Tokyo International … Result …

A very welcome email arrived just a day or two before Christmas with the news that two of my works had been selected as winners in the inaugural edition of the Tokyo International Foto Awards (TIFA’s).

‘TIFA’ …  a new event on the calendar … aims “to recognize, reward and expose talented photographers from around the world and introduce them to the creative community in Japan”.

My works selected were … Gold (First Place) in ‘Editorial Personality’ for the portrait ‘The Skin I’m In’ of burns survivor Carol Mayer … and Silver (First Place) in ‘Moving Image Essay’ for my short film ‘Eyes – the Soul of a Photograph’. Both works have featured previously in other awards.

They will be shown alongside other works during the winners exhibition at the Owada Gallery, Shibuya Cultural Center Owada, 23-21 Sakura-gaoka-cho, Shibuya-ku, Tokyo … with the grand opening eve on February 25th. Sadly, I doubt I will be able to take up the invitation.

All Images © Brian Cassey

'The Skin I'm In' - portrait of Carol Mayer - Winner - 'Editorial - Personality', Tokyo International Foto Awards 2016 - image by Brian Cassey

Sensational Walkley’s …

What a night … and a what a result … !

The 2016 Walkley Awards on Friday eve at the Brisbane Exhibition Centre heralded an historic ‘first’ … the mega talented and great guy photojournalist Andrew Quilty the first photographer to ever take out the biggest prize – the ‘Gold Walkley’.

Nobody deserves it more …

Andrew is totally dedicated to his craft and gave away a job at Fairfax to move to Afghanistan as a freelance. His work is extraordinary.

I was fortunate – by way of my Nikon-Walkley Portrait win – to be seated at the same table 55 as Andrew on Friday eve … along with the incredibly legendary war photojournalist Tim Page and partner Marianna Harris, Walkley advisory board member and photographer Michael Amendolia, prolific photography journalist Alison Steven-Taylor (‘Photojournalism Now’), my Cairns photographer mate Marc McCormack and Mrs Sandra, Tanie Harris Sansey … and Andrew’s delightful mum Ann.

Definitely the best table of the night !

Before the evenings events commenced Andrew had already bagged the Nikon-Walkley ‘Photo of the Year’ award … and soon added the ‘News Photo’ award … before thrilling the scores of media photographers – and everyone else in the room  – with the final award of the night – the ‘Gold Walkley’. Magic …

A absolute pleasure to chat with Tim … and delighted that he suggested we swap prints … my Portrait Prize pic for one of his amazing historic combat images. Pretty stoked about that …

The rest of the Nikon-Walkley photography awards were also ‘spot on’ … with Alex Coppel taking out ‘Press Photographer of the Year’, Cameron Spencer the ‘Sports Photography’ award and David Maurice Smith the ‘Feature/Photographic Essay’ award … all against some amazing ‘Finalist’ opposition.

Well done Walkley’s and Nikon … truly memorable !

Below is top … Tim Page watching the announcement of my ‘Nikon-Walkley Portrait Prize’ win from our table … and below … the older PJ legend Tim chats with the newer legend Andrew Quilty after his ‘Gold Walkley’ win.

Images © Brian Cassey 2016

2016 Walkley Awards - Nikon-Walkley Awards - Gold Walkley, Andrew Quilty - Portraiture, Brian Cassey

Walkley Awards 2016 - Nikon-Walkley Awards - Winner Gold Walkley, Andrew Quilty - Portraiture, Brian Cassey

Something Completely Different … ‘Blunt’ …

Tenth Anniversary ‘Blunt’ – ten years since Cairns artists Dominic Johns and Roland Nancarrow created “The Blunt Edge of Portraiture” in a light hearted nod to established portrait prizes … the Archibald and Moran Prizes.

Embraced by Cairns artists of many creative mediums, the invitational ‘Blunt’ has grown massively since inception. Each artist is challenged to create a portrait work that captures the essence of a fellow artist … and on Saturday eve nearly seventy portraits lined the walls of the homely Pink Phoenix Gallery for the tenth anniversary “Blunt of the Decade” celebration … and there is no celebration like a ‘Blunt’ celebration !

I was charged to create a work of young artist Fiona Price … who had her first exhibition ‘Eyes’ just a couple of years back (seems we have a fascination with eyes in common 🙂 ).

To match the unbridled creativity of Cairns artists I thought I’d better create something a little more ‘out of the box’ creatively than my usual work … and with the help of a very receptive Fiona put together my entry (below … full frame (top) and on the wall on Saturday at Pink Phoenix Gallery). Fiona gamely endured body paint and house paint … and the pain of paint in her eye. Thanks Fiona … !

This years big ‘Blunt’ winner was Jessica Roelofs for her portrait of fellow artist Suzi O’Malley.

Sadly … the ‘Blunt’ has outgrown the suburban Pink Phoenix Gallery … but 2017 might just possibly herald a new era of ‘Blunt’ at the wonderful and spacious Tanks Arts Centre. Bring it on …

UPDATE : Pleased to discover that my portrait (below) of Fiona has been selected in a “Best of Blunt” collection to be exhibitied at the ‘Flying Monkey Gallery’ in Sheridan Street Cairns from mid December through to January.

Images © Brian Cassey 2016

2016 Blunt Edge of Portraiture - 10th Anniversary - Portrait of Fiona Price by Brian Cassey

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Sydney … Moran & Walkley …

A massive and memorable fifty hours in Sydney this week …

Arrived Sydney Tuesday to be met by former Cairns Post staffer from way way back … Terri Bradley … and we were soon joined by Margaret River WA based photographer colleague Martine Perret at the ‘Wine Library‘ in Paddington for an evening of  ‘work catch up’.

Wednesday was 2016 Moran Prize day at Juniper Hall, Paddington. The deserving winners – Johannes Rienhart in the ‘Moran Contemporary Photographic Prize’ and Megan Seres in the ‘Moran National Portrait Prize’ – were announced at a news event in the morning, whilst the evening saw more merriment and much partying at the Moran family stately home and gallery.

Excellent to catch up with a host of Moran photographic finalistsMartine Perret (again) of course, winner Johannes, Michael Amendolia, Matt Abbott, Raphaela Rosella, Damien Pleming, Cameron Neville, Brad Smith, Todd Kennedy, Paul McIver … (also but very briefly Zoe Mongey and Reza Ghasemi).  Also attending for the evenings (ahem) ‘networking’ were Head On Photo Festival director Moshe Rosenzveig and photographer Brendan Beirne (former Nikon-Walkley winner with the Packer/Gyngell ‘Bondi Biffo’ news pics).

(The ‘Moran National Portrait Prize’ winner Megan Seres received $150,000 for her portrait of her daughter ‘Scarlett as Colonial Girl’ … Johannes Reinhart coined $50,000 for his ‘Mermaid Show’ image in the ‘Moran Contemporary Photographic Prize’.)

Between the morning and evening Moran events I took in the 2016 ‘Nikon-Walkley Press Photography Exhibition’ at the State Library of New South Wales … and was very happy to see my Portrait Prize winning image ‘Beaten Refugee’ very prominently displayed (see image below). Great to share the exhibition (and lunch) with my old mate and former Fleet Street ‘Blunt’ Frank Thorne, as well as Terri and Martine.

Also just had time to fit in a quick coffee with AAP photographer and ‘fotostrada’ colleague Dean Lewins … !

A pretty hectic but rewarding trip to the ‘Big Smoke’ … and a big ‘Thank You’ to Terri for her time and care.

The ‘Moran Contemporary Photographic Prize Exhibition’ (including my finalist image ‘Number 55’) runs at Juniper Hall, Paddington till 5th February 2017 … and the ‘Nikon-Walkley Press Photography Exhibition’ (including my ‘Beaten Refugee’) runs at the State Library of NSW till November 27th. Both exhibitions are well worth some time …

Images below © Brian Cassey … top – my Portrait Prize winner  ‘Beaten Refugee’ at the ‘Nikon-Walkley Press Photography Exhibition‘, Sydney … middle and bottom – my ‘Moran Contemporary Photographic Prize’ finalist image ‘Number 55‘ displayed inside and outside Juniper Hall, Paddington.

 

2016 Nikon-Walkley Portrait Prize - Winner - 'Beaten Refugee' by Brian Cassey
2016 Moran Contemporary Photographic Prize - 'Number 55' - Finalist by Brian Cassey

2016 Moran Contemporary Photographic Prize - 'Number 55' - Finalist by Brian Cassey

 

October … Great Month … !

It’s not even half way through the month of October … but it’s already been a cracker !!

As the month turned I received news that five of my images had been selected as Finalists in four categories of the ‘Queensland Multi Media Awards’ … the winners will be announced at an awards ceremony at the Pullman Reef Hotel Casino Cairns on November 12th. Looking forward to that one …

That was followed by the announcement of selected finalists in the rich and prestigious ‘Moran Contemporary Photographic Prize’ … and my work ‘Number 55’ is one of the short listed images. The announcement of the $50,000 winner and the opening of the exhibition displaying all the Finalists work at Juniper Hall, Oxford Street, Paddington takes place on October 26th … and I’ll be choofing off to Sydney for that one!

Then … Thursday eve (the 13th) … the shock (to me) announcement, but wonderful news, that one of my images from the work on Manus Island PNG – of twenty year old Iraqi asylum seeker Abdullatif battered in the Lorengau police watch house – was selected as the Winner of the 2016 ‘Nikon Walkley Portrait Prize’. Magic … and now really looking forward to Australia’s media ‘night of nights’ – ‘The Walkley Awards’ – in Brisbane on Friday December 2nd. It’s the second time I’ve been lucky enough to snare the ‘Nikon Walkley Portrait Prize’ … the other being in 2011 with the portrait of Cairns burns survivor Carol Mayer.

Below is the 2016 ‘Nikon Walkley Portrait Prize’ Winner “Beaten Refugee”.

UPDATE … The Guardian has now published a great online gallery of ‘the best of’ this years Nikon Walkley winners and finalists – including my “Beaten Refugee” – at … https://www.theguardian.com/artanddesign/gallery/2016/oct/17/nikon-walkley-awards-2016-the-best-photographs

Image © 2016 Brian Cassey

Nikon Walkley Portrait Prize 2016 - "Beaten Refugee" - by Brian Cassey

Moran Semi-Finalists …

Pleased to have two images – “Number 55” and “Beef Barons”- selected as Semi-Finalist in the 2016 Moran Contemporary Photographic Prize. Finalists and winners will be selected and announced in October and an exhibition of all the Finalists works will run from Wednesday October 26th till February 5th next year at Juniper Hall, Paddington, Sydney.

Images © Brian Cassey


Moran Contemporary Photographic Prize semi-finalist - 'Number 55' by Brian Cassey

Moran Contemporary Photographic Prize semi-finalist - 'Beef Barons' by Brian Cassey

Fostering Young Portrait Photographers …

I first clicked the shutter of a camera (two shillings and sixpence at Woolworths) at what would, in those good old days, have been considered a young age. The work produced was erratic and questionable … but I fluked the odd one or two that I was happy with.

This week I had the pleasure to be involved with scores of young photographers whose work at a similar age far outshines my earliest efforts. Along with fellow Cairns photographer Romy Bullerjahn, I was asked to judge and present prizes at the 2016 Trinity Bay High School Portrait Photography Prize.

I really didn’t know what to expect before walking into the schools gallery to select the winning portraits from about fifty entries … many of a quite startling quality. Picking winners was a difficult task for Romy and myself but we eventually settled on first, second, third and two highly commended (as well as two ‘staff’ prizes).

The story around 14 year old Matt Hastie’s selected winning portrait “Shades” is remarkable. Matt only picked up his first DSLR camera a month ago – a ‘loaner’ from the school inventory. Prior to that he had only made ‘phone’ pictures. His prize winning evocative image (below – top) was made during that first ever ‘proper photography assignment’.

Shell shocked and shy, Matt said he was ‘pretty happy’ to win and to be presented with the prize of his very own Canon DSLR courtesy of Garricks Camera House. He is now enthusiastic about his plan to choose Photo Imaging as an elective school subject from grade 10 … and maybe one day pursue a professional photography career.

Fractionally behind Matt’s work were images by students of a similar age or younger – Matilda Sail (2nd – year 7), Eden Cvetkovic, (3rd – year 11), Eliza Sail, (commended – Year 9) and Pagan Sutcliffe (commended – Year 11). Delon Clark took out the Peoples Choice Award.

When I was their age it was inconceivable for schools to teach photography. With the help of Trinity Bay Arts teachers Ian Whittaker, Sean Tooley and the Arts department staff and program, these young aspiring students have made great strides towards becoming the next generation of photographers and photographic artists.

Images – Top – Winner “Shades’ by Matthew Hastie © . Below – clockwise from top left – works by Matilda Sail © 2nd, Eden Cvetkovic © 3rd, Pagan Sutcliffe © HC, Eliza Sail © HC, Delon Clarke © Peoples Choice.

Trinity Bay High School Portrait Prize inner 2016 by Matthew Hastie - judge Brian Cassey

Trinity High School Portrait Prize 2016 place getters - judge Brian Cassey

Bowness Prize Night …

Great evening in Melbourne on Wednesday … “The Wilfred and Winifred Bowness Photography Prize” 2016 celebration night. Didn’t know what to expect at the ‘Bowness’ … never made it to the ‘Finalist’ stage before to find out. However, the inclusion of my image ‘Beef Barons’ in the shortlist this year gave me a reason to travel to the Monash Gallery of Art and experience one of Australia’s highest profile photography prizes.

The space given over to the ‘Bowness’ prize was cavernous. The wall space for displaying the Finalists works … some of them massive pieces … was immense. (I considered beforehand that my photograph was a reasonably large piece … but it was totally dwarfed by many others works. Note to self … remember if ever there is a ‘next time’).

This years prize judging panel was headed by legendary Australian film director, producer and screenwriter Fred Schepisi AO (a bit of a buzz to have your work selected by such an eminent ‘pictorialist’) ably assisted by photographer John Gollings and MGA Director Kallie Blauhorn.

The twenty five grand prize went to the largest work in the show … a striking landscape by Valerie Sparkes entitled “Prospero’s Island – North East 2016”. It could so easily have been any number of the fantastic shortlisted works displayed around the walls.

This years ‘Bowness Prize’ exhibition catalogue took a novel creative turn in the form of a box of ‘postcards’ of each of the Finalists work. Clever …

Below is the catalogue ‘postcard’ of my work ‘Beef Barons’ sitting (centre) amongst many of the other Finalists … and an image of ‘Beef Barons’ attracting a little attention on the exhibition wall.

Images © Brian Cassey and the individual photographers.

Bowness Photography Prize 2016 - Beef Barons - Brian Cassey
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Bowness & Beef Barons …

The William and Winifred Bowness Photography Prize‘ – (known more briefly as the ‘Bowness Photography Prize’) – was established just ten short years ago by the Monash Gallery of Art but has grown to be one of the most important … and lucrative … photography prizes in Australia. It is an ‘open’ prize and attracts all forms of photography with no thematic restrictions – and entries this year numbered nearly two and a half thousand from around six hundred artists.

So … to receive the email today from Bowness with the news that one of my images has been selected as a ‘Finalist’ was something of a shock and a buzz!

My ‘Beef Barons’ image –  of Daintree cattle farmers 71 year old Janice and husband 84 year old Keith Osborne – made the shortlist cut, along with a truly extraordinary collection of work by fellow finalists. (After checking out the rest I’m under no illusions that ‘Beef Barons’ will progress any further in the prize.)

I notice that two of my matey photographer colleagues – Stephen Dupont and Russell Shakespeare – are also ‘shortlisted’, but many others on the ‘list’ are unfamiliar to me which can only point to the wealth of photographic talent that abounds in this country.

The work of all finalists will show at the Monash Gallery of Art in Victoria from September 1st till October 16th – and the big night opening and award of the 25 grand prize money and other prizes will be on Wednesday September 7th.

‘Beef Barons’ is shown below … Thanks to my subjects Janice and Keith ! (The pic has already picked up an earlier win in a remarkably different prize – the ‘2016 Rural Press Club – Excellence in Rural Photography Award’ – and was originally published in the Courier Mail)

(Press Update – since the Bowness announcement various stories have been published about the work of the finalists – including this one at ‘The Creators Project’ which features eight of the shortlisted images including ‘Beef Barons’. Click here to view.)

UPDATE … 23rd July … this pic ran today in the ‘Weekend Australian Magazine’ as a double page spread in the weekly feature ‘Heart of the Nation’ … with a great story by Ross Bilton. You can read Ross’s revealing interview with charming cattle farmer Janice, and see the pic in larger format, at … http://www.theaustralian.com.au/life/weekend-australian-magazine/heart-of-the-nation-daintree-4873/news-story/9095105782e96acff07346c557c50306

Image © Brian Cassey

Bowes Photography Prize 2016, Wilfred and Winifred Bowness Photography Prize, Beef Barons, Finalist 2016 by Brian Cassey

 

“Disko Meri” Does It Again …

“Disko Meri” – an image I made of nightclub bar girl Julie in Port Moresby, Papua New Guinea – has been recognised yet again, taking out an “Honourable Mention” in the ‘Portrait’ category of the prestigious “9th International Color Awards”.

The planet wide annual photography awards bill themselves as “The World’s most watched photo show” and all winners were announced in a four and a half hour live streaming online event. Must admit I missed that bit …

“Disko Meri” has received quite a bit of attention over the past year or so … and previously was recognised in the ‘Head On Portrait Prize’, the ‘Moscow International Foto Awards’ (MIFA) and the ‘Queensland Multi Media Awards’.

Sadly … I have not been able to thank my subject Julie personally so far. The bar where she works in Port Moresby does not have either a phone number or internet presence. I intend on my next visit to Port Moresby to make it a priority to visit her again at the ‘Diamond Club’ to thank her and present her with a print … the very least I can do.

Below … and at the risk of boring you with it again … is the portrait of Julie – “Disko Meri”

Image © Brian Cassey

"DISKO MERI - PNG Bar Girl" - Honorable Mention 9th International Color Awards - Brian Cassey

CLIP, Rural Press and Head On …

A hectic but rewarding three days this week … although the majority involved sitting on various aircraft.

On Wednesday I was kindly invited to luncheon in Brisbane by the Rural Press Club of Queensland … and very pleasant it was too. At the Tattersall’s Club function Rural Press announced the winners of the their annual media awards and I was most pleased to receive three awards for best ‘People’ photograph, best ‘Production’ photograph and … most pleasing … the overall ‘Excellence in Rural Photography Award’. The two winning images involved were ‘Beef Farmers’ in the ‘People’ and ‘Overall’ categories (made of a lovely elderly cattle farming couple at the Daintree) and ‘Banana Farmer’ (of a banana farmer at his tiny road side stall at the time when Panama disease race 4 was discovered locally). Both pics are posted below.

The afternoon was made even more special when my Courier Mail wordsmith colleague Michael Madigan took out the main journalism prize on offer … and we joined in much mutual back slapping and a long celebration.

Thursday … another plane … this time to Perth for the ‘CLIP (Contemporary Landscapes in Photography) Awards’ and exhibition opening at the beautiful Perth Centre for Photography.

Was wrapped with the selection of my work ‘Number 55’ as a finalist in an award that describes itself as ‘an internationally recognised photographic prize for new perspectives in natural and urban landscape photography’. My first real ‘Landscape’ photography recognition.

The gallery space was full of charm and character, the exhibited works indeed diverse and challenging … and I was pleased as punch to see ‘Number 55’ hanging amongst such an excellent collection of images. The home of photography in Perth also boasts a beautiful garden area where the bar was doing a roaring trade. Mike Gray took out the main prize with his image ‘Backyard Bag Study ‘, with Matt Abbott awarded the second prize for his great work ‘Dogs’. An extremely pleasant evening of great landscape photography at an excellent venue. If you are in Perth the exhibition runs till April 17th.

Below is a pic of part of the CLIP exhibition featuring my piece ‘Number 55’ on the wall – very nicely printed and mounted by Perth’s Fitzgerald Photo.

The one event I couldn’t quite squeeze into the schedule was the opening in Sydney on Wednesday eve of the ‘Head On Portrait Prize In Retrospect‘ exhibition as part of Art Month Sydney. The exhibition includes my previous portrait prize Finalist work ‘Disko Meri’.

Finally … this post is being strung together Friday on the long haul from Perth back to Cairns.

Images below © Brian Cassey – Rural Press Winners “Beef Farmers’ and ‘Banana Farmer’ … and CLIP Finalist ‘Number 55’ at the Perth Centre for Photography.

'Excellence in Rural Photography'' Winner 20126 - Brian Cassey

Excellence in Rural Photography - Production - Winner - Brian Cassey

CLIP Awards 2016 - 'Number 55' - Brian Cassey

Blimey ! Landscape ! …

‘Landscape’ is a photography genre that I haven’t really touched on over the years … I’m much more comfortable with actual humans taking up pixel space on my rectangles (or squares). Don’t get me wrong … I have a hell of a lot of appreciation of, and respect for, the wonderful landscape work of photographers such as Murray Fredericks and Peter Solness and more.  I suppose I just haven’t embraced it …

So … it was with much surprise and delight … that I received an email last eve with the news that I have been selected as a Finalist in the prestigious and International ‘Contemporary Landscapes in Photography Award’ (CLIP for short).

Clip describes itself thus – “The CLIP Award is an internationally recognised photographic prize for new perspectives in natural and urban landscape photography. The selection criteria focuses on images which are original, stimulating, and that challenge traditional notions of landscape photography.”

The image ‘Number 55’ marks my first ‘success’ (of sorts) in Landscape photography … and it will form part of the CLIP Finalists exhibition at the Perth Centre for Photography commencing mid March when the Winners will be announced. The pic was made on New Years Eve 2015 as I was passing an emerging blaze in a house just five minutes drive from my home in Cairns.

Not sure whether I can justify a trip to Perth for the opening eve and Winners announcement … but sure would like to see my work hanging amongst the other selected landscapes. We’ll see …

Details of the awards, the Perth exhibition and the list of Finalists are on the Perth Centre for Photography Facebook page here … https://www.facebook.com/pcpwa/

Below is my selected landscape image – ‘Number 55’  © Brian Cassey

Ex Cairns to the Cairns Post 31.12.2015 Aeroglen House Fire - Not the Way To End The Year- Pics by BRIAN CASSEY, A house burns at Aeroglen before the arrival of the fire brigade today - New Years Eve.

 

 

Cutting Edge Work at the ‘Blunts’ …


A truly memorable evening last Friday when twenty four ‘Blunt Virgins’ displayed their various and varied works at ‘crate59 Gallery’ Cairns, vying for places in Cairns answer to the Archibald’s – the ‘Blunt Edge of Portraiture Awards’.

The gallery was packed with guests – the pavement outside was packed with guests (totalling an astonishing 450 odd) – as six artists portraiture works were selected from the sculpture, drawing, painting, craftwork, performance art and photography on display.

It’s a little while since I have been described as a ‘virgin’ … but was more than happy to be invited to take part and produce a photographic portrait of fellow artist and performer Kloe Gee for the show. On the eve Kloe – unlike my rather ‘raw’ image of her on the wall – was beautifully body painted as a bower bird – and performed her ‘portrait’ of fellow artist Maree Nicholson by gracefully moving amongst the gallery audience and ‘collecting’ items to add to her ‘nest’.

The winning half dozen or so artists were announced (or informed personally such was the racket from the enthusiastic and boisterous crowd) and both Kloe and I got a welcome ‘winner’ tap on the shoulder from Blunt organiser Dominic Johns.

For all the noise, excitement, ‘refreshment’ and other carrying on I can’t remember the complete list of winners (and the Blunt web site has yet to be updated with results) … but do remember that the evenings overall winner was a compelling portrait of Darren Blackman by fellow artist India Collins.

A really great evening … and an annual art event that Blunt organisers Dominic Johns and Roland Nancarrow … and the City of Cairns … can be proud of.

Below Is my winning portrait entry of Kloe (top and middle) and the overall winning portrait of Darren Blackman by India Collins (bottom). Works © Brian Cassey and © India Collins.

 

Blunt Edge of Portraiture Kloe Gee

Blunt Edge of Portraiture Kloe Gee
BluntIndiaCollinsDarrenBlackman

Blunt Edge of Portraiture …

They bill themselves as Cairns answer to the ‘Archibald Prize‘ … a bold but very tongue in cheek comparison.

The ‘Blunt Edge of Portraiture Awards’ were the brain child of Cairns locals Roland Nancarrow and Dominic Johns back in 2007 and they have been amassing street cred ever since. Unlike the famed Archibald’s the portraits are not restricted to just brush, palette, paint, crayon or ink …  and invited ‘Blunt’ artists may use any (or all) mediums available to create a ‘portrait’ including wet clay, film, mixed media, photography, metalwork, mosaic, poetry etc. One memorable past entry was constructed out of custard !

I have been invited (at the suggestion of fellow photographer Glen O’Malley) to be a part of this years ‘Not Quite Blunt Awards’  – along with twenty three other Blunt ‘Virgins’ or newcomers who will be competing for a spot in the next full scale ‘Blunt Edge’ awards in 2016. Each ‘Virgin’ is drawn out of the hat to make a portrait of one other of the twenty four and the works will form an exhibition and vie for awards announced on the eve of December 11th at Crate 59 Gallery in Cairns.

Indeed fortunate to have been tasked with making a portrait of the delightful performance artist Kloe Gee … whilst artist Maree has the unenviable task of having to make a likeness of me interesting ! The works will be judged by eminent artists from southern climes who are not familiar with the Cairns art scene.

All in all it sounds a load of fun … ‘Thanks’ for the Blunt invitation!

“Eyes” … a Winner in Moscow …

In news from far flung Moscow … my short film “Eyes – the Soul of a Photograph” has been selected as the inaugural Winner of the ‘Moscow International Foto Awards – Moving Image Essay’. Completely stoked … ! Originally put together for the ‘Nikon Walkley Storyology Slide Awards’ (in which it finished 2nd) the piece then went on to make the finalist cut of ten in the ‘Head On Moving Image Prize’ earlier this year.

“Eyes” is to be projected onto the big screen at the prestigious FotoLoft Gallery in Moscow (address 4-й Сыромятнический пер., 1/8, строение 6, Moscow, Russia, 105120 !!) on Tuesday November 3rd.
Just a pity I can’t get there to see it … but a nice honour to receive a win from the international award, based in Russia, that attracts a host of top photographers from around the planet.

The film can be viewed right here … (Images and Presentation © Brian Cassey)

 

New York, New York & Photoville …

Feeling extremely fortunate to be in New York for this years ‘Photoville’ festival of photography – a brilliant feast of fine photography set in and around 60 odd shipping containers on the banks of the East River Brooklyn overlooking the Manhattan skyline.

Photoville is only four years young … but has grown quickly into a vibrant showcase of the Worlds best photojournalism, documentary and fine art work. Highlights – and there were very many – included the works of Graham Macindoe (American Exile: Detained, Deported and Divided), Daniel Berahulak (Scenes from the Ebola Crises), Dougie Wallace (Stag, Hens & Bunnies: A Blackpool Story), Stephanie Sinclair (Too Young to Wed), Matt Black (The Geography of Poverty), Misha Friedman (The Iron Closet) and Ruddy Roye (When Living is a Protest) – although to single these out for their excellence is not to disparage the amazing works of a total of over four hundred contributing artists. (For more info on artists and their work check out Photoville’s web site here).

Thanks to the inclusion of the 2015 Head On Portrait Prize – and director of the Head On Photo Festival Moshe Rosenzveig – I had every reason to make the trek to Brooklyn. The 2015 Head On Portrait Prize exhibition was displayed in the centre of the Photoville site gracing the entire side of a massive shipping container … and included my image “Disko Meri”.

The festival opening day was shared with the 14th anniversary of the Twin Towers terror attacks. That evening saw a great sunset over the Hudson and the Manhattan sky line whilst Getty Images projected their ‘Legacy Collection’ of images on the big screen. A poignant moment when the photograph of the Twin Towers exploding 14 years ago to the day appeared with, in the background from ground zero, the twin beams of the ‘Tribute of Lights’ piercing the clouds (see image below).

As well as thousands of compelling images to take in there are also numerous workshops and panel discussions by high profile photographers to attend – and there is also a beer garden!

Photoville runs until this Sunday September 20th.

I’d also like to sincerely thank talented NY photographer Natan Dvir for the very generous use of his cosy pad in the Lower East Side Manhattan for the duration, whilst he was on assignment in Romania. Thanks Natan … !

Below are images from Photoville – two featuring the 2015 Head On Portrait Prize exhibit.

Images © Brian Cassey 2015

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“Unexpected” at Flying Monkey …

Thanks to an invitation from curator Glen O’Malley I am one of the participants in a new Cairns exhibition – “Unexpected” – that opened to the public today Monday 10th August at the Flying Monkey Gallery and Cafe in Cairns. The collection – a combination of the work of ten photographers experienced and emerging – comprises 27 images across a very broad spectrum of photographic styles.

The artists involved are Kerry-Ann Collins, Jonas Ericson, Jennifer Frei, Michael Marzik, Sarah Jane, Glen O’MalleyKerry Trapnell, Ann Vardanega, Anthony Vardanega and myself. For several it is their first showing.

The official exhibition launch and social event is next Saturday 15th August 6pm at Flying Monkey 154 Sheridan Street, Cairns and veteran photographer Gary Herbert will be performing the opening honours.

Below I’ve posted just one of my exhibition works – “Margaret Puts the Kettle On” (a candid image of wonderful environmentalist Margaret Thorsborne) – and a couple of others from the show – “Don’t Cage Me In” (middle) by Anthony Vardanega  and “The Corny Tricks You Tried” (bottom) by Glen O’Malley.

The exhibition runs to 29th August … would be great to see you at Saturday’s opening or just drop in anytime to Flying Monkey for a coffee and browse.

Images © Brian Cassey, Anthony Vardanega and Glen O’Malley.

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The Best Moving Images …

Here …  courtesy of the Head On Photo Festival … are ten small teaser segments of each of the ten film works selected as Finalists in the ‘Head On Moving Image Prize’ … including my humble piece “Eyes – The Soul of a Photograph”.

The sheer variety of styles and quality of the other nine Finalists is astonishing … and I’m delighted to be one of the ten with my first entry attempt at this genre.

The complete works of the ten finalists screen from a minute to about about five minutes each – ‘Eyes’ is three minutes duration. Unfortunately the full length screenings of the ten finalists work at the Brenda May Gallery Sydney theatrette has now finished … but I’m sure Head On will pursue further avenues to display this great collection of ‘Moving Images’. Will keep you posted …

 

Storyology Thanks and Farce …

The annual Walkley Storyology Photography Slide event morphed into something different this year … with very mixed results.

2015 saw the prize for photography based short videos expand to a Nation wide event rather that ‘State’ based with two awards presented – one judged by a panel of photojournalists (in Sydney) and the other by ‘peoples choice’ via the Walkley Foundation Facebook page.

The excellent judges selected a great entry by the Age photographer Justin McManus entitled “Bonnie Doon: How’s the Serenity” as Winner.

However, the ‘peoples choice’ award turned into a farce when one entry – declared the ‘Peoples Choice Winner’ by the Walkley Foundation – amassed almost as many votes as the the other 22 entries combined – the majority of which were from obviously fake and/or bogus Facebook accounts.

I would like to sincerely say ‘Thank You’ to the two hundred and eighty two of my friends and colleagues who took the time and trouble to place a ‘peoples choice’ vote for my entry “Lifestyle Choices” (below). Your votes contributed to a total tally which was by far the highest from ‘real’ people! Very much appreciated indeed …

 

Head On Shenanigans & Finalists …

The Head On Photo Festival continues it’s meteoric and spectacular growth.

This years month long Festival kicked off in style on May 1 at Town Hall Sydney – the Festival ‘Hub’ – and I was pleased to once again be a part of Australia’s eminent photo show thanks to Festival Directors Moshe Rosenzveig and Anita Schwartz. Opening eve was packed to the ornate Town Hall rafters with about 800 guests and nine top flight photo exhibitions – and a very welcome ‘welcome’ bar.

Described as ‘a veritable orgy of photography’ Head On Photo Festival this year consisted of over a hundred exhibitions and the work of several hundred photographers.

For me, a Highlight amongst all the brilliant exhibitions, opening nights, workshops, artist talks, award presentations, portfolio reviews, pop up studios, trivia evenings etc etc and bloody fantastic work … was a meal post Custom’s House wine and cheese which I shared with three US superstar photographers, a delightful colleague from Byron Bay and two photographers from Iran !! (I know … it’s sounding like the opening line of a ‘joke’).

Sharing pizzas, wine and photojournalism small talk that eve were Ben Lowy (renowned Getty Images photojournalist) and his partner Marvi Lacar (Facebook Pages picture editor) , Los Angeles Times Chief Photographer Michael Robinson Chávez , Iranian girls Saghar Amirazimi and Shiva Shakhesi, the gorgeous and so talented Natalie Grono,  … and myself …

An extremely convivial and fascinating ‘across the divide’ few hours … ! (Pizzas weren’t bad either)

Head On Award wise I was, indeed, fortunate to have my work selected as a Finalist in two categories – the prestigious ‘Head On Portrait Prize’ and the new ‘Head On Moving Image Prize’ – and included in the Portrait Prize exhibition at the Museum of Sydney (till June 8th) and the Moving Image show at Brenda May Gallery Waterloo (till June 6th). Both exhibitions are well worth a visit and a pleasure to humbly be a part of.

Below I’ve posted my Portrait Finalist image “Disko Meri” – a portrait of a night club hostess girl in Port Moresby PNG (Thank You Julie!) – and my Moving Image work “Eyes – The Soul of a Photograph”.

Many Thanks for the wonderful hospitality afforded me by the Head On Photo Festival crew – Kat Mills, Lauran Vohmann, John Slaytor, Jon Lewis, Moshe, Anita and many others … just brilliant …

Images © Brian Cassey

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Two In For Head On Prizes …

Amongst the mass of mostly annoying or pure spam emails received lately were two that were especially welcomed.  Both were from the crew at the Head On Prizes and contained the excellent news that my work had been selected as finalist in two categories of the prestigious awards – ‘Portraits’ and ‘Moving Image’.

I have previously had work selected in the ‘Portrait’ category … but this is a ‘first’ for me in the ‘Moving Image’ category.

Ten finalists have had their work selected in ‘Moving Image’ which is for small moving pieces (movies) combining any combination of multimedia, visual art, sound art, still or moving images or other media. Certainly isn’t my speciality so I’m incredibly gratified just to be amongst the ten!

The Head On Portrait Prize, now in its 12th year, is one of Australia’s most critically acclaimed photographic portrait prizes and has also received World wide recognition. In 2014 the Portrait Prize exhibition toured Internationally and it is expected that the 2015 Portrait exhibition will do the same.

So it’s particularly pleasing to make the Portrait finalist cut once again. (for news on my Head On Portrait Prize successes in previous years go to here and here.)

I’m not allowed to name or identify either of the finalist works at this time … but all will be revealed at the opening night of the ‘2015 Head On Photo Festival’ in Sydney on Friday 1st May. The ‘Portrait Prize’ exhibition will then run from the 2nd May till the 8th June at Sydney Living Museums … whilst the ‘Moving Image’ work will be displayed at the Brenda May Gallery Sydney from the 5th May till 6th June.

To keep abreast of the happenings at the Head On Photo Festival and Head On Prizes on social media use these tags … Hashtag – #headon15,  Facebook – @Head On Photo Festival​,  Twitter – @HeadOnPhotoFest,  Instagram – @headonphotofestival .

Nikon Walkley’s In Brisbane …

Thanks to Nikon Australia and the Walkley Foundation I last week again travelled to Brisbane to help launch the ‘2014 Nikon Walkley Press Photography Exhibition’ at the Brisbane Powerhouse.

Great to catch up with colleagues and mates once again but first I had to do the ‘official bit’ on stage and wax (probably not so) lyrical – to an audience of about 70 guests – about the work of Australia’s press photographers and the wonderful images collected into this years exhibition displayed on the textured and colourful walls of the Powerhouse. I then joined forces on stage with Nikon Walkley News category finalist – Courier Mail staffer and mate – Peter Wallace … and we talked about how he worked to obtain his great image of now convicted murderer Gerard Baden-Clay.

A great evening that I hope everyone enjoyed … and ‘Thanks’ to the Walkley’s, Nikon and all at the Powerhouse.

If you get the chance to see the exhibition – either in Brisbane or in other touring venues – you will not be disappointed. The work is extraordinary (as is usual every year) and a testament to the talent of Australia’s press photographers.

Below a pic – courtesy of Nikon’s Chris Dalton – of yours truly hiding behind the microphone at the Nikon Walkley exhibition launch with the work of Sport finalist Brett Costello on the big screen . Image © Chris Dalton

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‘Genesis’ Story in Walkley Mag …

The latest edition of the Walkley Magazine has hit the streets … and within is published (at the request of the Walkley Foundation) “In the Beginning” … my story on the ‘Genesis Project’ exhibition.

‘Genesis’ developed from an a germ of an idea I had … to explore the early images of now experienced photographers …  the catalysts that transformed a child, teen or young adult into a potential devoted pro photographer. The moments when through creating an image they realised “this is what I want to do – become a photographer and make photographs – to capture life’s moments”.

The exhibition was a major featured event at this years Head On Photo Festival in Sydney. Was pretty chuffed when contacted by the Walkley Foundation and asked to contribute the ‘Genesis’ story to their prestigious magazine. Posted below are grabs of the three pages as published where you may read the story and see some of the images. (As mentioned in the previous post I was also asked to present a ‘power talk’ and visual presentation on the project at the Walkley ‘Storyology’ event in Sydney.)

There is more on the ‘Genesis Project’ on my blog at … https://www.briancasseyphotographer.com/blog/2014/05/genesis-project-great-company/ … and … https://www.briancasseyphotographer.com/blog/publications/2014/05/genesis-france-world/ … and … https://www.briancasseyphotographer.com/blog/travel/2014/05/curating-genesis-project/

Images in these pages © Fiona Wolf, Katrin Koenning, Ben Lowy, Glenn Campbell, John Donegan, Chris Rainier and Brian Cassey

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Walkley Storyology …

The first week of December saw the Walkley Foundation’s biggest week of the year – the ‘Storyology’ four day media event and – showcasing the pinnacle of Australian journalism’s in 2014 – the annual ‘Walkley Awards‘ presentation night. I was very pleased to travel to Sydney to be a involved in both – as a speaker (twice) at ‘Storyology’ and as a guest of Nikon at the ‘Walkley’s’.

The ‘Storyology’ event at the Chauvel Cinema Paddington attracted a host of respected and exciting speakers from around the planet and Australia … and I was very humbled to see my name amongst the long list which included such stellar media luminaries as (to name just a few) Laurie Oakes, Quentin Dempster, Wendy Hamer et al.

My involvement at ‘Storyology’ was two fold. On the Wednesday I was tasked with giving a ‘powertalk’ in the ‘Listen Up: Getting Back To The Story’ segment where, at the Walkley Foundation request, I told the story and showed the images from the photographers involved in the ‘Genesis Project’ exhibition that I co-curated with Moshe Rosenzveig for the Head On Photo Festival earlier in 2014.

The real honour for me, however, was being a part of Thursday’s ‘Show and Tell’ panel talk on photojournalism alongside three fellow photographers that each have my utmost respect … John Donegan, David Dare Parker and Andrew Quilty. For an hour in front of a very interested and inquisitive audience we talked about our careers, our lives and our images … and answered some very well put questions from the floor.

Thursday evening saw this years ‘Walkley Awards’ unfold on the water at Darling Harbour. The Nikon crew were once again fine hosts and it was excellent to catch up with many many photographers and journalist friends whilst this years award winners were recognised. My colleague from the ‘Storyology’ panel talk – Andrew Quilty – deservedly added the “Nikon Walkley Press Photographer of the Year” prize (presented to him by our fellow panelist David Dare Parker) to his earlier announced “Press Photo of the Year” award. Nice to see … and I certainly enjoyed the evening more than last years (for me) stress filled event. (The ‘after party’ became a bit of a blur and I do believe I did get to bed before sun rise.)  Congratulations to all this years winners … and a big ‘Thanks’ to the Walkley Foundation and Nikon for the invitations.

Below is a pic made (by Jenny from the Walkleys) during the ‘Storyology’ ‘Show and Tell’ panel talk with – left to right – John Donegan, myself, David Dare Parker and Andrew Quilty – whilst one of my Hong Kong cage home images is the subject of discussion (above). © Image

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