Back to PNG …

Just back from another ‘interesting’ week in Papua New Guinea where I worked on a couple of new stories. It’s never dull working in and with the people of PNG … and this trip was certainly no exception.

The ‘uncertainties’ that always surface when working in the country were intensified on this trip – and ‘tales’ will be told in the future I’m sure. Due to publishers request the exact story lines of the work cannot be divulged at this time (and I haven’t got far into the writing side of things as yet) … but below I’ve posted three images made during my time on the PNG visit last week … as a bit of a teaser.

All images © Brian Cassey 2014

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Curating ‘The Genesis Project’ …

In just two weeks I will officially lose my ‘curatorial virginity’ when “The Genesis Project” – a feature and headlining exhibition event of the ‘2014 Head On Photo Festival’ – opens on May 20th at the ‘M Contemporary Gallery’ in Woollahra Sydney.

‘Genesis’ is the result of the germ of an idea, persistence and a lot of hard work … and the faith of ‘Head On’ director Moshe Rosenzveig.

The concept of the exhibit is to examine ‘at what point do photographers become photographers’ ?

What were the catalysts that transformed a child, teen, young adult into a potential devoted pro photographer. The moments when through creating an image they realised “this is what I want to do – become a photographer and make photographs – to capture life’s moments”.
I have asked renowned photographers from a range of photographic disciplines to delve back into their individual photography archives from childhood and onwards – and rediscover some of their first photographs taken on their first, sometimes primitive, cameras – images from their first rolls of colour – their first pics on an SLR – their first published photograph – and the moments that moved or excited them.
To tell the stories of those formative creative moments that helped mould them into the experienced passionate photographers that they have now become.

We have assembled fabulous unseen images and previously untold stories from our photographers who share their insights into their compelling work from their earlier days experimenting with or developing as a photographer and the pivotal moments in their careers.

Here is our impressive list of contributing photographers – Ben Lowy, Roger Ballen, Murray Fredericks, Chris Rainier, David Dare Parker, Fiona Wolf, Jackie Ranken, Katrin Koenning, Martine Perret, Sam Harris, Glenn Campbell, Jon Lewis, Peter Eastway, Craig Golding, John Donegan, Peter Solness, Phil Hillyard, Moshe Rosenzveig … and then there’s me too …

I thank them all.

All are more than welcome to attend the opening eve of a very different and engaging photographic exhibition, Tuesday May 20th from 6.30pm at ‘M Contemporary Gallery’, E37 Ocean Street, Woollahra, Sydney.

You may bag yourself a real photographic collectors item.

Below is one of my two personal ‘seminal’ images  – made many many  decades ago in Portugal on the first roll of colour transparency film I ever shot – that will be one of the works on sale at “The Genesis Project”. The image has been scanned directly from the original faded, mouldy and dusty Agfa slide. To see the full story behind behind it and the similar works of our contributing photographers please come to the exhibition that will run from opening night May 20th till June 8th.

Image © Brian Cassey

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“Proof” Positive in Darwin …

Had the great pleasure to attend and be part of Darwin’s photojournalism festival premiere –  “Proof: Photo Essays from the Top End” – on the weekend.

The brain child of curators Maurice O’Riordan, Crystal Thomas and my ‘fotostrada’ colleague Glenn Campbell, the exhibition – set to be a bi-annual event – was split between two venues on the ‘Darwin Waterfront’ and the ‘Northern Centre for Contemporary Art’. The work of thirteen photojournalists including yours truly made for an impressive show.

Legendary Northern Territory PJ’s Clive Hyde and Baz Ledwidge presented remarkable samples of their work from the 1970’s and 80’s … the era of Lindy Chamberlain, Bob Hawke and Cyclone Tracey … alongside current and much younger NT  photographers Elise Derwin and Daniel Hartley Allen. Andrew Quilty showed his black and white panoramic prints made after Cyclone Yasi struck northern Queensland and Jakarta based Ed Wray his great ‘Monkey Town’ set on Indonesia’s performing monkeys. Glenn Campbell hung his work produced in the Solomon Islands of the Australian Defence Force.

The greatest pleasure, however, was catching up with fellow ‘interstate’ exhibitors Megan Lewis (now based in Sydney) and Martine Perret (now based in Margaret River WA). Megan exhibited some of her well known prints of the Martu people in the Great Sandy Desert – from the ‘Conversations with the Mob’ collection – and also took time to perform in her ambassadorial role with Fujifilm to present a slide show and talk on her work and the use of the new Fujifilm X-T1 camera. Martine presented samples of her work ‘Trans Dili’ on trans gender men in Timor-Leste. Some hours were spent with Martine, Megan and Glenn gabbing about the industry, past assignments, state of photojournalism and other meaningful ‘stuff’… including a stint on the obligatory Mindil Beach that lasted for several hours after sunset! (NB … Glenn missed the beach stint as he was stuck offshore ‘working’ on a boat – but was ably replaced by Fujifilms Kevin Cooper.)

My contribution to the exhibition was “The Aak Puul Ngantam Stockman” set … at the curators request … not mine.

The festival is a great initiative and I look forward to seeing it once again in Darwin in 2016.

Below are pics of the two venues … top is the ‘Darwin Waterfont’ exhibit featuring the work of Megan Lewis, Clive Hyde, Elise Derwin and Baz Ledwidge … below is a pic from the ‘Northern Centre for Contemporary Art’ which shows my exhibit. Also at the NCCA is the work of Martine Perret, Glenn Campbell, Andrew Quilty, Ed Wray, Daniel Hartley-Allen, Regis Martin, Frederic Mit and Made Nagi.

images © Brian Cassey

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Travel Portraiture Spread in Digi Mag …

… about to hit the newsagents any day now … the new edition of ‘Digital Photography’ magazine features a seven page spread of my work under the title “The Art of Portraiture”.

The renowned enthusiast and pro photographer mag saw fit (for some reason) to use fifteen of my photographs accompanied by twenty of ‘my tips on travel portraiture’.

Not that I’m complaining … they have used a nice selection of my pics and the layout is neat and eye catching … and there are a few images on the pages that have not seen the light of day in a publication previously. The twenty ‘tips’ are all pretty obvious and I’ve probably left out the most important ones!

Please do the publisher a favour and go buy a copy … but if that’s not on …

Below are screen shots of the ‘Digital Photography’ seven page spread. All images (and my tips!!) © Brian Cassey

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‘Proof: Photo Essays From the Top End’ …

Very pleased to be one among the excellent compliment of thirteen photojournalists showing their work next month in Darwin’s new festival of photojournalism  – ‘Proof: Photo Essays From the Top End’.

The festival has not one but two openings in two venues. Friday May 2nd sees work unveiled on the Darwin Waterfront from 6.30pm whilst Saturday May 3rd sees the opening of the display at the Northern Centre for Contemporary Art at noon.

The other dozen photographers exhibiting in ‘Proof’ are Megan Lewis, Clive Hyde, Andrew Quilty, Ed Wray, Martine Perret, Elise Derwin, Daniel Hartley-Allen, Baz Ledwidge, Madi Nagi, Regis Martin & Frederick Mit … and my ‘fotostrada’ colleague Glenn Campbell who is also helping curate the exhibition.

My work on display will be the portraits collection from my “The Aak Puul Ngantam Stockman” set, which has previously been shown at the Global Gallery in Paddington Sydney during the Head On Photo Festival and The Tanks Arts Centre in Cairns.

It promises to be a fantastic show … so if you’re in the ‘Top End’ between the first week in May and the end of the show on June 1st … please do come along to see some excellent photojournalism.

 

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Sunshine Coast … & Nikon-Walkley …

Just returned from three days ‘down south ‘at Mooloolaba southern Queensland, courtesy of  the Walkley Foundation and the University of the Sunshine Coast.

My (rather pleasant) tasks over the three days were to ‘talk my head of’ on the subject of photojournalism at the ‘Ord Minnett Art & Architecture Lecture’ series, host five classes of University journalism students … and perform as ‘guest speaker’ at the Sunshine Coast opening of the ‘Nikon Walkley Press Photography Exhibition’.

Despite torrential rain and flash flooding (Sunshine Coast ?) all the events were extremely well attended. The ‘Nikon Walkley Press Photography Exhibition’ was hung by the charming USC Gallery curator Dawn Oelrich and the prints were very well presented and lit in the campus Gallery ‘space’. Well over a hundred braved the lousy weather on Thursday eve to attend, view the work selected as Australia’s best press pics of 2013 and listen to myself rabbit on about photojournalism and my and the other finalists work. CEO of the Walkley Foundation and MEAA Federal Secretary – Chris Warren – was also in attendance to address the throng.

On the previous night over thirty five souls were brave enough to withstand over an hour of my ‘Ord Minnett’ lecture. To support my words on the subject of photojournalism I also projected over a hundred images and demonstrated some obscure pieces of camera kit. Some of the pics and some of the kit dated back … well … a few decades.

I also spoke to five classes of journalism students … almost a hundred in total … on the press photography in the gallery (including mine of course) and the fragile  future of photojournalism. Several young students were, however, determined to continue along the PJ path.

Still, it made a pleasant change to spend my time talking about pictures rather than making them.

In case you missed it you can find my selected ‘Nikon Walkley Press Photographer of the Year’ portfolio here … http://www.flickr.com/photos/walkleyfoundation/sets/72157636407740096/

Below are two quick pics from the exhibition opening eve of guests checking out the wall with my selected ‘Nikon Walkley Press Photographer of the Year’ print portfolio.

All images © Brian Cassey

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More Trip Pics …

Still trying to find the time to edit all the images from the just completed trip to the UK, France, China and Japan. (See previous post below).

Came across these two when doing a further cursory edit yesterday.

The top image was made at the Sensoji Temple in Asakusa Tokyo Japan.  A Buddhist devotee is praying amidst the incense smoke – worshippers believe that immersing oneself in the smoke purifies, heals and brings good luck. The temple complex dates back to 645AD.

The second image was made at the village of Beizhai about an hours drive from Beijing China. An itinerant worker rests from the carting of all his possessions.

Images © Brian Cassey 2014

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Travel … UK, France, China, Japan …

Just returned from a five week trip to the UK, France, China and Japan. Ostensibly it was for recuperation and a respite from taking pics (with the bonus of a UK Christmas).

However, as a freelance, the reality is that far too many pic opportunities regularly rear their heads whilst travelling … and I always found myself lugging at least one camera (Nikon Df, Fuji XE-1, Fuji X100), sometimes more (in addition to the obvious iPhone for the odd Instagram). There is a persistent deep seated optimism that images made on a trip may make the odd dollar/quid somewhere down the track!

Occasionally hefting the kit paid dividends … (although how I failed to leave at least one camera or lens in any of bar, bistro, boulangerie, museum, gallery, palace, temple, hotel, hutong, noodle or teppanyaki restaurant is beyond me … )

Below I’ve posted just a few of my favourite images from the past weeks overseas.

Unfortunately, I left Japan on the day the big January Grand Sumo Tournament commenced at the National Sumo Hall in Ryogoku Tokyo, so I decided to get up very early the previous day and attempt to catch Sumo in last minute training at their ‘Beya’ or Sumo ‘stables’. The stables were very difficult to find … and when found even more difficult to gain access. (I now understand the Japanese ‘sign’ for ‘NO’!)

However, persistence paid off … and I made the top image below through a small glass window of Sumo going through their final training session.

What must be the most bizarre rail journey on the planet was the subject of the second image.
The weirdly named ‘Shanghai Pedestrian Transit Tunnel’ runs from the beautiful Bund under the Huangpu River to the new Pudong skyscraper district of Shanghai China. It isn’t a ‘pedestrian’ tunnel at all … passengers are transported under the river in little carriages and assaulted with a trippy light and sound show during the four minute journey. Money … and not just a few dollars … well spent! (in contrast the ferry across the river costs less than 35 cents!).

The image gives some sense of the insanity of the journey.

In the third image … there is no place better to read a book on a sunny but bloody cold winters day than on the pavement of the Avenue Victoria on the west bank of the Seine in Paris !

Images © Brian Cassey

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New Nikon Df … and London …

Thanks to the efforts of Nikon Australia and ECS Sydney I now have a nice spanking new piece of kit – the Nikon Df – to play with during the current trip back in the UK.

First impressions of the new retro style full frame Nikon Df DSLR is that it fits nicely in the hand, is light enough to carry around all day … and produces great images. It’s amazin’ how easily and quickly you fall back into using the old fashioned dials to adjust settings rather than the newer fangled buttons and windows. Must be in my blood … ! (Must say I prefer the look of the black body Df … the chrome version looks a little too ‘busy’ and a little overstated to me. But that’s just me … ).

The Df uses the innards of Nikon’s D4 so the low light results are truly spectacular. I’ve attached below a quick frame shot at night on the wet cold streets of London – deliberately shot under exposed for pictorial effect.

Image © Brian Cassey

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Betel Ban on Web …

Have now added the pic essay “Betel Nut ban in PNG” to my personal web site at … https://www.briancasseyphotographer.com/photographs/betel-nut-ban-png/

It is already in place on the web site of the photojournalist collective ‘fotostrada’ in “Latest Stories”at … http://www.fotostrada.com/#/latest-stories/betel-nut-ban-hard-to-chew/BCBetelNut12

The essay was the result of a recent (self funded) visit to Papua New Guinea and it was published, along with the result of my dodgy written word skills, in the Sydney Morning Herald. You can see the story here … http://www.smh.com.au/world/chewing-over-a-betel-ban-20131108-2x6ra.html … and the online SMH pic gallery here … http://www.smh.com.au/photogallery/world/the-betel-nut-20131108-2x6hb.html .

The story/pics is also due for publication this month in PNG magazine “Lily”.

Below is just one of the images from the essay … “City Rangers” scour the central business district of Port Moresby on the lookout for the now illegal betel nut.

image © Brian Cassey

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Betel Ban – Words and Pics in SMH …

Making Images is one thing … but putting words together is a little more problematic.

So, I’m more than a little gratified that the Sydney Morning Herald has today published my 1000 word story “Chewing Over a Betel Ban” (and three pics) on page 8 of their News Review section. They are also running the story online and an accompanying pic gallery of seventeen images.

The story and images are the result of a recent (self funded) visit to Papua New Guinea to document the story of the just imposed ban on the sale and public use of the habitual carcinogenic betel nut – or ‘buai’ as it is called locally. The social implications of the ban and it’s effect on the betel nut trade that is a bread winner for a massive proportion of PNG residents will be immense.

The results of my journalistic torment can be found here in the SMH at http://www.smh.com.au/world/chewing-over-a-betel-ban-20131108-2x6ra.html … and the image gallery here at http://www.smh.com.au/photogallery/world/the-betel-nut-20131108-2x6hb.html (update: unfortunately SMH have now – as at Oct 2015 – removed these.)

The complete essay of 27 images on the betel nut story can be found on my website at https://www.briancasseyphotographer.com/photographs/betel-nut-ban-png/ and on the web site of the  ‘fotostrada’ collective at http://www.fotostrada.com/brian-cassey/betel-nut-ban-hard-to-chew/BCBetelNut12/

Below is a screen grab of the SMH story as published on the printed paper page.

Images/Words © Brian Cassey

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PNG Ban Hard to Chew …

Have now posted a new pic essay made during a recent visit to Papua New Guinea to “Latest Stories” on the web site of our collective ‘fotostrada’. The essay is entitled “Betel Nut Ban Hard to Chew” and it documents in pics (and words) the curious situation following the contentious imposition of a ban by the city of Port Moresby on the sale or public use of the traditional, natural but carcinogenic stimulant betel nut – known locally as ‘buai’.  The city cites the expense of the constant clean up of the bright red betel nut spittle stains and husk refuse and a concern for citizens health as the reason for the ban. (Betel nut use has been linked to mouth and other cancers and the spread of tuberculosis).

However, the betel nut trade is lucrative and large – and an entire underclass of PNG residents derive their total income from ‘buai’ sales.  Tensions are running high with opponents of the ban predicting social unrest, an increase in crime and prostitution (and therefore AIDS) and a break down in law and order.

The images were made at local markets (at least at those still allowed to sell betel nut until a November 1st deadline), at sellers and users communities and homes – and in Port Moresby city centre where ‘Rangers’ now search the streets for elicit ‘buai’.

Am hoping for a publication of the images and a comprehensive story in the next week or so.

Below I’ve posted just two of the images from the set which can be viewed in it’s entirety here at http://www.fotostrada.com/brian-cassey/betel-nut-ban-hard-to-chew/BCBetelNut12/

Images © Brian Cassey 2013

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Papua New Guinea … Police Agro …

Just returned from five days in and around Port  Moresby, Papua New Guinea working on a coupla new stories (all will be revealed in due course).

All went well … even a dramatic and stressful encounter with two extremely agro man mountain police officers at Hohola market. They animatedly berated me – “Who gave you permission to take photos” and other rubbish – and then the largest grabbed my Nikon D3S and dragged it into his police ute. I didn’t let go and a war of words ensued while we had a tug-of-war! Despite heated threats of arrest and a ride to the police station I think I eventually wore them down and they decided it was too hard … and I got my camera back!

Currently wading through a large edit of the PNG images … but have posted just one new image below, made at Eight Mile on the outskirts of Port Moresby.

© Image Brian Cassey 2013

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Fancy Banana Leaf Curry Then … ?

Have posted a new pic essay – “Aravind’s” to the ‘fotostrada’ web site in ‘Latest Stories’.

The essay evolved as more of a personal challenge during a quick stopover in Singapore … and an excuse for a nice lunch.

Whenever I visit Singapore I try to find time to visit Little India for a banana leaf curry. For some bizarre reason it is said that the best banana leaf curry dishes are not in India but tucked away in the back streets around the Hindu Sri Veeramakaliamman temple on the main drag of Little India Singapore. ‘Aravinds Curry’ is one such banana leaf restaurant …

This essay is just a small window on the life of a little every day local eatery in one of the planet’s great multicultural cities …

Below is just one image from the essay – the complete twenty one image set and text can be found here – http://www.fotostrada.com/#/latest-stories/aravinds/BCAravinds1

Image © Brian Cassey 2013

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The Other Side of Manus …

“The Other Side of Manus” essay – documenting life on the Papua New Guinea Island near the Equator that is more than just an Australian detention centre for asylum seekers – is now up on my personal web site at … https://www.briancasseyphotographer.com/photographs/side-manus/

In addition it can also be found on the web site of the collective ‘fotostrada’ in ‘Latest Stories’ at … http://www.fotostrada.com/#/latest-stories/the-other-side-of-manus/

The essay was originally made for News Ltd, was published in full in the ‘Australian’ and can be found here.

Below is just one of the images from the full essay.

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‘Lost Boy’ in The New Republic …

Great magazine with imaginative layouts and excellent writing – ‘The New Republic” – published in the US and covering politics, culture and the arts, is a breath of fresh air in magazine publishing. Great shame there isn’t a mag like it in Australia.

Have just received a hard copy of the latest September edition with several of my images of Restoration Island ‘stowaway’ David Glasheen accompanying a great piece of writing by journalist Kent Russell. The story – entitled “The Lost Boy of Restoration Island – Is It Possible to Disappear Completely” and scrawled over the pages with crayon – runs over all of twelve pages and utilises one of the nicest and most creative layouts I’ve seen in a magazine. The remainder of the issue is full of similarly great reading again using great layouts. Kudos to ‘The New Republic’.

Kent’s words brilliantly capture the character and essence of island loner David Glasheen and his lifestyle on tiny Restoration Island off the coast of Cape York Peninsula near Lockhart River. Six of my images of David, made on the island, accompany the text.

Although the article is best viewed in the print edition to appreciate the fantastic layout, you can also read Kent’s words and see my images online at http://www.newrepublic.com/article/114549/dave-glasheen-lost-boy-restoration-island

Below is a grab of the first two title pages of the twelve page article in the print edition showing the imaginative layout with just one of my images of David.

Image © Brian Cassey

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Fremantle Portrait Prize …

Had the pleasure on the weekend of being a guest at the opening eve of the ‘2013 Fremantle International Portrait Prize’ at the Moore’s Contemporary Art Gallery in … uuumm … Fremantle.

An excellent array of the finest examples of photographic portraiture, I was indeed fortunate to have two of my images amongst the 2013 collection – “Stockman” and “Carol – Burns Survivor”.

Enjoyed the evening’s events with photographic colleagues David Dare Parker, Richard Wainwright, Peter Ramshaw and others as we were entertained by a string quartet (nice touch!).

The exhibited work was of an exceptional standard and a testament to the organisers of the Prize which is in only it’s second year. Work from thirty countries around the Planet were amongst the entries which totalled near two thousand and, indeed, the winning photographer hailed from Croatia! The exhibition runs at Moore’s until September 1st. The next ‘Fremantle International Portrait Prize’ will be in 2015.

Below are pics of the Moore’s gallery space and my two images as they were hung – “Stockman” and “Carol – Burns Survivor” (©Brian Cassey).

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More Manus …

As flagged in the last post below, the ‘Courier Mail’ did, indeed, use my new images from  Manus Island Papua New Guinea in a ‘spread’ in Saturday’s print edition.

The entire essay is now also on the web site of my collective ‘fotostrada’ in ‘Latest Stories’ at … http://www.fotostrada.com/#/latest-stories/the-other-side-of-manus/ … also can still be found at ‘The Australian’ online here … and will soon be added to my personal website.

An image of the ‘Courier Mail’ spread is below …

All images © Brian Cassey

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Manus Island and Papua New Guinea …

Thanks to Kevin Rudd and his new ‘Pacific Solution’ for asylum seekers I got to spend all of  last week in Papua New Guinea and Manus Island for News Ltd.

In Port Moresby we met, photographed and spoke to local Muslims, Bangladeshi shop keepers and local Papuans and listened to their opinions about Rudd’s plan. The images made several spreads in News Ltd publications and front pages of the ‘Courier Mail’ and the ‘Daily Telegraph’. I also photographed the PNG Prime Minister Peter O’Neill (and one of my images of  him appeared in todays edition of  ‘The Australian’ 30th July.)

Manus Island itself was a revelation. When Manus is mentioned these days most are only aware of the ‘hell hole’ asylum seeker detention centre (at which we managed to get ‘detained’ ourselves for some time!).

In reality Manus is a beautiful tropical island almost on the Equator and home to fifty thousand of the most delightful, beautiful and cheery residents you could imagine. My time on the island (apart from the detention centre incident and difficulties with communications) was an absolute delight.

As well as making images of departing asylum seekers and arriving politicians, I worked on a picture essay entitled “The Other Side of Manus” to contrast the reality of Manus island with it’s perception as just a dismal detention centre.

So far ‘The Australian’ has run the entire “The Other Side of Manus” essay at … http://www.theaustralian.com.au/news/galleries/gallery-e6frg8zf-1226687067192?page=1  … and the ‘Courier Mail’ is planning to run it in their print edition later this week.

A great and rewarding weeks work in more ways than one …

Below are some of the images and a copy of one of the front pages – from the top – just three chosen from “The Other Side of Manus” essay of 25, an image of a family living inside a WWII bunker in Port Moresby and the front page of the ‘Daily Telegraph’ on the 22nd July.

All images © Brian Cassey

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“From Mansions, To Cages, To Coffins — Hong Kong’s Rotten Property Ladder” …

“From Mansions, To Cages, To Coffins — Hong Kong’s Rotten Property Ladder” … that’s the title that my new story – text, photos, pic essay and audio – is running under in the article published this week in the ‘Global Mail’.

The piece is the culmination of a couple of trips to Hong Kong and months of research and planning … however, the result made all the effort worthwhile.

Pretty grateful that the guys at the ‘Global Mail’ thought my journalistic work in both words and images worthy of publication (and payment of course!). I’m also grateful to the poor of Hong Kong I visited, who accepted my appearance with grace – if not always with outright enthusiasm.

This is the first publication of the wider story of the poor of Honkers which includes the relatively new phenomenon of “Coffin Homes”, the more established rooftop shanty villages, the evictions from old industrial buildings and the homeless – and follows on from my original work on “Cage Homes” (which was published on ‘CNN World’ and in the ‘Daily Mail’ amongst others.)

Below is a screen shot of just the first few pars and
images from the story … you can find the complete story on the ‘Global Mail’ at http://www.theglobalmail.org/feature/from-mansions-to-cages-to-coffins-hong-kongs-rotten-property-ladder/626/

Images and Text © Brian Cassey

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Cairns to Sydney to Kuala Lumpur …

An event filled week ! Travelled back to Sydney to take in more of this years ‘Head On Photo Festival’, a bit of the ‘Reportage Photography Festival’, the first ‘Walkley Slide Night’ of 2013 … and … the opening at Global Gallery Paddington of my exhibition “The Aak Puul Ngantam Stockman”. 

Straight after exhibition opening eve it was off to Kuala Lumpur Malaysia for the exhibition and winners announcement at Galeri Petronas of the “2013 Kuala Lumpur International Portrait Awards”.

“The Aak Puul Ngantam Stockman” exhibition was obviously a highlight … and Global Gallery was chockers with media photographer colleagues, friends and many others enjoying the ‘hospitality’. Moshe Rosenzveig from Head On kindly arrived to give the opening address.

The exhibition comprised fourteen near metre high prints of the entire mustering crew of the indigenous operated APN Cape York operation … including stockmen young and old, helicopter pilot, cook, junior Jillaroos, teacher … even newcomer stockman journalist Michel McKenna (who made the trip from Brisbane for the opening to admire his ‘visage’ !)

The “2013 Kuala Lumpur International Portrait Awards” was also a fantastic exhibition … well worth the effort and some fantastic work adorning the walls of Galeri Petronas under the twin towers … including my selected finalist image “Roustabout” of APN’s versatile do-it-all guy Perry Ward.

Printed almost two metres high on beautiful canvas and displayed spotlighted on a massive black wall, “Roustabout” certainly had the ‘wow’ factor as you entered the gallery! (see image below). Unfortunately it wasn’t selected as a top three winner. The winning image of a street band certainly was a very special image. Not so sure about second and third selected images tho’!

Below is a pic of the “Roustabout” image as it was displayed in KL … and a couple of pics from the Global Gallery  APN exhibition opening eve in Paddington.

© images Brian Cassey

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Head On Festival and Portrait Prize …

Travelled down to Sydney for the launch of the five week long “Head On Photo Festival” and the announcement of the 2013 “Head On Portrait Prize” winners.

The Turner Hall at Sydney TAFE Institute was packed to it’s (very beautiful) rafters for the Festival launch, the “Head On Portrait Prize” winners announcement and also the announcements of the new “Head Off Landscape Prize” and the “Head On Momento Photobook Awards”.

Absolutely thrilled when Head On director Moshe Rosenzveig announced that I was ‘Winner of Second Prize’ in the portrait award for my image “Stockman”. I was joined up on stage by Jonathan May who made the amazing winning image and third place winner Matthew Reed.

“Stockman” (Dominic Ngakyunkwokka) is just one image from the series “The Aak Puul Ngantam Stockman” originally made for a story by ‘The Australian’ journalist Michael McKenna (who also features in the series). You can see the entire “The Aak Puul Ngantam Stockman” collection of prints at the Global Gallery in Paddington Sydney from the 29th May till the 9th June, as a “Head On Festival” featured exhibition. Please come along for opening night celebrations and a drink or two from 6pm.

The day after the Global Gallery exhibition launch I’m orf to Kuala Lumpur where another image from “The Aak Puul Ngantam Stockman” – “Roustabout (Perry Ward) – is a finalist in the “2013 Kuala Lumpur International Photography Awards” and will be exhibited at “Galeri Petronas” in the Petronas Towers KL from the 23rd May till 23rd June. Winners announcement is 5pm June 1st.

The exhibition of the “Head On Portrait Prize” winning images and thirty seven other Portrait Prize Finalists can be seen at the State Gallery of New South Wales, Sydney until the 23rd June.

There are galleries of winning and finalist images from the Portrait, Landscape and Book Prizes on the web here at ‘TimeOut’ ,  here at “Fairfax News” and here at “Photojournalism Now”

Here (below) is how my “Stockman” image is displayed in the State Library of NSW – image © Brian Cassey

HeadOnSLNSW

Cape York Cattle Muster Essay …

Have now found time to post a new photo essay from the Cape York mustering trip – “Cattle Muster Cape York”  – to the web site of my collective ‘fotostrada’ under ‘Latest Stories’. The new essay is in addition to the “Aak Puul Ngantam Stcokman” essay of portraits posted earlier.

This set of images were made during the mustering operations – by horse back, helicopter and quad bike, on the remote property out from the indigenous township of Aurukun. The stock they are mustering, numbering about 5000, are the remnants and descendants of a failed cattle venture in the 1990’s.  The participants are a mix of elder experienced former aboriginal stockman, young indigenous men from Aurukun keen to learn the ropes, a white family of head stockman, wife and cook and two daughter Jillaroos, a teacher for the kids and a ‘roustabout’ – all of whom are directly involved in the day to day hands on mustering operation.

The venture is an attempt to provide sustainable employment and a sense of pride in the indigenous town – and break the cycle of booze, drugs, violence and welfare dependency.

They have already had some success with the sale of mustered stock fetching record prices at a recent Mareeba cattle auction.

The work was made for ‘The Australian’ newspaper with text by journalist Michael McKenna and was published over four pages (including page 1) of  ‘The Weekend Australian’ edition (see earlier post below.)

Posted below are just three images from the complete essay which can be found in full at http://www.fotostrada.com/#/latest-stories/cattle-muster-cape-york/BCAurukunAPN24

Images © Brian Cassey

‘fotostrada’ … BEST images of 2012 …

As another year draws to a close all of us at the ‘fotostrada’ collective are determined not to be outdone by all the ‘best of’ image lists that sprout online and in apps at this time of year.

So … we’ve come up with our very own “The ‘fotostrada’ BEST of 2012” gallery … which is now live on our web site at http://www.fotostrada.com/#/best-images-of-2012/ !!!

We’re a well travelled lot … and the images in our 2012 BEST collection were made as far afield as Afghanistan, India, China, England, Turkey, Myanmar, Sri Lanka, Vietnam, Malaysia and Antarctica … as well as all around Australia.

All of us at ‘fotostrada’ hope you enjoy the images … and would like to wish you all an excellent holiday season.

Below are the collected thumbs of the gallery images … click on it to take you to the full size Gallery images.

© Brian Cassey, Dean Lewins, Tracey Nearmy, Sam Mooy, Kelly Barnes, Glenn Campbell, Mark ‘Crusty’ Baker, Graham Crouch, Dean Saffron.