Covid, Adani, Global Climate Catastrophe … CNN and Me …

… great to be part of a massive Covid-19 story of global importance just published on CNN.

The story entitled ‘The One Chance We Have’ delves into the story of how … during the Covid-19 pandemic and the subsequent confusion and devastation of the global economy … fossil fuel producing countries are injecting taxpayer money into propping up polluting industries that are hastening an earlier climate catastrophe. 

The story uses vignettes from four fossil fuel producing countries … Canada, Poland, Australia and India … to substantiate the premise that ‘The pandemic gave the world a golden opportunity to fix the climate crisis. We’re about to waste it.’

My work appears in the ‘India’ segment … and comprises six of the images I made just on a year ago in Chhattisgarh … set amongst a lengthy story (somewhat based on my original words but ‘updated’) on the destruction of the Hasdeo Arand forest and the Gond tribal population by Indian mining giant Adani hand in hand with Modi’s government.

My images and words from Chhattisgarh have previously been published in The Guardian (here and here), in Italian newspaper Corriere Della Sera (here) and elsewhere.  Very gratifying to see the work picked up again.

I must stress that this current story on CNN is a great and incredibly important piece of journalism and is well worth a look (at the images) and a good long read. Please do … there is far too much in the story to go into here and the implications for the future of the planet are chilling. 

I’m joined pictorially in the piece (in the ‘Australian’ section of the story) by Aussie based colleagues David Maurice Smith and Matthew Abbott. Hi Guys !

Thanks CNN for the important story and for using my work to help illustrate it. Thanks yet again to my fixer/friend Srienivas Akella from Mumbai … brilliant travelling with you.

Below … images (3 of my 6) © Brian Cassey … from the CNN story ‘The One Chance We Have’.

CNN story 'The One Chance We Have' on Covid-19 pandemic hastening a global climate catastrophe - images by Brian Cassey

CNN story 'The One Chance We Have' on Covid-19 pandemic hastening a global climate catastrophe - images by Brian Cassey

The Portrait Photographers of Trinity Bay High School …

A pleasure once again to be faced with the task of judging the work of the extraordinary visual arts students at Trinity Bay High School in their annual photographic portrait prize. This is the fifth year I’ve had the privilege of being the arbiter of their collective efforts at portraiture. Would have to say that this years overall collection well exceeds the standards of the previous four years.

Although slightly down on numbers from last year (not surprisingly during a year when their school curriculum has been adversely impacted by Covid-19) approximately fifty portrait prints lined the walls at the Trinity Bay school.

Standout ‘Best in Show’ winner was a somewhat controversial exceptional image entitled ‘Dysthymia’ by grade 12 student Kayla Allan of her sister Keira. I must confess that that I was unfamiliar with the term ‘Dysthymia’ and had to look it up.

A form of clinical depression, dysthymia is from the Greek word meaning “bad state of mind” or “ill humour”. Symptoms include depressed mood, disturbed sleep, low energy, poor concentration, poor appetite, low self-esteem, and hopelessness.

Once seen, the image (top – below) doesn’t let you go … the irresistible eyes follow you around … and it vividly tells ‘a story’ commensurate with it’s title. I won’t forget the work … or the meaning of the word ‘Dysthymia’.

Kayla deservedly received a Nikon DSLR camera for her work courtesy of sponsor Garricks Camera House.

The Seniors Prize (for grades 11 and 12) went to Kelli Baker (grade 11) for an eerie self portrait ‘A Watery Veil’ (below – second from top). The Juniors Prize (grades 7 to 10) I awarded to Sam Williams (grade 10) for his equally atmospheric portrait entitled ‘Isolation’ of his mum Kylie (third row – right). Each were awarded vouchers to spend on photo kit at Garricks.

Also handed out several well deserved ‘Highly Commended’ awards to Juniors … Shaun McIntyre (grade 10) for ‘Thoughts’ of subject Layla Johnson (pensively looking remarkably like a young actress Genna Davis – below – bottom), Imogen Toohey (grade 7) for an ‘Untitled’ work … and Seniors … Madison Robinson (grade 11) for ‘Expectations’ (below – third row left), Chantelle Nolan (grade 12) for ‘Behind’ and Hanna Browning (grade 11) for ‘Secluded Minds’. (NB – My apologies to Hanna, Chantelle and Imogen – unable to present your work here due to ‘space’ issues.)

The visual arts teachers at Trinity Bay also deserve their own award for fostering these photographic talents amongst their student numbers. Again, a distinct pleasure to be involved.

Links to previous years winners and works can be found here … 2019, 2018, 2017, 2016.

Images © the Artists … from top … Kayla Allan, Kelli Baker, Madison Robinson (left), Sam Willams (right), Shaun McIntyre.

Trinity Bay High School Photographic Portrait Prize - Winner Kayla Allan - judged by Brian Cassey

Trinity Bay High School Photographic Portrait Prize - Winner Kelli Baker - judged by Brian Cassey

Trinity Bay High School Photographic Portrait Prize - Winners Madison Robinson & Sam Williams - judged by Brian Cassey

Trinity Bay High School Photographic Portrait Prize - Winner Shaun McIntyre - judged by Brian Cassey

TV, Radio … and More … !

An amazing couple of weeks …

It seems that the ‘Portrait of Humanity’ award and projection in ‘space’ of two of my pics hit ‘the spot’ with a variety of media … and I’ve spent some time on interviews with various TV, radio and other media outlets talking about it rather than making new images 🙂

First off the rank was ABC Far North correspondent  Sharnie Kim who did a great job on her ‘Portrait of Humanity’ story for publication on the ABC web site at https://www.abc.net.au/news/2020-06-12/carol-mayer-photograph-shortlisted-in-portrait-of-humanity/12335282 . Sharnie not only went into the back story of my two selected images … ‘The Skin I’m In’ and ‘Ramnami’ … but also sourced several other ‘short listed’ pics from other photographers.

Didn’t take long for radio to get in on the act … Sarah Speller interviewed myself ‘live’ on ABC Breakfast Far North (at not the best time very early on a Saturday morn) … and then followed that with another recorded segment on her ‘Sarah’s Spot’ on Cairns Radio 4CA a few days later. If you fancy … here (below) are Sarah’s two radio interviews (roughly near six minutes each).

ABC Breakfast Far North – Radio Interview ‘Portrait of Humanity’ – 5.50

 

Sarah’s Spot – 4CA – Radio Interview ‘Portrait of Humanity’ – 5:52

 

The biggest buzz, however, was the piece on the top rating Channel Ten news program ‘The Project’. Really pleased that the program centred on the my amazing subject, burns survivor Carol Mayer, her strength and her story following the fire tragedy when she was a young mum. Lisa Wilkinson opened The Project’ with the news of the selection of my pic of Carol in the 2020  ‘Portrait of Humanity’ … and I later made a little cameo telling of how the pic came about and our relationship. Carol was amazing throughout the interview … and the comments at the end of the segment by show host Lisa Wilkinson were worth watching alone. The show featured a total of nine of my images of Carol … including, of course, the one chosen for ‘Portrait of Humanity’.

The show ran for 6:28 and can be watched here …

Carol Mayer on ‘The Project’

 

Whilst all this was going on I was also asked to be involved and interviewed for the State Library of Queensland’s ‘Behind the Lens’ series as part of their current exhibition ‘TWENTY – Two Decades of Queensland Photography’. Five of the many photographers who have contributed to SLQ’s headline exhibition were each asked to feature in a series of twenty minute interviews over the next few weeks … and mine was first off the rank. Had a nice long chat with SLQ’s Anna Thurgood … the piece of us chatting was also interspersed with my exhibition images made during Cyclones Winifred, Yasi, Larry, Ita and Ului … and the result was broadcast online last Thursday along with a Q&A. However, you can still catch the entire twenty minute interview here below (sadly without the Q&A) …

State Library of Queensland – ‘Behind the Lens’ – ‘TWENTY – Two Decades of Queensland Photography’

All the above audio and video files may also be played … along with many more from the past … on the ‘Play’ page of my web site at https://www.briancasseyphotographer.com/play

Now … back to work making more pictures 🙂

 

‘Black Lives Matter’ … Cairns …

Eight minutes and 46 seconds … a length of time that will reverberate down history. George Floyd was killed by a police officer kneeling with all his weight on his neck for 8:46. Floyds death at the hands of this Minneapolis police officer sparked massive  protests and demonstrations across America and around the World. The ‘Black Lives Matter’ and the ‘I Can’t Breath’ movement exploded across the divide of races and boundaries.

The movements brought the spotlight in Australia not only to Floyds death and the mounting death toll of African Americans at the hands of the US police … but also to the hideous numbers of Australian indigenous ‘deaths in custody’ … four hundred and thirty two since 1991.

On a Global scale last Sunday’s Cairns protest, against aboriginal deaths in custody and to show solidarity with the George Floyd protestors in the US, wasn’t Globally significant. However, to the people of Cairns … from all races and walks of life … it was worth risking Covid-19 to have their numerous voices heard.

The event in the centre of Cairns was all of … emotional, vociferous, passionate, meaningful and imperative. It was a pleasure to document despite the fact that I would rather it wasn’t necessary.

Below are a small selection of the images I made at the protest … a lot more may be found on my Instagram feed at … https://www.instagram.com/brian_cassey/

and my Facebook page at … https://www.facebook.com/brian.cassey1

Images © Brian Cassey

'Black Lives Matter' Protest Cairns - George Floyd - Aboroiginal Deaths in Custody - images by Brian Cassey

'Black Lives Matter' Protest Cairns - George Floyd - Aboroiginal Deaths in Custody - images by Brian Cassey

'Black Lives Matter' Protest Cairns - George Floyd - Aboroiginal Deaths in Custody - images by Brian Cassey

'Black Lives Matter' Protest Cairns - George Floyd - Aboroiginal Deaths in Custody - images by Brian Cassey

'Black Lives Matter' Protest Cairns - George Floyd - Aboroiginal Deaths in Custody - images by Brian Cassey

Moscow, Moscow, Moscow …

Pleased to have three images selected to each receive an ‘Honorable Mention’ in the just announced 2020 ‘Moscow International Foto Awards’. Especially pleasing is that all three are relatively ‘new’ images … two made in February and the other made in India last October.

It is the first ‘accolade’ for the portrait of Bonn … “Bonn Marie – Asking the Question” … made at a social gathering in the studio shed of fellow Cairns photographer Marc Steiner. It was Bonn’s first real time seriously in front of the camera … she’s a talented little red head and done very good ! (it’s also the first time one of my pics has been mentioned in a ‘Fine Art’ category.)

Kate … my subject in “Kate – Waiting for Her New Breasts” … is one of the very nicest and most resilient women I’ve met. To cut a long story short … Kate had a double mastectomy eight years ago after being diagnosed with a rare form of breast cancer and expected to have reconstructive surgery soon after. Thanks to the inadequacies of the hospital wait list system she is still waiting …

The image ran front page of the Queensland Sunday Mail and prompted the Queensland Health Minister to fast track her surgery … than along came covid-19. She’s still again (patiently) waiting …

This is the second mention for Kate’s image following it’s selection as a Finalist in the Percival Photographic Portrait Prize currently exhibiting at the Perc Tucker Gallery in Townsville.

“Ramnami” is a image I made in Chhattisgarh, India whilst on a day off from covering the story of Indian coal mining giant Adani’s continued destruction of the Hasdeo Arand forest and it’s tribal Gond peoples. Maherttar Ram Tandon is member of the Hindu sect Ramnami Samaj and his entire body is covered with the tattooed text of their god रामराम – Ram Ram – making him one of the only five still surviving ’Naksikh’.

This image has also just been selected on the shortlist of the global and prestigious ‘Portrait of Humanity’ 2020 collection and will be, amongst other things, projected on a screen in the stratosphere and then transmitted as a digital binary file through space on a (possibly) never ending journey. More details about the Image and it’s space journey are here … https://www.briancasseyphotographer.com/blog/stories-blog/2020/06/pics-in-space-out-of-this-world-with-portrait-of-humanity/

The Moscow International Foto Awards have become something of an annual habit and have clocked up a fair few mentions since the first win in 2014. Check through the years here if so inclined …

Images © Brian Cassey

 

Moscow International Foto Awards 2020 - winning images by Brian Cassey x 3

‘Pics in Space’ … Out of This World with ‘Portrait of Humanity’ …

I mentioned a few weeks ago in a Facebook post that I had some exciting news that I couldn’t at the time reveal … I can now !

Announced last eve … the ‘Shortlisted’ images in the second edition of ‘Portrait of Humanity’ … a planet wide selection of the best photographic portraiture co-hosted by 1854 media (publisher of the British Journal of Photography) and Magnum. This project aims to create one of the most ‘far-reaching’ … literally in more ways than one … portrait photography exhibitions in history.

The two hundred ‘Shortlisted’ portraits will be exhibited in outer space … and then transmitted as code through the Universe for (possibly) eternity !

Portrait of Humanity organisers elaborate … “In the ultimate celebration of humankind and the home we share, Portrait of Humanity 2020 will be exhibited in Space. In a feat never before achieved with a photographic exhibition, 200 shortlisted images will be used to broadcast a message of peace and unity from humankind to infinity. Our partner, ‘Sent Into Space’, will launch a screen into the stratosphere with a 360° camera, so photographers can see their images displayed against the extraordinary backdrop of Space. The images will then be beamed onwards in binary code, travelling unimpeded through the solar system at the speed of light. These messages could continue on an infinite journey — or until another civilisation receives and decodes them.”

May seem like bit of a ‘stunt’ but it seems like pretty damn cool stunt to me.

The best bit is that they have selected TWO of my images to make the journey into the stratosphere and beyond … “Ramnami” (a portrait of tattooed Maherttar Ram Tandon in Chhattisgarh, India) … .. and … “The Skin I’m In” (a portrait of the wonderful Cairns burns survivor Carol Anne Mayer). The portrait of Carol has attracted lost of ‘interest’ previously, whilst it’s very rewarding to see the portrait of Maherttar receive it’s first recognition.

All the ‘shortlisted’ images have also been collected into a ‘Portrait of Humanity Volume 2’ book. If you are interested in this wonderful volume of the best photographic portraiture from around our planet you can order a copy from the British Journal of Photography book shop here … https://www.thebjpshop.com/product/portrait-of-humanity-vol-2/ . (Carol … I have one on order for you !).

Great to be part of this exciting ‘out of this World’ initiative by 1854 Media and the British Journal of Photography … as was being selected in the shortlist of the inaugural ‘Portrait of Humanity’ collection back in 2019.

Images © Brian Cassey (@BJPhoto)

 

portrait of Humanity 2020 - Shortlist - Ramnami by Brian Cassey . Chhattisgarh, India

 

Portrait of Humanity - 'The Skin I'm In' - shortlisted - by Brian Cassey

 

 

Three … Percival Photographic Portrait Prize

Really pleased to have three portraits selected, physically printed, framed and hung on the walls of the Perc Tucker Gallery in Townsville … finalists in the biennial ‘2020 Percival Photographic Portrait Prize’ … but … strangely no one is allowed to see them there !

Due to the Covid-19 virus the gallery is still firmly closed. The gallery is hoping that they will be able to open after Queensland’s Stage 2 round of restriction lifting on the 12th June, but that is far from certain. The exhibition runs until 19th July.

In the meantime will have to make do with a ‘virtual tour’ of the work as hung in the cavernous Perc Tucker Gallery. The photographic portraits are mixed on the walls with the generally larger works of the portrait painting prize … so finding specific works is ‘virtually’ problematic. Not a fan of the mixture of painting works and photographic images sharing the walls that’s for sure. Many … if not most … of the photographic works are dwarfed by massive (sometimes gaudy) paintings … but it is nice knowing they are ‘there’.

To save you searching ‘virtually’ … here are my three works that made the cut … ‘Generations – Aurukun’, (bottom) ‘Tomotaro on the Block’ (centre) … and great to see it getting it’s first recognition … ‘Kate … Waiting For Her New Breasts’ (top). (Massive Thanks again Kate !) Both ‘Generations … ‘ and ‘Tomotaro … ‘ have received a lot of recognition previously … just check back through my blog or go to my ‘Awards’ page here.

If you are up for the challenge and would like to attempt see the works that make up the combined Percival exhibitions try here … https://www.townsville.qld.gov.au/facilities-and-recreation/theatres-and-galleries/perc-tucker-regional-gallery/percival-portrait-painting-prize#top … best of luck.

Images © Brian Cassey

'Kate - Waiting For Her New Breasts' - Finalist - Percival Photographic Portrait Prize 2020 - image by Brian Cassey'Tomotaro on the Block' - Finalist - Percival Photographic Portrait Prize 2020 - image by Brian Cassey'Generations - Aurukun' - Finalist - Percival Photographic Portrait Prize 2020 - image by Brian Cassey

Fiji Coup d’État … May – August 2000

May 19th 2000 …   twenty years ago George Speight and armed rebels took 36 Fijian Members of Parliament hostage in the parliamentary complex in Suva, Fiji. 

So began a months long saga covering Speights Fiji coup d’état for Associated Press of America (AP).

Speight held the parliamentarians, including Fijian-Indian Prime Minister Mahendra Chaudhry and seven cabinet ministers, hostage for fifty six days. President Ratu Sir Kamisese Mara was another casualty … forced to resign early into the coup and effectively replaced by a military government controlled by Commodore Frank Bainimarama … his first taste of leadership power.

Covering the coup was a rollercoaster. Access to major stories was relatively easy. We were often allowed inside the Parliament House complex where Speight held court with M-16 armed rebels (just yards from the hostages), whilst Bainimarama enthusiastically staged personal media events. Armed skirmishes were pretty frequent.  Many Fijian Indians suffered racially inspired attacks. Managed twice to get myself ‘detained’ by armed rebels … but that’s another couple of stories involving rebels and a US seafood cannery at Levuka and rebels holding hostages at Korovou.

Bainimarama agreed and signed a peace accord with Speight on July 9th , PM Chaudhry and the hostages were released by Speight on July 13th … and then July 27th Bainimarama ‘did the dirty’ on Speight, had him arrested and eventually charged and convicted of treason. 

The media contingent covering the coup were fantastic … looking after each others backs and keeping each other ‘informed’ was the norm. (We had ‘curfew passes’ from both the rebels and the military … was a good idea to remember which pass was in which pocket when out and about tormenting troops and rebels of an evening 🙂 ). I owe a huge debt of gratitude to the late and great AP photographer and Pic Ed of the time … Russell McPhedran … who sent me on two tours to cover the coup.

Twenty died during the coup upheaval. Speight remains incarcerated for life. Bainimarama still runs Fiji …

That’s it in a nutshell … 

Here are just some of many Images I made and filed during the several weeks covering the coup twenty years ago … All images © Brian Cassey (from top) …  A Speight rebel bars entry to Korovou where military and police hostages were being held … George Speight arrives to sign the peace accord. Two weeks later he was arrested accused of treason … Fijian Indians at their house torched in a racist attack … Fijian troops off to round up rebels after Speights arrest … Fijians pray for peace at a rally during the coup … A Speight rebel patrols the parliamentary complex where hostages were being held.

Fiji Coup May - August 2000 - Images © by Brian CasseyFiji Coup May - August 2000 - Images © by Brian CasseyFiji Coup May - August 2000 - Images © by Brian Cassey Fiji Coup May - August 2000 - Images © by Brian Cassey Fiji Coup May - August 2000 - Images © by Brian Cassey Fiji Coup May - August 2000 - Images © by Brian Cassey

Adani and Gond Images in ‘Corriere Della Sera’ Covid-19 story…

Great to see that my images made in Chhattisgarh, India last year have been given another breath of life to illustrate a Covid-19 related story just published in both the print and online editions of the venerable Italian newspaper ‘Corriere Della Sera’.

I originally made the images and wrote the words around mining giant Adani’s destruction of large areas of the Hasdeo Arand forest in the state of Chhattisgarh, India … and ousting the original Gond tribal peoples from their ancient forest homelands. Two articles were originally published in ‘The Guardian’ … here … and here … and on my blog at … https://www.briancasseyphotographer.com/blog/publications/2020/02/adani-and-the-gond/

However, ‘Corriere Della Sera’ updated the story to be more appropriate for the strange Coronavirus times we are now living in.  Six months makes a monumental difference. Their story entitled ‘Mines or solar energy: the pandemic accelerates the dilemma of the giant India’ … centres on the premise that the onslaught of Covid-19 in India has began a perceived shift away from traditional coal for power production towards solar power. India’s top twenty ‘think tanks’ have together lobbied Modi’s Indian government to utilise solar panels to power the massive rural areas and populations of the sub-continent in place of coal. The plight of the Gond peoples in the Hasdeo Arand forest and their battle against mining giant Adani (based on my original story) are central to their argument.

Obviously Corriere Della Sera’s story is in Italian … and it may be found here … and in scans of pages 12, 13 and 14 of the paper here below. A Google ‘translation’ into English is a little hard to fathom but makes much more sense to me than the Italian: -) … find it here.

Images X 8 © Brian Cassey (all except the solar power image) … publication © Corriere Della Sera, Milan, Italy

 

Corriere Della Sera - Adani, Gond Peoples and Hasdeo Arand Forest story - images by Brian Cassey

The ABC Story on ‘Paper Tigers’ …

A great piece by ABC journalist Teresa Tan on the ‘Paper Tigers’ project curated by Moshe Rosenzveig and ‘yours truly’ … and one of the highlights of the just completed 2020 ‘Head On Photo Festival’.

Teresa interviewed six of the sixty photojournalists who are participating in ‘Paper Tigers’ …  an anthology of contemporary Australian photojournalism. The published piece delved into the personal back story of the images that each of the six had selected for inclusion in the exhibition and a ‘Paper Tigers’ book that is sure to become a sort after volume. The subject matter captured by each of the six was diverse and the stories of how these images came about extremely illuminating. The six photojournalists whose work is analysed in the ABC article are Tracey Nearmy, Nick Moir, Craig Greenhill, Eddie Safarik, Rob Maccoll … and unashamedly … myself :-). Teresa’s story is available here … https://www.abc.net.au/news/2020-05-17/photojournalism-australian-photographers-share-stories/12247936?fbclid=IwAR2wYuO2fPf9ry0Fb57x5MPBsk95MoLhEcoIoKFHmZA79RpQUGIhePfxgv8

The Guardian also did a fine job highlighting ‘Paper Tigers’ at Head On showcasing the work of Martine Perret, Jaime Murcia, Andrew Chapman, Nic Walker, Michael Coyne, Penny Stevens, Tracey Nearmy, Meredith O’Shea, Glenn Lockitch, Eddie Safarik, Ashley Crowther, Janie Barrett, Jessica Hromas, Delly Carr, Dean Lewins and Alex Coppel. It can be found here … https://www.theguardian.com/artanddesign/gallery/2020/may/01/paper-tigers-exhibition-australias-contemporary-photojournalists-in-pictures

You can find more details about the origins of the ‘Paper Tigers’ idea and how it evolved on a previous post on this blog at … https://www.briancasseyphotographer.com/blog/exhibitions/2020/05/paper-tigers-strippers-head-on-photo-festival/ … which also lists all sixty photojournalists participating in the project.

The ‘Paper Tigers’ exhibition can be found on the Head On Photo Festival site at … https://www.headon.com.au/exhibitions/paper-tigers   … the Limited Edition book ‘Paper Tigers’ can be purchased from the Head On site at … https://www.headon.com.au/product/paper-tigers-book

Sadly,  the physical exhibition of the work at Paddington Town Hall has had to be postponed … however, it is now planned to have the sixty works on the walls in Paddo in early November. Stay tuned on that one …

Paper Tigers, Strippers … & Head On Photo Festival

… it started with a germ of an idea and took nigh on a year to come to fruition … but “Paper Tigers – an Anthology of Contemporary Australian Photojournalism” is now very much a reality as an exhibition and a book.

My initial idea of a print swap of work between Australia’s talented photojournalists morphed into something much grander after a long chat with Head On Photo Festival director Moshe Rosenzveig OAM.

Moshe enthusiastically grasped the implications of the project … the like of which he confessed had been close to his heart for some years. Our combined plan grew into a featured exhibition of the work of Australia’s media photographers at Paddington Town Hall during this years Head On Photo Festival, a book of the exhibition and an exhibition ‘event’ for photographers to meet, admire their work and swap prints.

So began the task of ‘mustering’ Australia’s talented photojournalists … an ‘interesting’ exercise to invite, confirm participation and collate the collection of work … one image from each. In the end we had to draw a line at sixty.

The list is exceedingly impressive … in alphabetical order … Alex Coppel, Andrew Chapman, Angela Wylie, Ashley Crowther, Barbara McGrady, Ben Bohane, Brendan Beirne, Brian Cassey, Chris Hopkins, Craig Golding, Craig Greenhill, Darrian Traynor, Dave Tacon, David Dare Parker, David Gray, Dean Lewins, Dean Sewell, Delly Carr, Eddie Safarik, Edwina Pickles, Gerrit Fokkema, Glenn Campbell, Glenn Lockitch, Grant Wells, Helga Salwe, Ilana Rose, Jaime Murcia, Jake Nowakowski, Janie Barrett, Jessica Hromas, John Donegan, John French, Justin McManus, Louise Kennerley, Luis Ascui, Mark Crusty Baker, Martine Perret, Max Mason Hubers, Meredith O’Shea, Merv Bishop, Michael Amendolia, Michael Coyne, Moshe Rosenzveig, Nic Walker, Nick Moir, Nicola Bailey, Noel Butcher, Paul Blackmore, Penny Stephens, Peter Solness, Richard Wainwright, Rick Stevens, Rob McColl, Robert McFarlane, Simon O’Dwyer, Stephen Dupont, Sylvia Liber, Tim Page, Tobias Titz, Tracey Nearmy.

When it comes to media photographers Australia is, indeed, a ‘Lucky Country’.

Then … along came Covid-19 …

It has long amazed me how the tiny Head On team (currently Moshe, partner Anita Schwartz, Stephen, Anna and Paula) manage to put together the far reaching and monumental photo festival that it has become. It enjoys and includes contributions and entries from the best around the planet … and a World wide reputation. For a moment Coronavirus threatened all that …

However, Moshe was not fazed … and the massive work of converting the entire festival to an ‘online’ event began. That online event has now been underway for two weeks … and has been revolutionary in it’s presentation of exhibitions, artist talks, panel talks, photo related workshops, award announcements and more.

Paper Tigers has played a significant part in this Head On festival. The exhibition is available … all sixty works by sixty photojournalists … online (a simple registration required), the book ‘Paper Tigers’ (see my book image ‘Abdullatif’ top below) is now available for purchase on the website … and Head On hosted a fascinating online panel talk around the work and Australian photojournalism. It is planned to still show the physical exhibition of the complete work on the walls and host the photographers ‘do’ and print swap at Paddington Town Hall early in November (hopefully post Covid).

Below are just two of the sixty wonderful images that make up the ‘Paper Tigers’ collection. Dean Sewell’s ‘Bruce’ from 1999 and Nic Walker’s ‘Rite of Passage’ from 2014. The other 58 are just as impressive.

Amongst the massive amount of brilliant photography on line in this years festival I was also pleased to present my own little ‘featured’ exhibition. “Me Too ! Where the Boys Are … the Girls Are” showcases my work covering the MenX burlesque group during their tour to Cairns whilst being filmed for a Vice TV show. It shows the interaction between the guys who are performing and doing a job (without much in the way of clothing) and the young female audience who willingly participate. The exhibition may be found online on the Head On website (again with a simple registration) … and I did mange to stumble through an online ‘artist talk’ on the subject for those brave enough or with time to waste 🙂 . (NB – link to recorded ‘artist talks’ will be down the track.) Two of my images from the exhibition (which also should be physically on the wall in November) are below.

Lastly … was also pleased to see one of my most successful images … ‘Generations – Aurukun’ (yes … you’ve probably seen it before but it’s (bottom) below anyway 🙂 ) … selected as a semi-finalist in this festivals Portrait Prize. It’s also included in the Portrait Prize video here at the 1:18 mark.

The Head On Photo Festival 2020 has just a few days left to run. If you havn’t visited yet and you have any interest in photography at all I strongly suggest you visit and enjoy. Moshe, Anita, Anna, Stephen and Paula have done a remarkable job.

Images © … Brian Cassey & Head On (top), Dean Sewell, Nic Walker and Brian Cassey (bottom three).

@headonphotofestival

 

Head On - Paper Tigers - Book - photojournalism - 'Abdullatif' by Brian Cassey

Head On - Paper Tigers Book - 'The Block' - image by Dean Sewell - Oculi

Head On - Paper Tigers - Book - image by Nic Walker

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On - 'Me Too - Where the Boys Are ... the Girls Are' - image and exhibition by Brian Cassey

Head On Portrait Prize - Semi-Finalist - 'Generations - Aurukun' - by Brian Cassey

Dahi Handi & Australian Photography Magazine …

It’s taken a while to happen … but finally very pleased to see a double page spread in the latest edition of Australian Photography magazine showcasing an image I made at a Hindu Dahi Handi event in Mumbai … and my story of how this image came about.

The pic was made back in September ’18 on a working visit to Mumbai which coincided with the annual festival of Krishna Janmashtami … one of the most important festivals in India which celebrates the birth anniversary of Lord Krishna, one of the most widely revered gods of Hinduism.

At once a religious celebration and a sport (it was classified by the government as an adventure sport in 2014), Dahi Handi is performed the day after Lord Krishna’s birthday every year on what seems like almost every street in the Indian state of Maharashtra. Teams of up to a hundred young ‘Govindas’ form human pyramids in an attempt to reach and smash a pot … the ‘Handi’ … filled with yoghurt and suspended tens of metres above them. The event is based on the legend that a baby Lord Krishna used creative ways to steal milky treats which were supposedly hung high out of reach.

Two India based good friends … S Anand Singh from Varanasi and Mumbai based former pic ed Srienivas Akella … thankfully joined me as we navigated Mumbai’s manic rail system across town to one of the best Dahi Handi venues. The pyramid building (bottom image) was breathtaking and not without incident … but I kept coming back to an image I made of a ritual performed by one of the teams. One of the Mumbai media photographers passed on a tip to watch out for this ritual performance of togetherness and team work before commencement of their pyramid build. The image was made from the fourth floor balcony of an adjoining residential block. Many teams around the surrounding streets got into serious pyramid building and pot smashing … but only one team seemed to perform this ritual.

The full story and the image itself across the fold can be seen in the Australian Photography March edition available at newsagents across the land … (or you may be able to just about make out the words on the magazine pages grab below 🙂 )

My Thanks to Australian Photography editor Mike O’Connor for the run.

Images © Brian Cassey, & publication Australian Photography magazine

 

Image of Dahi Handi in Mumbai published Australian Photography magazine - 'Behind the Lens' ... image by Brian Cassey

Dahi Handi - Hindu festival image made in Mumbai by Brian Cassey, Cairns Australia based photographer

Kate … “I Deserve to Feel Like a Whole Woman” …

We’d like to think otherwise but In all honesty it’s pretty rare that our work in the media actually makes a substantial ‘difference’.

Every now and then something comes along to restore your faith in the role of the media … and reminds us why we work in this ‘game’.

A couple of weeks ago I was asked to take images of ‘Kate’ … studio shots showing her character and the scars that have been part of her life since a double mastectomy following a breast cancer diagnosis years ago. The Sunday Mail have been going hard on a campaign to reduce hospital waiting times for surgery in Queensland hospitals … and Kate Yeoman is a prime example.

Kate is one of dozens who have been on hospital waiting lists for breast reconstruction surgery for many years. She was diagnosed with rare Tubular Carcinoma cancer eight years ago and endured a double mastectomy. She was advised that breast reconstruction would be implemented at the same time. It wasn’t and she is still waiting …

I made this image (below) in a friends little (private) studio … it featured across page 1 of the Sunday Mail with the head ‘Forgotten Women’ and Kate’s tale by journalists Jackie Sinnerton and Natasha Bita. Kate’s story spread to two more inside pages where it expanded to include narrative from three other women in a similar situation. The story and images have since spread around Australia.

The reaction by readers and the Queensland Government was immediate. The Queensland Health Minister Steven Miles said he was “personally moved” by the Sunday Mail image and story on Kate’s plight and the other women’s stories. “My heart breaks reading the very personal stories of women affected by breast cancer,” Mr Miles said. “I’ve asked for Cairns Hospital to meet with these patients to ensure they receive their surgery as soon as clinically possible.”

Miles has now arranged for twenty four Cairns women with long standing issues to receive their required surgery in Brisbane … whilst Kate will have surgery in Cairns on 2nd of April to reconstruct the breasts she has been without for a too long eight years.

It gets better … in news just to hand (Saturday 29th Feb) the Queensland Government has announced that it will open operating theatres on weekends to ease patient wait lists and will pump in $20 million to do so and to implement other strategies.

Kate … who deserves a bloody medal for her magnificent courage and fortitude … is over the moon.

Kate today said “I am sitting in Kmart crying tears of joy. This is life changing for so many. Thank you to everyone who has recognised the importance of this, Sunday Mail, both sides of government and the public who have reached out after my very personal exposure.  My mum was right, I shouldn’t have to go such extraordinary lengths to get this issue some attention, but I am so proud of what has been achieved. The impact of long waits can be devastating and this much needed funding injection will change and perhaps even save lives.  Let’s hope this also creates a change in policy and that reconstruction is recognised as an important part of the treatment plan for breast cancer patients in Queensland.”

It gives you goosebumps … and I’m so pleased to be a tiny part of a triumph for Kate and many other Cairns women.

Images © Brian Cassey and Sunday Mail (slightly differing images of Kate) (below)

Kate yeoman awaits breast reconstruction surgery following breast cancer diagnoses - image by Brian Cassey

Kate Yeoman awaits breast reconstruction surgery following breast cancer diagnoses - image by Brian Cassey - page 1 Sunday Mail

The Real Bali … and Arthur Fleischmann …

A real pleasure to spend some time in a beautiful barely untouched part of Bali, far away (well, about an hour and a half) from ‘tourist central’.

The Sidemen Valley adjacent to the village of the same name in East Bali is akin to stepping back several decades to earlier times when Bali was an unmarred spiritual paradise. Rice paddies are liberally strewn through the lush fertile valley dominated at the end by views of dramatic volcanic Gunung Agung. It’s bloody gorgeous …

I recently became aware of the impressive Balinese 1930’s photography work of Slovak born photographer/sculptor Arthur Fleischmann. Whilst at Sidemen I made this atmospheric image … “Homage to Arthur Fleischmann – Diah” (top below) … as a tribute and an attempt to echo Fleischmann’s Balinese work of that era.

Fleischmann arrived in Bali by boat in 1937 and set about documenting Balinese life. In particular he turned his camera to what he saw as the everyday heroics of Balinese women in agrarian life and at harvest … “their labour under the heat of a searing sun celebrated and immortalised”. Three of Arthurs many images can be found bottom below.

His Balinese photography collection is best found in the large book “Bali in the 1930’s” (if you can find it!)

The outbreak of WWII led to his departure from Bali to a new life in Sydney where he become a member of Australia’s Merioola artist commune. In 1949 he left for London where he lived the rest of his life till his death in 1990 at the age of 94. His last sculptural work … “Tribute to the Discovery of DNA” … stands in the NSW State Library, Sydney.

I am very grateful for the help of loverly local talent Diah Antari, my driver Suyasa and the rest of the so helpful staff at the beautiful Wapa di Ume hotel in the Sidemen Valley … so very much appreciated !

(The other real bonus being in Bali again … the chance to once again stay at my very ‘favouritist’ hotel … the sublime Tandjung Sari at Sanur. Owned by the Wawo-Runtu family since it’s beginnings in 1962, Tandjung Sari is a peaceful oasis on the Sanur waterfront … a place that fosters Balinese arts and lifestyle above all else. Once a haven for rock stars and royalty it has matured with grace over the decades. Nothing much has changed … and nor does it need to … since my first of many visits over twenty years ago.)

Image “Homage to Arthur Fleischmann – Diah” (top) © Brian Cassey, Images x 3 (bottom) © Arthur Fleischmann

"Homage to Arthur Fleischmann" - image © by Brian Cassey - made of Diah Antari in the Sidemen Valley East Bali

The work of Arthur Fleischmann in Bali 1930's - compilation by Brian Cassey

Happenings in Perth, India … and the UK …

A lot of ‘goings on’ recently with exhibition openings in Perth, a rewarding ‘road trip’ in India, a bit of recognition from ‘Budapest’ … and an image on the walls at the Royal Photographic Society in England.

Travelled to Perth (and Fremantle) last month for two exhibition openings at two events … the ‘Fremantle International Portrait Prize’ (FIPP) one week and the ‘IRIS Portrait Awards’ at the Perth Centre for Photography the next.

Satisfyingly, both included personal works  … ‘Tomotaro on the Block’ and ‘Generations- Aurukun’ in the ‘FIPP’ … and just ‘Generations – Aurukun’ in the ‘IRIS’. Both great opening eves … first time for me in the ‘IRIS’ collection, but third time in the mix for the ‘FIPP’. Nice also to have a good opportunity to spend a little time in the West and catch up with photographer colleagues Richard Wainwright, Roger Garwood, Johannes Reinhart, Peter Ramshaw and Justin Ma… and also sparkling Nikon rep Julie Kimpton.

From Perth it was four flights to Mumbai (including a quick overnight stopover in Little India Singapore) where I met up with friend and former photo editor at the Indian Express, director of Solaris Images … and all round good bloke Srienivas Akella. ‘Srini’ had organised flights for the two of us to Raipur in the state of Chhattisgarh where I had identified one story in particular that I was keen to work on.

Srini has extensive knowledge of his home country and had also searched out a few other possible pic stories to fill any ‘blanks’ in covering my main objective. As it turned out we managed three stories over six days … my main story (which stretched over three days and involved twenty four hours of driving through Chhattisgarh – all will be revealed when the story and pics are placed and published) … pics of two (apparently of five) of the surviving full body tattooed ‘Ramnami’ – a low caste sect that once endured having the name of their god Rama etched over their entire bodies … and a continuation of my earlier ‘Typewriter Wallahs’ pic essay (this time in the city of Raipur) on the men (and woman) of India who persist in working with (and repairing) ancient manual typewriters.

The weeks work culminated back in Mumbai on a big Diwali celebration night of fireworks, colour and food with Srini, his family and his very pleasant community. Thanks Srini !

Also received great news … an email from ‘Portrait Salon’ stating … “Dear Brian, We are delighted to tell you that our judge, Peter Dench, has selected the attached image (‘Tomotaro on the Block’ … yeah that one again) to be included in this year’s Portrait Salon selection. This year, ‘Portrait Salon’ will be exhibited at the Royal Photographic Society in Bristol, from 21 – 28 November. It will then travel up to Harrogate to be part of the Photo North Festival, from 30 November – 2 December. The images will be presented both as a slideshow, and in print.”

Of course … I am stoked …

UK based ‘Portrait Salon’ is a sort of a ‘Salon des Refusés’ and solicits work that doesn’t make the winners cut of the monumental National Portrait Gallery (London) ‘Taylor Wessing Photographic Portrait Prize’ each year. Now in it’s 9th annual edition ‘Portrait Salon’ arguably shows more interesting work than the ‘Taylor Wessing’.

‘Tomotaro’ certainly has been good for me … as well as the ‘Portrait Salon’ and ‘FIPP’ mentioned above, it has also been recognised in the Tokyo International Foto Awards (TIFA), the Moscow International Foto Awards (MIFA), The Australian Photography Awards (APA) and the 12th International Color Awards.

Not far behind, ‘Generations – Aurukun’ has featured in the ‘IRIS’ and ‘FIPP’ mentioned and also the 2019 Portrait of Humanity and The Australian Photography Awards (APA).

Also at the end of October both of these images were announced ‘Winners’ in their respective categories (Editorial Sports and People) in the inaugural 2019 Budapest International Foto Awards (BIFA). Nice news to arrive home in Cairns to …

Images below © Brian Cassey … as follows from top … ‘Ramnami’ Maherttar Ram Tandon at his home in Churella Village, Chhattisgarh, India. Maherttar is covered all over his body with tattoos repeating the name of his God Rama … D. N. Verma amongst old manual typewriters that he is repairing at his Chhattisgarh Typewriter Works company in Raipur … my ‘Generations – Aurukun’ work at the ‘IRIS Awards‘, Perth Centre for Photography … ‘Tomotaro on the Block’ on the wall of the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle (the same pic as selected for the ‘Portrait Salon’ in the UK’) … ‘Generations – Aurukun’ at the ‘Fremantle International Portrait Prize’, Moore’s Gallery, Fremantle.

 

'Ramnami' from Chhattisgarh, India - image © by Brian Cassey

D. N. Verma - typewriter technician and owner of Chhattisgarh Typewriter Works in Raipur, Chhattisgarh, India - image © Brian Cassey

Image 'Generations - Aurukun' - finalist IRIS Awards, Perth Centre for Photography - © by Brian Cassey

'Tomotaro on the Block' 0 Fremantle International Portrait Prize (FIPP) - Finalist © Brian Cassey

'Generations - Aurukun' - Fremantle International Portrait Prize (FIPP) - Finalist © Brian Cassey

 

A Portrait ‘Treble’ at the Australian Photography Awards …

At the risk of sounding monotonous and repetitive … my apologies for once again featuring these three of my portrait images … but …

… all three have just been selected as ‘Honourable Mention’ Finalists in the Portrait category of the 2019 ‘Australian Photography Awards’ … pretty gratified with that.

Each of the three images have been really good for me … previously and variously being ‘mentioned in dispatches’ in the ‘Portrait of Humanity 2019’, ‘Moscow International Foto Awards’, ‘Tokyo International Foto Awards’, ‘Head On Portrait Prize’, ’12th International Color Awards’ … and the soon to be officially opened ‘Fremantle International Portrait Prize’ and  ‘IRIS Portrait Prize’ in Western Australia.

Below are the three … “Generations Aurukun” featuring Aurukun elders Silas and Rebecca Wolmby with their twin great grand children … “Tomotaro on the Block’ of Japanese paralympic swimmer Tomotaro Nakamura at the 2018 Pan Pacific Para Games in Cairns … and “Victim of Sorcery – Dorcas” of ‘Sanguma’ (sorcery) victim Dorcas Numbi Nunugi recovering from a near fatal attack at a ‘safe house’ in Goroka, Papua New Guinea.

The ‘Australian Photography Awards’ exhibition opens at Sun Studios Melbourne on October 12th and runs until October 20th. Sadly, will miss the opening as have already committed to the ‘FIPP’ exhibition event in Fremantle on the same day.

Promise that I’ll soon shut up about these three pics … and concentrate on producing some new work 😉 .

Images © Brian Cassey

 

Three Honourable Mentions in Portrait Category of the Australian Photography Awards 2019 by Brian Cassey

Cairns School Climate Strike in South Korea …

Last Friday school children around the planet once again took to the streets in their millions to protest against their respective governments refusal to instigate meaningful plans to combat the effects of climate change … and save the only home we have from possible extinction.

The ‘Global Youth Strike for Climate Action’ was the second World wide youth strike this year … and numbers this time far out-numbered the earlier event in March. I covered both events in Cairns for the Everyday Climate Change Global Instagram feed ( @everydayclimatechange ) which now has around a hundred and forty thousand followers.

At a (well timed) event in the city of Seongnam in South Korea the day before last Friday’s youth marches, an exhibition officially opened on the same subject of climate change … and it features my images made at the March climate action protests by school students in Cairns.

I was invited to participate (the only oversees exhibitor) in the exhibition ‘Every Day for Tomorrow’ … ‘ 내일을 위한 매일 ‘ … by event organiser and artist Yoa Eunkyung K, alongside three other South Korean artists with a variety of works and messages.

Hoseob Yoon ( 윤호섭 ) is an environmental activist and creative designer … the most well known artist working on environmental issues in South Korea.

Jeeyoung Lee ( 이지영 ) is a visual artist dedicated to spreading the word on climate change to the children of South Korea.

Joo Yangseob is a graphic artist who produces posters on the subject of climate change and social injustice.

Exhibition co-ordinator Yoa ( 좋아은경 ) uses wire in creative ways to make statements in her artworks.

So … it was a distinct pleasure to be asked to participate alongside such talent … and help showcase the plight of our planet to South Koreans. According to Yoa the subject of climate change is not a big issue in South Korea so it is gratifying to think the my images of Cairns school children may make a difference. The event was also an opportunity to showcase the work of our talented bunch of @everydayclimatechange photographers.

Below is the poster (top and bottom) for the exhibition which runs until the 27th October at the majestic Pangyo Eco Center in Seongnam … and just two of my images (© Brian Cassey) which grace the gallery wall made at the March schools climate action rally in Cairns.

Oh yes … apparently … my name in Korean is … ‘ 브라이언 캐시 ‘ … it’s on the poster (top) ! (at least I hope that’s what it says !).

Winning Portraits By Trinity Bay HS Students …

Once again … for the fourth year … had the pleasure last week of judging the work of photography students at the Trinity Bay High School Cairns annual portrait photography prize.

This year the exhibition walls at the school were covered in around seventy works … significantly more than previous years … made by students from grades 7 through to 12. For the first time more than one major prize was on offer … an overall ‘Best in Show’ and Junior (grades 7 to 10) and Senior (grades 11 and 12) Winners prizes.

‘Best in Show’ was a ‘no brainer’ … Lou Vang’s brilliant and highly technical portrait “True Self” (top below) demanded your attention with a mesmerising stare which followed you around the room. Lou focused critically on the most important point of the image … the eyes. A portrait that would stand on it’s own anywhere. Lou was awarded a Nikon D3500 courtesy of Garricks Camera House.

The Junior and Senior prizes, however, were a lot harder to decide upon. Following a fair bit of agonising I settled on the Junior winner … Kelli Baker’s creative “Fragmented” (bottom below) just getting the nod over Holly Koch’s dark brooding “Arinar in Shadow” (second from top below). The Senior decision was just as difficult but eventually settled on Marcus Pedro’s “Time to Destroy” (right – third from top) over Kayla Allan’s “Kales” (left – third from top).

Two others received ‘Highly Commended’ awards … Georgia Willis for “Windswept” in the Juniors and Tarik Clarke for “Denied” in the Seniors. Visitors to the exhibition voted “Saturated Vibrance” by Chantelle as the ‘Peoples Choice’ winner.

Another great exhibition by photography students at Trinity Bay … and a testament to the quality of the arts and photography teaching staff of Dan, Jim, Nina, Ian et al. Refreshing to see this dedication to the photographic arts.

Links to previous years winners and works can be found here … 2018, 2017, 2016.

Images © the artists … Lou Vang, Holly Koch, Kayla Allan, Marcus Pedro and Kelli Baker.

Trinity Bay High School Photographic Portrait Prize - Winner - Mugshot by Lou Vang

Trinity Bay High School Photographic Portrait Prize - Arinar in Shadow by Holly Koch

Trinity Bay High School Photographic Portrait Prize - Images by Kayla Allan and Marcus Pedro

Trinity Bay High School Photographic Portrait Prize - Junior Winner - Fragmented by Kelli Baker

Silas & Rebecca … Now at the IRIS Awards …

Last post I related that two of my images have recently been selected as Finalists in the Fremantle International Portrait Prize …

Now I have just learnt that one of the two has also been selected as a Finalist in the Perth Centre for Photography “IRIS Award” for portraiture … and that is bloody satisfying as it’s a ‘first’ for me.

Here’s how the IRIS Award describes itself … “The Award is an international prize recognising new and outstanding portraiture in photographic art. The criteria for selection focuses on portraits that are unique, compelling and engaging whilst maintaining excellence in photography. Concept, meaning and depth are equally as important as well executed work. Originality is essential and the award encourages work that is evocative and provocative and in some ways may be relevant to the current global cultural landscape.”

This year the award was judged by the highly esteemed and Internationally distributed GUP Magazine (Guide to Unique Photography) based in the Netherlands.

It seems this pic (below) met their criteria … “Generations – Aurukun” of Silas and Rebecca Wolmby and their great grand children. That in itself is rewarding, as the pic … originally made in 2016 during a News Ltd job in the Cape York indigenous township … thereafter languished forgotten and unloved in my archive until I again chanced upon it a few months ago. Since then it’s been around. The pic was Shortlisted and book published in the Magnum and British Journal of Photography ‘Portrait of Humanity’ project … and selected as a Finalist in the FIPP.

Very sadly, the wonderful gent Silas has since passed on. However, I hope to be travelling to Aurukun again in the near future and will make sure that Rebecca and the Wolmby family receive a big copy of the image.

The exhibition opening and prize announcement of the IRIS Award is on Friday 18th October at the Perth Centre for Photography Gallery, 357 Murray Street, Perth … just one week after the opening and prize announcement of the FIPP in Fremantle. WA friends … you are warned … 🙂

Image © Brian Cassey

IRIS Awards - Perth Centre for Photography - Finalist - "Generations - Aurukun' by Brian Cassey

‘On the Wall’ at Fremantle International …

Nice to learn that two of my images have been ‘short listed’ and selected as ‘Finalists’ in the bi-annual Fremantle International Portrait Prize. The two pics will be amongst the other ‘Finalists’ on the walls of the FIPP exhibition and vying for some tasty worthwhile prizes (courtesy of Nikon Australia and others) due to be announced on the opening eve at the historic Moores Building Contemporary Art Gallery , Fremantle on the 12th of October.

A total of over seventeen hundred entries were received from around the planet … and the selected ‘Finalist’ works hail from as far afield as Croatia, Hungary, the UK, the USA, Indonesia, Vietnam … as well as from across Australia.

My two works selected are … ‘Tomotaro on the Block’ (a portrait of Japanese paralympic swimmer Tomotaro Nakamura which has been mentioned in dispatches a few times previously … here, here, here and here) … and ‘Generations Aurukun’ (a portrait of Aurukun elders Silas and Rebecca Wolmby with their great grand children Shalona and Keola Wolmby … which was also previously selected as a ‘Finalist’ in the massive World wide ‘Portrait of Humanity’ printed collection and awards).

I’ve attended the Fremantle International Portrait Prize exhibition opening and awards eve on a couple of occasions in the past in 2015 and 2013 … and it’s always a great well presented and thoroughly enjoyable event. Hoping I can make the trek across the continent for it again his year as well …

After the big bash opening eve the exhibition of the selected works will be open at the Moores Building Contemporary Art Gallery, 46 Henry St, Fremantle, from the 13th to the 27th October. I’m sure it will be very much worth a visit.

Proceeds from this years FIPP go to help the Arthritis and Osteoporosis WA Foundation and to the Kai Eardley Foundation for Youth Mental Health.

Below are my two selected ‘Finalist’ works … ‘Generations Aurukun’ and ‘Tomotaro the Block’ (images © Brian Cassey)

'Generations Aurukun' - Fin almost Fremantle Portrait Prize 2019 - image of Aurukun elders Silas and Rebecca Wolmby with their great grand children - Shalona and Keola Wolmby by Brian Cassey

"Tomotaro on the Block' - Finalist Fremantle International Portrait Prize 2019 - image by Brian Cassey

Getting Wet on the GBR …

… made a lightning fast visit to the Great Barrier Reef out from Cairns recently for The Australian.

Journalist Graham Lloyd and I were choppered out to Moore Reef … certainly one of my quickest (and shortest) visits to the Great Barrier Reef !

A twenty five minute helicopter flight … then straight into the water with camera, reef crew Katherine, reef ecologist Eric and journalist Graham … forty five minutes working in the lagoon, the flat and the wall of Moore Reef … then straight back on the chopper to Cairns.

The Australian published a couple of my images to accompany Graham’s story on page 3  (middle pic below) with a pointer from page 1.

In the top two images below Katherine is exploring the ‘wall’ area of Moore Reef which was smashed during Cyclone Yasi in 2011, impacted by Cyclone Ita in 2014 … and then extensively bleached during climate change related extreme temperature events in 2016 and 2017. Damage on the ‘wall’ section is still evident but it does appear that corals are making a comeback (and the fish numbers were astonishing.)

Even on the ‘flat’ area between the lagoon and the wall … where there has been extensive bleaching (which I documented back in May 2017 for @everydayclimatechange and News) … there is some coral regrowth.

Sadly, with more frequent extreme temperature events and cyclones almost a certainty as the planet warms, the World’s largest reef system still faces a distinctly uncertain future.

The reef trip also gave me a chance to use a nice new bit of kit … the Sealife 0.5X wide angle dome lens … on my Sealife DC2000 underwater camera (pic bottom below). The wide angle is perfect for my choice of underwater pics … making underwater ‘landscapes’ much more impressive. If you are interested in any underwater kit (including the excellent Sealife system) may I suggest contacting Tim Hochgrebe at Underwater Australasia for the best range and prices.

Images © Brian Cassey

20190717_MooreReef_BrianCassey_Blog

MooreReefTheAustralian_BCBlog

SealifeWide

Tsunami at the Opera …

It never falls to amaze me where (and when) my images turn up in a publication or find another airing.

A couple of months ago I received an email from the most unlikely source … Opera de Lyon in France … who requested the use of an image of mine made way back in January 2005 during the tsunami disaster aftermath in Banda Aceh, Indonesia. They requested a licence to use the pic in their material promoting and supporting this years opera season “I Was Looking at the Ceiling and Then I Saw the Sky” … and they nicely offered (without persuasion) to pay rather royally for the privilege.

The photo was made amongst the rubble of the unspeakable disaster that was Banda Aceh after the 2004 Boxing Day tsunami. It certainly wasn’t the best, the most dramatic or most memorable image that I made covering that massive disaster in Thailand, Myanmar or Indonesia … but it was this specific photo that Opera De Lyon requested to adorn their seasons brochure 2019/20, web site, promotional material and The Theatre de la Croix Rousse opera program. Who am I to argue …

i wasn’t on my own to be selected to have an image grace this years Opera de Lyon season material. They also selected work from highly regarded photojournalists … Bangladesh born Washington DC based photographer Andrew Biraj … and Paris based PJ Véronique de Viguerie.

Opera de Lyon’s rationale for the use of the images was quoted as … “The vitality of opera today – and its relevance – lies essentially in its ability to decipher and to see the world, the world of yesterday and the world of today. Great works and great shows open windows on our time and our news. We wish to present photos that illustrate and counterpoint the works of the program; images that expand and enrich the perception we can have of these operas, and come to open our reflection to the wider world”. So there …

First … but hopefully not the last … time that my images made it to the ‘Opera’. 🙂

Image © Brian Cassey 2005 for Opera de Lyon 2019 … top from the Opera de Lyon web site … below from the Opera de Lyon seasons program for “I was Looking at the Ceiling and Then I Saw the Sky”. Sadly both suffered from clumsy cropping.

 

Opera de Lyon - 'I was Looking at the Ceiling and Then I Saw the Sky' - image by Brian Cassey made in the aftermath of the 2004 Boxing Day tsunami in Banda Aceh, Indonesia

Opera de Lyon - 'I was Looking at the Ceiling and Then I Saw the Sky' - image by Brian Cassey made in the aftermath of the 2004 Boxing Day tsunami in Banda Aceh, Indonesia

 

Moscow, Moscow …

MIFA - Moscow International Foto Awards - Winner Editorial Sport - 'Tomotaro on the Block' - image by Brian Cassey

… Thanks to a congratulatory Facebook post from AP photographer and mate Mark ‘Crusty’ Baker, I learnt that my image “Tomotaro on the Block” has been announced as Second Place (Silver) Winner in the ‘Editorial Sport’ category of the 2019 Moscow International Foto Awards (MIFA) … and will be shown at the Moscow Photocenter, Gogolevsky Boulevard, 8 Moscow (119019, г.Москва, Гоголевский бульвар, д.8) from the opening event on 19th June to the 24th June. (The original notification from ‘MIFA’ ended up in my ‘Junk’ folder … Thanks Crusty!)

Sadly … as much as I’d like to … I can’t make it to Moscow to see it and the other winners on show. (unless someone out there feels inclined to donate a return airfare 😉 !  … NB … I haven’t yet visited Moscow !)

As I bit of compensation, however, it turns out that I also received a ‘Highly Commended’ for another of my images … “Victims of Sorcery – Dorcas” in the ‘Editorial Conflict’ category … a combined result that almost mirrors that of a few months ago in the 2019 Tokyo International Foto Awards (see post ‘Two Up in TIFA’ here). Gratified that both these images have so far picked up several accolades between them.

The image of Tomotaro was made whilst covering the Pan Pacific Para Swim Games in Cairns (for the Canadian swim team) … whilst the image of Dorcas was made whilst working on a story on sorcery and witchcraft in Papua New Guinea for News Ltd’s News 360.

Below … the two awarded images from the “Moscow International Foto Awards” web site (click on each to take you to the full web site page) … Images © Brian Cassey

 

MIFA - Moscow International Foto Awards - Winner Editorial Sport - 'Tomotaro on the Block' - image by Brian Cassey

MIFA - Moscow International Foto Awards - Editorial Sport - 'Tomotaro on the Block' - image by Brian Cassey

Moran & Head On Photo Festival … Sydney Wrap & Chat …

A packed ten days in Sydney town … (with a quick dash back to Cairns in the middle.)

Plenty of reasons to make the trek to Sydney for the 10th Head On Photo Festival … my “Rain Over Black Mountain” work on the walls of the Moran Contemporary Photographic Prize Finalist exhibition and a fantastic prize announcement eve bash …  an ‘artist talk’ to a nice receptive crowd at the Moran Prize Juniper Hall Gallery … hanging and the opening of my “18 Minutes Inside Manus Detention Centre” Head On exhibition at White Rhino Artspace … a glimpse of my Head On Portrait Prize semi-finalist “Tomotaro on the Block” at Paddington Town Hall … AND the opportunity to see brilliant work on many and varied exhibition walls and spend some quality time with many photo colleagues and friends old and new. It all went far too fast …

I could rave on for pages about the all the happenings over the ten days … but will have to abbreviate this just to the (many) highlights … here goes …

The grand opening eve of the 10th Head On Photo Festival and announcement of prize winners … including the camaraderie in the pub afterwards … with photographers David Dare Parker, Tracey Nearmy, Melanie Russell, Tami Xiang, Max Mason-Hubers, John Swainston and many more … pic editors News 360’s Neil Bennett and Fairfax’s Mags King … and photo industry personalities Alison Stieven-Taylor and Sally Brownbill.

A personal tour of the wonderful exhibition “Heat” at the Bondi Pavilion by the very talented photographer and great guy in question Paul Blackmore.

The opening eve of the exhibition of the work of infamous eccentric photographer Helmut Newtown in the gallery of the equally eccentric paparazzo Darryn Lyons … and the artist talks there by David Bowie photographer Masayoshi Sukita (who was celebrating his 81st birthday) and US music photographer Chris Cuffaro … followed by more pub natter with Natalie Grono, David DP, Max MH and more.

In Paddington Reservoir Gardens, the “Photos 1440” exhibition by the SMH with personal ‘commentary’ by pic editor Mags King and staff photographer Kate Geraghty … and also the brilliant images in “Like Last Years Snow” by Oded Wagenstein.

Head On ‘Conversations’ … two of the panel talks stood out … “Recapturing the Audience : Why is Nobody Paying Attention” … and “Truth, Lies and Censorship” (with US professor and artist Jennifer Greenburg outstanding in the later).

The great work of mate David Dare Parker covering the Rohingya story … “Exodus : Rohingya Refugee Crisis Bangladesh” … on the walls of the Delmar Gallery.

The truly memorable eve at the Moran Contemporary Photographic Prize opening and 2019 results at Juniper Hall and the spill over into the Imperial Hotel next door (with a whole bunch of great photographers and mates). Great to see “Rain Over Black Mountain” on the walls amongst other finalist works from a host of so talented colleagues (too long to list but you know who you are !).

My little ‘chat’ (‘artist talk’) to a crowd on a pleasant Sunday afternoon at Juniper Hall for the Moran Contemporary Photographic Prize.

Fantastic to see my work “18 Minutes Inside Manus Detention Centre” on the walls again … this time at the ‘White Rhino Artspace’ as part of the Head On Photo Festival. A huge Thanks to ‘Rhinos’ Catie and Regula for their help hanging and organising a thoroughly enjoyable ‘opening’ event that attracted many visitors … some of which were old friends/colleagues who I hadn’t seen for many years.

Lastly, but nowhere near least, the fabulous hospitality shown by the Head On Photo Festival crew … both widely across the entire festival and at the Paddington Town Hall ‘Hub’. Moshe (OAM), Anita, Stephen, Paula and all of you … I profusely Thank You !

Below … from top … Images © Brian Cassey … “Rain Over Black Mountain” on the wall of the beautiful Moran Contemporary Photographic Prize gallery, Juniper Hall … White Rhino Artspace owners Catie and Regula hang my “18 Minutes Inside Manus Detention Centre” work on the walls of their St Leonard’s gallery … the Head On Photo Festival crew (with director Moshe Rosenzvieg OAM second for left) during the “18 Minutes Inside Manus Detention Centre” exhibition launch at White Rhino Artspace … my Head On Portrait Prize semi-finalist work “Tomotaro on the Block” displayed at the Head On festival ‘Hub’, Paddington Town Hall.

'18 Minutes Inside Manus Detention Centre' - exhibition at White Rhino Artspace, Sydney - work by Brian Cassey

'18 Minutes Inside Manus Detention Centre' - exhibition at White Rhino Artspace, Sydney - work by Brian Cassey

Head On Portrait Prize 2019 - 'Tomotaro on the Block' - semi-finalist image by Brian Cassey