Rural Press Awards … there is a free lunch …

… but I won’t be there for it!

Was invited to a free lunch tomorrow at The Tattersall’s Club in Brisbane for the presentation of this year’s  “Excellence in Rural Journalism Awards” … but sadly can’t take it up.

Seems my image of young indigenous girl “Mowisha from Jumbun” has been selected as the Winner of the ‘Excellence in Rural Photography – People’ award. The pic was made whilst I was working in the Jumbun aboriginal community in the Murray River valley near Tully, North Queensland for an SBS story “The Town at the End of the Road” by Mark White.

Jumbun residents, like little Mowisha, are predominantly from the Girrimay and Dyirbal Aboriginal clans. Her community of about a hundred are battling the controlling Indigenous Land Council to resurrect a farming industry. The 200ha Jumbun property is still listed on the ILC’s books as Jumbun Farm, despite nothing currently being grown there by its residents. That wasn’t always the case. Jumbun was founded in 1975 as a farming community under the Whitlam government, By the 1980s it was growing produce including bananas, pumpkins and zucchinis and exporting to Sydney and Melbourne. However, changes in farming practices, crop blight and cyclones meant the industry dried up.

Residents are desperate to revive the community’s fortunes but have received no support from the ILC to help them restart farming produce and running cattle. The community needs to produce to stave off the prospect of disappearing completely. For little Mowisha Jumbun is her home, history and possible employment … but without farming the future of her community is, indeed, bleak.

This was the first time that I’ve won anything whilst working for SBS … but hopefully not the last. Gratifyingly, this is the third year in a row that I’ve been named the ‘People’ category winner (here … are this year 20182017, 2016). Don’t know if I can keep that one up …!

Below – the Winning “Mowisha from Jumbun’ image – © Brian Cassey

Press Excellence in Rural Journalism Awards- Brisbane - People category - Winner - "Mowisha from Jumbun" by Brian Cassey

‘Carol’ Does it Again …

Will have to get on the ‘blower’ again to voice yet another sincere vote of ‘Thanks’ to my amazin’ portrait subject Carol Mayer.

This morning (Sunday), during a live awards streaming event (which I didn’t bother to watch), it was announced that my “The Skin I’m In- II” image of burns survivor Carol  … took out “3rd Place – Honor of Distinction” in the Portrait category of the huge 2018 “International Color Awards” (11th Annual Edition).

There were a host of great portraits made by some very accomplished photographers selected as ‘Nominees’ in the ‘Portrait’ section  … so it was very rewarding to be amongst the top three ‘Honorees’.  (Although I wish they would learn to spell ‘Honour’ and ‘Honourees’ … and ‘Colour’ … correctly.) Rounding out the top three were portraits by winner Boy Surminski from The Netherlands and second placed Azin Haghighi from Iran.  

“The Skin I’m In – II’ has also been recognised by the 2017 ‘National Photographic Portrait Prize’ and several others.

… ‘uge Thanks’ once again Carol …

Image © Brian Cassey

International Color Awards - Honor of Distinction - Portraits - "The Skin I'm In - II" by Brian Cassey

Two Up at QMMA’s …

The results of this years Queensland Multi Media Awards – the 22nd annual since their first in 1995 – were announced this week in a much quieter fashion than normal. The awards recognise those in the media, PR and advertising industries for their exceptional works. There have been many memorable, sometimes quite insane and legendary, presentation nights of celebration for award winners over the last couple of decades.

Sadly, QMMA funds for the first time this year did not run to the usual spectacular presentation dinner at a ritzy hotel.

So  … without the usual fanfare, fine foods and a few drinks … this years winners have just been announced quietly by email.

The email contained the good news that my image “The Skin I’m In – II” of Carol Mayer … has added to it’s growing tally (previously, amongst others, finalist in the National Photographic Portrait Prize) … by taking out both the ‘Best Editorial Photograph’ and ‘Best Photographic Image’ photography award categories. Huge ‘Thanks’ yet again to my wonderful subject Carol …

The QMMA’s … steered by the tireless Anita Plos … have been a great part of the media landscape in Queensland for a long long time … and provided many memorable evenings whilst recognising the best in the business. Fingers crossed that next year … the 23rd annual … the QMMA’s are back on track with the gala presentation night format.

“The Skin I’m In – II” © Brian Cassey

QMMA Queensland Multi Media Awards 2017 - Winner - Best Editorial Photograph - Best Photographic Image - "The Skin I'm In - II" - by Brian Cassey

 

 

Tanks Exhibition … From 8th December …

The Tanks Arts Centre (Cairns) November/December program of events is hot off the press … and has brought home the reality that the time for my next exhibition is getting close.

“A Photographer’s Life – Part One” will be opening in Cairns on December 8th … and running to the 23rd December (closed for Xmas and New Year) and open again from 2nd to the 30th January.

Very much a retrospective (and in a way introspective) journey through my love affair with the camera and the photographic image from the very first day I clicked a shutter … and continuing on through the decades. It contains many images made in Cairns and tropical north Queensland … and many more from around the planet. Much of the camera and photographic ‘hardware’ from across the decades will also accompany the show. Below is the promotional page from just published ‘The Tanks’ events program.

Tank 4 at Cairns Tanks Arts Centre is a fantastic venue and my sincere thanks is more than due to venue curator Chris Stannard and his team. This will be my second exhibit at Tank 4 following the “The Aak Puul Ngantam Stockman” in 2014.

“A Photographer’s Life – Part One” already enjoyed an ‘ugely successful month long showing during this years Head On Photo Festival in Sydney at the beautiful heritage listed Juniper Hall, Paddington.

You are invited on the 8th December … and more than welcome on that or any other day … so If you fancy … please whack the dates in your diary … will be great to see you there.

Image © Brian Cassey

"A Photographer's Life - Part One" - exhibition at The Tanks Arts Centre Cairns from December 8th 2017 - by Brian Cassey

Why This Won the Trinity Bay School Portrait Prize …

Last week it was a pleasure to once again judge the works in the annual photographic portrait prize at Trinity Bay High School in Cairns.

This years exhibition totalled about sixty portraits from the students (and a handful of teachers). The overall standard of the entries appeared improved on last years crop. A significant achievement. It took a stroll several times around the exhibition walls before finally settling on this years First, Second, Third, a couple of  ‘commendations’ and a staff prize.

The work that I finally settled on as best in show was a multi layered portrait by grade 12 Shantelle Birch entitled “Self Hate” (top – below).  Not only is Shantelle’s work a complicated and quality portrait, but also comments on the role of portraiture in society itself. The strong title and intricate image evokes emotion, addresses a contemporary youth issue on personal image and self doubt … and the pressures to confirm to stereotypes that visually bombard youth everyday. For her very well deserved win she was thrilled to receive a Nikon D3400 DSLR courtesy of sponsor Garricks Camera House.

Fractionally behind in Second Place was “The Despondent Girl” (second from top – below) … a  well structured beautifully textured and composed portrait by Irin Phomraksa (also grade 12). Her work was anchored on the stare of the one visible eye amongst the seeming chaos of the windswept image.

Third was a classic and well constructed portrait – “Look Like Art” (bottom – below) by grade 11’s Lit Thai. Highly Commended awards went to untitled works by Etevise Taua and Lachlan Best (Lachlan’s clever and disturbing!), whilst the exhibition crowd voted Graziella Romunga’s work as ‘People’s Choice’. Staff prize went to a stand out entry – “Goodbye” by Anna Koetz Trowse.

Trinity Bay High School Visual Arts department teachers, including Sean Tooley and Ian Whittaker, should take a bow. Once again it was great to see, comment on and judge the wonderful photographic work of their talented students.

Images © the artists – Shantelle Birch, Irin Phomraksa and Lit Thai (2017)

Trinity Bay High School Photographic Portrait Prize - judged by Brian Cassey

Trinity Bay High School Photographic Portrait Prize - judged by Brian Cassey

Trinity Bay High School Photographic Portrait Prize - judged by Brian Cassey

Hanging Martin Kantor … What a Difference a Week Makes …

When I first saw images of the initial hanging of the Ballarat International Foto Biennale’s inaugural Martin Kantor Portrait Prize – including my finalist image of Noel Pearson – I was both in a state of shock and devastated.

How could they have got it so wrong …

The framed and mounted works that each individual finalist (all twenty seven of them) had spent considerable time and money on producing for the high profile show, were strewn around tawdry industrial wire fencing, hung back to back with other works of different sizes and not referenced in any cohesive fashion at all. It all looked … as photojournalism journalist Alison Stieven-Taylor wrote … “like amateur hour”. It was, indeed,  awful …

I penned messages explaining my concerns and opinions to several of the accomplished fellow finalists I knew … and they unanimously agreed. From there we decided to collectively bring our concerns to the BIFB hierarchy. I managed to find contact details for most of the Martin Kantor finalists and penned a lengthy letter (with the fine sub-editing skills of Tony Kearney) outlining our total disappointment with the hanging of our work. That letter was emailed to BIFB on Friday morning signed by 18 of the total of 27 finalists.

Credit, as they say … credit where credit is due. By Friday afternoon BIFB Festival and Creative Director Fiona Sweet delivered an apology to all of us, agreed with our concerns and promised to correct the situation. Using a new design of a hastily contacted architect (Moloney Architects) the exhibition was totally transformed and rehung … and reopened on Tuesday morning just over three days after the delivery of our collective email. The exhibition now looks worthy of the wonderful portraits of prominent Australians produced by Australia’s most accomplished photographic portraitists. Much Thanks for putting it all to rights BIFB.

Below … at top …  (Thanks to Alison Stieven-Taylor ©) … my Martin Kantor finalist work ‘Noel Pearson’ as initially hung in Ballarat Town Hall … and below … the revamped exhibition as it was reopened on Tuesday morning (courtesy BIFB ©) with my ‘Noel Pearson’ portrait now far left.

Martin Kantor Portrait Prize - exhibition rehang - Ballarat International Foto Biennale - Brian Cassey

Martin Kantor Portrait Prize - exhibition rehang - Ballarat International Foto Biennale - Brian Cassey

Some B&W Success …

Can’t say that I’ve ever entered a Black & White photography specific award in the past … but when I noticed that Monovisions Black and White Photography Magazine was hosting their ‘First Edition’ (inaugural) Monovisions B&W International Photography Awards … I thought … what the hell … why not give it a bash!

I have just had some news today from Monovisions … and I’m a little pleased I did.

Appears I have three dispatches from the awards … winning a Second place and two Highly Commended awards in the Portrait category.

A B&W edition of my ‘The Skin I’m In – II” portrait (Thanks again due to my subject Carol … you’ve done it again!) was selected as Second Place Winner … only topped by the winning portrait work of Marco Gressler from Switzerland. Third place went to the work of Agnieszka Mac Uchman from Poland.

In fact such was the International flavour of the selected works that my two ‘Highly Commended’ images (“Mowisha from Jumbun” and “Aak Puul Ngantam Stockman – Dominic” …  below) sat amongst other acknowledged works from … Russia, Poland, Czech Republic, Georgia, Hungary, USA, the Netherlands, Croatia, France, China, Spain, Sweden, the UK, Slovakia, Italy, New Zealand, Germany, Lithuania, Austria, Bangladesh, Qatar, Brazil, Kenya, Canada, Romania, India, Turkey, Portugal, Argentina … and Macau ! To also grab a ‘second’ from amongst all that lot is pretty satisfying.

To the ‘film purest’ I must point out that each of my three selected images started out as full colour digital image files … and not film !!  Sorry bout that …

Images © Brian Cassey … click on each to take you to their relevant Monovisions Photography Awards pages.

 

2017 Monovisions B&W Photography Awards - Portrait - "The Skin I'm In - II" - by Brian Cassey2017 Monovisions B&W Photography Awards - Portrait - "Mowisha from Jumbun" - by Brian Cassey

2017 Monovisions B&W Photography Awards - Portrait - "Aak Puul Ngnatam Stockman - Dominic" - by Brian Cassey

Finalist in Martin Kantor Ballarat Tribute …

The Ballarat International Foto Biennale has been a fixture for Australian and International photographers and their audiences since 2005 … and the festival prides itself on “immersing the historic township in photographic art”. The 2017 program is expected to attract over 50,000 visitors during the month long festival from mid August.

This year they have also introduced an important new exhibit … the inaugural Ballarat International Foto Biennale Martin Kantor Prize … and I’m somewhat stoked to have been selected as one of the twenty eight Finalists.

The rationale of the prize is to recognise “portraiture of significant Australians” … and perhaps they don’t come much more ‘significant’ than my Finalist subject … Noel Pearson. I made the image of Noel whilst he was mesmerising an audience during one of his oratory triumphs at an indigenous convention in Port Douglas. The light was extremely low and the framing of the image was made ‘in camera’. (Image below)

I’m joined in the finalist selection but some of Australia’s very best photographic portraitists including George Fetting, Tamara Dean, Rod McNicol, Tobias Titz, Tony KearneyDavid Darcy  … and the prize is a fitting tribute to the late Martin Kantor. a photographer and philanthropist who was known for his arresting portraits of famous musicians and artists.

The Martin Kantor Prize exhibition runs for the length of the festival … 19th August to 17th September … at Ballarat Town Hall. The overall winner of the the $15,000 acquisitive prize will be announced at 2pm on the 20th August. Sadly I doubt if I will be able to get there to see it.

Image of Noel Pearson © Brian Cassey

Ballarat International Foto Biennale Martin Kantor Prize - 'Noel Pearson' - by BRIAN CASSEY

NPPP … Vote for Carol …

Have received some nice comments about my work “The Skin I’m In – II” from visitors to the “National Photographic Portrait Prize” 2017 exhibition at the Canberra “National Portrait Gallery”. Very rewarding … and a real buzz to be part of such a brilliant collection of photographic portraiture.

Some have even told that they were moved to vote for the image of burns survivor Carol Mayer in the now main focus of the awards … the “People’s Choice Award”.

The good news is that all can still vote in the “People’s Choice Award” … AND stand a chance to win an award for themselves … until June the 1st. There are ten prizes up for grabs for those who take the time to vote for their favourite portrait of the NPPP exhibition … including a $2000 accomodation package.

Voting is simply conducted on line where all the finalist work is shown … to vote for my portrait of Carol … “The Skin I’m In – II” simply click on this link (or click on the image below) … https://nppp.portrait.gov.au/peoples-choice-2017/?pc=2327 … and enter your vote and details on the NPPP site. (please don’t forget to verify the NPPP return email 🙂

The NPPP exhibition runs at the “National Portrait Gallery” Canberra till June 18th.

National Photographic Portrait Prize 2017 - "The Skin I'm In - II" - by Brian Cassey

Canberra, Carol and the NPPP …

Despite the best efforts of devastating Cyclone Debbie, massive floods and Qantas I still managed to make it to Canberra on Friday eve for the official opening bit of the 2017 National Photographic Portrait Prize at the National Portrait Gallery … but with literally just seconds to spare.

Getting to Canberra at all was a massive drama. I spent a near week covering the Cyclone Debbie story in Bowen for Fairfax news. There was a tiny window late on Wednesday – after ‘Debbie’ battered the Whitsundays and before the ensuing massive storms – for myself and three AAP and Fairfax colleagues to attempt to get out of Bowen. Roads north had supposedly been blocked by flood waters in the cyclone aftermath – so when officers left a road block we made a move. In the little car convoy we forded flooded roads and into an almost apocalyptic thunder storm and insanely torrential rains. We eventually came out the other side with the highway surely now impassable behind us and arrived saturated and relieved back in Townsville late that night.

Then Qantas combined with the remnants of ‘Debbie’ to almost thwart the trip to Canberra. In quick succession not one but two of my flights Cairns to Canberra were cancelled. Frantic phone calls, rearranged flights and a car booked to whisk me from Canberra airport to the National Portrait Gallery … and I arrived just as the opening speeches ended.

It had been a badly kept secret … thanks to a great NPPP show preview special article in ‘The Australian Weekend Magazine’ a couple of weeks ago … that my work “The Skin I’m In – II” (below) of burns survivor Carol Mayer was in the mix as a Finalist and in the National Portrait Gallery exhibition. Once again I must sincerely thank the wonderful Carol for her patience and decision to let me make the portrait.

NPPP judge George Fetting had this to say about Carol’s image …  “It’s such a terribly powerful and courageous story and for her to let the photo be taken, presenting such beauty and pain in the same image, moves everyone who looks at it.”

Whilst in Canberra it was great to spend time with photographer colleagues … afore mentioned former Courier Mail and SMH photographer George Fetting, co NPPP Finalist Jon Reid, ex Cairns mate Sean Davey and Nikon Walkley Press Photographer of the Year 2015 Gary Ramage.

Sean has created a great photo gallery in Canberra – The Photography Room – which is currently showing Gary’s excellent work – “Afghanistan” – made during his 2011 embed with Australian forces. Gary and Sean gave me a private showing before a lunch to chew over all the industry ‘goss’. Both the gallery and the exhibition are well worth a visit …

A massive, rewarding and eventful week …

(Below – “The Skin I’m In – II” at the NPPP © Brian Cassey)

 

The 2017 National Photographic Portrait Prize: - Canberra - "The Skin I'm In II) - Carol Meyer - by Brian Cassey

The 2017 National Photographic Portrait Prize: - Canberra - "The Skin I'm In II) - Carol Meyer - by Brian Cassey

The 2017 National Photographic Portrait Prize: - Canberra - "The Skin I'm In II) - Carol Meyer - by Brian Cassey

10th International Color Awards …

Nice to receive some news from the 10th International Color Awards last week … and it appears that my work had some success. The awards are an annual event showcasing the best of the Planet’s color (sic) photography.

Abdullatif did it again … with the image I made of the Iraqi refugee battered in a Manus Island PNG police cell – “Beaten Asylum Seeker” – taking out ‘3rd Place – Honor of Distinction’ in the ‘Photojournalism’ category. Images by UK’s Filip Warwick (‘Over the Border’) and USA’s Sebastian Meyer (‘Newroz in Kurdistan’) were awarded first and second prize.

Also pleased to note a smattering of other acknowledgements in the list as well … one of my images of burns survivor Carol Mayer (‘The Skin I’m In’) was honoured with an ‘Honorable Mention’ in the ‘Portrait’ category … whilst an image I made of a large turtle landed at Lorengau, Manus Island (‘Turtle, Manus Island’) was selected as a nominated ‘Finalist’ in the ‘Photojournalism’ category AND the ‘Wildlife’ category.

The announcement of winners and nominees and their works was made in a three and a half hour live broadcast on the internet … but I missed that bit.

My works mentioned are shown below … images © Brian Cassey

10th International Color Awards - Portraits - Honorable Mention - 'The Skin I'm In' by Brian Cassey

10th International Color Awards - Finalist - Photojournalism & Wildlife - 'Turtle Manus Island' by Brian Cassey

 

Eric the ‘Beef Boss’ … & Lunch …

Eric Rosendale of Bonny Glen Station, Cape York Peninsula says he needs to clear more of his land for grazing and to make it possible to muster stock on horse back. He was critical … in a story by The Australian journalist Michael McKenna … of the Queensland Governments proposed tree clearing crack down.

I’ve just learnt that the picture I made to accompany the story has now been recognised in the ‘2017 Queensland Rural Press Media Awards’ … and I get to go down to Brisbane for a nice lunch at the Stamford Plaza in a couple of weeks to receive a couple of rural ‘gongs’ … courtesy of the Rural Press Club.

The image of Eric (below) was selected as the Winner of the ‘People’ category in this years photography awards … and then also selected as ‘Overall Winner’ across all photographic categories. It will now go on to represent Queensland in the Nation wide ‘Australian Star Prize for Rural Photography’ which is decided by the Australian Council of Agricultural Journalists. If successful there it will move on to represent Australia in the planet wide competition run by the International Federation of Agricultural Journalists (IFAJ) to be announced in South Africa. Some ‘If’s involved in all this … but pleased to receive the recognition so far and to follow up last years similar win with ‘Beef Farmers’.

‘Beef Boss’ Image © Brian Cassey

'Rural Press Photography Awards Queensland 2017' - Winner - 'Beef Boss' by Brian Cassey - Eric Rosendale of Bonny Glen Station, Cape York Peninsula

Bi ’16, Hi ’17 …

Thanks to Murray Young for pointing this out (I was across the other side of the planet so initially missed it) … great showing in the first publication of 2017 in the Sunday Mail, January 1.

The S Mail used my image of beaten asylum seeker Abdullatif Almoftaji across the entire front page cover of their photographic retrospective special … ‘2016 Pictures of the Year’ … which also included some mind blowing and soon to be, if not already, ‘iconic’ (for want of a better term) images … including Cameron Spencer’s Getty image of Usain BoltBurhan Ozbilici’s startling AP image of Mevlut Mert Altintas after murdering Russian Ambassador to Turkey Andrei Karlov, Jonathan Bachman’s ‘Black Lives Matter’ Baton Rouge protest pic of leshia Evans … and Mahmoud Raslan’s haunting image of 5 year old Syrian child Omran Daqneesh in Aleppo. All images that will go down in history.

Real Chuffed to have my image part of such an amazing collection.

My pic of beaten 20 year old Iraqi asylum seeker Abdullatif was made at the Manus Island Papua New Guinea police watch house during a visit to document the island’s detainees. In December it was recognised as the winner of the Nikon Walkley Portrait Prize for 2016.

Below is a grab of the January 1st three page Sunday Mail special ‘In the Frame – Pictures of the Year’ (Abdullatif image © Brian Cassey)

Pictures of the Year 2016 - Abdulaftif Almoftaji - Manus Island by Brian Cassey

Pictures of the Year 2016 - Abdulaftif Almoftaji - Manus Island by Brian Cassey

 

National Portrait Gallery … Yes …

I’m not allowed to give you much in the way of details about this yet … sworn to secrecy … but may I say that I’m absolutely stoked to learn the news that an (unnamed at the moment) image of mine has been selected as a Finalist in the National Portrait Gallery’s ‘National Photographic Portrait Prize’ for 2017 … !

Apparently close to three thousand entries were received for this years awards … and it’s great to make the finalist cut.

Nice to add the NPPP to the other finalist awards over the last few months … the Moran Contemporary Photography Prize, the Bowness Photography Prize, the Contemporary Landscapes in Photography (CLIP) Awards … along with a second place in the Moscow International Foto Awards (MIFA), two wins in the Tokyo International Foto Awards (TIFA) … and a much appreciated Win in the Nikon Walkley Portrait Prize.

I feel a very fortunate fellow right now … 🙂

All ‘National Photographic Portrait Prize’ finalist and winning works will be revealed at the opening of the exhibition at the National Portrait Gallery, King Edward Terrace, Canberra, ACT on the 31st March. (Note to self … must book flights …) There’s a prize of $25,000 at stake for the creator of the most outstanding photographic portrait. This year there will also be prizes for Highly Commended as well an Art Handlers’ Award and People’s Choice Award.  The exhibition will run till the 18th June before touring to the Blue Mountains, Mornington Peninsula, Western Sydney, and Devonport, with also the possibility of a fifth venue being added.

National Photographic Portrait Prize 2017

 

Tokyo International … Result …

A very welcome email arrived just a day or two before Christmas with the news that two of my works had been selected as winners in the inaugural edition of the Tokyo International Foto Awards (TIFA’s).

‘TIFA’ …  a new event on the calendar … aims “to recognize, reward and expose talented photographers from around the world and introduce them to the creative community in Japan”.

My works selected were … Gold (First Place) in ‘Editorial Personality’ for the portrait ‘The Skin I’m In’ of burns survivor Carol Mayer … and Silver (First Place) in ‘Moving Image Essay’ for my short film ‘Eyes – the Soul of a Photograph’. Both works have featured previously in other awards.

They will be shown alongside other works during the winners exhibition at the Owada Gallery, Shibuya Cultural Center Owada, 23-21 Sakura-gaoka-cho, Shibuya-ku, Tokyo … with the grand opening eve on February 25th. Sadly, I doubt I will be able to take up the invitation.

All Images © Brian Cassey

'The Skin I'm In' - portrait of Carol Mayer - Winner - 'Editorial - Personality', Tokyo International Foto Awards 2016 - image by Brian Cassey

Sensational Walkley’s …

What a night … and a what a result … !

The 2016 Walkley Awards on Friday eve at the Brisbane Exhibition Centre heralded an historic ‘first’ … the mega talented and great guy photojournalist Andrew Quilty the first photographer to ever take out the biggest prize – the ‘Gold Walkley’.

Nobody deserves it more …

Andrew is totally dedicated to his craft and gave away a job at Fairfax to move to Afghanistan as a freelance. His work is extraordinary.

I was fortunate – by way of my Nikon-Walkley Portrait win – to be seated at the same table 55 as Andrew on Friday eve … along with the incredibly legendary war photojournalist Tim Page and partner Marianna Harris, Walkley advisory board member and photographer Michael Amendolia, prolific photography journalist Alison Steven-Taylor (‘Photojournalism Now’), my Cairns photographer mate Marc McCormack and Mrs Sandra, Tanie Harris Sansey … and Andrew’s delightful mum Ann.

Definitely the best table of the night !

Before the evenings events commenced Andrew had already bagged the Nikon-Walkley ‘Photo of the Year’ award … and soon added the ‘News Photo’ award … before thrilling the scores of media photographers – and everyone else in the room  – with the final award of the night – the ‘Gold Walkley’. Magic …

A absolute pleasure to chat with Tim … and delighted that he suggested we swap prints … my Portrait Prize pic for one of his amazing historic combat images. Pretty stoked about that …

The rest of the Nikon-Walkley photography awards were also ‘spot on’ … with Alex Coppel taking out ‘Press Photographer of the Year’, Cameron Spencer the ‘Sports Photography’ award and David Maurice Smith the ‘Feature/Photographic Essay’ award … all against some amazing ‘Finalist’ opposition.

Well done Walkley’s and Nikon … truly memorable !

Below is top … Tim Page watching the announcement of my ‘Nikon-Walkley Portrait Prize’ win from our table … and below … the older PJ legend Tim chats with the newer legend Andrew Quilty after his ‘Gold Walkley’ win.

Images © Brian Cassey 2016

2016 Walkley Awards - Nikon-Walkley Awards - Gold Walkley, Andrew Quilty - Portraiture, Brian Cassey

Walkley Awards 2016 - Nikon-Walkley Awards - Winner Gold Walkley, Andrew Quilty - Portraiture, Brian Cassey

21st QMMA’s …

Enjoyed a great night last Saturday at the Cairns Reef Hotel Casino celebrating – with colleagues from the media and advertising industries –  the twenty first Queensland Multi Media Awards.

At the end of a very entertaining evening and after enjoying some great company and many laughs, I left lugging awards for ‘Best Editorial Photograph’ (Ravenshoe Blast Survivor) and ‘Best Photographic Image’ (Manus – Beaten Asylum Seeker).

I’m very grateful to the subjects of my images … former Ravenshoe cafe chef Noeleen Avenell who suffered massive burns and months of painful recovery (which continue to this day) … and young Iraqi asylum seeker Abdullatif who suffered detention on Manus Island at the whims of the Australian government. (As a footnote – Abdullatif, now just twenty one, was recently deported back to Iraq … and in past weeks I have managed to track him down to Turkey where he fled after finding Iraq ‘too dangerous’.)

Below are the two winning images … © Brian Cassey

Thanks to the 2016 QMMA organising committee … and ‘bring on’ the 22nd QMMA’s in 2017 … !

 

Winning Images - Queensland Multi Media Awards 2016 - 'Best Editorial Image' - "Ravenshoe Blast Survivor" - 'Best Photographic Image' - "Beaten Asylum Seeker" by Brian Cassey

Sydney … Moran & Walkley …

A massive and memorable fifty hours in Sydney this week …

Arrived Sydney Tuesday to be met by former Cairns Post staffer from way way back … Terri Bradley … and we were soon joined by Margaret River WA based photographer colleague Martine Perret at the ‘Wine Library‘ in Paddington for an evening of  ‘work catch up’.

Wednesday was 2016 Moran Prize day at Juniper Hall, Paddington. The deserving winners – Johannes Rienhart in the ‘Moran Contemporary Photographic Prize’ and Megan Seres in the ‘Moran National Portrait Prize’ – were announced at a news event in the morning, whilst the evening saw more merriment and much partying at the Moran family stately home and gallery.

Excellent to catch up with a host of Moran photographic finalistsMartine Perret (again) of course, winner Johannes, Michael Amendolia, Matt Abbott, Raphaela Rosella, Damien Pleming, Cameron Neville, Brad Smith, Todd Kennedy, Paul McIver … (also but very briefly Zoe Mongey and Reza Ghasemi).  Also attending for the evenings (ahem) ‘networking’ were Head On Photo Festival director Moshe Rosenzveig and photographer Brendan Beirne (former Nikon-Walkley winner with the Packer/Gyngell ‘Bondi Biffo’ news pics).

(The ‘Moran National Portrait Prize’ winner Megan Seres received $150,000 for her portrait of her daughter ‘Scarlett as Colonial Girl’ … Johannes Reinhart coined $50,000 for his ‘Mermaid Show’ image in the ‘Moran Contemporary Photographic Prize’.)

Between the morning and evening Moran events I took in the 2016 ‘Nikon-Walkley Press Photography Exhibition’ at the State Library of New South Wales … and was very happy to see my Portrait Prize winning image ‘Beaten Refugee’ very prominently displayed (see image below). Great to share the exhibition (and lunch) with my old mate and former Fleet Street ‘Blunt’ Frank Thorne, as well as Terri and Martine.

Also just had time to fit in a quick coffee with AAP photographer and ‘fotostrada’ colleague Dean Lewins … !

A pretty hectic but rewarding trip to the ‘Big Smoke’ … and a big ‘Thank You’ to Terri for her time and care.

The ‘Moran Contemporary Photographic Prize Exhibition’ (including my finalist image ‘Number 55’) runs at Juniper Hall, Paddington till 5th February 2017 … and the ‘Nikon-Walkley Press Photography Exhibition’ (including my ‘Beaten Refugee’) runs at the State Library of NSW till November 27th. Both exhibitions are well worth some time …

Images below © Brian Cassey … top – my Portrait Prize winner  ‘Beaten Refugee’ at the ‘Nikon-Walkley Press Photography Exhibition‘, Sydney … middle and bottom – my ‘Moran Contemporary Photographic Prize’ finalist image ‘Number 55‘ displayed inside and outside Juniper Hall, Paddington.

 

2016 Nikon-Walkley Portrait Prize - Winner - 'Beaten Refugee' by Brian Cassey
2016 Moran Contemporary Photographic Prize - 'Number 55' - Finalist by Brian Cassey

2016 Moran Contemporary Photographic Prize - 'Number 55' - Finalist by Brian Cassey

 

October … Great Month … !

It’s not even half way through the month of October … but it’s already been a cracker !!

As the month turned I received news that five of my images had been selected as Finalists in four categories of the ‘Queensland Multi Media Awards’ … the winners will be announced at an awards ceremony at the Pullman Reef Hotel Casino Cairns on November 12th. Looking forward to that one …

That was followed by the announcement of selected finalists in the rich and prestigious ‘Moran Contemporary Photographic Prize’ … and my work ‘Number 55’ is one of the short listed images. The announcement of the $50,000 winner and the opening of the exhibition displaying all the Finalists work at Juniper Hall, Oxford Street, Paddington takes place on October 26th … and I’ll be choofing off to Sydney for that one!

Then … Thursday eve (the 13th) … the shock (to me) announcement, but wonderful news, that one of my images from the work on Manus Island PNG – of twenty year old Iraqi asylum seeker Abdullatif battered in the Lorengau police watch house – was selected as the Winner of the 2016 ‘Nikon Walkley Portrait Prize’. Magic … and now really looking forward to Australia’s media ‘night of nights’ – ‘The Walkley Awards’ – in Brisbane on Friday December 2nd. It’s the second time I’ve been lucky enough to snare the ‘Nikon Walkley Portrait Prize’ … the other being in 2011 with the portrait of Cairns burns survivor Carol Mayer.

Below is the 2016 ‘Nikon Walkley Portrait Prize’ Winner “Beaten Refugee”.

UPDATE … The Guardian has now published a great online gallery of ‘the best of’ this years Nikon Walkley winners and finalists – including my “Beaten Refugee” – at … https://www.theguardian.com/artanddesign/gallery/2016/oct/17/nikon-walkley-awards-2016-the-best-photographs

Image © 2016 Brian Cassey

Nikon Walkley Portrait Prize 2016 - "Beaten Refugee" - by Brian Cassey

Moran Semi-Finalists …

Pleased to have two images – “Number 55” and “Beef Barons”- selected as Semi-Finalist in the 2016 Moran Contemporary Photographic Prize. Finalists and winners will be selected and announced in October and an exhibition of all the Finalists works will run from Wednesday October 26th till February 5th next year at Juniper Hall, Paddington, Sydney.

Images © Brian Cassey


Moran Contemporary Photographic Prize semi-finalist - 'Number 55' by Brian Cassey

Moran Contemporary Photographic Prize semi-finalist - 'Beef Barons' by Brian Cassey

Fostering Young Portrait Photographers …

I first clicked the shutter of a camera (two shillings and sixpence at Woolworths) at what would, in those good old days, have been considered a young age. The work produced was erratic and questionable … but I fluked the odd one or two that I was happy with.

This week I had the pleasure to be involved with scores of young photographers whose work at a similar age far outshines my earliest efforts. Along with fellow Cairns photographer Romy Bullerjahn, I was asked to judge and present prizes at the 2016 Trinity Bay High School Portrait Photography Prize.

I really didn’t know what to expect before walking into the schools gallery to select the winning portraits from about fifty entries … many of a quite startling quality. Picking winners was a difficult task for Romy and myself but we eventually settled on first, second, third and two highly commended (as well as two ‘staff’ prizes).

The story around 14 year old Matt Hastie’s selected winning portrait “Shades” is remarkable. Matt only picked up his first DSLR camera a month ago – a ‘loaner’ from the school inventory. Prior to that he had only made ‘phone’ pictures. His prize winning evocative image (below – top) was made during that first ever ‘proper photography assignment’.

Shell shocked and shy, Matt said he was ‘pretty happy’ to win and to be presented with the prize of his very own Canon DSLR courtesy of Garricks Camera House. He is now enthusiastic about his plan to choose Photo Imaging as an elective school subject from grade 10 … and maybe one day pursue a professional photography career.

Fractionally behind Matt’s work were images by students of a similar age or younger – Matilda Sail (2nd – year 7), Eden Cvetkovic, (3rd – year 11), Eliza Sail, (commended – Year 9) and Pagan Sutcliffe (commended – Year 11). Delon Clark took out the Peoples Choice Award.

When I was their age it was inconceivable for schools to teach photography. With the help of Trinity Bay Arts teachers Ian Whittaker, Sean Tooley and the Arts department staff and program, these young aspiring students have made great strides towards becoming the next generation of photographers and photographic artists.

Images – Top – Winner “Shades’ by Matthew Hastie © . Below – clockwise from top left – works by Matilda Sail © 2nd, Eden Cvetkovic © 3rd, Pagan Sutcliffe © HC, Eliza Sail © HC, Delon Clarke © Peoples Choice.

Trinity Bay High School Portrait Prize inner 2016 by Matthew Hastie - judge Brian Cassey

Trinity High School Portrait Prize 2016 place getters - judge Brian Cassey

Bowness Prize Night …

Great evening in Melbourne on Wednesday … “The Wilfred and Winifred Bowness Photography Prize” 2016 celebration night. Didn’t know what to expect at the ‘Bowness’ … never made it to the ‘Finalist’ stage before to find out. However, the inclusion of my image ‘Beef Barons’ in the shortlist this year gave me a reason to travel to the Monash Gallery of Art and experience one of Australia’s highest profile photography prizes.

The space given over to the ‘Bowness’ prize was cavernous. The wall space for displaying the Finalists works … some of them massive pieces … was immense. (I considered beforehand that my photograph was a reasonably large piece … but it was totally dwarfed by many others works. Note to self … remember if ever there is a ‘next time’).

This years prize judging panel was headed by legendary Australian film director, producer and screenwriter Fred Schepisi AO (a bit of a buzz to have your work selected by such an eminent ‘pictorialist’) ably assisted by photographer John Gollings and MGA Director Kallie Blauhorn.

The twenty five grand prize went to the largest work in the show … a striking landscape by Valerie Sparkes entitled “Prospero’s Island – North East 2016”. It could so easily have been any number of the fantastic shortlisted works displayed around the walls.

This years ‘Bowness Prize’ exhibition catalogue took a novel creative turn in the form of a box of ‘postcards’ of each of the Finalists work. Clever …

Below is the catalogue ‘postcard’ of my work ‘Beef Barons’ sitting (centre) amongst many of the other Finalists … and an image of ‘Beef Barons’ attracting a little attention on the exhibition wall.

Images © Brian Cassey and the individual photographers.

Bowness Photography Prize 2016 - Beef Barons - Brian Cassey
bownessprizenightblog

Bowness & Beef Barons …

The William and Winifred Bowness Photography Prize‘ – (known more briefly as the ‘Bowness Photography Prize’) – was established just ten short years ago by the Monash Gallery of Art but has grown to be one of the most important … and lucrative … photography prizes in Australia. It is an ‘open’ prize and attracts all forms of photography with no thematic restrictions – and entries this year numbered nearly two and a half thousand from around six hundred artists.

So … to receive the email today from Bowness with the news that one of my images has been selected as a ‘Finalist’ was something of a shock and a buzz!

My ‘Beef Barons’ image –  of Daintree cattle farmers 71 year old Janice and husband 84 year old Keith Osborne – made the shortlist cut, along with a truly extraordinary collection of work by fellow finalists. (After checking out the rest I’m under no illusions that ‘Beef Barons’ will progress any further in the prize.)

I notice that two of my matey photographer colleagues – Stephen Dupont and Russell Shakespeare – are also ‘shortlisted’, but many others on the ‘list’ are unfamiliar to me which can only point to the wealth of photographic talent that abounds in this country.

The work of all finalists will show at the Monash Gallery of Art in Victoria from September 1st till October 16th – and the big night opening and award of the 25 grand prize money and other prizes will be on Wednesday September 7th.

‘Beef Barons’ is shown below … Thanks to my subjects Janice and Keith ! (The pic has already picked up an earlier win in a remarkably different prize – the ‘2016 Rural Press Club – Excellence in Rural Photography Award’ – and was originally published in the Courier Mail)

(Press Update – since the Bowness announcement various stories have been published about the work of the finalists – including this one at ‘The Creators Project’ which features eight of the shortlisted images including ‘Beef Barons’. Click here to view.)

UPDATE … 23rd July … this pic ran today in the ‘Weekend Australian Magazine’ as a double page spread in the weekly feature ‘Heart of the Nation’ … with a great story by Ross Bilton. You can read Ross’s revealing interview with charming cattle farmer Janice, and see the pic in larger format, at … http://www.theaustralian.com.au/life/weekend-australian-magazine/heart-of-the-nation-daintree-4873/news-story/9095105782e96acff07346c557c50306

Image © Brian Cassey

Bowes Photography Prize 2016, Wilfred and Winifred Bowness Photography Prize, Beef Barons, Finalist 2016 by Brian Cassey

 

“Disko Meri” Does It Again …

“Disko Meri” – an image I made of nightclub bar girl Julie in Port Moresby, Papua New Guinea – has been recognised yet again, taking out an “Honourable Mention” in the ‘Portrait’ category of the prestigious “9th International Color Awards”.

The planet wide annual photography awards bill themselves as “The World’s most watched photo show” and all winners were announced in a four and a half hour live streaming online event. Must admit I missed that bit …

“Disko Meri” has received quite a bit of attention over the past year or so … and previously was recognised in the ‘Head On Portrait Prize’, the ‘Moscow International Foto Awards’ (MIFA) and the ‘Queensland Multi Media Awards’.

Sadly … I have not been able to thank my subject Julie personally so far. The bar where she works in Port Moresby does not have either a phone number or internet presence. I intend on my next visit to Port Moresby to make it a priority to visit her again at the ‘Diamond Club’ to thank her and present her with a print … the very least I can do.

Below … and at the risk of boring you with it again … is the portrait of Julie – “Disko Meri”

Image © Brian Cassey

"DISKO MERI - PNG Bar Girl" - Honorable Mention 9th International Color Awards - Brian Cassey