Portrait of Humanity … Covid, Leanne & Ice Cream …

Stoked to once again be selected on the ‘Shortlist’ of the prestigious “Portrait of Humanity”.

The 2022 edition of the “Portrait of Humanity” awards have just been announced … and I’ve been buzzing about this for some time but was sworn to secrecy until Thursdays official ‘announcement’. … so pleased to be ’Shortlisted’ again for the International POH awards with my work “Covid Vax & Ice Cream” .

Now in it’s 4th ‘edition’ and organised by the British Journal of Photography, 1854 and Magnum … “Portrait of Humanity” has fast become one of the most select collections of portrait photography on the planet. 

The image of Leanne with her ice cream was made after she received a Covid Pfizer vaccination in her home from a team of roaming ‘door to door’ doctors and medical staff … followed by a pink ice cream van (complete with musical ‘Green Sleeves’ tones) dispensing free ice cream to the newly vaxed and the communities numerous children.

The portrait will be amongst the other short listed works published in the “Portrait of Humanity 2022” hard cover book printed by Hoxton Mini Press.

I was also stoked to be ’short listed’ in the first and second editions of POH a few years back and three of my winning portraits … “Aurukun – Generations”, “Ramnami” and “The Skin I’m In” where exhibited in the stratosphere above the planet and then digitally transmitted through the unending vastness of space, as a result.

My photo of Leanne and her ice cream was published in The Australian newspaper in October 2021 and further images of the home vaccination program were used on their Instagram account at https://www.instagram.com/p/CU_0dItvoAX/ .

Thanks to my (almost) unwitting subject Leanne at Yarrabah, who I’m sure will be as pleased as I am when she finds out ;-).

… and all absolutely nothin’ to do with the Easter Bunny 😉

Below – “Covid Vax & Ice Cream” © Image by Brian Cassey

Three (New) Images Selected in Percival Portrait Prize …

Chuffed that three of my portraits are getting their FIRST award recognition after being selected yesterday (Friday) as Finalists in the bi-annual Percival Portrait Prize. They will be exhibited on the gracious walls of the historic Perc Tucker Gallery in Townsville.

The award runs in conjunction with the Percival Painting Portrait Prize and attracts entries from around Australia and Internationally.

Nice to see these three more recent images selected … ‘Covid Vax & Ice Cream’ (top – Leanne at Yarrabah after her Covid vaccination),  ‘Mother Africa’ (centre – African American Aurora Coulter) and ‘Graham Elms – Legendary Larrikin’ (bottom) … all made in far north Queensland in the last few months.

‘Covid Vax & Ice Cream’ was made for a The Australian story on the door to door vaccination program in the indigenous community of Yarrabah. ‘Mother Africa’ … of Colorado USA raised African American Aurora Coulter …  was made to depict the historic plight of black Americans, an issue very close to Aurora’s heart. ‘Graham Elms – Legendary Larrikin’ was made for a Sunday Mail series on … well … ‘Larrikins’. Graham is your archetypal far north Queensland bad boy of old.

It’s now three ‘Percival’s’ in a row that I have had work selected to be exhibited … three works in 2018 hereand two in 2016 here

The winners of this years Percival Photographic Portrait Prize will be selected and announced at the exhibition opening at Perc Tucker Gallery in Townsville on the 23rd April and will show till July 3rd.

Images © Brian Cassey

 

6th Time Lucky … Sydney & The Walkley Awards …

Sydney … got there … and so stoked I did !!

On five occasions since the Covid virus reared it’s ugly head two years ago, I’ve booked to travel to Sydney for photography (and social) events … each time to be thwarted by new outbreaks, lockdowns or border closures. Seemed like it would never happen …

Then, in November last year, I received the fabulous news that my “The Yarrick Family of Kunhanhaa” image was selected as the Winner of the Nikon Walkley Portrait Prize. Epic. Not only that … but the Walkley Foundation contacted me and asked if I would present a Walkley Masterclass on photojournalism and portraiture as a prelude to the awards presentation eve, by then delayed and re-scheduled for Tamworth NSW in the first weeks of February. Of course … what’s not to like 🙂

With flights booked to Tamworth nervously waited and monitored the news of the latest Covid Omicron march across Australia. In January the Tamworth Country Music Festival was cancelled and the Walkley’s had no choice but to move their awards away from Tamworth and reschedule in Sydney later in February.

So … last week I actually flew to Sydney … presented my “The Portrait & Photojournalism” Walkley Masterclass at Macleay College to the assembled enthusiastic twenty plus audience throng … AND … had an absolute belter of an evening (and somewhat later) at the Walkley Awards.

Thanks to the Walkley Foundation, the International Convention Centre Darling Harbour and the Nikon Australia crew, it really was a fabulous evening … with an amazing’ collection of Aus based photographers … umm … ‘celebrating’ … and a recognition of my win in the Nikon Portrait Prize.

Hope I don’t miss anyone … but here goes with the Aus based media photographers who were also there and why …

Alex Coppel won the ‘Sport Photography’ category and ‘Press Photographer of the Year’, Andrew Quilty won ‘Long Form Feature Writing’, Dean Sewell won ‘Feature/Photographic Essay’, Brooke Mitchell won ‘News Photography’ … Finalists Jake Nowakowski, Justin McManus, Scott Barbour, Jason Edwards, Chris Hopkins, Michael Dodge joined other prominent photo media figures Mark ‘Crusty’ Baker (AP), Dean Lewins (AAP), Jeremy Piper, Tracey Nearmy, Matt Abbott and James Brickwood. Many of us were graciously hosted on the two Nikon Australia tables (and at the ‘after parties’ – plural) by Nikon Marketing Manager Kylie Dredge and Professional Marketing Manager Julie Kimpton. (Huge Thanks Kylie and Julie ! … and couldn’t ask for a better bunch of colleagues to celebrate with.)

Below is a little vid of the announcement of my Nikon Portrait Prize win (my third win in this category in the last ten years) at the awards last Friday eve. It’s very short as I was too busy nattering to photographer mates, hampered by a large glass of Shiraz in my hand and missed the start of the announcement. Oh well … (the sound is the best bit).

Clip © Brian Cassey (iPhone)

 

 

Walkley ‘Masterclass’ (and Walkley Presentation Eve) This Week … Hi Sydney !

Over the last couple of years since that damn virus reared it’s ugly knobbly profile, I’ve been trying to get back down to Sydney … each journey (five booked in all) very carefully planned to coincide with the ‘latest’ outbreak or lockdown. Missed out on several great events including two Head On Photo Festivals, a couple of exhibitions of my work … and the launch and exhibition of the ‘Paper Tigers’ Australian photojournalism project that I worked on with Moshe Rosenvzeig. It’s been a ‘bugger’ … (but, of course, a very minor inconvenience compared with those many more adversely effected by the pandemic.)

Don’t want to speak too soon … but Thanks to the Walkley Foundation (and Nikon Australia), in just a few days I’ll be winging my way to Sydney town to host a ‘Masterclass’ … ‘The Portrait & Photojournalism’ … and also attend the ‘delayed’ ’66th Walkley Awards for Excellence in Journalism’ presentation night.

The invitation to my little talk about portraiture and photojournalism in Sydney came in the wake of my win in the Nikon Walkley Portrait Prize a couple of months back (see post here) with the image “The Yarrick Family of Kunhanhaa” … my third win in the prize in the last ten years and the reason for attending this years awards eve. The promo describes the event thus … “What makes a great portrait and when is a portrait photojournalism? Award-winning photojournalist Brian Cassey will discuss this question and the power of lighting, composition and how to achieve the best results. Plus the importance of building trust and rapport with your subject”.

So … it kicks off Thursday at high noon at Macleay College, Chippendale and will run for approximately two hours (no one will be allowed to fall asleep 🙂 ).

Next day … the Friday … the Walkley presentation eve event gets underway in Darling Harbour … really looking forward to that !

If  you are are in Sydney and fancy listening to me for a couple of hours you may book and find all the details of ‘The Portrait and Photojournalism’ event here … https://www.eventbrite.com.au/e/masterclass-the-portrait-photojournalism-tickets-216702070727  … and in the image below.

Portrait here by Marc Steiner ©

 

 

The Portrait & Photojournalism - Walkley Masterclass by photographer Brian Cassey - Sydney Australia February 2022

‘Gold’ X Two in Tokyo …

Early Chrissy present from Tokyo …

It was only a week ago that I shared the news on here of two successes in the Budapest International Foto Awards (BIFA) … a Gold Award for “8 Minutes & 46 Seconds – Tears For George Floyd” in Editorial and a Silver Award for “The Yarrick Family Of Kunhanhaa” in People.

Well … seems Santa has come a day or two early as I just received the news that these two images have gone one better in the Tokyo International Foto Awards (TIFA) with both images winning ‘Gold’ !

So … rather than bashing out a similar post to the one a week ago I’ve copied it below … and updated it a bit 🙂

Here goes … 🙂

More news … this time from Hungary & Tokyo …

… these two images (below) have done it yet again! Announced this week … TWO Gold Awards in the 2021 Tokyo International Foto Awards (TIFA) for both “8 Minutes & 46 Seconds – Tears For George Floyd” (in Editoria) and “The Yarrick Family Of Kunhanhaa” (in People) … and a few days earlier … a Gold award in the 2021 Budapest International Foto Awards (BIFA) ‘Editorial’ for “8 Minutes & 46 Seconds – Tears For George Floyd”… and a Silver in ‘People’ for “The Yarrick Family of Kunhanhaa”.

Chuffed with that …

These two pics have been good to me … and have amassed a tidy number of other recognitions over the past year or so.

Previous successes for these two images may be found at these pages … https://www.briancasseyphotographer.com/blog/2021/11/more-for-the-awards-page/, https://www.briancasseyphotographer.com/blog/2021/10/nikon-walkley-portrait-prize-3-yes/, https://www.briancasseyphotographer.com/blog/2021/10/mornington-essay-wins-at-clarions/, https://www.briancasseyphotographer.com/blog/2021/09/tears-at-the-perth-iris-awards/, https://www.briancasseyphotographer.com/blog/2021/08/mornington-clarion-media-awards-finalist/, https://www.briancasseyphotographer.com/blog/2021/07/silver-and-bronze-in-moscow-international/, https://www.briancasseyphotographer.com/blog/2021/04/international-color-awards/https://www.briancasseyphotographer.com/blog/2021/05/carol-amongst-big-handful-at-16th-international-pollux-awards/,

Images © Brian Cassey

Tokyo International Foto Awards (TIFA) - WINNER - GOLD Awards X 2 - Editorial - "8 Minutes & 46 Seconds - Tears For George Floyd" ... & ... People, Family - "The Yarrick Family of Kunhanhaa" - by Brian Cassey

Tokyo International Foto Awards (TIFA) - WINNER - GOLD Awards X 2 - Editorial - "8 Minutes & 46 Seconds - Tears For George Floyd" ... & ... People, Family - "The Yarrick Family of Kunhanhaa" by Brian Cassey

Pulitzer Prize Winner Barbara Davidson Meets Carol in Barcelona …

Mentioned a few months ago that a handful of my images had been selected in the 16th Edition Pollux Photography Awards … including a nice ‘Portrait Winner’ placement for my work “The Skin I’m In” of Cairns burns survivor Carol Mayer.

Perhaps it’s just another ‘Carol’ coincidence (there have been several) … but last week on the first anniversary of Carol’s so sad passing at the the hands of the ‘Big C’ December 2020, I received these images of my portrait of Carol on display in the winners circle at the opening event of the The 6th Biennial of Fine Art and Documentary Photography at the FotoNostrum Gallery in the Spanish city of Barcelona.

Carol would no doubt have been be as pleased as I am that her portrait was appraised at the Barcelona exhibition opening by three times Pulitzer Prize Winner and Emmy film award winning photojournalist/director Barbara Davidson (seen in all black centre top image, below, with “The Skin I’m In” at the FotoNostrum Gallery).

Celebrated as photo ‘Royalty’, Barbara is best known for her work on victims of gang violence in Los Angeles. She is also a 2019-2020 Guggenheim Fellow recipient and will spend the year traveling the United States making portraits of survivors of gun violence using an 8×10 film camera. 

Somewhat of a coup for the Barcelona Foto Biennalle to have Barbara attend the opening event as a very special guest in these times of Covid … and a real buzz for me (and probably Carol ‘up there’ too). Still trying to learn from the event organisers (who sent me these pics) whether Barbara made any audible comment about the work.

So … great to win the Pollux Portrait Award with the image of Carol … and that led to the real buzz of the work being selected to appear on the wall of the 6th Biennial Foto Barcelona at the FotoNostrum Gallery … which led to it being seen by multi Pulitzer winning photo ‘Royalty’ Barbara Davidson … and also lead to Carol posthumously once again spreading her message to burns survivors of the World that anything is possible …

Carol’s legacy lives on … again …

Carol Mayer Image © Brian Cassey … photos © FotoNostrum Gallery, Barcelona

 

 

‘Deadly Threads’ Comes To Cairns …

Whilst my personal exhibition “A Photographer’s Life – Part Two” has sadly finished it’s five week season at the Court House Gallery Cairns, I’m very gratified to still have (large) work ‘next door’ at the Cairns Art Gallery as an integral part of ‘Deadly Threads’.

Early this year, at the request of the State Library of Queensland, I produced a series of images in a Cairns pop up studio of a fascinating variety of prominent northern Australian Aboriginal and Torres Strait Islanders wearing a creative colourful showcase of indigenous singlets, shirts, polos and jerseys.

The resulting SLQ exhibition “Deadly Threads” explores the significance of these apparel pieces as symbols of identity, celebration and unity. They have been developed to protest, commemorate special occasions and historical events and tell stories of Aboriginal and Torres Strait Islander history and cultures.

The exhibition drew crowds in Brisbane during an extended season at the State Library of Queensland from March to October … liberally sprinkled with massive prints of my work amongst the 190 shirts displayed. (I was fortunate to get down to Brisbane to see the exhibition on it’s very last day !)

The exhibition came ‘home’ to Cairns this month at the historic (formerly Public Curators Building) Cairns Art Gallery, with an opening eve on the 2nd of December. Very pleasingly my work again plays a prominent part … (although the actual shirts are still the real ‘stars’ of the show). Two of my works massively adorn the portico outside the gallery to alert passersby to the exhibition inside … images of South Sea Islander resident of Gimuy (Cairns), Franklin Mye (right – below) … and Conrad (CJ) Ahwang, Muluyligal-Zeandth R\Kes man also residing in Gimuy (left – below).

Inside a further half a dozen images adorned the walls … with the pick being another massive image of ‘CJ’ (pics below) unmissably greeting everyone as they entered the exhibition room.

This really is a fine exhibition … the shirts … especially those produced on Mer (Murray) Island to document Eddie Mabo and his work … are fascinating. I’m proud to be a part of it. The exhibition runs till the 23rd January and entry is free … don’t miss it !

Images © Brian Cassey

 

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

'Deadly Threads' - exhibition of Indigenous shirts by State Library of Queensland at Cairns Art Gallery - still image work by Brian Cassey

Gold & Silver at Budapest International …

More news … this time from Hungary …

… these two images (below) have done it yet again! Announced this week … a Gold award in the 2021 Budapest International Foto Awards (BIFA) ‘Editorial’ for “8 Minutes & 46 Seconds – Tears For George Floyd”… and a Silver in ‘People’ for “The Yarrick Family of Kunhanhaa”.

Chuffed with that …

These two pics have been good to me … and have amassed a tidy number of recognitions over the past year or so.

Previous successes for these two images may be found at these pages … https://www.briancasseyphotographer.com/blog/2021/11/more-for-the-awards-page/, https://www.briancasseyphotographer.com/blog/2021/10/nikon-walkley-portrait-prize-3-yes/, https://www.briancasseyphotographer.com/blog/2021/10/mornington-essay-wins-at-clarions/, https://www.briancasseyphotographer.com/blog/2021/09/tears-at-the-perth-iris-awards/, https://www.briancasseyphotographer.com/blog/2021/08/mornington-clarion-media-awards-finalist/, https://www.briancasseyphotographer.com/blog/2021/07/silver-and-bronze-in-moscow-international/, https://www.briancasseyphotographer.com/blog/2021/04/international-color-awards/https://www.briancasseyphotographer.com/blog/2021/05/carol-amongst-big-handful-at-16th-international-pollux-awards/,

 

Images © Brian Cassey

Budapest International Foto Awards - Winner Gold Award - Editorial - "8 Minutes & 46 Seconds - Tears for George Floyd" by Brian Cassey

Budapest International Foto Awards - Winner Silver Award - People - "The Yarrick Family of Kunhanhaa" by Brian Cassey

More For The Awards Page …

… just about recovering from personal euphoria following my exhibition opening at the Court House Gallery and the Nikon Walkley Portrait Prize win (Thanks to all for your comments, likes etc etc !) … whilst in the meantime these items about some other very pleasant ‘recognitions’ and ‘mentions in dispatches’ have also arrived … for the record as follows …

Head On Portrait Prize Semi Finalist  … “The Yarrick Family of Kunhahaa” … screening at the Head On Portrait Prize exhibition now showing at Paddington Reservoir Gardens, Sydney.

Australian Photography Awards … Two Shortlisted in ‘Documentary’ … “The Yarrick Family of Kunhahaa” & “Tears For George Floyd – 8 Minutes & 46 Seconds”.  Winners will be announced over the five days between November 29th and December 3rd.

Fotonostrum International Portrait Award – ‘Jury’s Special Selection’ by Art Streiber – “Tears For George Floyd – 8 Minutes & 46 Seconds”, “Kate – Waiting For Her New Breasts II” & “The Yarrick Family Of Kunhanhaa”.

International Photography Awards (IPA) – Highly Commended X 2 – ‘People’ – “The Yarrick Family Of Kunhanhaa” – ‘Editorial’ – “Tears For George Floyd – 8 Minutes & 46 Seconds”.

Black & White Spider Awards 16th Edition – Finalist Nominee X 4 in ‘Silhouette’ – “Charlie & the Pandemic”, ‘Portrait’ – “Ramnami” & “The Skin I’m In II’, ‘Photojournalism’ – “Tears For George Floyd – 8 Minutes & 46 Seconds”.

Very pleased about that. The complete list of ‘Awards’ … (shameless self promotion) … can be found here … https://www.briancasseyphotographer.com/awards/

Some will be aware that lots of these images (above) have been previously recognised in other awards and splashed around a lot lately … so … here’s two from the list (Black & White Spyder Awards) that havn’t 🙂 … for  “Charlie & the Pandemic” it’s a ‘first’ … and for “Ramnami” it’s a fourth gong (but I like it 😉  … below)

Images © Brian Cassey

Black & White Spyder Awards -Nominee - Silhouette - "Charlie & the Pandemic" by Brian Cassey

Black & White Spyder Awards - Nominee - Portrait - "Ramnami" by Brian Cassey

‘A Photographer’s Life – Part Two’ at The Court House Gallery …

Now just over two weeks since the doors opened on my latest exhibition … ‘A Photographer’s Life – Part Two’ … and one week since a brilliant official opening eve event at the beautiful venue, the heritage listed Court House Gallery.

Following on from ‘A Photographer’s Life – Part One’ … exhibited at the Head On Photo Festival in Sydney and The Tanks Arts Centre in Cairns in 2017 … there was always going to be a ‘Part Two’.

Essentially a ‘Retrospective’, the ‘Part One’ exhibition featured work selected from my archives … negatives from long forgotten boxes and numerous disk drives … that charted the progression from my first roll of film as a pre-teen, through my first paid media work in London town as a teen and onto my career across the decades producing press work that was published around the planet..

‘Part Two’ is a fundamentally different exhibition of work. It contains a few images that didn’t quite make the space cut for ‘Part One’ – but most of the work is new and made from 2016 up until today. Whilst ‘Part One’ was almost exclusively ‘assigned’ media work the ‘Part Two’ images are much less so. The decline in media work and the lack of media opportunity and funding has meant that much of the new work was made independently, often self funded and sometimes just purely personally observational. The photographs emanated from India, China, Sri Lanka, the United States, Papua New Guinea, the UK … and around Australia, 

An integral part of the new exhibition is the ‘story behind the images’. Each work is accompanied by text explaining how the image came about and why. Many of them are quite personal. Feedback from exhibition visitors so far is that the ‘stories’ added a depth and dimension to the images. Gratifying 🙂

The opening eve event on November 5th was a thoroughly enjoyable big success. An individual exhibition opening record crowd of over a hundred and twenty five crammed ‘standing room only’ in the ‘Court Room’ to witness ABC Radio’s Fiona Sewell ‘grill’ me nicely about eight of the thirty seven exhibition images for about forty five minutes. Many Thanks for hosting the event Fiona.  Great to see friends and colleagues past and present .. many I hadn’t seen in years … turn up for the occasion. Thanks all …

Also launched at the event was the large format high definition limited edition collectors book ‘A Photographer’s Life – Part One & Part Two’ … containing … yes … all the images (85 in all over 88 pages) from both ‘Part One’ and ‘Part Two’. All those who order a copy during the exhibition period (till 11th December) with have their names and an acknowledgment printed in the book … and my scrawled as best I can signature too 😉 . Order at the Court House Gallery office or phone either Dayle on 07 40326621 or the office on 07 40326620.

Greatest respect and massive thanks to Curator Chris Stannard , Dayle Jordon, Megan O’Rourke and the rest of the council team who did a brilliant job hanging and presenting the exhibition. 

The exhibition continues until the 11th December Tuesdays to Saturdays 10am to 4pm … another four weeks to take it in. (If anyone would like a ‘personalised’ tour of the work I will be happy to try and do just that … just contact me.)

Below are images … (impossible in small pics to do justice to the exhibition, the work and the gallery) … of the works on the wall, the opening eve event and the book.

Images © Brian Cassey (4), Brendan Radke (2) & Stacey Carrick (1) (Many Thanks Brendan and Stacey)

 

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

'A Photographer's Life - Part Two' Exhibition at The Court House Gallery Cairns - by Brian Cassey

 

 

 

 

 

 

Nikon Walkley Portrait Prize #3 … Yes !

… well, that was damn exciting and unexpected !

A few days ago received an email (proceeded by phone calls) with the great news that I’d once again won the ‘Nikon Walkley Portrait Prize’. Really stoked with that …

The Walkley’s usually announce the winners of the ‘Nikon Portrait Prize’, the ‘Nikon Photo of the Year Prize’ and the finalists of the other Nikon photographic categories during state capital evening ‘events’ … but Covid this year meant a much quieter disclosure via an 8am email.

Wasn’t expected anything … so missed the initial email and only learn’t that my pic “The Yarrick Family of Kunhanhaa” had been selected as the portrait prize winner when colleagues started ringing me !

The pic was made on Mornington Island (Kunhanhaa) in the Gulf of Carpentaria in far northern Australia … an indigenous community that is experiencing multiple ‘social issues’ mostly due to the tyranny of distance and … well …  being ‘forgotten’. Myself and ‘gun’ journalist Michael McKenna travelled to the island in December 2020 to document the story of massive overcrowding in the communities basic homes … and the image and story was published on page one of ‘The Australian’ (below).

Many thanks to Michael … and also to the ‘driven’ Mayor of Mornington, Kyle Yanner, who is single minded in solving the issues that have beset his community.

This portrait was also a part of my pic essay “Mornington Island – The Queenslanders Left behind” that recently won the ‘Photographic Essay’ category of ‘The Clarion Awards’ … Queensland’s media awards.

Also, huge congrats to brilliant Sydney Morning Herald colleague Kate Geraghty who scored the ‘Nikon Photo of the Year Prize’ with an evocative image of a Covid-19 patient that was also published as a page1.

Can’t forget the several of my colleagues that received the news that they are ‘Finalists’ in the remaining Nikon Walkley photographic categories who won’t now learn their fate till the big announcements at The Walkley Awards presentation night of nights in Tamworth in February 2022. I’ll be there ‘with bells on’ !

Below I’ve also posted images and links to my other two previous winning ‘Nikon Walkley Portrait Prize’ photographs in 2016 (here) and 2011 (here). Also just a couple of the links to all the Nikon Walkley winners and category finalists here and here.

STOP PRESS: Was interviewed in the days after the announcement by the Walkley Foundation’s Kate Burgess for an article in The Walkley Magazine. Kate’s work and my words may be found here … https://medium.com/the-walkley-magazine/spotlight-on-brian-cassey-1bfa58b91af8

Images © Brian Cassey

 

2021 Nikon Walkley Portrait Prize - Winner - "The Yarrick Family of Kunhanhaa' - by Brian Cassey

2021 Nikon Walkley Portrait Prize - Winner - "The Yarrick Family of Kunhanhaa' - by Brian Cassey for The Australian

'Abdullatif - Beaten Asylum Seeker' - Winner 2016 Nikon Walkley Portrait Prize - image by Brian Cassey

'Carol - Burne Survivor' - Winner 2011 'Nikon Walkley Portrait Prize' - image by Brian Cassey

‘Deadly Threads’ at State Library of Queensland …

Nice bonus travelling to Brisbane last weekend for The Clarions … when I accidentally came across my portrait work (massively printed) at the State Library of Queensland’s ‘Deadly Threads’ exhibition . 

Was of the believe that It had already closed and I’d missed it … but an impromptu walk through SLQ and there was the big sign  (accompanied by one of my large images) … ‘Deadly Threads – Where Did You Get That Shirt?’ … enter.

‘Deadly Threads’ is a showcase of singlets, shirts, polos and jerseys (over a 190) created by Aboriginal and Torres Strait Islander peoples from across Queensland. It explores the significance of these pieces as symbols of identity, celebration and unity. They have been developed to protest, commemorate special occasions and historical events and tell stories of Aboriginal and Torres Strait Islander history and cultures.

My part was to produce portraits of significant indigenous personalities wearing a range of these shirts for display around the exhibit and for promotional purposes. Around a dozen of my large portraits adorned the exhibition printed (in one case) up to a massive near four metres. I made the pics back in Cairns earlier this year in a little home made pop-up studio.

What I didn’t yet know was, that the day I stumbled into the exhibition last Sunday was it’s LAST day. When I returned next day with camera in hand to record the work, the staff were in the process of taking the exhibition down (hence the limited pics here 🙂 ).

The best news is that the ‘Deadly Threads’ exhibition is coming to Cairns very soon (you heard it first here) and will be open at the Cairns Regional Gallery in November/December. 

Here’s links to the State Library of Queensland’s ‘Deadly Threads’ … https://www.slq.qld.gov.au/deadlythreads … and … https://www.slq.qld.gov.au/whats-on/deadly-threads-where-did-you-get-shirt

It will be well worth catching when it opens at the Cairns Art Gallery where my large portraits will again feature.

Images © Brian Cassey

'Deadly Threads' at State Library of Queensland, Brisbane - Mural Photographic Prints by Brian Cassey

'Deadly Threads' at State Library of Queensland, Brisbane - Mural Photographic Prints by Brian Cassey

'Deadly Threads' at State Library of Queensland, Brisbane - Mural Photographic Prints by Brian Cassey

'Deadly Threads' at State Library of Queensland, Brisbane - Mural Photographic Prints by Brian Cassey

 

 

 

Veronica … Mornington Island … Where Home Brew Kills …

Thrilled, but also saddened to once again travel to remote Mornington Island (Kunhanhaa) in the tropical Gulf of Carpentaria in northern Australia … the third visit in the past year.

Mornington is a delightful destination populated by delightful people … but the community are grappling with many social ills mainly caused by the tyranny of distance and basically, being ‘forgotten’.

New young Kunhanhaa Mayor Kyle Yanner is determined to raise awareness about the many issues that have beset his community … and has managed to get the attention of the Queensland Government near two thousand kilometres distant in Brisbane.

I again made many images during last weeks visit to the island … but this pic of five year old Veronica Barnes is the one I’m most fond of. I was concentrating on portraying a 16 year old who was a ‘home brew’ imbiber when I glanced Veronica and her tiny puppy. A couple of frames later and I had what I think is a ‘special’ image (sorta ‘Bill Henson style’ 😉 ). (NB … her father gave permission for the pic to be seen.)

Veronica’s community is experiencing the ravages of a wide spread ‘home brew’ alcohol epidemic … and this was the main thrust of our story. She is growing up in a community where many of her extended family members and friends are suffering the consequences of alcohol induced diabetes and untimely death. The community … ‘dry’ for twenty  years … has seen a rapid rise of dangerous home brewed alcohols … and children as young as ten years old have been imbibing and adversely effected. Diabetes cases have skyrocketed and the cemetery is littered with the graves of those who have succumbed to alcohol related issues in their teens, twenties and thirties. 

Mayor Yanner and the council are reaching out for urgent assistance to stem the scourge and are proposing the introduction of regulated mainstream mid strength alcohol products to the island, controlled at a Tavern. Queensland Minister for the Environment Meaghan Scanlon MP made the trek to Mornington last week to listen first hand to Yanner’s plans.

Veronica’s image was just one of the many made whilst covering the story (by journalist Domanii Cameron) in The Courier and Sunday Mail newspapers … below is a also page grab of the spread as published in Saturdays ‘Weekend’ edition.

My recent previous visits to Mornington documented severe overcrowding in the community’s housing (The Australian, December 2020) … and numerous issues in ‘The Queenslanders Left Behind’ (The Sunday Mail, May 2021)

 

Images ©Brian Cassey – publication © Courier Mail

 

'Veronica - Mornington Island - Where Home Brew Kills' - image by Brian Cassey for Courier Mail story on alcohol abuse and home brew on Mornington Island in the Gulf of Carpentaria.

 

'Veronica - Mornington Island - Where Home Brew Kills' - image by Brian Cassey for Courier Mail story on alcohol abuse and home brew on Mornington Island in the Gulf of Carpentaria.

 

Mornington … Clarion Media Awards Finalist …

… it’s always a pleasure … a once a year excuse to trek to Brisbane and spend a very pleasant eve with southern media colleagues that I far too infrequently get to socialise with.

The ‘Finalists’ in the Clarion Awards … Queensland’s prestigious awards which recognise the best of the Sunshine States media for their work across the year … were announced this week … and very pleased to be selected as one of three photographers in ‘Best Photographic Essay’.

So … if the Covid virus plays nicely (i.e. elsewhere) … will be off to Brissie in October to enjoy another year of the Clarion Awards ‘presentations’ … this time at a cocktail function at the Brisbane Convention and Exhibition Centre.

Greatly looking forward to catching up with photographers Darren England and Evan Morgan (co-finalists in ‘Essay’), David Clark, Annette Dew and Tertius Pickard (finalists In ‘News Photograph’) and ‘Regional’ finalists Rob Maccoll and Cairns colleague Brendan Radke. Big congrats guys n gal. Not forgetting the wonderful journalists, scribes, blunts (whatever you choose to call ‘em) that pen the words that fill the spaces between our photographs.

My selected work is a pic essay compiled from images made for The Sunday Mail and The Australian, documenting the plight of the indigenous residents of the remote Gulf of Carpentaria township of Mornington Island. Entitled “The Queenslanders Left Behind”, it comprises eleven images made during two journeys to the island, concentrating on the issues of housing overcrowding and other social ills.

Five of those eleven pics are here below … from top … Shaylene Yarrick and her children bed down in the lounge of their overcrowded house … Mum Cheree Loogatha and daughter Arizona outside their Gununa house …  Shaylene Yarrick sheds a tear outside her tiny overcrowded home … The Loogatha family yarn around the fire outside their house … Mornington Island sisters Yvonne Wilson (17) and Corrin Wilson (13) suffer from type 2 diabetes. Corrin also has rheumatic heart disease, whilst their mother is receiving dialysis following renal failure.

Very pleased to once again have the chance (it’s now twelve years of ‘Finalists’ with a fair few ‘Wins’ over the last decade and a half) to enjoy Queensland’s media ’Night of Nights’.

Covid-19 … please don’t stuff it up !

Images © Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Clarion Media Awards Finalist - Photographic Essay -“Mornington Island – The Queenslanders Left Behind” by Brian Cassey

Aussies Off To Tokyo Olympics …

A pleasure to have the opportunity to document … for Australian Associated Press (AAP) … the departure of just on half Australia’s Olympic squad as they left the country for the Tokyo Games at Cairns International Airport on Saturday. Sadly I wasn’t on the flight with them …

The QANTAS charter aircraft was chokers with about 280 face masked athletes and officials from the swimming, rowing, hockey, water polo, beach volleyball, table tennis, weightlifting and badminton teams on board. Amongst the masked throng was Australia’s ‘Madam Butterfly’ Gold medalist Susie O’Neill (fourth image below) … currently Deputy Chefs de Missions for the Tokyo Olympic Games.

Disturbingly, shortly after the aircraft lifted off from the Cairns runway the news dropped that an official had tested positive for COVID-19 at the Tokyo Olympics athletes’ village. A worrying development for the team.

Below are just over a handful of the pics I made of the athletes departure for the (2020 or 2021 ?) Tokyo Olympic Games … the complete set of 45 images may be found on the AAP site HERE.

Images © AAP/Brian Cassey

The Australian Olympic team departs Cairns for the Tokyo 2021 Games - Images by Brian Cassey for AAPThe Australian Olympic team departs Cairns for the Tokyo 2021 Games - Images by Brian Cassey for AAP

The Australian Olympic team departs Cairns for the Tokyo 2021 Games - Images by Brian Cassey for AAP

The Australian Olympic team departs Cairns for the Tokyo 2021 Games - Images by Brian Cassey for AAP

The Australian Olympic team departs Cairns for the Tokyo 2021 Games - Images by Brian Cassey for AAP The Australian Olympic team departs Cairns for the Tokyo 2021 Games - Images by Brian Cassey for AAP

The Australian Olympic team departs Cairns for the Tokyo 2021 Games - Images by Brian Cassey for AAP

Images of Dead People … ‘Lenin’ and ‘Charlie Chaplin’ …

On two occasions over the last couple of weeks have had the pleasure to document ‘dead people’ – two infamous characters from the last century – one a political figure who changed the World … the other a silent film actor who forever changed the film industry.

Of course … I didn’t dig ’em up. Both were highly convincing re-creations by talented Cairns artists.

‘Lenin’ (Vladimir Ilyich Ulyanov) survived assassination attempts before dying of a brain haemorrhage in January 1924 (a little before my time 😉).

However, a portrayal of the Marxist and father of the Soviet Union and the Soviet Communist Party by vastly experienced Cairns actor Peter Merrill brought him back from the grave. Peter plays the ’Lenin’ lead in ‘Petrograd Express’ … a new play by Ken Cotterill which opens in Cairns at the Rondo Theatre this month. The title ‘Petrograd Express’ refers to Lenin’s 1917 train journey from exile in Switzerland, across hostile Germany, back to Russia to seize power from the government and declare a ‘dictatorship of the proletariat’. The train journey by the architect of the Bolshevik Revolution set in motion events that forever changed Russia and modern history.

I made this portrait (top) of Lenin/Peter for the local Cairns Post newspaper.

A week later I found myself portraying ‘Charlie Chaplin’ … brought back to life by amazin’ Kuranda performer (and friend) Danny Simony.

Englishman Chaplin … a comic actor, filmmaker and composer during the silent film era … became a World wide icon through his screen persona. A perfectionist … Chaplin wrote, directed, produced, edited, starred in, and composed the music for most of his many films.

My portrait of Charlie/Danny (bottom) was made for the now regular Sunday Mail newspaper feature ‘Larrikins of Queensland’. Danny … also a perfectionist and an exceptional talent at comedy, mime, pick pocketing and more … told the story of how he travelled from his birth place of Paris to Australia via India and Nepal decades ago and then forged a career in Cairns as the cities favourite entertainer and ‘Queensland Larrikin’.

Images © Brian Cassey

Portraits of Dead People - Lenin (Peter Merrill) and 'Charlie Chaplin' (Danny Simony' by Brian Cassey.

Portraits of Dead People - Lenin (Peter Merrill) and 'Charlie Chaplin' (Danny Simony' by Brian Cassey.
.

‘Paper Tigers’ … on ‘Google Arts & Culture’ …

Delighted to learn that ‘Paper Tigers’ … the compilation of the work of sixty Australian photojournalists curated by myself and Head On Photo Festival director Moshe Rosenvzeig OAM … now has another great published ‘airing’ on the distinguished ‘Google Arts & Culture’ platform (including, of course, my contribution ‘Abdullatif – Beaten Asylum Seeker’ – below – from one of the GA&C pages).

It was a (lengthy) and rewarding pleasure to work with Moshe to collate this project … and wonderful to see it now showing on a new platform amongst significant works from the Worlds leading museums and archives including (but far, far from ‘not only’) MoMa in New York, the Uffizi Gallery in Florence and the Tate Britain in London.

‘Paper Tigers – an Anthology of Australian Contemporary Photojournalism’ has already been exhibited to acclaim ‘on the walls’ at the ‘Twenty Twenty Six Gallery’ in Sydney (during last years Head On Photo Festival) and is also available in book form on the Head On website at … https://www.headon.com.au/product/paper-tigers-book … (if it hasn’t already sold out again).

The ‘Paper Tigers’ works can now be found on the ‘Google Arts & Culture’ platform at … https://artsandculture.google.com/search/exhibit…

Thanks to all the contributing PJ’s (some of which I nagged mercilessly) and the amazin’ Head On Photo Festival team.

#headonphotofestival #photojournalismaustralia

‘Abdullatif’ Image … ‘Nikon Walkley Portrait Prize’ Winner 2016 © Brian Cassey

'Paper Tigers' on the Google Arts and Culture site - curated by Brian Cassey and Moshe Rosenvzeig - image by Brian Cassey

‘International Color Awards’ … X Four …

Great to see four of my images recognised in the 14th Edition of the ‘International Color Awards’ announced recently.

Three times ‘Honorable Mentions’ in … (from top) … ‘Photojournalism’ for “8 Minutes and 46 Seconds” … ‘Children of the World’ for “The Kids Of Ali Curung” …  and ‘Portrait’ for “Kate – Waiting For Her New Breasts”. The image “Bonn Marie – Asking The Question” (bottom) had to settle for Finalist Nominee in ‘Fine Art’.

It was the first accolades for the first two pics … “8 Minutes and 46 Seconds” – during a ‘Black Lives Matter’ protest in Cairns, US citizen Hermela Bealfan sheds tears as she lies prostrate on the ground for the 8 minutes and 46 seconds that it took police officer Derek Chauvin to kill George Floyd by kneeling on his neck in Minneapolis … and “The Kids of Ali Curung” – a kids welcome to the remote Northern Territory indigenous township of Ali Curung.

The portraits of ‘Kate’ and ‘Bonn’ are better known as they have been mentioned several times in earlier awards … see the ‘Award’ page listings here … https://www.briancasseyphotographer.com/awards/

Gotta be happy with that …

Images © Brian Cassey

14th International Color Awards - Honorable Mention - Photojournalism - "8 Minutes and 46 Seconds" by Brian Cassey

14th International Color Awards - Honorable Mention - Children of the World - "The Kids of Ali Curung" by Brian Cassey

14th International Color Awards - Honorable Mention - Portrait - "Kate - Waiting For Her New Breasts" by Brian Cassey

14th International Color Awards - Finalist Nominee - Fine Art - "Bonn Marie - Asking the Question" by Brian Cassey

Covid-19 & Cairns … Economy in Freefall …

Reliant for a large part on the regular influx of now non-existent International tourists, the year long pandemic has seen Cairns suffering economically disproportionately compared with other parts of Australia.

As the Australian Government initiated JobKeeper support scheme comes to an end this month, Cairns immediate future looks bleak despite a Federal attempt at assistance via subsidised airfares and loans.

It isn’t a ‘pretty’ story for my long term home town … the current situation is dire …  but it did mean a nice gig for the Sydney Morning Herald, The Age and Brisbane Times.

Many of my images made last week were used to illustrate the effects and hardships of the current desperate financial situation in Cairns and district as a result of the total loss of International tourism.

A pic gallery of thirteen of my images ran online (the SMH link is here … https://www.smh.com.au/…/cairns-tourism-on-the-ropes…) … whilst the main story variously in print and online (by Brisbane Times journalist Matt Dennien) was accompanied by more of my pics … herehttps://www.smh.com.au/national/queensland/trouble-in-paradise-covid-leaves-a-cloud-hanging-over-the-tropics-20210312-p57a3g

It seems it is going to be a long, long time till Cairns recovers from the body blow caused by the loss of International tourists during the current pandemic and Matt’s story is well worth a read.

Below are just a few of my images the former Fairfax (now ‘Nine’) publications used … from top … a lone swimmer at the Cairns Esplanade Lagoon once crowded with International and Australian tourists … owner of Traveller Oasis backpackers Gabriel Thallon cleans his pool as lone International ‘guest’ Rina Yamauchi takes the sun … the locked and deserted Cairns International Terminal at Cairns Airport … crew of Passions of Paradise reef vessel Phoebe and Kirsty wash the boat down after a day on the GBR with few paying customers … and one of numerous closed businesses in Cairns CBD

Images © Brian Cassey

Covid-19 and the Pandemic in Cairns, Australia ... images by Brian Cassey
Covid-19 and the Pandemic in Cairns, Australia ... images by Brian Cassey
Covid-19 and the Pandemic in Cairns, Australia ... images by Brian Cassey
Covid-19 and the Pandemic in Cairns, Australia ... images by Brian Cassey
Covid-19 and the Pandemic in Cairns, Australia ... images by Brian Cassey

The Good News … but … The Saddest News Of All …

I confess … it’s hard to write this one … (but please read on … )

Two women … one young and vibrant … the other a little older but with an immense strength … two very different stories. 

The link … apart from a little similarity of pose etc … is that both have just been announced as Winners of Bronze Awards in the Budapest International Foto Awards (BIFA – Hungary). images ©Brian Cassey

The saddest and must unfair news is that Carol (“The Skin I’m In” – first pic) died last weekend at the end of a far too short life full of tragedy, pain and many triumphs of will  … on the very day these awards were announced. Carol was severely burnt in a house fire as a young mum. Her family was told she would not survive. Following a year of coma, countless skin grafts and care … survive she did. She made the most of it … 

She dedicated the years since the accident to spreading the message to other burns survivors that there is still much to live for and celebrate. Carol’s rationale in allowing me to make personal images of her showing the extent of the burns to her body was part of that ideal. The work … and the positive reaction to the work … gave Carol added confidence to engage in speaking engagements that provided hope to many.

My images of Carol turned up in numerous awards, news articles and TV programs … and there are links to many on my blog pages. Amongst them are … “They Did It … Pics In Space X 3” which tells of Carol’s image (and two others of mine) being sent and projected in ‘Space’ and the resulting feature on the TV program “The Project” .  More on the subject here at “Pics in Space’ … Out of This World with ‘Portrait of Humanity” .  (The projection of Carol’s pic in ‘space’ and transmitted across the Universe … now seems very fitting.) There are many more and Carol’s images have been a regular occurrence on my ‘Awards Page’.

I spent more time talking to Carol than actually photographing her … she was my friend … myself and the community will sorely miss but never forget her.

… and then we have Bonn Marie … young, vibrant and all red hair, freckles and an innate curiosity with the World. She’s fun, deep and intelligent … and a joy to work with. Couldn’t help but name the second image “Bonn – Asking the Question”.

Somewhat strange that these two pics were recognised together with Bronze Awards … Carol’s in People Portrait and Bonn’s in Fine Art Portrait.

Images © Brian Cassey

Budapest International Foto Awards (BIFA) 2020 - Bronze Award - People Portraits - "The Skin I'm In" by Brian Cassey

Budapest International Foto Awards (BIFA) 2020 - Bronze Award - Fine Art Portraits - "Bonn - Asking The Question" by Brian Cassey

 

“Paper Tigers” … Being There … and Not Being There …

Only TWO more days (Saturday and Sunday) to see the “Paper Tigers” exhibition … the work of sixty of Australia’s fine photojournalist contingent … on the walls of the ‘Twenty Twenty Six Gallery’ in Bondi, Sydney.

The Head On Photo Festival “Paper Tigers” featured exhibition was a year in the making … and made it’s debut strictly ‘online’ earlier in May this year. Covid postponed the physical exhibition of works … until now.

Each of the sixty contributors supplied images they seemed most appropriate … and Head On’s founder/director Moshe Rosenzveig OAM and myself curated the selections down to a single image from each. The result is a fascinating multi faceted collection of Australian photojournalism from across the decades.

To quote the Head On web site … “The exhibition celebrates photojournalism at a time when the need for truthful journalism has never been more critical and takes us back to critical moments through recent Australian and world history, and the images by which we remember them”.

These are the sixty so talented contributors that made it happen … Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob Maccoll, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz and Tracey Nearmy. Thank You All …

Thanks to Covid-19, many could not make it to the exhibition opening last Saturday in Bondi. However, ‘Paper Tigers’ contributor photojournalists Dean Sewell, Ben Bohane, Mark ‘Crusty’ Baker, Tracey Nearmy, Glen Lockitch, Michael Amendolia and, of course, Head On’s Moshe Rosenzveig were present to celebrate … lucky them ! The former curator of photography at The State Library of New South Wales, Alan Davies, was also on hand at the opening to cast his experienced eye over the works.

I was really gutted that I couldn’t make the journey to Bondi myself … and to visit Paddington Reservoir Gardens where my other exhibition “Me Too … Where The Boys Are … The Girls Are” was also ‘on the wall’ as part of the photo festival. Them’s the breaks … but more is in the pipeline for this significant and historic exhibition down the track.

Time is now running out … just two days to take in “Paper Tigers” at ‘Twenty Twenty Six Gallery’ in Bondi … go see it.

 

NB … For the many that couldn’t (or can’t) make it to the physical exhibition of works on the wall, the “Paper Tigers” book (see bottom image below) is available to order on the Head On Photo Festival web site at … https://www.headon.com.au/product/paper-tigers-book

Image © Brian Cassey … my work ‘Abdullatif’ with Alan Davies and Glen Lockitch – top © Michael Amendolia … gallery panorama © Michael Amendolia … bottom two (including “Paper Tigers” book) © Moshe and the Head On Photo Festival

'Paper Tigers' - Head On exhibition of Australian photojournalism - co-curated by Moshe Rosenzveig & Brian Cassey

'Paper Tigers' exhibition of Australian photojournalism - co-crated by Brian Cassey & Head On's Moshe Rosenzveig

'Paper Tigers' exhibition of Australian photojournalism - co-crated by Brian Cassey & Head On's Moshe Rosenzveig

'Paper Tigers' exhibition book - published by Head On Photo Festival - by Moshe Rosenzveig & Brian Cassey

 

 

Two Exhibitions in Sydney … (If Only I Could Get There !) …

Moshe Rosenzveig and the crew of the 2020 Head On Photo Festival performed miracles earlier on this year as Covid-19 tightened it’s grip on Australia and the planet. They transformed a massive ‘venue’ based photography festival into the World’s first ‘On Line’ photo festival in a matter of just a few short weeks … and opened on time in the first weeks of May. The ‘On Line’ awards, artist talks, photography workshops and panel talks were aired on screens to thousands watching and listening around the planet and across Australia. An amazing effort …

With gallery spaces ‘out of bounds’ due to Covid the more traditional (and aesthetically more pleasing) ‘photographs on walls’ exhibitions reluctantly had to be put on ‘hold’.

I had two involvements in this years Head On ‘On Line’ photo festival … a personal exhibition “Me Too … Where The Boys Are … The Girls Are” (a photo essay on the performance of male strippers and their female audience) … and the co-curation (with Moshe Rosenzveig) of a project close to the heart … “Paper Tigers” … a collection of the work by sixty of Australia’s finest photojournalists. Both received large views on-line.

Now six months later, as Covid cases thankfully take a massive dive, these two exhibitions and work by many others are showing physically ‘on the walls’ (and fences) in numerous galleries and at venues around Sydney. Brilliant … and astonishing work by Head On !

Very sadly … I can’t ‘B’ well get there ! My Queensland Premier has stood fast to her decision that the borders between the Sunshine State and Sydney will remain firmly shut till (extremely annoyingly) at least the first of December … just days after these exhibitions close. The way of the World in 2020 … but I’m still gutted …

My exhibition “Me Too … Where The Boys Are … The Girls Are” opened yesterday on the wall at the fabulously atmospheric venue of the Paddington Reservoir Gardens … and runs there alongside four other great exhibits until the 29th of November. Photographer colleague, mate and gentleman Michael Amendolia went out of his way to lessen the blow of not ‘being there’ by sending me a raft of images of my exhibition in place (below). Thanks Michael !

The “Paper Tigers” exhibition (and the launch of the “Paper Tigers” book) opens at the new ‘Twenty Twenty Six Gallery’ in Bondi tomorrow … with an official opening this Saturday afternoon. Many of my Sydney based colleagues will be attending (lucky them) … whilst us interstate contributors will have to be patient until further opportunities eventuate down the track.

There will be more on ‘Paper Tigers’ … how it came about, what it contains and why it is important … a little later when I receive some images from colleagues who get to attend the gallery …

In the meantime … Paul Neeson from Sydney radio station East Side FM and I had an ‘on air’ chat about my work and both these exhibitions and the Head On Photo Festival in general. It runs for just over twenty one minutes and can be listened to here below. There is also an online text story on “Me Too … Where The Boys Are … The Girls Are” here.

 

Damn that bloody virus !

Images © Brian Cassey (two pics from “Me Too … “Where The Boys Are … The Girls Are” and my “Paper Tigers” image “Abdullatif” … & … Michael Amendolia (top 2 General Exhibition pics)

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Paddington Reservoir Gardens - "Me Too - Where The Boys Are ... The Girls Are" - exhibition of work by Brian Cassey

Head On Photofestival 2020 - Twenty Twenty Six Gallery - Bondi - "Paper Tigers" - exhibition of work by 60 Australian photojournalists co-curated by Brian Cassey

‘Kate’ … The Good News Continues …

The best news is … Kate … who has been waiting over eight years for breast reconstruction following a double mastectomy …  is now well on the way to having her ‘assets’ back.

Following the publication of my pic (below) on page 1 of the Sunday Mail with a story about insane Queensland hospital waiting lists, Kate Yeoman and dozens of other Queensland women had their long awaited surgeries ‘expedited’ at the direction of State Premier Annastacia Pałaszczuk and Health Minister Dr Steven Miles. Covid-19 caused a little hiccup and further delays … but Kate has now had several of her set of reconstructive breast surgeries.

Recently I had the pleasure of making some more images of a fit and fabulous Kate which will feature with an update to her story in this weekends The Sunday Mail (weekend of 7th-8th November).

(Stop Press -1 ! Below is a grab of the double page Sunday Mail spread featuring Kate’s story and my images published the weekend of the 7th-8th November.)

The other piece of ‘Kate’ news is that my image “Kate – Waiting For Her New Breasts” has been awarded a further accolade to add to a growing list. The pic has just been awarded an ‘Honorable Mention’ in the ‘Editorial – Contemporary Issues’ category of the 2020 ‘International Photography Awards’ (IPA). Thanks IPA ! (Image below)

Previously the work has also been recognised in … the 2020 ‘Moscow International Foto Awards’ (MIFA – Honorable Mention – Portrait)the 2020 ‘Clarion Awards’ (Finalist – Best News Photograph) … and the 2020 ‘Percival Photographic Portrait Prize’ (Finalist).

(Stop Press -2 ! Just learnt the news the the image “Kate – Waiting For Her New Breasts” has managed another ‘gong’. It has been selected as an ‘Honorable Mention’ in the 2020 International “Black & White Spider Awards” in the ‘Portrait’ category.)

Image © Brian Cassey

International Photography Awards (IPA) - Honorable Mention - Editorial Contemporary Issues - 'Kate - Waiting For Her New Breasts' - image by Brian Cassey

Sunday Mail - Kate Yeoman - Breast Reconstruction Story - images by Brian Cassey

Urandangi … Twelve Years On …

Way back in 2008 (unbelievable !) myself and journo Peter Michael travelled ‘out west’ to the tiny little outback hamlet of Urandangi on the Queensland / Northern Territory border. It was something of an eye opener.

The Mail Online contacted me recently after seeing my Instagram post of a Urandangi image selected from my archive. Their plan was to feature my 2008 images and update the story on the ‘forgotten’ settlement. It has now been published (25th October 2020) at … https://www.dailymail.co.uk/news/article-8821909/

The article leads with my pics of Urandangi local Mark Webb, his wife and seven children, who then were existing in a battered leaky caravan with no power or ‘facilities’. One of the comments Mark made at the time was “We are out of sight, out of mind, and no one cares”. They were not on their own … most residents were living in similar circumstances in dysfunctional caravans or makeshift iron and timber ‘humpies’ with no running water, power or sanitation.

The Mail story and pics then moves to the role of Pam Forster in the community. When I visited twelve years ago Pam had just taken over as publican of the ‘Urandangi Hotel’ … the ‘Dangi Pub’. Fast forward to today and she is still there at the pub (the only substantial building) where she operates all the business in town … watering hole (literally), CentreLink office, store, petrol station, post office, flying doctor agent … and more. Now seventy years old she has become a local legend and mentor to the entire community.

Much has improved since 2008 … some things havn’t … and it is all documented in the Daily Mail article here. (My work was originally published (2008) in the Courier Mail here.)

Below I have posted six of my seventeen images that appear in the new Mail Online article … jump to the link to see more here and read the text. (n.b … six of the images were part of my portfolio that won ‘Best Photo Essay’, Queensland Media Awards 2008. Also, the pic of the small child on the road graces the cover of my book ‘To Be Indigenous’ which can be found here at … https://www.briancasseyphotographer.com/books/

Images © Brian Cassey 2008 … from top … Mark Webb’s family camp, a child at play at Urandangi, Pam Forster just after she took over the ‘Dangi Pub’, the town ‘drunk tank’, Norm and Mavis Wilde at their wrecked van home, local Sonny Mick at his ‘humpy’.

Urandangi Queensland Australia - forgotten indigenous community - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - - publican Pam Forster - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - the 'Drunk Tank' - pics by Brian Cassey

Urandangi Queensland Australia - forgotten indigenous community - the 'Drunk Tank' - pics by Brian Cassey - local Sonny Mick at his 'humpy'

Urandangi Queensland Australia - forgotten indigenous community - the 'Drunk Tank' - pics by Brian Cassey - local Sonny Mick at his 'humpy'