally lasts for life. Families of those accused also suffer the consequences.
We spoke to and photographed more than a dozen, girls and women, boys and men, who had experienced attacks at the hands of sorcery accusers … but none were as graphic and heart rending as the story we heard (through an interpreter) from sisters Dorcas Numbi Nunugi and Pita Ambane. They and Dorcas’s son Ari were accused of sorcery after a family member died. Dorcas was attacked with an axe and her arm almost severed. She received other axe wounds on her thigh and head. Then she was tortured with iron bars that had been heated in a fire leaving massive scars on her torso and legs.
Her sister suffered a fractured skull from an axe blow to the head and other injuries … but somehow they escaped alive.
Many don’t … their bodies thrown in the river or any convenient hole.
I’ve also posted (below) … just a few of the images I made whilst covering the story … and have concentrated here on those of Dorcas and her sister Pita recovering from their attacks in a ‘safe house’ in Goroka. I will eventually post a full pic essay on “Victims of Sorcery”.
Made a bit of a detour on the way home from Mumbai … via Brisbane … to attend the annual Queensland media awards … “The Clarion Awards” at the Exhibition and Convention Centre.
It’s always a great night … hosted by the Media, Entertainment and Arts Alliance (MEAA) … that acknowledges the achievements of the Sunshine States (now somewhat shrinking) media. This year the evening was made a little ‘greater’ for me when awarded a ‘win’ in the “Best Photographic Essay’ category for my work “Inside Manus Detention Centre”.
Although the work has previously been shown as an exhibition (here & here)… it is the first time it has been recognised with an award by, essentially, my peers. Pretty excited and gratified about that.
The work documents the visit of myself and journalist Rory Callinan to the Lombrum Manus Island Detention Centre in Papua New Guinea just two days after it was abandoned by the Australian Government leaving over 600 asylum seekers to fend for themselves with no water, no food, no power … and no services whatsoever. We were the first print media to gain access inside the centre. The work was syndicated around News Ltd publications by News 360.
I’ve already posted on my recent Papua New Guinea work on Yaws disease … so I’ll make this short and to the point …
I’ve worked with countless picture editors over the years … that’s central to the task … but never before have I had a picture editor put in writing for everyone his thoughts on how he found and employed yours truly … and publicly voice and detail his appreciation for my work ! (See post below … )
Bill Douthitt (‘Science’ Journal, Photography Managing Editor) … I’m both touched and grateful ! Thanks … and it was also a distinct pleasure to work with your good self and all at ‘Science’.
This film (approximately five minutes in length) was made during my coverage of the ‘Yaws’ disease story on remote Lihir Island and Namatanai New Ireland in Papua New Guinea for the highly respected academic journal ‘Science’. The film is a compilation of many of the still images and video segments that I made whist working with ‘Science’ magazines Amsterdam based International News Editor Martin Enserink. The story also ran in the print edition journal on the 20th July 2018 with my still images gracing the cover and six inside pages.
Also delighted with the five minute online film crafted by ‘Science’ journal’s Sarah Crespi using many more of my still Images combined with video segments that I made on the islands which may be found here … https://www.youtube.com/watch?v=ianST_B1_CA and also below (bottom).
Martin’s excellent story tells of the work of a (thoroughly engaging) young Catalan doctor, Oriol Mitjà, who has dedicated his practice to the eradication of the tropical bacterial skin disease Yaws which, if left untreated, can disfigure the skin and bones causing lifelong pain and disability. The disease is caused by the bacterium Treponema pallidum (a close relative of that which causes syphilis) and spreads primarily through skin contact, mostly between children.
Martin and I travelled to Lihir in the Bismarck Archipelago in remote north east Papua New Guinea where we met Oriol and crew before a two hour Pacific Ocean crossing to Namatanai in New Ireland. Our visit coincided with the start of Oriol’s latest attempt at Yaws eradication … the first round of the mass medication of the entire 60,000 population of Namatanai with the oral antibiotic azithromycin. An epic challenge indeed … but such is Oriol’s single-mindedness he is determined to succeed with his plan to see the end of Yaws … and for it to become only the second human disease in history to be eradicated after smallpox in 1980.
The subject of my cover photo (top, below) … fifteen year old Stanis Malom … lives in the tiny village of Tumbuapil on Lihir Island. His severe Yaws infection has impacted the integrity of the bones in his leg and he also now has an open wound the size of a tennis ball. He no longer attends school … the stigma is too much.
My Thanks to Martin, Oriol, my subjects at Lihir and Namatanai, ‘Science’ journal Photography Managing Editor Bill Douthitt … and acknowledge the welcome assistance of the Pulitzer Centre on Crisis Reporting.
Below … the cover (top), six inside pages (middle) of the new ‘Science’ edition … ‘Science’ online film (bottom)
Pleased that I made it back from an incredible Papua New Guinea gig on Friday morning … just in time to jump on a flight to Townsville for the opening eve ‘bash’ of the 2018 Percival Photographic Portrait Prize.
The ‘Percival’s’ are relatively new … a biennial prize now into it’s third edition. Despite it’s relative youth it has quickly grown into a worthwhile quality event attracting work from some of the best photographic portrait artists from around the country. A ten grand first prize has ensured that. It is run by the Townsville City Council and the exhibition of finalists work graces the clean crisp confines of the Pinnacles Gallery in Thuringowa.
Great to have two works on the walls of the finalist’s exhibition … as also did friends and photographer colleagues Jon Lewis, Peter Solness and Felicity Cole … whilst Rod McNicol and Glen O’Malley scored one apiece. Although there are one or two questionable works in the large expertly lit exhibition the overall standard of the majority is impressive, rivalling many other more notable prizes across the land. The City of Townsville Council also produces what has to be one of the best and most professional printed exhibition catalogues I have seen.
I havn’t previously mentioned my works that have been selected … but can reveal that they are … “The Skin I’m In – II” of Carol Mayer (the same image that has graced the National Portrait Gallery and several other exhibition walls) … and “Mowisha from Jumbun” made in the indigenous township near Tully. Nothing new here I’m afraid …
Townsville Council should heartily and genuinely be congratulated for hosting this award and exhibition and for their support of the photographic arts. Would be wonderful to see Cairns do something similar …
The exhibition runs at the Pinnacles Gallery, 20 Village Boulevard, Thuringowa Central, Townsville, 10am to 5pm till the 15th July.
One week I’m in Port Moresby, Papua New Guinea, shooting (if you’ll excuse the term) images of camouflaged ‘Special Services’ police heavily armed with automatic weapons … and the next week I’m banging away at fourteen Commonwealth Games basketball games and the heir to the British throne. That’s why I’m thoroughly rapt with the job I’m privileged to do.
Back in Cairns in time for the XXI Commonwealth Games and the mens and womens Preliminary and Qualifying Finals basketball games with teams from India, Jamaica, Malaysia, Nigeria, New Zealand, Canada,England, Scotland … and Australia. (Sadly … the one game featuring England was disastrous if you hailed from across ‘The Ditch’ … they were duly thrashed by the Cannacks.)
Basketball, played in a perfectly lit but sterile indoor environment, is generally formulaic to shoot … but I did spend a few valuable minutes attempting something a little different during a couple of games … including an image I was a little pleased with (middle pic below) made during the Australian win over Nigeria. A slow shutter speed combined with a bit of vertical panning …
Prince Charles also made an appearance at the basketball and, as the ‘Pool’ photographer, my images of Charley were made available to all of Getty Images, the European Press Photo Agency (EPA) and my ’employer’ Australian Associated Press (AAP). Security, protocol, time restraints and bully tactics by broadcast media meant that good images were a challenge … but I did produce what I thought a nice comprehensive set.
So … a rewarding couple of weeks work … and variety is certainly the ‘spice of life’.
Below … one of my images of PNG ‘Special Services’ officers … and just one of the published ‘News’ feature pages (The Daily Telegraph) … pics from my Commonwealth Games basketball coverage (Australia V Nigeria and Scotland V Nigeria) and the visit of Prince Charles.
The remainder of the TIFA Winners were spread right around the planet … with some interesting names popping up.
The Winners works will be hung or projected at the ICA Gallery, ICA3 Bldg E 2F, 3 Chome-4-6 Higashinihonbashi, Chūō, Tokyo from May 12th to 16th … with the opening event on May 13th from 3 to 7pm.
Great weekend ‘down south’ in Melbourne … and pretty intense too. Arrived at Tom Goldner’s ‘The Fox Darkroom & Gallery’ from Cairns with less than an hour to spare before the scheduled opening of my “Inside Manus Detention Centre” collection. Tom, his meticulous assistant Leni Fohringer and ‘The Fox’ crew had performed a wonderful job hanging the work and readying the gallery and the (essential) refreshment for the exhibition launch eve.
Tom had been relentless in his desire to show my work from inside the Lombrum asylum seeker detention centre, made just two days after the Australian government closed it down early last November with over six hundred men still inside. Journalist Rory Callinan and myself were extremely fortunate to gain access inside the abandoned camp … built by the Australian government at astronomic cost just a few years back … to document the plight of the hundreds left in the tropical heat with no power, no food, no water, no medicines … and no services.
The evening was excellent and the crowd large, engaged and enthusiastic. Great to have good photographer friends and colleagues Tracey Nearmy and John Donegan in attendance … and also Nikon’s tireless Professional Markets Manager Julie Kimpton. Oh yeah … we even managed to collect a tidy amount of cash from donations during the evening which will be passed on to the Asylum Seeker Resource Centre.
On Saturday it was back to ‘The Fox’ for a presentation of an expanded ‘projection and chat’ version of my “A Photographer’s Life – Part One” collection … previously hung in Sydney and Cairns … in front of a twenty plus seated audience. Managed to natter about the show accompanied by the projection of over a hundred images for over the two hours of the event … hopefully without boring the pants off the paying patrons too much.
I really do need to sincerely thank a host of people for their support in getting “Inside Manus Detention Centre” on the wall and a success … Tom Goldner for his enthusiasm, determination and great gallery space, Leni for her boundless energy and organisational skills, Prism Imaging for their fantastic printing of the work, Julie Kimpton and Nikon Australia for their invaluable assistance, Alison Stieven-Taylor from ‘Photojournalism Now’ for her wonderful promotional help, the entire ‘Fox’ team of volunteers and associates … and all those that made it to ‘The Fox Darkroom & Gallery’ on the weekend for the two shows. Hope you all enjoyed it as much as I did.
Also thanks to the ‘Milk Bar Mag’ and ‘Broadsheet’ publications in Melbourne for their coverage and promotion of the show.
Today … Tuesday 30th January … was the last day at The Tanks, Cairns for my “A Photographer’s Life – Part One exhibition … tomorrow is the day the works come off the walls and the cameras and photographic hardware get packed away (somewhere!). Thanks to all for the wonderful feedback …
Coincidentally, I spent today preparing the image files for my next exhibition soon to open at The Fox Gallery in Melbourne.
Thanks to ‘Fox’ gallery owner Tom Goldner … my work from inside the Manus Island asylum seeker detention centre in Papua New Guinea following it’s closure by the Australian government with over six hundred refugees still desperately ensconced therein … will be unleashed on a Melbourne audience from the 24th February. “Inside Manus Detention Centre” will consist of seventeen images documenting the plight of those from the Middle East, Africa and Asia who have faced years long incarceration at the will of the Australian government … with still no future on the horizon.
The images in question were made on assignment for News Corp with journalist Rory Callinan. We had been on Manus for less than a day when we found ourselves on a small local boat headed for Australia’s ‘closed’ Lombrum detention centre … a trip made by several refugees and local boatman to smuggle foods and medicines into the camp. Our time ‘inside’ was brief but long enough to show the desperate situation inside the camp where there was no food, water, medication, power or services. Weeks later all six hundred odd were forcibly removed.
ABC Media Watch aired a segment on the lack of media coverage when the Australian Government closed the Manus Island PNG Lombrum asylum seeker detention centre leaving over six hundred refugees without water, food, power, medicines or any other essential services. Myself and journalist Rory Callinan were there … and managed to work inside the abandoned camp. Not sure if the Media Watch coverage was a good or a bad thing!
