Stories | Brian Cassey Photographer Cairns Australia

Covid, Adani, Global Climate Catastrophe … CNN and Me …

September 27, 2020September 26, 2020

… great to be part of a massive Covid-19 story of global importance just published on CNN.

The story entitled ‘The One Chance We Have’ delves into the story of how … during the Covid-19 pandemic and the subsequent confusion and devastation of the global economy … fossil fuel producing countries are injecting taxpayer money into propping up polluting industries that are hastening an earlier climate catastrophe.

The story uses vignettes from four fossil fuel producing countries … Canada, Poland, Australia and India … to substantiate the premise that ‘The pandemic gave the world a golden opportunity to fix the climate crisis. We’re about to waste it.’

My work appears in the ‘India’ segment … and comprises six of the images I made just on a year ago in Chhattisgarh … set amongst a lengthy story (somewhat based on my original words but ‘updated’) on the destruction of the Hasdeo Arand forest and the Gond tribal population by Indian mining giant Adani hand in hand with Modi’s government.

My images and words from Chhattisgarh have previously been published in The Guardian (here and here), in Italian newspaper Corriere Della Sera (here) and elsewhere. Very gratifying to see the work picked up again.

I must stress that this current story on CNN is a great and incredibly important piece of journalism and is well worth a look (at the images) and a good long read. Please do … there is far too much in the story to go into here and the implications for the future of the planet are chilling.

I’m joined pictorially in the piece (in the ‘Australian’ section of the story) by Aussie based colleagues David Maurice Smith and Matthew Abbott. Hi Guys !

Thanks CNN for the important story and for using my work to help illustrate it. Thanks yet again to my fixer/friend Srienivas Akella from Mumbai … brilliant travelling with you.

Below … images (3 of my 6) © Brian Cassey … from the CNN story ‘The One Chance We Have’.

CNN story 'The One Chance We Have' on Covid-19 pandemic hastening a global climate catastrophe - images by Brian Cassey

TV, Radio … and More … !

July 9, 2020

An amazing couple of weeks …

It seems that the ‘Portrait of Humanity’ award and projection in ‘space’ of two of my pics hit ‘the spot’ with a variety of media … and I’ve spent some time on interviews with various TV, radio and other media outlets talking about it rather than making new images 🙂

First off the rank was ABC Far North correspondent Sharnie Kim who did a great job on her ‘Portrait of Humanity’ story for publication on the ABC web site at https://www.abc.net.au/news/2020-06-12/carol-mayer-photograph-shortlisted-in-portrait-of-humanity/12335282 . Sharnie not only went into the back story of my two selected images … ‘The Skin I’m In’ and ‘Ramnami’ … but also sourced several other ‘short listed’ pics from other photographers.

Didn’t take long for radio to get in on the act … Sarah Speller interviewed myself ‘live’ on ABC Breakfast Far North (at not the best time very early on a Saturday morn) … and then followed that with another recorded segment on her ‘Sarah’s Spot’ on Cairns Radio 4CA a few days later. If you fancy … here (below) are Sarah’s two radio interviews (roughly near six minutes each).

ABC Breakfast Far North – Radio Interview ‘Portrait of Humanity’ – 5.50

Sarah’s Spot – 4CA – Radio Interview ‘Portrait of Humanity’ – 5:52

The biggest buzz, however, was the piece on the top rating Channel Ten news program ‘The Project’. Really pleased that the program centred on the my amazing subject, burns survivor Carol Mayer, her strength and her story following the fire tragedy when she was a young mum. Lisa Wilkinson opened The Project’ with the news of the selection of my pic of Carol in the 2020 ‘Portrait of Humanity’ … and I later made a little cameo telling of how the pic came about and our relationship. Carol was amazing throughout the interview … and the comments at the end of the segment by show host Lisa Wilkinson were worth watching alone. The show featured a total of nine of my images of Carol … including, of course, the one chosen for ‘Portrait of Humanity’.

The show ran for 6:28 and can be watched here …

Carol Mayer on ‘The Project’

Whilst all this was going on I was also asked to be involved and interviewed for the State Library of Queensland’s ‘Behind the Lens’ series as part of their current exhibition ‘TWENTY – Two Decades of Queensland Photography’. Five of the many photographers who have contributed to SLQ’s headline exhibition were each asked to feature in a series of twenty minute interviews over the next few weeks … and mine was first off the rank. Had a nice long chat with SLQ’s Anna Thurgood … the piece of us chatting was also interspersed with my exhibition images made during Cyclones Winifred, Yasi, Larry, Ita and Ului … and the result was broadcast online last Thursday along with a Q&A. However, you can still catch the entire twenty minute interview here below (sadly without the Q&A) …

State Library of Queensland – ‘Behind the Lens’ – ‘TWENTY – Two Decades of Queensland Photography’

All the above audio and video files may also be played … along with many more from the past … on the ‘Play’ page of my web site at https://www.briancasseyphotographer.com/play

Now … back to work making more pictures 🙂

‘Black Lives Matter’ … Cairns …

July 31, 2023June 14, 2020

Eight minutes and 46 seconds … a length of time that will reverberate down history. George Floyd was killed by a police officer kneeling with all his weight on his neck for 8:46. Floyds death at the hands of this Minneapolis police officer sparked massive protests and demonstrations across America and around the World. The ‘Black Lives Matter’ and the ‘I Can’t Breath’ movement exploded across the divide of races and boundaries.

The movements brought the spotlight in Australia not only to Floyds death and the mounting death toll of African Americans at the hands of the US police … but also to the hideous numbers of Australian indigenous ‘deaths in custody’ … four hundred and thirty two since 1991.

On a Global scale last Sunday’s Cairns protest, against aboriginal deaths in custody and to show solidarity with the George Floyd protestors in the US, wasn’t Globally significant. However, to the people of Cairns … from all races and walks of life … it was worth risking Covid-19 to have their numerous voices heard.

The event in the centre of Cairns was all of … emotional, vociferous, passionate, meaningful and imperative. It was a pleasure to document despite the fact that I would rather it wasn’t necessary.

Below are a small selection of the images I made at the protest … a lot more may be found on my Instagram feed at … https://www.instagram.com/brian_cassey/

and my Facebook page at … https://www.facebook.com/brian.cassey1

Images © Brian Cassey

‘Pics in Space’ … Out of This World with ‘Portrait of Humanity’ …

July 31, 2023June 3, 2020

I mentioned a few weeks ago in a Facebook post that I had some exciting news that I couldn’t at the time reveal … I can now !

Announced last eve … the ‘Shortlisted’ images in the second edition of ‘Portrait of Humanity’ … a planet wide selection of the best photographic portraiture co-hosted by 1854 media (publisher of the British Journal of Photography) and Magnum. This project aims to create one of the most ‘far-reaching’ … literally in more ways than one … portrait photography exhibitions in history.

The two hundred ‘Shortlisted’ portraits will be exhibited in outer space … and then transmitted as code through the Universe for (possibly) eternity !

Portrait of Humanity organisers elaborate … “In the ultimate celebration of humankind and the home we share, Portrait of Humanity 2020 will be exhibited in Space. In a feat never before achieved with a photographic exhibition, 200 shortlisted images will be used to broadcast a message of peace and unity from humankind to infinity. Our partner, ‘Sent Into Space’, will launch a screen into the stratosphere with a 360° camera, so photographers can see their images displayed against the extraordinary backdrop of Space. The images will then be beamed onwards in binary code, travelling unimpeded through the solar system at the speed of light. These messages could continue on an infinite journey — or until another civilisation receives and decodes them.”

May seem like bit of a ‘stunt’ but it seems like pretty damn cool stunt to me.

The best bit is that they have selected TWO of my images to make the journey into the stratosphere and beyond … “Ramnami” (a portrait of tattooed Maherttar Ram Tandon in Chhattisgarh, India) … .. and … “The Skin I’m In” (a portrait of the wonderful Cairns burns survivor Carol Anne Mayer). The portrait of Carol has attracted lost of ‘interest’ previously, whilst it’s very rewarding to see the portrait of Maherttar receive it’s first recognition.

All the ‘shortlisted’ images have also been collected into a ‘Portrait of Humanity Volume 2’ book. If you are interested in this wonderful volume of the best photographic portraiture from around our planet you can order a copy from the British Journal of Photography book shop here … https://www.thebjpshop.com/product/portrait-of-humanity-vol-2/ . (Carol … I have one on order for you !).

Great to be part of this exciting ‘out of this World’ initiative by 1854 Media and the British Journal of Photography … as was being selected in the shortlist of the inaugural ‘Portrait of Humanity’ collection back in 2019.

Images © Brian Cassey (@BJPhoto)

Portrait of Humanity - 'The Skin I'm In' - shortlisted - by Brian Cassey

Three … Percival Photographic Portrait Prize

July 31, 2023May 26, 2020

Really pleased to have three portraits selected, physically printed, framed and hung on the walls of the Perc Tucker Gallery in Townsville … finalists in the biennial ‘2020 Percival Photographic Portrait Prize’ … but … strangely no one is allowed to see them there !

Due to the Covid-19 virus the gallery is still firmly closed. The gallery is hoping that they will be able to open after Queensland’s Stage 2 round of restriction lifting on the 12th June, but that is far from certain. The exhibition runs until 19th July.

In the meantime will have to make do with a ‘virtual tour’ of the work as hung in the cavernous Perc Tucker Gallery. The photographic portraits are mixed on the walls with the generally larger works of the portrait painting prize … so finding specific works is ‘virtually’ problematic. Not a fan of the mixture of painting works and photographic images sharing the walls that’s for sure. Many … if not most … of the photographic works are dwarfed by massive (sometimes gaudy) paintings … but it is nice knowing they are ‘there’.

To save you searching ‘virtually’ … here are my three works that made the cut … ‘Generations – Aurukun’, (bottom) ‘Tomotaro on the Block’ (centre) … and great to see it getting it’s first recognition … ‘Kate … Waiting For Her New Breasts’ (top). (Massive Thanks again Kate !) Both ‘Generations … ‘ and ‘Tomotaro … ‘ have received a lot of recognition previously … just check back through my blog or go to my ‘Awards’ page here.

If you are up for the challenge and would like to attempt see the works that make up the combined Percival exhibitions try here … https://www.townsville.qld.gov.au/facilities-and-recreation/theatres-and-galleries/perc-tucker-regional-gallery/percival-portrait-painting-prize#top … best of luck.

Images © Brian Cassey

'Kate - Waiting For Her New Breasts' - Finalist - Percival Photographic Portrait Prize 2020 - image by Brian Cassey 'Tomotaro on the Block' - Finalist - Percival Photographic Portrait Prize 2020 - image by Brian Cassey 'Generations - Aurukun' - Finalist - Percival Photographic Portrait Prize 2020 - image by Brian Cassey

Fiji Coup d’État … May – August 2000

May 26, 2020May 25, 2020

May 19th 2000 … twenty years ago George Speight and armed rebels took 36 Fijian Members of Parliament hostage in the parliamentary complex in Suva, Fiji.

So began a months long saga covering Speights Fiji coup d’état for Associated Press of America (AP).

Speight held the parliamentarians, including Fijian-Indian Prime Minister Mahendra Chaudhry and seven cabinet ministers, hostage for fifty six days. President Ratu Sir Kamisese Mara was another casualty … forced to resign early into the coup and effectively replaced by a military government controlled by Commodore Frank Bainimarama … his first taste of leadership power.

Covering the coup was a rollercoaster. Access to major stories was relatively easy. We were often allowed inside the Parliament House complex where Speight held court with M-16 armed rebels (just yards from the hostages), whilst Bainimarama enthusiastically staged personal media events. Armed skirmishes were pretty frequent. Many Fijian Indians suffered racially inspired attacks. Managed twice to get myself ‘detained’ by armed rebels … but that’s another couple of stories involving rebels and a US seafood cannery at Levuka and rebels holding hostages at Korovou.

Bainimarama agreed and signed a peace accord with Speight on July 9th , PM Chaudhry and the hostages were released by Speight on July 13th … and then July 27th Bainimarama ‘did the dirty’ on Speight, had him arrested and eventually charged and convicted of treason.

The media contingent covering the coup were fantastic … looking after each others backs and keeping each other ‘informed’ was the norm. (We had ‘curfew passes’ from both the rebels and the military … was a good idea to remember which pass was in which pocket when out and about tormenting troops and rebels of an evening 🙂 ). I owe a huge debt of gratitude to the late and great AP photographer and Pic Ed of the time … Russell McPhedran … who sent me on two tours to cover the coup.

Twenty died during the coup upheaval. Speight remains incarcerated for life. Bainimarama still runs Fiji …

That’s it in a nutshell …

Here are just some of many Images I made and filed during the several weeks covering the coup twenty years ago … All images © Brian Cassey (from top) … A Speight rebel bars entry to Korovou where military and police hostages were being held … George Speight arrives to sign the peace accord. Two weeks later he was arrested accused of treason … Fijian Indians at their house torched in a racist attack … Fijian troops off to round up rebels after Speights arrest … Fijians pray for peace at a rally during the coup … A Speight rebel patrols the parliamentary complex where hostages were being held.

Fiji Coup May - August 2000 - Images © by Brian Cassey

Adani and Gond Images in ‘Corriere Della Sera’ Covid-19 story…

July 10, 2023May 25, 2020

Great to see that my images made in Chhattisgarh, India last year have been given another breath of life to illustrate a Covid-19 related story just published in both the print and online editions of the venerable Italian newspaper ‘Corriere Della Sera’.

I originally made the images and wrote the words around mining giant Adani’s destruction of large areas of the Hasdeo Arand forest in the state of Chhattisgarh, India … and ousting the original Gond tribal peoples from their ancient forest homelands. Two articles were originally published in ‘The Guardian’ … here … and here … and on my blog at … https://www.briancasseyphotographer.com/blog/publications/2020/02/adani-and-the-gond/

However, ‘Corriere Della Sera’ updated the story to be more appropriate for the strange Coronavirus times we are now living in. Six months makes a monumental difference. Their story entitled ‘Mines or solar energy: the pandemic accelerates the dilemma of the giant India’ … centres on the premise that the onslaught of Covid-19 in India has began a perceived shift away from traditional coal for power production towards solar power. India’s top twenty ‘think tanks’ have together lobbied Modi’s Indian government to utilise solar panels to power the massive rural areas and populations of the sub-continent in place of coal. The plight of the Gond peoples in the Hasdeo Arand forest and their battle against mining giant Adani (based on my original story) are central to their argument.

Obviously Corriere Della Sera’s story is in Italian … and it may be found here … and in scans of pages 12, 13 and 14 of the paper here below. A Google ‘translation’ into English is a little hard to fathom but makes much more sense to me than the Italian: -) … find it here.

Images X 8 © Brian Cassey (all except the solar power image) … publication © Corriere Della Sera, Milan, Italy

Corriere Della Sera - Adani, Gond Peoples and Hasdeo Arand Forest story - images by Brian Cassey

The ABC Story on ‘Paper Tigers’ …

May 28, 2020May 25, 2020

A great piece by ABC journalist Teresa Tan on the ‘Paper Tigers’ project curated by Moshe Rosenzveig and ‘yours truly’ … and one of the highlights of the just completed 2020 ‘Head On Photo Festival’.

Teresa interviewed six of the sixty photojournalists who are participating in ‘Paper Tigers’ … an anthology of contemporary Australian photojournalism. The published piece delved into the personal back story of the images that each of the six had selected for inclusion in the exhibition and a ‘Paper Tigers’ book that is sure to become a sort after volume. The subject matter captured by each of the six was diverse and the stories of how these images came about extremely illuminating. The six photojournalists whose work is analysed in the ABC article are Tracey Nearmy, Nick Moir, Craig Greenhill, Eddie Safarik, Rob Maccoll … and unashamedly … myself :-). Teresa’s story is available here … https://www.abc.net.au/news/2020-05-17/photojournalism-australian-photographers-share-stories/12247936?fbclid=IwAR2wYuO2fPf9ry0Fb57x5MPBsk95MoLhEcoIoKFHmZA79RpQUGIhePfxgv8

The Guardian also did a fine job highlighting ‘Paper Tigers’ at Head On showcasing the work of Martine Perret, Jaime Murcia, Andrew Chapman, Nic Walker, Michael Coyne, Penny Stevens, Tracey Nearmy, Meredith O’Shea, Glenn Lockitch, Eddie Safarik, Ashley Crowther, Janie Barrett, Jessica Hromas, Delly Carr, Dean Lewins and Alex Coppel. It can be found here … https://www.theguardian.com/artanddesign/gallery/2020/may/01/paper-tigers-exhibition-australias-contemporary-photojournalists-in-pictures

You can find more details about the origins of the ‘Paper Tigers’ idea and how it evolved on a previous post on this blog at … https://www.briancasseyphotographer.com/blog/exhibitions/2020/05/paper-tigers-strippers-head-on-photo-festival/ … which also lists all sixty photojournalists participating in the project.

The ‘Paper Tigers’ exhibition can be found on the Head On Photo Festival site at … https://www.headon.com.au/exhibitions/paper-tigers … the Limited Edition book ‘Paper Tigers’ can be purchased from the Head On site at … https://www.headon.com.au/product/paper-tigers-book

Sadly, the physical exhibition of the work at Paddington Town Hall has had to be postponed … however, it is now planned to have the sixty works on the walls in Paddo in early November. Stay tuned on that one …

Paper Tigers, Strippers … & Head On Photo Festival

July 31, 2023May 15, 2020

… it started with a germ of an idea and took nigh on a year to come to fruition … but “Paper Tigers – an Anthology of Contemporary Australian Photojournalism” is now very much a reality as an exhibition and a book.

My initial idea of a print swap of work between Australia’s talented photojournalists morphed into something much grander after a long chat with Head On Photo Festival director Moshe Rosenzveig OAM.

Moshe enthusiastically grasped the implications of the project … the like of which he confessed had been close to his heart for some years. Our combined plan grew into a featured exhibition of the work of Australia’s media photographers at Paddington Town Hall during this years Head On Photo Festival, a book of the exhibition and an exhibition ‘event’ for photographers to meet, admire their work and swap prints.

So began the task of ‘mustering’ Australia’s talented photojournalists … an ‘interesting’ exercise to invite, confirm participation and collate the collection of work … one image from each. In the end we had to draw a line at sixty.

The list is exceedingly impressive … in alphabetical order … Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob McColl, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz, Tracey Nearmy.

When it comes to media photographers Australia is, indeed, a ‘Lucky Country’.

Then … along came Covid-19 …

It has long amazed me how the tiny Head On team (currently Moshe, partner Anita Schwartz, Stephen, Anna and Paula) manage to put together the far reaching and monumental photo festival that it has become. It enjoys and includes contributions and entries from the best around the planet … and a World wide reputation. For a moment Coronavirus threatened all that …

However, Moshe was not fazed … and the massive work of converting the entire festival to an ‘online’ event began. That online event has now been underway for two weeks … and has been revolutionary in it’s presentation of exhibitions, artist talks, panel talks, photo related workshops, award announcements and more.

Paper Tigers has played a significant part in this Head On festival. The exhibition is available … all sixty works by sixty photojournalists … online (a simple registration required), the book ‘Paper Tigers’ (see my book image ‘Abdullatif’ top below) is now available for purchase on the website … and Head On hosted a fascinating online panel talk around the work and Australian photojournalism. It is planned to still show the physical exhibition of the complete work on the walls and host the photographers ‘do’ and print swap at Paddington Town Hall early in November (hopefully post Covid).

Below are just two of the sixty wonderful images that make up the ‘Paper Tigers’ collection. Dean Sewell’s ‘Bruce’ from 1999 and Nic Walker’s ‘Rite of Passage’ from 2014. The other 58 are just as impressive.

Amongst the massive amount of brilliant photography on line in this years festival I was also pleased to present my own little ‘featured’ exhibition. “Me Too ! Where the Boys Are … the Girls Are” showcases my work covering the MenX burlesque group during their tour to Cairns whilst being filmed for a Vice TV show. It shows the interaction between the guys who are performing and doing a job (without much in the way of clothing) and the young female audience who willingly participate. The exhibition may be found online on the Head On website (again with a simple registration) … and I did mange to stumble through an online ‘artist talk’ on the subject for those brave enough or with time to waste 🙂 . (NB – link to recorded ‘artist talks’ will be down the track.) Two of my images from the exhibition (which also should be physically on the wall in November) are below.

Lastly … was also pleased to see one of my most successful images … ‘Generations – Aurukun’ (yes … you’ve probably seen it before but it’s (bottom) below anyway 🙂 ) … selected as a semi-finalist in this festivals Portrait Prize. It’s also included in the Portrait Prize video here at the 1:18 mark.

The Head On Photo Festival 2020 has just a few days left to run. If you havn’t visited yet and you have any interest in photography at all I strongly suggest you visit and enjoy. Moshe, Anita, Anna, Stephen and Paula have done a remarkable job.

Images © … Brian Cassey & Head On (top), Dean Sewell, Nic Walker and Brian Cassey (bottom three).

@headonphotofestival

Head On - Paper Tigers Book - 'The Block' - image by Dean Sewell - Oculi

Head On - Paper Tigers - Book - image by Nic Walker

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On Portrait Prize - Semi-Finalist - 'Generations - Aurukun' - by Brian Cassey

Dahi Handi & Australian Photography Magazine …

July 31, 2023March 5, 2020

It’s taken a while to happen … but finally very pleased to see a double page spread in the latest edition of Australian Photography magazine showcasing an image I made at a Hindu Dahi Handi event in Mumbai … and my story of how this image came about.

The pic was made back in September ’18 on a working visit to Mumbai which coincided with the annual festival of Krishna Janmashtami … one of the most important festivals in India which celebrates the birth anniversary of Lord Krishna, one of the most widely revered gods of Hinduism.

At once a religious celebration and a sport (it was classified by the government as an adventure sport in 2014), Dahi Handi is performed the day after Lord Krishna’s birthday every year on what seems like almost every street in the Indian state of Maharashtra. Teams of up to a hundred young ‘Govindas’ form human pyramids in an attempt to reach and smash a pot … the ‘Handi’ … filled with yoghurt and suspended tens of metres above them. The event is based on the legend that a baby Lord Krishna used creative ways to steal milky treats which were supposedly hung high out of reach.

Two India based good friends … S Anand Singh from Varanasi and Mumbai based former pic ed Srienivas Akella … thankfully joined me as we navigated Mumbai’s manic rail system across town to one of the best Dahi Handi venues. The pyramid building (bottom image) was breathtaking and not without incident … but I kept coming back to an image I made of a ritual performed by one of the teams. One of the Mumbai media photographers passed on a tip to watch out for this ritual performance of togetherness and team work before commencement of their pyramid build. The image was made from the fourth floor balcony of an adjoining residential block. Many teams around the surrounding streets got into serious pyramid building and pot smashing … but only one team seemed to perform this ritual.

The full story and the image itself across the fold can be seen in the Australian Photography March edition available at newsagents across the land … (or you may be able to just about make out the words on the magazine pages grab below 🙂 )

My Thanks to Australian Photography editor Mike O’Connor for the run.

Images © Brian Cassey, & publication Australian Photography magazine

Image of Dahi Handi in Mumbai published Australian Photography magazine - 'Behind the Lens' ... image by Brian Cassey

Dahi Handi - Hindu festival image made in Mumbai by Brian Cassey, Cairns Australia based photographer

Kate … “I Deserve to Feel Like a Whole Woman” …

July 31, 2023February 29, 2020

We’d like to think otherwise but In all honesty it’s pretty rare that our work in the media actually makes a substantial ‘difference’.

Every now and then something comes along to restore your faith in the role of the media … and reminds us why we work in this ‘game’.

A couple of weeks ago I was asked to take images of ‘Kate’ … studio shots showing her character and the scars that have been part of her life since a double mastectomy following a breast cancer diagnosis years ago. The Sunday Mail have been going hard on a campaign to reduce hospital waiting times for surgery in Queensland hospitals … and Kate Yeoman is a prime example.

Kate is one of dozens who have been on hospital waiting lists for breast reconstruction surgery for many years. She was diagnosed with rare Tubular Carcinoma cancer eight years ago and endured a double mastectomy. She was advised that breast reconstruction would be implemented at the same time. It wasn’t and she is still waiting …

I made this image (below) in a friends little (private) studio … it featured across page 1 of the Sunday Mail with the head ‘Forgotten Women’ and Kate’s tale by journalists Jackie Sinnerton and Natasha Bita. Kate’s story spread to two more inside pages where it expanded to include narrative from three other women in a similar situation. The story and images have since spread around Australia.

The reaction by readers and the Queensland Government was immediate. The Queensland Health Minister Steven Miles said he was “personally moved” by the Sunday Mail image and story on Kate’s plight and the other women’s stories. “My heart breaks reading the very personal stories of women affected by breast cancer,” Mr Miles said. “I’ve asked for Cairns Hospital to meet with these patients to ensure they receive their surgery as soon as clinically possible.”

Miles has now arranged for twenty four Cairns women with long standing issues to receive their required surgery in Brisbane … whilst Kate will have surgery in Cairns on 2nd of April to reconstruct the breasts she has been without for a too long eight years.

It gets better … in news just to hand (Saturday 29th Feb) the Queensland Government has announced that it will open operating theatres on weekends to ease patient wait lists and will pump in $20 million to do so and to implement other strategies.

Kate … who deserves a bloody medal for her magnificent courage and fortitude … is over the moon.

Kate today said “I am sitting in Kmart crying tears of joy. This is life changing for so many. Thank you to everyone who has recognised the importance of this, Sunday Mail, both sides of government and the public who have reached out after my very personal exposure. My mum was right, I shouldn’t have to go such extraordinary lengths to get this issue some attention, but I am so proud of what has been achieved. The impact of long waits can be devastating and this much needed funding injection will change and perhaps even save lives. Let’s hope this also creates a change in policy and that reconstruction is recognised as an important part of the treatment plan for breast cancer patients in Queensland.”

It gives you goosebumps … and I’m so pleased to be a tiny part of a triumph for Kate and many other Cairns women.

Images © Brian Cassey and Sunday Mail (slightly differing images of Kate) (below)

Kate yeoman awaits breast reconstruction surgery following breast cancer diagnoses - image by Brian Cassey

Kate Yeoman awaits breast reconstruction surgery following breast cancer diagnoses - image by Brian Cassey - page 1 Sunday Mail

The Real Bali … and Arthur Fleischmann …

July 31, 2023December 29, 2019

A real pleasure to spend some time in a beautiful barely untouched part of Bali, far away (well, about an hour and a half) from ‘tourist central’.

The Sidemen Valley adjacent to the village of the same name in East Bali is akin to stepping back several decades to earlier times when Bali was an unmarred spiritual paradise. Rice paddies are liberally strewn through the lush fertile valley dominated at the end by views of dramatic volcanic Gunung Agung. It’s bloody gorgeous …

I recently became aware of the impressive Balinese 1930’s photography work of Slovak born photographer/sculptor Arthur Fleischmann. Whilst at Sidemen I made this atmospheric image … “Homage to Arthur Fleischmann – Diah” (top below) … as a tribute and an attempt to echo Fleischmann’s Balinese work of that era.

Fleischmann arrived in Bali by boat in 1937 and set about documenting Balinese life. In particular he turned his camera to what he saw as the everyday heroics of Balinese women in agrarian life and at harvest … “their labour under the heat of a searing sun celebrated and immortalised”. Three of Arthurs many images can be found bottom below.

His Balinese photography collection is best found in the large book “Bali in the 1930’s” (if you can find it!)

The outbreak of WWII led to his departure from Bali to a new life in Sydney where he become a member of Australia’s Merioola artist commune. In 1949 he left for London where he lived the rest of his life till his death in 1990 at the age of 94. His last sculptural work … “Tribute to the Discovery of DNA” … stands in the NSW State Library, Sydney.

I am very grateful for the help of loverly local talent Diah Antari, my driver Suyasa and the rest of the so helpful staff at the beautiful Wapa di Ume hotel in the Sidemen Valley … so very much appreciated !

(The other real bonus being in Bali again … the chance to once again stay at my very ‘favouritist’ hotel … the sublime Tandjung Sari at Sanur. Owned by the Wawo-Runtu family since it’s beginnings in 1962, Tandjung Sari is a peaceful oasis on the Sanur waterfront … a place that fosters Balinese arts and lifestyle above all else. Once a haven for rock stars and royalty it has matured with grace over the decades. Nothing much has changed … and nor does it need to … since my first of many visits over twenty years ago.)

Image “Homage to Arthur Fleischmann – Diah” (top) © Brian Cassey, Images x 3 (bottom) © Arthur Fleischmann

"Homage to Arthur Fleischmann" - image © by Brian Cassey - made of Diah Antari in the Sidemen Valley East Bali

The work of Arthur Fleischmann in Bali 1930's - compilation by Brian Cassey

Happenings in Perth, India … and the UK …

July 31, 2023November 14, 2019

A lot of ‘goings on’ recently with exhibition openings in Perth, a rewarding ‘road trip’ in India, a bit of recognition from ‘Budapest’ … and an image on the walls at the Royal Photographic Society in England.

Travelled to Perth (and Fremantle) last month for two exhibition openings at two events … the ‘Fremantle International Portrait Prize’ (FIPP) one week and the ‘IRIS Portrait Awards’ at the Perth Centre for Photography the next.

Satisfyingly, both included personal works … ‘Tomotaro on the Block’ and ‘Generations- Aurukun’ in the ‘FIPP’ … and just ‘Generations – Aurukun’ in the ‘IRIS’. Both great opening eves … first time for me in the ‘IRIS’ collection, but third time in the mix for the ‘FIPP’. Nice also to have a good opportunity to spend a little time in the West and catch up with photographer colleagues Richard Wainwright, Roger Garwood, Johannes Reinhart, Peter Ramshaw and Justin Ma… and also sparkling Nikon rep Julie Kimpton.

From Perth it was four flights to Mumbai (including a quick overnight stopover in Little India Singapore) where I met up with friend and former photo editor at the Indian Express, director of Solaris Images … and all round good bloke Srienivas Akella. ‘Srini’ had organised flights for the two of us to Raipur in the state of Chhattisgarh where I had identified one story in particular that I was keen to work on.

Srini has extensive knowledge of his home country and had also searched out a few other possible pic stories to fill any ‘blanks’ in covering my main objective. As it turned out we managed three stories over six days … my main story (which stretched over three days and involved twenty four hours of driving through Chhattisgarh – all will be revealed when the story and pics are placed and published) … pics of two (apparently of five) of the surviving full body tattooed ‘Ramnami’ – a low caste sect that once endured having the name of their god Rama etched over their entire bodies … and a continuation of my earlier ‘Typewriter Wallahs’ pic essay (this time in the city of Raipur) on the men (and woman) of India who persist in working with (and repairing) ancient manual typewriters.

The weeks work culminated back in Mumbai on a big Diwali celebration night of fireworks, colour and food with Srini, his family and his very pleasant community. Thanks Srini !

Also received great news … an email from ‘Portrait Salon’ stating … “Dear Brian, We are delighted to tell you that our judge, Peter Dench, has selected the attached image (‘Tomotaro on the Block’ … yeah that one again) to be included in this year’s Portrait Salon selection. This year, ‘Portrait Salon’ will be exhibited at the Royal Photographic Society in Bristol, from 21 – 28 November. It will then travel up to Harrogate to be part of the Photo North Festival, from 30 November – 2 December. The images will be presented both as a slideshow, and in print.”

Of course … I am stoked …

UK based ‘Portrait Salon’ is a sort of a ‘Salon des Refusés’ and solicits work that doesn’t make the winners cut of the monumental National Portrait Gallery (London) ‘Taylor Wessing Photographic Portrait Prize’ each year. Now in it’s 9th annual edition ‘Portrait Salon’ arguably shows more interesting work than the ‘Taylor Wessing’.

‘Tomotaro’ certainly has been good for me … as well as the ‘Portrait Salon’ and ‘FIPP’ mentioned above, it has also been recognised in the Tokyo International Foto Awards (TIFA), the Moscow International Foto Awards (MIFA), The Australian Photography Awards (APA) and the 12th International Color Awards.

Not far behind, ‘Generations – Aurukun’ has featured in the ‘IRIS’ and ‘FIPP’ mentioned and also the 2019 Portrait of Humanity and The Australian Photography Awards (APA).

Also at the end of October both of these images were announced ‘Winners’ in their respective categories (Editorial Sports and People) in the inaugural 2019 Budapest International Foto Awards (BIFA). Nice news to arrive home in Cairns to …

Images below © Brian Cassey … as follows from top … ‘Ramnami’ Maherttar Ram Tandon at his home in Churella Village, Chhattisgarh, India. Maherttar is covered all over his body with tattoos repeating the name of his God Rama … D. N. Verma amongst old manual typewriters that he is repairing at his Chhattisgarh Typewriter Works company in Raipur … my ‘Generations – Aurukun’ work at the ‘IRIS Awards‘, Perth Centre for Photography … ‘Tomotaro on the Block’ on the wall of the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle (the same pic as selected for the ‘Portrait Salon’ in the UK’) … ‘Generations – Aurukun’ at the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle.

'Ramnami' from Chhattisgarh, India - image © by Brian Cassey

D. N. Verma - typewriter technician and owner of Chhattisgarh Typewriter Works in Raipur, Chhattisgarh, India - image © Brian Cassey

Image 'Generations - Aurukun' - finalist IRIS Awards, Perth Centre for Photography - © by Brian Cassey

'Tomotaro on the Block' 0 Fremantle International Portrait Prize (FIPP) - Finalist © Brian Cassey

'Generations - Aurukun' - Fremantle International Portrait Prize (FIPP) - Finalist © Brian Cassey

A Portrait ‘Treble’ at the Australian Photography Awards …

October 1, 2019September 30, 2019

At the risk of sounding monotonous and repetitive … my apologies for once again featuring these three of my portrait images … but …

… all three have just been selected as ‘Honourable Mention’ Finalists in the Portrait category of the 2019 ‘Australian Photography Awards’ … pretty gratified with that.

Each of the three images have been really good for me … previously and variously being ‘mentioned in dispatches’ in the ‘Portrait of Humanity 2019’, ‘Moscow International Foto Awards’, ‘Tokyo International Foto Awards’, ‘Head On Portrait Prize’, ’12th International Color Awards’ … and the soon to be officially opened ‘Fremantle International Portrait Prize’ and ‘IRIS Portrait Prize’ in Western Australia.

Below are the three … “Generations Aurukun” featuring Aurukun elders Silas and Rebecca Wolmby with their twin great grand children … “Tomotaro on the Block’ of Japanese paralympic swimmer Tomotaro Nakamura at the 2018 Pan Pacific Para Games in Cairns … and “Victim of Sorcery – Dorcas” of ‘Sanguma’ (sorcery) victim Dorcas Numbi Nunugi recovering from a near fatal attack at a ‘safe house’ in Goroka, Papua New Guinea.

The ‘Australian Photography Awards’ exhibition opens at Sun Studios Melbourne on October 12th and runs until October 20th. Sadly, will miss the opening as have already committed to the ‘FIPP’ exhibition event in Fremantle on the same day.

Promise that I’ll soon shut up about these three pics … and concentrate on producing some new work 😉 .

Images © Brian Cassey

Three Honourable Mentions in Portrait Category of the Australian Photography Awards 2019 by Brian Cassey

Cairns School Climate Strike in South Korea …

July 31, 2023September 11, 2019

Last Friday school children around the planet once again took to the streets in their millions to protest against their respective governments refusal to instigate meaningful plans to combat the effects of climate change … and save the only home we have from possible extinction.

The ‘Global Youth Strike for Climate Action’ was the second World wide youth strike this year … and numbers this time far out-numbered the earlier event in March. I covered both events in Cairns for the Everyday Climate Change Global Instagram feed ( @everydayclimatechange ) which now has around a hundred and forty thousand followers.

At a (well timed) event in the city of Seongnam in South Korea the day before last Friday’s youth marches, an exhibition officially opened on the same subject of climate change … and it features my images made at the March climate action protests by school students in Cairns.

I was invited to participate (the only oversees exhibitor) in the exhibition ‘Every Day for Tomorrow’ … ‘ 내일을 위한 매일 ‘ … by event organiser and artist Yoa Eunkyung K, alongside three other South Korean artists with a variety of works and messages.

Hoseob Yoon ( 윤호섭 ) is an environmental activist and creative designer … the most well known artist working on environmental issues in South Korea.

Jeeyoung Lee ( 이지영 ) is a visual artist dedicated to spreading the word on climate change to the children of South Korea.

Joo Yangseob is a graphic artist who produces posters on the subject of climate change and social injustice.

Exhibition co-ordinator Yoa ( 좋아은경 ) uses wire in creative ways to make statements in her artworks.

So … it was a distinct pleasure to be asked to participate alongside such talent … and help showcase the plight of our planet to South Koreans. According to Yoa the subject of climate change is not a big issue in South Korea so it is gratifying to think the my images of Cairns school children may make a difference. The event was also an opportunity to showcase the work of our talented bunch of @everydayclimatechange photographers.

Below is the poster (top and bottom) for the exhibition which runs until the 27th October at the majestic Pangyo Eco Center in Seongnam … and just two of my images (© Brian Cassey) which grace the gallery wall made at the March schools climate action rally in Cairns.

Oh yes … apparently … my name in Korean is … ‘ 브라이언 캐시 ‘ … it’s on the poster (top) ! (at least I hope that’s what it says !).

Tsunami at the Opera …

June 13, 2019June 13, 2019

It never falls to amaze me where (and when) my images turn up in a publication or find another airing.

A couple of months ago I received an email from the most unlikely source … Opera de Lyon in France … who requested the use of an image of mine made way back in January 2005 during the tsunami disaster aftermath in Banda Aceh, Indonesia. They requested a licence to use the pic in their material promoting and supporting this years opera season “I Was Looking at the Ceiling and Then I Saw the Sky” … and they nicely offered (without persuasion) to pay rather royally for the privilege.

The photo was made amongst the rubble of the unspeakable disaster that was Banda Aceh after the 2004 Boxing Day tsunami. It certainly wasn’t the best, the most dramatic or most memorable image that I made covering that massive disaster in Thailand, Myanmar or Indonesia … but it was this specific photo that Opera De Lyon requested to adorn their seasons brochure 2019/20, web site, promotional material and The Theatre de la Croix Rousse opera program. Who am I to argue …

i wasn’t on my own to be selected to have an image grace this years Opera de Lyon season material. They also selected work from highly regarded photojournalists … Bangladesh born Washington DC based photographer Andrew Biraj … and Paris based PJ Véronique de Viguerie.

Opera de Lyon’s rationale for the use of the images was quoted as … “The vitality of opera today – and its relevance – lies essentially in its ability to decipher and to see the world, the world of yesterday and the world of today. Great works and great shows open windows on our time and our news. We wish to present photos that illustrate and counterpoint the works of the program; images that expand and enrich the perception we can have of these operas, and come to open our reflection to the wider world”. So there …

First … but hopefully not the last … time that my images made it to the ‘Opera’. 🙂

Image © Brian Cassey 2005 for Opera de Lyon 2019 … top from the Opera de Lyon web site … below from the Opera de Lyon seasons program for “I was Looking at the Ceiling and Then I Saw the Sky”. Sadly both suffered from clumsy cropping.

Opera de Lyon - 'I was Looking at the Ceiling and Then I Saw the Sky' - image by Brian Cassey made in the aftermath of the 2004 Boxing Day tsunami in Banda Aceh, Indonesia

Moscow, Moscow …

August 1, 2023May 25, 2019

MIFA - Moscow International Foto Awards - Winner Editorial Sport - 'Tomotaro on the Block' - image by Brian Cassey

… Thanks to a congratulatory Facebook post from AP photographer and mate Mark ‘Crusty’ Baker, I learnt that my image “Tomotaro on the Block” has been announced as Second Place (Silver) Winner in the ‘Editorial Sport’ category of the 2019 Moscow International Foto Awards (MIFA) … and will be shown at the Moscow Photocenter, Gogolevsky Boulevard, 8 Moscow (119019, г.Москва, Гоголевский бульвар, д.8) from the opening event on 19th June to the 24th June. (The original notification from ‘MIFA’ ended up in my ‘Junk’ folder … Thanks Crusty!)

Sadly … as much as I’d like to … I can’t make it to Moscow to see it and the other winners on show. (unless someone out there feels inclined to donate a return airfare 😉 ! … NB … I haven’t yet visited Moscow !)

As I bit of compensation, however, it turns out that I also received a ‘Highly Commended’ for another of my images … “Victims of Sorcery – Dorcas” in the ‘Editorial Conflict’ category … a combined result that almost mirrors that of a few months ago in the 2019 Tokyo International Foto Awards (see post ‘Two Up in TIFA’ here). Gratified that both these images have so far picked up several accolades between them.

The image of Tomotaro was made whilst covering the Pan Pacific Para Swim Games in Cairns (for the Canadian swim team) … whilst the image of Dorcas was made whilst working on a story on sorcery and witchcraft in Papua New Guinea for News Ltd’s News 360.

Below … the two awarded images from the “Moscow International Foto Awards” web site (click on each to take you to the full web site page) … Images © Brian Cassey

Portrait of Humanity …

August 1, 2023May 9, 2019

… very, very, very pleased to learn that one of my lesser known images has been selected for the ‘Shortlist’ of the massive and prestigious “Portrait of Humanity” World Wide portrait photography project and exhibition … and will be published in the hard cover book collection of the same name.

The grand stated aim of “Portrait of Humanity” … a collaboration between Magnum Photos and 1854 Media (the publishers of the ‘British Journal of Photography’) … is to “create one of the greatest collaborative photography exhibitions in history”. The 200 short listed images from all around the planet were chosen for their “expressions of individuality, community and unity”.

Photographers were initially asked to document “the universal expressions of life … laughter, courage, moments of reflection, journeys to work, first hellos, last goodbyes, and everything in between.” Tens of thousands of submissions came from every corner of the globe.

In news released this week “Portraits of Humanity” said that “Together the winning and shortlisted images create a powerful and diverse Portrait of Humanity. Fifty photographs will tour the world as part as an exhibition and 200 images will be featured soon in a 322 page volume published by Hoxton Mini Press”. (My image graces page 272.)

(Sadly there was only one other Australian based photographer amongst the two hundred selected … indigenous photographer Wayne Quilliam with his image from the Tiwi Islands.)

The selection of my work … of Aurukun indigenous elders Silas and Rebecca Wolmby with their twin great grand children Shalona and Keola and entitled “Generations” … was a very pleasant surprise.

I’ve photographed Silas and Rebecca in Aurukun many times over the decades … they have always been wonderfully polite and obliging and they were a voice of sanity in their ‘unsettled’ remote Cape York community. Sadly Silas died recently and Shalona and Keola will be unlikely to grow up with a memory of their respected great grandfather.

As a ‘short lister’ I receive a copy of the “Portrait of Humanity” book filled with truly wonderful portraiture. If you wish to invest in this great collection you can do so here at the Hoxton Mini Press web site.

Image of Silas and Rebecca (top) ©Brian Cassey … and book publication (below … mine is on the left page 🙂 ) is ©1854 Media & Hoxton Mini Press

"Portraits of Humanity" - International Portrait Photography Project 2019 - Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby - Image by Brian Cassey, Cairns

‘The Mountain of Death’ … at the Moran Prize …

April 9, 2019April 9, 2019

It wasn’t the image that I would have anticipated to make the ‘Finalist’ selection of Australia’s richest photographic prize … (‘landscape’ isn’t my usual ‘thing’) … but … Thanks Moran … a loverly surprise and I’m more than happy to accept it 🙂 .

“Rain Over Black Mountain” was last week selected (from a field of over three thousand) as one of thirty ‘Finalist’ images to be exhibited in the Moran Contemporary Photographic Prize 2019 at Juniper Hall, Paddington, Sydney … and vie for the first prize winners purse of $50K.

The image was made during a short late afternoon Cessna Caravan flight last May from Cairns to Cooktown on my way to a work assignment for Good to Great Schools in Hopevale. Black Mountain … known to Aborigines as “Kalkajaka” or loosely translated “Mountain of Death” … lies just south of the Cooktown township. (I toyed with a title for the image as “Rain Over the Mountain of Death” but that seemed somewhat overly dramatic 🙂 ).

A local aboriginal belief is that the black granite monolith is the result of the explosion when a chameleon like medicine man who had a taste for human flesh was struck by lightning leaving a massive pile of charred black rock. Aboriginals, apparently, don’t go there amid fears that those who do will not return … and there is evidence to support their apprehensions. It is said that the mountain has swallowed up prospectors, criminals on the run, policemen, native hikers, an entire Aboriginal tribe and a herd of cattle … and there are old records that seem to confirm some of those incidents. Whatever the truth Black Mountain is a dark foreboding place.

“Rain Over Black Mountain” was one of two images entered into this years Moran … and my fourth time as a Moran prize finalist. I initially thought my second entered work this year … “Tomotaro on the Block” … was more of a finals contender but it only made it as far as the semi finalist selection. However, in retrospect and despite being made in Cairns, it may be said that ‘Tomotaro on the Block” does lack some ‘Australian-ness-ness’ in an award that celebrates what it is that is ‘quintessentially Australian’. (‘Tomotaro’ has already picked up it’s fair share of accolades … here, here & here.)

The Moran Contemporary Photographic Prize exhibition runs from the 4th May to 2nd June (as part of the ‘Head On Photo Festival’) … with the winners announcement and exhibition ‘opening’ on the 7th May. Expecting a great eve and an excellent opportunity to catch up with several friends/colleagues who have also been selected in the ‘Finalist’ mix. ( #MoranPrizes )

Moran Contemporary Photographic Prize Finalist 2019 - 'Rain Over Black Mountain' - image by Brian Cassey of Black Mountain near Cooktown far north Queensland.

Ten Pages in ‘Australian Photography’ …

August 1, 2023April 5, 2019

Don’t often get this sort of coverage so … many thanks to photography journalist Rob Ditessa and the Australian Photography magazine for the great ten page spread in the current April edition.

Rob managed a nice job putting a cohesive touch to the amazing amount of ‘waffle’ that I supplied at his request on the subject of my many years in the news media photographic industry that dates back to my teens.

In particular Rob was interested in the roles that picture agencies had in my progression from a very raw teen with a manual SLR covering British football to the muck and bullets coalface of the major international news stories such as the Boxing Day Asian Tsunami of 2004. (Sadly the pars mentioning my invaluable pic agency mentors such as AP’s Russ McPhedran were a ‘space’ casualty.)

The pages and images look great … with two double page spread photos and other pics amongst the text … and a ‘The Gear’ box detailing the kit I now use that should keep Kylie and Julie at Nikon Australia a little happy.

Sadly (perhaps not!) the text here will be unreadable … and if you have an inclination to read the story and text you’ll have to either subscribe or shell out for a print copy of the mag at your newsagents … (or send me a message and I’ll see what I can do 🙂 )

12th International Color Awards …

March 13, 2019March 10, 2019

Just a little pat on the back for the pic I made … ‘Tomotaro on the Block’ … (below) … of Japanese amputee swimmer Tomotaro Nakamura competing at the Pan Pacific Para Games in Cairns last year. The image received an ‘Honorary Mention’ in the ‘Sport’ category of the 12th edition of the ‘International Color Awards’, which was announced during a two and a half hour live online ‘Photoshow’ this morning. (and no … I didn’t watch it all.)

‘Tomotaro on the Block’ also recently won a ‘Silver’ award at the 2018 Tokyo International Foto Awards.

The ‘Sport’ category was won by UK photographer Ian Macnicol with a ‘not entirely unachieved before’ swimming image … ‘Honey Osrin’. His image also won Ian the overall title of ‘Photographer of the Year’.

The only other Aussie based photographer to get a mention in ‘Sport’ was adventure photographer Aidan Williams for his dramatic National Geographic published image made in Portugal … ‘Freedom’.

A second image … my pic from Papua New Guinea entitled “Victim of Sorcery – Dorcas” … was selected as a ‘Nominee’ (Finalist) in the ‘Photojournalism’ category of the Awards.

The Awards attracted over seven thousand entries from photographers based in seventy nine countries around the planet.

'Tomotaro on the Block' - image by Brian Cassey - winner 'Honorary Mention' 2019 12th Edition 'International Color Awards' 'Sport' category - amputee swimmer Tomotaro Nakamura

Two Up in TIFA …

August 1, 2023January 9, 2019

Nice start to 2019 … just advised that TWO of my images have been selected as Winners in the Tokyo International Foto Awards (TIFA) 2018 announced today.

The two winners … both Silver Awards … are … ‘Tomotaro On The Block’ in the Editorial Sports category … and … ‘Victim of Sorcery – Dorcas’ in the Editorial Conflict category.

Great that the only other Australian Winner in the Editorial category was colleague and mate Jason O’Brien who also scored a Silver in the Sport category for his brilliant (and often awarded) image of the dive by French Tennis player Gael Monfils at the Australian Open. Congrats Jason … and nice to see our images side by side.

The Overall Winners in the Editorial category were … a disturbing image ‘Slaughterhouse’ by Spanish photographer Aitor Garmendia (First) … and another disturbing image because of the subject matter … ‘Donald and Hilary’ by US photographer Aude Guerrucci (Second).

There’s some great images from photographers from all around the Planet amongst this years TIFA Winners … and they are well worth the time to take a look here.

Winner - Silver Award - TIFA - Tokyo International Foto Awards - Editorial Sport - Japanese swimmer Tomotaro Nakamura - who had both arms amputated below the shoulder at birth - looks towards the setting sun as he prepares on the block for the start of his S5 50 metre freestyle final at the 2018 Para Pan Pacific Championships at the Tobruk Pool in Cairns Australia. Nakamura won Gold. He is one of Japans most accomplished paralympic swimmers. Image by Brian Cassey

Winner - Silver Award - TIFA - Tokyo International Foto Awards - Editorial Conflict - “Victims of Sorcery - Dorcas” - from the series “Victims of Sorcery” Dorcas Nunugi recovers from a ‘Sorcery' attack in the Highlands of Papua New Guinea. Dorcas, accused of sorcery following a family death, was attacked with an axe and her arm almost severed. She received other axe wounds to her thigh and head. She was then tortured with iron bars heated red hot in a fire, leaving massive scars on her torso, breasts and legs. Somehow she escaped alive -many victims don’t - their bodies dumped in the river or a convenient hole. Sorcery attacks have reached epidemic proportions in PNG. Image by Brian Cassey

Best ‘Science’ Images of 2018 …

December 13, 2018December 12, 2018

A real pleasure to learn that for the first time I’ve had an image selected in a ‘science’ collection of ‘best of’ images.

An image I made on the job for the venerable and respected magazine ‘Science’ earlier this year has just been published in a fourteen pic collection entitled (rather staidly) “Our Favourite Science Photos of 2018”. The other thirteen pics are pretty damn stunning (although a couple appear a little ‘overworked’) and varied.

Although my contribution isn’t what one would call a ‘science’ pic as such it is a ‘science related’ pic … made during documenting the story of Yaws disease eradication on Lihir and Namatanai islands in the New Ireland area of remote Papua New Guinea. The original text accompanying the story was written by Science mag International News Editor Martin Enserink … and a blog post by ‘Science’ photo editor Bill Douthitt about how the assignment transpired can be found here … https://www.briancasseyphotographer.com/blog/comment/2018/07/5440/

A little bit of trivia for anyone interested … this is the first pic I’ve had published in a ‘best of’ collection made using the Sealife DC2000 underwater camera which I first wrote about here.

I would urge you to go to the link to see the entire ‘Best Science Photos of 2018’ collection here … https://vis.sciencemag.org/photosof2018/ … but for those with time constraints my selected pic is below. The caption accompanying the pic in the set reads “Eradicating Yaws Disease – Children in Papua New Guinea are some of the main victims of yaws disease, a bacterial infection caused by Treponema pallidumthat spreads through simple contact and attacks bones and skin—causing bright pink lesions and lifelong pain. Scientists hope to eradicate this little-known disease with a massive public health campaign—if governments, funding organizations, and the disease itself cooperate.”

The original magazine story may be found here … https://www.sciencemag.org/news/2018/07/remote-pacific-island-doctor-has-revived-60-year-quest-eradicate-disfiguring-disease … and the venture received support from the ‘Pulitzer Centre on Crisis Reporting’.

Science Magazine - Best Science Photos of 2018 - PNG children and Yaws disease - image by Brian Cassey

“Victims of Sorcery” … PNG …

August 1, 2023October 7, 2018

Spent a few days … not near enough … with legendary News Ltd journo Cindy Wockner in Goroka in the Highlands of Papua New Guinea working on a story for News360 on victims of sorcery.

Variously named as ‘Sanguma’, ‘Poison’ and other local monikers … sorcery related violence has exploded in PNG in recent years. There is little evidence that the phenomena has a long history. It appears that the crimes are opportunistic using vicious attacks and, indeed, murder … and an accusation of sorcery is a convenient weapon against the vulnerable. Once the victim is tainted with a sorcery accusation the stigma generally lasts for life. Families of those accused also suffer the consequences.

We spoke to and photographed more than a dozen, girls and women, boys and men, who had experienced attacks at the hands of sorcery accusers … but none were as graphic and heart rending as the story we heard (through an interpreter) from sisters Dorcas Numbi Nunugi and Pita Ambane. They and Dorcas’s son Ari were accused of sorcery after a family member died. Dorcas was attacked with an axe and her arm almost severed. She received other axe wounds on her thigh and head. Then she was tortured with iron bars that had been heated in a fire leaving massive scars on her torso and legs.

Her sister suffered a fractured skull from an axe blow to the head and other injuries … but somehow they escaped alive.

Many don’t … their bodies thrown in the river or any convenient hole.

Needless to say, Cindy’s story is compelling reading … but not easy to find … the link is here … www.couriermail.com.au/news/world/evil-sorcery-and-witchcraft-killings-exposed-in-papua-new-guinea-as-victims-flee-villages/news-story/3d7153f581a3f0a7b5ca63bc8a99ead0 … but as it’s ‘Premium’ content it may be inaccessible behind the paywall (alternatively subscribe to the Courier, read, see the pics and watch the accompanying video on your iPad or other device 🙂 )

However … you CAN read Cindy’s story … “Evil Sorcery and Witchcraft Killings Exposed in Papua New Guinea as Victims Flee Villages” … here below.

I’ve also posted (below) … just a few of the images I made whilst covering the story … and have concentrated here on those of Dorcas and her sister Pita recovering from their attacks in a ‘safe house’ in Goroka. I will eventually post a full pic essay on “Victims of Sorcery”.